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atlasmetalind · 3 months
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The Ultimate Buyer's Guide to Brass Conduit Fittings in India
When it comes to electrical installations, the integrity and safety of the wiring system are paramount. This is where brass conduit fittings play a crucial role. In India, with its diverse and challenging construction environments, selecting the right type of conduit fittings is essential for ensuring a durable and reliable electrical infrastructure. This guide aims to provide comprehensive insights into brass conduit fittings in India, aiding buyers in making informed decisions.
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Understanding Brass Conduit Fittings
Brass conduit fittings are used to connect and secure the electrical conduit in place, providing a pathway for electrical wiring. Made of brass, these fittings offer excellent durability, corrosion resistance, and conductivity, making them ideal for both indoor and outdoor applications.
Benefits of Using Brass Conduit Fittings in India
Corrosion Resistance: Brass is known for its resistance to rust and corrosion, making these fittings suitable for humid and coastal areas in India.
Durability: Brass fittings are tough and can withstand extreme temperatures and pressures, ensuring long-lasting installations.
Electrical Conductivity: Brass is a good conductor of electricity, enhancing the overall safety and efficiency of the electrical system.
Aesthetic Appeal: With their golden hue, brass fittings add an aesthetic touch to exposed electrical installations.
Types of Brass Conduit Fittings
Adapters: Connect conduits of different sizes or types.
Elbows: Change the direction of the conduit run.
Couplings: Join two pieces of conduit together.
Locknuts: Secure fittings to boxes or enclosures.
Bushings: Protect wires from sharp edges of conduit ends.
Choosing the Right Brass Conduit Fittings
When selecting brass conduit fittings in India, consider the following factors:
Application: Determine whether the installation is indoor or outdoor, as this influences the type of fitting required.
Size and Type of Conduit: Ensure the fittings match the size and type of conduit being used.
Environmental Conditions: Consider the environmental conditions, such as exposure to chemicals or extreme temperatures, to select the most suitable fittings.
Certifications: Look for fittings that meet Indian and international quality standards to ensure safety and reliability.
Installation Tips
Ensure all fittings are properly tightened to prevent ingress of water or dust.
Use appropriate tools to avoid damaging the fittings and conduit.
Regularly inspect and maintain the fittings to ensure the integrity of the electrical installation.
Where to Buy Brass Conduit Fittings in India
Brass conduit fittings can be purchased from electrical supply stores, online marketplaces, and directly from manufacturers. It is important to choose a reputable supplier to ensure the quality of the fittings. For more detailed information and a wide selection of brass conduit fittings, you can visit Atlas Metal Industries, a leading manufacturer and supplier in India.
Conclusion
Brass conduit fittings are an essential component of any electrical installation, offering durability, safety, and efficiency. By understanding the types of fittings available, their benefits, and how to select the right ones, buyers in India can ensure their electrical systems are robust and reliable. Remember to prioritise quality and compliance with standards when making your selection, and consider partnering with trusted manufacturers like Atlas Metal Industries for your supply needs.
By arming yourself with the right information and choosing high-quality brass conduit fittings, you can ensure a safe and efficient electrical system in your projects across India.
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ultra-phthalo · 28 days
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When the Ring Light is paying all the rent
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I have so many feelings about this freak.
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northatlasarchive · 6 months
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Strawboy - from The Longest Shadow Attached To The Ankle: North Atlas
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atlaculture · 11 months
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Live-Action Promo Pics: Zuko
I’ve been hesitant to comment much on the the live-action series, as most of the discourse has revolved around the casting. I’ve already made my ideal ATLA fancast pretty well-known and I don’t feel comfortable harshly critiquing children/teens for not looking like my favorite cartoon characters. At the end of the day, it’s the casting directors that we should hold responsible, not working actors trying to make a living.
However, I have no problem reviewing the costumes--- which I presume were made by industry professionals of adult age. In fact, I’d say the goals of this blog obligate me to give my two cents. So enjoy my completely subjective take on the promotional costumes:
Zuko
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What I Liked
They maintained the silhouette of Zuko’s armor. Considering what they did for Sokka’s warrior look, it’s a relief that the FN’s armor is immediately recognizable.
I like the design on Zuko’s spaulders; it reminds me of designs that you see on traditional Thai armor.
I also like that the pattern and other parts of the armor look old and worn. Given that he’s Ozai’s least favorite child and has been banished for three years, his equipment is probably all outdated hand-me-downs.
It appears that Zuko’s live-action armor has two layers of shoulder spikes. I think that’s a good detail, as members of the FN’s royal family tend to sport two or three layers of shoulder pads.
The plume on his helmet is a nice addition. Many historical Chinese armors have plumes, especially the helmets of high-ranking officials. And, in the cartoon, the shape of the helmet almost looks like it was meant to have a plume originally.
The sash is also a good addition. It adds a nice splash of red to the dark tones of his armor. I like it better than the belt in the original show.
What I Didn’t Care For
I’m not an expert on crafts at all, but even I can tell that some very modern, synthetic materials were used for this costume. I know it would’ve been very expensive, but I really wish they had used more metal and leather for Zuko’s armor. Or at least materials that better imitated metal and leather.
The mesh girdle around his waist bothers me. I think it’s supposed to emulate chain mail, but it just reminds me of the polyester mesh they use for basketball uniforms.
I wish his plume was red instead of black.
Overall, I give it 7 broadswords out of 10.
To be honest, this was probably the most difficult of the four promo pictures to review, mainly because I find most armor to be pretty boring-looking. Generally speaking, most practical armors are going to look pretty similar to each other, with the exception of those adapted for extreme climates. I’m basically fine with Zuko’s armor, as its faults are more general issues found in all of the Netflix costumes.
I’ll probably have more to say once they give us a better view of his armor from the front.
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aquaquadrant · 1 year
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from eden, part VII
Word count: 15,641
Warnings: Strong language, mild body horror, violence, blood/injury, mild gore, death, manipulation/deception, fictional bigotry, discussion of fictional eugenics (I guess??)
Summary: As Bravo continues working with Hels Tek to create a portal, the frequent complications and delays start to wear on his patience- not to mention the aggressive behavior of the Hels players he’s forced to associate with. But over the years, he finds himself treading deeper and deeper water to get what he wants. And after a shocking revelation is made about Tango, Bravo will have to confront exactly what kind of player he is.
A/N: I can’t believe I once thot I’d cover all of Bravo’s time in Hels in just one chapter. Holy shit. This is now the longest chapter by far, over 15k words. But I can safely say that we’re done w this mini-arc, and next time we’ll get back to the Ranchers in the Double Life times.
Disclaimer: I don’t understand a lot of redstone, and what they’re trying to do with redstone here isn’t even a thing in Minecraft irl, so just go with it. Also, mind the gore warning. There’s a death in here that isn’t super descriptive, not any more than Bravo’s various deaths in part 2, but the way it occurs is kinda disturbing. Hope y’all enjoy, please reblog if you do! - Aqua
~*~
from eden, part VII - babe, there’s something wretched about this, something so precious about this, oh what a sin
~*~
Somewhere in Hels, one player follows another through a gate.
Pistons lurch as the door closes behind them. But Bravo can hardly hear it above the sudden cacophony of noise beyond the walls of New Helington.
There’s far more life and activity here than he’d been expecting, a virtual sea of movement as players rush past each other. Mismatched buildings crowd the busy streets on either side, accented by flashing lamps and the occasional puff of steam. The air is filled with shouting and the sound of machinery; loud, chaotic, violent.
Over the years, Bravo’s grown accustomed to the various scents within Hels, from the ash-choked basalt detlas to the deep caves of sulfur. Every biome with trees in it smells like smoke, because inevitably, some part of it is always burning. Here, though, there’s a new smell added to the mix; the thick smog of coal and the metallic tang of iron. It reeks of industrialization- which might’ve been comforting, except he can see that New Helington is still very clearly uncivilized.
Much of the things being shouted between players are threats and insults. Players shove and scowl at each other as they pass. Several fist fights are currently taking place right before Bravo’s eyes, and that’s just what he can see out on the streets; the muffled sounds coming from within the ramshackle buildings are just as discouraging.
Bravo reminds himself to be careful. They may be more technologically advanced, but they’re still just as savage as the rest of Hels.
Atlas takes in the sights without comment, expression unchanging. He’s been here before, Bravo recalls. “Now,” he says lowly, “I do believe someone has been sent to collect us-”
“Hey man, how’s it going?”
Bravo jumps at the new voice, whirling around. A player is looking down at them from his perch on one of the wall’s watch towers. But it’s not his precarious position that makes Bravo’s heart jolt; he actually recognizes the player.
A well-built man, with a neatly trimmed beard and bright, teal eyes. The trident strapped to his back is further evidence- this is bXMiner, the player who killed Bravo the last time he tried to come to this city, years ago.
“Ah, Mr. bX,” Atlas says with a smile, seeming not at all surprised as bX drops to the ground in front of them. “Always a pleasure. This is my associate, Mr. Bravo.”
bX nods at him. “What’s up?”
Bravo blinks. “What’s up?” he repeats, struggling to keep his voice even as his temper flares. “That’s- that’s all I get? What, you don’t have anything else to say to the guy you murdered in cold blood?”
Rather than look taken aback, bX chuckles. “Oh man, you’re gonna have to be more specific,” he says with a rueful grin. “I kill a lot of people. Nothing personal.”
“Right,” Bravo says tersely, folding his arms. He’s not sure what stings more; that bX killed him, or that bX doesn’t even have the decency to remember killing him.
Atlas shoots him a warning look. “Of course, that’s not why we’re here.”
“Yeah, I gotta say, I was surprised to hear you were coming by.” bX’s tone is light, conversational- but there’s a knowing glint in his eyes as he studies Atlas. “Bit early for our next visit, isn’t it?”
Atlas’s grin tightens. “I assure you, Mr. bX, this is no ordinary house call. But I’d much prefer to discuss the details once we’re inside.”
“Sure, yeah.” Nodding, bX turns and starts walking towards the main street. “Follow me.”
Atlas steps in close, grabbing Bravo by the arm. “Mind yourself,” he says, still smiling.
Bravo jerks his arm away with a huff. “Fine! I’ll play nice.” As if he has a choice.
They follow bX into the street. Fortunately, it’s easy to keep track of him because the other players hasten to get out of his way. Clearly, bX holds some sort of status here. His presence must be fairly common, however, because Bravo and Atlas seem to be garnering most of the attention. Bravo tries not to bristle when he feels the weight of curious eyes on him.
He’s fully aware of how dangerous this is. Nearly every Hels player he’s met has been unpleasant at best, and outright hostile at worst. He’d once thought that a structured civilization like this could only exist due to cooperation and common decency. It’s obvious now that he was wrong. The players here must be kept in line by nothing short of brute force. The tension in the air is like a misplaced block of TNT, just waiting to explode.
Atlas, of course, doesn’t seem at all bothered by this. He keeps his chin up and his eyes forward as he walks, shoulder set and grin firmly in place. Like he has absolutely nothing to be nervous about.
Bravo desperately tries to channel that energy as they delve deeper into the city.
~*~
“Wait here,” bX says, slipping through the door.
Bravo opens his mouth to protest, but is quickly silenced by the warning look Atlas gives him. They’re in Papa Al’s house, now, he reminds himself. They must tread carefully.
bX has taken them to a lavish quartz mansion, much bigger than any other structure in the city, complete with a fenced-in, fully landscaped garden. Everything on the premises is impeccably maintained; a sharp contrast to the rest of the city. It was clearly designed with aesthetics in mind, and seems well-staffed. If Bravo had any doubts about just how powerful and wealthy Papa Al is, they’ve been thoroughly refuted.
After leading them through the mansion, bX took them up a rather impressive piston elevator, stopping at a floor that consisted of a single hallway with a single door at the end. It’s this door that they’re now waiting in front of, as bX presumably speaks with Papa Al inside.
Bravo definitely isn’t nervous. He definitely doesn’t try to listen to the conversation through the door- to no avail. And he definitely doesn’t jump out of his skin when the door suddenly swings open, almost smacking him in the face. Quickly straightening up, he takes a breath to compose himself, hoping bX didn’t notice.
bX definitely noticed. “Come on in, guys,” he says, amused.
“Thank you,” Atlas says graciously, pulling Bravo into the room behind him. “Ah, Papa Al, it’s good to see you!”
Bravo has to make a conscious effort not to let his mouth fall open. The floor and ceiling of Papa Al’s office are completely paved with solid diamond blocks. Oh, that’s so… tacky. So, so tacky. But it’s the most expensive kind of tacky Bravo’s ever seen. The fact that this guy has so many excess diamonds, he can build with them...
“Spank you, queenie,” the man sitting behind the desk tells bX. He turns to beam at them. “Doctor Sinny! Come in, come in, take a seat!”
Papa Al. He’s dressed to match the room, in an obnoxious teal suit and multiple diamond rings. His own features are rather plain, aside from the countless thin lines hatched across his face. And his voice is… not what Bravo was expecting. Strange accent aside, there’s a playful nature to it. It’s extremely unsettling, coming from a man with this kind of reputation.
bX moves to stand beside Papa Al, who reaches a hand up to caress the side of bX’s face. It’d be a possessive gesture if it weren’t so affectionate, if bX didn’t smile softly back at him. Bravo’s taken aback- seems like this crime boss is full of surprises.
“Of course,” Atlas says, “thank you for seeing us.” He takes one of the two chairs sitting in front of the desk, gesturing for Bravo to follow suit. As Bravo sits down, Papa Al gasps.
“And oh wow, look at dis beautiful face!” he coos. “Now, look into my eyes, and nufin’ but my eyes…”
Then the rest of his eyes open up.
Atlas warned him not to stare, but Bravo can’t help it. Being told that the man has a bunch of extra eyeballs on his face is one thing, but it’s another thing to see it. To see them all mismatched and misshapen, moving and blinking completely out of sync. It’s horrifying.
Rather than take offense, Papa Al almost seems pleased by Bravo’s reaction. His grin widens, and he leans forward, resting his elbows on the desk. “Wassa matter, sweetface?” he asks innocently, cocking his head to the side. The motion makes his various eyes roll around in a dizzying manner.
