#anyway i think i want to try to make more simple illustrations like this in the future

[sokoe]

Florida beach at very early dawn, for my sister's birthday

#beach #florida #palm trees #artists on tumblr #digital art #landscape #my art #sokoeart #i wanted to try something more abstract like and simplified and focus more on colors #more like an illustration or maybe a poster not exactly a study #because it is based on a photo #we made some great memories there one year ago #although we were also bitten to death by sand flies or whatever they were #had tons of red spots for the rest of our trip #anyway i think i want to try to make more simple illustrations like this in the future

[longing-for-rain]

what exactly is Aang's toxic masculinity that you're talking about? there are no examples of such behavior on his part in the show. he is not an ideal person, he is a child who sometimes behaved incorrectly, just like all the other children in the show (Katara, Toph, Sokka), and this is normal.

in addition, we see how he regrets some of his wrong actions and gets better, while Zuko does not regret his toxic behavior, doesn't apologize and doesn't face the consequences of his behavior (racist jokes about Aang, demands that Katara forgive him as if he has the right to her forgiveness, an attack on Aang to "teach him a lesson" and many other things).

Hi anon, thanks for the ask! This is a very good illustration of what I was talking about in this post when I mentioned that I feel toxic men are overlooked more often for appearing “nice” than they are for being conventionally attractive.

No examples of toxic behavior in the show? What do you call this then?

I know what I (and the law) call it:

But you see, he’s “nice” right? This is just a misbehaved child, as you put it? Yah, no. He knew better and still did it because he was possessive; this whole interaction started because he was jealous that an actress playing Katara was interested in men other than him. And the show proceeded to frame the situation in a way that made Aang sympathetic, despite being the aggressor and the one behaving irrationally. How much more “toxically masculine” can you get than that? But he put on a flower crown once so we’re supposed to think he’s a soft uwu feminine boi (even though he was absolutely enraged that a female actress played him).

I also find it very interesting that you describe Katara and Sokka as “children” while Zuko is omitted from that list despite being the same age. Are you admitting you agree he’s more mature, or are you admitting that you hold him to different standards?

But, anyways. You asked about toxic behavior on Aang’s part, which I’ll get further into now that the most egregious example is out of the way.

Let’s break down what you consider unforgivably toxic behavior on Zuko’s part and compare it to Aang’s behavior in similar situations.

1. “Racist” jokes

I’m guessing this is made with reference to the “Air Temple preschool” comment. How exactly is this racist? In context, Aang is the one trying to force his beliefs on others, and Zuko makes this comment to a) tell him to back off and b) point out that Aang is, in fact, a child who doesn’t have any business telling Katara how to feel.

This point is particularly interesting to me, because it implies that the simple fact that Zuko doesn’t agree with the philosophy of Aang’s culture makes him racist. By this logic, Aang is also racist against Katara’s culture, because he clearly disagrees with her philosophy and is openly telling her that his culture is morally virtuous over hers. And well. That’s even more believable considering Aang’s previous reactions to Water Tribe culture.

Ah, yes. Playing with a cultural artifact like it’s a toy because you were upset about not being the center of attention for once, and telling everyone how disgusting you think cultural food is, what great ways to show the supposed love of your life how much you respect her culture!

I know your response to this point would be something like “uwu but he’s a kid he didn’t knowww” ok well. The same logic can be applied to any alleged “racism” on Zuko’s part.

2. “Demanding” forgiveness

Zuko: What can I do to make it up to you?

Ah, yes. How demanding of him. He’s clearly so self-centered and only thinking about his own values and agenda here.

It’s not like he…

…told his friend how she’s allowed to process her grief and try to impose his own morals…

…or demanded to know if his crush liked him back, wouldn’t accept “no” as an answer, and forced a kiss on her…

…or told an abuse victim he was wrong to want to kill his abusive father for trying to commit a genocide…

…oh, um. Yeah. Sorry, but after actually watching the show it’s very clear to me which character doesn’t seem to regret or see the flaws in any of his actions at the end of the show, which is when all of these examples took place.

3. Training in the finale

“Attacking Aang to teach him a lesson” … wow, that’s a very dishonest way of phrasing that situation. I’m impressed, I have to say. I’ve seen lots of dumb takes from Aang stans over the years but this is a new one.

Well, luckily I actually watched the scene in context, so my reaction was the same as all the other characters’ reactions in canon when they learned the context behind this “attack”:

They agree with him. Yeah. Obviously, when nobody is taking training seriously when the world is about to literally go up in flames, you might need to do something to get their attention.

“But it was dangerous!” you might argue. Well… yeah. When magic and bending is in the equation, training in the Avatar universe has been shown to be somewhat dangerous at times. As an example, from this very same episode, Toph very nearly smashed Sokka with a giant flaming rock. That was way closer to hurting someone than Zuko was in this incident. If you’re going to fault characters for making their training exercises too dangerous, I guess Toph is mega cancelled.

Now back to Aang. What was his reaction in this situation? How did he react to the end of the world being days away? He ran away with absolutely no plan. Just like he did at the very beginning of the show.

I mean, think about it. This is a critical flaw (and toxic trait) in Aang that is literally never addressed, because he starts and ends the show the exact same way: he’s faced with a problem, he runs away from it, then he’s saved by an in-universe equivalent of an Act of God. Wowie, such great character development. Not fixing your core flaw and having a mythical plot device materialize into existence to solve your problems for you. Aang’s whole arc is a big blah, because the writing fails to address any of his flaws or have him meaningfully question any of his values.

Meanwhile, Zuko has consistently been a fan favorite because he’s the opposite. His flaws are meaningfully addressed, he does admit he’s wrong and fix his flaws, and his character shows a critically acclaimed change throughout the show. His arc is written so well that despite being a cartoon character, Zuko is widely considered the poster child for a good redemption arc across all forms of media.

So anyways, miss me with the double standards… there is a reason why Zuko is the fan favorite, and it’s not just his abs 🔥

#fandom salt #meta #zuko #katara #aang critical #canon critical #atla #zutara #anti kataang #ask #anon

[elyvorg]

The Real Reason That Sissel Refused to Help

(or: the subtle genius of Ghost Trick’s tutorial)

“I just want to find my own lost memory. I’m sorry, but I can’t help you.”

Here’s a post in which I talk about this particular part of Ghost Trick’s story, which I’m keeping as vague as possible outside of the spoiler cut, but those who’ve finished the game should know what I’m referring to. What’s actually going on here is rather interesting, and paints our friend Sissel in a much less negative light than the face-value assumption I tend to see most people jumping to with this.

First, though, I have written a fic illustrating this idea in narrative form rather than lengthily explaining it. If you’re interested, I recommend you go read that first before reading this, because being shown is more fun than being told!

(Also, spoilers, obviously. Go play Ghost Trick if you haven’t; it’s so good and absolutely not the kind of thing you want to be spoiled for.)

So, in the original timeline, Sissel refused to help Missile save his mistresses, stating that he just wants to find his own lost memories.

It could easily seem at a glance like Sissel’s character development over the course of the game is that he started off selfish, only caring about his own mystery, and it’s only through getting attached to everyone throughout the night that he begins to care about others and the bigger picture. As such, his refusal to help Missile in the original timeline is easy to read as being born of that, since this was early on when Sissel still only cared about himself.

But… it’s not actually that simple, because Sissel isn’t as selfish in the beginning as one might think. Sure, he’ll say things like “I have to focus on my own mystery”, or “this is all for my own benefit”. But that doesn’t actually match up with his actions. His own mystery may be, in theory, his number one priority, but a remarkably close second priority for him is to save the lives of any dead person he happens to come across. Even very early on, before he’s grown to care about any of these people!

He doesn’t hesitate to save Missile, despite having zero reason to assume that this little doggie will be any help with his mystery. The second time he finds Lynne dead, when he’s getting to talk to her and learns that she doesn’t actually know much about him and probably won’t be able to help him because she’s got her own case to pursue tonight, he still reassures her that she doesn’t owe him and he’s going to save her life anyway.

And even right at Lynne’s very first death, in the game’s opening narration, Sissel makes a point that he doesn’t want to stand back and let her get shot, and that he feels bad for her, despite her being a complete stranger!

Evidently, even right at the beginning, Sissel isn’t selfish. He just thinks he is. Because cats can be tsundere like that.

