#but rachel had her own episode in that season and | Explore Tumblr Posts and Blogs

ayyy-pee · 28 days

Text

𝔼𝕡𝕚𝕤𝕠𝕕𝕖 𝟘.𝟝 - 𝕋𝕠𝕠 𝕄𝕦𝕔𝕙 𝕥𝕠 𝔻𝕣𝕚𝕟𝕜

Discord 18+ - Twitter

Pairing: JJK Men x Female Reader

Episode Summary: After a drunken night of binge watching your (least?) favorite show, you find yourself making a grave mistake.

STORY TWIST: READERS WILL VOTE AFTER CERTAIN CHAPTERS TO CHOOSE WHO GETS A ROSE AND MAKES IT TO THE NEXT WEEK. KEEP A LOOKOUT FOR THE VOTING LINK AT THE END OF CHAPTERS

Story Warning: DRAMA, lying and scheming, REVERSE HAREM, profanity bc I can only be me, arguments, fights probably, heartbreak and tears, (more to come)

Artist Credit: momoya348, Umbra3terna, ilameys,maoyaoyao519, _0_0219 Divider Credit: Cafekitsune (Tumblr)

A/N: IT'S FINALLY HEREEEEEE! I hope you guys enjoy this ride (that you're in charge of in later chapters!!!) I'll put up Episode 1 tomorrow after proofreading!!! <3

“God, this show is so stupid,” you mutter, shoving a handful of popcorn into your mouth while you get settled onto the couch.

“Please…It’s so bad, but I tune in to every season.”

You glance over when your friend reaches into your lap and dips her fingers into your bowl of popcorn and grabs a few kernels.

That was the perfect way to describe what was happening now. You’re currently huddled up on the couch, having spent the day binging the most recent season of The Bachelor until you’re all caught up. The new episode airs tonight and you’re eager to see who Joey ends up picking. Will it be Rachel? She’s gorgeous, funny, and her family seems to really get along with this season’s Bachelor. They have great chemistry. Or maybe it will be Daisy? Though you couldn’t see that working out. The girl is a total bore. Or it could be…what’s her name again? The one who looks a little bit like she could be his sister. Ah, whatever.

You’re not sure when you really began to even give a shit about this mess of a show. It’s corny. No one falls in love within a few weeks of knowing each other. And why does one man or woman need to date twenty people to find someone to marry? Are they that unlikeable in the real world? Not to mention, it’s totally unrealistic. Do these relationships even work out once the cameras cut off? Unlikely. You find the entire premise of the show downright stupid.

And yet, you can’t tear your eyes away as this season’s Bachelor takes each girl out on an extravagant date that…you can’t lie, you would love to be on.

Dancing in Malta? Sunbathing on a yacht off the coast of Spain? Getting to see Niagara Falls up close? Sign you up. You don’t think you would stand a chance being the object of everyone’s affection, but you could definitely milk being a contestant for free trips and good food.

“Why can’t he see that Rachel is the best pick here? Ugh, annoying. You know he’s going to give what’s-her-name the last rose.” Your friend downs her wine in one swig and you don’t bother to hold back the laugh bubbling in your chest. She’s all red faced. You’re not sure if it’s from how passionate she is about the show or from the two empty bottles of merlot she’s managed to down practically on her own, but the glowing hue it gives her highlights the thick scar across her face. A product of her line of work, and said line of work being the reason she’s guzzling wine in the first place.

“Maybe take it easy on the drinks, Utahime.”

She hiccups next to you, slouching in her seat. “I haven’t even had that much to drink!”

“You’ve had most of the wine just on your own!”

“Oh my god, you have one or nine glasses of wine and suddenly you’re wasted,” she mutters sarcastically. “I’m fine.”

You roll your eyes, because you know there’s no going back and forth with her stubborn ass when she starts drinking.

The living room dims for about three seconds before it lights back up, the show now having gone on commercial break. The rose ceremony is next and despite shit-talking the show only ten minutes ago, you’re eager for the commercials to wrap up so you can see who goes home. It better not be Rachel. You use this brief intermission to go and get some water for yourself but mostly Utahime so she can sober up.

This has been your routine for the last few weeks. Every Monday night, Utahime comes over, peels you out of your bed and forces you on the couch to chug alcohol and watch this ridiculous show. While you find the entire premise of the show nonsensical, you’re grateful for the time it’s given you with Utahime.

You’re fairly new to the Kyoto area and Utahime was the first person you’d met on your first day at your new – how can you put this? – unique job. You see, you and Utahime both work in the field of Jujutsu sorcery. But there’s about where your similarities in the field stop.

Utahime is an active Sorcerer. She’s an instructor raising up the next generation of Sorcerers, building them up so that they can one day join the frontlines to protect the unaware non-Sorcerers of Japan. She’s strong– a grade 1 Sorcerer. Quite impressive. She could easily knock a curse’s head off if she wanted to.

But you? Well, while Utahime is at the top of the ranks of Jujutsu society, you are what some would refer to as a bottomfeeder – an unranked, unimportant, lowly Window. You’re someone who has just enough cursed energy to see a curse. But can you do anything about them? Not unless you want to end up in the nearest trauma center. So if you’re smart, you’ll do your job and whip your phone out to report it so that the real Sorcerers can handle it.

You’ve been in this field for several years now, but working outside of the major cities of Japan. Transferring to Kyoto was your idea of wanting something new and different. Utahime had quickly taken you under her wing. You were certain it was because she took pity on you. A weak, barely gifted Window. But as time went on, you came to realize that that was just Utahime. She was kind and funny, and had a good heart. Well, except when it came to –

“Hey!” Utahime calls from her spot on the couch. You can hear a slur in her words as she speaks and you know she’s opened yet another bottle of wine from who knows where. “Come here! Look at this!” You peer at the television from the doorway of your kitchen and see Utahime has it paused on a very ugly ad. It’s bright white with a background full of red rose petals across the screen. Your eyes roam over the words.

“THE SEARCH IS ON FOR THE ELIGIBLE WOMEN WHO ARE READY TO FIND TRUE LOVE! DO YOU OR SOMEONE YOU KNOW HAVE THE CHARM, STYLE, AND PERSONALITY TO BE OUR NEXT STAR? IF SO, APPLY OR NOMINATE SOMEONE NOW!”

“Will you hurry up? Come look!” Utahime demands, messily pouring more wine into her glass. But it looks like a normal advertisement to you, so you’re not entirely sure what has Utahime’s interest so piqued.

She beckons you again, yelling “Come here!” So you quickly grab a couple bottles of water from your fridge and head back. Utahime is pointing insistently at the screen. “Look. Look really hard.”

You follow the path where her finger points, shuffling closer to the t.v. to get a clearer look. It takes a moment for you to see it, like really see it, but it’s definitely there. Underneath the last line, hidden from the eyes of those unable to see the horrors that you and those like Utahime can, is another message. You fall to your knees, eyes glued to the tiny additional message floating beneath, glowing with cursed energy that reads, “JUJUTSU SorcererS PREFERRED”.

Confusion slowly takes over your features, the corners of your lips turning down with a frown, a brow arched and skepticism in your eyes. Were you missing something? Was this some sick joke? Were Jujutsu Sorcerers huge fans of The Bachelor or something? You spin around to face your friend who has a look of mischief twinkling in her eyes. You know it all too well, mouth falling open and a finger pointing when you scream “NO” at the exact moment Utahime yells “YOU SHOULD APPLY!”

“Absolutely not!” You must be looking at Utahime like she’s grown two more heads because she looks just as confused as you.

“Why not?! You’d be great on there!”

Maybe she hasn’t grown two more heads. Maybe her brain was swapped while you were in the kitchen because why the hell was she suggesting this?

“Well, for starters, I’m not really looking to date.”