A cold sweat trickles down Bravo’s neck. “Nothing,” he grits out, averting his gaze. “Uh, sorry. Sir.”
Luckily, Atlas swoops in. “Now, Papa Al, I know you’re a busy man,” he starts smoothly, “so in the interest of saving time, allow me to be brief. I believe I’ve found the solution to our Tango problem. Mr. Bravo here-”
“Ain’t from dese parts, humm?” Papa Al says thoughtfully, his eyes dragging over Bravo’s form. “Or even from dis world.”
Bravo suppresses a shudder. He’s never been scrutinized so intently before; it feels like layers of his skin are being peeled back. And how Papa Al can tell he’s from another world just by looking at him, he has no idea.
Atlas recovers quickly. “Yes, that’s correct. Mr. Bravo came to Hels by accident through a portal, the same time Tango disappeared. I know you never meet Tango, but their similarity is quite striking, too much to chalk up to mere coincidence. I believe they share a connection that we could utilize to open a portal and track Tango down, to retrieve the information he stole, and get our project back on track.”
“Is dat so?” Papa Al hums. His eyes are split between looking at Atlas and Bravo; an expression that’d almost be goofy if it weren’t so off-putting. “Den what’chu waitin’ for?”
Atlas pauses, his face twitching the way it does when he’s trying very hard not to let his annoyance show. “We’ve run into some difficulties with actually isolating this connection,” he explains carefully. “See, we still have Tango’s communicator, which we’ve been comparing to Mr. Bravo’s, but my team is sorely lacking a specialist in data analysis.”
“Ooh, I see…” Papa Al nods earnestly. “You need a real smart guy, huh?”
Atlas’s grin is so tight, it’s a miracle his teeth haven’t cracked. “This degree of analysis is a bit beyond our scope, yes,” he admits, begrudging.
Papa Al taps his chin- the eye located there quickly squeezes shut. “Hmmm… I fink I know a guy,” he says after a moment. “But he’s a vewy hard guy to track down, so it could take some time. Could be a bit scary, a bit hairy.”
Satisfaction flickers across Atlas’s expression. “Who do you have in mind?” he asks, leaning forward.
“Uh uh uh!” Papa Al tuts, wagging his finger. A few of his eyes close for a second- is he trying to wink? “All you need ta know is that he’s da best of da best in dis kinda fing. An’ he reaaaally likes his privacy.”
Atlas purses his lips. Clearly, he’s displeased, but isn’t willing to argue. “Well, if you think he’s the man for the job, I trust your judgement. I’d be happy to speak to him myself to explain the-”
“No, no, no, no, nooo,” Papa Al interrupts, waving a hand dismissively. “Don’t you worry your purdy little head about it. If I can get him ta take da job, he’ll find you, mkay?”
“Of course. As you wish.” Atlas inclines his head. “Though I must stress that this is rather sensitive information, and the utmost care should be taken to ensure-”
“Oh, Sinny,” Papa Al sighs. He rests his head in his hands. “You really fink I got to where I am today wifout knowin’ how ta keep my mouth shut? I know what’s at stake, same as you do.”
Atlas exhales slowly. “Of course.”
“Now,” Papa Al continues, “step outside wif bX for a second, mkay? I wanna talk ta Mistah Bravo.”
Bravo jolts in his seat. What? This wasn’t part of the plan!
Atlas stiffens. “If you require any more information about the project, I’m sure I can-”
“Dat wasn’t a request, sweetface,” Papa Al says, his tone deceptively light.
Atlas falls silent. With a terse nod, he rises from his seat and follows bX out the door. As he does, he gives Bravo a look that isn’t so much reassuring as it is saying ‘don’t mess this up.’ Normally, Bravo would roll his eyes, but he’s just as worried about messing this up as Atlas is. Atlas was supposed to do all the talking, Bravo doesn’t know how to navigate Hels business like this-
“Soooo,” Papa Al drawls, “Mistah Bravo… you come from other worlds outside a’ Hels, is dat right?”
Now that they’re alone, Bravo bears the full weight of Papa Al’s gaze. He straightens his back unconsciously. “Yeah. Uh, yes sir, Papa Al.”
Papa Al hums noncommittally. “Tell me… what are da other worlds like?”
Bravo blinks. “Um- you mean like, just in general? I guess… they’re usually a lot nicer than Hels.” He scratches the back of his head. “See, other worlds have a separate nether from the overworld, and- and we travel between them using portals.”
Papa Al nods, motioning for him to go on. Evidently, he’s familiar with the concept.
Bravo swallows. “Okay so, all the biomes with ash and lava and fiery stuff, that’s- that’s nether stuff.” He counts on his fingers. “Basalt deltas, warped and crimson forests, soul sand valleys, nether wastes- that’s all pretty much the same. I mean, it’s fine if that’s what you like, but uh, I prefer the overworld.”
Papa Al’s expression is utterly unreadable, those many eyes watching him with rapt attention.
“So, the overworlds,” Bravo continues haltingly. “There are… okay, so- so overworlds have tons of different biomes, right? The biomes here are sorta like uh, hybrid biomes, so you’ve got like, netherrack veins in a stone mountain or a jungle filled with crimson fungus. But in a normal overworld, the biomes don’t have any features of the nether. And other than a few specific kinds, they all usually have some kinda grass and trees, and they’re green. Not brownish-green like the ones here.”
His tone turns wistful, despite himself. “And the sky- there’s no bedrock ceiling in the overworld, just an endless blue sky… there are clouds sometimes. The air’s clear. And the sun… it’s this giant, yellow ball of fire way up in the sky, too far to reach, and when it shines down on your skin, it’s just the most amazing feeling. Warm, but not painful. And- and at night, the sky turns black, and you can see a bunch of tiny bright lights called stars, and one big, white moon. Like a smaller sun. The moonlight isn’t warm, but it’s beautiful in its own way. I…” He trails off, rubbing the back of his neck sheepishly. “Sorry, I uh- I didn’t realize I missed it so much…”
A gentle smile spreads across Papa Al’s face, forcing several eyes into a squint. “Oh, das alright,” he murmurs. “It must be hard, ta be away from home for sooooo long. And I bet you’d do whatever it takes ta go back, hmm?”
Bravo is immediately on edge again. “I suppose,” he says warily.
“Now tell me dis…” Papa Al leans in, his voice low. “Do you trust Atlas?”
Well. That’s not what Bravo was expecting. He knits his brows together, trying to figure out how he should answer. Is this some kind of test? “I… trust that he wants a portal opened as much as I do,” he says eventually.
Papa Al tilts his head. “Is dat so?”
It’s impossible to tell whether he approves of the answer or not. Bravo makes a frustrated noise. “I- I don’t- look, compared to how other players here have treated me- I mean, Atlas is one of the few who didn’t just kill me on sight.”
“Oh, sweetface…” Papa Al clicks his tongue. “Dere are so many fings a player can do ta you dat are worse dan killing.”
Irritation flares through Bravo. He hates being treated like he’s naive; he didn’t make it on his own here for several years through the power of friendship. “Okay, so- so what, are you sayin’ I shouldn’t trust the guy who’s working for you?” he asks, folding his arms. “I mean, what- what do you want here?”
“I want ta know dat you’re committed,” Papa Al says, holding his gaze evenly. His earlier playfulness has fallen away into the cool demeanor of a hardened businessman. “Dat you’ll uphold your end of da deal. Cuz- cuz if you don’t, den I’m wastin’ a lotta time and energy for nufin’, mhmm. You get me?”
“I- yeah, I get you,” Bravo says shortly. In his opinion, it’s a stupid question. There is so much more on the line for him than there is for them. They want to get back important research. He wants to get back his entire way of life and an infinite universe. It’s almost insulting, for Papa Al to question Bravo’s commitment.
“Good, good.” Papa Al nods. “Cuz ah, little word to da wise; I am not someone you wanna cross.”
Bravo grits his teeth. He generally considers himself a nice guy, but god, he’s so tired of all the posturing. “Yeah? Well, well maybe I am, too,” he says lowly.
For a moment, Papa Al just stares at him, as if he hasn’t fully processed the threat. Then he throws his head back and laughs, all his eyes squeezing shut. “Oh, I knew I liked ya,” he says cheerfully. “Alright, you’ve convinced me. Tell Doctor Sinny dat I’ll work on sending da specialist over pronto, mkay? And in da meantime, he should tell me if dere are any updates or probbylems. Got dat?”
“I- yeah, sure,” Bravo says, taken aback. “Uh-”
“Great! You can go, now.” Papa Al sits back in his chair, waving his fingers. “Buh bye! Spank you! See ya next time!”
Well, that’s that.
Bravo steps out of the room almost in a daze, into the hallway where Atlas and bX are waiting. bX nods at him in greeting and leads them back out of the mansion, through the city, and to the gate before bidding them farewell.
Atlas waits until they’re on the flying machine back to Hels Tek to start pestering Bravo about his meeting with Papa Al. Bravo tries to relay the odd conversation the best he can, still trying to make sense of it himself. But he leaves out the part where Papa Al asked if he trusts Atlas.
Somehow, he doesn’t think Atlas would take that well.
~*~
“What? That’s it?”
Bravo jumps a little as Tyrannicide slams his hands on the conference table. Atlas sighs, looking almost bored as he waits for the other scientist to stop shouting.
“Are you fucking kidding me? All we get is some flimsy promise that he’ll send for a specialist, without even knowing who?”
“Dr. Tyrannicide, indoor voice, if you please,” Atlas says dryly. “I understand it’s not ideal, but-”
“It’s a rip off, is what it is,” Phantonym cuts in, her arms folded as she leans back in her chair. Her shoulders are hunched, jaw set. “I thought this guy was supposed to be our top sponsor!”
The tension in the room is palpable. Bravo knew that the rest of the portal team wouldn’t be thrilled by the news of their visit with Alisker, but he’s unsettled by all the hostility. It’s like they’re going to leap over the table at Atlas any second now. Surely they wouldn’t actually attack each other here- Hels Tek is better than that, right?
“Alisker is our top sponsor,” Atlas replies, giving Phantonym a stern look. “I’m sure he has his reasons for all the secrecy. All we have to do is be patient.”
“And what if this so-called specialist never even shows up?” L8R_H8R demands. He’s tense, hands gripping the armrests of his chair so hard his knuckles are white.
Atlas smiles, shrugging a shoulder. “Well, in that case, I suppose we carry on as we have been.”
H8R frowns. “At the rate we’ve been going, it’ll take years just to figure this data thing out, much less build a working portal from it,” he points out. “Isn’t Alisker’s patience with us already running thin?”
Atlas’s smile widens. “Yes, yes it is. So if I were you, I’d stop wasting time throwing fits over things beyond our control and get back to work. Do I make myself clear?”
The scientists mutter their agreement, a reluctant, “Yes, sir.” The tension dissipates, and Bravo remembers to breathe again.
It’s fine. This is fine. The specialist will come, they’ll figure out how Bravo is connected to Tango, they’ll finally be able to make a portal, and this nightmare will be over. He’ll go home and forget about this horrible place. He just has to be patient for a little bit longer.
It can’t take more than a few days, right?
~*~
Several days come and go, with no news.
Atlas is starting to get annoyed by how often Bravo asks if he’s heard from Alisker. But he can’t help it; he hates feeling out of the loop like this, feeling completely and utterly powerless. He tries to keep himself busy, but progress on the portal has screeched to a halt. The rest of his team is once again trying to teach themselves how to read and analyze data, the lab covered with pages and pages of code, and all his attempts to help are met with stiff rejection. Even just being in the room with them is getting increasingly uncomfortable; tempers are short, and there’s a lot of bickering.
The other scientists seem to tolerate his presence better. His assistance on the various projects at Hels Tek isn’t always necessary, but they don’t mind him hanging around to observe and ask questions. They seem to be in higher spirits than the portal team- probably because their projects aren’t stuck on the backburner, waiting for some mysterious specialist to show up out of the blue. So long as they’re being productive, they’ve got nothing to fight about.
At least, that’s what Bravo thinks until he walks in on a scientist throwing one of the interns against the wall.
“How many times do I have to fucking tell you?” the scientist snarls, a piece of paper clenched in his first. “Double check your calculations before showing them to me. If you can’t even do basic math, you’re-” He pauses when he notices Bravo, all his fury suddenly vanishing. “Oh, hey. Didn’t know you were dropping by today.”
The intern has quickly recovered himself, standing with a carefully composed expression.
“Right,” Bravo says uncertainly, a pit forming in his stomach. “Uh, sorry- I’ll come back later.”
He leaves before the scientist can protest, his heart pounding. He’s never seen violence used so casually around Hels Tek, the way it is elsewhere in Hels. The closest time was when Atlas had to snap Clear out of a breakdown, and even that hadn’t been done so lightly.
Atlas told him that Hels Tek was different. That it was better than the rest of Hels, that he’d be safe here. 
It’s… probably not that big of a deal. Everyone loses their temper from time to time. And Bravo can’t hold them to the same standards he would normally, because they’re still from Hels. Things just… work differently here. It doesn’t matter anyways; as soon as that portal is working, he’ll be out of here for good.
He just has to be patient.
~*~
Days turn into weeks.
~*~
“-informed me that they should have the entire lexicon fully transcribed by now,” Atlas says, his quick footsteps bouncing off the empty hall.
Bravo keeps pace with him as they make their way to the portal lab. “Yeah, well, that’s what H8R said last week-”
He breaks off when he hears a sudden crash. Behind one of the doors to another lab, he can make out the sound of furious shouting- two scientists he’s vaguely familiar with- and more heavy thunks and crashes.
Bravo turns to ask Atlas about it, but he’s already slipping inside the door. The sounds immediately stop. After a minute, Atlas comes back out, smoothing down the front of his lab coat.
“Just a little work dispute,” he tells Bravo with a smile. “Nothing to worry about.”
“Right,” Bravo says flatly. He almost lets it drop there, but something prompts him to keep going. “Y’know, I- I’m not stupid. I know you guys are trying not to be so… so Hels around me. What, do you think a- a few harsh words and fist fights are gonna scare me off?”