Sissel:  “Why am I so determined to save this woman? After all, it’s not as if I know her. My reason is twofold. Number one, I’m not the type to leave women lying around, discarded like trash.”

(Here’s a bit from later in chapter 1 featuring Sissel being amusingly surprised by his own altruistic streak. He seems to expect to only care about himself – yet here he is, not wanting to leave a stranger lying dead if he can help it. Not so selfish after all, huh?)

So if that’s not the problem in the original timeline, then what is? Why does Sissel leave Missile to deal with saving his ladies alone when he’d have no reason not to try and help? – after all, he hasn’t been given a fake time limit in this timeline! He’s not even in a hurry with his own mystery! For that matter, Sissel was still there in the junkyard at the beginning – why didn’t he just save Lynne himself?

We can get a good indication of what the issue is from that very same opening narration I was just talking about.

Sissel:  “Now, I’m not the kind of guy who can just stand back and watch a poor woman get shot. But I have just one little problem… I’m already dead myself.”

Sissel:  “I feel bad for her, sure. But what can I do? I’m dead. But just as I was thinking that…”

The real problem is not that he doesn’t care about saving a stranger’s life. Rather, it’s that, because he’s dead, he doesn’t think he can. He’s not expecting to magically have ghost superpowers; why would he?

And it’s just as he was thinking that he can’t do anything (which, while part of his screen-filling monologue narration, was still his thoughts and therefore something any nearby ghost could hear)… that Ray speaks up to tell him that actually he can save her.

Sissel:  “Huh?” (Me? Save her? Uh, how?)

Immediately, Sissel questions the notion once again, not with a why but with a how. It’s not that he doesn’t want to; he simply doesn’t think it’s possible.

This general idea continues throughout the entire tutorial, which is absolutely packed with lines that show Sissel being deeply sceptical about the idea that he could possibly save someone’s life or alter someone’s fate.

Once Ray’s taught him about his basic ghost tricks and he’s managed to delay Lynne’s death by a few moments… she still ends up dead anyway. And Sissel thinks that’s it. Because of course he does. Even if he can stop time and manipulate objects, he has zero reason to believe that his powers can undo a death that’s already happened.

Sissel:  “In the end, it looks like her fate remains unchanged. So what good are these ‘ghost tricks’ of mine? But just as I was thinking this…”

Sissel:  “It looks like my ghost tricks didn’t do much good.” (She still ended up just as dead as before.)

He even ends up feeling like his new superpowers are barely worth anything, because he can play a few little tricks on someone, but that’s not enough to save someone’s life, is it?

Ray:  “Isn’t it a shame to see such a pretty young woman lying here discarded like a piece of trash?” Sissel:  “But what can I do? She’s already dead.”

Ray:  “And while she’s resting, you can save her life.” Sissel:  “Oh, sure. You make it sound so easy.”

And again, he’s very dismissive of Ray implying or telling him that he can do something about this. After all, how could that be possible any more?

In particular, there’s this vital little bit of trickery here…

Ray:  “Now what do you suppose will happen if you possess a corpse?” Sissel:  “Nothing, because I already tried that, remember? And nothing happened at all.”

…in which Sissel assumes his powers just don’t work on corpses, because he’s already tried and failed to do anything with “his” corpse. If he’d been alone, without Ray to guide him through things, he most likely wouldn’t have even tried to possess Lynne’s corpse in the first place, because he would have had no reason to believe it would achieve anything!

(Meanwhile, Missile in the original timeline also had zero reason to believe he could do anything for Kamila, but he was so anguished and desperate that of course he would have tried anyway. He’d try anything to save her, because he is good and loyal and Dog. So he was able to discover his time-rewinding powers where Sissel didn’t, and thus he passed that knowledge onto Sissel in the game’s timeline.)

And as Ray tells Sissel that he can in fact rewind time to redo the last moments of Lynne’s life, he’s completely dumbfounded and bewildered by the very idea of it.

Sissel:  “Are you serious?! Back through time?!”

Sissel:  “But this is crazy! None of it makes any sense!”

Ray:  “To the time four minutes before this woman was murdered!” Sissel:  “H-Hey, wait a second! I still don’t know what you’re talking about!”

What is this lamp even talking about?! Of course turning back time isn’t possible! He had no reason to believe it was possible, even as part of his new wacky ghost powers.

(Meanwhile, when Sissel is saving Missile in the game, we get a little exchange that shows Missile being completely unfazed by the idea that Sissel’s brought them back in time. It’s no weirder than humans walking around on two legs, right? One way or another, the cat can barely wrap his head around it, while the dog sees it as perfectly plausible.)

One thing Ray says more than once during the tutorial is, “The best thing to do is try it.” Because Sissel is being so stubbornly cynical that he will not take this desk lamp’s word about how useful his powers are and has to literally be pushed into trying it himself in order to believe it, every time.

Even after seeing for himself that he can go back in time and watch Lynne’s death again, Sissel still manages to be pessimistic about this.

Ray:  “And there you have it. The last four minutes of her life.” Sissel:  [strained] “No…!” Ray:  “It’s kind of ironic, when you think about it. A woman toyed with by fate, and a man toyed with by a ghost.” Sissel:  “But she still died.”

He went back in time, and she still died. There’s still apparently nothing he can do, right? No, Sissel, just have a bit of patience! This is just the mechanic that lets you understand what happens before you dive in and start changing things; you’ll get your chance soon!

And once he’s finally successfully saved Lynne…

Ray:  “You used your powers to avert that woman’s fate.” Sissel: “So I did that?”

Sissel still has a moment of being surprised at the notion that he was capable of something like this.

It’s really striking to me, watching over chapter 1 again with this thought about original-timeline Sissel in mind, just how many lines to this effect there are throughout the whole thing. The writers did not need to include this many moments of Sissel being sceptical, or even any of them at all, really, in order for the tutorial to do its job as a tutorial! But they’re here anyway, because it is in fact really important to the story that Sissel is somebody who would not have tried hard enough to figure out that his powers can undo deaths unless he had someone holding his hand through it the whole way.

The way old-Missile talks about it when he’s explaining himself at the end, it’s easy to get the takeaway that the most important thing he did as Ray was to take advantage of Sissel’s supposed self-interest: by not contradicting his misconception that he’s the man in red, by telling him Lynne is the key to his mystery (a half-truth at best), and by giving him a fake time limit. And it’s not that those things didn’t help, but they’re not really the most important thing at all.

The most important thing Ray did for Sissel, the thing that Missile absolutely most needed to spend those ten years waiting to do, was exactly what it appeared to be during chapter 1: to teach him how to use his powers to save lives. Because the number one thing the Sissel from the original timeline needed but didn’t get was, quite literally, a tutorial.

There’s a little bit more to it than this, though. So, okay, Sissel in the original timeline didn’t know he had the vital time-rewinding power. But then that begs the question: why didn’t Missile just tell him that while asking for his help?

For that matter, why did Sissel leave Missile shortly after being asked for help? It can’t just be because he urgently had to go and look elsewhere for answers to his own mystery, because he’s not pressed for time here. And he was apparently chilling at the junkyard just eavesdropping on the investigators’ conversations before Missile showed up. Why the sudden shift in locations now of all times, when there’s someone here who’s actually talking to him – the first person Sissel would have been able to talk to all night – and asking him for help?

The issue here, I believe, is that this isn’t just a matter of Sissel’s lack of understanding what his powers can do. It’s also a matter of emotional state – both Sissel’s, and Missile’s. Both of them would have been incredibly stressed out and upset, Sissel due to his loss of memory and seeing deaths in front of him that he doesn’t think he can do anything about, and Missile due to his mistresses’ deaths that he also can’t do anything about, even though he has a superpower that lets him try but it just isn’t quite enough.

How would Missile and Sissel’s interaction go when they’re both so upset like this? There’s actually a fun little bite-sized example of this in the actual canon timeline. During the last desperate struggle to escape the sinking submarine…

Missile:  “Sissel! Y-Y-Y… You’re not telling Miss Lynne to leave poor Miss Kamila behind, ARE YOU?!” Sissel:  *sigh* “Could you just be quiet for a minute, Missile?”

Missile and Sissel are bound to be both extremely anxious and stressed in this situation – trapped in the submarine, Lynne and Kamila in danger of drowning if they don’t do something. And in that state of mind, it seems that Missile is prone to eschewing logic to be even more loudly desperately protective of his mistresses… while Sissel especially does not enjoy Missile being Loudly Boisterously Dog in his ear when he’s stressed out. After all, cats and dogs have very opposite and very incompatible ways of dealing with stress!