Utahime rolls her eyes, as if that’s just not a good enough excuse. You should just ignore her, snatch the remote from her hand and hit play so you can get back to the show and see who this guy chooses to potentially get engaged to. But for some reason (could be the single drop of wine your friend allowed you to have while she downed the rest), you feel the need to keep listing off reasons to not sign up. “Secondly, I– why would I even want to go on this show?”

Utahime sips her wine, eyes low as she falls into her drunkenness, but you can still see the sparkle of mischief in those brown hues…and it scares you. So you keep talking, chatting away and listing excuse after excuse to your friend, eventually finding yourself back on the couch trying to drive your final point home.

“Besides, they want Sorcerers.” This seems to get Utahime’s attention again, makes her set her glass down as she looks at you.

“I’m sure it’s fine. You are a Sorcerer.”

“I’m a Window.”

“Semantics. You can see curses, can’t you?” Utahime argues.

“...yes.” You shift uncomfortably in your seat. “But I can’t do anything about them.”

It’s not something you should be ashamed of, but there’s just the tiniest bit of you that is ashamed. Because being able to see these monsters and not having the power to do anything about them…well, it feels like a curse in and of itself.

To this, she sighs. “Sorcerers, Windows. They’re just terms used by the higher-ups to keep their stupid, fucked up heirarchy intact.”

You know it’s the wine that’s loosened her tongue. In public, Utahime would not dare to speak so freely. The Jujutsu politics in Kyoto were a lot stricter than they were in Tokyo. Not that that said much anyway. The politics were shit regardless. But Utahime worked closely with those connected to the higher-ups, so outside of this little bubble in your apartment, she kept pretty hush hush about her true feelings.

You watch Utahime closely as she fiddles with her wine glass. She really is beautiful. You think she’d be incredible on a show like this. Which gives you the idea.

“What don’t you apply?”

Utahime leans back, a cackle so loud and abrupt leaving her tiny body.

“No way. I would never date any of these Sorcerers.”

“And you want me to?!” You ask incredulously. You don’t know whether to be offended or not.

Your friend fixes you with a deadpan stare. “You don’t know them the way I do. The only good one out of all of them is Nanami Kento…and Shoko.” She mutters the last name quietly, like it’s a secret that she thinks so highly of her. And maybe it is a secret…the way she feels about the doctor in Tokyo who you couldn’t help but notice has Utahime’s cheeks glowing red whenever she’s mentioned.

“Besides,” Utahime continues. “If I signed up for this and got paired with Gojo –” she shudders at the mere thought of being near the man. “I don’t think I’d be able to keep myself from projectile vomiting just at the prospect of having to kiss him.”

It’s your turn to laugh obnoxiously now, because – “Why the hell would the strongest Sorcerer in a thousand years sign up for this shit? You don’t think he has anything better to do? Like, you know…keep all of Japan safe?”

“Satoru Gojo does whatever Satoru Gojo wants.”

You can’t argue with that. Utahime would know best. She did grow up with him after all. She knew him well. You’ve never met the man, being just a Window, you doubt you ever will. Out of all the Sorcerers, you’ve only ever met Utahime and Principal Gakuganji. You’ve never even met any of the students. You all run in different circles, but that doesn't mean you don’t keep up with the going-ons of the Jujutsu world. Everyone knows Satoru Gojo.

“You should really sign up, though,” Utahime suggests once more. “You might meet a good person. If anything, you’ll get a good vacation out of it.” With that, she stands. It’s clear that the wine is hitting her again, because she wobbles clumsily to the bathroom, slamming the door behind her.

If it’s anything like every other week before this, you’ll be peeling Utahime out of your bathtub because she will have inevitably fallen asleep.

Your eyes fall back on the hidden message on the television, reading it over and over before you finally just hit play and let the finale finish.

Joey chooses whatever that girl’s name is. You’re only halfway paying attention because against your better judgment, you’re actually thinking about applying to this. But you think the show is stupid, right? Why would you waste your time? But what if Utahime is right? What if you do meet someone? It’s not that you’re against dating. You’re just not actively in the market for romance because you’ve found that dating non-Sorcerers is more stress than it’s worth.

The constant obligation you feel to regulate their emotions so you can avoid the creation of a cursed spirit that you’ll have to call in and do paperwork for? Exhausting. Not to mention, if you ever grew to truly love this person, you’d be overwhelmed with guilt if a curse manifested and harmed them in any way and you couldn’t do anything but watch in horror as you made a phone call.

You’d never really given any thought to it, but perhaps dating a Sorcerer is what you needed. You could end up meeting an amazing man!

But also, semantics or not, you were not technically a Sorcerer. You were simply a Window. Why the hell would an actual Sorcerer want to be with you? Better yet, what were the chances of this show even choosing you as their next Bachelorette?

- - - - - -

Apparently, the chances were extremely high, because one phone call, four video interviews, a nearly five hour drive from Kyoto to Tokyo, and days of promotional video and photo shoots later, you find yourself standing outside of the Bachelor Mansion, donning the most expensive gown that money could buy.

This is not what you expected. Not at all. There is so much going on. You want to run and hide from every single camera you see being propped up. You want to curl into yourself when the lights come on and the director calls, “Action!” And you see some man you’re just meeting for the first time approaching as he speaks directly to the camera.

“...and she’ll be making history tonight as The Bachelorette’s first Jujutsu Sorcerer,” you hear him tell the camera as he stops just a few feet short of you. Tall, blonde and handsome. He looks like an American football player. “I’m Jesse Palmer, ladies and gentleman. Now, let’s meet our Bachelorette!”

He turns to you, wearing a bright smile. The cameras follow, moving closer to catch a close-up of your face, so you smile as naturally as you can and try not to flinch when Jesse moves forward to embrace you in a swift hug.

Jesse calls your name as though you’ve been friends for a long time. “So nice to finally see you. You look great.”

The camera pans down your body and back up to your face. “Likewise, Jesse.”

“How’re you feeling?” he asks.

“I’m nervous! Definitely nervous, but feeling good! I’m so excited for this,” you lie. You’re dreading this process. But it’s too late to back out now. So you just hold your smile, conversing politely as Jesse makes small talk and gets to know you before the first contestant pulls up.

And you hope that if Utahime is watching, she sees the message behind your eyes screaming that you’re absolutely going to kill her.

278 notes · View notes

genericpuff · 21 days

Note

I've been seeing you say/speculate Rachel Smythe has been cut loose from webtoon, could you elaborate what you mean by that?

It's only a tinfoil hat theory that people should take with MOUNTAINS of salt (seriously, I'm more likely to believe that Rachel really is just done with LO), but there's a general suspicion that LO wasn't meant to end here and that Webtoons decided to cut the cord. I've made a post about it before but some new stuff has surfaced since then.

1.) The announcement the series was ending was made quietly at NYCC and not shared to either Webtoons' socials or Rachel's socials.

The only way fans initially knew about the series ending was through a screencap from the Discord where someone else who had been attending NYCC passed on the info from a Q&A that LO would be entering its final arc.

For a good while the only other way to know the series was ending was through the Discord, a Cosmopolitan article, and my own post.

Though it sounds odd for a series to get cancelled halfway through its third season, it's not uncommon for Webtoons to suddenly axe series while they're on their midseason hiatuses, it's happened before. So there's a general suspicion that Rachel may have found out during NYCC that LO would only be given one more arc.

2.) The actual finale announcement was made in a text post on Instagram that suddenly announced it would be ending on May 11th, despite the fact that there was still lots to wrap up in the story.

What this implies is that Rachel was given one more arc, with no concrete end date... until Webtoons told her to wrap it up in a limited number of episodes, hence why despite us knowing it was in its final arc, the end date still felt too soon. This is also supported by the fact that her initial announcement was vaguely "early/mid 2024" - she couldn't give a more accurate end date because she didn't plan for the actual ending.