“Of course not,” Atlas says, raising his eyebrows. “It’s true that my staff are attempting to be more conscientious than what’s standard for the rest of Hels, but I instilled those rules even before you got here.” He looks at Bravo from over the brim of his shades. “Contrary to what you might believe, we Hels players don’t all thrive on chaos and violence. Some of us would prefer a little more civility and order.”
“Oh, okay.” Bravo glances away, almost sheepish. “Sure, yeah. Sorry.”
Atlas hums noncommittally, continuing down the hall. “Now, where were we…?”
~*~
Weeks turn into months.
~*~
“I’ve told you, I’m working on it!” Tyrannicide snaps. “Who died and made you queen?”
“Well, someone has to keep us on schedule,” Phantonym shoots back, her eyes narrowed, “and it’s clearly not you!”
Bravo pinches the bridge of his nose. The two scientists have been arguing all morning about things he can barely follow. Something something, responsibilities, something something, timelines. It’s really getting hard to bear. If this is the best redstone lab that Hels has to offer, he shudders to think about how the others must function…
“I’m sick of your shit!” Tyrannicide pushes away from the lab bench, his chair toppling over with a loud thud as he jumps to his feet. “If you don’t like the way I do things then you can just-”
He doesn’t get to finish his sentence; a sword suddenly appears in his chest, splattering blood across the lab bench. Instantly, he vanishes in a puff of respawn smoke, the sword dropping to the ground with a clank.
Phantonym calmly leans over to pick it up. Shock crashes over Bravo as he processes what just happened, only two feet away from him.
H8R sighs loudly. “For godsakes…” he groans, rising from his chair. He shuffles over to grab the mop leaning against the wall. “Couldn’t you have taken this outside? Papers, ruined…”
Bravo finally finds his voice. “You killed him,” he says, stunned.
Phantonym rolls her eyes. “Sorry, yeah, I know that was rude,” she huffs, putting the sword back in her inventory. “But whatever, maybe he’ll come back with a better fucking attitude.”
Bravo isn’t sure how to respond to that. Fortunately, Atlas is quick to arrive, having noticed the death message in chat. He lectures Phantonym about ‘appropriate workplace conduct’ and then pulls Bravo to the side.
“I apologize for that,” Atlas says lowly. “With respawn anchors set up, death has little consequence, and as such, players can sometimes get careless- even those who should know better. But I can assure you, no one here would even think about harming you.”
“Oh, yeah?” Bravo demands. He finds that hard to believe. “Why’s that? Has- has my sparkling personality endeared me to them?”
Atlas sighs; he has little patience for Bravo’s sarcasm. “No. I’ve simply impressed upon them that, if such an unsightly event were to occur, there would be dire consequences.”
“Oh.” Bravo swallows. “Uh. Thanks?”
“You’re welcome,” Atlas says, stepping away. “Now, all of you, get back to work.”
Bravo runs a hand through his hair, pausing as he feels a few strands stuck together with still-warm blood. A lump forms in his throat, but he forces it down.
Business as usual at Hels Tek.
~*~
“I don’t know why this couldn’t wait,” Atlas grumbles, rubbing his eyes behind his shades. “I’m all for starting work early, but this is a bit excessive.”
“Because,” Bravo says impatiently, ushering him down the hallway, “every time I try to get a straightforward explanation with the rest of the team there, it always turns into an argument. And I’m sick of being out of the loop. I- I need to know exactly where we’re at with this project, okay?”
There’s only a few more months to go before Bravo will have been at Hels Tek for two years. Not that they’ll throw him an anniversary party or anything. Most players don’t pay much attention to the yearly passage of time; the only reason he even knows how long it’s been is because he’s made a point to keep track on his communicator.
(It’s hard to tell for certain, but Bravo thinks he might’ve stopped aging at this point. He wonders if Tango’s stopped aging too, or if he’ll look younger or older than Bravo when they finally meet.
He supposes it doesn’t really matter. Since all players are immortal, they usually only keep track of age until they reach adulthood. After that, players continue to age up to a certain point that’s completely random; a player who looks twenty might actually be decades older than a player who looks forty. Socially, there’s no difference- an adult is an adult.
But privately, Bravo had been hoping to physically age at least a little bit more, to look more mature than he does currently. Maybe it’d help others take him more seriously.)
Atlas hums noncommittally. “Do you not trust your team?”
Bravo snorts. “I trust my team to get distracted by bickering, that’s what. So- so that’s why I just need you to catch me up to speed on everything, before the rest of ‘em get in this morning.”
“Very well,” Atlas sighs, fishing his keycard out of his inventory as they stop in front of the lab door. He swipes them in. “If it’ll make you feel better, I’d be happy to-” He breaks off as soon as they step through the door, blinking in confusion.
The lights in the lab are already on.
Bravo’s immediately on edge, quickly glancing around. He deliberately dragged Atlas down here at the crack of dawn so they could get here before anyone else on the team-
“Hey, everybody.”
That’s a new voice.
Bravo cranes his head up in the direction the voice came from, and his heart jolts. A player is sitting up in the metal rafters of the lab, balancing on the thin beam in a crouch. Before either of them can respond, the player drops off the side- and catches himself in a rapidly-placed block of water, which disappears back into its bucket and into his inventory just as quickly. He straightens up, standing only a few feet away from them with his hands in his pockets.
The first thought Bravo has is, ‘What a show off.’ Seriously, what kind of guy places water in a redstone lab just to pull off a silly MLG trick?
The player in question is a man with a tall, lanky frame- made even more apparent by the baggy bomber jacket he’s wearing. The gray jacket is old but well-maintained, with patches on the elbows and the collar lined with matted white fur. Complimenting it is a pair of dark cargo pants tucked into trim combat boots. A clock hangs at his hip, suspended on a delicate chain.
His white hair is in the style of an undercut; shaved around the sides and back, with only the top left long and tied into a small bun. His whole left eye is glowing bright red- artificially red, like redstone- with a white iris. The skin surrounding it is thick and mottled, like some kind of burn or chemical scar, standing out in sharp contrast against his pale complexion. It’s impossible to tell the extent of it, though, because the entire lower half of his face is covered by a black mask.
Bravo’s never seen him before. But Atlas inhales sharply, eyes widening from behind his shades.
“Well, well, well.” Atlas spreads his hands, breaking into a broad grin. “If it isn’t Mr. Patho, of Patho’s Lair!”
“Oh, you know who I am?” the player, Patho, asks. It’s difficult to read his expression with so much of his face hidden, but he almost sounds amused.
“But of course.” Atlas is practically vibrating with excitement as he approaches Patho, coming to a stop in front of him. Bravo follows him cautiously. “Any competent redstoner knows who you are, Mr. Patho. It’s an honor to have you here, I don’t know why my staff didn’t inform me of your arrival-”
“I let myself in,” Patho says casually.
It takes a second for the meaning to register; he snuck into Hels Tek completely undetected.
“Ah.” If Atlas is disturbed by this information, he doesn’t show it. “Well, this is a pleasant surprise! It’s an honor to meet you,” he says emphatically, holding out his hand. “I’m Dr. Atlas, the head scientist here.”
Patho just stares at him, hands still in his pockets, making no move to shake Atlas’s hand. It seems to Bravo as if the temperature in the room has dropped by ten degrees.
Atlas, to his credit, recovers quickly. “Thank you so much for coming,” he says, tucking his arms behind his back. “I wasn’t aware that Alisker knew you.”
Patho nods. “Oh yeah, me and Papa Al go way back.” 
Now that Bravo’s getting a closer look, he realizes that Patho’s red eye is mechanical; he can see the little metal plates that make up the iris, moving to change the diameter of the pupil. That, combined with the scar around Patho’s orbit, mean it’s probably a cybernetic replacement.
Injuries that kill a player are healed upon respawn, but they occasionally leave a mark, depending on the nature and severity of the wound. The likelihood of retaining some sort of damage increases the longer a player has an injury without actually dying. Bravo’s seen players with all sorts of scars in Hels, but never one that’s missing an actual body part. He wonders what sort of circumstances could lead to an entire eye being permanently lost, and shudders.
“Well, we’re happy to have you,” Atlas says. Man, he’s really laying it on thick. “I’m certain with your help we’ll be able to-”
“So, this is the overworlder?” Patho interrupts, turning his keen, mismatched gaze onto Bravo. There’s something calculating in his expression, and the intensity of his robotic eye is a little disconcerting- like it’s evaluating Bravo on some level he can’t understand.
“My name’s Bravo,” Bravo says, feeling a spike of irritation. He folds his arms. “So Alisker sent you? You know uh, we talked to him about sending a specialist months ago. Like, almost a year ago.”
Atlas shoots him a warning look. Clearly, he holds this player in very high regard- for whatever reason.
But Patho shrugs a shoulder. “Yeah, well, I’m a busy guy,” he says, completely unapologetic.
Bravo’s jaw tightens. He’s trying really hard not to let his annoyance show, but this guy is quickly getting on his nerves. “I just don’t- what, he- he couldn’t just send a quick whisper, asking you to drop by?”
“No, actually.” Patho finally takes his hands out of his pockets, pushing up the sleeve of his left arm. The entire limb is mechanical- a prosthetic, Bravo realizes, just like his eye- and there’s a familiar screen embedded in his forearm. “I don’t get whispers anymore. I permanently disabled chat.”
He’s built his communicator into his own arm. And disabled the chat. In a world without an admin who can just replace his communicator if something were to go wrong.
Bravo stares at him. “Wh- why would you do that?!”
Patho gives him a curious look, huffing a laugh. Like Bravo’s some kind of dumb animal that’s doing something mildly amusing. “Sorry, that’s actually none of your goddamn business,” he says, tone deceptively light. “Now let’s get to work, yeah?”
Bravo’s too stunned to respond. But Atlas swiftly intervenes, sweeping an arm out towards the lab benches. “Of course! Our set up is right over there, Mr. Patho. Feel free to take a look at our progress thus far while I call the rest of our portal development team over.”
Patho simply nods and turns away, sidling over to the lab benches. Atlas seizes Bravo by the arm and leads him aside.
“Do you remember,” Atlas asks lowly, speaking through the clenched teeth of his grin, “how I told you that a long time ago, a very smart player used data analysis to figure out that Hels is made of two distinct realms fused into one?”
Bravo quirks a brow. “Yeah?”
“Patho is that player.”
“What?” Bravo jolts in surprise. “But that’d make him-”
“One of the oldest players in Hels, yes,” Atlas says, nodding. “I know he doesn’t look it; he stopped aging a long time ago. But trust me when I tell you that this player is ancient, and someone you do not want to cross.”
Bravo frowns. “Seems to be a running theme here, with the sorta people you work with.”
Atlas tilts his head. “Let me put it this way. If I had to choose between having Alisker or Patho as my enemy, I’d choose Alisker any day.” His grip on Bravo’s arm tightens. “You must be on your best behavior.”
“Okay, okay, jeeze!” Bravo huffs, shaking Atlas’s hand off. Despite his annoyance, he can’t deny the concern that Atlas’s words have instilled in him. This must be serious. “Relax, I’m- I’m not gonna do anything stupid.”
“I should hope not,” Atlas responds cooly, pulling up his communicator. “We can’t afford to waste this opportunity.”
Bravo manages not to roll his eyes. “Don’t have to tell me that,” he mutters under his breath as he turns away.
~*~
It only takes a few minutes for the other three to arrive. Introductions are a rushed affair, with far too much fangirling for Bravo’s taste. Apparently, Patho is some kind of celebrity in the redstone community here. Go figure.
Once everything’s settled down again, Atlas explains the situation to Patho in excruciating detail, with frequent interjections from the other scientists. They’re all so eager to prove how much they know about the subject. The hostility between them from the last few months has been all but forgotten; clearly, they wouldn’t dream of devolving into petty bickering in front of Patho.
If nothing else, at least this visit has given them a serious attitude adjustment.
Patho listens to them with rapt attention, speaking only to ask an occasional clarifying question. There’s absolutely nothing in his expression to give away what he’s feeling about the information. Certainly not the excitement Bravo might’ve expected, from someone learning that there’s a way out of Hels.
Maybe Patho’s always suspected. Or maybe he just doesn’t care.
Patho also spends some time looking over Bravo’s and Tango’s communicators- which makes Bravo more than a little nervous. Patho’s inspection goes beyond a cursory glance; he actually starts digging through data logs and memory banks, reading the embedded codes.
“Lotta early deaths, huh, Bravo?” he comments at one point, making Bravo flush.
To top it all off, Patho pops open a panel on his robotic arm and tugs out a little cord. He uses this to plug into each of the communicators for a few minutes, his expression blank as his cybernetic eye rapidly scans back and forth. It’s… a little disturbing to watch. By the time he finishes up and gives Bravo his communicator back, Bravo’s practically ready to snatch it out of Patho’s hands. He quickly stows it in his inventory while simultaneously trying to look as though he isn’t at all bothered.
Jury’s still out on whether he was successful or not.
“Okay, so here’s what I’m thinking,” Patho announces finally, after all these minutes of information-gathering.
They’ve all settled at the chairs by the lab benches now. Tyrannicide, Phantonym, and L8R_H8R each have notepads out. Atlas doesn’t, but he can’t disguise the interest in his eyes as he leans forward slightly in his seat.
“In the worlds outside Hels,” Patho starts, “you can make portals two ways; a nether portal to travel between overworld and nether, or a portal from your communicator to travel between worlds. In Hels, we can’t do either. But um, there’s actually a difference in how these mechanisms have been blocked here. Aha.”
“You see, buried deep inside every communicator’s memory is a command for creating a new world, and a command for traveling to an existing world- like, a derivative of the ‘summon portal’ command. These commands are locked on a Hels player’s communicator, just like, completely nonfunctional. No amount of tampering can activate them again, so one of these communicator portals has never physically existed in Hels.”
“Now, a nether portal, on the other hand, can still be created in Hels. The uh, the frames just don’t ignite. This is because they were designed to travel between two distinct realms that are now fused in Hels, so the portal gets confused. It’s like, you’re asking it to teleport you somewhere, but you’re already there. So it just crashes. But, theoretically, if you gave a nether portal in Hels a new destination, outside of Hels, you could trick it into teleporting you there.” He finally pauses, gaze drifting around the table. “With me so far?”