So it follows that the conversation between Sissel and Missile in the original timeline would likely have been an incoherent emotional mess, in which neither of them properly communicated their side of things at all. Missile must have just never even thought to tell Sissel that he can rewind time and therefore saving his ladies is actually possible in theory, because that was already obvious to him! He wouldn’t be capable of understanding why Sissel would be so reluctant about this.

As for why Sissel wasn’t just reluctant to help but outright ran away and sealed the deal – I think, more than anything, it’s got to be down to the fact that he couldn’t stand having Missile being so loud and energetic at him when he was this upset. Especially not while repeatedly saying that he can save them, which would be the exact thing Sissel has been miserably convinced that he just can’t. It follows that he’d just have wanted to run and hide somewhere Missile isn’t, where he can have some peace and quiet. Cats who are upset often like to hide and isolate themselves to feel safer.

There’s one other part in the game’s tutorial that suggests the problem originally might have been partly a matter of Sissel’s emotions:

Ray:  “Hello there. How are you feeling? Not very well, I imagine. A terrible tragedy, what happened tonight.” Sissel:  “………” [neutral face] Ray:  “Ah, ignoring me, are you? It’s a little too early for you to be so stiff and cold, I’d say.” Sissel:  [smiling] “Ah, so it was you. You were that voice in my head, right?”

This is very noteworthy, because Ray is the only person in the entire game who ever takes the time to ask Sissel how he’s feeling. He wouldn’t be feeling great after waking up dead, watching a woman die in front of him and failing to save her, would he?

It seems like old-Missile, with his years of wisdom and time to reflect on everything, realised that his approach to getting Sissel’s help last time really was way too focused on his own problems, and he never even stopped to think about how Sissel must have been feeling. So here, he presents himself as a friend, someone who cares about Sissel and his journey, because that’s exactly what Sissel needs! This poor kitty must have felt so lonely and sad and helpless in the original timeline. But hearing Ray’s words, and realising that this desk lamp is someone semi-familiar, does seem to cheer him up at least a little bit here! Sissel really is a character whose core desperate need is to just not be alone, even if you’d be hard-pressed to get him to admit that at the beginning.

Interestingly, way back when I first played Ghost Trick, on the DS soon after it came out, I found myself intrigued by Sissel in the original timeline. I vaguely toyed with the idea of writing a fic exploring how he was feeling and why he refused, though I never got around to actually doing so. Then recently, the game coming out in HD rekindled my hyperfixation and made me think about it some more and actually end up writing that fic after all. And the thing is, back then, I didn’t remotely consciously understand any of this stuff I’ve just explained here. But even so, I find it neat how I still had this wordless sense that what was going on with Sissel must have been so much more than just selfishness – that he must have been so sad in that timeline and that had to be the real basis of why he didn’t help.

#ghost trick #ghost trick phantom detective #ghost trick spoilers #sissel #sissel ghost trick #ray ghost trick #ramble

[cheseely]

Hi, I'm sure you get this often but I really love your recent genshin artwork, do you think you could explain your painting process? I love the colouring effect in that piece especially. Thank you.

Thank you so much! I got a few messages like this from my previous piece (thank you guys for the staff pick & blaze btw, I really didn't expect all the support😭) so I thought I'd share a bit of my process below as thanks.

I always do my lineart first because it feels less daunting to me when applying colours. I will do some rough colours first so I can easily adjust it to my liking.

Next, I make sure to separate each character into different layers when I clean it up. I like to work one character or object at a time, it's less overwhelming for me that way, and I can use clipping masks for ease of rendering.

I'll usually apply some adjustment layers on top of the base layer for shadows and highlights. When I say base layer, I just mean a layer of the colour without any effects.

I like using 'hard light' for shadows, and 'screen' for highlights, but you can really use whatever clicks with you.

Rinse & repeat this process for every character in the illustration. Note that I make Furina the focus so everything behind her will be less rendered than the elements in front of them (Neuvillette is a lot less rendered compared to Furina, and the painting in the back barely has much shading).

Once I render out each asset in the illustration and add shadows & highlights to my liking, I then to merge foreground/ midground/ background elements so I can make the overall illustration clearer to read. I don't want it to feel messy or overcrowded, and I think it's easy to get tunnel-visioned in small details and lose the clarity of the entire illustration.

Make sure to zoom out constantly and make your illustration B&W to check the values to see if the drawing is clear.

I created a simple S curve with the values for readability, and have the foreground elements have darker values & contrasts.

As for the BG, I wanted to add more textures into the drawing, particularly the painting in the back. Here's an image of it when I only added in the base colours.

I use the smudge tool to create more texture once I fill in the base colours. Since I don't really 'paint' anything with the textures in, I just put in the base colours and take a textured brush to smudge it. However, over-smudging can lose the painterly texture I want, so I usually smudge vertically or horizontally in a single stroke to create a sense of movement.

Another thing to note is that I only textured the BG, I thought it would help it blend into the background a bit better. I usually wouldn't do this for the foreground because I want those elements to be clearer.

At the very end, I tend to spend a fair bit of time just fiddling with more adjustment layers, various filters (such as blur, or noise), or liquify small details to really finalize the piece. Just vibes...basically this is me

Anyway, I hope that was helpful & it made sense!! Feel free to message me if you have any other questions & I'll try my best to answer! I might've glazed over a lot since I didn't wanna make this too long.

#anon #ask #tutorial #art tutorial #genshin impact

[ninjagirlstar5]

*drags Tsurugi by the handcuffs* So I spun a wheel, and it landed on our favorite boy, the Ultimate Police Officer himself, Tsurugi Kinjoooo.

So, the first thing I wanted to mention was Tsurugi's skin tone. Obviously, when you compare his DRA sprite with his SDRA2 sprite, he is FAR paler than his younger self which can be an...odd choice to make. You can probably handwave it as Kinjo simply looking like that cause he's sickly, but with LINUJ's 2022 winter illustration, it's pretty much canon that he was always suppose to be pale. Honestly, the DRA sprites have their saturation turned all the way up to eleven, and in Tsurugi's case it makes his skin tone look darker than what seems to be intended. I used to turn up the saturation up a lot back in middle school while drawing, too, so I won't harp too much about it. Anyway, since this is Tsurugi from DRA before he, uh, got sick, so to say, I decided to try and strike a balance with his skin tone: pale but clearly very healthy (for now). Aside from that, Tsurugi's design was pretty much fine? When you're told that he's the Ultimate Police Officer, you can understand where LINUJ was going with his design, a simple police uniform but it doesn't exactly scream...authority, you know? So I decided to the push the Police Officer theme a bit more by giving him a vest, a radio, and even some gloves! It's also a nice callback to his friend, Kouhei Sasaki, who also wore gloves before he...well, died. Moving on from his Lore(TM), I rolled up his sleeves, rolled up his pants but still have it so long that it covers his ankles, and changed his loafers to sneakers. I don't know, there's something appealing about a serious, no-nonsense Tsurugi taking his job very seriously...while still wearing jeans and sneakers on the job. It kinda shows that he's still a teenager despite being a police officer even though he's so damn young. Kinda fucked up when you stop and think about that. I also gave him a few scars, not many, but mostly cause they're probably hidden underneath his clothes. Tsurugi has mentioned being in some pretty hostile situations (especially the one that involved Kouhei's death) and I doubt he always got out unscathed, so I decided to put one on each arm: a thin scar from a knife, and a star-shaped scar from a bullet. From there, I toned down the saturation of his color palette, and added more black and gold. Fun fact: the color gold can symbolize reputation, which is hilarious considering how much Tsurugi's reputation sinks during DRA, and how controversial he gets in-universe in SDRA2.

Anyways, Tsurugi is going to start a lot of shit, time to run.

#DRA #Tsurugi Kinjo #Danganronpa Another #SDRA2 #Super Danganronpa Another 2 #DRA Spoilers #SDRA2 Spoilers #sprite edit #Star's Art #ngl i'm proud of how he looks #he actually gives police officer vibes #...which is probably pretty rancid lmao

[ruija]

Well I really love your art, may I ask how do u color? I struggle with coloring turtles and I wasn't to know how do u do that?

Hi anon! That's a very broad question, so you've given me a great excuse to ramble anything I want about my coloring, eehehehee~! This will be in two parts and I'll start with talking about my simpler coloring style.