3.) Things that Rachel has said implies that she was either hoping for the final arc to go on longer, or that she didn't think LO was going to be ending now.

(that "nothing is set in stone" quote further supports the theory that she may have been hoping to get renewed in spite of the lukewarm ending announcement - that the only reason the announcement was so quiet was because WT hadn't fully committed to it yet and wanted to see how the series would do upon its return; now that they see it falling behind to other series, it might mean WT became more sure in their decision to cut it and gave her an actual deadline to wrap it up by.)

4.) Webtoons has stopped promoting Lore Olympus despite it ending.

Any promotional spots that it has gotten have been stuffed into the dead zone of the banner reels (seriously, anything past the 3rd spot is practically useless because it takes actual committed scrolling to get there vs. the first 1-3 banner spots which can be seen as soon as you open the app/site) and the banner art itself does not in any way advertise the series being in its final arc. These banners also only seem to be appearing for a day at most, compared to the days upwards of weeks they used to get.

Webtoons also hasn't been doing any sort of promoting on their socials for it. Considering The Mafia Nanny has been consistently beating out LO in the top rankings for weeks now, and that LO's rating and view count is still dropping, it appears that Webtoons has finally given up on shoving it down people's throats and put their focus elsewhere.

Again, this is all tinfoil hat speculation, so take it with massive doses of salt. Considering this is Webtoons, I wouldn't be surprised if they finally decided to put LO out of its misery, but this is also Rachel and I wouldn't blame her in the slightest if she finally wanted to be done with it after the past two years of people clowning on it. And I say that knowing I, myself, am a clown LOL

Either way, I feel like either outcome is plausible in its own ways, but whatever is the true reason, it doesn't change the fact that LO is ending and has 3 episodes left to wrap itself up. And whatever comes after will likely involve the launch of Inklore which was estimated for the spring.

#lore olympus critical #anti lore olympus #lo critical #anon ask me anything #anon ama #ama #ask me anything

150 notes · View notes

jewish-skitter · 9 months

Text

The type of person you are. Animorphs 22: The Solution, Chapter 1/Worm, Monarch 16.13/Animrophs 22: The Solution, Chapter 4/Worm, Cell 24.5/Avatar The Last Airbender Season 3 Episode 5: The Beach.

IMAGE IDs: A series of screenshots.

The first is from Animorphs. It reads: "If David had hurt Tobias, I would... But what was the point in making threats? I didn’t need to make threats. I knew what I would do. So did Jake. That’s why he’d sent Ax for me."

The second is from Worm. It reads: "I took a step forward, then made myself take another. 'It doesn’t have to be you,' Tattletale told me.

'No,' I told her. 'I think it does.'" The third is from Animorphs again: "<Ax? Tell me something. When Jake sent you to get help, why did you come for me and not Marco or Cassie?> <Prince Jake was specific. Get Rachel.> <Did he say why?> Ax hesitated a moment. Then he said,<Jake told me Tobias was probably dead. I said this was a terrible thing. And Prince Jake said, 'Yes. If David’s killed Tobias, we may have to do a terrible thing, too. Get Rachel.'> I don’t know how that made me feel. I’m not a person who obsesses over her feelings. You know what I mean? Some people can’t stop “looking inward” constantly, and that’s not me. But it definitely made me feel strange. Jake had called for me specifically. Because he wanted someone who would do precisely what I was planning to do. Like I say, I’m not big on feelings, but something about that felt wrong." The fourth is from Worm again: "It was Tagg, dead. I’d killed a man, and I had done it with my power, which somehow felt more intimate than the gun that killed Coil. My power made the bugs an extension of myself, and I’d used them to murder the man. It was little different from wrapping my hands around his throat and squeezing, or biting him in the throat and tearing deep enough that he couldn’t survive. I couldn’t bring myself to feel anything meaningful about it. I wanted to. I wanted to think of his daughters, apparently college students overseas, and his apparently loving wife, and the fact that I’d just taken a member of their family from them, much as my mom had been taken from me. I wanted to feel terrible, to cry, but I couldn’t bring myself to. I felt bad, but not as bad as I should have."

The fifth is from Avatar the Last Airbender and is the only one that's not text. It's a close up on Azula's face as she looks down, somewhat vulnerable. The dialogue reads: "I don't have sob stories like all of you. I could talk about how mom liked Zuko more than me, but I don't really care. My own mother thought I was a monster. She was right, of course, but it still hurt." END IDs.

#animorphs #worm #atla #webweaving #web weave #webweave #web weaving #quotes #taylor hebert #azula #rachel animorphs

151 notes · View notes

sgiandubh · 9 months

Text

Jottings: Season 7, episode 8. Just fucking try me

By TPTB's Sovereign Decree, this season is - as we all know - split in two, which proved to be at the same time abysmally disrespectful to ***'s subscribers, frustrating - to say the least- to Netflixers, but involuntarily prescient, given the current SAG-AFTRA stalemate. The protracted strike scenario (still a possibility) would have truly flunked OL, drowning it in a sea of irrelevance and effectively making all promo impossible. So, let us count our blessings and bide our time: it ain't over till the fat lady sings. For the time being, we are still haunted by Sinéad's moving huskiness. For the sake of speculation only, I wonder if they are going to stick with this option until the official end of Season 7, as an homage of sorts. Or promote somebody else, while time and space are still available to do so.

You are definitely going to need tissues for this one. And any random type of your favorite comfort food. It is intense. It is almost impeccable. SS & RR sketches are tolerably short. S is supercalifragilistic. C is giving it her all and she is just perfect. And all the rest are flawless. So, pardon the sarcasm deficit and perhaps also my less fluid quill: you surely know, by now, my struggle with encomium is real.

The bonnie wee swordsman moment immediately brought to this book outsider's mind the exceptional fanfic author on AO3. So, if you still missed Flood My Mornings, by some obscure glitch in the Matrix, do give it a try. It is one of my top 3 , with #1 being @zeya-zg's TRS (it packs a punch, takes great risks and does so with grace). And yes - blasphemy ensues - the swordsman's fic is simply better than Herself in so, so many ways. A good starting point for a Droughtlander of undetermined amplitude (what in the name of hoo-ha is 'the story continues next year' supposed to mean?), for example. But I digress.

With Saratoga 2.0 in plain, inevitable sight, I incorrectly presumed we would see the blue light mojo - is it in Bees...? more plausibly so - and I am glad C saved JAMMF's finger. My sick mind did try to imagine a mutilated limb at some point in time, failed to do so and had to reboot entirely. I am grateful to the writer for having spared me a potential ordeal, in this respect. I am, however, less grateful to the same writer for butchering up to the point of no return the very delicate scene between Rachel Hunter and Young Ian, who initially fail to get their (impossibly to reach) bearings. It feels contrived at first, reads as injudicious as trying to become proficient in Thai after spending three hours on Duolinguo and jumps on the storyline's windshield out of virtually nowhere. The main weak point of this season (spare SS/RR's endless death row sojourn) has to be the blatant injustice done by the writers to characters I wanted to see and hear more of: the Hunter siblings, Buck Mackenzie and yes, William himself.

Speaking of William, there is an epic but fleeting moment outside Simon Fraser's tent, just after Jamie gives him his tricorn hat, that made me wonder out loud. Who are you, first and foremost, Ellesmere: a courtier? a soldier? a son? All three avatars briefly cross his face and if that is not prowess, I don't know what is. Enthusiastic kudos, again.

Cynical, lunatic, despicable me ugly cried three times in a row. Laudanum. Simon Fraser. The Scottish shores. That is a lot for one single intake.

