#but yeah weirdly i feel like the main plot of this game is better written than the supports

[silent-partner-412]

I only just beat Chapter 8 (9? I can’t remember the exact number) in Engage and so far I definitely don’t think the story is that bad at all, I’m honestly enjoying it quite a bit. It feels like they’re doing a lot with a little in the plot, like it’s definitely a very simple premise but I feel like the different plot beats from chapter to chapter have been interesting and entertaining enough to keep my attention. Like, I think the Brodia stuff has been genuinely good.

This might just be because I’m coming off the heels of the Elibe games which have quite dull plots and an especially dull world, so the amount of world building here in comparison seems better than it is? But either way I think people who are saying this plot is horrible Fates tier garbage are exaggerating a lot lol. Obviously it’s not on the level of Three Houses or the Tellius games but if it stays good enough throughout the game then maybe it’ll at least be Sacred Stones tier? I don’t know, I’m trying to stay optimistic.

#fire emblem #fe17 #fire emblem engage #engage #all this being said #the supports are kinda bad #like there was a game journalist that said the characters seem like they were written by aliens in the supports #and i fully agree #like so many of these interactions leave me with a sense of just #NOBODY in real life has conversations like this #maybe they get better when more serious characters like diamant start showing up?? #but yeah weirdly i feel like the main plot of this game is better written than the supports #when it’s usually the other way around

[battlestar-royco]

here is part 2 of my sci fi recs masterlist! again, i could’ve gone on with even more recs but i decided to draw the line here. this set for the most part errs on the darker side, thematically, visually, conceptually etc. i personally find it super thought-provoking and intriguing but that’s just me. i highly recommend reading the tw under the cut if you’re thinking of watching, especially the matrix and space gothic slides. please view at your discretion <3

part 1/2

If you like WLW (um idk why I only made this slide based on identity; it just kinda happened lmao but I think it works):

Siren: (tw: parent loss, grief, thalassophobia) a mermaid surfaces in a cove town looking for her lost sister. Polyamorous relationship between a man, a black/indigenous woman, and the mermaid!!!! Environmentalism! As a person who has thalassophobia, I didn’t find this too hard to watch. There aren’t that many underwater scenes, thankfully.

Black Mirror: San Junipero: (tw: grief, but otherwise none that I recall; it’s pretty lighthearted) two women meet in a beach resort in the 80s and fall in love. Interracial wlw!

Orphan Black: (tw: suicide, infertility, rape implication, VB, language, drug use) a woman realizes she is one of several clones and uncovers an elaborate corporate conspiracy. This is one of my personal favorites with great rep of complex women of all ages and bodily autonomy. Several central queer characters and a black male secondary character!

Starfish: (tw: grief, a few jump scares and brief monstrous imagery, blood) after the death of her best friend, a young woman breaks into the deceased’s apartment and discovers a chain of music tapes that could save the world. Weird, subtle, and experimental. Not to sound like a surfer but you kinda have to allow yourself to be in the vibe. The main character and her friend were definitely a thing imo.

Annihilation: (tw: body horror, VB, disturbing imagery) a team of women scientists explore an anomaly that rapidly mutates genes. There are canonical and coded wlw and multiple (light-skinned) POC in this but the rep is short-lived. I put it on because although it should’ve been more ambitious with the casting, I think it breaks *some* ground for Hollywood sci fi with the all-woman team and more than one WOC. Wack ending though.

Mad Max: Fury Road: (tw: rape implication, violence) I think everyone knows about this one but: in the apocalypse, a woman breaks 4 younger women out of a harem. A badass car chase across the desert ensues. A bit light on plot/worldbuilding, but sooooo cool-looking and very thematic!!!!

If you liked STRANGER THINGS:

It: (tw: VB) don’t actually watch this lmao I’m serious. It’s really stupid, and not in a funny way. But I do think Stranger Things was inspired by this story overall. The modern It films are better but they’re also really kjslsklskls stupid? Stephen King in general is obsolete imo.

The Thing: (tw: VB) an alien that can take the form of others wreaks havoc on a scientific facility in Antarctica. It’s dark and vibey, but I feel like it’s just Alien in Antarctica with truly terrible special effects tbh?? Others feel differently. It’s also classified as sci fi/horror, so stay away if you’re easily scared! Not too good on representation.

Super 8: (tw: some language) a group of preteens witnesses an alien-caused train crash as they’re filming a home movie. Not diverse but I definitely think it inspired a lot of sci fi for the 2010s, ESPECIALLY Stranger Things. Not too scary either!

ET: (tw: it’s been a really long time since I watched so I don’t remember but it’s rated PG) I think everyone knows what this is about!

Alien: (tw: VB) truckers in space discover a deadly evolving alien. One of my favorite movies of all time! I love the aesthetic and the mood and worldbuilding so much. Ellen Ripley is one of the first Final Girls in the horror genre. I personally found this more of a sci fi than a horror movie but I’d say stay away if you’re nervous!!

Terminator: (tw: VB) a deadly android is sent to kill a woman who’s destined to birth the man who saves the world. Terminator 2 is way better imo because it centers on Sarah rather than the dudes saving her and trying to kill her. But it’s still worth a watch, you know, for the culture.

If you liked CONTAGION:

War of the Worlds: (tw: blood) pretty straightforward aliens come to Earth to take over. Sorry to rec another T*m Cruise movie but I really like the alien design and the apocalypsey feel of this one. Baby Dakota Fanning is in it too!

Falling Skies: (tw: VB, body horror, rape) alien invasion yada yada but the alien lore gets more interesting as it goes on. It’s kind of cheesy and yeah maybe I did discover it by looking up the iCarly boyfriend (and what about it??) but it’s nice to have on in the downtime. An Asian woman co-stars.

Knowing: (tw: blood) school students unearth a time capsule that contains a sheet from a girl who predicted all the tragic world events between 1959-2009. This is NOT a good movie but it’s SO hilarious to me because of the acting and contrivances. Fun to group-watch!!!!

10 Cloverfield Lane: (tw: VB, emotional abuse) a woman wakes up in a bunker to a captor who tells her that the world has fallen to alien apocalypse. I think this movie elevates the original Cloverfield in pretty much every way. Again, super tense and moody. The conflict revolves around whether or not the captor is being truthful.

Train to Busan: (tw: extreme VB and disturbing imagery) a man and his daughter are on a train when a zombie hops on at the last minute. It’s Korean with an all-Asian cast; Choi Woo-shik co-stars. I definitely wouldn’t watch if you’re scared of blood and gore. It’s very gross and violent.

12 Monkeys: (tw: ableism, violence) a man from the 2030s is sent back to the 1990s to prevent the plague that will end the world. I think the aesthetics of this are really cool but otherwise it’s not a favorite. But I think it appeals to people who like apocalypse and time travel stuff!

If you liked THE MATRIX:

Strange Days: (tw: rape, sex, nudity, VB, racism, police brutality) memories can be saved to hard-drives and sold on the black market for exorbitant prices. Very problematic and triggering presentation of rape, but young Angela Basset stars and there’s a condemnation of police brutality that’s still relevant 20+ years after its release.

Upgrade: (tw: ableism, VB, fridging) a disabled man installs an AI in his spine to help him move and investigate the murder of his wife. The premise is glaringly ableist and I feel weird even recommending it tbh but it’s got great visuals and a few good twists.

Altered Carbon: (tw: VB, weird interracial body switching, uhhh I haven’t finished this one IDK) in a society where human bodies are interchangeable, a man wakes up in a new body after 300 years of his mind being dormant. A Latina woman co-stars, two Asian characters in a subplot, a few other POC here and there as well. I think season 2 stars a black man.

eXistenZ: (tw: VB, anti-Asian racism, general weirdness? IDK it’s hard to describe. There are guns made out of bones and weirdly sexual visuals.) after someone tries to assassinate her, a video game designer and her bodyguard must play through her virtual reality game in order to save the only copy of the game.

Minority Report: (tw: VB, eye removal/insertion) all crimes are predicted and criminals reported before they are committed. The main character is preemptively accused of murder. This one is really white but it was one of the first movies that got me into sci fi. Early 2000s Colin Farrell <3.

If you liked WESTWORLD:

Humans: (tw: uncanny valley, objectification) androids are household helpers and public assistants throughout Britain until one day they start developing consciences. It hits a lot of the themes of Westworld without all the unnecessary pretentiousness, “edginess,” and “grittiness,” and it stars Gemma Chan and Colin Morgan!!

Blade Runner 2049: (^) an android is ordered to find and kill a human/android hybrid. It’s not without its issues but it’s one of my favorite movies of all time, right up there with Alien. So beautiful, so thematic, so thought-provoking (to me, anyway. I know a lot of people thought it was way too slow).

Ex Machina: (^) a man is invited to a private estate to help test the intelligence of an android. It’s kind of predictable imo but you know Oscar Isaac and Sonoya Mizuno are in it so we have to stan, and so is Domhnall Gleeson, for the SW fans! I like how isolated and quiet it feels.

I Am Mother: (tw: blood, gaslighting) after an extinction event, a young woman is raised by a lone android in a human repopulation facility until one day a woman knocks. It starts off slow and a bit generic, but I’m obsessed with the 2nd and 3rd acts of this movie---good acting, dialogue, and fantastic visuals. It has that same isolated feel as Ex Machina with only three characters, all of which are women/woman-coded!!!

If you liked ALIEN (space gothic):

Battlestar Galactica (2004-2008 reboot): (tw: genocide, war, colonization, VB, uncanny valley, rape, infidelity) space opera that follows humanity as it fights the ever-evolving and powerful enemy of their own creation: androids named Cylons. Um? I  L O V E  THIS SHOW SO MUCH and I truly do think it’s everything sci fi should be. There is a really unfortunate Miss Saigon-esque romance plot in season 1 and a lazily-written love triangle involving a black woman in season 3, but otherwise it’s one of my all-time favorites and I highly recommend. It’ll spin your mind and tug your heartstrings for years.

Black Mirror: Men Against Fire: (tw: genocide, war, nudity) soldiers in the near future protect citizens from mutant zombies, but one soldier starts experiencing strange hallucinations in the field. This is such an underrated Black Mirror episode starring a black man. There’s brief objectification of a black woman but it’s very anti-military and it has an interesting sterile aesthetic that reminds me of Alien.

High Life: (tw: rape, black holes/space anxiety, very disturbing) prisoners are given the option to join a space expedition and serve as experimental subjects en route to a black hole. Please please stay away if you are triggered by sexual violence of any kind. There’s almost no physical violence in this movie but it’s psychologically haunting imo.