Eager nods from the scientists as they scribble down notes.
Bravo frowns. “So why hasn’t anyone successfully done that yet?” he asks.
Patho blinks at him. “It’s a paradox,” he says slowly. “In order to make a portal out of Hels, you need to anchor it to something outside of Hels. But in order to find something outside of Hels to act as an anchor, you need to make a portal out of Hels. So um, historically, there’s been no way for anyone in Hels to access anything from other worlds.” He shrugs. “Until you showed up.”
Atlas looks pleased. “So, you’re saying Mr. Bravo is the key to interworld travel?” His tone makes it clear he already knew that, but is now having it confirmed by a top authority on the subject. It must be extremely validating.
Patho nods. “Yeah, so player data is actually influenced by the world you spawn in. Sort of like, an origin ID tag. I could tell just from reading him that he’s not from Hels. All we have to do is use his data to create an anchor point to another world and link it to a nether portal.”
There are surprised and agreeable little murmurs from the scientists.
“Oh, genius-”
“Of course!”
“-yes, I see.”
“Uh…” Bravo clears his throat. “Hey, so- so as the aforementioned ‘he’, would this uh, hypothetical scenario be in any way painful or damaging? Or permanent? I mean, it’s not gonna- it won’t turn me into a portal, right?”
Patho waves him off. “No, no, it shouldn’t be. It’d be like um, a fingerprint or retina scanner. You’d just need a setup that can read your data and feed it to the portal, and it’ll ignite inside the frame.”
That’s something, Bravo supposes. “Okay… but we aren’t trying to go to just any other world, or my homeworld, we’re trying to find Tango,” he points out. “And- and we have no idea where he is.”
“Ah, you didn’t let me finish,” Patho says good-naturedly. “Based on what I can tell from this Tango guy’s communicator compared to Bravo’s, you can use Bravo’s data to create an anchor point to Tango, too.”
Oh, that’s all kinds of strange. “But why?” Bravo asks, throwing his hands up. “How exactly are Tango and I connected? Is it like that- that thing when one chicken egg spawns in multiples? Like, twins?”
Patho shakes his head. “No, you’d be completely identical if that were the case, and I can tell from your communicators that you aren’t.” He gives Bravo a considering look. “The real answer is, um... more complicated than that. You sure you can handle it?”
Well, that’s not concerning.
Despite his sudden unease, Bravo huffs a laugh. “Uh, yeah? I mean, that’s- that’s what we’re here to find out, right?”
“Alright, then,” Patho hums. He pulls a potion out of his inventory- night vision, Bravo thinks. “So like, imagine that this bottle is Bravo. And all his data- all his code, like everything that makes Bravo who he is- is represented by the potion in the bottle. And that potion is made up of different ingredients, right?”
Bravo knits his brows together. “Where are you going with this?”
“Just stay with me.” Patho pulls another bottle out, but this one is empty. “So when Bravo was spawned, he had all these different ingredients in him. But for whatever reason, the uh, the universe took certain things out and dumped them into a second bottle, making a new potion.” To demonstrate, he tips the potion into the empty bottle, letting some of the shimmering liquid pour into it. “That’s Tango.”
Bravo balks. “Wh- so Tango’s my clone?!”
Patho gives a rueful sigh, like he’s patiently trying to teach an actual child some very simple concept. “No, not a clone. Again, you’d be identical.” He scoops up some stray redstone from the lab bench and pours it into the second potion, swirling it around until the liquid turns reddish. “He’s a derivative of you, like some part of you that has been given its own sentience and form before getting spawned here. I don’t know why. But uh, I predict this is the case for every player spawned in Hels.”
There’s a moment of silence. The redstone particles in the potion eventually settle on the surface, like blood on water.
“Mr. Patho,” Atlas ventures finally, his tone careful, “surely you don’t mean... you’re suggesting we all have doppelgängers outside of Hels?”
“That’s right,” Patho says, putting the potions away. “It’s simple inductive logic based on the construction of the data of every player I’ve ever seen.”
The scientists don’t look quite so eager anymore, pens hovering motionless over notepads.
Bravo exhales slowly, running his hands through his hair. This is… so much more than he could’ve guessed. He’d thought there was a chance the universe purposefully spawned the worst players here in Hels, as some kind of preemptive punishment. But what Patho’s suggesting… it’s different.
“But... but why would the universe do that?” Bravo asks quietly.
“Like I said, I don’t know.” Patho scratches at his jaw over his mask. “Um, I’d need Tango here to do a direct comparison in order to figure out what ‘ingredients’ he’s made of. But we can estimate. So like, what similarities does Tango share with you?”
Bravo shrugs helplessly. “I- I mean- I’ve never met him, but-”
“Their tempers,” Atlas interrupts, his eyes widening with realization. “Mr. Bravo does a fine job keeping it under control, but when Tango got truly angry, he’d fly into an uncontrollable, destructive rage.” He gives Bravo a thoughtful look. “I was never certain how much of that was solely attributed to his blaze hybrid status, but now it seems to me that he got it from you.”
Something about that sentence rankles Bravo. He shoves it to the back of his mind.
“There you go.” Patho waves a hand. “Hels players are made of the worst parts of overworld players. Aha.” He winks. “Explains a lot, right?”
Bravo can only shake his head. “I just- I don’t understand how you can know all that just by looking at me and our communicators-”
“This is what you hired me for, right?” Patho asks, inclining his head. “It’d take way too long to explain. Look, trust my expertise or don’t. I get paid either way.”
“Apologies, Mr. Patho,” Atlas says quickly, “of course we trust your expertise. It’s just… quite a lot to take in.”
“Really?” Patho sounds genuinely surprised. “Seems pretty simple to me.”
Atlas’s smile is strained. “You mean to say you aren’t at all bothered by the concept of your existence being owed to some player in another world? That you’re nothing more than the most undesirable parts of them trimmed away and given shape, locked into an inescapable prison for the simple crime of existing?”
“Nope,” Patho says easily. “So I uh, I just foot the bill to Papa Al, right?”
The sudden change in topic throws Bravo for a moment. “Uh- what do you mean?”
“My payment,” Patho says, stretching his arms above his head before standing up. “Job’s done, so…”
“What?” Bravo demands, rising from his seat. His chair scrapes loudly against the floor. “That’s it? You- you’re leaving, just like that?”
“Yeah?” Patho chuckles, shoving his hands in his pockets. “Like, what else do you want, a kiss on the cheek? That’ll cost extra.”
Bravo feels himself flush. He’s not sure how much of it is from embarrassment and how much is from anger. “I thought you were supposed to be helping us open a portal,” he says, stalking up to Patho.
Atlas frowns at him. “Now, Mr. Bravo-”
“Well,” Patho says, tilting his head, “I already told you everything you need to know to open a portal to Tango.”
“Yeah, well,” Bravo snarks, glaring up at Patho, “knowing and doing are two very different things. We’ve waited months for you to show up, only for you to leave after ten minutes, are you serious? I- I mean, aren’t you gonna help us actually build the portal?”
Patho scoffs at him. “I’m a consultant, not a contractor,” he says, turning away.
Rage flares inside Bravo, like his blood’s turned to lava. “Hey! Don’t you have any idea how important this is?” He grabs Patho by the arm. “You can’t-”
Pain cuts across Bravo’s stomach, before he’s even processed that Patho’s moving. He sees the briefest glint of metal in Patho’s hand- some kind of blade- and something warm presses against his legs. He looks down and- oh. Those are his intestines. He’s looking down at his intestines, spilling from a neat slice that Patho has made through his abdomen.
All the air leaves Bravo’s lungs in a strangled gasp. He has a second to look up at Patho, who stares back impassively, those mismatched eyes cold and hard as stone, before Patho reaches forward with his other arm- the robot arm, easily pulled from Bravo’s grasp- and he plunges it into Bravo’s open body, grabs a fistful of viscera, and pulls-
Bravo sees a spray of red, then everything goes black.
He wakes up on the floor of his bedroom.
Oh. So that happened. Residual adrenaline crashes over Bravo like a bucket of cold water. Quickly he glances down, finding no sign of injury. This does little to calm him. His breath comes in short, ragged bursts, and his hands are shaking as he scrambles for his communicator.
Bravo was slain by Patho.
What the hell.
Putting his communicator away, Bravo forces himself to take a few slow, deep breaths. Okay. He respawned in his room. He’s fine. The respawn anchor is now missing one little wedge of light. It almost seems to mock him, like a solitary eye. That’s less fine. It’s been so long since his last death, damn it, he thought he was done with the random murder stuff!
As he gathers his composure, rising to his feet, he finds that his shock is quickly giving way to anger. He doesn’t care how smart or famous Patho is, he’s not going to take this laying down. Hels players might be fine with casually killing someone every time they get on each other’s nerves, but Bravo isn’t.
All he’s asking for is some basic fucking humanity.
Grabbing his spare sword out of his ender chest, Bravo smacks the button on the wall and darts out the door. His heartbeat is pounding in his ears. His feet swiftly take him back to the lab, the route subconsciously memorized after all the time he’s spent in this damn place, and he’s so angry he almost rips his keycard up as he swipes in.
“Hey!” Bravo shouts, rushing into the lab. “What’re you…”
He trails off. Patho is standing not far from where Bravo left him, casually talking to Atlas. His hands are in his pockets, his body language totally relaxed. There’s a splatter of blood across the front of his jacket. Atlas is smiling pleasantly and nodding.
Tyrannicide and Phantonym are hunched over the lab benches, comparing notes. H8R is mopping up the blood on the floor. Bravo’s blood. They all look up at his entrance, expressions disinterested, before turning back to what they were doing.
It’d be terribly unnerving, if it weren’t so infuriating.
Bravo storms right up to Atlas and Patho. “What’s going on here?” he demands furiously.
“Ah, there you are.” Atlas turns to him with a beseeching look. “Mr. Patho has agreed to stay and help work on the portal for a bit longer,” he informs Bravo, as if this is gracious news.
“Oh, has he?” Bravo rounds on Patho with a snarl. His grip tightens around his sword.
Patho shrugs, not at all concerned by Bravo’s very clear threat. “Your friend’s very persuasive.”
“Um, excuse me?” Bravo gives an incredulous laugh, made harsh with anger. “So- so are we just not gonna address what happened?!”
Patho chuckles. “Okay, okay. Here, I’ll use my words this time.” He stares directly into Bravo’s eyes, his cybernetic pupil constricting to match his natural one. “Don’t touch me again, or I’ll fucking kill you. Got that?”
The hair on the back of Bravo’s neck stands up. He can’t even respond, his voice dying in his throat.
Atlas takes the opportunity to grab Bravo by the arm. “Mr. Bravo, a word, please,” he says, steering Bravo away.
Bravo’s too stunned to argue. But once they’re at the other side of the lab, he finally finds his voice again. “Wh- are you kidding me with this?!” he snaps, not bothering to whisper. “This guy shows up out of nowhere after months and months of waiting, sneaks in unannounced, and then decides to fucking shank me just for grabbing his arm? And- and you’re okay with this? You actually want to keep working with him?”
“I do regret that such an unfortunate incident occurred,” Atlas says somberly, as if Patho killing Bravo in cold blood was some kind of freak accident. “I meant it when I said Hels Tek strives to be better than the rest of Hels in that regard. But you must understand that this is simply the way things are here. And with certain recent… revelations… realize that it goes beyond culture or tradition or just simple crassness. It’s in our nature, our very data itself.” He gives Bravo a knowing look. “Some are better at fighting that instinctual coding than others, but none of us will ever operate at the same level as an overworlder.”
Bravo pauses, his anger starting to fade. He hadn’t thought about it like that. He’d assumed most Hels players acted the way they did just because they could get away with it. Hels is a world with no rules and no admin to keep order, so common decency falls by the wayside. But he’d thought, he’d thought, that surely they were capable of being better? That there’d be some innate sense of humanity, deep down inside them, that would guide them if only they cared enough to listen.
But now. Now, it seems as if they aren’t capable of it. Not just because they don’t know any better, but because something inside of them is actively rebelling against it, spurring them on to ever more horrible, violent deeds. Bravo’s always felt he was different from Hels players, but now he has actual scientific evidence supporting the fact.
It’s… almost comforting.
“I… I guess that’s true,” Bravo says uncertainly. He puts his sword away, folding his arms. “But I mean- come on, do we really have to keep him around?”
Atlas smiles. “Patho is one of the most brilliant minds in all of Hels. He practically invented the field of data analysis. He is likely the only player who will be able to help us open a portal in a matter of years rather than decades. With your assistance, I’m certain we can figure it out.” He puts a hand on Bravo’s shoulder, and his grin sharpens. “I’m still willing to uphold my end of our deal. Are you?”
The reality of the situation sinks in slowly, a cold dread.
Bravo’s spawn is set here via respawn anchor. He’s outnumbered and outmatched. This is a secure facility that would be near impossible to escape from. With what Patho’s learned, they don’t need Bravo’s cooperation to create a functioning portal. They just need him, his physical data. And he knows they’d be willing to hold him here against his will to get what they want, to keep him trapped like some kind of experiment, like an animal.
Atlas is offering him a chance to not do that. To work with them willingly. And to maybe, just maybe, still go home at the end of all this. He doesn’t know if the portal will require his continuous presence to work. He doesn’t know if Atlas will let him leave, if he’s their only way out of Hels. But it’s a chance.
The only chance he’s got.
“Yeah,” Bravo says, forcing a smile. “Yeah, of course. I mean, we’ve come this far, right?”
“I’m so glad to hear it,” Atlas says, releasing his grip on Bravo’s shoulder. “Now, play nice with Mr. Patho. Without his help, you just might be stuck here forever. Understand?”
Bravo’s throat tightens. “Loud and clear.”
~*~
“So I’ve got the blueprints done,” Patho announces nonchalantly, dropping a roll of paper on the table. “Have a look.”
Atlas quickly scoops up the blueprint, moving aside cups and bowls to make space. Bravo fights back a scowl and keeps eating his lunch.
The other scientists in the cafeteria have taken notice, whispering to each other excitedly and casting not-so-subtle looks at the portal team’s table. Patho’s arrival yesterday caused quite the stir, but this is the first time many of the other scientists are actually seeing him- though Bravo’s definitely noticed a few players snooping by the door to the portal lab.