Spoiler: I must have eaten something that disagreed with me. For such an inconsistent character, Simon Fraser saved his soul with this intense, dignified and subdued moment. There is something akin to a Roman deathbed scene one could perhaps find in Tacitus' Histories, essentially thanks to S's perfectly mastered gravitas. So yes, you can cry for the sudden demise of a secondary character you had no sympathy for and on top of that be surprised by your own tears.

A death that proves instrumental for their return to Scotland. And maybe it is time we acknowledge the simple fact that Scotland never really was just a trope of all this intricate narrative scaffolding, but a character in its own right. It is alive and it prompts the kind of raw, irrational emotions able to make your tears well up all the same in Bilbao, in Vancouver, in Seattle, in Athens or in Cairo. And it doesn't matter if you could not place Inverness on a map before finding out that well, people do disappear all the time, or if you were haunted since forever by majestic visions of glens & lochs. You will fall and you will fall hard, despite all the misgivings and the shortcomings, of which there are many.

We leave them teary-eyed on a boat sailing near the Scottish shores. It is a carefully chosen and very effective parting moment. Overall, this was an excellent half-season, if you chose to ignore Mordor's endless, reckless and soulless bitching. I sometimes wish for all these people to suddenly develop an interest for origami or find another obsessable rookie duo or simply try to be happy on their own. Nothing more, but nothing less.

This Droughtlander will be a massive pain in the rear. Mark me. And I am finally allowed to hope for better sleep patterns. But hey, no regrets: it was worth it, always is. They are worth it. A lot.

Gif choice could only involve a ship. Credit given to @avasetocallmyown. Very elegant :)

#jottings

174 notes · View notes

sleepingontheclouds · 21 days

Text

i did a rant for Jason, now I’m doing a rant for my favorite superhero and occasionally morally grey person <3

I’m going to put a trigger warning here and now for the majority of this post. Discussing Dick Grayson for me means talking about very sensitive moments for his character, I will be mentioning and talking about some non-consensual events that happened to him in certain comic canons and one underage event. Please if this can/will trigger you, click off or skim over the parts where I mention it. I will highlight the parts where I actively speak about situations like that in red. Thank you.

Titans

I’ve watched to season 3 of Titans so far and I just gotta say, Dick’s character got a downgrade and an upgrade. Let me elaborate.

Firstly, I love what the writers did and how they characterized the boy wonder in season one. He was an authority figure, a protector. Literally the first time we are introduced to Robin and the first time we see Dick in the Robin suit, he’s brutalizing child abusers.

Throughout the entire first season there are multiple instances of Dick being very protective towards children and very aggressive with people he believes to hurt children.

In a later episode of season one, Dick tracks down a man with Kori after Rachel runs away with Gar. Once he realizes that the man has seen Rachel, let alone in the woods, he immediately goes into attack mode. At that point he believed that Rachel was alone, he didnt know about Gar and he didn’t know that she was with anyone. He punches the man and starts asking if he did anything to her, he goes protective and is very close to breaking that guys nose before his daughter runs out of her room and sees what’s going on, making Dick stop.

Personally, I loved that aspect of his character. It’s not only foreshadowing at the fact that he’s going to become an older brother, I personally think it also hints at a very traumatic event that happened to him in the comics.

It made me so sad to see him lose that aspect of himself after season one. I suppose the overprotective violence faded along side his other more regular violence.

I loved his violent characterization throughout the first two seasons, it really helps understand his character and him as a person.

In the first season, whenever he’s wearing the Robin suit he’s physically incapable of stopping himself from getting too violent, no matter how much he may want to without the costume on.

He stabs people, breaks peoples noses, nearly makes people bleed out, stomps peoples faces in, everything under the sun except kill them. That’s the whole reason he left Gotham, that’s the whole reason he held a grudge against Bruce in season one.

The journey we go through with Dick in season two is an amazing depiction of his character.

The literal order of events just screams mental breakdown to me and the episodes following made me think he had a psychological break, then we find out that he’s just like that.

The events go like this. First Dick starts seeing hallucinations of his father figure which he hates and that’s apparently just a normal thing that happens in Dick’s day to day life? Then he goes Robin mode, hurting a man he used to work with because he’s annoyed with the hallucination of his father. Then he goes to a dance club and nearly kills a man that works with Slade because he has a secret he needs to hide?? Then his traumatized nineteen year old brother tries to kill himself and what does Dick do? He trauma dumps all over Jason hoping that it’ll make him feel better and not want to die. (It doesn’t) then everyone he loves leaves him. He then decides to go visit the mother of the kid he thinks he got killed and finds himself talking to Slade. My guy then books a flight across the world because the fucking assassin with one eye who killed his own son said that he needed to repent by being in isolation?? You know what this dude does instead of going to Japan like he’s supposed to? He assaults two police officers to get himself seven years in jail. You know who he doesn’t tell? Gar. The teenager he left in charge of watching Superman’s clone with no other orders than, ‘call Bruce if he wakes up’ when he knows Bruce will not answer.

Then the dude breaks these gang members out of jail so they don’t get deported, that gets him thrown in solitary. You know what he does in solitary? Hallucinates his dad, fights him in his imagination, and then breaks out of jail.

When Dick eventually grows into his own person after all that insanity, when he becomes Nightwing— he forgives Bruce. It’s another aspect about his characterization that I love. Dick is forgiving, in a good and bad way, until he isn’t.

Dick doesn’t care what people do to him, it’s one of his biggest flaws. He lets himself get hurt over and over again and he just takes it. He lets his peers absolutely bash him and openly hate him, but he’s always still there for them. He always still supports them.

He knows Bruce turned him into a weapon, but he still went back. He went back and tried to ignore everything and forget about all the awful things Bruce did to him. He never directly talks to Bruce about it, sure he’s passive aggressive during [redacted’s] funeral dinner in season 2 but he never actually talks about anything.

The only time he snaps at Bruce is after Jason dies.

After his brother, who he didn’t treat like a brother, dies, he’s trying to cope. Everyone is. He knows Bruce copes in a different way and he respects it, what he doesn’t respect is the fact that Bruce is trying to rope in another child to be Robin. He’s trying to replace Jason right after he dies. That’s when Dick loses his temper.

Even after everything, it takes someone else being hurt for Dick to speak his mind. He never really stands up for himself, he stands up for other people and bottles in his emotions.

Comics

In the comics, Dick is much similar. He bottles up his emotions until he physically can’t.

He’s always trying to be happy, even Nightwing isn’t serious. For Bruce, Batman is a way to let out his true self. Batman is the real Bruce, Bruce Wayne is the mask he hides behind.

It’s exactly the opposite for Dick. Dick Grayson is the caring older brother who has no trauma and exists to help, Nightwing is the funny vigilante, he’s the protector of Blüdhaven who cracks jokes and never breaks a smile while fighting. Either way, Dick just trades in one mask for another.

The only times it’s genuinely him, is when he’s at his most vulnerable. When he isn’t around his family, his brothers, Bruce. That’s when the real him can come out, his real genuine emotions.

In a certain comic run that I’m unsure if it’s still canon or not, Dick gets assaulted. It’s before he has his facade, it’s right when it’s starting to develop. He’s sixteen.

Dick gets in a horrible fight with Bruce, it results in him either running away or getting kicked out, either way he isn’t with Bruce. The sixteen year old is left to fend for himself, then a 21 year old woman who’s targeting Wayne enterprises comes along.

She manipulates Dick and takes advantage of him (along with her husband I think) all to get to Bruce.

He never talks about it.

!! I WILL BE REPLYING TO THIS IN A REBLOG CAUSE THIS IS GETTING VERY LONG AND TYPING IS GETTING SLOW !!

