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#but this is one kind of post that happens all the time... hes not morally gray or anything hes straight up a bad guy
brittlebutch · 3 months
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a lot of people seem to use Entry #60 as 'proof' for the crux of the "Brian didn't care about Tim, he was Taking Advantage of Tim's conditions and Forcing him to work as part of totheark" thing, but honestly when you think about it there's no possible way Brian could have possibly orchestrated that series of events, like you almost have to interpret that as a baffling group of coincidences
#N posts stuff#mh lb#it's not like Brian has loads of mutual friends that he could ask to call Tim out one night; Tim's departure right as Brian showed up#just has to be a coincidence ; second yes. Brian does steal Tim's meds & that's a dick move but it's almost safe to assume#that Tim and Brian had been sharing prescriptions back in S1 - that's why the pills were at Brian's house that time Jay broke in#even if Tim no longer remembers that agreement it's not like Brian is brimming with other options so i can see the throughline of it#but there's NO way that Brian knew that 1) Tim was going to immediately turn around and come back home OR#2) be in the throes of an attack when he did so ; there's no Possible way he planned for that -- even if you Could assume that like. what#Brian 'knows' the operator is following him & Somehow orchestrated an encounter 1) no that doesn't make any sense and#2) that Still doesn't make any sense bc Tim has been Plenty Close to the Operator before w/ almost no negative effects (like in#Entry 17 when it's Right behind him) so there's no possible way Brian could have predicted that would unfold this way#sure it's weird he sets up the camera in the closet before Tim comes back but that Could Have been something unrelated#after all sometimes Brian DOES deliberately put himself on camera so someone knows he's responsible for something#or maybe he even planned to leave the camera there for later but it doesn't make Sense to interpret that as him Knowing what would happen#like don't get me wrong i'm not trying to say Brian is a pinnacle of ethics and moral behavior lmfao but also it's like#a kind of incomprehensible argument to make that he was Responsible for Triggering Tim's seizure that night when for all the#information Brian had on hand when he broke in he'd think Tim probably wouldn't be back home until much later#(''but the Creators Clearly intended'' yeah sure but since the creators also failed to establish a coherent series of events that SHOW#it then like. the intent doesn't matter anymore; sure they scripted the events in close succession but that doesn't mean they#scripted Intent & if they meant to then they did a bad job portraying it to the point the supposed intent is meaningless sorry lmao)#and EVEN IF you get this far and you're Still like 'but tim went after Jay and Brian would've Known he'd do that' like. no he wouldn't#because in Entry 18 when we see Tim have a seizure the first thing he does when jay approaches him after it is Run Away#so Again there's no consistent throughline of behaviors that Brian could have Possibly known about to orchestrate jack shit
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vampire-crimson · 2 years
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every time someone makes a post about death note and it's like "if i had the death note i wouldve done this" or "why didnt light just do that" its like. first of all you guys know he's a villain protagonist right? not all "main characters" are good guys, it's silly to pretend light has/would have the same political views as us. just saying. also he's the son of a cop so of course he's a dumb asshole.
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all444miles · 9 months
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— JERSEY LUV
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— pairing: e-42 miles x black!fem!reader — genre: suggestive, but fluff. — summary: attractive things Miles does that just make you fold instantly. — a/n: this was js in my drafts n i was like "i should post this" while yall waiting 4 my new fic !! the entire time i was writing this I was losing my absolute SHITTT. 😭 Like, i was dead by the first hc. this might as well be those "what's it like dating miles" type shi but i wanted to make it diff, yk? listen to some kind of fold-worthy song while u read this - anyways, im waffling. enjoy, mls !! part 2 part 3 !
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MILES MORALES that does not take your attitude. He loves you, yes, but if you do too much or talk crazy, he's gonna put you in your place. It's nun violent, of course, but he may just grab your neck once or twice.
"Chiquita, watch yo tone wit me." "Drop that attitude f'me." "Miss me with that voice, ma."
MILES MORALES that manspreads. that's it. that's all.
MILES MORALES that's always gonna call you by some kind of nickname. He just loves it, and you do too. Princesa, ma, hermosa, the list goes on and on. One time he called you lil mami (if you're shorter) and you actually lost it.
MILES MORALES that always has his hands on you. Your waist, your thigh, your face, everywhere. He just needs to make sure your there.
MILES MORALES that lives for your kisses and always kisses you. Doesn't matter the place, the time, nothing. If he wants a kiss from you, or wants to give you some, it's gonna happen. Especially when you have lipstick/lipgloss on.
"Mi reina, lemme love on you."
MILES MORALES that drives with one hand because his other always on your thigh. It's like his lil resting spot.
MILES MORALES that'll always let you know he misses you, he'll spam you with "i miss you" texts or voice notes w him going on abt his day when you not around ‹3
MILES MORALES that has social media but only uses it to post you. You the love of his life, why wouldn't he let evb else know that?
MILES MORALES that loves to spoil you. You like that pandora bracelet? It's yours. You have a shein cart? Its on its way. He loves to spoil his girl, its his love language atp.
MILES MORALES that always keeps eye contact with you and make sure you keep contact with him whenever yall talking. dont look away if he say sum that makes you fold, he gon grab your chin and make you face him 🤭
"Nah nah baby, don't turn away. Keep ya eyes on me."
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quick @ to my boo @laaailuh
© all444miles 2023. do not plagerize, copy, or repost my work in any way shape or form, without my permission.
likes, reblogs, comments and asks are always appreciated !
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honnelander · 8 months
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go fish! part 2
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guyssss i did NOT expect this little series to blow up. y'all are amazing! i'm turning into a Sanji writing blog and am i mad about it? no lmao i received a couple of requests and i'll work on them as soon as i can. i'm really in the zone rn so i'll ride this wave as long as i can. if you want to be a part of the taglist for whenever i post new Sanji content, lmk. i hope you enjoy!
WARNINGS: none
word count: 2.8k
pairing: opla!sanji x fem!reader
summary: after being humiliated by Usopp earlier, reader stays in her room to decompress. however, she gets a visitor.
prequel part 1 part 3 part 4 masterlist
taglist: @smolracoon25 @mischiefmanaged71 @jovialcat123
Mortified. That’s how you felt. Still. 
Ever since you ‘forfeited’ from finishing your Go Fish card game with Usopp a couple of hours ago, you had taken your glass of water that Sanji had poured for you and boarded up in your shared room with Nami, refusing to come out due to “heat exhaustion”. 
Poor Luffy, ever the golden hearted captain, was immediately worried for your wellbeing as soon as he heard that but after multiple reassurances from you and getting up off of your hammock multiple times to prove you were in fact, just fine, he relented from wanting to stop by the nearest island so he could find a doctor for you. Usopp had managed to convince him as well that all you needed was some water, alone time, and that you would be fine by dinnertime. 
You rubbed your eyes as you let out a sigh, vowing to yourself that the next time you wanted some time by yourself, you should just take a bath or something, since any other excuse would cause someone on the crew (Luffy) to lose their mind at the thought of someone not feeling well. 
You readjusted yourself, sitting more upright, as you downed the last of your water, it being warm by this point since it had been poured by Sanji hours ago. 
Sanji. Ugh.  
Your heart fluttered once again at the mere thought of him, but that flutter was immediately replaced by a wave of crashing embarrassment at the thought of the afternoon’s sequence of events. What had happened earlier wasn’t even anything that groundbreaking or special, but to you? It was everything. It wasn’t common practice in your life for the object of your affections to be so kind towards you, so thoughtful, to read and anticipate your needs before you even knew they were even there. But Sanji? He was all of that and more. And you didn’t even know him for that long! You’ve all been a part of the straw-hat crew for 5 months at this point and it felt silly to admit to yourself that you had developed a crush on one of your crewmates in that short amount of time. 
And having feelings for your crewmate? Someone who you literally couldn’t get away from since you all were trapped on a ship together (not that you would ever want to be away from him or anyone else for that matter, besides Usopp, but still), it felt morally wrong. You guys were all a team. Sure, you all were off to sail around the world and chase dreams, but achieving all of that required teamwork and trust, and that was hard to do if two of those people were caught up with matters of the heart every hour of every day. 
Like, what if things didn’t work out in the end? Would you really want to put the crew’s dynamic at stake just because you thought the blonde guy was cute? No, you wouldn’t. It would be selfish so you would never dare to put yourself or Sanji in that position. No matter how much you liked him. 
So as much as it pained you, you could never tell Sanji how you feel. You would never cross that line of being a ‘professional pirate’ into something more, like a pirate wife. Or a pirate chef’s wife. 
It definitely didn’t help that freaking Usopp of all people on the crew knew about your affections for Sanji. Ugh, you groaned. He was the absolute worst person to know about it too. Why did he have to figure it out? Why did he have to be the one that had put two and two together to equal four? That your random bouts of awkwardness and shyness plus ‘heart eyes’ and blushes whenever Sanji was around equaled to you having a forbidden crush on the crew’s chef? It was embarrassing. And complicated.  
He loved to stir the pot too, so whenever he could tease you for it when you both were alone or in front of a clueless Sanji, he would. You remembered the kiss he had shared with Kayla back when the straw-hats had acquired the Going Merry, so you definitely jabbed him right back when you had had enough, since part of you felt guilty for it since Kayla was thousands of miles away and Sanji lived on this ship with you. Your situations were slightly similar but completely different.  
Also, completely different in the way that him and Kayla were basically dating at this point, albeit long distance, and had shared a kiss while you could barely sustain eye contact that lasted more than 5 seconds with Sanji. 
You were hopeless. 
“Knock, knock,” a familiar accented voice came through the closed door. “Y/n? Are you awake?” 
"Sanji?” you blurted out in complete surprise.  
Shit. You weren’t mentally prepared to see him just yet. At all. You were still replaying the interaction you both had earlier in your head, your overthinking mind going over every minute detail to figure out if Usopp’s careless teasing had given away your affections.  
Usopp, you mentally ground out. You were going to kill him. Sanji had never stopped by your room before so what on earth was he doing here now?  
Suddenly, a thought struck you like a bolt of lightning and made your stomach drop fifty miles below sea level: if Sanji had specifically stopped by your room just to gently let you down, that no, in fact he did not feel the same way about you, that he only thought of you as a member of the crew and nothing more....then yeah, you were definitely going to kill Usopp and throw him overboard. 
Before you could mentally plot out more details on Usopp's murder, the door opened and the straw-hat chef’s blonde head appeared. His eyes quickly scanned Nami’s empty hammock on the room’s left side before turning his head to the right, his blue eyes immediately finding your surprised ones, a (relieved?) smile lighting up his face at the sight of you. 
“So, I take it you’re awake?” Sanji asked in a light, teasing tone but not making an effort to move himself away from the doorway. 
“Uh, y-eah,” you stuttered out in surprise as you just stared at him dumbfounded. You still couldn’t figure out why he was here. 
Sanji continued to lock eyes with you, making your cheeks flush the longer you both stared at each other, and your palms sweat as the silence stretched on, making the tension in the air become thicker by the second. He blinked, his eyes darting to the side in confusion, raising an eyebrow as he asked, “May I come in?” 
“OH! Yes, of course- sorry,” you stuttered as you waved him inside, sitting up in your hammock and mentally face palmed yourself. Of course, Sanji was waiting on you to invite him inside. Like always, he was acting like a true gentleman. “Please, come in. Have a seat. Sorry, that was rude of me. Make yourself at home.” 
Sanji stood up to his full height and walked into your room with an easy smile and a small laugh, closing the door behind him. “Ah, don’t ever apologize y/n. You could never be rude to me,” Sanji rebuttalled and waved off your apology as he looked around and took in your very plain and basic shared room with Nami.  
Your room, or side of the room more specifically, wasn’t much to brag about considering you really didn’t have much to your name but for now, it was home to you. Your side consisted of your hammock, a wooden barrel next to it to act as a makeshift nightstand that housed your only book, a journal, and a lamp, along with an empty wooden crate to act as a makeshift seat and another to hold some of your other clothes and small travel bag. Nami’s side was similar to yours but had a touch more personality as she hung up some maps she found at various markets and drew up herself on her wall. 
You swallowed, suddenly feeling a tad self-conscious about the lack of things in your room considering your current guest was dressed, as usual, to the nines in his signature black suit and blue and white striped shirt complete with a skinny black tie. “Sorry for the sad state of my room-” 
“Sad?” Sanji stopped admiring your room and snapped his gaze to look at you. His eyebrows pulled together as another confused smile adorned his features. “Why would you say that? Your room isn’t sad, I like it. It’s a reflection of you,” his next words came out softer, “and I think that’s beautiful.” 
You could feel heat crawling up your neck at his words as you busied yourself with placing the empty glass in your hand on your barrel nightstand. There was no way Sanji was calling you beautiful, he was just commenting on your room. With Nami. On your shared room that owed any ounce of ‘personality’ to the ship’s navigator because it was obvious you literally brought nothing special to this room whatsoever.  
You stopped yourself from spiraling into ‘I don’t bring anything special to the straw-hats, I don’t know why they keep me around’ thoughts because now wasn’t the time to think about any of that. Those dark thoughts were reserved when you couldn’t sleep in the middle of the night.  
As you placed the glass on the nightstand, you asked, “So, what brings you all the way to my room? Aren’t you usually prepping for dinner around this time?” 
Sanji’s eyes followed your hand and lit up when he saw the sole book on your nightstand. “Oh, a book? I didn’t know you liked to read.” His megawatt smile lit up a couple of notches as his eyes sparkled, he looked like he had just learned one of the universe’s greatest mysteries as he took a seat near you on an empty crate. “What book is that?” 
“Oh, that?” You mentally deflated at the fact you now had to tell Sanji about your favorite book, “It’s Pride and Prejudice.”  