After studying the blueprint for a moment, Atlas raises his eyebrows. “I must admit, I wasn’t expecting such a compact design,” he says. His tone is a bit mixed; he’s clearly impressed with Patho’s work, but is irritated that the solution has turned out to be so simple. “Is this really all it will take?”
Patho nods. He seems content just to stand by their table with his hands in his pockets, making no move to sit down with them. “For the most part, yeah. I mean, you know, I’m not sure what kind of power source this thing will need yet but the data processing itself isn’t bad.”
“Power source?” Tyrannicide chimes in, looking over the blueprint with knitted brows. “What do you mean? Isn’t opening a portal like punching open a doorway? Once it’s open, it should stay open.”
“Well, normally, yeah,” Patho says, “but this portal isn’t supposed to exist. We can force the portal to open a door for us by feeding it coordinates, but it’ll be updating every tick. And every time it updates, it’ll check its input and output coordinates, and once it tries to process the uh, the coordinates from Hels, it’ll crash. Because, you know, portals aren’t supposed to exist in Hels. But, if we keep sending our own updates to it, like in a constant stream of power, it’ll keep resetting the checker. Sort of like an update suppressor. And um, that way, it’ll remain open and stable.” He taps the side of his head. “Aha.”
Small murmurs and exclamations of realization and agreement around the table. Bravo sets his bowl of mushroom stew down with a little more force than necessary.
“You said that all we needed to open a portal was my player data,” he accuses.
“To ignite it, yeah, but not stabilize it.” Patho makes a noncommittal noise. “It’s like…imagine you’ve got this door, right? And you want the door to stay open. But there’s, like, a big windstorm on the other side, constantly trying to slam the door shut. So you have to provide your own opposing force to hold the door open. Too little, and you won’t be able to stop the door from closing. Too much, and you’ll blow the door off its hinges, and the uh, the doorway will collapse. It’s gotta be just the right strength. And uh, it’s gotta be 100% reliable, too. No stalling or malfunctions.”
Bravo exhales through his nose. “Wonderful.” 
Atlas puts a hand on Bravo’s arm. “I’m sure we’ll find a solution when we get to that point,” he says mildly. “There are plenty of options for powering redstone, should be fairly simple.”
Grumbling, Bravo shifts over on the bench so he can see the blueprints a little better. He scans the diagrams with careful attention, from the portal frame to the rows of data processors all the way down to the input chamber, where he sees what’s clearly supposed to be a player standing on-
“Is that a redstone ore block?” Bravo asks, taken aback.
“Yeah?” Patho quirks an eyebrow. “What, don’t you guys have any redstone ore in this place?”
Bravo snorts. “Uh, no. There’s like, a whole system of double chests filled with redstone blocks if you-”
“No, no good, you need the ore,” Patho says, shaking his head.
Bravo frowns. “Why?”
“There’s a neat little trick you can do with redstone ore,” Patho explains. “It like, lights up when you step on it, right? Turns out it’s actually reading your presence. Like a player detector.”
“Wait, really?” Phantonym asks, leaning forward in her seat. “I thought the particles were simply reacting to kinetic energy.”
“That’s a pretty common assumption, but there’s more to it than that.” Patho idly scratches at the side of his mask. “To keep it short, something about redstone in its raw, unmodified form allows it to, like, take in and process information at a higher level. Of course, we ruin that when we mine it into dust. So you can either use a super complex player detector that’ll take weeks to build and cover up the entire floorspace of this lab… or we can use a block of redstone ore. It’ll be able to read Bravo’s data and transform it into a signal that we can feed to the portal- after it goes through a data processor, of course.”
Bravo is begrudgingly impressed. However, he can’t help but jab, “If redstone ore is that useful, why don’t you have any?”
“Oh, I do,” Patho replies matter-of-factly. “I keep plenty in my ender chest. But like, I don’t really use my own materials on consults like this, so…”
“Right,” Bravo says flatly, less impressed. This guy won’t even give up a single block of redstone ore for a job? What a jerk.
Atlas rolls the blueprint back up into a neat scroll. “Well, this is just splendid work, Mr. Patho,” he gushes. Then he grins at the rest of them. “Anyone up for some mining?”
~*~
After a few days of work, the lab looks like a completely different place.
Several chests have been stacked up and stocked with all the materials Patho’s design requires. In the meantime, he’s laid out where everything is going to go using outlines made of redstone dust. The lab benches are littered with blueprints- Atlas had the good sense to make plenty of copies- and pages of notes.
(There’s also a new wooden platform up in the rafters, only the bottom of it visible from below. Bravo thinks that might be where Patho is actually sleeping, strangely enough. It’s not like they don’t have any spare rooms.)
Once all the preparations have been made, Patho runs the team through the details of his design. The portal is straightforward enough; just an obsidian frame with a redstone line feeding into it. But after that, the outlines quickly become more complicated.
“So, there’s a lot of information in a player’s data, right?” Patho starts. “If we tried to feed it all into the uh, the portal, it would completely overload it. Like, it might try and do some crazy things. So we’ll keep it simple by giving it only the coordinates we want it to open up at. But in order to get those coordinates, we’ve gotta take all that raw data and filter it to get what we want. Aha.” He gestures vaguely at the redstone outlines. “That’s what this is for.”
Bravo squints at the outlines. “And- and what’s this repeater circuit for?”
Patho shrugs. “Well, right now, the coordinates we get from your ID tag lead directly to Tango. Like, the coordinates would open a portal up directly on top of him. Since you guys are trying to get something back from him, I imagine you’ll wanna be able to sneak up on him, right?” A knowing look glints in his eye. “So this circuit is gonna add about fifty blocks of distance in the X axis. Just so you’re not right in front of him when you come through the portal. That way, you keep the uh, the element of surprise.”
“Oh, I see,” Atlas murmurs approvingly. “Very clever.” 
Bravo folds his arms. “Unless Tango happens to be standing fifty blocks away from a cliff,” he points out.
Patho’s eyes slant upward in what might be a grin. “Guess you’re just gonna have to take that chance,” he says simply, before moving on. “So uh, after the signal passes through this circuit, it’ll-”
The lab door flings open with a metallic clunk.
Dr. Clear sweeps into the lab, hastily shoving his ID card back in his coat pocket. He doesn’t even look over or acknowledge them at all as he beelines towards the stack of chests. Mumbling under his breath, he pops open the nearest chest and starts rummaging around in it.
Patho blinks at the unexpected interruption. Atlas looks like he might have an aneurysm.
“Excuse me, Dr. Clear?” Atlas calls, his voice and smile incredibly strained.
“Huh?” Clear pauses, glancing over his shoulder. He seems mildly surprised to see them, like he didn’t realize anyone else was there. Typical.
Atlas folds his arms behind his back. “Is there any particular reason you’re interrupting us while we work with Mr. Patho?”
Clear stares dimly at them. “Who?”
If Bravo’s not mistaken, Patho’s face twitches a little at that.
“Mr. Patho,” Atlas stresses. “You know, Patho’s Lair?”
“Patho Slair?” Clear cocks his head to the side. “Huh. Slair. Kinda sounds like stair. Anyone ever call ya that? Patho Stair?”
Bravo manages not to laugh, but it’s a near thing. Atlas looks like he could strangle Clear.
“Anyways.” Clear goes back to digging through the chest. “Don’t you worry none, just ‘ave ta grab somethin’...”
“Is your own lab not sufficiently stocked?” Atlas asks pointedly.
That gets Clear’s full attention. He steps back from the chest, letting it slam shut, and looks around. “Oh. This ain’t me lab. Right, then.” Without another word, he turns on his heel and exists just as quickly as he’d come, leaving the lab in baffled silence.
Atlas turns to Patho with an apologetic smile. “I’m so sorry for the interruption, Mr. Patho. Dr. Clear isn’t exactly-”
“It’s fine,” Patho chuckles, waving him off. “Let’s uh, let’s get back to work.”
‘Yes sir, Mr. Stair,’ Bravo thinks to himself.
~*~
“Okay, everybody,” Patho calls. “This is gonna be a simple test.” 
Bravo sighs impatiently. Putting together the actual redstone for the portal generator took much longer than it ought to have. For someone with such an impressive reputation, Patho barely contributed to the building process, the real laying-down-blocks part. Instead, he mostly supervised and criticized. Apparently, he’s very particular about how his redstone works.
It wasn’t made any easier by the number of times random scientists would stop by the lab with flimsy excuses just to talk to Patho. They’d always end up asking him to explain the project, which he was always happy to do (because he’s a massive show off, too big for his combat boots) so everything would grind to a halt.
They haven’t even properly hooked up the portal itself yet, as Patho insisted on testing their data processing unit beforehand. And of course, Bravo would voice his complaints if it weren’t for the little issue of Atlas not-so-subtly reminding him that the only way to get what he wants is by cooperating with Patho.
So. Here they are.
“All we’re gonna do is have Bravo stand on the ore block,” Patho continues, “and see how the data reads out. Just to make sure everything’s accounted for, so like, nothing extra accidentally travels to the portal. If we’ve done everything correctly, we’ll find the coordinates properly counted in these hopper clocks.”
Tyrannicide, Phantonym, and H8r are standing by with notepads at the ready. Atlas is watching from the side with a smile that might’ve been meant to be encouraging, if Bravo didn’t know him better.
Patho glances over at Bravo. “Whenever you’re ready.”
Bravo pushes down a sudden surge of irritation (as if he’s the one they’re waiting on) and steps onto the redstone ore block. Particles gather at his feet as the veins of ore light up. He watches the signal travel along the redstone line, like a lit fuse, and enter the data processing series.
Dispenser clocks tick and observers flash. The signal makes it way through the circuit before reaching the end of the line and fizzling out. The other scientists wait with bated breath as Patho checks the input coordinate hoppers. His expression betrays nothing.
“Alright,” he says finally, “so uh, the hoppers all filled to exactly two and a half stacks before locking. Can anyone tell me where the problem is?”
All three scientists’ hands go up. Bravo groans and puts his face in his hands.
~*~
“Okay, that’s ready to go.” Patho straightens up, dusting the redstone off his hands. “Bravo, stand on the redstone ore.”
“Alright, I’m standin’,” Bravo huffs.
Patho turns to the others. “I wanna stress again, if this works, the portal that generates is not gonna be stable. No one is going in or out of it, okay? I mean, like, we might see it only for a couple seconds, if we’re lucky. Everyone ready?”
Enthusiastic nods from the sidelines.
“Alright, here goes.” Patho stoops over and hits the button.
A piston extends, pushing a redstone block out to complete the circuit. The signal from Bravo darts across the newly created path, into the data processor. They all wait with bated breath as the signal inches closer to the portal frame-
The temperature drops, a static charge filling the air. Light flashes in the portal frame for just a second, just long enough for Bravo to process the color of it (or colors, rather; an ever-changing rainbow) before there’s a loud crack, and it’s gone, leaving behind an empty frame.
For a moment, the room is filled with stunned silence.
“Amazing!”
“I can’t believe-”
“Did you see that?”
Bravo finally finds his voice. “Oh, finally.” He jumps off the redstone ore block, pumping a fist in the air. Excitement courses through him like electricity, and the relief is overwhelming. “Yes! We’ve got a portal, we’ve got a portal- oh my gosh, this is fantastic!”
Atlas shakes his head. “We’ve got the means to create a portal,” he corrects, though he can’t hide how pleased he is.
“Yup.” Patho nods, his satisfied gaze sweeping over the redstone. “Now all that’s left is to set up a sufficient power source to maintain the portal once it’s open. Can’t overdo it, though, or the whole thing will blow up.”
Bravo exhales slowly. “Right, can’t forget about that tiny little detail.”
“I have some ideas,” Atlas says with a grin. “Rest assured, we’re in the home stretch now.”
~*~
One day, they wake up to find Patho gone.
Just disappeared in the middle of night, without so much of a word to anyone. Atlas speaks with Alisker over whispers for a while, but the crime boss has no further information and insists there’s nothing he can do. Evidently, Patho’s decided that they’re far enough along as to no longer require his assistance, and whatever business he has elsewhere in Hels is more important to him than witnessing the creation of a portal.
Bravo really doesn’t get it. But he can’t say he’s not happy about it.
Good riddance.
~*~
“How’s it looking?” Bravo asks, straining to see without leaving his redstone ore block.
Phantonym makes a noncommittal noise. “Still not strong enough.”
In their search for the perfect power source, they’ve decided to start simple. Redstone torches and levers weren’t enough, so now they’ve moved on to a full redstone block, hooked up to the frame with a bit of dust. After that wasn’t sufficient, they hooked up multiple redstone blocks around the portal before finally just building a complete frame around it. But it seems even that isn’t providing the power they need to keep the portal open for more than a couple seconds.
“Alright,” Atlas says, “tear it out. Cross redstone blocks off the list.”
Bravo steps off the ore block with a sigh. “Well, what now?”
“Hey,” Tyrannicide says thoughtfully, scanning his notepad, “Patho said that redstone ore is more powerful than the mined stuff, right? What if we…?”
~*~
“Hit the deck!”
The light inside the portal frame is swirling madly now, almost violently as the air fills with an electric humming. Bravo dives behind a lab bench just as an ear-splitting boom shakes the entire lab.
Once everything is still and quiet, Bravo carefully peeks his head back out. His stomach drops.
There’s now a large crater where their entire portal machine used to be. Everything’s gone; the circuits, the data processor, the hoppers. All that’s left is the obsidian frame, floating above the newly-formed hole as concrete blocks and miscellaneous redstone items litter the ground- including the redstone ore block they used to try and power it.
“Damn it,” H8R swears. “Overloaded the circuit.”
Phantonym rounds on Tyrannicide with a furious snarl. “You idiot!”
“I was just-”
“Stop it,” Atlas interrupts sharply, glowering at them from behind his shades. “We knew this was a possibility. Go get another copy of the blueprints, we need to rebuild.”
‘I’m in hell,’ Bravo thinks. ‘I’m literally in hell.’