The Faculty: (tw; VB, drug use) high schoolers discover their teachers are being possessed by an invading alien race. I LOVE THIS MOVIE LMFAOOOO. The cast is SO wild---Elijah Wood, John Oliver, Usher, Salma Hayek, Josh Hartnett??? And I’m probably forgetting more. The combination of the cast, the terrible dialogue, and shitty special effects is PEAK comedy imo. But bear in mind it’s bloody!!

Prometheus: (tw: body horror, VB, uncanny valley) a crew of scientists heads on a deep space mission to find the aliens who created the human race. A prequel to Alien, but I kind of view it as its own thing. Despite the plot holes, I love this movie too! It was one of my sci fi gateways and the visuals are stunning. It’s pretty gory though so if that’s not your thing stay away.

Life: (tw: extreme VB) a lesser Alien, but it provides all the space gothic tropes (jokey crew, shots of space, really pretty spaceship, everyone dies, creepy alien) with a well-known cast---Gyllenhaal, Reynolds, etc.

The X Files: (tw: a few episodes contain 90s racism, sexism, queerphobia etc but you can skip them) a lot of people have watched this so I barely have to explain, but it’s one of my favorites. Two FBI agents investigate multiple aliens and get involved in government conspiracies along the way. A good gateway!

A Quiet Place: (tw: child loss, VB, tension) I think most people know what this is about too. Alien apocalypse with aliens that hunt by sound. The daughter in the family is deaf, and so is the actress who portrays her. The representation of deafness was critically acclaimed.

#maxine talks sci fi #movie recs #maxine did you read/watch

[hatenostorms]

aoc spoilers under the cut !!!! like, please don't read if you haven't finished the game !!!!

hi yeah so ive seen some posts about the way revali was written in aoc and like i just wanna,,, ramble a (very tired and incoherent) opinion.

so yeah, revali could've been written better in aoc lmao uhh... while i understand that he's an asshole, and i think his hostile attitude towards link is understandable, whoever wrote him decided to just... crank it up 10x from botw which i don't know how to feel about.

Like i was kind of taken aback when he was insulting link (before they go to the korok forest and you play with vah medoh) because like it felt insanely uncalled for? and yeah of course the bitterness of link just kinda being there when he hasn't even proven himself, i can get that. but he called him pathetic or some shit (i don't remember lmao) and i just ???

In botw revali wasn't as much of a dick, and in the memory link has of him, his gripe with link didn't feel as weirdly aggressive?? like in aoc he was just aggressive for not much of a reason and it was like,,, oh okay i guess

flash forward a bit, link gets the master sword. revali is still kinda like,,, whatever idk he didn't really even mention it for some reason (that i can remember). but when you help him on vah medoh, again his reaction is like, weirdly aggressive. this interaction wasn't as bad for me, as it felt like something he'd say tbh but also when thinking back to botw and you freeing vah medoh, he was so much more encouraging and not as bad? like i get his pride and stuff but... whatever i don't know what else to say on that lol

also, they really focused revali on link, and not him interacting with the other champions, impa, or even zelda. He feels insanely underdeveloped in comparison. even when he was with teba, they barely gave any sort of reaction from revali like they did with the other champions meeting riju, yunobo, and sidon. like he barely spoke to anyone and it feels like we were were robbed of that. a heart to heart with link after vah medoh, with teba, even zelda or mipha??? ANYTHING would've been nice. it felt as if he was there just to be the jerk of the group, almost like comedic relief except now people are gonna hate on him more :,,,) they didn’t have to make him the most “uwu i love everyone” type of guy but ffs give me SOMETHING. 

also yeah that, it feels like the writers wrote revali with the intention of making people hate him more than they already did. like you give him no development, barely any interactions with the group aside from him insulting link, and aside from the absolutely hilarious "don't screw it up!" line at the end, we were robbed of him feeling like an actually fleshed out character. to be fair, the other champions weren't exactly the most fleshed out, but they were made to feel, in comparison, more likeable; and they had more genuine conversations and interactions as i mentioned. 

then we get to the end of the game, and i feel like ive barely seen revali the entire time other than when i played as him (which was often but that's not relevant sjsndkwndj). aside from idle unvoiced text that was shown during missions with him (which doesn't exactly count because it's not plot or story based), he barely got enough screentime in game. it's disappointing, im ngl.

i know nothing is this serious and revali is just a fictional bird man but i do love him a lot and feel like the way he was written in aoc was just not very good, and will only fuel people's dislike of him and once again they'll ignore the more complex parts of his character and dub him the "asshole that bullied link". revali is so much better than that and he deserves better writing. they tried to make king fucking rhoam seem more likeable than revali like are you deadass... that mf gets a “redemption” but revali, one of the MAIN CHARACTERS gets jack shit????? lmao ANYWAYS.... 

also its 4am so if there are any general inaccuracies or grammar mistakes don't roast me im literally exhausted AJSJEKSBEJ i just needed to talk about that because while I've seen some posts about this some of that was on my mind. 

#fucking. FUCK #now im heated #im sorry but they did him so dirty in age of calamity #i love the game but come on man #age of calamity #hwaoc #hwaoc spoilers #aoc #aoc spoilers #age of calamity spoilers #this was long as hell but im passionate and tired

[dillydedalus]

january reading

why does january always feel like it’s 3 months long. anyway here’s what i read in january, feat. poison experts with ocd, ants in your brain, old bolsheviks getting purged, and mountweazels. 

city of lies, sam hawke (poison wars #1) this is a perfectly nice fantasy novel about jovan, who serves as essentially a secret guard against poisoning for his city state’s heir and is forced to step up when his uncle (also a secret poison guard) and the ruler are both killed by an unknown poison AND also the city is suddenly under a very creepy siege (are these events related? who knows!) this is all very fine & entertaining & there are some fun ideas, but also... the main character has ocd and SAME HAT SAME HAT. also like the idea of having a very important, secret and potentially fatal job that requires you to painstakingly test everything the ruler/heir is consuming WHILE HAVING OCD is like... such a deliciously sadistic concept. amazing. 3/5

my heart hemmed in, marie ndiaye (translated from french by jordan stump) a strange horror-ish tale in which two married teachers, bastions of upper-middle-class respectability and taste, suddenly find themselves utterly despised by everyone around them, escalating until the husband is seriously injured. through several very unexpected twists, it becomes clear that the couple’s own contempt for anyone not fitting into their world and especially nadia’s hostility and shame about her (implied to be northern african) ancestry is the reason for their pariah status. disturbing, surprising, FUCKED UP IF TRUE (looking back, i no longer really know what i mean by that). 4/5

xenogenesis trilogy (dawn/adulthood rites/imago), octavia e. butler octavia butler is incapable of writing anything uninteresting and while i don’t always completely vibe with her stuff, it’s always fascinating & thought-provoking. this series combines some of her favourite topics (genetic manipulation, alien/human reproduction, what is humanity) into a tale of an alien species, the oankali, saving some human survivors from the apocalypse and beginning a gene-trading project with them, integrating them into their reproductive system and creating mixed/’construct’ generations with traits from both species. and like, to me, this was uncomfortably into the biology = destiny thing & didn’t really question the oankali assertion that humans were genetically doomed to hierarchical behaviour & aggression (& also weirdly straight for a book about an alien species with 3 genders that engages in 5-partner-reproduction with humans), so that angle fell flat for me for the most part, altho i suppose i do agree that embracing change, even change that comes at a cost, is better than clinging to an unsustainable (& potentially destructive) purity. where i think the series is most interesting is in its exploration of consent and in how far consent is possible in extremely one-sided power dynamics (curiously, while the oankali condemn and seem to lack the human drive for hierarchy, they find it very easy to abuse their position of power & violate boundaries & never question the morality of this. in this, the first book, focusing on a human survivor first encountering the oankali and learning of their project, is the most interesting, as lilith as a human most explicitly struggles with her position - would her consent be meaningful? can she even consent when there is a kind of biochemical dependence between humans and their alien mates? the other two books, told from the perspectives of lilith’s constructed/mixed children, continue discussing themes of consent, autonomy and power dynamics, but i found them less interesting the further they moved from human perspectives. on the whole: 2.5/5

love & other thought experiments, sophie ward man, we love a pierre menard reference. anyway. this is a novel in stories, each based (loosely) on a thought experiment, about (loosely) a lesbian couple and their son arthur, illness and grief, parenthood, love, consciousness and perception, alternative universes, and having an ant in your brain. it is thoroughly delightful & clever, but goes for warmth and humanity (or ant-ity) over intellectual games (surprising given that it is all about thought experiments - but while they are a nice structuring device i don’t think they add all that much). i haven’t entirely worked out my feelings about the ending and it’s hard to discuss anyway given the twists and turns this takes, but it's a whole lot of fun. 4/5

a general theory of oblivion, josé eduardo agualusa (tr. from portuguese by daniel hahn) interesting little novel(la) set in angola during and after the struggle for independence, in which a portuguese woman, ludo, with extreme agoraphobia walls herself into her apartment to avoid the violence and chaos (but also just... bc she has agoraphobia) with a involving a bunch of much more active characters and how they are connected to her to various degrees. i didn’t like the sideplot quite as much as ludo’s isolation in her walled-in flat with her dog, catching pigeons on the balcony and writing on the walls. 3/5

cassandra at the wedding, dorothy baker phd student cassandra returns home attend (sabotage) her twin sister judith’s wedding to a young doctor whose name she refuses to remember, believing that her sister secretly wants out. cass is a mess, and as a shift to judith’s perspective reveals, definitely wrong about what judith wants and maybe a little delusional, but also a ridiculously compelling narrator, the brilliant but troubled contrast to judith’s safer conventionality. on the whole, cassandra’s narrative voice is the strongest feature of a book i otherwise found a bit slow & a bit heavy on the quirky family. fav line is when cass, post-character-development, plans to “take a quick look at [her] dumb thesis and see if it might lead to something less smooth and more revolting, or at least satisfying more than the requirements of the University”. 3/5

the office of historical corrections, danielle evans a very solid collection of realist short stories (+ the titular novella), mainly dealing with racism, (black) womanhood, relationships between women, and anticolonial/antiracist historiography. while i thought all the stories were well-done and none stood out as weak or an unnecessary inclusion, there also weren’t any that really stood out to me. 3/5