You weren’t ashamed of having that book specifically, you loved it and it was your favorite book of all time, you had lost count at how many times you had read it at this point, but it was the fact that you now had to share this part of yourself with the guy you fancied. Guys normally scoffed and turned their nose up at romance book and romantic things, so you were bracing for Sanji to scoff and laugh at you like all the other guys did (like even Zoro and Usopp did when they first saw you reading it) but it never came. 
Instead, Sanji’s smile remained bright. “Ah, so you’re a lover of classic romances? Pride and Prejudice? Romeo and Juliet?” 
Immediately, you smiled, finding yourself instantly comfortable suddenly whenever you got to talk about one of your favorite things. “Absolutely. I don’t think there’s a problem big enough out there that love can’t solve. Family backgrounds? Wealth and status? At the end of the day, none of that stuff matters. What matters is if two people love each other.” 
Sanji stayed quiet for a moment, looking into your eyes with a twinkle of an emotion that you couldn’t decipher. It made your heart skip a beat. “Yeah,” he agreed quietly, never breaking eye contact. “I agree.” 
You swallowed. “You like this stuff too? Have you read Pride and Prejudice?” 
Sanji blinked and that indescribable emotion he had in his eyes was gone. His smile remained, however, and became sheepish as he held up his hands, “Ah ok, you caught me. I’ve never read the full thing, but I know the main parts of the story. My favorite part that I did read though, was the first dinner with Mr. Collins and he complimented the Bennets on their ‘excellent boiled potatoes’.” 
You couldn’t help but laugh at that, shaking your head slightly as you teased, “I should’ve known that the chef of the Going Merry’s favorite part of the book is when food is discussed!” 
The blonde cook held his hands up again with a good-natured laugh, “Ah, you got me!” His face softened as he asked, “What about you?" He nodded towards the book. "What’s your favorite part?” 
You paused for a second as you mulled the question over. “Well, I'm not sure if you know about this part since you never read the book...” 
“Try me,” he encouraged softly. 
Your face turned to the side, your eyes looking at the wooden wall to your right, unable to bring yourself to look at Sanji as you told him your favorite part of your favorite book. You took a deep breath to steady yourself and calm your nerves, your voice becoming quiet as you told him, “My favorite part is...when Mr. Darcy barges in on Elizabeth for the first time, while she’s at her friend Charlotte’s house writing a letter. He had come to practice ‘conversating’ with her since he admitted that it wasn’t something he was good at and she had told him to practice it. So, Mr. Darcy just barged in and they had one of the most painfully awkward conversations ever...and he did all that just because he loves her. He did something he hated and was bad at, and opened himself up to embarrassment just because he wanted to improve and be better for her. It’s so romantic and beautiful.” 
The air was quiet after your mini monologue and for a moment, nothing could be heard except for their quiet breathing and the occasional crash of the ocean from outside your small window. 
Part of you worried that your little rambling had bored Sanji, so when you finally looked at him, imagine your surprise when you found him leaning in towards you, hands clasped, elbows resting on his knees and his eyes watching you, completely engaged. It was like he was hanging onto your every word. 
Sanji scanned your face for a moment, the corner of his lips curling upwards as he said, “Yeah, you’re right. I’m not familiar with that part in the book,” and before you could open your mouth to bring yourself down, he continued, “but, that doesn’t mean your answer is wrong.” He leaned back and slapped his hands against his thighs, “Hell, it’s a much more insightful answer than mine!” He laughed. “I just liked how they were poking some fun at boiled potatoes.” 
You laughed with him because yes, that part in the book also made you laugh as well. But at the mention of food, you realized that you still didn’t know why Sanji was here in the first place. Wasn’t he normally prepping for dinner at this time? He had to be running behind schedule at this point. 
“Why are you here, Sanji? Isn’t it almost time for dinner?” 
“Yeah, it is actually but I heard you weren’t feeling well so I wanted to check in on you, make sure you’re feeling alright and see if you have any special requests for dinner?” 
You couldn’t help the slight smile that overtook your face, trying to hide the blush at the fact that he was kind enough to check in on you and offer to practically be your own personal chef for the evening. 
You hummed for a moment, acting like you were deep in thought before asking with a raised eyebrow, "And what would you say if I requested some boiled potatoes?”  
The smile that lit up the chef’s face was priceless. He had never looked more beautiful. “To that, I would say ‘Absolutely. If that’s what the missus wants, then that is what the missus will get.’” 
Missus. There it was again. You felt all warm inside whenever he called you that, it made you feel like he was your husband and that you were his wife. But that wasn’t the case. Sanji definitely must have called other women that before. You weren’t special to him, he was just being polite.  
You swallowed down your emotions, putting your sudden wave of sadness away for later, putting on a small smile. “Then that sounds perfect. I would like to formally request some ‘excellent boiled potatoes’ as a side for dinner, please.” 
If Sanji noticed your sudden change in mood, he didn’t show it. Instead, he grinned as he said, “Excellent choice, Madam. Boiled potatoes, coming right up.” As he stood up and made his way towards your door, Sanji did one of the most unexpected things that nearly knocked the wind out of you. With his left hand on the doorknob he said, “And don’t worry, Madam. I’ll sprinkle in a little bit of extra love in there,” he turned and winked at you, “just for you.” 
With that, Sanji left your room, gently closing the door behind him, leaving you completely dumbstruck in your room, your mouth agape and body frozen. 
Did Sanji just say he loved you? 
You shook your head, because there was no way he did, right? He said he’d ‘sprinkle in some extra love’ into your potatoes, not 'I love you". You weren’t a chef, maybe that was a euphemism for something. 
You sighed.  
Those better be some good boiled potatoes. 
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buggachat · 6 months
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Honestly I think my take on the "Chat Noir was not there in the final battle" comes down to the fact that I kind of just don't think a satisfying final battle between Chat Noir and Monarch was actually possible.
I read a lot of fic, for example, and I've read the scenario play out a lot of times in a ton of ways and I've never been fully convinced of it tbh (and not because they weren't great fic!!). It seems just completely traumatic for Adrien in a way that the scenario inherently cannot properly focus on, because it's all happening in the middle of an action scene and Adrien is too busy being Mid-Battle to properly have a cathartic breakdown about it all. I mean, Chat Blanc already showed us what would happen if he did have a breakdown mid-battle (and why wouldn't he?). And though it'd be fun to have a big triumphant moment of him defeating his abusive father, Adrien simply isn't a character who would find that scenario triumphant, or cathartic, or anything other than viscerally traumatic.
Also, I agree that it's unfair that Chat Noir was not present— like it was unfairly tilted in Ladybug's favor— but I don't think it'd be fair if he was present, either. Because Marinette is, in fact, the main character. The main character whose character arc is primarily focused on her finding her footing as a hero and discovering all the responsibilities that come with that power (as opposed to Adrien, whose character arc is moreso about freedom and identity). And let's face it, in a fight between Ladybug and Chat Noir and Monarch, nobody would be focused on Ladybug at all. It's not about her. It's not her fight. She'd just be there as moral support and an extra set of hands, which really doesn't work for her character arc at all and is completely unfair to her!
Basically, it would just be Chat Noir temporarily acting as the main character and having the worst time of his life in the most un-cathartic battle for him possible left completely traumatized with Ladybug in the background awkwardly trying to comfort him after the fact? And then the season ends? And then the next season presumably goes back to Ladybug being the main character? After a time-skip to the new school year? It's just an ending that I feel like is a lot better in theory than actually on paper. And you can probably make an argument for ways that it could be made to work, where it would enhance Ladybug's story in a meaningful way where she still feels like the main character, and would somehow be triumphant for Chat Noir despite it probably being the worst moment of his life, and somehow not make the rest of the series following feel like bonus content as opposed to a continuation of the story...... but, I dunno. I think it's a lot easier said than done.
The fact of the matter is, I've always been waaayyyy more interested in how the aftermath of Gabriel's defeat affects Adrien than the battle itself. Post-Hawkmoth defeat is one of my favorite types of fic for a reason, and it's because the aftermath can be so juicy, especially for Adrien as a character. I think whether or not Adrien is actually there in the battle itself has always been kind of irrelevant to me, because no matter how Gabriel is defeated, his defeat will have immense repercussions on Adrien's life going forward. And the way they did it, Marinette is now a part of it in a more active way, too. Which is good for her character!
( Also, if he was there to triumphantly defeat Gabriel, would that mean he would just.... watch his father die? of cataclysm? a-and.... nathalie would just.... die, too? so he'd have three dead parents after all that? who he watched all die (or, in emilie's case, saw her corpse)? or is this a scenario where MONARCH BEATS CHAT NOIR and still makes the wish? is that cathartic? for Adrien to lose to Gabriel? Frankly, I loved seeing Gimmi and The Wish, it's been teased for so long that I was expecting it, and I loved the fact that Nathalie got to live as her narrative reward for coming to her senses and trying to murder Gabriel with a crossbow. I like that we got to watch a full season of Gabriel painfully dying to a cataclysm— poetically inflicted on him by Adrien, but of Gabriel's own doing. I like that Nathalie has presumably adopted Adrien after having an arc of her trying to be a parent to him once she realized nobody else would, that's so much more interesting than any other alternative. I just don't see how all of these things, some of my favorite things that season 5 gave, can still all exist at once with Chat Noir present in the final battle in any way that's satisfying. )
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Who Builds Theseus' Ship?
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This ties in to a greater discussion about Larian's changes to the game post-Full Release, and whether you consider those changes to be a good thing or a bad thing. Personally speaking, the quality-of-life and gameplay mechanics improvements were appreciated, while the direct changes to characters and especially characterization were not so much.
In such discussions, I often see people downplaying the actual changes to characterization that have been made thus far as "minor" things, but I often see one of the most glaring examples of a characterization change left out, because so many people aren't even aware of it ever happening:
Halsin.
For those who don't know, if you were romancing Halsin at the time of the original full release, and for almost four months afterward, if you took him with you to Act 3's orgy scene in Sharess's Caress, he would open up about a situation in his distant past. He would tell you about how he had briefly been "something between guest, prisoner, and consort" in a drow House, and been kept there for three years before escaping.
He stated that this was something that happened "a long time ago", when he was "a foolhardy young druid", which would mean it would likely have been between ages 100 and 245 — or at minimum 105 years ago, and at (likely) maximum 250 years ago. He closed the discussion with a line that really struck me, and that gave me such an appreciation for his character, and for the writers who had created it:
The passage of time has a strange way of polishing even the most arduous of memories into precious keepsakes.
As someone in their late-20s, with a number of traumatic events in my past, this resonated so much both with my experience of those events – once harrowing and haunting, now just simple happenings that do not affect me the way they once did – and as an inspirational message, that hurt would not necessarily linger forever.
Not only that, I really valued the insight it gave into Halsin's personality, further showing him to be someone who was deeply complex and meditative, always looking for meaning and something to take away or learn from any experience. It also served to showcase the likely reality of the relationship elves and druids both would have to the concepts of time and memory. (Another example of this is the experience of Shadowheart's father compared to her mother at the hands of the Sharrans.)
I started playing the game almost immediately upon its release in August, and was intrigued by Halsin from the start. He was someone who was kind and heartfelt, but also very settled in himself and with a simultaneously rigid and very flexible moral code. It was that complexity that drew me to him, and I appreciated the inclusion of a character distinct from the Origin companions, all at close to the lowest point of their lives.
It was to my surprise to find that this appreciation for his character and perspective on his Act 3 revelation was not unanimous. As it turned out, there was a vocal group of people claiming that this writing was problematic, and that Halsin clearly didn't even realize he was actually traumatized, and that Larian needed to fix it. Not everyone joining in with this crusade had even played the game.
And, ultimately, in a pattern they have continued to follow, Larian responded. They fixed it. At the end of November, as part of Patch 5, they uploaded an edited version of the scene with new dialogue, where the player could express this "reality" to Halsin, in one of the most gallingly patronizing statements I've ever seen.
Sounds traumatic. You may need to reflect on that.
(If someone said this to me after I had opened up to them about my trauma and my experience of it to them, we would not be maintaining a cordial relationship afterward.)
Halsin's new response to these dialogue options is a cringing, self-deprecating cascade of how the player is of course right, and he should have known better, and time could "prove to be a trickster on one's recollections" and that perhaps he had "lost perspective".
Quite frankly, it is a completely different character answering, and an almost directly opposing overall message about the role of time in healing, and the path forward when it comes to trauma. No more "one day these events will not hurt to recall the way they do now". In its stead: "only healing that looks a specific way and follows a specific path is acceptable - anything else and you are simply a poor fool lying to yourself."
The following quote is from a comment left on a video of Halsin's original dialogue in that scene, before the changes, and is just one example of how much that representation meant to more than just me to see:
That said, Halsin is trauma recovery goals for me absolutely. Being able to remember without actually being triggered? Being able to fully and freely engage HOW ID LIKE TO instead of being fettered by trauma responses? Goals. I don’t know if I’ll ever get there 100%, we don’t get elven lifetimes irl, but his level of healing brings me hope.
Ultimately, this post is not meant to argue that you should agree with me that one is better than the other. More so, I want to highlight that this existed — for many people, this was their experience of events and characters, and that is not so easily redacted. And I also want to just state, for the record, that Larian's way of approaching narrative and characterization changes to their full-release game has been incredibly frustrating. I did not agree, in August, to play an Early Access game with the inherent understanding that any potential narrative aspect might change at any time. I purchased a full-release game, and immersed myself in the story and the characters, to get to know them as the writers had originally presented.
And when Larian makes these changes based on fan feedback, they are explicitly making decisions about which fans matter, and specifically, which fans matter most. Rather than allowing everyone to experience the story they decided to tell, and draw from it what they take away, and let that spark discussion and engagement, they made the decision to defer to some fans over others, and prioritize their experience of the narrative — something that, no matter how well-intended, is always going to leave a bitter taste in my mouth.