~*~
“And now, we- we’ve gotta do all this work to find the perfect power source to keep the portal open. Not too much, not too little, but just right. Can’t use any kinda mob power because that can fluctuate, and if we’re off by even one tick the whole thing will collapse. After all the years of research that went into this project, the last step is just to power the dang thing and it’s taking forever!”
Clear hums, attention completely focused on the flying machine he’s working on. “Mmm, yeah, sounds tricky.”
“And- and the worst part,” Bravo continues, angrily pacing back and forth, “is that I’d only need it open for a couple of seconds to get back home! But because of this stupid deal with Atlas, I have to hang around until it’s stable enough for them to track down Tango.”
“Track down Tango?” Clear repeats, quirking a brow. He snorts. “Well, that’s really quite simple. Tango Tek’s in the south wing, innit?”
Bravo stops pacing. “What?”
“The blaze farm,” Clear says, squinting at one of the observers. “S’what Atlas said, anyhow. Now uh, d’ya mind handing me that-”
“Wait, wait, wait, hold up. A blaze farm?” Bravo whirls around, kneeling beside Clear and grabbing his shoulders. “You guys don’t have a blaze farm here, Atlas said the spawning conditions weren’t right for them.”
“For who?” Clear asks absently.
“For blaze!”
“What blaze?” 
“Wh- I dunno!” Bravo pinches the bridge of his nose, taking a deep breath. This is why he doesn’t often hang around Clear. “You said something about blaze, and- and Tango, and the south wing-”
“The south wing?” Clear makes a dismissive noise. “Oh, that’s under renovation.”
Bravo pauses. “... still? I… huh.”
He remembers being told the south wing was under renovation when he first got to Hels Tek, years ago. He didn’t think much of it at the time. But he can’t imagine what sort of renovations would take so long to complete, for a facility as well-supplied and well-staffed as Hels Tek.
That’s… suspicious.
Clear coughs into his sleeve. “Right. Now uh, would ya mind handin’ me that piston?”
~*~
Bravo stands in front of the door to the south wing, hesitating.
Squinting through the slats in the door, he can see the hallway beyond it entirely unchanged from the last time he stood here, years ago. The uneasy feeling in his stomach grows stronger with every passing minute. But really, he’s not the one in the wrong here; if Atlas is keeping something hidden from him, after the years they’ve spent working together, it can’t be for any innocent reason. He tightens his grip on his ID keycard, taking a steadying breath, before swiping it into the dispenser.
The keycard is quickly spat back out from under the floor, but the iron door doesn’t open.
Oh, that’s a bad sign. He doesn’t have access to this doorway. Swallowing, Bravo puts the keycard away and pulls out his pickaxe. He knows there’s redstone in the walls that’ll notify the security system if any door is broken, but he doesn’t have a choice. He’ll have to be quick.
Bravo breaks down the door, hastily placing it back up behind him before darting down the hallway. There are more iron doors lining the hall on either side; he quickly peers through these only to find them empty. Moving on, he finally stops at the final door at the end of the hallway.
There’s a sign next to this one that reads, ‘Tango Tek.’
Bravo’s heart is hammering against his ribcage. This is his last chance to back out, to claim that he was just curious but didn’t see anything besides empty rooms. To go back to their tenuous partnership, rife with tension and unspoken words, fighting to keep his head above the choppy water.
He lifts his pickaxe.
The room beyond the door is dimly lit by a couple carelessly placed torches, flickering against the checkered floor. Three of the walls are completely bare. The last one, facing Bravo, is acting as a facade for some sort of redstone contraption.
It’s a small glass enclosure, just big enough for a single player to stand in. The floor is made of soul sand, from which vines of wither roses sprout and curl haphazardly within the glass chamber. Among them are two short chains, as if broken, that hang limply at either side. The glass itself is stained with a dry splatter of something dark. There’s a dispenser embedded at one side, and a drained respawn anchor on the other. Three hoppers are arranged above the chamber, presumably connected to long hopper lines hidden behind the wall.
It hits Bravo suddenly. He’s looking at a farm; a kind of farm the likes of which he’s never seen before. But Clear had said there was a blaze farm-
“Well, well, well.”
Bravo whirls around, swapping his pickaxe for his sword.
Atlas is standing in the doorway with his arms folded neatly behind him, a wide smile fixed on his face. The light from the hallway behind him reflects in his shades, obscuring his eyes from view, his shadow looming long across the floor.
“I figured it was only a matter of time before Dr. Clear let something slip. I do wish you had come to me first.” His tone is deathly calm. “Though I suppose it’s my fault for leaving the farm in this state.”
Bravo raises his sword. “What is this?” he demands, though his voice comes out more fearful than angry. “Explain, now!”
Atlas seems unbothered as he steps fully into the room. “This was the best blaze farm Hels had ever seen, powered by a single blaze hybrid.”
“What are you- oh.” Bravo inhales sharply. “You mean Tango. He- he was in the farm? You put him in a farm?”
“I’m afraid I haven’t been fully honest with you, Mr. Bravo,” Atlas says with a rueful grin. “You see, Tango did work here for a couple years, but he wasn’t exactly gainfully employed. It took much trial and error, but eventually we were able to construct a fully automatic and extremely efficient blaze farm, just in the space you see here. It was a work of art, really. My crowning achievement.”
Bravo’s mind is reeling. “Tango never stole anything from Hels Tek, did he?” he realizes. “He just escaped. This whole time, you’ve been trying to track him down to catch him again, to put him back in-”
“Finally putting it all together now, are we?” Atlas hums. “Yes, the plan has always been to recapture Tango. He’s a clever devil; he waited until his respawn anchor was drained, and then drowned himself in his own blood.”
Horror seizes Bravo. He glances back at the enclosure, at that dark smear on the glass-
“What we never figured out, though,” Atlas muses, “was how he created that portal. That much of the story is true. It was solely his actions, his creation of the portal to… trade places, in a sense. I haven’t the foggiest idea how he knew about you and your connection, but clearly, he was able to utilize it. And once he had the chance, he took it.”
Bravo’s breath rings shallowly in his ears. It’s so much to take in- he never really knew how to feel about his missing counterpart. Second-hand accounts from the scientists didn’t paint the kindest picture, and he always knew Tango was responsible for getting him stranded here, but… 
“You should be happy, Mr. Bravo,” Atlas tells him earnestly. “This is good news for you. I know you’ve been worried about whether or not I’ll uphold my end of the bargain, once the portal is made. You’re worried that I’ll try to keep you here, against your will. But now I can tell you for certain that you don’t have to worry about that.”
“Oh, really?” Bravo spits. “And- and why is that?”
Atlas holds his hands up. “All I want is to get Tango back, so I can continue my work. And my work is here. My entire life’s aspirations, my purpose, is here.” His eyes flash from behind his shades. “The rest of the universe can rot for all I care. Once I have what I want, you can go home and leave this whole mess behind you, forever. You have my word.”
Bravo narrows his eyes. “Wha- why should I believe anything you say?”
“Because once we have a stable portal, you are of no further use to me,” Atlas answers cooly. “I have no reason to keep you here.”
That throws Bravo for a moment. He frowns, doubtful. “Not even as insurance? I mean, in case something happens to the portal?”
Atlas tilts his head. “To keep you here against your will is to risk you breaking out and causing further damage in retaliation. We’d also have to put in the time and effort to sustain you with virtually no benefit. No, better to let you go on your way. And in any case, I only need it open long enough to recapture Tango.”
Bravo swallows. “But if I help you catch him, he… he’ll be in that farm because of me.”
Atlas shrugs. “What does it matter? Tango is a mob hybrid- not a true player like us. Before we captured him, all he ever did was cause chaos and suffering wherever he went. At least at Hels Tek he was good for something.”
Bravo hesitates. “I don’t-”
“Besides,” Atlas continues smoothly, “it’s evident he didn’t give the same consideration to you. He took the first chance he had to switch places. For all he knew, you might’ve been a blaze hybrid as well. He had no issue sentencing you to his fate.”
It’s like a knife twisting in Bravo’s side. “You… you don’t know that,” he says, but it sounds weak even to his own ears.
Atlas gives a bitter laugh. “Oh, come now,” he says harshly. “Do you really think he’d feel any sort of loyalty to you? Why, because you happen to have some data in common? From everything you’ve seen and experienced at the hands of Hels players, do you really think we’re capable of feeling anything besides greed and spite and hatred? Oh, you are lost. You’re letting your overworld sensibilities get the better of your sound judgement.”
Atlas spreads his arms wide, black lab coat swishing around him, his grin manic. “It’s a dog-eat-dog world out here, Mr. Bravo,” he declares. “This is the nature of Hels. It always has been, and always will be. We were always going to hurt each other, to use each other- it’s how we were fucking made. There is nothing you can do to change that. Tango belongs here, and you don’t. Whatever else happens is none of your fault or concern.”
Bravo’s grip on his sword wavers. He knows he shouldn’t help Atlas. Deep down, he knows. Living in a farm must be a miserable existence for a player, one that he wouldn’t wish on his worst enemy.
Except…
Is it really the same if the player isn’t really human? If the player is hardly more than a monster? Hels players are different, and mob hybrids even more so. Tango didn’t care about what would happen to Bravo when he swapped their places, didn’t care that he’d be stranding Bravo in this terrible prison forever. If he cared, he would’ve come for Bravo by now. But he wouldn’t risk his own safety, his own freedom, in order to save Bravo.
So why should Bravo? Why should he risk his one chance to go home just to protect an evil doppelgänger who couldn’t care less about him? Why should he have to keep suffering in this world as punishment for crimes he didn’t commit?
Tango’s had nearly ten years outside of Hels- ten years that he stole from Bravo. There’s no getting those back. But Bravo can make sure it ends here; he can finally right this wrong and get back to his life.
“Now,” Atlas says lowly, having once again regained his composure. He looks at Bravo over the brim of his shades. “Are you going to help me open a portal, or not?”
Bravo takes a final look at the empty farm. Then he puts his sword away.
“I’m in.”
~*~
Bravo stares at the portal in shocked silence.
It’d only taken a few more days of testing for them to find the right power source. Blaze powder, of all things. Now that they aren’t hiding the existence of their nearly-infinite blaze rod stockpile from Bravo, Atlas suggested they try it. And lo and behold, it turned out to give off the perfect amount of power.
They’ve set up a circuit of glass tubing around the portal frame, inside of which the blaze powder flows along in a steady stream. The constant movement provides endless updates to the portal, preventing it from ever catching up to the fact that it shouldn’t exist.
The portal ignited right away, lighting up with a mixture of red, yellow, and green. The colors are holding constant rather than shifting and changing like they did in prior attempts, and Bravo can feel with certainty that Tango lies somewhere beyond it.
“Okay, Mr. Bravo,” Atlas murmurs, watching the portal intently. “Go ahead.”
Holding his breath, Bravo steps off the redstone ore block. The portal doesn’t change, colors still lazily swirling about in its frame. He lets out a sigh of relief.
Atlas nods. “Alright, shut it off.”
Tyrannicide gawks at him. “But it’s stable-”
“Now.”
He quickly shuts the portal off, hitting the button that pulls the redstone block back out of the circuit. The signal dies, and the portal extinguishes.
Atlas rounds on Tyrannicide with a tight grin. “Need I remind you that we don’t know who else is in the world that Tango’s currently inhabiting? The last thing we need is one of them to discover the portal sitting idly. We’d completely lose our advantage.”
“Right. Sorry, sir,” Tyrannicide mutters.
Bravo stares longingly at the unlit portal frame. It was right there. He could’ve reached out and touched it…
“Chin up, Mr. Bravo,” Atlas says mildly, putting a hand on Bravo’s shoulder. “Now the final preparations can begin. Everyone, take the rest of the night off. Meet me in the conference room first thing tomorrow morning to discuss our plan of attack.”
“Yes, sir.”
Atlas looks at Bravo out of the corner of his eye, smiling. “You’ll be home soon.”
Bravo nods. “Yeah, I know.”
~*~
“Are you ready?” Atlas asks, his quiet voice almost lost in the anxious chatter of the lab.
Bravo exhales slowly. “Yeah.”
“Have everything?”
“Yup.” Bravo’s checked his inventory no less than five times in the last three minutes.
“Remember the plan?”
“In my sleep.” Like they haven’t run through it enough times over the last few days.
“Good. Said your goodbyes?”
Bravo snorts. “Oh, yeah, sure. It was super heartfelt. Tears were shed.”
“Mmm.” Atlas is unamused. “You know, I recall a certain blaze hybrid liked to use sarcasm, too…”
“Not helping.”
“Just stick to the plan, and everything will be fine. Once you step through this portal, you never have to return to this place ever again. Help us with this one thing, and we’ll be out of your hair forever.”
“I know. Let’s- let’s get a move on, huh?” 
“Very well.” Atlas lifts his voice to address the rest of the room. “Attention, everyone. We’re activating the portal now. Everyone in formation. Yes, yes, you too- no, you’re following Dr. Tyrannicide in, remember? No, not you- you’re all with Dr. Phantonym. There you go.”
Bravo makes a noncommittal noise. “Not instilling a lotta confidence…”
Atlas gives him a dry look. “Alisker didn’t select them for their intelligence, but they’ll serve us well when it comes to dealing with Tango.”
“Right.”
Atlas turns away. “Dr. H8R, start the countdown, if you please.”
“Yes, sir. Portal launch in ten… nine… eight-”
“Oh shit. Oh fuck.” It’s starting to sink in. Bravo’s leaving- he’s really, really leaving Hels.
“-seven… six-”
“Having second thoughts?” Atlas asks, his tone almost teasing.
“- five…”
Bravo scoffs. “What, you kidding? I can’t-”
“... four… three-”
“-wait to get out of here.”
“- two…” 
Atlas hums. “About time, isn’t it?”
“... one.”
“You’re telling me,” Bravo breathes.
“Initiate.”
H8R presses the button. The piston extends, pushing the redstone block into the circuit. Bravo’s signal courses along the redstone line like it has every other time they tested this, filtering through the data processor and sending coordinates to the portal.
The frame ignites. A familiar tricolor light floods the room; swirls of red, yellow, and green. A hushed silence falls over the room as Bravo slowly, carefully, steps off the redstone ore block. The portal holds- of course it does, they’ve tested it enough. He faces the portal, heart pounding, tears inexplicably gathering at the corners of his eyes.