sonnenfinsternis, arthur koestler (english title: darkness at noon) (audio) you know what’s cool about this book? when i added it to my goodreads tbr in 2012, i would have had to read it in translation as the german original was lost during koestler’s escape from the nazis, but since then, the original has been rediscovered and republished. yet another proof that leaving books on your tbr for ages is a good thing actually. anyway. this is a story about the stalinist purges, told thru old bolshevik rubashov, who, after serving the Party loyally for years & doing his fair share of selling people out for the Party, is arrested for ~oppositional activities. in jail and during his interrogations, rubashov reflects on the course the Party has taken and his own part (and guilt) in that, and the way totalitarianism has eaten up and poisoned even the most commendable ideals the Party once held (and still holds?), the course of history and at what point the end no longer justifies the means. it’s brilliant, rubashov is brilliant and despicable, i’m very happy it was rediscovered. 5/5

heads of the colored people, nafissa thompson-spires another really solid short story collection, also focused on the experiences of black people in america (particularly the black upper-middle class), black womanhood and black relationships, altho with a somewhat more satirical tone than danielle evans’s collection. standouts for me were the story in letters between the mothers of the only black girls at a private school, a story about a family of fruitarians, and a story about a girl who fetishises her disabled boyfriend(s). 3.5/5

pedro páramo, juan rulfo (gernan transl. by dagmar ploetz) mexican classic about a rich and abusive landowner (the titular pedro paramo) and the ghost town he leaves behind - quite literally, as, when his son tries to find his father, the town is full of people, quite ready to talk shit about pedro, but they are all dead. it’s an interesting setting with occasionally vivid writing, but the skips in time and character were kind of confusing and i lost my place a lot. i’d be interested in reading rulfo’s other major work, el llano en llamas. 2.5/5

verse für zeitgenossen, mascha kaléko short collection of the poems kaléko, a jewish german poet, wrote while in exile in the united states in the 30-40s, as well as some poems written after the end of ww2. kaléko’s voice is witty, but at turns also melancholy or satirical. as expected i preferred the pieces that directly addressed the experience of exile (”sozusagen ein mailied” is one of my favourite exillyrik pieces). 3/5

the harpy, megan hunter yeah this was boooooooring. the cover is really cool & the premise sounded intriguing (women gets cheated on, makes deal with husband that she is allowed to hurt him three times in revenge, women is also obsessed with harpies: female revenge & female monsters is my jam) but it’s literally so dull & trying so hard to be deep. 1.5/5

the liar’s dictionary, eley williams this is such a delightful book, from the design (those marbled endpapers? yes) to the preface (all about what a dictionary is/could be), to the chapter headings (A-Z words, mostly relating to lies, dishonesty, etc in some way or another, containing at least one fictitious entry), to the dual plots (intern at new edition of a dictionary in contemporary england checking the incomplete old dictionary for mountweazels vs 1899 london with the guy putting the mountweazels in), to williams’s clear joy about words and playing with them. there were so many lines that made me think about how to translate them, which is always a fun exercise. 3.5/5

catherine the great & the small, olja knežević (tr. from montenegrin by ellen elias-bursać, paula gordon) coming-of-age-ish novel about katarina from montenegro, who grows up in  titograd/podgorica and belgrad in the 70s/80s, eventually moving to london as an adult. to be honest while there are some interesting aspects in how this portrays yugoslavia and conflicts between the different parts of yugoslavia, i mostly found this a pretty sloggy slog of misery without much to emotionally connect to, which is sad bc i was p excited for it :(. 2/5

the decameron project: 29 new stories from the pandemic, anthology a collection of short stories written during covid lockdown (and mostly about covid/lockdown in some way). they got a bunch of cool authors, including margaret atwood, edwidge danticat, rachel kushner ... it’s an interesting project and the stories are mostly pretty good, but there wasn’t one that really stood out to me as amazing. i also kinda wish more of the stories had diverged more from covid/lockdown thematically bc it got a lil repetitive tbh. 2/5

#the books i read #long post #sonnenfinsternis is so good the audiobook nearly made me cry in the supermarket

[thesunnyshow]

Name: Juliet

Writing Blog URL(s): @wonderlustlucas

Nationality: American

Languages: English, beginner level French, teeny tiny bit of Korean

Star Sign: Virgo

MBTI: ISFJ-T

Favorite color: Pastel yellow

Favorite food: My mom’s Sunday gravy

Favorite movie: Howl’s Moving Castle (The Lion King is a close second though)

Favorite ice cream flavor: Specifically Turkey Hill’s Double Dunker (get it— it’s so good)

Favorite animal: Humpback whale

Go-to karaoke song: She’s Kinda Hot by 5 Seconds of Summer

Dream job (whether you have a job or not): Neurosurgeon! Or a Twitch streamer HAHA

Coffee or tea? What are you ordering?  Ahhh probably coffee, I love tea but I need my coffee </3

If you could have one superpower, what would you choose? Shapeshifting! Clearly the superior superpower I don’t take constructive criticism.

If you could visit a historical era, which would you choose? This is weirdly specific, but I would love to be in Scotland during the 1700’s. Alternatively, the 1980’s.

If you could restart your life, knowing what you do now, would you? 100%. I know everything happens for a reason but getting a redo and being able to fix all the big mistakes I made would be pretty nice.

Would you rather fight 100 chicken-sized horses or one horse-sized chicken? One horse-sized chicken! 100 tiny horses would be crazy tiring.

If you were a trope in a teen high school movie, what would you have been? I would probably be the gay side character that gives good emotional advice but is hella lonely LMAO

Do you believe in aliens/supernatural creatures? Yes, both!

What are some small things that make your day better? Driving with the windows down and music blasting, picking up coffee, playing video games, & talking to my internet friends on Discord.

Fun fact about yourself that not everyone would know? I discovered my love for writing through Warrior Cats roleplay😭

What fandom(s) do you write for? Right now, only Kpop, but I wouldn’t mind writing for 5SOS or some of my other fandoms!

When did you post your first piece? On WattPad, December 2015. On Tumblr, April 2018 :)

Do you write fluff/angst/crack/general/smut, combo, etc? Why? I write everything! Fluff/smut/crack is my favorite and slight angst (usually just slow burn though cus I’m soft).

Do you write OCs, X Readers, Ships...etc? Again, I write anything and everything! Currently, second or third person reader inserts are my main style, but I also do ships and would love to write more OCs.

Why did you decide to write for Tumblr? Before Tumblr, I was on WattPad for different fandoms but eventually fell off. Then, when I got into Kpop in 2017, I found that urge to write again and decided to move to Tumblr since WattPad was becoming… weird. Plus Tumblr was a better fit for me!

What inspires you to write? To be completely honest, it’s the little things throughout the day that inspire me. For example, “Honey” was inspired by me not being able to open my locker in high school. “I Hemoglobin You” was based off my friend giving me a head rub while I was donating blood. Kpop idols just so happen to be my muses that I like to put into random moments of inspiration!

What genres/AUs do you enjoy writing the most? High school or college AUs are my favorite, along with some good ol’ friends to lovers slow burn. Angst isn’t my forte so I usually just stick to fluff, smut, and some crack. I haven’t written any but fantasy AUs are some of my favorites too! (RIP to my League of Legends AU that I started and haven’t touched in months.)

What do you hope your readers take away from your work? Just like other fanfiction authors inspire me, I hope some of my work inspires others. Considering fanfiction is free, there is so much out there to read and when I find a good story that inspires ME to write better, I’d love for my writing to do the same.

What do you do when you hit a rough spot creatively? 3 options: 1) Skip that scene and jump ahead to one I’m excited to write; 2) Erase what part I’m on and completely redo it; or 3) Drop it. The majority of my works usually take a few months to write as I will completely stop working on it until I find the right inspiration again. 

What is your favorite work and why? Your most successful? “Four” is definitely my favorite work. It’s one of my longer pieces and there was a lot of raw emotion in there on my end. I love the relationship between Hyunjin and the reader and especially love the ending. “Greatest Gift” for Chanyeol is my most successful, and one of my other favorites!

Who is your favorite person to write about? Easily Hwang Hyunjin. It’s so easy to place him in any of my works, and sometimes it’s a struggle to NOT write him. It sounds stupid but sometimes I really feel like I “know” him so being able to describe him physically and mentally is easy for me.

Do you think there’s a difference between writing fanfiction vs. completely original prose? Yes and no. Yes, because most of the time, fanfiction is totally original as well and requires just as much thought as a 400,000 word novel. No, because fanfiction uses a specific person as a muse.

What do you think makes a good story? Detail and realistic dialogue! Of course, everyone has their own style of writing, but detail is especially important to me. Sure, you can have a great plot, but having concise, detailed writing to get immersed into makes a story so much better. I also find realistic dialogue to be a big deal— I hate when teenage characters are speaking in deep analogies because, if we’re being honest, my daily language is 95% just “Bruh.” If you’re like me, I’d actually prefer realistic dialogue over anything else.

What is your writing process like? Process… yikes. Sometimes… I have a random thought and then I’m like… hell yeah let’s write that. I actually have no process. I don’t outline, I just start writing and keep writing until I’m finished. Then I’ll read it all over to make edits, then I’ll use the Read Aloud feature to catch any mistakes I missed, then I’ll run it through Grammarly before posting!

Would you ever repurpose a fic into a completely original story? Hm, maybe? In the future, possibly, but as of right now I wouldn’t use any of my fics to do so.

What tropes do you love, and what tropes can’t you stand? Oh, gosh, tropes. Gotta love them. Friends to lovers, enemies to lovers, stuck together (AKA forced to share a bed), and fake relationships are my favorites. They may be corny, but I also love truth or dare or 7 minutes in heaven games in fics cus… they’re just classics. Also love fics with a popular x shy pairing. I can’t say I dislike many tropes, but I definitely have a love/hate relationship with vampire and werewolf tropes because of how romanticized they are.

How much would you say audience feedback/engagement means to you? Hm, to be completely honest, only a little bit? I mainly write for myself, it’s like a guilty pleasure to just get all my thoughts and desires out, and then I just so happen to make it public on Tumblr. Nevertheless, receiving comments and asks actually make my day, and sometimes I still struggle to wrap my mind around people enjoying my writing! So, thank you to everyone who has ever left me a kind message, I truly appreciate it ♥

What has been one of the biggest factors of your success (of any size)? Getting involved! I think one of the best ways to grow is to join networks, which not only gives you the opportunity to share your work on a greater scale, but also allows you to make connections. Like real life, making connections and making friendships with other writers can play a huge role in growing as a writer and growing your account.

Do you think fanfic writers get unfairly judged? Yes :( As someone who’s involved with other fandoms, I’ve heard the way some people think of fanfiction and it’s really sad. People do not know how much goes into writing and just see it as cringey and disgusting when it’s just… not.

Do you think art can be a medium for change? Yes! In all its forms, art is something a creator can use to influence their audience (in a good way, hopefully).