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olderthannetfic · 4 months
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A short while ago you mentioned fic on AO3 that was written in the “AO3 style”, or something to that effect. I was wondering if you could elaborate on what that means/is?
--
Oh god. This topic comes around every 6 months or so. Others should feel free to help me out here, but basically...
A lot of fanfic sounds like the other fanfic and other stuff that the same communities consume. In a given era and sector of fandom, that leads to a samey style. It often has a lot of overlap with a specific sector and era of genre fiction with a heavy dose of watches-tv-does-not-read-books elements on top.
AO3 House Style is relatively similar to the height of LJ Western slash fandom. Other fanfic styles are often similar but start showing other influences the more distant you get.
There are some major strains, not always in the same works:
Transparent genre fiction prose that doesn't call too much attention to itself. It's there to convey plot, not make you notice the language qua language. You'll see something similar in, say, a Mercedes Lackey novel (along with the terrible editing and protagonist centered morality that are also common in fic, haha).
YA boom era YA vibes.
Kind of forced "snark" and samevoice from many characters in a way that tells you the author spent a little too much time watching Buffy.
World building and complex thriller/mystery/etc. plots that actually work typically take a back seat to pining, angst with a happy ending, and other more ship-focused, character interaction-focused, and emotions-focused things. The general idea of a mystery, vampire AU, etc. is often present, but it's more of a backdrop. (Depends on the part of fandom though!)
Huge focus on the internal psychological and emotional state of characters.
Lots of hurt/comfort, both physical and emotional.
Lots of serialized work that shows the traces of being written that way (dangling plot threads, inflated word count, returning to similar plot points in a way that wouldn't happen if the thing were completely written, revised, and then only posted serially).
Certain cliched phrases like "He smelled of __ and __ and something uniquely him", carding fingers through hair (thanks, commenters for researching this one a year or two ago and proving it's way more common in fic!), "Oh. Oh.", etc.
If the fic is more self-consciously literary, it's full of sentences that trail off to the point where you're almost not sure what actually happened.
Often lots of very short paragraphs and lots of scenes that are almost all dialogue
Frequently third person limited present tense. Some third person limited past tense. Less of other stuff unless you're looking at a fandom where canon is first person or you're looking at readerfic (which is on AO3 but is not really "AO3 House Style").
Honestly, some people would just say "sounds like fanfic", but if you go read primarily on SpaceBattles or something, you're going to find a lot of stories that don't sound quite the same as your prototypical AO3 fic.
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beansprean · 3 months
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Idk what happened but I woke up last Monday wanting to draw a 10th kingdom au for no discernible reason and SUDDENLY LIKE 2 OTHER WWDITS FOLK HAD THE SAME IDEA?? Sometimes a hive mind is TOO strong
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(ID in alt and under cut)
ID: Sketch dump in red of Nandor and Guillermo as Wolf and Virginia, respectively, from the 2000s NBC miniseries "The 10th Kingdom". 1. Guillermo dressed in his trenchcoat over a zip up hoodie over a dark collared shirt, laying on his back on a narrow box bed with his eyes closed. Nandor, wearing a long coat with a ruffled collar and sleeves over a loose linen top and with his hair half up and tucked behind his ears, is crouched beside him with both arms propped up on the edge of the box, smiling down at him with hooded eyes. Nandor says, "and then a really cool, handsome prince comes by and he says "wow, what a rascal!" Guillermo snorts, tamping down a smile as he tries to continue to look asleep. 2. Close up of Nandor taking Guillermo by the shoulders and bringing him close with a wide, besotted smile. He says, "Guillermo, you make me all hard and soft at the same time!" Guillermo is staring at him, wide-eyed and confused, blushing. 3. Knees-up of Guillermo and Nandor sitting side by side, Guillermo sans trenchcoat and Nandor with his hair down and a visible wolf's tail curled up between them. Guillermo is looking down at the tail with some interest, petting it with one hand. Nandor has both hands clasped in his lap and his shoulders up by his ears, looking away with a silly wobbly smile and flushed cheeks. 4a. Knees up of Nandor striking a princely pose, one hand pressing fingertips to his chest and the other extended upward, palm up, as he shouts with a grin, "Rapunzel, let down your lustrous locks!" 4b. Repeat, a thick wave of shiny dark hair flops down on him from above. 5. Hips up of Nandor from behind as he braces both hands on a wooden post, shoulders hunched. His nails have formed long claws that are gouging into the wood, and the full moon is visible beyond. He looks over his shoulder, hair loose and wild, eyes glowing as his face contorts into something feral and hungry. 6. Full body of Nandor, sans jacket, skipping happily along with his chin and blouse stained with blood, flowers dancing around his head and tail bobbing along behind him. 7. Chest up of Guillermo trapped in a medieval style chair, sans trenchcoat. Nandor is standing behind him, one arm draped along the back of the chair and the other propping him up as he leans, palm out placatingly as he asks with a grin, "Don't you trust me?" Guillermo looks over his shoulder and leans away as much as possible, nervous, baffled, and angry all at once. He spits back, "No!! You tried to eat my grandmother!" At this angle we can see Nandor has a hoop in his right ear. 8. Knees up of Nandor and Guillermo standing side by side, showing off some closer details of their outfits. Nandor is smiling with a fang poking out between his lips, hands twiddling together at his waistline as he peeks over at Guillermo from the corner of his eye. Guillermo glances back at him, wary and flushed, pulling his arm up towards his chest to avoid Nandor's tail, which is wagging hard and thumping against Guillermo's side. Text nearby points to Nandor and says "wolf", and points to Guillermo and says "virgin". 9. Nandor and Guillermo sitting side by side in the back of a wagon, reading self-help books. Nandor aims an excited glance at Guillermo, biting back a silly grin. His book is titled "How To Fall In Love Without Acting Like a Freak About It." Guillermo is hunched over, eyes on his book with a kind of weary and hopeless expression. His book is titled "Become UnGovernable without compromising your morals" /end ID
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The true post-cyberpunk hero is a noir forensic accountant
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I'm touring my new, nationally bestselling novel The Bezzle! Catch me in TOMORROW (Apr 17) in CHICAGO, then Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!
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I was reared on cyberpunk fiction, I ended up spending 25 years at my EFF day-job working at the weird edge of tech and human rights, even as I wrote sf that tried to fuse my love of cyberpunk with my urgent, lifelong struggle over who computers do things for and who they do them to.
That makes me an official "post-cyberpunk" writer (TM). Don't take my word for it: I'm in the canon:
https://tachyonpublications.com/product/rewired-the-post-cyberpunk-anthology-2/
One of the editors of that "post-cyberpunk" anthology was John Kessel, who is, not coincidentally, the first writer to expose me to the power of literary criticism to change the way I felt about a novel, both as a writer and a reader:
https://locusmag.com/2012/05/cory-doctorow-a-prose-by-any-other-name/
It was Kessel's 2004 Foundation essay, "Creating the Innocent Killer: Ender's Game, Intention, and Morality," that helped me understand litcrit. Kessel expertly surfaces the subtext of Card's Ender's Game and connects it to Card's politics. In so doing, he completely reframed how I felt about a book I'd read several times and had considered a favorite:
https://johnjosephkessel.wixsite.com/kessel-website/creating-the-innocent-killer
This is a head-spinning experience for a reader, but it's even wilder to experience it as a writer. Thankfully, the majority of literary criticism about my work has been positive, but even then, discovering something that's clearly present in one of my novels, but which I didn't consciously include, is a (very pleasant!) mind-fuck.
A recent example: Blair Fix's review of my 2023 novel Red Team Blues which he calls "an anti-finance finance thriller":
https://economicsfromthetopdown.com/2023/05/13/red-team-blues-cory-doctorows-anti-finance-thriller/
Fix – a radical economist – perfectly captures the correspondence between my hero, the forensic accountant Martin Hench, and the heroes of noir detective novels. Namely, that a noir detective is a kind of unlicensed policeman, going to the places the cops can't go, asking the questions the cops can't ask, and thus solving the crimes the cops can't solve. What makes this noir is what happens next: the private dick realizes that these were places the cops didn't want to go, questions the cops didn't want to ask and crimes the cops didn't want to solve ("It's Chinatown, Jake").
Marty Hench – a forensic accountant who finds the money that has been disappeared through the cells in cleverly constructed spreadsheets – is an unlicensed tax inspector. He's finding the money the IRS can't find – only to be reminded, time and again, that this is money the IRS chooses not to find.
This is how the tax authorities work, after all. Anyone who followed the coverage of the big finance leaks knows that the most shocking revelation they contain is how stupid the ruses of the ultra-wealthy are. The IRS could prevent that tax-fraud, they just choose not to. Not for nothing, I call the Martin Hench books "Panama Papers fanfic."
I've read plenty of noir fiction and I'm a long-term finance-leaks obsessive, but until I read Fix's article, it never occurred to me that a forensic accountant was actually squarely within the noir tradition. Hench's perfect noir fit is either a happy accident or the result of a subconscious intuition that I didn't know I had until Fix put his finger on it.
The second Hench novel is The Bezzle. It's been out since February, and I'm still touring with it (Chicago tonight! Then Turin, Marin County, Winnipeg, Calgary, Vancouver, etc). It's paying off – the book's a national bestseller.
Writing in his newsletter, Henry Farrell connects Fix's observation to one of his own, about the nature of "hackers" and their role in cyberpunk (and post-cyberpunk) fiction:
https://www.programmablemutter.com/p/the-accountant-as-cyberpunk-hero
Farrell cites Bruce Schneier's 2023 book, A Hacker’s Mind: How the Powerful Bend Society’s Rules and How to Bend Them Back:
https://pluralistic.net/2023/02/06/trickster-makes-the-world/
Schneier, a security expert, broadens the category of "hacker" to include anyone who studies systems with an eye to finding and exploiting their defects. Under this definition, the more fearsome hackers are "working for a hedge fund, finding a loophole in financial regulations that lets her siphon extra profits out of the system." Hackers work in corporate offices, or as government lobbyists.
As Henry says, hacking isn't intrinsically countercultural ("Most of the hacking you might care about is done by boring seeming people in boring seeming clothes"). Hacking reinforces – rather than undermining power asymmetries ("The rich have far more resources to figure out how to gimmick the rules"). We are mostly not the hackers – we are the hacked.
For Henry, Marty Hench is a hacker (the rare hacker that works for the good guys), even though "he doesn’t wear mirrorshades or get wasted chatting to bartenders with Soviet military-surplus mechanical arms." He's a gun for hire, that most traditional of cyberpunk heroes, and while he doesn't stand against the system, he's not for it, either.
Henry's pinning down something I've been circling around for nearly 30 years: the idea that though "the street finds its own use for things," Wall Street and Madison Avenue are among the streets that might find those uses:
https://craphound.com/nonfic/street.html
Henry also connects Martin Hench to Marcus Yallow, the hero of my YA Little Brother series. I have tried to make this connection myself, opining that while Marcus is a character who is fighting to save an internet that he loves, Marty is living in the ashes of the internet he lost:
https://pluralistic.net/2023/05/07/dont-curb-your-enthusiasm/
But Henry's Marty-as-hacker notion surfaces a far more interesting connection between the two characters. Marcus is a vehicle for conveying the excitement and power of hacking to young readers, while Marty is a vessel for older readers who know the stark terror of being hacked, by the sadistic wolves who're coming for all of us:
https://www.youtube.com/watch?v=I44L1pzi4gk
Both Marcus and Marty are explainers, as am I. Some people say that exposition makes for bad narrative. Those people are wrong:
https://maryrobinettekowal.com/journal/my-favorite-bit/my-favorite-bit-cory-doctorow-talks-about-the-bezzle/
"Explaining" makes for great fiction. As Maria Farrell writes in her Crooked Timber review of The Bezzle, the secret sauce of some of the best novels is "information about how things work. Things like locks, rifles, security systems":
https://crookedtimber.org/2024/03/06/the-bezzle/
Where these things are integrated into the story's "reason and urgency," they become "specialist knowledge [that] cuts new paths to move through the world." Hacking, in other words.
This is a theme Paul Di Filippo picked up on in his review of The Bezzle for Locus:
https://locusmag.com/2024/04/paul-di-filippo-reviews-the-bezzle-by-cory-doctorow/
Heinlein was always known—and always came across in his writings—as The Man Who Knew How the World Worked. Doctorow delivers the same sense of putting yourself in the hands of a fellow who has peered behind Oz’s curtain. When he fills you in lucidly about some arcane bit of economics or computer tech or social media scam, you feel, first, that you understand it completely and, second, that you can trust Doctorow’s analysis and insights.
Knowledge is power, and so expository fiction that delivers news you can use is novel that makes you more powerful – powerful enough to resist the hackers who want to hack you.
Henry and I were both friends of Aaron Swartz, and the Little Brother books are closely connected to Aaron, who helped me with Homeland, the second volume, and wrote a great afterword for it (Schneier wrote an afterword for the first book). That book – and Aaron's afterword – has radicalized a gratifying number of principled technologists. I know, because I meet them when I tour, and because they send me emails. I like to think that these hackers are part of Aaron's legacy.
Henry argues that the Hench books are "purpose-designed to inspire a thousand Max Schrems – people who are probably past their teenage years, have some grounding in the relevant professions, and really want to see things change."
(Schrems is the Austrian privacy activist who, as a law student, set in motion the events that led to the passage of the EU's General Data Privacy Regulation:)
https://pluralistic.net/2020/05/15/out-here-everything-hurts/#noyb
Henry points out that William Gibson's Neuromancer doesn't mention the word "internet" – rather, Gibson coined the term cyberspace, which, as Henry says, is "more ‘capitalism’ than ‘computerized information'… If you really want to penetrate the system, you need to really grasp what money is and what it does."