“Good luck, Mr. Bravo,” Atlas says with a smile.
Bravo takes a deep breath and steps into the portal.
~*~
Somewhere in Double Life, a player steps out of a portal.
The sunlight is nearly blinding. For a second all he can do is stand there, blinking, one arm braced on the obsidian frame behind him as his eyes slowly adjust. The portal’s still stable, he notes absently; on this side, the light inside the frame is blood red.
He takes in his surroundings. He’s standing in some kind of field- wheat, he realizes belatedly. It’s been so long since he’s seen this much wheat. It’s growing along rolling hills that are otherwise covered in lush green grass, occasionally dotted with great big oak trees. The blue sky above him is peppered with fluffy white clouds. A gentle breeze plays with his hair, and the sun is shining high above him.
It’s beautiful.
He can hear animals nearby; he turns his head and sees a pasture filled with cows, another with sheep and goats. There’s one with pigs, and a little coop with clucking coming from inside. Somewhere nearby, a horse neighs loudly. He scans the horizon and sees a winding path that cuts through the wheat field, leading up to a house- some kind of modest, rustic farmhouse. A ranch, maybe.
Taking a shaky breath, he pulls out his communicator to check which world he’s on. As he does, he catches the last message just as it fades from chat.
Bravo has joined the game.
~*~
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thirdlotusprince3 · 1 month
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Progressive rock is like Chicago, Hard rock is like Maneskin, Emo is like Evanescence, Punk is like Green Day, Grunge is like Nirvana, Pop Rock is like Fall Out Boys, Industrial is like Nine Inch Nails, Psychedelic Rock is like Pink Floyd, Soft Rock is like the Beattles.
Forgot post rock dang it.
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werebutch · 2 months
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@eucyon Oh my god tumblr ate your ask I’m so lucky I screenshotted. So mad I have to type again . Thank you so much for dis question it’s so fun and made me really think to be honest ^__^ ILYSMMMM this is long but it’s too fun
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This is Lynx’s most popular album, Conspiracy Theories. I couldn’t pass up the opportunity to have a pic of lynx as the cover even if it’s silly. I really like rabbit imagery in music anyways though so I think it’s nice. I was inspired by Alice In Chains album covers and also fleshwater’s ‘we’re not here to be loved’. I tried to find a way to make it more 'gritty' but I couldn’t unfortunately 😭 I like how the title looks, like they just got a label maker and smacked it on..heheh
I imagine that this album is about relationship anxiety, betrayal, resentment, anti social tendencies, infidelity, and aliens. Probably not little green men, maybe more like the thing kind of fleshy imagery. Definitely appealing to atlas and scotch in different ways. Tool’s Undertow is a good example (off the top of my head..) of the sound I’m thinking of, so… prog? Or at least heavily inspired. I’m bad with genres heheh
im currently trying to either become okay with roadkill's name, or decide on a new one.. so im not making any album covers for them yet lol but i will post when i do..
I think roadkill would take a lot of inspo from their fave band so their style is probably heavily influenced by Lynx. Scotch adds a lot of sampling, distortion, whatever..idk I don’t make music.. and atlas is a big fan of slow tempo and bass. think its important to note that atlas doesnt play bass like a bassist in this album, he plays it more like a guitarist. kind of. hope that makes sense. I’ve always been really torn about roadkill’s genre, it’s been everywhere and tends to change. scotch and atlas’ styles would be vastly different if they were solo, so I think that’s why i am so indecisive . I think I just have to keep reminding myself that they’re in a band together, so styles would be mixed.
A part of me is like.. I think roadkill’s first album would be reminiscent of faith no more’s ‘the real thing’, or even some of Primus' stuff in some sense, plus similarities to Lynx and influences of industrial. i know thats a lot of random descriptions. I kinda think of (here’s a goofy genre for ya) sludge metal bands’ instrumental style, not necessarily vocal style... its hard to describe a band that doesnt exist. LMFAO
right now im thinking about 'the pot' by tool as a close example of roadkill.. im having a hard time finding artists that match scotch's vocal range even remotely. also doesnt help that the bands im basing this off of like tool and FNM dont exactly...fit into genres very neatly. roadkill and lynx wouldnt either. HAH. i just know it wouldnt be that high quality but definitely obvious theres a lot of passion in it. i mean this is just an album made by guys who dontknow what theyre doing. like at all. lol
Roadkill’s sound changes quite a bit their next album when seraph is involved. It becomes a lot more ummmm I guess palatable to more people? I don’t exactly know what I mean by that. Ok. LOL. I’ll think about it.. but this is around when Scotch realizes he wants this to be his job. Having Seraph helps A LOT with building a more dedicated and bigger audience, since they’re the one most willing to make changes. Plus they’re in art school, I feel like they’d have connections. So I guess roadkill would sell out in a way.
if you asked me this question a year ago i would have had a completely different answer. i wouldve probably said roadkill is pop punk or garage rock or something. i have trouble fitting scotch and atlas into a genre together. it fits scotch just fine and i think he would enjoy it, but its not roadkill.. also ive been thinking of stylizing roadkill as rdkill.. lmk wat u think.. im unsure about the name is generalHAHA. i know this is a lot so dont feel pressured to reply to everything LMAO im just thinking out loud. and drawing connections between genres that completely do not make sense. peace and LOVE<3
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phyriaxi · 5 months
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Another ask separate from my rq, are there any artists or other influences that have inspired your art that you'd like to share?
ohh boy, this is definitely a question I can ramble about (apologies in advance for the long text!!)
Short Answer (a list of lasting artistic influences):
Movies/animanga: How to Train Your Dragon, Avatar (not ATLA, sorry) , Evangelion, Pinch Point (by VLANCAT), Land of the Lustrous, Tower of God, CSM, Tokyo Ghoul, 86 EIGHTY-SIX
Games: Arknights, Cytus II (rip art team..), Honkai Impact 3rd, Destiny 2
artists/illustrators/animators: Shilin, Ishida Sui, yasutatsu, WOOMA, par0llel, suzumesakiii, Dino_illus, liduke, ligton1225, Curie Lu, 96yottea, many many others... I could write nearly every Arknights illustrator as well and still not be satisfied ..
Music: classical music, Ado, KIVA, Eve (the MVs..!), i think i need to stop listing things now because it'll never end
Long Answer (rambling):
when it comes to art, i am definitely inspired by other visual artists, but i am also very inspired by the world around me as well as creators of other types of media. i'm extremely lucky to have grown up in a lively, diverse city with a wonderfully creative family, so the art and music of my family and environment plays a large part in my artistic preferences!! Something I have really wanted to integrate more deeply into my art is the contrast between new and old, grungy and refined... it reflects a lot of the conflicts that make up what I consider to be "me." Also, I just really like the vibe of chaotic industrial zones and rusty metal combined with a shining city in the distance, lol.
Regarding particularly influential media: pretty much anyone who's taken a glance at my blog will know immediately that Arknights is one of my biggest influences. it's basically all i draw nowadays... whenever I'm not thinking about Responsibilities and Adult Life i'm usually thinking about either Arknights or Ado (<3).
before Arknights, I spent a long time drawing fanart and fan-characters inspired by How to Train Your Dragon. Both the visual and musical aspects of that series still have a very dear place in my heart, even if I don't engage much with the community anymore. I actually only really started drawing not-dragons about 3 or 4 years ago at this point. Something I have been thinking about a lot recently is how I can go back to drawing more creatures alongside my humanoid subjects, since it's not something I've done very much recently.
Gradually I began to find more friends in the art community, and I think I'm very influenced by those people as well! It isn't a competition, of course, but being around people who are also pushing to improve is a big motivator when I am feeling low on passion. "I want to stand together with them at the top of world one day", is how I often feel. I really want to work on a collaborative project with other artists someday as well. Trying to build my skill is partially because I want to better express my ideas, but also because I want to inspire and be inspired by other creators. :D I think my art has been evolving at a pretty good pace recently because of these motivators.. the friends and regulars (including you, burstfoot!!) that visit my blog regularly here really motivate me too!!
and lastly, I'm at a point in my life where I feel that if I can't get this art thing off the ground, I will probably have to give up on pursuing it properly soon... so it's partially desperation that is inspiring me to change and try new ways of expression as well :,]
[ thank you for the ask!! ]
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chaikachi · 8 months
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Hi, Chai! I've been following you for a bit, mostly for the RG content, and I've recently seen you talk about your other non-RWBY interests when I realized that I'm really curious on what other media do you like? (Be it shows, movies, music, games, books, etc.)
Oughh this is a very good question. I'll put them under a read more cause I have a feeling I took this question too literally and it might get just a little bit long because of that. 💦
I'm generally very passive with the media I consume and only draw as much RWBY as I do because RG has had me in a vice grip since V8E1 and isn't letting go anytime soon. 💀 But I do engage with lots of other stuff too! This isn't an exhaustive list, just ones I like lots or re-watch often enough.
Anime
I probably watch this stuff more than anything else. My favourite of all time is probably The Eccentric Family, both seasons. The art direction and the messages of the story just hit very hard for me and I re-watch it pretty much every year. My second favourite is Kekkai Sensen (i prefer the first over second season as they switch directors).
As for others enjoy:
Full Metal Alchemist Brotherhood
Silver Spoon
Yona of the Dawn
Snow White with the Red Hair
Kyousogiga (recommend if you liked Kekkai Sensen)
A Lull in the Sea
Chaika the Coffin Princess [Now why does that name sound so familiar 🤔]
Anohana
Been really enjoying this season's shows and am looking forward to the Winter 2024 lineup (Dungeon Meshi and Yubisaki to Renren at the same time!!)
Shows
Dragon Prince
The Owl House
Good Omens
Games
Nier (2010),
Transistor
Pyre
Zelda Series (Ocarina of Time & Spirit Tracks are my favourites)
Nier: Automata
Honorary mentions to Grand Chase (an old MMO i used to be obsessed with), Avalon Code (a niche DS game that I really liked), Fire Emblem Awakening (a classic) and Animal Crossing (that I played like it was my day job in 2020).
Movies
Can only think of two live actions and the rest are animated/anime 😭
Stardust
Scott Pilgrim vs. The World
Howl's Moving Castle
HTTYD (1 & 2)
Kubo and the Two Strings
The Wind Rises
From Up on Poppy Hill
Penguin Highway
Books
I don't read as much as I did when I was a kid, but my top three are probably Runemarks, Howl's Moving Castle, and Stardust (I like the last two a lot because I liked their movies).
Webcomics
Used to be really into these and wanted to write my own before Webtoon kinda... gentrified the entire industry. But hey, I can still talk about some of my favourites!
Shaderunners (queer heist in a roaring 20sish setting)
Witchy (queer south East Asian inspired fantasy adventure)
Kochab (sapphic story between a skier that gets lost and meets a fire spirit I think? It's final updates are going up this month!)
Lady of the Shard (all time favourite. queer polyam lovestory between a goddess and her acolyte. Complete. I reread it every year, I love it so much. The rest of the authors work is also great, you might know them from Cucumber Quest).
Then lastly...
Music
I mostly listen to indie/folk more than anything else, with a bit of jazz/R&B thrown in for flavour. Favourite artists are probably:
San Fermin
Flock of Dimes/Wye Oak
Of Monsters & Men
Maggie Rogers
Florence & the Machine
Paper Kites
Matthew and the Atlas
Halsey
This list obviously isn't exhaustive because I have the memory of a goldfish but those are the highlights that came to mind at least.
Sorry for the long list, but thank you for the question!! It was fun to put all these in one place.
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atlas-plugged · 1 year
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Atlas Shrugged Read-Through: PP 14-20
Our first introduction to the primary antagonist of Atlas Shrugged, Jim Taggart, is with him sitting at his desk saying "Don't bother me, don't bother me, don't bother me."
The unpleasant task that Eddie Willers has been facing is coming into Jim's office to tell him that a delivery of steel that has been delayed multiple times will be delayed again. Jim ordered the steel from his friend, Orren Boyle, who runs Associated Steel. Jim insists to Eddie that he won't hear of ordering the metal from the competing company, Rearden Steel, run by Hank Rearden. Taggart Transcontinental needs the steel because their Rio Norte line is too damaged to keep safely running trains on, and they are being outcompeted in the region by a small, local railroad called the Phoenix-Durango. Eddie is telling Jim to make a decision because the regional line supports the oil operation of Ellis Wyatt.
All of these are important characters and business that will come up a lot but they're not the real focus of this scene. The real focus of this scene is making Jim Taggart look like a big throbbing asshole, which is how you're supposed to think of him.
Here are a few of his lines from this brief scene:
"Who's thinking of giving up the Rio Norte Line?" he asked. "There's never been any question of giving it up. I resent your saying it. I resent it very much."
"Orren is my friend." He heard no answer. "I resent your attitude. Orren Boyle will deliver that rail just as soon as it's humanly possible. So long as he can't deliver it, nobody can blame us."
"Ellis Wyatt is a greedy bastard who's after nothing but money," said James Taggart. "It seems to me that there are more important things in life than making money."
"I think he's a destructive, unscrupulous ruffian. I think he's an irresponsible upstart who's been grossly overrated." It was astonishing to hear a sudden emotion in James Taggart's lifeless voice. "I'm not so sure that his oil fields are such a beneficial achievement. It seems to me that he's dislocated the economy of the whole country. Nobody expected Colorado to become an industrial state. How can we have any security or plan anything if everything changes all the time? [...] Yes, I know, I know, he's making money. But that is not the standard, it seems to me, by which one gauges a man's value to society. And as for his oil, he'd come crawling to us. and he'd wait his turn along with all the other shippers, and he wouldn't demand more than his fair share of transportation—if it weren't for the Phoenix-Durango. We can't help it if we're up against destructive competition of that kind. Nobody can blame us."
Jim Taggart is aggrieved. He is whiny, he doesn't accept responsibility for his actions, he resents people who are more active than he is (at least if they make demands on his time or cost him business by shifting their purchases to his competitors).
Jim is not written well, but the way that he is poorly written is interesting. Rand's big bad guy is an industrialist who doesn't take responsibility for his actions and who wants other people to do all of the hard work.