Do you ever feel there are times when you’re writing for others, rather than yourself? Like I said in #40, I mainly write for myself. Even when I’m writing a request, chances are if I like the request enough I’m going to create a story out of it that fits my personal desires the most.

Do you ever feel like people have misunderstood you or your writing at times?  No! However, I’d still consider myself a small account and do not have TOO many works posted. But so far, I don’t think I’ve faced this problem :)

Do your offline friends/loved ones know you write for Tumblr? Only a few! My best friend Maggie is on Tumblr with me and only 2 of my other pals know I write fanfiction.

What is one thing you wish you could tell your followers? How much I love each and every one of them for supporting me and sticking around even when I won’t post for months🥺❤️

Do you have any advice for aspiring writers who might be too scared to put themselves out there? Don’t psych yourself out! In the time I’ve spent on Tumblr, I’ve never received any substantial hate. My main advice is don’t write fanfiction to get popular on the app, write fanfiction because you love to write and love your muses!

Are there any times when you regret joining Tumblr? No, as much as Tumblr can be annoying at times, I love the people I’ve met and the content I’ve found and wouldn’t have wanted to use any other platform.

Do you have any mutuals who have been particularly formative/supportive in your Tumblr journey? @pinktea99 — Mo, you’ve been around since the beginning honestly, and without you I wouldn’t have been able to come out of my shell! Thank you for all your love & support & for being my SF9 buddy❤️

Pick a quote to end your interview with: 

“Like mate, stop procrastinating.” — 3RACHA

BONUS ROUND: K-POP CONFIDENTIAL 

#@wonderlustlucas #thesunnyshow #featured author #episode 40 #stray kids #exo #nct #wayv #got7 #monsta x #seventeen #bts #txt #ateez #eric nam #itzy #everglow #twice #blackpink #mamamoo #chungha #a.c.e.

[parachutingkitten]

Imma Rant About How Pixal Deserves Better (cuz what else is new)

I love Pixal. That’s no secret. But the writers need to make up their minds about if they want her to be a member of the core cast or not, cuz it’s driving me nuts. Now, this is not a ‘pixal needs to be a ninja!’ post, cuz no, she doesn’t. Her being samurai x is an awesome and coherent move story wise. Moving from samurai x to the water ninja was a natural transition for Nya (even if I personally didn’t like the execution that much, but whatever- that’s a rant for another time), but if they tried to do it for Pixal, it wouldn’t make any sense. This doesn’t mean I’m against Pixal having the potential for ice powers- I wrote a fic about her reaching her true potential for goodness sake- but that also isn’t what this is about. This is just a post about her being a member of the team, because the writers have been playing her with only one foot in the door for four seasons now, and it’s NOT working. 

Remember in season 1 and 2, when Nya was samurai x? Yeah, sometimes she would stay behind, but most of the time, she was going on the missions with them. She got to interact with all of the boys. When the ninja got captured, she got captured. When the Ninja went on a large scale mission, she went with them. Down. Out of the Bounty. She worked with the Ninja, beside them, not in a totally separate B plot with just Wu. Her role in the team was admittedly different, but it was still equal. But now, samurai x, as Pixal, is the designated ‘stay behind’ character. And it’s played like this big sacrificial move, and she does some cool things while the team is gone but the one big problem with it is THE TEAM ISN’T THERE TO SEE IT! So it doesn’t expand her standing within the team. It doesn’t give the satisfaction of a big heroic moment, because it’s a B plot! The one purely Pixal centered episode EVER was the one in season 11 where she fights the preeminent. Guess what? The only team member there is Wu, it’s a b-plot filler episode, and it’s never brought up again. 

And yeah, that’s the only Pixal focus episode in the whole series. She’s a side character in season 3, she’s non existent in seasons 4-7, season 8, her reveal episode is cluttered with baby Wu/Harumi drama, and she’s not even physically and mentally there until the last few seconds of the episode (that rewrite is on it’s way, promise), season 9 she’s drowned out by the EMs, season 10 she has half an episode to shine where, once again, she ‘stays behind’ in a b plot with 0 character growth, which leaves the one episode in season 11 where she is the true 100% focus, and even then... it’s ‘stay behind’ b plot filler. Pixal hasn’t even been given a decent character arc... ever! She has like 2 (and a half) arcs total in the whole series. Season 3′s ‘getting a heart and falling in love’ arc, Season 8′s ‘I am samurai x arc’ which they don’t even explore that well, and then arguably, if you really squint, season 4′s ‘becoming part of Zane’ arc, but even then, that’s pretty much discovered and wrapped up in one episode. Complain all you want about Cole not having his own full season, but at least he’s got himself several well written, entertaining, A-plot, multi season arcs. The ‘Holy crap I’m a ghost’ arc, the ‘frustration with my best friend’ arc, and the ‘I am a father now’ arc. Say what you want, but he’s a main character of the show, and one of the go-to characters the writers love to throw stuff at, with distinct relationships with his cast-mates. 

Pixal’s interactions with the team all feel so forced. Like the writers want to include her, but don’t know how to. Mainly cuz they don’t know how to write her when she’s not around Zane. Her scenes with Zane are drop dead adorable! And... I suppose her alone time with Wu was...okay. But it’s like when she’s not alone with Zane the writers forget who she even is. That season 11 episode? They play her weirdly innocently. I’m sorry, that’s not Pixal at all. It’s been established since season 3 that she’s our grounded, painfully realistic, sass robot. Where is this “does that mean you’re not mad at me?” stuff coming from? Thing is, later in the episode, she’s acting like herself. So... idk what happened in the middle there. But because they don’t know how to write her in the context of the team, most of the time she’s reduced to standing around in the background. Even in fight scenes. Why? WHY?! You obviously want to include her? How do you do that? Maybe, I don’t know, HAVE HER INTERACT?!

Seriously, this isn’t that hard to fix. You split up the team all the time. Just have her go on a mission with Jay. Or Cole. Or Nya. Or anyone other than Zane. Play it for laughs. Play it seriously. Play it for those sweet sweet wholesome vibes. Idk. Just have her do something! These characters have stuff to bond over! Jay has a fascination with Borg industries in general, that would be fun to play off of. Cole and Pixal both have a pretty DEEP untouched emotional baggage. Lloyd and Pixal both have this sort of “not part of the pilot cast, joined later and never really integrated 100%” vibe going for them. Kai and Pixal have beef! This could be one of the great Ninjago rivalries! Nya and Pixal can bond over samurai x, that’s a total gimme one! These characters have relationships ripe for building, but they just DON’T TALK TO EACH OTHER! 

Every main character. EVERY MAIN CHARACTER has at least one episode (but likely many more) dedicated to them, where they do something real cool, single handedly save the day or something, and the whole team comes and hugs them and says “wow, great job!” “You’re an important and valued member of our team!” “This is why you’re great!” and... I just want one of those for Pixal. Please. Pretty please. Just so she can have some validation. Just so that the main cast can acknowledge her existence. And as trivial as this one episode may seem, I think it’s really important. She needs her big ‘save the team’ episode. She never had a sort of “true potential” moment when she really proved herself, and I think that’s really what she needs. Think about how good the Royal Blacksmiths episode was for Cole. He spills about some of his baggage, each of the team members is forced to interact with it, and try to understand it, and in the end they all work together to help him get past this rough patch in his life, and he ends up looking like a boss and saving the day in the process (also note, probably the best group hug ever in Ninjago history). Now, you could argue that since she doesn’t have a element, her being samurai x could work to give her that episode. Great. Cool. That makes sense. But Pixal doesn’t have a “true potential” episode- she has a “reveal” episode, where the ninja have to fight her cuz she’s evil and she doesn’t end up saving the day, Nya does. You see why even though it’s technically “focused” on Pixal, it isn’t meaningful at all to her character?

Thing is, I wouldn’t even be that mad... if she were a Skylor type character. I like Skylor as much as the next chick, and say what you want about her screen time, but at least she has a defined role within this universe! If Pixal was Zane’s cool robot gf/ samurai x - secondary protector of the city - that popped up for a cameo once in a while and played a larger role in seasons that merited her, I would be fine with it! Borg isn’t a big character, but he gets appropriate screen time, some seasons more than others, and he still feels like a cared about piece of the canon! This would work pretty well for Pixal too! Would I like this better than her being an active part of the main team? Hell no! I think her being on the team is the right way to lean, but as of right now, she’s just doing nothing of substance. I’d rather the screen time she has be meaningful than have her as a token nothing in the background of every episode.

That’s my main point here. Either start respecting her as a character, or stop pretending she’s on equal footing with the team. We already know season 12 isn’t gonna improve on that. The ninja go into the video game world and Pixal stays behind. Granted, Zane doesn’t go either, so maybe we’ll get some good content. But again, it’s the B plot, and with Zane. Nothing we haven’t seen before. (I could keep going about how the show has been pushing Zane out of the picture even back in season 3, but again, a rant for another time) 

Anyway, this rant pretty much sums up why most of my fanfic is Pixal-centric. It’s a character the writers just REFUSE to write for but has a decent amount of screen time, so there’s a lot of possibilities. Might do another rant about the whole ice powers thing. Idk. Just needed to get this out. thanks for reading :)

#ninjago #Pixal Borg #parachuterants #pixal deserves better

[relaxedmouse]

Magic, Control, Emotion, and Random Destruction: some thoughts

With “Frozen 2” releasing later this month, and stores near me selling Frozen-themed dolls and candy and picture books, I’ve been thinking back to Frozen 1. What I remember most from that movie (other than “LET IT GOOOOO”) is Elsa’s ice magic. Specifically, that one scene near the end where she says, “Love. Of course. Love!” And then she’s suddenly able to remove the eternal winter that drove the conflict of the movie. That scene has always bothered me, but I’ve had a surprisingly tough time articulating why.

For a long time, I figured the issue with that scene was the suddenness of it. The movie lacks explanation for how Elsa’s powers work, and in the end, it relies on us (the audience) to accept that shouting the word “love” in a revelatory manner is enough to solve everything.

To be honest, this is an issue that many stories (not just Frozen) have when it comes to depicting magic. Having magic isn’t something that real-life people can relate to. “My powers are out of control!” is a common fantasy plot, and its resolution of course involves the person learning to control their powers. But how do they do that? We usually don’t understand much of it.

We may get told that a character put long hours into magical study, but this accomplishment is diminished by the fact that we have no idea what kind of work goes into mastering magic. Sometimes it involves a mentor babbling about “learning to believe in yourself” or other vague concepts. Often, we have to rely on simply being told that the character is out of control one moment, then in control the next.