Maria also wrote one of my all-time favorite reviews of Red Team Blues, also for Crooked Timber:
https://crookedtimber.org/2023/05/11/when-crypto-meant-cryptography/
In it, she compares Hench to Dickens' Bleak House, but for the modern tech world:
You put the book down feeling it’s not just a fascinating, enjoyable novel, but a document of how Silicon Valley’s very own 1% live and a teeming, energy-emitting snapshot of a critical moment on Earth.
All my life, I've written to find out what's going on in my own head. It's a remarkably effective technique. But it's only recently that I've come to appreciate that reading what other people write about my writing can reveal things that I can't see.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/04/17/panama-papers-fanfic/#the-1337est-h4x0rs
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Image: Frédéric Poirot (modified) https://www.flickr.com/photos/fredarmitage/1057613629 CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/
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vhstown · 9 months
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miles g morales x you headcanons
— 42!miles x gn!reader (dating)
warnings: fluff, brief mentions of violence, angst if you squint
note: ok i know i didn't write him like a bad boy rizzful cool criminal bf but this is just my interpretation from the 1min of screentime he had 😭 i hope someone likes it? i don't really but it's ok posting anyway, kind of long a lot of ramble
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wasn't edited previously but is now!
Miles has never dated anyone before, so naturally, he's never kissed anyone before. In fact, though he's reluctant, he asks his uncle for advice about you (just as a nephew in need, of course.) It's sort of hilarious to see the boy with such a cold and unbothered exterior try to flirt and make a move on you. When he asks you out, he nearly trips over himself trying to block your way, and nearly trips over himself again when you say yes. When you try to kiss, he freezes up, but eventually gets the hang of it. It's surprisingly sweet and careful; warm.
Miles is hesitant to date you — date anyone. It's a casual sort of thing at first; he doesn't want to get too attached. But what draws him to you is the fact that you can make his life feel so normal, so simple and in-the-moment. It doesn't take long for him to realise that this is what he wants.
He does everything in his power to keep his criminal identity a secret. When there's rumours going around about the Prowler, he's quick to shut down the conversation with vague, uninterested answers. He's not scared of many things, but he's scared of the only person he can really be Miles around leaving.
So, the boy tries his absolute best to be good to you. Yes, he misses dates doing God knows what, but he's quick to try and reschedule or show up to your door with gifts, food, anything he thinks might make you happy (despite your annoyance, he's really good at making it up to you.) When dates aren't working, he decides to take you on spontaneous ones, going around Brooklyn and wracking his brain for anything that might interest you or be nice enough for a date. Half of your date is usually spent walking around together, but it's more fun than you think to pass time together like that.
For the time you do manage to spend together, you notice he's very observant (he has to be to survive as the Prowler.) Miles remembers every little detail about you and what you like. Things you told him since he met you are still firm in his memory, even if it was something you said off-handedly or to somebody else. He's always surprising you with little things you mention: an accessory, dessert from the place you wanted to try ages ago, etc.
Miles is very aware of your interests and whenever he passes by related stores, he's always asking you if you want anything. You're the only person in his life other than his family; of course he's going to cherish you.
But the second thing Miles is worried about is his mom. He's very overprotective over his mom, understandably so. She's the only parent he has left and he knows she overworks herself trying to provide for them. He's always trying to help her when he can, doing chores and errands without question and per his uncle's suggestions, but if something was to happen to her, he'd blame himself for it above all. So when he introduces you to her, he's more than uncertain. It's not like you could do anything to her, but he's made it a habit to never fully trust anyone anyway.
That is, until he sees how Rio completely lights up around you. She's so thrilled that Miles has a friend (or whatever Miles told her you were.) Even though she can only talk to you for a few minutes before her shift, she automatically opens up her home to you, telling you that you can help yourself to the kitchen and come over whenever you like. She whispers a couple things in Spanish to Miles that you can't quite catch, and he doesn't care to mention.
But you can definitely guess what she keeps telling him. Whenever he brings you over, he acts aloof, almost awkward trying to follow what his mom says to make you comfortable. The house and Miles' room suddenly becomes eerily spotless whenever you're due to come over, and the cupboards are in complete order. Rio's always asking Miles where you are, and she treats you like you're her second kid. She's very aware that you might be in the future (though Miles keeps denying it.)
You catch glimpses of his uncle sometimes. He doesn't really talk to you, but the man is calm enough. Miles seems to be comfortable around him, but when he finds out, you can make out an amused glint in Aaron's eyes whenever he sees you. Miles doesn't take you to see his uncle; he'd rather you're not aware of the man's ridiculous way of teasing him.
Whenever you come over, you both make it a habit to snack, play videogames, listen to music, whatever you feel like doing. It seems like he's always trying to keep you there. Miles will never admit it, but he misses you a lot. All he really does to show that is pull you into a silent hug and kiss your cheek when he sees you again, asking in the lowest voice what you've been up to.
When you asked Miles about his interests, he tells you the ones he shares with his uncle at first — music, art, etc. But whenever you go into his room, you notice a bunch of empty shelves and hastily shut drawers. Miles never really shares his real interests with anyone (he thinks they're childish more than anything), but when you insist, he bedrudgingly takes out the figures, comics and posters, acting like he put them away ages ago and forgot about them (more 5 minutes before you came over, if it wasn't obvious from the way he was flushing.)
The two of you spend a while putting everything back. You ask him questions about it and he returns them with short answers. When you leave that day, his heart is full, and his jaw hurts from trying to hide his smile as he looks at his shelves filled with superhero figurines and comics. He won't be touching anything now that you've put them in place. He really can be himself around you, though he's still a bit reluctant.
On top of Miles' other "secret" interests, he likes drawing. He keeps a tiny sketchbook where he draws people mainly, and you catch glimpses of it sometimes when he thinks you're not looking. Half of it is ripped out (there drawings of his mom, uncle and comic book superheroes scattered around his room), but the faces that do remain are of his dad, unfinished. There's another drawing he's never finished in there too. It's been constantly erased and redrawn; it was meant to be you. Eventually, that page is ripped out too. You can't find it no matter how hard you look; it's in his jacket.
And at first, the boy was kind of awkward. He didnt want to hurt you; he knows he very well could. He usually let you initiate anything (though he's clingy as hell and was just shooting that feeling down as much as he could.)
When he does get more comfortable around you (especially after he's sure it's not just a fling), he's always kissing your cheek, forehead, your hair; his kisses are surprisingly chaste, sweet, much like your first one. He holds your hand often too, even if you're just sitting next to each other, fingers firmly locked together with the occasional squeeze to let you know he's still there.
But he's no short of a tease too. Miles always likes to say pretty things in Spanish just to get you riled up. Even if you might understand what he's saying, he says it under his breath so you can't catch it. Miles doesn't repeat himself, instead giving you that stupid cocky smirk you've grown to love (and hate.) Sometimes he lifts your chin to make his eyes meet yours, maybe to see you flustered too as he studies your face in silence, poker-faced, not responding to anything you're saying. You think he's being teasing, but he just really doesn't know what to say. You're his, and sometimes he just can't believe it.
What he really loves though is holding you close: his head over your shoulder or your head against his chest (or his against yours, with much pestering) so you can't see the way that he's smiling. As much as he wants to be the cool and distant boyfriend, he's a big softie, absolutely melting with your affection, always quick to return it with his own.
But when you're out, it's a different story. He's not only overprotective of his mom, but of you. It really shows when he walks you home. He keeps his arm firmly around your waist, giving dirty looks to anyone who goes even an inch too close to you. He whipsers "you okay?" and "c'mon" while basically directing you around.
Miles knows these streets better than anyone else, but he's not going to take you through quick back alleys. He'll take you through busy main streets, maybe stop by a bodega to pick something up for you if you're still hungry while he eyes every corner of the store, even go on the subway with you if you're feeling particularly lazy, your back to his chest with an arm around you so you don't fall. He's always muttering about being safe, and his street smarts definitely rub off on you; his advice is sound, almost too experienced for a random kid living in Brooklyn.
However, Miles won't let you find out. No matter how much he's juggling being the Prowler, his family and you, he'll make it work. He can't lose this, no way in hell. Even if he has to lie to you about his seemingly random injuries or ditched date nights, you'll never find out about that purple blur that skids past you when you're outside at odd hours. They're just rumours after all, he tells you.
🕸️💫👾
thank you for reading 😭🙏 i struggled w this one and hobie too but idk i love 42 miles he's just some guy fr .... im thinking of writing a friends to lovers fic w 42 miles but im not sure yet (im just really lazy but lmk if ur interested?) + thank you to @qiuweyballs for the inspo i hate you (endearingly)
if u liked this reblogs are appreciated <3 catch the rest of my atsv headcanons here! love ya
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lenaellsi · 15 days
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it's honestly a bit odd to me that so many people have jumped on the 'aziraphale will be pulling all the strings and playing politics in heaven' train. like I think it's true that the metatron is underestimating aziraphale's intelligence and ability to disrupt the second coming even while separated from crowley, but I also think the idea that aziraphale is going up to heaven with a clear idea of how he's just been lied to, an understanding of how much danger he's in, and a plan to stop it is a huge reach.
frankly, aziraphale is very vulnerable to manipulation. I'm thinking now of neil’s post with the diary entry from before the edinburgh minisode where he was duped by two humans, the whole thing with the nazis in 1941, and his sponsorship of shadwell's various obviously fake agents (sergeant milkbottle, etc.). he's not nearly as savvy as fanon tends to portray him. he takes people at face value, especially people he thinks of as Good. (that's not a dunk, btw--I find these things endearing, and a sign of aziraphale's innate wish to see the best in people. I just think that sometimes the BAMF protective aziraphale of fanon overshadows the slightly more naive aziraphale of canon. and honestly, I also think TV aziraphale is just a bit softer than book aziraphale, though he is capable of stepping up when it counts.)
and he's a bad liar! I know it's a meme in the fandom that aziraphale lies all the time, but he doesn't like it, and he's bad at it. he gets nervous and comes up with terrible excuses and the only reason he ever gets away with it is because the people he's lying to are idiots (gabriel), have their own agendas (god, the other archangels), or trust him to be honest (crowley).
aziraphale's real strength is his ability to take sudden, completely unexpected action. that's one of the things that crowley admires most about him. "he's unpredictable," is what he says to nina, and it's true! aziraphale's greatest moments of rebellion have always come from spur of the moment decisions, not intricate plans. (if anything, crowley is the planner--the arrangement and the thwarting of the apocalypse, their two longest cons, were both his idea.)
aziraphale gives the sword away because when he is forced to make a decision under pressure, he tends to land on the side of rebellious kindness. shielding crowley from the rain in eden, lying to gabriel to protect job's family, defying the quartermaster and returning to earth via possession during the apocalypse, blowing up his halo--he does these things because he's following that same impulse. when aziraphale has time to over think, he frets and fusses and is paralyzed by indecision. (or worse, he falls back on what heaven has taught him.)
TL;DR: I don't think aziraphale has any sort of grand plan other than a generalized "make things better," and I certainly don't think he is planning to betray heaven. he might try to come up with a plan once he figures out how bad things are going to get, but my bet is that what will actually disrupt the second coming is an absolutely bonkers off the wall decision that no one, crowley included, could ever predict. and I think it’ll happen, as it usually does with aziraphale, just after he accepts a difficult truth that fundamentally shifts his worldview—in this case, his final rejection of the idea of “good” and “bad” people, and of the entire morality system of heaven and hell.
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bloodybreakupscene · 11 months
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I wanted to request maybe a 1610! Miles morales drabble, where the reader has selective mutism and is really quiet around Miles for awhile. But they get put in a group project together and Miles hears their voice for the first time when they laugh at something he said!! ^^
-> 𝐇𝐄𝐀𝐃 𝐎𝐕𝐄𝐑 𝐇𝐄𝐄𝐋𝐒.
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miles morales x reader
-> miles and you get partnered for a project and u laugh and hes like wowza and falls in love (⁠。⁠•̀⁠ᴗ⁠-⁠)⁠✧
-> omg tysm for the request!! this idea was too cute i love it sm for realsies (⁠☆⁠▽⁠☆⁠)!! and another tysm for everyone else who liked my other miles post! the amount of likes and reblogs was overwhelming sweet i love u guys sm ☆ (⁠≧⁠▽⁠≦⁠) ☆
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"alright, with that lesson out of the way let's practice what we've learned with your table partner!" the teacher exclaimed, some students groaned and some laughed, both reactions at the direction of working with each other's desk partners.
art was one of the two subjects you actually enjoyed during school, the work wasn't a hassle and it also didn't force you to speak to others, you never did well with certain settings, however in those that you were actually familiar with you did fine. your partner, one of your newer friends, miles morales, turned towards you.
"what do you think we should do?" he asks, you shrugged your shoulders, the canvas paper that lie on the table remained untouched.
"hmm, i'm terrible at realism, so maybe we can do somethin' simple. . . like buildings!" he leans his head on his hand, awaiting your reaction. you nod your head, and grab your guys' shared painting supplies.
as you guys are painting, miles steals a few glances at your relaxed face. he admired many of your facial features and habits, the way your shoulders raised a bit when you were focused, how the shine in your eyes seemed to brighten when you saw or noticed something that peaked your interest. he's never heard your voice, he figured it was something personal so he never asked—
you laughed. miles, suddenly, broken out of this odd trance, looked at you covering your mouth, laughing. "what?" he questioned, laughing a bit as well, your giggling must be contagious.
"nothing! you just looked, really, focused. i thought it was funny." you spoke, explaining yourself, putting the brush down.
"excuse you." he glared, no malicious intent behind it, "art just so happens to be one of my many expertises."
"pfft, as if. you have more paint on your hand than on the canvas." he looks down at his right hand and you were right, different colors of paint were all over his hand.
"just means i'm a part of the canvas." he jokes, and thank god he did because it made you laugh again. a big smile covers his face and he can't help but replicate your reaction as well.