#dick grayson #nightwing #trauma #dc titans #dc comics #dc universe #dcu #batman #batfam #jason todd #He’s so traumatized #:(#I love him #i love him so much #My poor boy #<333 #SORRY THIS IS SO LONG

30 notes · View notes

ellena-asg · 1 year

Text

I know that this scene in 2x01 is called romantic or sexy. And it is romantic and sexy, agree. Danny without a tie. Steve liking it. Yeah.

But sometimes when I watch it I can't stop thinking about the previous episode, about Danny choosing Steve, Danny not leaving with Rachel, Danny being like "Don't feel sorry about it, Steve. It's ok. It's ok, babe".

When I watch it I think about Danny's life now with Steve and his old life with Rachel (and Hollander family in general).

And I don't see "just a tie/no tie".

To me the tie and Danny not wearing it here... It's a symbol.

By "to me" I mean someone who finds Danny damn relatable. Anxiety, depression, other issues. Some of character traits. And a past that was like a hell.

I know that many of you like and defend Rachel and the idea of her co-parenting with Danny. And I respect that. I just think differently. And huh, I'm that salty cause I know such people like Rachel and her mother. I had my own Hollanders, in my own family, in my circle of friends. Destructive, toxic, manipulative, entitled, narcissistic people who will never change, will never stop hurt you. Who will ruin your life, all what you love, your passions, your heart, your mind. Believe me, when you're anxious and sensitive inside and you have to live (you think that you have to) with such destructive people... It sucks. (No matter if you chose these people or not). You're not anxious anymore, you're mega anxious. And many times you hate/blame yourself. All what Rachel and her mother have done to Danny (and Gracie) before and after divorce - it was a hell. To me it was a hell. A hell he never deserved.

So yes, in my eyes Danny was a victim in that cursed marriage (I swear, I'll make separate stuff about it one day). In my eyes after divorce Rachel tried to make him her marionette. After divorce she ruined him even more. And he let her again - for Gracie (all Danny's pain was for Gracie and geez, that poor girl deserves to know this).

This marriage was like a tie. A tie-noose tightening around Danny's neck. Danny couldn't breathe (well, literally too - anxiety can give you such a panic attacks). He was like a bird in a cage.

But he met Steve. He liked him. He loved him. For the first time in his life he felt genuine romantic love. And such a strong friendship. For the first time in his life he felt safe. He saw himself in Steve's eyes. He saw that they're two poor birds who still could fly - together. Danny can escape. He can leave his old life. He can escape AND have Gracie. (He wants Steve too).

All is possible, you should fight, do what you want - that's what Danny sees when he looks at Steve. What he sees in Steve's eyes in the last episode of season 1. That's what deep down Danny feels in his own heart. And to think that Danny calls Steve crazy. This, this new "crazy" life, full of dangerous cases, bombs, grenades, Steve's "goofy" actions, sharks, adventures... Maybe it's funny but this life, it's a life where Danny is safe, calm and happy. It's a life where he can heal. (Where he sees himself and Grace). Whereas his old life: easy, cosy, quiet, lovely and so normal... was calm and normal only on surface. His old life was a battlefield.

His old life was like Danny's outfit - elegant, pretty on surface but not always comfortable. And now, Danny has no tie. In this scene above he laughs. He touches his neck and makes a face like "Hanged man no more". Something is over. He's really happy. Still worried about Gracie, about Steve, yes - but not about Rachel anymore. He doesn't regret. He doesn't cry over Rachel and "lost chance". Nah. Leaving Steve - that would be a lost chance. His real chance is Steve.

He's free. He's a free bird. A free bird looking now at his lovebird. Saying "it will be okay".

Soon Danny wears more and more comfortable clothes. We can see it in many episodes. Jeans, t-shirts, shorts. Danny breathes. Danny is Hawaiian now. Steve's. He's like a kid trying to have fun again. Of course sometimes Danny still wears his ties and pretty shirts. Yeah. But he's with Steve. And when he's with him all is always comfortable. All is Danny-ish. All is good. There's no abuse. No lies. No using you as a tool. No using your passion (job) against you. No playing with your free will. No "you're not good enough", no "prove that you're worthy" and no "you're the bad one", "it's your fault", "bad, bad, bad Danny".

There is love.

And when I see Danny wearing a tie when he's with Stevie - then I see a nice tie, I see Danny being glamorous for Steve. THEN I see just a tie. No noose anymore.

@chaosrising451 Babe, sorry for tagging you (I hope you're feeling better) but I remember our talk about Steve suffering from abuse so I thought that maybe you would be interested in Danny's case too.

#h50 #McDanno #danny williams #steve mcgarrett #rachel edwards #h50 meta

240 notes · View notes

pigeonmilk-216 · 7 months

Text

So I’m entering the Huddy section of my House MD rewatch and something I have always thought stuck me yet again. They could have never worked out.

House, as much of a genius he is, is an emotionally distant eight year old and the only hope he has at a relationship is with someone who is willing to sit on the floor and play trains with him . (This might make sense later, bear with me)

And Cuddy wants support from her relationship, someone who to be there for her the same way she’s there for them. And for her, this is an expectation, not a goal in her relationship.

Cuddy can’t sit with House, she has her own kids, the hospital and in later seasons, Rachel. Her two kids that she will put above a lot

In S1, Cuddy goes full “mom mode” when the maternity ward has an epidemic. Cutting ties, ordering tests, cutting into differentials, etc etc. And this is reinforced in the beginning of S7, when House spends an entire episode keeping Cuddy away from the hospital to spend time with him and relax, not worrying about the crisis happening at the hospital.

And when it comes to Rachel, I think, had they stayed together, House would have been a good dad, but it would have taken a bit and some growth from him. Which would only happen if someone sat down and played trains with him, and he didn’t have to change for a relationship but also be comfortable enough in that relationship to be vulnerable. Which, Cuddy wouldn’t have the time to establish bc a) she wants a man with that skill set and b) quite frankly doesn’t have the time between her two kids.

And ofc there’s there the whole “boss employee thing” but, eh. And beyond that though, Cuddy, even if this was fanfic and I could change the laws that said Cuddy wasn’t an administrator with a mountain of duties, or had a literal child, Cuddy could never change to be what would be required to have a “stable” relationship with House. And neither could House change for Cuddy. They have different needs than what the other could give.

#This isn’t to say I dislike Huddy #I think it a fine ship #HOWEVER #This makes the argument of why Hilson is such a good ship #Wilson already plays trains with House and did so for 20 years #And House WAS comfortable in that relationship #more so than he ever was for Cuddy #Bc really there weren’t expectations in the same way #And I still think House would’ve been such a sap for his kids #house md #greg house #james wilson #lisa cuddy