This is pretty much what happened in Frozen, when Elsa is able to reverse the huge blizzard one moment after she’s reminded that her sister loves her. I’m not mocking you if you found that moment to be touching. But I do think it reinforces the point that it’s hard for us non-magical viewers to predict what causes one’s powers to slip into or out of control. So, when a plot relies on that happening, it can be difficult to follow the progression of events.

Anyway, I still consider the resolution of Frozen to be abrupt, but in thinking about it more, perhaps it’s not as poorly-explained as I figured. If I want to be generous, I can see there’s a coherent storyline there. Elsa’s powers fly out of control when she’s scared and go back under control when she’s happy. Therefore, seeing an act of love from Anna is enough for her to gain control of the eternal winter. Okay. Maybe not the best execution, but I’m willing to accept that’s how it works.

You see, I’ve often read and watched stories that had only a vague explanation for how magic operates, and still enjoyed them. And I’ve never been one of those people to speculate as to how Elsa got magic powers in the first place; I’ve always accepted that she simply has them, as the premise of the story. So why did that one scene near the end of the movie bug me so much?

In the end, I think my main problem is that I simply don’t like it when a magic system is fueled by emotion. Especially when that leads to accidental destruction. And yes, of course that’s a completely personal opinion.

If magic is linked to emotion, it means that some poor kid who has a tantrum could wind up accidentally blowing up their house. In Elsa’s case, she gets so upset that she unleashes a blizzard that covers all of Arendelle. Later, when she’s told that she caused this deep snow, she again gets upset, so much so that she nearly kills her own sister with an accidentally-thrown ice shard.

Was an entire country put in danger because just one woman got upset? It’s not that I have trouble believing it. It’s more like . . . this level of destruction feels weirdly “unnecessary” to me. Or maybe "arbitrary" is a better word.

I just never seem to like it when magic is set up this way (as a dangerous force that must be controlled, or else it will spiral out of control). I get that it leaves plenty of room for conflict. Making a character accidentally harm their loved ones is a super-fast way to pull out all sorts of angst, yeah? Even so, this approach always seems to leave me with too many questions.

A funny thing about fantasy worlds is they frequently treat magic like it’s a force of nature that will occur on its own when the magic-wielder gets angry or distressed – but it’s also a skill that must be studied. That’s why many settings feature magic schools and magic tutors. Now, I know that Frozen didn’t have any magical schools (that we know of). But there are plenty of other stories that center on a character receiving tutoring in order to learn how to control their innate magical abilities, which had previously been causing all sorts of unplanned havoc.

I find this puzzling. When people get upset, they might cry or yell, but they probably won’t be taking out a pencil and paper and solving calculus problems. When people are extremely emotional, it’s unlikely that they’ll be able to do a task that requires calm thinking. And that’s my issue with many depictions of magic. Magic is treated like a skill to be learned, but it’s also something that you can do while you’re in the middle of crying hysterically?

Okay, I guess these two ideas aren’t totally incompatible. Some stories run with the notion that getting emotional will make the magic act out on its own, while calming down and concentrating will let you control what it does. And there definitely have been awesome moments in stories where the hero, fueled by the power of friendship or the need to avenge a fallen friend, draws out amazing power and gives the villain a satisfying beat-down, the likes of which they’d never managed before.

Still, even though there are great depictions of emotion-fueled magic, I find that I tend not to get into it. This goes for cases where it’s played for drama, but it’s especially true in cases where it’s played for comedy.

For instance, I played Fire Emblem: Fates (video game for the Nintendo 3DS). This game had a pair of twin sisters from the vaguely-named Ice Tribe. Flora and Felicia’s ice powers really didn’t do anything in the plot, but sometimes they would show up in their support conversations with other characters. Felicia creates a snowstorm when Saizo insults her and she gets angry. Flora makes one too when Corrin proposes to her and she gets flustered. The former might’ve been an intentional attack on Felicia’s part (though that’s a bit unclear), but the latter is definitely unintentional. And it seems like we’re meant to laugh when Corrin says the winds are so strong and cold that he can’t see anything, but he’s so happy that he doesn’t care. (M-Maybe you should care about that, buddy.)

By the way, it’s a coincidence that both my examples involve people with ice powers. Search more through the world of fiction and you’ll find people who strike down trees with lightning when they’re angry, people who accidentally burn their lovers with fire when they’re passionate, people who blast a hole in the wall when they’re afraid . . .

Man, I just can't stand it. Even if that hole in the wall is later repaired with cartoonish ease, I get stuck on the fact that the hole existed at all.

I'm the type of reader/viewer who's usually content to roll with a story no matter where it goes. I'll accept weird premises, I'll accept ambiguous endings - but for some reason, I just can't stand random acts of destruction. There's something about that exact combination of violence, suddenness, and the fact that these dangers aren't caused by the intentions of a character, but rather a thing that can occur at any time.

Of course, good writing can make a good story out of anything. It’s definitely possible for someone to write a fascinating story that explores the implications of a person (especially a child) having tremendous, out-of-control powers. And, since this trope keeps appearing, I’m left to assume that people like it and find it interesting.

However, even if these types of plots are well-written, I typically find myself turning away from them. In the face of arbitrary destruction, I get caught thinking of how all that horror could’ve easily been avoided by the writer simply choosing to make the magic work differently in their world.

#magic #fantasy #frozen #fire emblem fates #movie #video games #opinion #essay

[benisasoftboi]

A Very Serious Pokemon Theory

A while ago I wrote a 2,406 word essay about Pokémon Live! that I thought no one would read. And then, apparently, a few people actually did read it. I found this incredibly flattering - and have also taken it as a challenge to write something even more niche and completely unnecessary.

I will therefore be attempting to convince you of my theory that Pokemon Live! (the Pokemon live-action stage musical) and the Pokemon Christmas Bash music album actually take place in the same universe - one that is more similar to our own than any other in the franchise. My explanation will include reference to the American military, Jesus, politics, infinite multiverses, and the Broadway musical The Book of Mormon. I feel that I should warn for very frequent reference to homophobia, as well as a brief reference to something that could be seen as anti-Semitic. Also, someone will get a Tony Award at the end.

If any of that intrigues, please read on.

The Works In Question

I’m going to briefly explain what Pokemon Live! and Pokemon Christmas Bash are - the initiated can feel free to skip down to the next section if they want.

Pokemon Live! was a live action Pokemon musical that toured in the US from September 2000 to January 2001. It is best known among Pokemon fans for including a subplot that revealed that Ash’s mother and Giovanni dated, possibly implying that Giovanni is Ash’s father - leading to an incredible showdown between Ash and Giovanni where Giovanni, no joke, taunts Ash (a child) by implying that he slept with Ash’s mother, and then follows that up by telling him that nice guys finish last.

Outside of Pokemon fandom, it is mostly known because the character of James was played by a young Andrew Rannells. Rannells would go on to be a very successful Broadway and television actor. One of the things he’s best known for is originating the role of Elder Price in the musical The Book of Mormon. He has, as of writing, been personally nominated for two Tonys, but won neither. This will be relevant later.

Pokemon Live! can be watched for free on YouTube, albeit in very poor quality. It follows Ash trying to win a ‘Diamond Badge’, which is actually a ruse by Giovanni to train his (~mechanical marrrrrvel~) Mecha Mewtwo. It’s a really fun, bizarre ride, because there’s something weirdly earnest about it - like the creators were genuinely, sincerely trying to make a good musical. They did not succeed. It’s a dumpster fire. But a glorious one. 

Pokemon Christmas Bash is an album released at Christmas 2001. It features 10 Pokemon themed Christmas songs, some of which are covers of existing songs, and others which are entirely original. The singers are all members of the 4Kids anime cast. Most of the songs are hilarious, and it’s obvious that everyone was having fun with the whole thing (contrasting Pokemon Live!, which was apparently absolute hell to work on). 

Fun fact, at least one of the songs was written by Eric Stuart, James’s original English voice actor (unless you want to get anal about it, in which case I’m talking about James’s second voice actor, following Ted Lewis, who did all of seven episodes versus Stuart’s hundreds). All in all, there’s not a lot else to say about it (for now). It can all be listened to online, but a physical copy will set you back a hundred dollars or so.

Both Pokemon Live! and Pokemon Christmas Bash are American-made entries into the franchise, and are therefore considered non-canon by most fans. I find this attitude very boring, especially since the Generation 6 games established Pokemon to exist in an infinite multiverse rather than just one fictional universe with one canon. There’s no reason these two can’t exist in their own bizarro canon universe, far away from the rest of the franchise - and I am now going to begin presenting my theory.

The Weirdest Line In Pokemon Live!

Pokemon Live! is filled with strange moments. Mewtwo Ex Machina. Team Rocket on scooters. Brock stopping the entire plot to sing and dance about his polyamorous inclinations towards much older women. 

But the strangest (to me) is when James references Don’t Ask Don’t Tell. By name. Seriously, here’s the quote:

Well yeah, but where does [Mecha Mewtwo] stand on campaign finance reform, social security, and Don’t Ask Don’t Tell?

Don’t Ask Don’t Tell, for the unfamiliar, was America’s policy regarding gay and bisexual individuals serving in the military, instituted in 1994, and repealed in 2011. The policy basically meant that if you wanted to serve, you had to stay in the closet - but also no one could harass or try to out you. In other words - ‘it’s okay that you’re having gay thoughts, so long as you never act upon them’. (Was that an inappropriate time to make a reference? Can’t be more inappropriate than referencing Don’t Ask Don’t Tell in a Pokemon musical, surely...) 

I talked about the meta-level homophobic implications of this line last time, but here, we’re looking at this from an in-universe perspective. It raises important questions.

This must mean Pokemon Live! takes place in Pokemon America, as opposed to the Pokemon Very-Loosely-Japan that we see in the anime and games. So if there is a Pokemon American military, what other American staples are there Pokemon versions of?

So why is there homophobia in this version of the Pokemon universe? No other Pokemon universe has homophobia (sidenote, is it not a little bit darkly funny that the most homophobic piece of Pokemon media is the musical?). In fact, most other Pokemon universes are kind of progressive, if anything - very equal opportunity regardless of race, gender, nation regionality.

Pokemon Christmas Bash has us covered.

Nobody Don’t Like Christmas

Everything we need to know comes from the fourth song on this album - ‘Nobody Don’t Like Christmas’. 

This song is sung entirely by Meowth, and well. Look. Maddie Blaustein was a very talented voice actress. Perhaps she was also a good singer when not doing the Meowth voice, I don’t know. 

But Meowth should not sing. Singing and Meowth do not go together. No one should have heard that voice and thought ‘let’s give that character a song’. It happened in the anime as well, and it’s the worst part of an otherwise great episode. 