"you're funny i guess." you rolled your eyes, looking down at the painting you guys made.
"you guess? i didn't even have to do anything to make you laugh the first time." he playfully teases you.
"sure sure whatever." you respond, acting annoyed at his little joke.
miles can't help the huge smile that's still plastered on face, your voice is so sweet, it's got him kicking his feet and blushing, you don't even know the kind of effect that you have on him. he never thought that he was the hopeless romantic type until this very moment, but he can't help it! he's already fallen head over heels in love with you.
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maliland · 2 months
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RESENTMENT: PT. 2
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"how could you lie?" part one angel(s): e-42 miles morales & black fem reader includes: angst, infidelity, homewrecking, depressing themes, & heartbreak (men being disappointments per usual) synopsis: you used to describe your experience with love as one of complexity and simplicity all at once, but after you learn what your boyfriend did at a party with another girl while you were at home and sick, your heart is left with irreparable damage and an abundance of resentment. wc: 6.7k divider by @/cafekitsune a/n: this is gonna be my last sv fic for a hot min (or forever) 😭 savor and enjoy. ik the tag has been dead and you all have been malnourished, so yw! <3 icl, idk how i feel about it but y'all can lmk 🫶 (p.s: before ppl start nothing non-pg ever happened in this fic at any point in time. just kissing. ion get down like that 👍 thanks.)
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when you arise in the morning and before you lay your head to rest at night, one thing is always definite: you are human.
humans are imperfect, so they make mistakes. genuine ones. honest ones. you’ve mixed up salt and sugar while baking chocolate chip cookies. you’ve hit your best friend square in the face while trying to spike a volleyball. you’ve missed assignment deadlines, forgotten about chores, and left the grocery list at home, all honest mistakes. a boy pressing his lips to another girl’s, though he has another he calls his own, is not a mistake. if it were up to you, it’d be a crime punishable by execution. between miles and yourself, no mercy was shown for the loyal one of you two, so why should he be granted any? infidelity; the act itself is the murder of the most important, sacred muscle, so why not return the favor?
you know your intentions before you give into the temptation of them. you knew miles knew. he knew from the moment that girl pulled him over to a vacant bedroom. did he think they’d simply exchange pleasantries? even so, why partake in such with someone who clearly has a taste for you? a taste for insulting the one you love most just as easily as she breathed?
these are all questions that would never be answered truthfully. you’d have to make peace with the reality or the only peace you’d know was the eternal kind that followed after death. and to think that you once believed in those stupid children’s fairy tales. miles made you believe that that kind of love could be real life. he almost made you believe you could attain the happy ending you always dreamed about. you were so close to it too. to have your bubble burst like that by the person you love most..? cold. way colder than the shivers repeatedly sinking down your spine.
it was a stupid idea to leave your window open.
the medicine you had taken for your cold had you knocked out in the warmth of your bed and you slept soundly. the chilly air would blow through the curtains now and then. the wind was only a light breeze at first. it felt nice, maybe even comforting, but when night finally fell, the current picked up. you were woken up by an icy blast hitting your face.
you groaned and slowly rose up, pulling the covers off of you before you swung your legs off of the bed. you drowsily staggered to your window and forced it shut, drawing the curtains closed only seconds afterward. you would just have to hope the mishap wouldn’t make you any sicker than you already were. you mindlessly carried yourself back to your bed and submerged yourself under the covers. you grabbed your phone, which was lying face down beside you.
you unlocked your phone and went straight to instagram, tapping through everyone's stories. most of the people you knew were at the party. parties weren't your cup of tea, so you couldn't really say you wished you had gone. you were more of a homebody than you'd like to admit.
you eventually got to miles' story. all he had posted was a single picture of him and his group of friends, and they all seemed to be enjoying themselves. seeing your boyfriend happy made you happy. you smiled to yourself before switching to your messages app. you had notifications from both miles and your friends who were also at the halloween party. you opened miles’ messages first.
9:37pm
miles: hey ma (9:37 pm) miles: i know you’re probably sleeping right now, but i wanted to lyk that i got here okay (9:37 pm) miles: i’m with my friends (9:38 pm) miles: ima go now but i love you 💗 i’ll text you soon (9:39 pm)
10:23 pm
miles: yooo just checking in 🙌 miss you a lot (9:36 pm) miles: hope you’re enjoying that nap ❤️❤️(9:37 pm)
you: hey i’m up now 😈😈 (10:52 pm) you: i saw your ig story 🙃 looks like you guys are having fun so i’ll leave you to it (10:52 pm) you: text me later, i love you so much more 💓 (10:53 pm)
you swiped out of your text thread with miles and opened your group chat with your three best friends, sasha, lani, and nae. while you met sasha and lani not too long ago, you’ve known nae for damn near your entire life.
dollz 💘 9:13pm
sasha: how’s my bedridden baby? 🫶🫶 (9:13 pm)
lani: she’s been unconscious for mad long 👎(9:14 pm)
nae: we should ditch this party n go to her place instead i’m BOREDDD (9:16 pm) nae: and what if bro’s dead (9:16 pm)
jana: girl (9:20 pm) jana: she ain’t dead 🤦‍♀️ please. (9:21 pm)
sasha: ofc not (9:23 pm) sasha: nae's right.. this party lowk boring asf🧍‍♀️ can we leave soon? (9:25 pm)
jana: yes 💋 (9:25 pm)
nae: thought you’d never ask. (9:26 pm)
10:57pm
you: y���all i’m up damn! 😭 (10:57 pm) you: is it really that boring? miles seems to be having fun (10:57 pm)
nae: he buggin then cuz it's been like two hours and this party is STILL boring as shit (11:01 pm) nae: i tried to give it the benefit of the doubt but nvm. (11:01 pm) nae: my niece's fourth birthday party was x100 more turnt than this (11:02 pm) nae: i’m stuffing all the good snacks in my purse nd then we outta this bitch 🏃‍♀️ i’ll be in the car y’all (11:02 pm)
jana: bruh🧍‍♀️ (11:03 pm)
sasha: nae beloved, you already put hella snacks in the passenger seat (11:03 pm) nae: so? 🥱 (11:04 pm) sasha: you don’t need no more tf 😭😭 big backed hungry ass (11:04 pm)
you: yes she does (11:10 pm) you: she’s thinking of me, duh (11:11 pm)
sasha: damn you right.. maybe 🤷‍♀️ (11:15 pm) sasha: or maybe she'll eat up all the snacks and i'll laugh in your face and say i told you so 🤌 (11:16 pm)
jana: uh huh... anw girl can we come over? (11:18 pm)
you: i’d say yes but miles is coming over soon (11:21 pm) you: y’all can come over first thing tmrw morning tho 💋💋(11:21 pm)
right as you sent that message, your phone began to ring and you were met with your own puzzled reflection on the screen of your phone. it was a facetime call from nae. you couldn’t come up with a reason why she’d ever need to facetime you from a party when she could text or call. nevertheless, you picked up. you forced yourself up and out of you warmth of your bed, throwing your comforter and many, many blankets off of you.
you answered the facetime call as you turned the knob to your bedroom door to leave, making your way downstairs to the kitchen so you could raid the pantry for food. when nae’s face popped up on your screen, you noticed that the interior of sasha’s car surrounded her, but neither sasha or lani were anywhere to be found.
“hey danae, what’s up?” you said into the phone as you shut the microwave. you'd settled on instant ramen since you were feeling lazy. when you caught a glimpse of your best friend's face on your phone screen a second time, you clocked that she looked worried and that made you worried too. it didn't help that she was dead silent. you raised an eyebrow. “you alone? where’s lani and sasha?"
“something happened,” nae spoke slowly, disregarding your question. her eyes were bolting back and forth between her phone camera and sasha’s car window.
“what?” you shook your head, your eyebrows furrowing in concern. you set your phone down on the counter, propping your elbows onto the surface while you tried to decipher nae's expression, but that got you nowhere.
“i’m gonna send you something. just hold on a sec.”
“nae, what’s going on?” you inquired, a puzzled expression painting your face.
she didn’t reply. you pressed your lips into a thin line and closed your eyes in both confusion and frustration, strings of air passing through your nostrils. whatever nae was about to tell you was obviously nothing good. you didn't anticipate anything but the absolute worst. you opened your eyes again when your phone dinged. it was photo attachment from nae. you furrowed your brows blinked a few times before tapping it, pulling up you and your best friend's text thread. your entire body went limp when your brain registered the monstrosity on your screen. all you could do in the moment was stare in shock. it was a clear shot of miles and arielle at the party making out in some random bedroom upstairs. arielle who wouldn’t quit making moves on miles. miles who would shut down her pathetic attempts every time. arielle who’s always hated your guts without reason. miles who swore on everything that you were the only one he loved. 
it was all so ironic, truly. arielle was dressed as an angel, a sparkly halo hovering above her head as if she wasn’t concomitantly sinning—shamelessly home-wrecking. and you could see it now: the embodiment of your relationship, or the so-called home you and your boyfriend shared. in your mind, it was ablaze and you were curled up all alone inside of it. you were left to succumb to the searing flames, burning to nothing ash while all that you and miles share burned beside you. 
the boy would come home to the walls still burning and in the process of self-purging. he wouldn’t find you, rather the remnants of what used to be you. the ash would slip through his dirty, unfaithful fingers as they trembled in horror. he wouldn’t be able to live with himself. he’d desperately try to grasp you. he’d try to save you and scoop debris into his sweaty palms so he could salvage what was left of you. still, there was nothing. there wasn't a single thing in the universe that could aid the way you felt in that moment.
now, miles would have to mourn you, for he killed you. and he didn’t even know it yet.
your eyes were squeezed shut because they had to be deceiving you. you must not be fully awake yet. the medicine must be making you hallucinate. you were dreaming. you were a hundred percent dreaming. that wasn’t miles. 
how could that be miles?
“i was looking for lani and found… them instead,” nae muttered. “i don’t know if he saw me take the picture, or what. i left to tell you right after.”
you swallowed hard. though a million different thoughts were racing through your mind, none of them came to be verbal. you couldn’t bring yourself to say anything, because what do you even say when something like this happens? would anything you said be enough? would any quantity of words in any given order be able you place the way you felt? unlikely. highly.
your eyes continue you gape at the photo, even though the sight was making your stomach churn. you couldn’t look away. your eyes were fixed on miles' hands on arielle's hips, then her hands cupping his cheeks. nae was still on facetime explaining whatever it was she was explaining, but you weren’t listening. her words were static to your ears. there was a pit in your stomach and it was growing deeper and deeper, your wounded heart subsiding along with it. you set your phone face down on the kitchen counter and began to clutch your stomach. you swore you were going to convulse and vomit from how ill you felt.
“[name]!” nae snapped her fingers into the mic. “yo, you still with me? i’m coming over. i’m gonna call an uber right now.”
you blinked and shook your head, flipping your phone back over and taking a deep breath. you couldn’t just shut down, not now. you had something you needed to confront. someone.
“no,” you sniffled. 
you didn’t even notice the hot tears rolling down your cheeks. you quickly swiped them away with the sleeve of miles’ hoodie. the realization that it was his hoodie you had on made you freeze up again for a few seconds, and then you buried your face in the palms of your hands.
“what do you mean ‘no?’” nae frowned, bringing the speaker up to her ear in case she heard you incorrectly.
your phone dinged three times. in your notification center were text messages from the devil himself.
miles: hey ma, i’m leaving now (11:25 pm) miles: the party was okay at first but it got boring (11:25 pm) miles: i’ll be there in like fifteen ❤️ (11:26 pm)
you just stared at the messages, biting your bottom lip until it began to draw blood as a plea for you to stop. the taste was metallic in your mouth, but your teeth didn’t budge. you didn't want miles over anymore, but it was far too late to tell him to turn around. it's not like he'd check his phone while he was driving, anyway.
“i keep losing you, girl."
you had forgotten all about nae for a second, her voice grounding you back to earth. you exhaled, your breath coming out unsteady. “miles is on his way over. after i talk to him, i’ll call you and you can come over then.”
“okay, babe,” nae nodded with a gentle sigh. 
“do… lani and sasha know?” “no, they don’t,” nae denied. “i wouldn’t tell them before you.” 
you pressed your lips together and silence engulfed your kitchen. you let your mind wander some more. after all this was over and done with, you'd have to explain to all of your loved ones that miles cheated on you. the very thought of having to tell everyone—your family, your friends, your dad—it embarrassed you. you couldn't stomach the very thought, so you exhaled deeply, opting to take it one step at a time. nae spoke again. “listen, if you don’t call or text me in, like, an hour, ima come over there.”
“okay," you nodded.
“remember that you deserve nothing but the best of the best. i love you so much, okay?”
“i know,” you tried to convene a smile. “i love you more.”
you hung up the phone and rid of any stray tears on your face. after nae's face vanished from your screen, you were left staring at you and your boyfriend's message thread. without putting much thought into it, you began to type.