As in, when I color characters on a white background, with a limited or light palette.

The driving force behind this style is me being lazy. My time, energy, and attention span are pretty limited, so if I want to finish anything, I gotta do it fast. And with fanart, I'm usually just doing it for fun and relaxation, so there's no need to push myself to polish it too much.

Despite that, I rarely post just black and white sketches or line arts. I always try to add at least a little bit of toning or shading, because that makes the image easier to read. The characters and their shapes pop out and catch the eye of the viewer better.

However, in this particular example, just the couple toning colors don't quite do the job. The way Don and Leo are entangled makes the center area of this illustration very busy and hard to read.

As a comparison; this pic has only one tone + mask colors, and it works. This is because all the characters are standing separately and their poses are very stationary and simple.

So for the Don + Leo pic, adding some shadows helps in bringing out shapes and depths. Also in general, if you don't feel like drawing BGs, it's good to at least add a shadow below the characters. It grounds them and makes them feel like they exist within a space.

Sometimes if the posing looks too complex and busy, it might just be best to color in the characters fully.

However, even if I do full flat colors, I tend to use a lighter palette. Putting characters in their neutral/default color on a white BG can look a bit jarring as if they're floating in a void. It feels less immersive and like the picture is unfinished.

Using lighter colors makes the image more cohesive, and fits the characters into the white environment a bit more naturally.

If I'm too lazy to draw a BG, I prefer using stylized and limited colors. It feels deliberate and that the whiteness is just part of the palette, whereas the character-accurate colors on white don't match as well, even if they're more pastel.

That being said, there's nothing wrong with just slapping the flat-colored characters on a white background. As you know, I do it too. I'm just exposing my 'fancy coloring style' for what it is; me being lazy, hah!

Limited and monochromatic palettes are a nice shortcut even when you do actual backgrounds. It's faster and you don't have to worry about clashing colors. And you can still convey atmosphere and mood.

Also, on the topic of conserving your time and efforts; I think it's very common among younger/less experienced artists to think that the amount of time you spend on your art piece = how good and well received that piece will be.

Which has some merit to it of course, but it can lead to putting too much effort into areas where it's not necessary. E.g. filling the piece with tons of details and clutter that don't serve an actual purpose, but rather make the image hard to read. Or doing really complicated shading for a meme/comic, where simplicity would deliver the joke better.

So whenever I'm drawing something I intend to publish, whether it's a quick doodle or a more polished piece, I try to follow these two principles: Make it easily readable and do the bare minimum that needs to be done to convey what I want to convey.

Putting time into practice is important, but if you draw for work, it's also crucial that you know how to prioritize and use your time efficiently!

Anyway, thanks for reading! In the next part I'll go into how I do my fully colored pieces, so stay tuned for that!

#tmnt #tmnt 2003 #ruija replies #drawing tutorial #art tutorial

[ivystoryweaver]

(Everybody's Waiting for) The Man With the Bag

This is your 2nd place poll winner, losing to Moon Dads/Hanukkah by only 9 votes!

Summary: Miguel wants to bring a little Christmas cheer to some kids who need it most

Word Count: 1050

Content: holiday/family angst with a bit of comfort, fluff-adjacent, longing, mentions of loss/death, (nothing you didn't see in the film), not beta'd.

The spider society was quiet.

As quiet as it ever got, anyway.

There were always lives to save - timelines to correct or salvage.

But it was Christmas.

Practically every timeline had some version of the holiday, and even now - after so much loss...after Miguel felt the weight of the universe pulling him apart like a thousand spiderwebs - he still remembered Christmas with is little girl.

Gabriella loved Christmas.

What child wouldn't love a pile of presents, too much sugar and staying up late? The troll of Christmas carols, hot cocoa, magical movies and twinkling lights...

But what Gab loved most was Santa Claus. Miguel assumed it was because he gave her presents, but she surprised him one Christmas Eve. She climbed up in his lap, ready to read The Night Before Christmas before being tucked into bed to wait for ol' St. Nick and said, "Daddy, I think Santa Claus is the best person in the whole world."

Miguel chuckled warmly, admiring how her chubby fingers traced the beautifully illustrated picture of the classic figure. "Why, because he brings you a bunch of stuff?"

"No," she softly replied, pointing to the huge bag he had flung over his back. "Because he gives so much away. Don't you think we should all be like that?"

Miguel's heart melted as he squeezed his daughter close. "Yeah, Gabs. We should."

Then he proved to be the complete opposite of Gabriella's hero, destroying her entire timeline.

Since then, Miguel made it his life's mission to not...overstep.

But it was Christmas.

This timeline's Gabriella lived in one of the poorest neighborhoods he'd ever seen. Miguel told himself not to get involved - he certainly knew better than to interfere directly with her life. He'd never learned a harder lesson.

But surely, it couldn't hurt to leave a Christmas present behind - a treasure that could simply be credited to Santa Claus.

Miguel got to work, collecting toys and locating a Santa suit to fit his impossibly large fame, since making himself an unstable molecule Santa suit seemed a tad excessive. At any rate, He was going to bring Christmas to this neighborhood.

This was, of course, after dozens of calculations between himself and Lyla, to make sure delivering a toy fire truck wouldn't obliterate a universe.

Miguel walked through a portal, discreetly, into Gabriella's low income neighborhood, late Christmas Eve, donned in head-to-toe red and white, with a pack of toys flung over his back.

He didn't quite have Santa's tummy, but hopefully a little padding would do the trick, should he be spotted.

His spider abilities made it pretty simple to dart in and out of houses undetected. He even sampled a cookie or two.

The he came to Gabriella's house. He saved her house for last, trying to work up the courage to be in her presence but not interact with her in any way.

The house was tiny and old, but clean. The cold, hard floors had been swept and the tables wiped recently. Dishes were handwashed and piled on the counter to dry. A plate of homemade cookies peeked out from their plastic wrap. There was love here.

The Christmas tree was more of an old, ragged bush, with glass ornaments with chipped paint and a few handmade offerings of popsicle sticks and pipe cleaners. A string of popcorn served as garland. No twinkling lights illuminated the darkness.

And the whole place was freezing.

Miguel pressed his lips together, squeezing his eyes shut, willing himself not to interfere any more than he was about to. Reaching into his bag, he produced a copy of The Night Before Christmas, a warm winter blanket, a matching hat, scarf and gloves, and a soccer ball.

He set each item under the Charlie-Brown-worthy tree - the only gifts present, making sure they would be plainly visible to whoever woke first.

His eyes landed on a snapshot of Gabriella with her mother, and just when he thought he tempted fate enough for one evening, he heard a sharp intake of breath behind him.

"Ohhh, wow, Santa," the voice of Gabriella O'Hara made his heart completely stop.

Miguel squeezed his white gloved hands into fists, willing himself to not turn around and lay eyes on her, just one more time.

It wasn't her. She wasn't his - she never had been.

He could hear her sock covered feet shuffle closer. "I-is that you, Santa? Is it really you?"

Miguel cleared his throat, deepening his voice purposely. "Merry Christmas. You caught Santa just finishing up."

He heard her gasp, her giggle like a tinkling bell. "Oh, Santa, thank you so much. Thank you, thank you!"

"You're welcome," he choked out. "Now, be a good girl and get back to sleep. Santa has a lot of presents to deliver."

"Okay," she breathlessly answered. "My friends told me you weren't real, but I just knew you were. I knew it."

The sound of her voice drifted closer. She stood directly behind him now. He had to get out of here.

"You're absolutely right. Back to bed now. Merry Christmas, Gabs."

She sucked in a breath, but didn't speak or move for several agonizing moments.

"Merry Christmas, Santa," she finally decided. And he heard the old, hard floor creak as she retreated.

But she paused one more time. "I think I know now," she declared from across the room. "You must be an angel. You sound just like my dad."

One tear slid down Miguel's cheek, soaked up by the cotton of his fake beard.

"Your dad is very proud of you," He choked out, gathering his bag, making sure he kept his back turned so she wouldn't see his face.

"Thank you, Santa. Or...whoever you are," she whispered, finally retreating to her room.

Miguel raggedly exhaled, tears burning his eyes as he left the house and made his way back through a multi-dimensional portal.

His Christmas Day would be spent not watching Gabriella wake up her mother, unwrap her presents, or maybe, talk about the Santa Claus who'd left them for her.