58 notes · View notes

wheelsupin-azarathmetrionzinthos · 11 months

Text

Lucy needed a friend in S4

Whenever I think about episode 4x17 and Chris singing Dream A Little Dream of Me in front of Lucy like it was a normal thing to do or a normal mistake to make. I question like the rest of us “why didn’t she break up with him?” We could assume that it was the show itself minimizing her trauma or keeping Chris around for drama reasons. But ignoring that type of meta analysis, in character I think it all comes back to the fact that in season 4, Lucy doesn’t have the friends and support she had before. Yes I know she had Tim but we’ll get to that. Losing Jackson lost Lucy a very important person in her life, because yes they were best friends but they were also peers. They went to each other about everything. Like we saw with Vanessa Chen, Jackson was willing to go scorched earth for Lucy against her own mother, even while Lucy would’ve just suffered in silence about her parents’ disapproval. Unlike her friendships with Nyla, Angela or Tim, Jackson was a peer, they went through the academy together, they were in a very similar stage of life. He was her sounding board in a way Nolan wasn’t or Rachel used to be before she moved. Lucy in season 4 also became Tamara’s primary caretaker, she got a little sister to care about and protect. Lucy absolutely wouldn’t want to burden her with any of the emotional uncertainty or trauma she was working through. As previously demonstrated with Rachel, Lucy works through her issues by talking through them with someone. Her best ability to introspect is talking through her feelings, and having someone point out the lack of logic, or being able to point out her own logic. She can’t do that with Tamara, she’s not burdening this kid. She can’t really do this with Nyla and Angela, because while they are her friends they also outrank her, and are further in their careers and lives. Thorsen is still a rookie and isn’t quite at that level yet. That leaves Tim, but at this point, I think something would prevent Lucy from really discussing her relationship with Tim. They both can’t really admit to each other that there are problems in their relationships because well...that would require them to address their deal. THe only reason Lucy intervened with Ashley is that Ashley called *her* about Kojo So anyway back to 4x17. Chris sings the song, Lucy spirals, and then she decides to watch the video, she decides not to testify, and then she’s fine? She goes to dinner with Chris? But let’s look at that scene. Even on one of her most vulnerable days, Lucy sees that Tamara is interested in lawyer intern Austin. So she makes it easy on Tamara. She knows if she’s not perfectly okay, Tamara will feel bad and it’ll ruin her evening. Lucy cares so much, even at the detriment of her own feelings. Lucy takes care of Tamara by going to dinner with Chris and convincing herself that yeah this is fine and that being with a man who belittles her career, and doesn’t listen to her, and is moving too fast is okay. It’s okay because the two people who could clock that she’s not okay, are Tim (distracted by trying to not have feelings for Lucy, and also Lucy will always want him to be proud of her which means not being vulnerable about things she’s supposed to be “over”) and Jackson (who is dead). If Jackson had been around, Lucy could’ve let herself fall apart over the SUPER TRAUMATIC DAY, and he would’ve called her on her stubbornness in needing to make Chris work. Jackson was her safeplace, in the way that Angela was Tim’s and Nyla had become Nolan’s. S4 left her unmoored which left with the ability to grow in her relationship with Tim, but it also hindered her when things came up that she couldn’t talk to Tim about, like issues with Chris, or kissing Tim in her apartment. S4 Lucy needed her friend Jackson a whole bunch, and nothing shows that more then 4x17, because Jackson would have protected her from herself.

#lucy chen #jackson west #tim bradford #Chenford #Chris Sanford #the rookie #tldr: if jackson was still alive Chris would not have lasted as long as he had #for many reasons #primarily calling lucy on her own bullshit #affectionately but you know

100 notes · View notes

bleuangel88 · 8 months

Text

But bad things happen when they go about them alone, and my heart ached for Spoon when he got carted away. It was also frustrating that the girls mostly took for granted that he'd find his way out of a mess that they knew led to Mickey facedown in the sand by the water and in a hospital bed.

Not that Candy wasn't a great assist, but they also knew there wasn't much the poor girl could do. Otherwise, she would've freed herself or saved Ashely a long time ago on her own.

Interestingly enough, it was chilling when Agent spoke to Spoon about his tattoo and loss during Harlan Coben's Shelter Season 1 Episode 5.

Not only did Agent imply that Spoon is no stranger to loss, that it's a familiar bedfellow for him, and that there is some profound sadness behind Spoon's smile and deflection via humor, but Agent suggested that Spoon would experience great loss again.

They also offered to have a special someone placed in the tattoo whenever Spoon was ready. And up until this point, it's felt like Mickey is Spoon's entire world and that somehow, in some way, that person would be Mickey.

But then we had Spoon's connection with Candy, and it was pure devastation as things went from bad to worse for them.

Spoon recalled a time he spent with his grandparents, and seeing Candy in her former life, when she was a young, happy kid with her mother before life dealt her shitty hands, her mother died, and she got human trafficked.

And it just hit you in the gut that Spoon Spindell, as pure of heart as he is, could represent a time that Candy loved most in her life, of innocence, happiness, and hope.

Spoon got to represent all of those things to Candy in her final moments, and he gave her that gift; he was that gift.

But in turn, like a sin-eater, it came at a significant cost to him, as he had to watch her die in front of his eyes, and with her went a bit of his innocence and purity.

The light left his eyes every bit as much as the life left hers.

She got shot trying to save him, and you know he will internalize that a bit. He looked so shaken and thoroughly traumatized from that point forward, even though he must've had the ability to communicate with Mickey so they could rescue the girls in time.

For as long as Spoon has that temporary tattoo, Candy's name will slot into that spot. And this work will keep taking all these bits and pieces from Spoon in a way that makes you sad.

It also makes you reflect on things like Bat Lady's tombstone as an ode to the loss of her childhood because of the Holocaust.

While what she has these teens doing is far from comparable, it makes you a bit angry that she's subsequently stripping these kids of their childhood and innocence by encouraging them to be part of this world.

It was also noted that Spoon was on Bat Lady's wall, and it's evident that Mickey's presence and friendship have saved Spoon from something, seemingly a lonelier life. But goodness, I'd love it if this series delved more into who Spoon Spindell is beyond the supportive instant best friend who found a sense of purpose when Mickey arrived.

And I sure as heck wish we could understand the depth of how Candy's death affected him without the narrative shifting because there wasn't enough room to cover that ground within this hour.

He's a fascinating enough character who we haven't gotten to spend a lot of up close and personal time with outside of his role as a supporter, so now is the time to dive into that.

#tv fanatic #harlan coben's shelter #spoon spindell

50 notes · View notes

venussaidso · 1 year

Text

Vedic Astrology Observation (based on shows/films part 2)

Alchemy Of Souls: Light and Shadow

Okay I finally found the nakshatra themes playing in this kdrama. And this did make me stumble on an interesting observation. Firstly, why do I find a nice handful of Mrigashiras playing characters who experience memory loss? But also Rohinis? (Rohini and Mrigashira tend to overlap in themes.)

Rohini Moon Milla Jovovich as Alice from the first Resident Evil film in which she wakes up not remembering anything.

Rohini Moon Sebastian Stan as Winter Soldier from Captain America: The Winter Soldier, who remembers nothing of his past.

Mrigashira Sun Nicole Kidman in Before I Go To Sleep as a woman who suffers from amnesia caused by a vicious attack.

Mrigashira Moon Rachel McAdams in The Vow who wakes up from a coma with severe memory loss.

Rohini or Mrigashira Moon Go YounJung playing a sort of former assassin who has memory loss in Alchemy Of Souls: Light & Shadow. I'll go with her being Mrigashira which I'll be expanding on here.

Both nakshatras can be connected back to the story of Eve in the garden of eden, because Saraswati ('Eve') was created by Lord Brahma (The Creator) in Rohini. The story between Saraswati and Brahma continues into Mrigashira and Ardra. But in the biblical context, the forbidden fruit would be mostly shown through Mrigashira's need to destroy one's own ignorance for true knowledge.

[Opening to Mrigashira Moon character introduced in a beautiful garden, giving off Eve vibes].

In this case, memory loss would represent the reality of 'ignorance being bliss', and discovering knowledge that would destroy that ignorance may cause one some suffering. But Mrigashira would welcome it, being the Searching Star, as it seeks to discover more about one's nature and the nature of the world. Whereas Rohini would represent the birth of Eve, enjoying what's offered in the garden and unknowingly living a limited life in contentment. She finds pleasure in the simple things that are present around her. But into Mrigashira, the snake tells her that if she takes the apple, she will have the knowledge and power of God. In the context of this memory loss theme, this would be her regaining back her memories. Which could either destroy her, or strengthen her.