‘cool, i’m jus—'
your fingers froze. you couldn’t text miles. he didn’t deserve anything so little as acknowledgment. you repeatedly hit backspace until the bar was blank and shut off your cell.
you sat idly on one of the kitchen stools behind the counter, your instant ramen long forgotten about. in the moment, you were feeling indifferent as a result of shock. still, you knew yourself better. when miles finally confessed his sins, you’d want to scream. you’d bombard him with a million questions at once, only to angrily invalidate any explanation that passed through his adulterous lips. you’d want to burn every handwritten love letter, every piece of clothing, and every gift, because they all meant nothing now.
he was a liar, and he knew it. if you could kill a man and face no consequences, miles might’ve been gone before he even walked through your door.
while you waited for him, you sat there and tortured yourself in thought. you couldn’t help it. was this planned? was this the first time? had he always thought of her like this? did he wish you were her when he was with you?
when you’d exhausted all of those questions, you began to think back to your own actions and behavior as you scrolled up on your texts with him. 
maybe i said something that upset him? but i think he would've told me... right..? or have i been distant? no, that’s not possible. we talk every day. is he bored of me? is that it? am i boring? none of these texts are showing signs of boredom, so what is it?
you'd soon resorted to flipping through the pages in your diary. you were really good about documenting your day-to-day life. if something happened with miles in the past that your brain wouldn’t let you dig up in the moment, surely you would’ve written it there. the pad of your index finger slid across the rough pages as your anguished eyes skimmed the entries. ten minutes in, you still couldn’t find a thing. you'd give anything for a straightforward answer, but you knew it wasn't going to come from miles himself.
when you heard a key grinding into the keyhole of the front door, you slammed your diary shut and jumped off of the stool, knocking it over in the process. you sprinted upstairs to your bedroom, shoving the journal under your pillow. as you trailed out of your room, you closed the door behind you and braced yourself for the worst. 
you shuffled back to the kitchen and picked up the stool from the floor, setting it upright. you caught a glimpse of miles unlacing his jordans at the front door. this was real. 
“hey. i thought you’d still be in bed,” miles grinned as he approached you, spreading his arms for a hug. he wasn’t in his costume, but in a red hoodie and black sweats. he must’ve gone home to change. his costume probably smelled like arielle’s designer strawberry-scented perfume, the one everyone compliments her on. she never shuts up about it.
“hi,” you whispered, accepting his hug in an attempt to seem normal. “i was, but i got hungry. how was the party?”
miles smelled like his favorite cologne, except the scent was unusually potent. it wasn't faded in the slightest like it normally was after he'd been out and around other people. the deplorable amount of effort he was making just to mask the truth infuriated you. it angered you even more that he clearly wasn't planning on telling you anything. if you hadn't seen it yourself, you might've never known.
“it was ight,” he shrugged, loosening his grip on you after a couple of seconds. you hated yourself for wanting to hug him for just a little while longer. he sure as hell didn’t deserve it, but for all you knew, that was the last time you’d be in his embrace. he let his hands fall down to your waist instead and it made you shiver on contact knowing he had his hands on arielle's waist not even a full hour ago. “would’ve been better with you there, y’know. you feelin’ okay now?"
“mostly, yeah,” you responded blandly, your throat tight and your voice fairly groggy. “still a bit tired.”
you didn’t know how to bring it up. this wasn't something you could beat around the bush about. you found yourself deep in thought. so deep to the point where you didn't notice that miles had started talking. you were busy staring off into space with half-lidded eyes, way past his gaze. he clocked it and moved his head so that your eyes were boring into his by force, his eyebrows lowering in concern.
“is everything okay?”
you cleared your throat and gently pushed his arms off your waist, stepping back as you began to blink back tears. there was no easing into it. standing there in front of miles pretending like everything was okay was already bad enough. it felt like you were twisting the knife that he plunged into your chest. eyes glossy, you swallowed hard and batted your lashes a few more times, desperately trying to rid of the tears that threatened to spill.
“i know you kissed arielle at the party,” you barely managed to speak the full sentence, your voice cracking when you spoke her name. “and i’m confused.”
miles’ eyebrows knitted to be one as if this news stunned him. you wished you could hear all his thoughts from start to finish after you spoke. you wanted to know whether he was planning to lie or tell the truth. would he gaslight you or admit to his wrongdoings? you wouldn’t find out now because you didn’t give him an option. this already hurt enough and it would end the same either way.
“nae told me. and she sent me pictures.”
silence fell between the two of you. it felt like it was eating you from the inside. the chirping of the crickets outside and the noise from the refrigerator running slightly compensated for it. not much.
“i just wanna know why you did it. and why her? why the girl that hates me with every last atom in her body?” you broke the silence, shrugging your shoulders. you were hugging your arms, rubbing them in an up-and-down motion as if you were cold.
miles was dumbfounded, guilt painting his features. he couldn’t meet your eyes anymore. you wondered what you would say if you were in his shoes, but it didn’t give you any insight because you knew you'd never do this to him, so you gave up. instead, you stared at the neat middle part in between his two signature braids that cascaded down the back of his head, down to his shoulders. you’d braided his hair only a couple days ago, back when nothing seemed impossible—nothing like now. 
though he wasn’t, miles’ hair still looked clean, freshly done even. what if arielle had redone his braids for him? she did say she was practicing, and she'd made it a goal to practice on him. you mentally cursed yourself for worrying about something as minuscule as miles' braids at a time like this. you didn't want to give yourself another reason to freak, but your brain wouldn’t let you rest. not even in silence. if miles wasn’t going to give you an answer, you’d send him on his way and come up with one by yourself.
“i don’t know why i did it,” he finally retorted.
“oh, word?” you laughed humorlessly. you were trying not to slap the hell out of his shamefully beautiful face. “it happened not even two hours ago. you know why you did it. your memory is sharp, it always has been, so tell me.”
miles exhaled, rubbing the palm of his hand on his forehead. “look, she came onto me while i was grabbing a soda. it was a heat-of-the-moment kind of thing! it didn’t mean any—“
“that’s what they all say, morales,” you cut him off with a scoff. “it didn’t mean anything but somehow you traveled from the kitchen downstairs to a spare bedroom upstairs so you could swap spit without anyone catching you?!” miles tried to speak, but you cut him off again. “were you even gonna tell me? because you came up in here acting like shit was sweet as if you weren’t just making out with the girl you swore i’d never have to worry about, meanwhile, i was home, sick! a fucking cold, miles!”
“i wasn’t gonna keep it to myself. i didn’t wanna hurt you,” miles said, pinching the bridge of his nose. “it wasn’t gonna happen again, i swear.”
none of the words miles spoke were convincing enough for you in the slightest, so you disregarded them.
“did i do something to you? are you holding a grudge about something and trying to get me back?!” you yelled, your voice trembling.
“no, it has nothing to do with you!” he hollered back, squeezing his eyes shut as if he was stressed out. he had no right.
“so then why the fuck would you go and do this shit?!” you were silent for a few seconds, chest heaving up and down while your heart beat out of your chest. your breath was sprinting away from you and you were trying to catch it. "it's bad enough that you kissed another girl, but arielle?"
miles pleaded, “it was a mistake.”
“damn right it was!” you narrowed your eyes to slits. “i can’t believe i trusted you, like, seriously. you’re sick.”
“i let you down, princessa, i know, i’m—“
“sorry?” you finished his sentence, folding your arms. you were far more angry than sad now. “miles, you weren’t sorry when you were kissing her. don’t be sorry now either. you were gonna kiss me with her bright pink lipgloss dried on your lips like it was nothing. you were gonna sit here and play me like i'm stupid. you were never gonna tell me!”
miles couldn’t counter that. he knew you were right, so it was back to uncomfortable silence apart from your hefty breathing and sniffles. miles had never seen you so angry. you'd never seen yourself so angry. there was no one else to blame but miles. you had no idea where to go from there. it was only after you asked the question that you were about to ask on impulse that you realized you should’ve wrapped this up many minutes before.
“is this the only time this has happened?”
miles was hesitant, his eyes growing wider. “yes!” he spat.
miles had a tell—not just his disinclination to answer your question the way he normally would, but also the way his eyebrows would position as if he wasn’t so sure himself. his teeth would clench behind his sealed lips, but you could tell because his jaw was tight and he swallowed hard, and he wouldn’t know what to do with his hands. 
you knew all of this about miles, yet you felt like you were gazing into the eyes of a stranger. 
this wasn’t the miles you fell in love with.
you muttered under your breath, “you know what? i’m wasting your time... and my own. you won’t have an answer that’s both truthful and something i wanna hear. we’re done, you and i. give me the key and get the hell out.”
“mami, come on—“
“nigga, deuces! i said leave!” you snapped as you backed away from him, holding your hand out.
miles dug deep in the right pocket of his black sweats, handing you the key. you flinched when your skin made contact with his. you didn't hesitate to trap the key in the palm of your hand, dropping your arm back down by your side. miles sighed to himself and trudged to the door to lace his shoes back up. you didn't even watch him leave, opting to turn around and battle the tears threatening to spill from your eyes instead. when you finally heard the front door shut, you rushed to lock it. you turned around and pressed your back to the door, face twisted in pure disbelief. 
this was real.
you slid down to the floor and pulled your knees to your chest, your cries echoing through your empty house. you’d never been more grateful that your father was gone for the weekend. miles wouldn’t have heard the end of it. at least now you had time to make up some lie to cover for miles' ass, and it'd be the last damn time.
not even five minutes passed before someone knocked on the front door three times and you sniffled. miles was going to drive you insane. “go the fuck away!”
“it’s me, baby,” a muffled voice said from outside, but it’s one you recognize, and it’s most definitely not miles.
you wiped your tears with the sleeve of miles’ hoodie and stood up, twisting the lock to open the door for your best friend. she was holding a box of pizza in her hand with a tote bag strap over her shoulder.
“you’re early,” you mumbled, one of your hands pressed against the rim of the door.
“i ubered home and got my car. when i got here, i just parked and waited,” nae pushed past you. you closed the door and locked it again, following her to the kitchen, where she set the box of pizza down on the countertop. “you wouldn’t have called me either way. i know you.”
she was right. you weren’t mad at her for being there though. she had always been so good to you.
nae walked over to the dining table and placed her tote bag in one of the chairs. “i brought your favorite type of pizza, and i stopped by the store to grab some snacks and soda. those are still in my car though, so—”
“i don’t think i can stomach anything right now,” you stated as you rubbed your arm. “i broke up with miles.”
saying that out loud felt weird. and final.
“oh, my love,” nae’s brows lowered and she shuffled over to you with open arms. she wrapped them around you and you did the same, sighing into her shoulder. you really didn't want to cry.
it hadn’t been long and you were already over feeling the way you did. you wanted to fast forward to the part where you got over miles for good. as an attempt to console you, nae was rubbing your back in a circular motion. 
“you did the right thing,” she spoke lowly.
you withdrew from the hug and slightly opened your mouth, fixing to ask nae a question only god knew how to answer. “why did he do it though?”
she led you to the couch in your living room and sat you down, massaging her thumb over yours in a back-and-forth motion as your hand stayed clasped in hers. you stared down at your lap, sniffling every couple of seconds and swiping away stray tears.
“boys are just greedy, babe,” she shook her head. “so very greedy. they want it all. there are so many different reasons why people cheat. it’s difficult to pinpoint just one. my random guess is that… miles has issues?"
“issues?” 
“mm-hmm,” she hummed. “internally. maybe he's insecure about himself, i don't know. whatever it is, it doesn’t justify infidelity. you were more than enough, it was him who was lacking."
“i don't get it. i mean, none of this makes any sense… unless i'm blind or stupid, it came out of nowhere. literal thin air. and when i asked, he said he didn't know why he kissed her,” you muttered.
nae sighed. “even if he isn't lying, he still did it.”
“i know,” you nodded. “and i'm sure it wasn't the first time. that’s why i left him.”
“and i’m so proud of you for that,” nae gave your hand a tight squeeze. “walking away isn’t easy for anyone. it takes forever for some people, but you did it just like that.” 
“yeah, well, i kinda had to. it’s bad enough that arielle is gonna rub it in my face until we graduate, and even after that, she’ll probably find a way to .”
“there won’t be any of that,” nae promised. “miles isn’t going to take her seriously—if he even takes her at all. he lost you because of what he did with that bitch. he won’t even be able to look at her without feeling guilty.”
“she can have him, i don’t care either way,” you scoffed. that was a lie. you did care. you cared more than you’d let on if you ever even admit it.
“yeah, you do,” nae raised an eyebrow as if she had effortlessly read your mind. “let yourself feel. it’s how you’ll heal.”
“oh, i’m feeling alright. i’m weighing the pros and cons of murder,” you shakily exhaled, balling up your fists and closing your eyes. “i can’t believe this nigga. seriously.” 
“i’d help you, but i’m not going to jail for him and neither are you.”
you let out a soft sigh, your gaze now fixed on your lap. the tears welling up in your eyes were beginning to cloud your vision. how someone could throw away so many years of loving one another so easily was so far beyond you.
“nae, i’ve been with miles for so long. he’s always been there—i don’t know how to be without him. he’s why i gave love a chance after swearing not to... now he’s shattered my perception of it. the worst part is i should hate him, but i don't. somehow, i still love him and—”
“hey,” nae cut you off. “that’s normal. how you feel is normal.”
you sniffled. “is it?"
“pshh, girl, yeah,” nae assured you, flicking out her wrist. “listen, breakups are terrible. you’re gonna cry and scream. you’re gonna wish you never met him. you’re going to go through old texts, swipe through old photos, and mope in his hoodies. all of that is okay. the worst thing you could ever do to yourself is force yourself not to feel,” nae paused. “if this is who he really is, then it's not your loss. i know it doesn't feel like that right now, but trust me... it just takes time. i don't know how long, but i know my best friend, so no matter how long it takes, you’ll be better than good without miles. i promise." "i'm still gonna miss him," you muttered, sniffling and drying your tears as they fell. nae wrapped her arm around you and exhaled. you sobbed into her shoulder, releasing all the pent-up frustration you'd been concealing in the name of keeping your cool. you'd never felt so inconsolable in your life. "i know, babe. i know."