No, he was done intervening. A few simple gifts to help keep her warm - to bring a little cheer - it was enough for her.

And hearing her voice one more time was the best present he could have ever hoped for.

1k/Holiday Celebration Main Post

1000 Follower/Holiday Celebration Masterlist

Miguel O'Hara Masterlist

Main Masterlist

Follow @ivystoryupdates and turn on notifications to never miss an update

Join my tag list - for chaptered fics and short stories only

dividers by saradika

#Miguel O'Hara #across the spiderverse #1000 followers #oscar isaac fic #holiday fic #holiday celebration #oscar isaac characters #celebration #1000 follower celebration #across the spiderverse fic #miguel o'hara fic #spider man 2099 #christmas fic

[reachexceedinggrasp]

Danny 'I don't do weird' Pink frustrates me as a character, because I'm honestly not sure whether he was supposed to have an arc or not.

His primary role is as a foil for Clara's arc and, in aid of that, as a mirror to the Doctor. A solider with survivor's guilt and a man of action who can't stand by when people need help etc., in some ways he and the Doctor have a lot in common, but he's also a very grounded and circumspect personality versus the Doctor's being fantastical and adventurous. Danny isn't curious and doesn't want to pursue new things or experiences, instead he wants to be fully present with and grateful for what he already has. The Doctor is incorrigibly curious and always interested in new things.

Danny is someone who desires nothing more than an ordinary life, and looks for beauty and satisfaction in the normal things and people around him. He wants his world to be small and quiet, he values the mundane things others might take for granted. He's normal, patient, dependable, simple, honest, etc. His reaction to trauma hasn't been to disavow the things which lead him to that event, or to seek out stimulation to avoid thinking about it, it's to be thoughtful and cautious and somewhat rigid so he can always apply the mindset and skills he retained from before he was traumatised.

He's very firm and unbending in his worldview and in his self-image. He doesn't seem to ever reassess people once he's decided what he thinks of them. He's not unreasonable or unwilling to compromise, he is in fact maybe too reasonable, but he is implastic. He's extremely even-tempered except for around his identity as a soldier, which he's prickly about, but still pretty quick to let it go as long as he's not being deliberately antagonised.

So anyway Danny represents this other path, and this opposite response to the horror of war and making a catastrophic mistake, but he never learns, he never grows and he and Clara are never much on the same wavelength about anything. He's supposed to be stability, the things she 'should' want, the 'person she's supposed to like', the safe choice, the presentable life which Clara feels like she has to have. He's orderly and ordinary and that's what she wants from him. She has to control her image, her future, and her options.

And their simple relationship, once it exists, functions well as the contrast to her complicated and tumultuous relationship with the Doctor while the companion power dynamic is being dismantled and rebuilt so they can be emotional equals. But like, the set up is confusingly executed.

Listen- they have zero chemistry, they have nothing to talk about and have to resort to talking about work, every conversation goes instantly off the rails, they rub each other the wrong way, there is never any reason for them to keep reconciling and trying again to connect. Like. You are not hitting it off! and keep offending each other bc you're not compatible! Quit!!

Clara is forcing it, that makes complete sense with what she's going through, she's trying to take control of her life and her emotions, trying to prove to herself she's not pining for the Doctor and at the mercy of his whims for her life to be full and complete. She doesn't want to need him or to be dependant on him. She doesn't want to be the heartbroken sadsack whom he abandoned at Christmas or who will take whatever scraps he'll throw her. She wants to control his position in her life and control how she feels about him. Hence her assigning him a specific day and confining their adventures on her own terms. She's trying to keep the Doctor compartmentalised. Having an Appropriate Human Relationship means she's successfully put the Doctor in his box (lol) and neutralised the chaotic power of her feelings for him. I mean, obviously not, but that's what she tells herself.

But what is Danny doing? Why does he keep pursuing this when it's so clearly not a good match?

Again in Listen, and much more so The Caretaker, Danny illustrates that he does not know who Clara is, he's wildly wrong about her and what she's like, and he's very high handed about it as well. He's convinced that the Doctor is taking advantage of her, that the Doctor is domineering in their relationship, that she is not a person who wants to be put into challenging or dangerous positions, that the Doctor is pushing her to takes risks and become a leader where that's not her nature. None of this is true. Clara was always a decisive, assertive, strongly driven person who seeks out new experiences and naturally assumes a leadership role any time that's necessary; she relishes being challenged and facing the unknown. Her blow up with the Doctor wasn't about him 'pushing her too far', it was about him failing to support her when she needed him and condescending to her as a human rather than treating her with the intimacy and equity their bond and history together demands. It's personal and it's about their emotional relationship. It's not about making hard choices, it's about having to make hard choices without her partner being honest with and emotionally available to her.

Clara was always an adventurous person, willing to be spontaneous as long as it's on her terms, and excited by the prospect of authority and responsibility. The danger and challenge isn't an unfortunate side effect or a risk she has to take to see amazing sights, it's part of the appeal. She lied to Danny by omission when she said she went off in the box to 'see wonders', not just because the real reason is that she's in love with Doctor, but also because she doesn't just want to be a tourist. She wants to get involved and save people, she wants things to sometimes go pear shaped. She enjoys and craves that part of it too.

Danny is also wildly wrong about the Doctor, but this is understandable and would be fine except that he's never corrected? He never learns better? What's the point?

In Death in Heaven Danny goes out still wrong about the Doctor, still condemning him cruelly and unfairly while knowing nothing about him. He had a point with his original rant, there was actual insight there, but it's buried in assumptions and bitterness and then Danny keeps tripling down on the assumption. The one which doesn't understand that the very thing he's shitting on the Doctor for (being willing to lead and make hard choices which must be made in order to save people) is something the Doctor has in common with Clara. And always has. The Doctor didn't change her or push her into that, that's who she's always been.

What is the point of Danny calling him a blood-soaked general and mocking him, calling him an officer as a pejorative again, and again because the Doctor is trying to save the planet. Like, memory check, that's what Danny is mad about. The Doctor doing everything in his power to save literal billions of lives. Doing it for no reason, out of altruism. Doing it while always trying very hard not to fight or kill anyone.

I don't understand how we're meant to find Danny sympathetic in that moment, because he comes off like a complete dickhead. And it's all the more frustrating because in the intervening episodes Danny has been eminently reasonable. As I've discussed before, we're exhaustively shown that Danny is 100% okay with what Clara claims is going on, that he doesn't want to get in the way of her friendship with the Doctor, that if it really were only the relationship she's pretending it is, there would be no conflict. He's the one who encourages her to make up with him after Kill the Moon! He tells her to go on travelling and it's fine!

Even when he discovers she's been lying to him and cavorting with the Doctor behind his back (again despite him telling her it was fine!), he's calm and repeats for the millionth time that all he wants from her is honesty. The truth. Which is the one thing she can't give him because Clara knows their relationship is built on the lie. The truth is, as Moffatt said, that Danny never stood a chance. There is a conflict between the two relationships and she's always going to choose the Doctor.

And that does come out, she gives the whole speech to Danny, not knowing it's him, finally being honest. And he seems unsurprised by it, which makes sense because on some level he definitely always knew ('do you love him?' 'no' 'really sick of the lies'), but then nothing comes of it. Clara just soldiers on and he allows her to pretend. He goes off on the Doctor, but not in a way he actually deserves at all, and just sweeps her confession under the carpet. Letting her get away with it again. True to form, I guess! he always did. But shouldn't we make progress?

And it's like... I hate that he dies on that note. It feels like he dies in denial. I guess you could argue it contributes to his decision to not come back, but that feels like a disservice to the character. Saving the kid is important to Danny, it allows him to atone but he didn't need to change or grow to accomplish that and it doesn't provide closure to his actual role in the narrative, which was as Clara's foil. Clara is off the hook, free to go on lying to herself about their relationship. It's not addressed in Last Christmas, either, it's only hinted at.