Now. Go Youngjung's character was a merciless assassin who loses her memories, and the memory-loss causes a shift in her entirely – as if she was reborn as Eve. She's kind, curious, sweet and childlike – and quite naive to how the world operates outside of her. This is Mrigashira initially being lost in bliss and comfort (from the ignorance of her true identity in this case), until she'll have to gain/regain self awareness. When she regains her full memories of being an assassin with blood on her hands, especially her own lover's blood on her hands, that is the beginning of Ardra — as reality becomes cruel in her eyes. As the blissful ignorant babylike identity she had would crumble [btw I'm only on Episode 2 of Season 2 as I'm typing this, so I'm speculating how her story will progress in an obvious way].

Very interesting that in the first episodes, Naksu was in search for the perfect powerful husband (played by a Chitra/Swati Moon, Bharani Sun man), which correlates with Goddess Parvati who was born in Mrigashira.

Goddess Parvati wanted an ideal and powerful husband while she also sought out adventures for knowledge and experience.

Which takes me to Go Younjung's Ashwini Sun — her Sun exalted just like her male lead's in Aries.

I made a post giving Revati the archetype of the 'trapped in the tower' princess/one being stuck in the house or one place for too long, when it's actually shared with Ashwini. (Important to note that Go Younjung does have Ketu in Revati).

Ashwini, being the horse, will have a desire to quench their thirst for freedom and adventure — picture a horse running away, far away, after being locked up in the same place for years.

I do think Ashwini is also related to Rapunzel, mostly.

Tangled, for example. Rapunzel with her long, long hair. Ketu = Hair. And she meets a lost horse which she befriends, and Ashwini is often symbolized by the horse head. Plus that's the nakshatra's yoni. And I've noticed people comparing Go Younjung's Naksu to Rapunzel.

Similar to Rapunzel, Naksu has long, thick hair. We learn that she's been trapped in the same room/place for three years by her unstable mother — parallel to Rapunzel's relationship with Gothel. Then Naksu finally meets a handsome intruder, who will be her love interest, who eventually helps her escape (Which leads her into her rebellious ✨Mrigashira era✨). Again, parallel to the movie.

Might do part 3 of this because Jung Somin's role in the drama as Naksu is so important considering the fact that she's an Ardra Moon, which continues the themes of Mrigashira in a more cynical manner. Her Ardra Moon shows contrast to season 2's portrayal of Naksu (played by a Mrigashira Moon) who is on her journey of discovery and recollection of memories she would never think belong to her. The self awareness may drive her straight into the misery of Ardra. Ardra is symbolized by the teardrop, representing the aftermath of the shed of Mrigashira's innocence and ignorance (which I say can be symbolized by the snake shedding it's skin, Mrigashira being snake yoni 🐍).

(Picture limit determines the lengths of my posts, unfortunately, so yall just gon' have to bare with me 💀)

#nakshatra series #nakshatra observations #vedic observations #sidereal astrology #vedic astrology #vedic astrology observations #astro observations #taurus #Mrigashira #Rohini #Ardra #gemini #ashwini #aries #astrology #ketu #revati #Pisces

250 notes · View notes

mysticbeaver · 4 months

Note

Regarding your comments about Raven Molisee and Rachel Connor, what do you know about them specifically? Might you share with us?

By the way, what are your thoughts on season 5 as a whole? High and low points?

Can't remember any specifics now, but this is basically what I gathered from reading Raven's deviantart comments from the ancient days (I think it was these two doodle posts, TW blood in the first one). He was concerned the characters were becoming caricatures of themselves and/or acting out-of-character. It seems he voiced his doubts in the studio but they fell upon deaf ears, although at least one person, Sabrina Alberghetti (Sibsy) might have been of the same opinion, judging by a comment I saw. That's all I know really😅 Dunno if @lynyrdsquidward has more info on this (enlighten us professor 😁if you remember any of this old nonsense, that is, haha)

AFAIK Rachel Connor didn't say anything about this topic (most of what I've heard from her comes from those eene podcasts from a year or two ago), although this old tumblr post about Eddy and Bro gave me the idea she might have been on the same wavelength as Raven, in terms of being interested in 'angst' and deeper aspects of the characters' personalities. But you'd have to check which episodes she had a hand in to guess what she brought to the table. On a sidenote, she coincidentally joined the show around the same time as Raven (the holiday specials before season 5 started, and on until the end of the show).

As for what I think of season 5, maybe there is effectively an increase in insane slapstick, perhaps aided by the change to digital medium. Some of the action feels different, but I don't have a strong opinion, there's already lots of debate about season 5 as it is. Generally I might be biased towards the first 4 seasons cause my very vague memories of seeing EEnE as a kid are of the summer episodes. I will say, though, I've noticed that there's something oddly nostalgic about BPS for me, as if I did see it as a kid on TV, some saturday morning... maybe it's just the 'feature-length movie made for TV' aspect of it that feels familiar, dunno. I will say, Rachel Connor was the writer for Smile For The Ed, and I think it shows in that Eddy is an innocent victim for once (and I think Eddy being written as a 'villain' protagonist was sort-of the pet peeve for Raven) It's something to consider, whether you like the episode or not (people compare it to Your Ed Here, but I think it's different, topic for another time). Then you have Fistful of Ed, which no doubt was what Raven wanted to see from the show, at least for Edd's character. A personal favorite is Boom, Boom, Out Goes The Ed cause literally half of the episode is taken by Kevin and Rolf subplot 😁 I like to imagine a full season 6 would have seen more of the other characters on their own 👀

#thanks for the ask!#opinions are welcome on any of these points #ed talk

21 notes · View notes

genericpuff · 27 days

Note

Hi puff I just read EP 273 and I need to know your opinions PLEASE. I feel so upset with the episode hfkfjskfkkd ASL??? AMERICAN sign language before America existed??? Why do Hera's proportions when she says "Did you forget?" look like that???? When Zeus asked if she loved him and her waist was smaller than the width of her head?? Why is Purse Phone running out of the cell with Dio labeled with a *floom*, I didn't see anything grow?? RS please I need food, water, atmosphere, and consistency 😭😭 comparing Hera's queen form with Peer Phony's just makes the art look so jank, I can't 😖 anyways thank you for letting me vent sorry if you already wrote your thoughts on EP 273 elsewhere and I missed it!!

I haven't really written anything concise on Episode 273 aside from the sign language stuff (and the time travelling problems) because I just... frankly don't even know what to say about the most recent episodes besides a very unsurprised "meh". I will give it credit for one thing, every time Hades and Persephone are separated the plot is actually allowed to happen, but the plot that IS there atm is relying a lot on characters being too stupid to solve their own problems and readers being too gracious or too forgetful to realize just how much is being retconned and / or forgotten about for the sake of writing a plot that tries to be deeper than it is. There's a lot of rushed worldbuilding happening at the last minute that's undoing a lot of the reasonable assumptions people had to make to fill in the blanks of the first three seasons and not exactly for the better. A lot of these issues could have been solved if Rachel had actually done any real planning in the beginning, but we're 5+ years too late for that now and the consequences of that have been rolling in every week since S3 began. There's a point where it becomes impossible to analyze because you know there's no logic to it, it's just Rachel writing whatever gets her through the week.

#ask me anything #ama #anon ama #anon ask me anything #lo critical #anti lore olympus #lore olympus critical

75 notes · View notes

anonymoushouseplantfan · 1 year

Note

The world moves too fast now for anyone to get to the levels of Julia and George in the 90s/early 2000s....now you can literally be hot on Monday and not on Tuesday. The markets are oversaturated and social media has literally changed the world now people literally know every single thing there is to know about you within 30 minutes of you appearing in public and before people had years to get to know and love someone now everyone moves too fast to Carr and if they don't like you now then it's OK cos their is 30 other people exactly like you for them to choose from.

I also think Meghan has overplayed her hand too many times and she the fact she doesn't have a specific demographic to cater to either hurts her and any brand she's trying to build she's too old for the TikTok crowd she's too young and common for the NYC old money society crowds she's not talented or famous enough for Hollywood she literally doesn't have a single space she can occupy even the oh I'm famous cos I married someone famous club is ram packed and the only difference she had was she married royalty but now he's not even royalty he's 3rd row Harry on a commercial flight home and hour later.