If you can look past the grating vocals, though, this song is incredible. The whole thing is a three minute diss track for every non-Christmas holiday, going everywhere from shaming the dateless on Valentine’s Day, to pointing out that Thanksgiving isn’t all that fun for the turkeys, to just straight up declaring St. Patrick’s Day to be dull.

But there are three important lines here to consider.

The first is my personal favourite line in the whole song. 

The Fourth of July / Can be a real drag / If you can’t get no one to salute your flag

Firstly, I love that Meowth is offering the warning that patriotism can only go so far and that eventually citizens’ blind loyalty to country will evaporate if given sufficient reason, leaving celebration of said country hollow and meaningless. A bold choice for Christmas 2001. Not to mention a necessary message for today. 

More importantly though, this suggests that these songs might be being sung by specifically American versions of the main cast. The Fourth of July is a holiday only an American would reference in a song like this, as no other country celebrates it - it definitely wouldn’t come up if they were, say, British, for example (in that case, would probably mention Guy Fawkes Night instead). Even more unlikely if they’re Japanese.

However - it’s worth remembering that Meowth is actually canonically American (he is from Hollywood), meaning it isn’t unreasonable for him to make this reference. This is where line number two comes into play.

Memorial Day is a day to forget!

That’s right, everyone.

Meowth hates the troops.

It’s true. Why else would he dismiss this holiday?

But why does Meowth hate the troops?

We return to Pokemon Live! for answers.

Pokemon and the American Military

Interestingly enough, these are not the only franchise entries that mention the American military. Gym Leader Lt. Surge was explicitly described to be an American soldier in the early games (also fun but not really relevant fact, his anime counterpart shares his English voice actress with Meowth - if him having a voice actress seems odd, the explanation is that Blaustein was a trans woman, and so mostly played male roles as they suited her voice better). 

Real world locations have been gradually phased out as the franchise has continued, and later games implied that he is now from Unova, the region based on America. 

Meowth never seemed to have a problem with Surge in the anime, suggesting that in that version, he does not hate the troops. So what’s different in Christmas Bash?

There’s only one explanation.

Remember, Pokemon Live! establishes the existence of Don’t Ask Don’t Tell. Also remember - James and Meowth are good friends. And James is gay.

What? That’s always been ambiguous, you say? 

Go watch Pokemon Live! and tell me that version of James isn’t gay. Watch one scene with him in it. Go watch it and then tell me that man is straight. Go and do it. You can’t. Pokemon Live! James is gay as Christmas.

Don’t Ask Don’t Tell is a policy that discriminates against gay people. James may not be a soldier, but it still does reflect social attitudes towards discrimination, and so is something he would likely oppose on general principle. And as James’s friend, Meowth would likely do the same.

Meowth hates the troops because he is an ally.

And so we have our definitive connection. This also confirms that we are in America in both entries.

Probably Blasphemy

So what’s the third important line then?

Who wants to go through all that Yom Kippuren?  

A reference to Yom Kippur. This is a Jewish holiday that I do not feel equipped to explain, due to my definitely not being Jewish, but I understand it to be extremely important in the Jewish faith. 

Essentially saying that it’s too tedious in a song about how great Christmas is doesn’t seem like a great look, 4Kids, just saying. I doubt it was done maliciously but like... still.

However, this confirmation of the existence of Judaism confirms something much bigger - the existence of religion. Another American staple! 

Up until now, this has been ambiguous. Sure, we’ve been referencing Christmas all this time, but there have been no references to Christ, so we could assume that Christmas is a secular holiday with a weird name. It’s already somewhat secular in the real world - my family couldn’t get less religious and we celebrate it. But if there is Judaism, it is totally reasonable to assume there is Christianity. And that opens a whole floodgate.

So firstly, this finally gives us an explanation for where Pokemon Don’t Ask Don’t Tell probably came from! After all, which religion is most associated with homophobia in real-world America? (No hate towards non-homophobic Christians, just for the record, but like... this is a problem, to put it mildly). So this further solidifies the connection, putting them in the same universe.

Plus, the song ends with Meowth stating that he actually hates Christmas! So Meowth is again being an ally - he’s just, like, the kind that takes it really, really far and maybe needs to chill just a little?

Secondly, this makes a certain line from another song on Pokemon Christmas Bash even funnier, where Brock replaces the beginning of the hymn Joy To The World with:

Nurse Joy is a girl / She sure is fun / But I like Jenny too!

Because this means that covering that song with those lyrics isn’t just kind of inappropriate out-of-universe, it’s also inappropriate in-universe!

But what’s really messing with me is the hundreds of new questions Pokemon Christianity raises. How do they reconcile Arceus with God? Is God in this universe a metal goat, or do they coexist? Was there Pokemon Jesus? I’m not sure I’m okay with Pokemon Jesus. If there is Pokemon Jesus, did Pokemon help with the crucifixion (the Timburr line seem like they’d have been helpful)? Or was Jesus like, a baby Arceus, and therefore probably quite difficult to crucify? Is there Pokemon Heaven? Is there Pokemon Hell? How do the Pokemon Christians feel about Mr. Mime, who is clearly an insult to God? What is a Pokemon church service like? Are there different sects of Pokemon Christianity? Were there Pokemon religious wars? Are there Pokemon Catholics? Pokemon Protestants? Pokemormons???

I don’t like this.

And here’s another question.

Remember how I mentioned how Andrew Rannells played James? And how he also originated Elder Price in Book of Mormon?

Well. Here’s the thing. 

Pokemormons are a very real possibility. If there is Christianity, and also America, then it wouldn’t be unlikely for them to exist in this universe.

However, we have determined that this is one universe, and therefore, James and Andrew Rannells cannot coexist. Only James exists in this universe.

So who first played Elder Price in The Book of Pokemormon?

Okay, So, Full Disclosure, This Is Basically Just My Fanfiction Now, But the Sunk Cost Fallacy Says You’ll Probably Stick Around Since You’ve Already Read Over 2,000 Words Of This Nonsense By This Point, and I’m Going to Take Advantage of That

I think it was James. 

I think James went on to start a Broadway career. I think he was in an unlicensed Karate Kid musical, and was Tall in Jersey Boys, and then wound up as Elder Price. I think he did a great job. I think he got nominated for a Tony when award season came round, along with lots of other people involved with The Book of Pokemormon. 

But he didn’t win it. Norbert Leo Butz won it for Catch Me If You Can (I had to look that up, was planning on changing it to a Pokemon-joke title - but what do you know, it already has one. Serendipity!). 

James no longer has a Broadway career. But he does have a Tony.

He stole it.

Because here’s the thing - Team Rocket are actually pretty good at crime when Ash and Co. aren’t around. Remember that one time they stole an entire stadium?

They could have literally stolen the whole show, but instead they just stole one thing - that Tony Award. And so James now has an award for Best Actor in a Musical, as well as the unofficial award for Most Extra Thing Ever Done At The Tonys. 

James disappears, but his legacy remains. In this universe, all Elder Prices have lavender hair - fans reject any Price who tries to avoid this. 

Meanwhile, Jessie, James and Meowth sail off into the sunset in their balloon. James is happy. Don’t Ask Don’t Tell will be repealed soon. He will have a chat with Meowth about overzealous allyship, though he appreciates it all the same. He smiles at his friend Jessie and takes her hand. Christmas is a long way off, but he can’t help but be excited all of a sudden. He’ll spend it with his family - Jessie, Meowth, and now, his stolen Tony Award.

In the meantime, they’ll do what they love best.

Be gay and do crime.

What Have We Learnt?

This is the most homophobic Pokemon universe we know of

It’s also a universe where everything is set in America

Meowth is surprisingly politically aware

Meowth hates the troops

There was a Pokemon Jesus

4Kids maybe should have hired some sensitivity readers

James from Pokemon possesses more Tony Awards than Andrew Rannells 

I have way too much free time

Anyway, this was 2,698 words long and a terrible use of literally everyone’s time. It is rambly and extremely self-indulgent and goes off on countless tangents and you could probably poke like ten holes in it without trying. Please don’t take any of this seriously. It’s now 4 AM. Thank you and goodnight. 

#pokemon #pokemon live #pokemon christmas bash #james pokemon #meowth #meowth pokemon #pokemon theory #pokemon anime #bom #andrew rannells #long post #long essays about niche topics #please don't hate me

[thorinkingoferebor]

24 hours later: i'm still outraged as ever & i've found a couple of new things to be outraged about that i somehow just missed yesterday. which is understandable. hard to keep track of all the fuck ups!

what was the point of euron fighting jaime? also how did they even end up together? that was another case of characters just conveniently appearing at the right time at the right location (which is like euron’s mine character trait at this point: randomly showing up without any real reason just to fuck shit up in the most annoying way possible). Also: why didn't Jaime just go for this route the first time around?! he might have even made it in time. why is euron so obsessed with killing jaime? why is euron in general? what's his point? was he ever meant to be anything but a cheap plot device? everyone deserved better than this

the fact that the unsullied officers just left tyrion with jaime no questions asked is probably the dumbest moment of the entire episode. dany has often and loudly questions tyrion's loyalty but nothing suspicious about tyrion (THE HAND OF THE QUEEN) wanting to stand guard outside the tent and sending everyone else away. like what's he gonna do? free the person he clearly loves most in the world with a key that just magically appeared in his hand while davos somehow sneaks past the entire greyjoy fleet to leave a boat at the foot of the red keep? naaah (how did davos get back from there btw? did he tow another boat? was he not alone? why am i even trying to make sense of this we all know this plot was written on a piece of toilet paper)

and what's with dany never learning of jaime's escape?! someone must have checked on such a high profile prisoner in the morning? someone must have noticed and told dany who just hours ago threatened tyrion with death should he ever betray her. why did noone come up with the idea to use jaime as a hostage??? but guess everyone just forgot about him, just like the writers forgot about his arc :))))))))))))))))))

where did all the dothraki come from? why are there still so many unsullied left? it sure looked like 90% of them died in winterfell. then we see a significant number in episode five and in the trailer for episode 6 it looks like thousands??? do they just respawn? are we following video game logic now? (btw remember when soldiers had actual personalities? when was the last time an unsullied beside grey worm or a dothraki did anything to remind us they're more than npcs. what do they think about all of this? what did they think about the army of the dead? how are they coping? why was everyone suddenly ok with senseless violence against children even though dany has been saying for years she doesn't want that. yeah sure, she started the kings landing BBQ but she was in a completely different part of the city. there was no way for the foot soldier to know that she was indeed butchering civilians and not just wiping out the last remainders of the lannister forces that hadn't put down their weapons. i’m glad though that they all apparently learned to communicate with each other telepathically otherwise they would be as freaking lost as me rn

one thing the books and previous seasons have been really good at is small little world-building elements that pay off later. and they could have used that in season 8! there wasn't any need to introduce new stuff they could have just used what's already there. they did well on that account with lyanna, jorah and theon. Theon probably had the best arc this season tbh (not a tough competition but it's something) and died a stark and a greyjoy. His identity was the major theme of his journey and seeing it played out this way was satisfying! Lyanna and Jorah both embodied "Here We Stand" in their final moments (Jorah quite literally) and that was wonderful! Why couldn't we get something like this for the Lannisters? Why couldn't we get one final, brilliant scene with cersei trying to turn the tide (backup plan? never heard of it). Don't get me wrong, Lena's acting was fantastic but why couldn't we get a "Hear me roar" moment? Her arc was tide to house Lannister more than any other and yet we didn't get anything? Why didn't we get any rewarding rains of castamere parallels? if they're set on wiping house lannister off the map why not show the tragedy and irony of it. why not remind of us tywin's fantastic speech in season 2? they could have used any of those themes but they didn't???