#clara oswald #whouffaldi #dw #twelfth doctor #dw meta #I feel a constant need to remind people that the first thing Danny asks after Clara explains who the Doctor is #is 'do you love him?' #it's that transparent #and he asks already knowing the answer and immediately calling bullshit when she denies it #and apparently accepts this as not a threat to him on the basis of the Doctor being an untouchable alien incapable of loving her back #like as if she had a crush on a dragon or the Great Wall of China #I can't tell if that speaks to his lack of self worth or if it's just really patronising #I appreciate In the Forests of the Night so much for the scene where he finally realises he should be jealous #but then he's just Extremely Reasonable about it again #he has total faith in his idea of who Clara is- utter conviction #and it's completely misplaced #I feel owed the psychological fallout from this is all I'm saying #calling this meta is being very generous bc did I even say anything #but whatever it's a bunch of words I'll put it in the box with the other words #I've realised 95% of my whouffaldi meta is in tags on gifsets so

[sakasakiii]

hi!!! how long does an average panel of one of your comics take??

i love your work so much!! it got me into silmblr hehe

HI NONNIE!!! thank u sooooso much for checking in and for ur lovely ask! it means a lot to hear that my silly ol scribbles were what introduced u to the glorious landscape that is the tolkien fandom! on tumblr no less!! i hope you stay a real long time, and have a blast while you're at it 💖💖

now onto your question! that's some good food for thought uhhhh i can try to estimate?? its been a while but i shld have some rough ideas abt each that i can share! the time frame each comic/panel takes is highly dependent on WHAT kind of comic it is. i hv two kinds of comics I usually do: 1) full-length, and 2) goofy/4koma.

i have a few full-length comics laying about in my archive, but my most recent one/best example is Ghosts which was around uh.... 7 pages excluding the bonus panels! in terms of the process, i usually divide it into 5 stages:

Drafting: this is either the fastest stage OR the slowest depending entirely whether i know what im doing LMAO,, if i have a set idea for what i want to happen, i might get drafts done in a few hours, but if i flounder, it can take a few days 🤔

Lineart: relatively simple enough once i hv the draft down, so id say anything ranging from an hour to half a day if theres nothing else going on irl

Block colouring (main actors): there are DEFINITELY easier and more professional ways to do this with mass-selection and the lasso fill/bucket tool, but idk how to do that on SAI (my art program) so i colour everything by hand HAHA which makes the process longer.... half a day to a day?

Shading: THE WORST!!! definintely my least favourite bc i find it tedious due to all the details/prettification of elves that i am legally obliged to pour into this stage 😭😭 as a result, it can take days!!!

Background + Lighting + Final Rendering: similar to the previous stage haha it just depends on how much effort i wanna put into the final product looking nice. roughly a few days? it kind of meshes with stage 4 anyways haha

just for fun, i hope this process gif for page 6 can illustrate that 👇

these are just rough estimates, bc all in all, the time it takes so finish a page is really dependent on how free I am hahaha. Also, I usually work on full-length comics like Ghost which have more than one page all at once, which means I drafted all 7 pages at once, then did the lineart for all 7 pages at once, coloured at once, shaded rendered bla bla bla 😚 iirc, i think it took me 11 days in total to finish Ghosts before the end of June last year!

For goofy/4-koma, its usually just one page with less detailed/more cartoonish/chibi character styles so it takes a day or two days at most! again, it all boils down to how free i am hehe

YEAH SORRY THIS ENDED UP BEING AN INFO DUMP but thank you so much again for asking and letting me ramble! <3 i ended up having a lot of fun looking back on my drafts n thinking back on my processes.... theres defininitely room for improvement, but thats another worry for another day heheh 😎

#rin replies #anon asks #silmarillion #yeah sorry again this turned into a yap fest 💃💃 #i never knew all those wips wld come in handy but maybe its a good thing i like sending myself things hehe #cannot reiterate enough how much i HATE colouring :(((( #thank you again for ur kind message nonnie <33 #silm #silm comic #wip #behind the scenes stuff

[gryffindorkus]

I just finished my 4th fic bind and I'm finally feeling proud enough of a bind to post it!

It's for the fic 'the years go by like days' by georgiestauffenberg. It's for the ship reddie (Richie Tozier/Eddie Kaspbrak) from It! This fic is my reddie canon and if you haven't read it but ship those two I HIGHLY recommend checking it out.

Anyway, into the bind.

I learned a lot with my first three binds and I applied those months of trial and error to this one. The parts I'm proud of are:

A paper cover! For the other 3 I did pretty simple cardstock covers but I wanted to try out making a paper cover for the fic this time, that way I could go a little more crazy with the design. I think it turned out super well! I'm definitely going to be doing this again for some of my fics in the future!!

The 3 sections the fic is split into (Derry, Los Angeles, and New York) all have their own full page illustrations to separate the sections

A fake price tag that is actually a QR code to the fic on Ao3

FINALLY FIGURED OUT MY PREFERRED TEXT SIZE! I've always liked fics with slightly larger text and this time I think I got it perfectly and my margins are good (I really struggled with margins for my first ones)

The things I didn't like slash messed up on and will remember to do differently next time are:

The cover is a few millimeters too small (which you can clearly see in the pictures). Next time I'm going to make the design bleed out quite a bit so I can cut it to the exact right dimensions once it's printed.

The text on the spine of the cover is a little too close to the top and needed a bit more space, it looks a bit crowded how it is.

((thankfully these are both things I could easily fix by just editing the sleeve and printing it again))

So all in all I'm sooooo proud of this bind and really amazed at the improvement between this one and my first fic bind, especially because I've only been binding fics for a few months. I have one other fic I'm already in the middle of binding and I'm trying another technique (going super traditional with this one), so I can't wait to see how it turns out!

#fic binding #fanfic binding #it stephen king #reddie #richie tozier #eddie kaspbrak #my fic bind #my post #non hp

[sweettjrose]

I really really like your writing and style of narrative (I am still reading your detective Mickey one, I am interested!), I have always wanted to write my stories and OC stuff like that , but it never turns out good.

Anyway, my question is if you any inspirations or reference when it comes to writing, and if so, what are them?

Thank you so much!!! 💕💕💕

It warms my heart so much to see so many people like my story and get invested. I always wanted to get into fanfic writing, but could never imagine seeing so many positive reactions. I worked really hard and I can't wait to share more of what I have planned for this series.

As for your question, it is a simple question, but I actually have a complicated answer lol. Because even though I am writing fanfiction, I feel like a lot of my inspiration comes from things outside of just writing such as tv shows, games, comics, movies, etc. There are so many stories that had such an impact on me like Undertale, Deltarune, Mob Psycho 100, Avatar: The Last Airbender, Gravity Falls, Pokémon Black/White, Steven Universe, Gurren Lagann, Kung Fu Panda, Bojack Horseman, The Great Mouse Detective, Beauty and the Beast (Tbh Disney movies in general), and so much more. I've always wanted to write something just as emotionally impactful and compelling as they were to me. I feel like I daydream of cool moments as well as fun story ideas but never really put them on paper. But one day, while hyper-fixated on Mickey Mouse, I couldn't take only thinking anymore and I decided to just start writing them down and that is how I got my start.

What has also helped is following other creators that have been making their own wonderful stories also based on characters in the whole "Mickey and Friends"-verse. I've been following "Everything is Blue", an incredible story that tackles the relationships that Bud Flud had before he became the Liquidator by @trishabeakens . I also love the amazing duckverse comics by @modmad that do such a brilliant job giving Magica De Spell and Gladstone Gander so much depth with beautiful illustrations. Also, my friend @skullsemi makes many terrific comics about her "The Backup Detectives" AU that explores Mickey, Donald, Goofy, Oswald, Clarabelle, and everyone in such a fun role, and even other people started to add their own take to their AU. That isn't even everyone. Just seeing so many people share their own fantastic work and take on these characters or any other characters are really big inspiration when it comes to getting the push to make my own stuff.

However, I can't talk about inspiration and references and not bring up all of the "Mickey and Friends" media that is the root of my story. The animated shorts, "The Three Musketeers", "The Three Caballeros", "The Goofy Movie", Ducktales 2017, "The Prince and the Pauper", "The Christmas Carol", the comics (Gottfredson, Barks, Rosa, Nucci, Topolino, etc.), Darkwing Duck, and just so much more have all been key references when writing my fanfiction series. Some of the inspiration is obvious such as "Mickey Mouse Outwits the Phantom Blot" for the Pilot. But it is more than that. It is also the feel that all of these stories give. What I like about all of these stories is how well they can balance a fun cartoony comedic vibe, but also have strong emotional moments. In "The Goofy Movie" you can have a musical number where people dance on cars in the same movie where two adults have a serious conversation about trust and the best way to parent a child. That is what I am trying to catch in my story. And now that I think about it a lot of the previous stuff I mentioned in the paragraph above also have a pretty similar balance. I think there is something about being able to be goofy but also sincere that speaks to me. The idea of exploring the tough parts of life, but still holding onto hope and having fun along the way. It is genuine. I want to be genuine.