She really put a lot into her "The Duchess/Duchess Meghan brand in the 2 or so years she was a royal and then spent the next 3 years completely smashing it to shreds....like why should we care that she's royal if being royal is as awful as she says it is?

Even the mom and baby club is full and it's full of people who actually show their kids 🙈 celebrity lifestyle and wellness?? Full and with people whi project an aspirational lifestyle....do you want to be like the 40 year old ex actress who spends her whole life fighting with her family and suing the press? Nope...me neither.

If she had spent the last 3 years building her own brand instead of trying to tear down the RFs she might be in better shape.

Even the divorce is gonna go against her IMO cos people genuinely just don't like her, she's not authentic and people can spot she's a fake a mile off, that's why the sugars and her PR attack Kate so much Kate is the real deal, anyone with half a brain cell can tell she was born to do this in fact she does it better than most of the people who were born to do this but Kate also knows this takes work she has honed her skills for over 2 decades..... Meghan is too petty, juvenile and lazy to do that or anything close to it.

I don't see WME being a game changer for her either, she loves attaching herself to big brands and names cos it makes her feel important but she doesn't have any follow through and nothing comes of it, have you ever heard of the sadim touch? It's the opposite to the midas touch and that's what she has. I know we all like to joke but she literally turned a prince into a pauper, he was the most popular royal (even more popular than the monarch) and now he's known as the frozen todger guy sitting in the nosebleeds at his fathers coronation 🙈

Sorry for the essay, if you made it this far congrats 🤣🤣

Great essay!!

I agree with you generally, but I think she a window. The royal connection (tenuous as it is right now) is valuable and it differentiates her. Also, the “feminist princess” brand the palace built for her is still compelling. They did a great job for her there. The “royal Rachel Zane” persona would still sell.

WME can’t do miracles, but they can get her a guest spot in The View. They can’t get her a job, but they can get her a guest spot, particularly if she delivers a second season of Archetypes that is not seven episodes of narcissism. She can go on Drew’s show. She can get the ghostwriter to write her a bestselling memoir that is not just cringe bitching about her family. She can get someone talented to write her a few good essays for Time. If she’s smart and she works hard she can do it. If she’s super smart and she divorces him, she has an even better chance of sound it.

But that’s the problem. She’s not smart and she doesn’t work hard. She’s going to buy herself some awards, do some random passive aggressive bitching, pose for a few paps, and call it a day. So, in the end, it’s not going to work out for her.

116 notes · View notes

kory-dany · 1 year

Text

I have seen a couple posts defending Dick's response of 'I don't know' and his reasons for not telling Kory about his vision. I completely agree with all of those posts. However, I am posting this to highlight Kory's reaction and why I believe the dickkory scene in 4x06 might be one of her most vulnerable.

I disagree with people who don't like the scene. I think it represents dickkory really well and demonstrates this frustrating, at times, dynamic they've had since season 1.

Kory has always been the more emotionally intelligent one between them both. However, I think there are two topics Kory finds hard to talk about and deal with in her usual straightforward way; her powers and her relationship with Dick.

In season 1, Kory made it her mission to get Dick to open up to her. Partially for her own amusement and partly because she was curious about him. She has never been afraid to call him out on his shit and push him to recognise his emotions. In a way, she has been this emotional beacon for Dick since the beginning. However, Kory only ever guides Dick when the feelings he is figuring out are about himself, his past, or whatever trouble the team is in. She has never tried to push him to express how he feels about them as something more.

I think this is because even though Kory is strong and self-assured, just like Dick clearly has these insecurities about whether Kory would even want to try again. So too, Kory is scared about whether he wants a romantic future with her. And if I am being honest, I can't blame her. So many people don't recognise just how much bullshit Kory has had to put up with because she cares about Dick.

I am not blaming Dick for the state of their relationship; they've had so much to deal with, and I understand why neither of them has tried to pursue anything. However, Kory has had to deal with Richard's dismissiveness in Gotham, his regression into his past self, and his rekindling with Barbra. With everything Kory had to witness in Gotham, it's fair to say that she probably lost some hope of them rekindling.

But now, fast forward to season 4, Dick is better. He is more involved with the team, attentive, and co-leading with Kory. He's a better Dick than when he was in Gotham. However, He is still hardheaded Dick Grayson, and even after everything, he still doesn't "believe" in prophecies, visions, and destiny.

All things Kory does believe. But now imagine being Kory and listening to Dick continuously go on about how none of it is real. How all of it is bullshit and how they shouldn't take the book and everything else seriously. Only for her to have a vision, a vision of their future, a vision Zadira is saying is her destiny. Any hope Kory might have lost came back at that moment because she does believe, no matter Dick's cynicism. And because it is a future that she knows deep down, she wants.

But then Rachel tells her that Dick also had the same vision, that he also saw their little girl. This whole situation isn't heartbreaking for Kory just because he didn't tell her. It's painful because she has had to listen to Dick dismiss any chance of visions and destiny being real all week. But now she knows he has been saying all of this after experiencing and seeing the same thing she did.

Now onto the conversation they had this episode. I don't think Kory wanted to speak to Dick; like I stated earlier, how Kory handles her relationship with Dick differs significantly from how she handles other aspects of her life. I think some of the reasons why Kory hasn't initiated a conversation with Dick about them and the status of their relationship is that she doesn't want to push him when he's not ready. Additionally, I think she wants him to do it. She doesn't want to be his emotional guide when it comes to them; I think she wants to be fought for and chosen.

But she had to initiate the conversation this episode because if she didn't, Richard never would. Although he is far better than season 3 Dick, he is still emotionally constipated and scared of what it all means. However, how the conversation goes fits them very well. Kory doesn't go in with an antagonistic attitude (not that I expected her to), nor does she actually express her thoughts on it. Although she initiated the conversation, she seemed to want Dick to lead it (again, she is guiding him). Even during their discussion, Dick dismisses destiny. And where most people would probably feel defeated by this continuous dismissal and not say anything. Kory still tells dick about her vision of Mar'i. I think she still decided to tell him because she is an optimist, and I think she still had hope that no matter his beliefs in destiny, Dick believes in their vision and that he possibly wants it.

However, Dick doesn't react the way she wants him to. Even though his response might be honest, it reaffirms why she never wanted to be the one who started a discussion like this. (This discussion about Mar'i is more than just 'oh, we had a shared vision.' It is literally everything they have been avoiding bubbling over). I think to Kory; Dick's response, coupled with him saying destiny isn't real, is the final thing that makes her give up. This is why she finished the conversation spitting his words back in his face. I think unintentionally, Dick confirms to Kory that he doesn't want them to try again.

This scene is heartbreaking because Kory doesn't precisely speak her mind on the situation. But it is so evident that she is asking Dick to reassure her, to tell her that this thing she has been sitting patiently for (the two of them together) will happen. That he wants it to happen. This is one of the most vulnerable scenes she has had. And even though the scene isn't that long and the dialogue isn't that heavy, it says and expresses so much. This is why I can't understand the dislike for this scene; within such a short conversation, both Dick and Kory are emotionally exposed to each other and to us; Kory is left seeing Dicks shame and uncertainty. While Dick has to witness Kory's anger and hurt.

#titans #kory anders #dick grayson #dickkory #this is so unnecessarily long #but I had so many thoughts about the scene #and just how brilliantly it showcased korys emotions #this scene remind us that kory is human #that dick isn’t the only one who’s scared #it reminded us that dick does love kory #this scene in my opinion was perfect #the acting was brilliant #and the angst it has give us is everything

218 notes · View notes