i'm still not even ready to begin to vocalize my opinions regarding jaime. every time i think about it i can feel my life drain out of me. what a fucking waste you guys

what i can vocalize now however is how much i do hate cersei's end and how they treated lena. I cannot get over that. like i realize she is a villain and i realize she is not meant to be a sympathetic character and she never had a chance to get redemption or get out alive but the show treated her like dirt in the end and just like jaime she was eventually reduced to the incest plotline. she started this show out as someone completely at the mercy of the men in her life (her father, her husband) and while jaime was a big part of her arc her main objective was always throwing off that control and taking it herself. sure she overdid it massively and became power hungry but that power hunger is a direct result of the way she was brought up and everything she was forced into/everything she was denied. weirdly, her conflicts are very similar to brienne's. both women didn't want the roles their peers tried to force them into, both women wanted to escape and both women assumed to do so they would have to take on male traits. brienne did that by rejecting her womanhood completely for 7 seasons and aspiring to be a knight. cersei took a very different route. maybe because she had that option (brienne couldn't mould herself into a proper lady unlike her) or maybe because that was literally her only option (imagine tywin's reaction to cersei putting on armour...). in the years that follow cersei and brienne obviously take very different paths and they have very different personalities but just as brienne deserved her knighthood and the affections and acceptance of the man she loves, cersei would have deserved to be free of men trying to decide her fate for her. but she never was. first it was her father, then robert, then her father again, then the high sparrow and when she finally wiped them all out she had to let another man she despised into her bed to maintain power. brienne managed to escape the confines of male-dominated society forced on her, cersei never did. they could have either shown her finally free before her death, free of the men that tried to control her all her life, free of the power hunger, free of societies expectations or they could have had her face her ugly deeds. i doubt she would have ever regretted any of it but it would have been so much more satisfying to see her properly outsmarted, to see her face off either dany or sansa or jon (or even tyrion or jaime had his character arc not been ruined before that). she was a fantastic, complex villain until she basically just started to stare off into the distance. it would have been so satisfying to see her face reality before the end. Instead, we got rocks. but even that scene (as beautifully as it's acted) isn't satisfying. cersei, who has never been one to just weep helplessly, is first reduced to begging jaime for her life & to save their child (AGAIN WHAT WAS THE POINT! I WILL NEVER GET IT!) and then she keeps freaking out because she doesn't want to die at all and certainly not this way (very self-centred as always whereas jaime is much calmer and at peace with what's about to happen and ready to take care of her even though he’s worse off) . i don't know if this was intentional or just a happy accident but even in those final scenes it's very obvious that the love cersei has for jaime is not the same kind of love jaime has for her. i guess they both ended up wanting to die in each others arms seconds before it happened so there’s that. but it’s a cheap ending for the best actress in the show before they robbed her of all opportunities to shine

oh and lena's instagram combined with her body double’s yet unseen work on the show has now convinced me that we're incredibly likely to see cersei's and jaime's mutilated bodies/heads next week. can't wait to see their characters disrespected on a whole new level jfc i’m so tired

i can't even think about brienne these days. absolutely seething. at this point i would prefer it if the brienne/jaime romance had never happened in ep. 4. if they'd stuck to glances and meaningful gestures at least it would have made more sense. brienne would have been his "what if" when they erased jaime's character development and made him return to cersei (which i maintain could have made sense because no matter what jaime will always love his family no matter how much he also hates them IF ONLY THEY HAD PUT IN THE FUCKING WORK). but she's not a "what if" now is she. she is his "this happened and it was good and important" but we're just going to forget this. we're just going to forget that the last 8 seasons have been leading up to this point. we're gonna forget that for the entire first half of season 8 jaime didn't even flinch at the thought of cersei dying. four episodes of jaime glued to brienne's side and then we're just expected to believe he doesn't care after all. then we're just supposed to believe she is never mentioned again and no thought of her crosses his mind or anyone else's for that matter (looking at you tyrion). I genuinely don't get what the point of that romance was then. to keep jaime in winterfell for a bit longer so him getting captured would make more sense? i feel like there were like a million ways to get the same outcome without throwing brienne under the bus. brienne and her entire arc were used as a cheap plot device for jaime and it wasn't even worth it cause they then butchered jaime's arc. god i'm so angry.

remember the last time a tv show fucked up in the last episode? yeah, dexter!  i'm calling it now: got will end exactly like dexter in terms of plot and level of satisfaction. jon will kill dany (a family member/romantic interest) and then go north to spend his day in the wilderness (lumberjacking away miserably)

the more i think about it there is not a single thing about this episode that actually makes sense. this goes beyond plotholes, this is just a plain hole

#text posts by thea #thea watches got #this is my last big rant i promise #just need to get this stuff off my chest as well #it's a coping mechanism #got spoilers

[echoeternally]

Which Mario characters would be, as Watership Down Characters, and vice versa?

You know, I took some time to think about this one today, and I’ve got to admit, for my tastes, I can’t think of a feasible way that this works out. And it’s for a few reasons that kind of get me hung up.

Honestly, I think it comes down to at least four pretty divisive factors that keep them from being compared on an equal scale, and adds a terribly heightened challenge to it all. These would be: gender ratios (A), inconsistent characterizations (B), mismatching personalities ©, and cast prominence (D).

Obviously, it’s a lot to get into, so, I’ll include that in a portion below the cut. If you keep going, I’ll try to properly explain why it’s not just a clear-cut question to answer for this one.

A) First, gender ratios, which can be worked around based solely on personality, but still glares out big time. Watership Down has some female characters on the roster, but they tend to matter little comparatively. Hell, there are multiple characters that started as male that were later swapped to female roles in later adaptations. It’s good, and shows that the role can be played by a character, not a gender. But it’s also a reminder that the original work is dated in its viable female cast. By contrast, Mario has a nice number, and they stand out a lot better, each with unique and distinct roles, personalities, and general flavors that they add. They’re fun and dynamic, a highlight to see.

B) This actually leads into the next point, though, which would be the inconsistent characterizations. Both franchises kind of mess around with how their characters are portrayed and what they do. Sure, you get the basics well enough with the major characters: Hazel’s the brave hero leader, Mario tends to be that too. Fiver’s the timid younger brother, so is Luigi.

But it gets weirder the further down the cast list you go. Bowser’s the big bad guy, but depending on his role as the main villain or not, he can either be sympathized with, or totally evil; he’s maybe just looking for love, or has insatiable desires for conquest. Bigwig is a strong authority figure, but can either be super loyal or a part-time jerk that questions his own leader’s authority. Peach is helpless, or more powerful than she lets on. Hell, Clover took over half of Hyzenthlay’s role in the latest adaptation, and they’re far from the only instance of variable depictions in the series, further depending on the characters that are used. Overall, these changes can make them flexible to develop over time, but it makes them harder to pin down on which role defines them best.

C) And that flexibility also leads to mismatching personalities between the casts of both stories. Because Rosalina first appeared as this quiet, graceful, and yet all powerful entity, we’d picture that side to her, kind of elevating her above the usual human counterparts she’d stand beside, calling into question if she’s even human herself. But she’s later show to have simple joys and pleasures, so she’s not totally detached and above it all. This doesn’t quite equate to any particular character in Watership Down; you could try to make her on par with the Black Rabbit of Inlé, based on powers and ethereal-vibes, but Inlé is too tied with death to be a fair comparison for Rosalina.

Likewise, we have characters from Watership Down known for their stock personality types: Blackberry is the smart one, Strawberry is the big eater, and Hawkbit is the deadpan snarker. None of these particularly hit Mario characters due to their shifts in depictions. Sometimes the big eater is Bowser, sometimes it’s Luigi (yeah). Rosalina seems smart, but Yoshi and Toad have been depicted this way as well. Virtually any one of the Mario cast can fall into sarcasm and dry humor. It’s touch-and-go, but doesn’t give a solid match-up for anyone.

D) Finally, if the mentions above didn’t already make it obvious, then the issue falls to how the casts line up with first themselves, and then one another. The core cast for Mario’s main game franchise tends to fall upon Mario, Peach, Bowser, and typically Luigi to round up the rest, though sometimes he can be left out. Watership Down’s main group would likely be Hazel, Fiver, Bigwig, and General Woundwart. These are more or less the essential characters to have for there to be a story to tell for the franchises.

From there, have fun figuring out who matters and to what level. You can probably safely include higher profile picks for the major characters of each. Mario tends to favor Yoshi, some form of Toad, and generally a rotating female cast member, plus a sidekick villain or a few. Watership Down gets a way better story including the heroism from Hyzenthlay (or a female character that takes on her role for the story), and the undermining plots of whoever gets to be Woundwart’s second-in-command. That could form your secondary main characters.

But it just keeps going from there, and each character is weighted differently. Toad can be an individual and important, but also can get shafted for another more important Toad (Toadette, Toadsworth), or simply suffice as a species, not an individual. Should he be considered main or minor? Dandelion is usually lorekeeper alongside being the fastest, but both of these roles have been divided and distributed to other rabbits (Bluebell and Blackavar respectively), calling into question his prominence. Kehaar tends to always appear, but he can be written around pretty easily. Similarly, Bowser sometimes relies on the Koopalings, but they can also be missing for something close to a decade without the blink of an eye. Who matters, who doesn’t? It depends on the audience, and their interests.

…

Honestly, I even tried breaking it down for the characters on each level, and I had a list spanning past 20 characters on each side. And I wasn’t even including everyone, but just the characters that I felt were important. Trying to mix and match them was even worse, to the point where it really couldn’t be done on a really fitting level.