I know you mentioned earlier about how you don't think you're writing is good. I haven't seen it (mostly because I don't know who you are lol), but I think you are being a bit hard on yourself. The fact that you are writing is better than doing nothing and I would say just write what you want to. Write what you enjoy and find fun. Write what gets you to actually write. Because if I could be honest, I am really writing mostly for me. This is something I've been wanting to do forever and I am having so much fun.

#detective mickey pilot #detective mickey #questions #answered #sorry for writing an essay #i had a lot of thoughts and is bad at condensing

[homestuck-archive]

HOMESTUCK NEWS UPDATE!

"Hi, James here. Hope you had a good holiday! New year, new me! New you! Whatever, man! We got the usual patreon updates for you. Wahoo! Did you know that's a kind of fish? I watch a lot of fishing videos. If everything goes right and nothing goes wrong we should have something very exciting very soon: a new website! What does this mean for you? Stick around and find out!

Thanks for coming to our AMA, I hope we were able to answer some questions. I especially liked the one where Haven said he was going to fill Dirk full of Milk and slap him against a wall. Great job team. In other community news, the folks over at SAHcon are having their New Year's showcase around 5 pm PST today. Wow! I'm excited to see what the community is cooking.

We got another great comic update coming mid month, and in the next few we're letting some of the new writers shine. I'm excited for you to read them!

Speaking of updates on things… some of you sleuths may have noticed some changes. I'd like to go into a little more detail about them to the extent that I am able. I also wanted to do this in an official newspost, and not on socials etc, so that there is no question about it.

The contract with VIZ media has been restructured. What does this mean? Well, let's start a little further back. We have gotten a lot of questions about Andrew's involvement with HS:BC and Homestuck as a whole. I mentioned before that Andrew approached me to finish HS:BC. As many of you know a few years ago Andrew stepped back from having a creative role. This has allowed him to focus on oversight, and some behind-the-scenes stuff. A large part of that was regaining a sort of legal control of the brand as a whole.

So who "Owns Homestuck?" Well Andrew still does. Who has the publishing rights? We're working on that! The HICU has a license to do what we want with the property, which is what has allowed us to do some of the more creative things we are trying to do. Is the Website going to be fixed? They're working on that! I have very little to do with that, personally, but once there is something solid to announce there and the concerned parties are comfortable with it I'll let you know. What does this mean for the commentaries? Behind the scenes, some ideas about how to handle the issues with the way Homestuck is going to be published are being discussed. Some of these ideas may include a new way to release the future book commentary in absence of the books themselves. Wow!

With regards to VIZ, as some of you have correctly surmised this is good news for us. It has allowed things like HS:BC and HICU licensing etc to happen, as well as the SAHcon license. Hopefully, this can also include some additional fan-friendly licenses Andrew is considering. This all will take time to fully unfold so more details will be forthcoming about what this means for Homestuck as a whole. All in all, I think we are in for an exciting year.

Man what else is goin on? Some good news on the Vinyl is that I talked to the printer and with such an overwhelming response from you guys, instead of a simple Best Of EP, we actually want to try and do a print of Vol. 1-4. This makes all my very scientific and organized data gathering completely useless. I am humbled by something new and mundane every day. Anyway, this represents a completely different beast logistically, but as a fan of those tracks I am very very excited about that. I will Literally buy a Record Player for this. "James, you don't own a record player?" No! What do I look like, an old man? Please don't answer that. (Yes James, you do. -Homestuck Archive, 2024.)

This month (January 2024) we are also going to start seeing some of the bonus content go public. I ran a poll for the Patrons, and the general consensus is that after 2 months, they're ok with the bonus content going public. This includes Bonus strips, the Illustrations, and the commentary. They're really fun to do, so I hope you guys are into it. If you want to see these as soon as they go up, they are available to subscribers. Thank you for that, btw. It means the world to be able to pay some of my team's bills. Look at me, getting all sappy on New Year's Day. Maybe it really is a new year and a new me..."

SUMMARY -

New HS:BC Website in the works, with some new features.

Update mid-month as usual. Some of the newer Team Writers.

VIZ deal has been "restructured." (that's good for us)

Andrew still "Owns Homestuck."

Working on a solution to homestuck dot com debacle.

There are plans for commentary.

Homestuck Vinyl will be Vol. 1-4, pending some light Logistical Upkeep.

Patreon Bonuses from November will be going public this month.

#homestuck #hs #413 #fyp #homestuck news #news #hs2 #homestuck archive #homestuck 2

[roniarose]

Guardians 3 thought dump

Aaaah i actually liked an MCU movie for once

The Guardians were kind of the perfect team to go up against that type of villain, a team thats taken two movies to learn and are still in some ways learning that their differences and flaws are what makes them a family, up against someone who sees those flaws as a failure to be discarded. All of the Guardians spend a lot of time across all three films trying to escape how others view them, so this antagonist really feels like the perfect choice to culminate the trilogy

Also man the russos took a fat wet shit all over gamoras arc and james gunn still managed to salvage it and make it work, I was fucking terrified the whole movie that they were gonna end up together when thats literally impossible with this gamora, But gamora calls out quill immediately in this, and tells him thats shes not that person he so desperately wants. Peter still at least has the arc that he was meant to have regardless of gamoras fridging, where he needed to realize that hes projecting what he needs from other people onto those people, especially gamora. The movie still hints that they COULD end up being together, they just both need to spend time becoming more actualized versions of themselves. And peter needs to resolve more of his emotional baggage and sexism.

Its funny because from the way 2 ended its really obvious that gunn had planned for them to be together in 3 but that basically got ruined when she got tossed into the infinity stone pit. :/ i’m glad gunn was smart enough to realize that trying to redo 2 movies worth of relationship buildup across one movie was a bad idea

Lets see what else

Oh, hey Nathan fillion, long time no see! I’m glad you finally got to be in a story about a ragtag found family in space that didn’t end up getting canned, and i think the fight you did in the building that looked like a middle school science textbook illustration rocked, 10/10 keep rocking the Michelin man fit

I like that Adam Warlock is a big dumb idiot man that carries a pet around and listens to king crimson because its super obvious gunn had no clue what to do with him but had to have him there because the mcu continues to be an ever expanding nightmare mess. 10/10 no notes

Obviously the i am groot reveal was cute, and also a kind of cycle break that didn’t feel forced or like it had extra gravitas added to it, the reveal that the audience is part of the family now just gets to be a simple little moment

I love that nebula gets to be relatively more relaxed in this movie on the whole, she honestly deserves it, let her sip her lil sodie pop.

I loved Draxs lil dad moment in the third act as well, and how it ends up forcing nebula to learn that emotional intelligence is just as vital to have a practical intelligence. Up until that point she really underestimated him and a lot of the rest of the team because she had been taught by thanos a lot of the same things our villain believed, that theres only one kind of way to be, and that only perfection and results matter. She ends up learning through the guardians and drax that we each of our own individual strengths and perceived flaws, and that real perfection is in the culmination of those forces in our lives. I thought it was nice :)

The last thing i can think of is that I liked how a series defined musically by track from the 70’s and 80’s ends off with a track from the 2000’s. A way of communicating subtly our characters aren’t trapped in their past anymore. Great stuff

Anyways thats what i got atm, if you stumbled on this and are wanting more mcu stuff, sorry to disappoint, this is prolly the last mcu thing i’m checking in for unless something reveals itself to be more interesting in the future. I wanna try and talk more about other things tho, so maybe you will like those posts!

Testing this out

#guardians 3 #guardians of the galaxy #rocket raccoon #gamora #guardians spoilers #guardians 3 spoilers #RoniaRose

[drawloverlala]

June status update

Hello! Ah we already are on June! hey, Happy pride month everyone!! 😊✨

And well Just wanted to write my usual status update and add a bit more of what’s to come for my commissions! as well as some update about the status of Brotherhood twist comic along the way ^_^

My commissions are still currently closed, I still don’t have a new opening date either, as I’m still working on the batch I got from April but I’m almost done with it! there’s only 2 commissions left to finish, one without background and one with background. And I’ll be possibly finishing the one without background this upcoming week.

after I’m done with these I’ll be taking a break but I’m thinking on opening commissions again after that, and with that said, I’ll be increasing my prices!  