❤︎₊ ⊹
it was late. 3:28am. time had never moved so slowly. you were genuinely considering calling 911 and telling them you were suffering from a heart attack. you were thoroughly convinced that this was damn near the same exact thing.
the moon wasn’t full tonight, but a waning crescent. it reflected you and how soulless and dejected you felt. the moonshine bleeding through your curtains was also the only source of light you would tolerate, the rest of your bedroom completely dark. you lay on your side facing the window, allowing the icy gusts of wind to hit your face. you were practically drowning in a sea of blankets all while still being in miles’ black hoodie.
nae was gone. she’d left about two hours ago, but not before suffocating you in countless hugs and forcing you to eat a slice of pizza and drink two glasses of water, despite your not wanting to ingest anything due to your unwavering nausea. you told her you’d be okay alone. you knew you wouldn’t and so did she, but you wanted to be alone, so she gave you your space and promised to check in on you when the sun rose. you loved nae dearly and you'd never take her for granted. you felt lucky to have such a kindhearted best friend.
you'd been in a 1v1 with your thoughts for a while now. your phone was powered off and shut away in one of your nightstand drawers to help resist urges. you hated that you wanted to call miles, but you did. you wanted to scream at him. belittle him until you just couldn’t anymore. and you wanted him to sit there and watch you do it without protest. you wanted him to be honest and tell you the truth. you wanted him to promise it would never happen again, and then you wanted to curl up under the covers of your bed with him and sob in his arms while he planted kisses on your forehead, apologizing profusely. you wanted him to tell you he loved you until you believed it again.
you couldn’t do any of that—you wouldn’t. it’d mean you have no respect for yourself. it felt like you hardly had any now, so you needed to keep the scarce amount that remained.
your thoughts were blank and sporadic all at once. you’d never been through a breakup, but you had a rough idea of how these things go, so you spent some time mapping it out in your head.
you'd eventually have to meet up to exchange one another's belongings. maybe rio would apologize on miles’ behalf and say she’d always love you. she’d call you a couple times a week. the calls would eventually come slower and grow more infrequent. soon, the calls wouldn’t come at all. even if there was the acknowledgment that rio’s arms were always open for you, they’d still feel closed. you'd treat them as such.
you'd barely eat because you couldn't stomach a single thing. you'd rot in your bed and binge all your favorite movies and shows. you'd go to war with the urge to run back to miles. you'd read old diary entries where you were gushing about how much you loved him and how amazing he was to you. you'd look back at old photos and videos. you'd reread old texts until you were sobbing so hard that you couldn't breathe.
you'd write letters that nobody was ever going to see and all the tears you shed would smudge the black ink and ruin your fancy penmanship. you'd lie to your dad and tell him that your relationship had just run its course and that you and miles needed to work on yourselves. your friends would check in on you, and of course, you'd tell them that you were okay every time, even if that was the furthest from that.
word gets around fast. when this dreadful weekend was over and monday crept up on you, you'd have to return to school and deal with the piercing stares and shameless gossip. you weren't ready for any of it, because now, everyone at school would know you as the girl who got cheated on by her long-term boyfriend for arielle. rumors would spread. words would be twisted and lies would be told, both about you and miles. in retrospect, it was all the more embarrassing for miles, but you still felt utterly humiliated. not to mention that you had no doubt in your mind that arielle was ready to run to his defense, preferably by kicking you when you're down.
sometimes, just for a fleeting moment, you'd forget about it all and your mind would go quiet. your heart wouldn't swell in longing and you wouldn't feel sick to your stomach. it never did last long before the same thoughts you desperately wanted to leave you alone started to pester you again. "but you two seemed so in love!" nosy girls at your school masking their prying motives behind what they thought were "supportive words" would soon tell you. the worst part is that you'd never know how to respond, because you thought you and miles were in love too. he was your sun and you were his moon. how could you so quickly forget that the sun didn't need the moon to shine, it was the other way around? you thought it was and always would be your heart tethered to his, but now you were left with a broken chain and a heartache.
you thought things would be different with miles. you truly did. now you knew that anyone could screw you over even if they crossed their heart. there weren't any exceptions, not anymore. miles proved that you can do everything right and still get done wrong. it wasn't fair. you should've known you weren't exempt from something like this happening, yet you still let yourself believe you were. maybe you jinxed it, or maybe you thought your case was special. maybe you thought this would never happen because you believed you were special. you only did because he made you feel that way.
you were sick and tired of brooding over your misfortune. you rolled onto your back with a frustrated groan and gaped at your ceiling, the cold air from outside still blowing against the side of your face. as exhausted as you were, sleep just wouldn't grant you sanction in its assuaging embrace.
what hurt the most is that you were so sure that you'd bagged a kind of love that was for the books. the kind of love you thought you could only dream about. though you weren't searching for him, the stars sent you miles morales. in your eyes, he was perfect. you loved and adored him, and swore he was your soulmate, made just for you. he was godsent and you never wanted to let him go, until tonight, when you learned that you were never the one who needed to hold on to begin with.
you came to the humbling conclusion that maybe the reason people told tales of faultless love was because real love was far too sickening to bear. it was merely a way to cope. nothing more, nothing less. maybe "happily ever after" had been a hoax all along. all the fairytales you had read growing up always began with “once upon a time”, but your story with miles ended with it, because loving him was easy—once upon a time.
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maliland ©
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satosugusandwich · 2 months
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𝔏𝔢𝔱 𝔐𝔢 𝔖𝔢𝔢 𝔜𝔬𝔲’𝔯𝔢 𝔐𝔢𝔞𝔫…
True Form!Sukuna x Fem!Afab!Reader (This is an AU!!! Sukuna is not a homicidal maniac cannibalistic murderer! I think he’s sexy and my morals say no dick from crazy murderer BUT dick from crazy 😍)
CW: violence in this chapter, threats, bloodiness, implied sexual violence and objectification
Description: You've been friends with Yuji Itadori for some time now and have seen the best, the worst, and the strange in all your years of knowing him. You've never thought he was one to have any crazy secrets and well... you were wrong. And now the demon bound to Yuji is bound to you too! How fun! Good thing that you aren't stupid and won't fall for a being that by no means should you have ever interacted with! Right? Right...?
*despite this being an aged up version of yuji, there will be no sexual stuff involving him, also the violence is only in the first chapter with a few mentions after that!!! Cross posted on Ao3 under Spicycrunchroll! THERE WILL BE LOTS OF SMUT LATER ON!*
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Chapter 1: Never Again.
Poor you, stuck with a gay best friend and his gay boyfriend and exclusively terrible, gross men. The struggle of getting a good man was hard enough, let alone getting some good dick. Even gay men will tell you how bad some dudes are. Its one thing to finish in 2 minutes and cry after, at least there's sympathy, but a whole other thing to just be kicked out of the guy's house immediately and left wearing d r y panties with cum on your shorts. Yeah, never hooking up again, you tell yourself each time. Now, you found yourself wiping the oil off your face with a clammy hand while dialing Yuji's number, having just been booted out this guys house in the middle of the night. It rang only about twice before he picked up.
"Please don't tell me something bad happened." He said on the other line.
You sighed, walking to the end of your date's driveway and sitting on the ground. "Worse than usual. Can you pick me up? I'll send you the address." Your head hung low and your eyes felt heavy, wanting to cry but not having the energy to do so. At this point, you're never fucking anyone again. Let alone agreeing to suck them off before you get off. "I should've known that all his talk were lies."
You could hear him breathe in. "Yeah, I'm coming. Wanna stay over?" He asked jubilantly, as if to raise your spirits.
You smiled softly. "Could you stay at my place instead?"
"Hell yeah!"
You said your goodbyes and opened your phone, aimlessly scrolling on social media while looking for something to distract you from the disappointment of being used up and left to the corner, dehumanized again by a shitty man with a big ego. God, it made you sick. It wouldn't take long for Yuji to get to you, but it wasn't fun waiting either. Each minute ticked on by as if an hour had passed and all you wanted to do was throw away your shorts and shower off the stench of vape juice and alcohol. You didn't want to get in his car and start sobbing about how you wished you never did what you did, not because Yuji wouldn't listen, but because of your own embarrassment. Itadori has always been kind and much more level-headed (at least with this, he's usually just as stupid as you) so its extra embarrassing to have to tell him you sucked off a guy who didn't even get you wet. At least he was clean, you tell yourself, deleting Tinder from your phone for the last time. Never again will you take subpar dick from grown men who act like children! No, from now on, your body only allows worthy men, men that would worship you like you'd worship them!
After sulking for another five minutes, the engine of a car in the distance rumbled in your ear. Straightening your back, your head turned in the direction of where it’s approaching. It’s approaching way too fast for a regular suburban neighborhood. Rising to your feet to take a step back, it already turned down the street you happened to be on and you could hear sirens go off in your head, especially as you noticed that none of their lights were on and they definitely didn’t have tags. The van sped past you but they started to slow down before they reached the end of the street. You felt your heart rate surge when you realized they came to a complete stop. At that moment you realized that they were turning around.
Quickly, your legs brought you to the house you had just left and you banged on the door for a few seconds and screamed.
“Hey! Let me back in!!! It’s not safe!” The roar of the car started again and your intuition told you to run so that’s what you did.
Fuck, who knows who these mother fuckers are! Your mind is racing thinking about what they could potentially do if they caught you. Did they know you were here? Did they just happen to see you? Or… did the motherfucker inside of that house tell them you were here? Oh fuck… that’s why he kicked you out.
Tears started falling from your eyes as you ran through these people’s yards, you could see lights coming on in some houses, but it was no use because the car behind you stopped and three men came out the side door. You prayed that your human survival instincts would kick in and catapult you to go faster than you were, but they were bigger than you and right on your tail. Your legs ached and burned, practically sprinting and trying not to trip in the road. You didn’t dare look behind you, scared to slow yourself down, and scared of them. You kept on running and running until you reached the end of the road and saw headlights.
“Yuji!” You screamed, recognizing the shape and color of his car. With you out in the road, he stopped abruptly and you could see his body jerk with the impact. The men behind you cursed themselves but you felt hands on you faster than Yuji could process what was going on.
“Get her now! He’s coming behind us we’ll throw her in!” The man lifted you and you screamed again, but a hand swiftly covered your mouth. Yuji was out of the car and lunged at the guy holding you captive but was quickly stopped and apprehended by the other two.
“The kid has some fucking balls!” The biggest of the guys holding Yuji shouted, earning a strong blow to the chin. You thrashed against the man’s body as the large van from earlier came up right behind you.
Yuji looked at you as blood dripped from his nose. “Y/n! I got it, I promise!”
You held out hope and believed him even as you were thrown inside the van and the driver pulled away from the scene, leaving the two men with Yuji and you with a man wearing all black pressing you into the floor of the van. Tears spilled from your eyes, angered and terrified at the same time.
“Looks like we got a real good catch!” The driver harrumphed. “Bet she’ll go for a pretty penny.”
Your mind practically stopped when you heard those words. You were going to be sold, like an object, like a slave. The horror of it all made your body go numb and eyes go wide and then you closed them.
“Please.” You begged. “Please let me go.” Your voice was hoarse and you could taste your own tears as your mouth opened.
“No can do. We were told that you’d fetch a high price with your skills. Don’t worry, some girls get a good owner.” His voice was menacing and cold, but he spoke as though he actually fucking believed it. He didn’t even laugh at your pain like a monster would, he was just indifferent, emotionless.
“Please.” You begged again. “I can’t do it, please let me out!” This time your voice raised. “Help!” Your mouth was stuffed with cloth and your face was buried more into the floor as he bound your wrists.
The driver started to chastise the other man. “Why didn’t you gag her right away, the dumb bitch is louder than a dying cat!”
The other man cussed back. “Shut the fuck up, there isn’t nobody coming after us!”
The van stopped so fast you and the man were flung to the front of the car, colliding with the back of the front seats.
“What the fuck!” The man that was holding you down swore. His arms were now off you and the bindings he attempted were loose enough that you released your wrists and went for your gag. “No you don’t!” He reached for your clothes, yanking you back. Before you were held against your will again, the entire van split down the middle, from door to door. The back half of the van was flung off to the side before it became a cut up mess in the middle of the road.
Then you saw him. His hair was the same color as Yuji’s but was much less controlled. You could see what looked like four arms and a giant smiling mouth in the middle of his stomach. Every single person in the van went still and silent, staring at him. The creature looked inside and dead at you, bright red eyes gleaming in the moonlight. All four of them. Even the two on the side of his face that looked almost like a mask. He can’t be real. The tattoos all over his body were arranged in such a pattern that it was beautiful but something that scared you even more.
The creature spoke. “Now.” His gaze shifted from you to the man holding you. “I prefer it when I can get a good fight out of my opponents, but you lot are pathetic.” He looked disappointed. “Normal humans…”
No one spoke and he pouted. “Not a single retort? None of you pathetic excuses of flesh can say a word? You had a lot to say about selling the woman, can’t you entertain me? Or are your brains so simple you can’t think outside of making money off selling one of your own?”
Their own? Did he mean… humans?
The man behind you was shaking. And you could definitely feel his pants getting wet.
The creature before you sucked his teeth. “Boooring.” He narrowed his eyes. “And pathetic.” The vehicle was slashed once again, this time cutting into thirds, leaving you and the man holding you isolated in the middle while the other two thirds, including the driver collapsed around you. You heard squelches of flesh from the front and gasping. “You said she sounded like a dying cat, hm? Since you prefer the quiet so much, I thought I’d help you.” The creature chuckled.
The man holding you finally let you go, and he turned around to see the driver. You didn’t look. You knew what the creature did. Scurrying away, you realized headlights were approaching again and… it was Yuji!
“Ahhh, the brats already here. Well, I can’t kill you lot so how about I leave the piss-soaked one with a lesson.”
You didn’t know if you should thank the monster or run from him. You decided to run toward Yuji’s car.
Another crack resounded in your ears and then a gut-chortling scream resounded from behind you. “There we are. Something nice and fast. I hope they don’t find you until the morning.” You didn’t want to know what he did, you didn’t want to dare to turn around, all you cared about was the car door opening for you and Yuji’s comforting presence.