I'm going to get right to the big reveal in the middle of the book: Jim and the Moochers force through a law that means that nobody can compete with them. Other railroads shut down, new innovative companies have to give their capital to older businesses.
On the one hand, I think there's something clever that Rand is doing here. Jim and the Moochers use what is essentially "weaponized wokeness" (mealy-mouthed speeches about collectivism) to place themselves at the head of state-backed monopolies. They're not evil just because they're whiny and don't take responsibility, they're evil because they can use the power of the state to crush competitors, which also allows them to exploit workers and consumers.
On the other hand: I can't tell if Rand is being stupid or malicious in attributing the motivations for these actions to a collectivist impulse.
She clearly, obviously, deeply hated collectivism. But when each of her characters are revealed down to the nastiest, darkest parts of themselves it's revealed that their collectivist talk was meant to cover up personal greed. So I can't tell: stupid or malicious? Is she being stupid, and genuinely doesn't believe that anyone who talks about or works toward communal goods and shared resources actually wants those things? Or is she being malicious and suggesting that all people who claim to want to do things for the benefit of everyone are actually greedy and are trying to burn down the rest of the world so that they can stand on a slightly nicer bit of the ashes?
I haven't read much of Rand's non-fiction, or watched too many interviews with her, but I know that at one point she discussed the evils of altruism by saying that the Nazis were motivated by altruism. That seems like it's pulling a pretty bullshit rhetorical trick and defining "nationalism" as "altruism." And that's what she does with the evil characters in her books - makes them do terrible things while saying that they're doing so for the good of mankind when everybody knows the score. It's a bullshit rhetorical trick.
And this is how we're introduced to Jim Taggart. He's a wealthy industrialist who is whining to his sister's assistant that he can't be blamed that his friend is late with a delivery of steel. And I think Jim Taggart is a pretty good example of Rand being more malicious than stupid. We're going to learn a lot about his motivations and desires throughout the book and they come together to make a laboriously crafted strawman of an evil capitalist.
Anyway. Eddie walks out of their meeting after Jim insults his own sister; Eddie at that point finds an old clerk repairing a typewriter (one that has been repaired before and is made of inferior materials - planned obsolescence; a subject that I will have to yell about somewhere else) and asking Eddie if he knows where anyone can get woolen undershirts. Jim's office has been a break from the most visceral reminders of the bleak, slow-motion collapse of the economy that Eddie is confronted with as soon as he's out of the room again, and he is once again bothered by the question "Who is John Galt?" - the question that opened the novel in the mouth of a bum - as the introductory scene of the novel ends.
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atlasmetalind · 4 months
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A Guide on Brass Conduit Fittings in the Indian Market by Atlas Metal
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Explore more about Brass Conduit Fittings with this comprehensive guide by Atlas Metal. Discover the best quality, application, and buying tips, tailored for both experts and beginners. With years of expertise and quality products, team Atlas is always ready to guide you, ensuring that you receive nothing but the best in the market.
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yumenoyousei · 6 months
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Notes for my Sokkla Celebrity AU (Sokka's side)
Here are mores notes for my Sokkla fic, an ATLA Celebrity AU. The story is Azula-centric but I still made notes about Sokka (with mention of others) to flesh out everything Warning: Canon Characters' Deaths still occur
The notes of Azula's side
Without further ado, ATLA Celebrity AU (Sokka-centric)
Hokada & Kya are local musicians but it's like a side hustle for fun Sokka & Katara grow up with music Kya dies from cancer when Sokka is 13 Sokka gets interested in producing really young but gets side-track when Katara gets discovered and becomes the next big thing (think Taylor Swift) at 15 so Sokka starts a rapper career the same year (17) They both sign with Avatar Industries and that's how they meet Aang (since the beginning, Aang has had a crush on Katara which both Water Tribe siblings do not see) That year, Sokka met Yue, an opera singer incredibly famous in her field, and it was love at first sight 3 months later Yue dies in an accident in which he has survivor guilt as he was supposed to be with her (they had wanted to announce they were dating to the world) 6 months later, he meets Suki, a freshly made Olympic winner, at an event and while she shows interest, Sokka is reluctant They start dating and the media gets the news very quickly Sokka doesn't talk to Suki about Yue (Somewhere in between, Toph and Zuko join Avatar Industries) (Toph used to be a classical Opera singer but she quits for heavy metal) By the time Sokka is 20, he's not very happy about his life/career Suki encourages him to go to university, which he does: double major in sound design and engineering, pausing his musical career Become closer to Zuko, they related over anxiety, survivor guilt, etc Suki and him are good, but something feels amiss; so the whole cheating with Azula doesn't help, even if Suki knows it's false Around a year later (21), they break up over mostly distance, Suki moves to follow her trainer Sokka enters his fuckboy period that last a good year, maybe 2 While at uni, Sokka rediscovers his love for producing and starts working with the Gaang+Zuko with their music He starts to win prices as a producer At 24, Zuko asks him to help Azula with her next album
**Sokkla story ** (Link to the fic added)
The notes of Azula's side
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northatlasarchive · 6 months
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Spirits learn to dance To the ambience in hand A wolf without a pack Adjusted Toneless is the path Around the track The first, the last It’s countless
Into the corner a dangerous place Killing the old times I want to replace my narrative But I’m doing the same thing And it’s all about to move And it’s all about to move
Reading from your palm A book of shadows You’ll rinse and repeat again Anxiety paints a familiar backdrop That wheel you won’t stop for days
Into the corner a dangerous place Killing the old times I want to replace my narrative But I’m doing the same thing Over and over again Is this some kind of circle? And it’s all about to move And it’s all about to move
Into the corner a dangerous place Killing the old times I want to replace my narrative But I’m doing the same thing Over and over again Is this some kind of circle? And it’s all about to move And it’s all about to move And it’s all about to move
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jackfromthefairytale · 2 months
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cure album liveblog (aka me devolving into insanity) unedited no grammar corrections this is between me and my phone keyboard
all I'm gonna say is that the singles do not do this album justice
cure: it's a precursor to what's to come I'm already so familier with it. first time I've got both earbuds in though 🥴. it's an expeeince
rumour of light: SHES PRETTY AND HEAVY holy shit the opening instrumental I was gonna cry, the vocalsssssss! the scream melody is so good, jesse's singing is something else (he's singing lower I might be able to actually hit his notes for once) GUITAR SOLO!!! its so melodic and pretty the vocal layering in the chorus is everything to me
idlw wind: quiet straight into heavy djenty, dark ambience, pretty yet heavy chorus, guitars are tight as fuck, chorus vocal melody is so good hes got a little bit of scream in there too, the bridge instrumental part is so !!! HANG ON IS JESSE SCRWMING THERE OR IS JT DOING SOMETJING DIFFERENT I DONT KNOE. outro part of chorus is so !!
blue reverie: fits so well in the grand scheme of the album? it's the slow respite from three quick heavy songs
slow sour bleed: industrial! production heavy intro! reminds me of psalm of sedition? it's gone quiet? very djent. ambience!! heavy/light whiplash. ELECTRONIC? erra typical structure fuck. OH BREAKDOWN THESE CALLOUTS ARE AMAZING. oh she's very heavy
wish: opening guitar haunts me. she's light and building. and an interlude
glimpse: OH! SHE CONTINUES DISTORTED. jesse is going at it with vocal work holy shit! JT CLEAN YELLINH! the guitars here I adore. THE VREAKDOWN HAS BEOKEN MY CEILING. jesse's voice from this chorus specifically is gonna haunt my dreams
past life persona: intro guitar is so pretty. dust of the human shape esque opening verse. very ghost atlas, a bit radio rock (metal)? sounds seaside in summer, type of song you'd introduce to your grandma. backing screams on point. breakdown flows very well it's explosive but doesn't break the stream of the song. is jt singing here?
crawl backwards out of heaven: jt song right after a jesse song, foreboding heavy. verse two is still groovy as fuck. bridge is still haunting as fuck
end to excess: clean glittery guitars, i want this intro to last forever. and now he's screaming. oh that verse lead! blast beats! oh that chorus feels movie-hopeful! I love it! the guitar leads in the second part of the chorus! BREAKDOWN! it's so different wow
pale iris: some good old fashioned metalcore. the verse leads at the start of the verse fit the leads sprinkled throughout the rest of the album. it's weird, it's the first single from the album but appears second last, and now I'm hearing it as part of the picture it sounds so much more coherent.
wave: ?? energetic guitars? reminds me of hyperreality? I love this song I don't know what's going on. some of the vocal parts remind me of a savage hands song. oh that bridge is powerful. I don't want this to end.
it can't be over
please tell me it's not over
that might be the best album I've ever heard.
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randomfae · 2 days
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Thanks for the tag @shine-reblogs ^^
Music genre : mainly industrial metal and edm, but also anything that picks my fancy without much rhyme or reason. bonus points if there's backpipes, flutes, or violins.
Shows: blue eye samurai, kipo, the owl house, atla, the good place, fmab, arcane, vox machina, good omens, gravity falls...
also do podcasts count as shows? because i cannot in good conscience leave without mentioning ✨the magnus archives✨
Colors: greens/teals/blues
Characters: jon sims, mahtin blackwood, john doe (malevolent), entrapta, trevor and sypha, lenore but only from s3 (s4 lenore is an impostor, you won't convince me otherwise), akemi my goddess, mizu my poor meow meow, ringo my absolute beloved (and taigen my you're here too so have a hug man you need it), taka alcantara (pokémon reborn), kipo, mandu, katara, suki, sokka, zuko, hunter (owl house), willow as well, eda, raine... i dunno, a lot of them
nahadoth and yeine (inheritance trilogy) and itempas as well really, zetian and shimin and yizhi (iron widow), persephone and hades (lore olympus)
mustang and hawkeye from fmab of course
the princess (slay the princess) like it's a relief that the title screen clarifies "this is a love story" because i keep falling in love with her
i could keep going forever but i'll stop here
Musicians/Bands: nachtblut, dr peacock, asp... tbh it's a little bit from a lot of bands rather than actually consistently knowing any band. there's some bad omens there, starset, skillet, tanzwut, three days grace, powerwolf, oomph...
I tag (no pressure at all): @polveredilunapiena @lost-in-the-cosmos-vast @htmelle @hekatontarch
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mqeverel · 2 months
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LoK Avatar Cycle & New Avatar
Introduction:
The Legend of Korra always gets push back due to the fact that Korra broke the previous Avatar cycle, and cut ties with all the previous Avatars. I remember watching that scene as a kid and feeling devastated, and questions arose regarding the next Avatar after and whether Korra will be the only one the help guide them.
While it sucks that Korra essentially erased thousands of years of experience, I’m starting to understand the idea behind it.
Technology/Modernization:
In Avatar the Last Airbender, we see the impact of new technology, especially from the Fire Nation. This emphasis on advancements are shown to have started during Fire Lord Sozin’s reign, when the Fire Nation started the Hundred-Year War with the intention of expansion.
However, the machines and technology shown in ATLA was still relatively new to many of the characters, as many nations and villages still operate under antiquated methods. We see many characters in ATLA, especially Sokka and Toph, take the lead as some of the most innovative characters in the face of this change. Sokka, with his contributions to the development of airships and submarines, and Toph, with the discovery of metal bending and the direct byproduct (LoK police force).
And we see these effects of this in LoK, with less remote settings, and more metropolitan environments. We see the beginnings of industrialization happen in the ATLA comics as well, with the gang finding more midwestern-esc towns, and the renovation of the Southern Water tribe. In both of these examples, both Aang and Katara had mixed reactions towards these unfamiliar changes.
Bending/World building:
Now, in LoK. The show seems to embrace this new way of life, and less spirituality. We also see this in bending styles, as there is more of an emphasize on specific sub-bending styles (ex.) lightening, metal, blood), many of them having a direct use for certain industrial and professional careers. While the core 4 elements are still prevalent throughout, the next Avatar—and afterwards—will take place in a world where sub bending will take a forefront, and the core elements will probably take a backseat.
From what I have seen, all the Avatars before Korra have only bended the core 4 elements (excluding energy bending, lighting redirection). Korra is the first Avatar to have metal bended, and I feel that’s a mark of a completely new era of Avatar. The society/culture she grew up in and the city she currently lives in, aren’t like anything the past Avatars have experienced. Previously, those societies operated under monarchies, lords, philosophy. But LoK is a world that sorta resembles the one we live now, with complex governance, political ideologies and spectrums, democracies, policies, etc. Even Korra, THE Avatar, doesn’t really seem essential to restore peace (Spirit v. Physical world debacle aside).
I believe the next Avatar after Korra probably will gain more insight through how she navigates life, as no other Avatar before her had to fight giant robots and revive a new culture and era of air-benders (post genocide) in a world where these airbenders might not all be monks. While the wisdom of the past Avatars are still something to be regarded, I doubt any of them would really know how to advise the new Avatar of these modern issues. Of course, there are many aspects of their life that can correlate with the new Avatar, certain issues with the world will transcend generations (discrimination, immigration, corruption, National disputes) but there was a reason Korra probably only went to Aang the most as no other Avatar besides him has had fought a blood bender, or metal bender, or even a lightening bender.
We might even see a decline in bending, as I’m pretty sure bending is somehow tied with one’s spirituality?? Not too sure about that. But we also might see a decline in how people treat sacred spaces (temples, etc) and the natural environment.
Conclusion:
This new Avatar will probably learn metal bending before earth, but either way, I’m excited to see how the creators take on this new Avatar and what concepts they’ll explore. I personally love LoK, I think comparing it to the power house that is ATLA is impossible, but people have to seriously start to see it as its own unique series because it’s still great. I’d be down to see a morally ambiguous (maybe almost villainous) Avatar (I know we already got plenty of them *cough* Kiyoshi *cough* Yangchen) as we know that the Avatar isn’t an individual without flaws.
I’d love to have some discourse over this, I love both of these series dearly, and I know I probably handled some points carelessly so feel free to correct me or explain things. I’m low key hoping for a cynical (maybe a little bit of an eco-terrorist coded) Avatar. I feel like that would add some spice to this potential trilogy.
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