The new prices are:

full character render= (half body) 80 USD / (full body)100 USD

A background = (simple)5 USD / (partial)80 USD / (fully rendered)250 USD

And well with this I’m wondering if the amount of requests will be less next time, I’ve talked before that I’ve been trying to regulate that a bit and this was an option to do that as well.

I also I feel like needed to regulate it again anyways, I mean, I was asked to draw a half body commission a while ago, and it made me realize that I can’t have the same price of a full body commission for that, so I thought I had to do some adjustment to my prices in general 😅, it has been a while since I last changed them after all.

And well besides of raising my prices in general, I also want to announce new listings for the future! Right now these are closed as well, but I’ll make sure to announce when I’ll be opening them!

🌸 Comic pages commissions!

I’ve already been working for a while doing these with an independent creator, but also I want to try taking these more regularly to create more experience in this field and to add newer content to my portfolio that I can show 😆

the process would be the same as with the illustration commissions, just that along with reference I’ll also require a sort of script, or at least a description of each panel. here’s the commission info page for this listing as well as examples:

Comic pages commission info page.

But here are the current prices as well! may or not change later, but here they are as of today:

Comic page (pencils): 40 USD

Comic page (pencils and inks): 90 USD

Comic page (pencils, inks and colors):130 USD

🌸 Chibis and Sketch pages!

I want to take these on Ko-fi, Their prices will be 20 USD and 40 USD respectively, I haven’t yet published these listings on my Ko-fi page, but here’s some examples of what I have in mind with these:

so... yeah, that’s about it for commission talk so far! then again, the comic commission prices may change, the new listings are still not open but I wanted to announce them, And currently still working on the batch I got from April but I’m almost done with it, and  after I’m done with that, I’ll take a break dunno how long but not too long and after that I’ll be announcing when I open commissions again with the new prices!

Here I updated my carrd with the current commission prices as well!

https://drawloverlala.carrd.co/#comissioninfo

If you want to see all my prices in detail I made this too.

The * in this, is that I need to explain XD,  I’m currently working on projects  where I take these kind of commissions, so they are not technically closed, but I’m not currently accepting them outside of these projects, so they aren’t really open either. hope that’s not too confusing XD

🌸 Now about Brotherhood’s Twist fan comic!

ah so far, I FINISHED SKETCHING THE WHOLE COMIC! i mean like all pages are currently sketched! there’s still no dialogue set for some of them, I’ve been adding some drafts of dialogue, I also started inking some of the new pages! I can see now an end to this comic! so yeah, here’s the state of the comic:

New unpublished pages done: 8 (pages 64 to 69)

New sketched pages:16 ( pages 70 to 86)

New inked pages: 5 to 6 ( pages 70 to 74 and half of page 75)

Here’s a peek of some pages out of order!

And that’s all for now! Thank you very much for reading and well I hope you have great week!

#my ramblings

[its-dean]

Hey just wanted to say that this while Odyssey thing looks Really REALLY cool!!! Forgive me if it's already stated elsewhere, but how do you plan on releasing it when its done?? Like is it gonna be an emulator thing or more of a standalone type of thing?? Also I Love the character designs you've been putting out, and I think I followed you a while back just for those lol. Anyway keep up the good work and consider me excited!!

Thank you for reaching out, you’re very kind! In terms of the things I’ve been posting, everything that I make is simply for fun. I just enjoy getting to share all the things I come up with, and it motivates me to make what I share feel that much more interesting.

I don’t have any experience with game design, and I don’t have plans to develop anything I come up with to be part of an actual fan-game. I like creating vivosaurs, giving them stats, and imagining what tweaks I’d make to how a Fossil Battle works, but I feel like I’d be in over my head if I were to try and program any of those things. It simple doesn’t interest me enough, and I’m nowhere near experienced enough 😅

However, very big big however, my biggest passion with Fossil Fighters is its story and its world, and that’s what I want to work on with what I create. I study filmmaking in school and want to go into some kind of career as a creative writer, and my biggest personal project is Fossil Fighters Ofyssey, my own idea of where the story of the first 2 games would go from where they left off, 9 whole years later. Since I finished developing my cast of original characters and vivosaurs, I’ve been trying to shift gears to thinking of the story I want to tell using them. I’ve worked out outlines and currently am working on writing finalized scripts (some of them I’ll probably post here), the dream would be to someday illustrate my story in a manga/graphic novel format, but again I don’t wanna go further into video game territory.

I apologize for the really long-winded response, this is just my biggest personal passion and I’m really appreciative that there are people who enjoy seeing what I share enough to ask me these kinds of questions. Thanks for hearing me out on all of this, I wish you the best as well! 🙏

[fandomregression]

I saw the flip!Ash post and little!Gary has my heart <3 please share your headcannons of him 🥺

when i say that gary is my favorite character ever in all media i mean it. with that in mind, pls enjoy some headcanons ajsldkfjashljg

Regressor Gary Oak Headcanons

gary learns about regression pretty young. he learned what it was when he was about 11-12, and he only learned bc he was apprenticing with prof rowan and one of the other apprentices (lucas maybe?? pls pokemon gimme the boy in the anime) regressed sometimes

for a couple years, gary doesn't really think about it. he doesn't try to regress, try to do anything regression-like

then he has a Super stressful year apprenticing in kalos, and one night he's in his room crying because the power went out and he lost his research progress on his computer

umbreon is beside him at the time, and she does her best to calm him down. she crawls on his lap and nuzzles his cheeks, puts her paws up on his shoulders, basically hugging him. eventually, gary stops crying, and he's just trying to get his breath back. umbreon drags over a pillow for him to squeeze, and he hugs it super-super tight until he finally feels better

after a little (haha) rest, he starts his computer back up and manages to recover most of his work. he saves it and closes docs, pulling up the pokemon equivalent to netflix. he starts a cartoon he and ash used to watch all the time as kids, and just lets himself get absorbed in the adventures of clefairy and all her friends

gary doesn't regress again for a few months. he doesn't even really consider what happened that night to be regression. the second time, though, he throws a fit and ends up battling some jerk that was making fun of him and research partners (blastoise and electivire are a lil suspish about fighting when their trainer sounds like a fussy toddler, but they do as he says anyway)(and after the battle, blastoise makes him sit down and eat a snack and drink some juice until he calms down)

once again, gary doesn't consider this regression. he is not regressing

the third time gary regresses, he does have to accept that it was actually regression. it's kind of hard to deny it when he jumped all over his room because he was getting pancakes for dinner. he put on fuzzy pjs (backwards oopsie) and fuzzy socks, and when he scooted across the floor to build up static electricity, he started calling himself elekid

over time, gary ends up getting quite a few plushies that he hides in his closet (with the door cracked open so they can breathe ofc). he gets a plush eevee first, and a squirtle and elekid, then he gets plushies of the rest of his team, and then he starts getting plushies of ash's team(s). he names every single one, too, and he makes lil profiles for each of them, with fake dex entries, in a little notebook

when gary starts getting more comfortable with his regression, he starts getting more obvious gear. the first thing he ever gets is a sippy cup. it's covered in super cute miltank illustrations, and it has a flip-top so it's not too obvious that it's a sippy cup

after he gets his cup, he gets a pacifier and a teether...and he maybe starts sleeping with the pacifier. shhhh...

after those, he gets some toddler toys, but he tries to get tiny ones so he can hide them better. he really, really doesn't want the professor to find out abt his regression because that's embarrassing and it might get back to his grandpa

gary's pokemon do their best to take care of him and keep him out of trouble, but even sometimes they have to encourage him to go steal some cookies >.>

really they don't do a good job of holding him accountable, so when ash finally learns abt gary's regression, he's a total brat and he gets so many disappointed sighs

gary's nicknames are pretty simple, just gare and gare-bear

he calls ash just ashy, but it usually comes out more like "ashyyyy-uh!"

he learns very quickly that he can bribe pikachu to take his side with the promise of ketchup. this does not bode well for ash

professor oak and tracey do eventually find out abt gary's regression, and they're very accepting. tracey and gary will hang out in the field and draw pokemon together. professor oak just treats him the same as he did when gary was growing up, and it seems to make him rlly happy

i'm gonna stop here ajsdlfkahglakdjfh gary is so good i love him so much ;-;

#fandom agere #sfw agere #age regression #pokemon agere #pkmn agere #agere gary oak #🧸headcanons