He looked so relieved to see you. “Y/n. I’m sorry I didn’t get here sooner. Don’t worry about those guys. I got you now. Sukuna won’t kill them, he can’t, but they’ll never ever do anything like that again to anyone.” Those were the first words to meet your ears. You didn’t say anything, all you did was sob in the seat next to him as he drove off and away from the scene. You didn’t ask anything. You didn’t want to. All that mattered was getting the fuck away from this and home and into a clean bed.
You could care about this later.
“I would’ve killed them if it wasn’t for this contract.” Your heart jumped out of your chest as the monster’s voice resounded in the backseat. “Sorry you don’t get the pleasure of knowing they’re dead.”
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aoxizu · 1 month
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i have another 2.1 character dynamic post in the recesses of my brain but i need to get this out first
star rail's 2.1 update main plotline leans a lot more into existentialism and absurdism than i thought it would which is a really nice surprise
like i thought before 2.0 that at most it was just going to be some "oh no capitalism bad ipc bad cults also bad" thing but honestly what we got is so much more interesting. the spoilers start now
also massive disclaimer i am not a philosophist and actually i really don't like philosophy because it makes my brain hurt and i would much rather just look at logical nice things like math and plants so. if i get anything wrong please correct me
acheron's past and how she became an emanator of nihility reminds me somewhat of the absurdist theme of how people always look for meaning when there isn't any, until they finally realize that the universe is meaningless
and the entire path of nihility basically is a road towards that realization that people tread on, and the difference between the real world and star rail is that in the real world here we have people who will see that and then go write a book about a guy not crying at his mother's funeral, whereas in star rail it seems that just accepting that the universe is meaningless turns you into a pathstrider or even emanator of the nihility (not sure if i remember the details, correct me if i'm wrong)
and then aventurine's whole motivation is trying to understand why the universe is so cruel to him, and to find meaning when you have everything except freedom, both of which are absurdist themes
the leap of faith argument often attributed to søren kierkegaard claims that even though there is no rational logic for believing in god, you should do it anyway because the alternatives are madness, suicide, and ignorance. this was one solution to the problem of confronting the universe's meaninglessness: choosing to believe in a higher being regardless
later world wars i and ii both contributed heavily to the rise of absurdism as people returned from the war, having seen so many others die around them, and then just going back to a normal society with none of what they as individual soldiers had contributed seemingly doing anything. and then it happened again, but on a much greater scale with even more deaths. both wars and the destruction they brought led many people to start questioning why a supposedly moral god could allow this suffering, and this is where camus comes in and says that actually religion and nationalism both aren't good solutions, and instead we should just accept meaninglessness and keep living despite the absurdity
and i think dr ratio's scroll thing kind of relates to that
he tells aventurine to open it when he's about to die, or when he's completely out of answers for the question of how to confront absurdity
and dr ratio's answer for aventurine is to just tell him to keep living, good luck
which is. yeah
it's the argument that there are more answers to nihilism than just 1) going insane, 2) pretending like it doesn't exist, and 3) dying
it's the bold claim that despite everything, you can still choose to live
sure nothing makes sense but that does not detract from your life. it doesn't need to make sense at all
and with the understanding that things do not need to fit our human definition of meaning, we can continue on knowing our true place in the universe
and with that aventurine walks into the very big black hole like look at that thing you cannot tell me there is no symbolism there
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let's go back to acheron.
in the part where you get a snippet of acheron's conversation with some guy just before this cutscene, the other party states that "[IX] leave[s] woven strands of fate for humans to walk, and together THEY weave a great shadow...And this shadow silently envelops them."
which to me sounds like a statement on how people across time and space have again and again come to the same question, what is the meaning of life?
and acheron's whole color thing seems to mean that she is one of the few who, after walking so far on the path of nihility, somehow have not died yet, be it from madness or something else
like it seems implied that many many more have seen the meaninglessness of the universe and have not reacted as well as acheron has
ok i have more to say about the elation and how it in turn relates to the nihility but that will have to come later but there is. a lot of interesting things there to explore
once again disclaimer: I Am Not A Philosophist And Do Not Know What The Correct Definitions Of These Words I'm Throwing Around Are. thank you for coming to my ted talk that was more of a longwinded ramble
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cedarxwing · 3 months
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Hannibal Season 4 Plot Ideas
The main concepts that keep coming up in interviews of Bryan Fuller and some of the cast are:
"Will Graham's broken mind" and "memory palace bullshit"
"Inception meets Angel Heart"
an interesting return to season one dynamics, but flipped
deeper exploration of Will and Hannibal's relationship than in previous seasons
stuff from Hannibal the novel that no other adaptation has done yet.
we're in Cuba
So based on that, here are some possible story beats for S4 (picking up right after the Fall as if the show was never cancelled):
We start out in Cuba. The most obvious reason? To hunt down one of their victims that have fled the country, as Hannibal does at the end of Silence of the Lambs. Based on interviews, it's clear that Chilton would remain in the US to head the BSHCI again (how is he alive, let alone working?), so it's more likely that they're hunting Bedelia for the post credits leg scene.
Will Graham's Broken Mind
During the Fall, Will suffers a mental schism that splits his personality, similar to the detective in Angel Heart. I don't think he literally has a split personality disorder, but he compartmentalizes his killer/Hannibal self from his moral self. When he participates in murders, he's not quite himself, viewing it through a dream lens (we saw a little of this when he was killing the Dragon). It's possible that he takes on personality traits from killers in season one, or even has to fight against a Red Dragon personality ("You can always toss the Dragon to someone else." "Will Graham interests me.")
I think we'll see a return of the teacup metaphor relating to Will's mental schism, since their reunion represents the "teacup coming together again" the way Hannibal wanted it to in Digestivo. "Not even in your mind?" Well, the teacup HAS come back together in Will's mind, because there's no other way for him to accept his feelings for Hannibal. He mentally regresses back to season one/two and we see the return of the Abigail imago we last saw in Primavera, as well as Beverly and Hobbs and Gideon and all our other friends. Maybe Will thinks they're all alive again! Or maybe he thinks he's dead! This would be really poetic from Hannibal's perspective, since his arc in the novel is about dropping a teacup and "being satisfied when it does not gather itself together." So it would be perfect for the cup to gather itself in Will's head and for Hannibal to realize that's not at all what he wants.
Will hallucinating Abigail would be a fun way to get the "murder family" dynamic. "It's hard to grasp what would've happened, could've happened. In some other world… did happen." Well, we can see that world in Will's broken mind!
I don't have a clear guess of what a "return to season one but flipped" might mean. There are lots of possibilities...
1. Could refer to Will's encephalitis days when he wasn't sure if he was committing the murders or not, except this time he's committing them. Maybe he has a pendulum wipe moment and thinks he's reconstructing a murder instead of committing it (like a reverse of the Georgia Madchen murder in Buffet Froid). Going extreme in this direction, maybe he analyzes his own crime scenes with Hannibal in therapy. Maybe Beverly shows up at an actual crime scene and helps him "analyze the evidence."
2. Could refer to his dynamic with Hannibal. According to the rest of my bullet points, they return to their therapy sessions, but with memory palace elements and hallucinations, etc., but this time Hannibal is trying to fix Will instead of breaking him down.
Something from Hannibal the novel that no one else has adapted
This could be a few things, but I think it's most likely the end of the novel where he's brainwashing Clarice. Hannibal would use drugs and hypnosis ("therapy") to help Will merge his two halves and fully accept who he is. This happens in different places in their memory palaces, kind of like the white space dinner scene from Dolce, or when they were jumping around to different places in the Red Dragon investigation. To be clear, they're on friendly terms. Will consents to this. He has ample opportunity to escape and go back the US if he wants. We might get a lot of information on Will's childhood and backstory, maybe a "saving Hannah the slaughterhorse"/"silence of the lambs" moment. I'd like to see him as a cop working in New Orleans. The time he got stabbed. The time he didn't have the stomach to pull the trigger. This would be a nice reverse from the S3a dynamic where Will was delving into Hannibal's backstory. :)
Part of this "therapy" could be helping Will let go of Abigail the way Hannibal helped Clarice let go of her father. This plot beat has already been done twice in the show (1. The Primavera line "A place was made for you, Abigail. The only place I could make for you" refers to the place in Will's mind. 2. The WCWTS scene where Hannibal helps Abigail let go of her father. "What you need of your father is here, in your head.") BUT I still want to see it with Will/Hannibal. What I'm really saying is it would be cool if Hannibal showed Will Abigail's skeleton to convince him that she's dead and Will cried over her skull.
For the other half of Will's therapy, Hannibal has to get him to really delight in a murder when he's fully present as himself (Similar to how Clarice ate Paul Krendler's brain. Similar to how Hannibal wanted Will to kill Mason Verger.). Ideally the victim wouldn't be a criminal (Will is already fine killing murderers like Dolarhyde and Bedelia), but a representative of the corrupt judicial system. Someone who has personally slighted Will. An FBI official that Will HATES enough to eat their brain. The perfect option is Kade Prurnell (whose name is an anagram for Paul Krendler!). So yeah I think Hannibal catches Kade Prurnell and they have a dinner party where Will kills her and realizes, "Hey, I don't care what Jack or Alana or the FBI or anyone thinks about me anymore. My personal ethical code is good enough for me because I am MORE ethical than the law." And then he and Hannibal can be full murder husbands after that.
Side character subplots
While all this is happening, there's an international manhunt for Will and Hannibal going on. Jack/Price/Zeller are still at the FBI, probably beefing with Kade Prurnell to establish how awful her character is. Either Clarice Starling, Miriam Lass, or Alana Bloom are on the case. The murder/disappearance of Bedelia (or whoever) in Cuba is their first lead, so everyone gets to go to Cuba!
It's been nearly two seasons since Will interacted with Prurnell, so maybe they need to have a cat and mouse dynamic in Cuba to reignite his loathing. Idk why she would be in Cuba, when she works for the OIG... but who cares! She's there, motivated by greed, basically acting as Will's Pazzi. Maybe she's bullying her underlings in true Krendler fashion.
At this point, Jack is the only somewhat moral person in the entire cast. His primary motivation is saving Will. Yep, that's right, he still thinks there's a chance to bring Will back. He's leading the investigation, but he's hoping to catch Will alone before anyone else finds him so he can try to talk him back onto his side. This would continue the God vs. Devil thing with Hannibal, fighting over Will's soul.
Maybe Jack finds Will when he's in his broken state of mind and they have a chat. I'd want this scene to function like Clarice's hypnosis scene where she talks to her "father." Jack and Will address the vague father/son dynamic they have ("I'm not your father, Will." "Abandonment requires expectation." Jack as God/Will as the Lamb). Jack forgives Will for his crimes. Will forgives Jack for sacrificing him. The conversation helps Will along in his "therapy."
Last time we saw Alana, she was fleeing on a helicopter with Margot and their son. My first thought was "Omg they're going to Cuba! They're going to get Chilton'ed in Cuba!" but Fuller has mentioned that Margot would be actively managing the Verger meat packing company as a vegan girlboss lesbian so idk. (I personally don't see how a vegan could run a meatpacking company... maybe it transitions to tofu packing).
Anyway, I think Alana's character has gotten even darker since Hannibal's escape. She's given up on Will and is completely focused on protecting her family. Knowing Hannibal is going to come to kill her, maybe she sets up some sort of trap for when they come (or she puts Will's dogs under a cardboard box held up by a stick and waits). Maybe she catches Will and Will has to pull a Bedelia and pretend he was kidnapped and brainwashed (and he kinda was, if Hannibal used hypnosis and drugs like in the book). I think it would be fun for her to finally give into her "professional curiosity" about Will and try to study him (like a Bedelia/Mason hybrid character). Maybe she teams up with Jack to use Will to catch Hannibal. It would be wild if W+H actually killed her, but maybe! Maybe she gets the Chilton treatment and lives, but gets a nice facial scar like every other fallen character in the show.
Freddie Lounds would have to come back! And I want her DEAD haha. She's escaped punishment for too long, so in my ideal S4, she writes a book about Abigail even though Will asked her not to. Maybe she's investigating/contaminating Will's crime scenes in Cuba? She's definitely gonna die, but not before W+H use Tattlecrime for some shenanigans!
Chilton loses a limb (that's really all he has left to give). In an actual S4, I'm sure there would be a plot reason for this and some other killer would probably do it, but in my mind it's a comedy beat. W+H don't even set out to get Chilton. They don't hate him, they just find him pathetically entertaining at this point. Through Chilton's own incompetence or some karmic twist of fate, he runs into them (like Barney at the opera). W+H take one look at each other and go, "You know what would be funny..."
I have NO idea what to do for Molly. I assume she's living with Wally's grandparents in Oregon. Maybe Will mails her some signed divorce papers and that becomes evidence in the investigation lol. I'd rather leave her in peace!
More serial killers who used to be Hannibal's patients! W+H read about a former patient's murders in the news and go to catch him before the FBI can (running into the FBI in the process, of course).
Other stuff
I'd love to skip around to Brazil or Buenos Aires, the South American locations from the books. Maybe Hannibal gets injured and needs surgery in Brazil, and his medical records are another lead for the investigation. Maybe the season ends with a happily ever after in Buenos Aires. <3
They pretend to be recovering from plastic surgery to hide their faces in bandages. I just think that would be funny.
Will escapes Alana's clutches by using all the serial killer skills he learned in season one. He pretends to be a dead body, wearing someone else's face as in SotL. (This was actually in the Digestivo script but it got cut.)
They steal an ambulance (and turn off the radio!) again like SotL. And then the "This is very educational" line from Sorbet would come full circle.
Someone has to send a secret message using book code. What if W+H got separated and that's how they had to communicate? Or maybe they communicate to another killer that they're hunting? Or maybe they do it just to taunt the FBI?
Jack vs. Hannibal fight scene (round 3)! This time over Will's soul. Will watches, amused (maybe in broken mind state).
(If anyone else has thoughts I'd love to hear them!)
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