Going by canon interpretations for both, I think you’ve got, at best:

Mario = Hazel

Luigi = Fiver

Bowser = General Woundwart 

Peach = Hyzenthlay

Yoshi = Bigwig

That’s going by a core cast, with some additions to make sure the major-most of each group gets included. It’s not great either, for several reasons, since Bigwig and Yoshi do not have comparable personalities, but are both strong. Bowser’s also got redeeming qualities to him that actually earn him some sympathy points, whereas Woundwart…well, I think writers have tried, but he’s best as irredeemable and blatantly evil.

Personally, if I were to go maybe one extra level and include Daisy for main cast on the Mario side, I’d fit her to Bigwig, and instead equate Yoshi to Dandelion, as both of the latter two are known for speed, while the former two can be tough, but also caring as well. But I don’t feel that Dandelion and Daisy are as important to their franchises, whereas one could argue a little harder for Yoshi, and Bigwig is easily important to the story.

I even tried going on my fanfic interpretations (of at least the Mario characters) to see if that would line up better, but then that just screws up where the main villain connects. Because, that would instead look like:

Mario/Luigi = Hazel/Fiver

Bowser = Bigwig

Peach? = Hyzenthlay?

??? = General Woundwart

Because, based on how I’ve written them so far, Bowser’s even less of an evil force, and more motivated based on his heart and his people. This makes no one particularly equal to Woundwart. Conversely, Peach is a lot, well…she’s hardened. If one were to go by Hyzenthlay’s depiction in the Netflix miniseries, I’d wager that’s good enough. But this splits who Hyzenthlay is, so the character doesn’t quite feel whole. Oh, and Mario tends to be leader-like, but also has weird powers and visions going on, which helps Luigi step up into his role in his absence, so…they both have shades of Hazel and Fiver’s roles.

Furthermore, I get lost in my own biased interpretations of the fanfic I’m never writing for Watership Down, so that would make going down the rabbit hole a lot more terrifying. Well, for you reading this, anyway; I’d be thrilled to keep it going and gush about personalities in my head for the WD cast, lol.

So, that’s kind of how it goes in my mind. Yes, I’m positive there’s enough flexibility to go down each list and match up characters based on as much as possible for each side of them, or by ignoring some things. Mixing some canons together, you could get:

Mario = Hazel

Luigi = Fiver

Peach = Hyzenthlay

Daisy = Bigwig 

Bowser = General Woundwart

Kamek = Vervain/Orchis/Whoever the schemer to Woundwart is

Yoshi = Kehaar 

Toad = Pipkin/Bluebell

Toadette = Clover

Wario = Strawberry

Waluigi = Cowslip

Bowser Jr = Campion

Rosalina = Dandelion

Here, not only do these feel weirdly off when you look further into those characters, but it doesn’t really cover them properly, nor does it pick the best from the rosters of each. Yoshi’s kind of the foreign type to the core cast, so he connects well enough with Kehaar. This, however, chooses to ignore his famous speed that aligns him best with Dandelion, which instead relates his storytelling to Rosalina, because both tell stories, but that’s where their similarities end. We also choose to ignore Yoshi’s big appetite, which would connect best to Strawberry, putting the much less important Wario up to that role.

Similarly, this also confuses the interpretations on certain Watership Down characters based on how they’re depicted, and then sort of picks a Mario character that might connect. The easier one is Woundwart’s right hand scheming little twerp, which has been both Vervain and Orchis in the tv series and miniseries respectively. They work in a role similar to Kamek, a dutiful but terrified henchman.

It gets worse, though, when we hit something like Pipkin or Bluebell, as the latter was absent from the tv series, the former from the miniseries, and though both have some childish innocence to them, neither personality ends here for either. Toad, when he’s fleshed out as a standalone character, probably could be seen as innocent and childish, but I doubt he’s alone, and also has roles that elevate his mindset, which doesn’t quite make him on that same level.

Not to mention that some just don’t outright fit (Junior to Campion), but going that far along, that’s about all that works out well enough for characters that can be argued for their prominence.

…

Bottom line would be that, while I totally love both franchises and would like to put them on a equal level for comparisons, it doesn’t do either one justice.

All the same, thank you for the interest and the ask! It was fun thinking it over.

#askecho #art-and-word-dumpsite #character comparison #watership down #super mario bros #long post #mario #luigi #bowser #hazel #fiver #bigwig #peach #woundwart #princess peach #general woundwart #these do not equate #but it was still fun

[itsallavengers]

1 and stony???

Come over here and make me.

If there was one person Steve Rogers hated, it was Tony Stark.

God, that asshole. Thought he was hot shit because he was popular and the star player of the school soccer team and smart and funny and beautiful. And he always walked around wearing that ridiculous leather jacket with about a hundred zips and buttons on it, and it wasn’t cool, no matter what he said.

And the worst part about Tony Stark was definitely how nice he was to Steve.

Because it didn’t make sense, alright. For the first few years of highschool, Tony had laughed at him, he’d thrown pencils at the back of his head in class and bumped him in the halls and Steve had automatically bitten back on a sigh whenever he’d seen Tony in the corridors with him. He’d known Tony Stark was an asshole from day one, when he’d been twelve and Tony had told him how weird his backpack was.

And yet over the past few years, Tony’s attitude had changed. He’d stopped being such a dick. He smiled at him rather than laughing at him, and he waved on the corridors rather than just shove him, and Steve didn’t get it. Tony Stark was definitely plotting something, and was in it for the long haul here, because he wouldn’t just be nice to Steve for no reason. No way. 

Steve always watched him, just in case. Seeing as an attack could be at any moment, it was better to always be alert. He glanced over to Tony in math class and kept his eyes on Tony’s ass back when he walked through the corridors. Sometimes Tony would say hi, and Steve would say it back warily, keeping a hand tight around his backpack as he watched where Tony’s beautifully hazel eyes went, and whether they were plotting anything. 

One time, he’d overheard Tony talking to his friend Rhodey about one of his dates when they’d been sat nearby one another in bio, and Steve had heard all about how shittily it had gone, which definitely made him feel good. Because not only was Tony Stark an asshole, but the guy he’d been on the date with- Tiberius Stone- was an even bigger asshole, and Steve felt uncomfortable with the thought of Ty being anywhere near him.

Because then they’d just make each other worse, and it’d be bad for Steve, obviously.

He thought about it a lot during that biology class, actually. How, if he were to go on a date with Tony Stark (for information gathering purposes), he’d make it perfect. He’d learned a lot about Tony over the years. He knew that the boy liked Metallica, but he also had a soft spot for Frank Sinatra. Steve had a record of that which he’d play. And then Tony loved Twinkies, too. Steve could buy them, and he’d declare it their main course, and Tony would laugh that pretty laugh where his mouth curled up and his eyes crinkled and-

And yeah. That Steve would have the bastard right where he wanted him. Totally. 

But God, he’d never do what Ty had done- a shitty movie and then copping a feel in the back of the cinema? So fucking trashy. And cheap. Steve might be broke as shit, but if it was a date, then he’d put some Goddamn effort into at least making it nice for Tony, Jesus-

Hypothetically, of course. Because Steve wouldn’t ever date Tony Stark.

That being said, he probably shouldn’t have been talking about how crap Ty’s dating skills were to Bucky when the guy’s friends had been right behind him in the corridor anyway, hypothetical or not. Because as soon as they saw him again when Steve was alone, they didn’t waste any time with shoving him up against the lockers and then doing their level best to shove him inside one of them.

God, Steve hated highschool.

“Get the fuck off me,” Steve growled, yanking away as hard as he could against their hands as they tried to shove him backward. It wasn’t much use though- two versus one, and Steve wasn’t exactly fighting material, no matter how many times he managed to get into them. 

“Shut the fuck up, loser,” the bigger guy spat on him, actually fucking spat on him, and then punched him in the mouth for good measure, “this’ll teach you not to talk shit about people who are gonna be more than you ever will. The fuck were you even talking about- Ty’s a fuckin’ beast, he’s got people fallin’ at his feet.”

Steve rolled his eyes. What, were they going to start worshipping at his alter now? 

“You’re only jealous,” the second guy said with a sneer, and Steve laughed out at him blindly but the first guy pulled him back, opening him up for a bodyshot to his ribs that definitely made something crack, “we see the way you look at Tony. You’re obsessed with him. You got Rogers + Stark written on your notebooks, huh?”

“Fucking pathetic.”

“As if he’d ever look twice at you.”

Steve snarled, lashing his head forward and actually managing to brain one of them. “Fuck off- Tony Stark is an asshole,” he told them- the same thing he told everyone, because it was true-

“He’s right, you know.”

Steve’s head jerked as his brain recognised the voice immediately, and he watched as none other than Tony Stark himself marched forward, coming up behind the two guys currently doing their best to fit Steve into the locker. A strong hand curled around the first guy’s shoulders, and then Steve felt a sharp relief of pressure as Tony flung him off Steve and into the opposing wall. The second one backed off in surprise, putting out his hands as a show of peace.

“Whoah, hey, Tony, just calm it,” he said hurriedly, “I didn’t know you were buddies-”

“We’re not buddies,” Steve said viciously, raising his fists and then wiping his bloody nose with his sleeve. In front of him, Tony just looked vaguely amused. “If you want to try it as well, go the fuck ahead,” Steve growled, “I’ll fight all three of ya, I don’t care-”

“No one is doing any more fighting here, thank you very much,” Tony said, raising a hand. When he did, all of his stupid fucking zips jingled. “Morris, Elland- get fucking lost. You’re both getting black eyes tomorrow, and if I see you putting hands on Rogers again then I’m burning your Air Jordans, understand?”

Steve blinked in confusion, watching the two guys nod nervously and then scurry off down the hall, muttering to one another and glancing back as they did so. Which just left Steve and Tony with his stupid jangly zips.

“What do you want,” Steve said, not lowing his hands.

Tony leaned against the lockers, shrugging. “I was coming back from detention and saw them beating on you. Thought I’d step in.”

Steve frowned, wiping his hand across his face and probably smearing more blood everywhere. “Yeah, well I don’t need your help,” he said gruffly, “I totally had that.”

Tony’s eyes twinkled. “They definitely seemed like they were only holding on by the skin of their teeth,” he said in amusement, as Steve just scowled and turned away.

He heard Tony step forward. “Hey, I didn’t mean that to sound... I’m sure you would’ve survived on your own, God knows you get into enough altercations as it is- just thought I’d help you out. They shit their pants when I get mad at them because they’re fucking pussies, so.” Tony shrugged, “it’d be cool to have someone like that on your side, I figure-”

“You’re not on my side!” Steve snapped, stepping forward, “you’re just... you’re just being weirdly nice so that I let my guard down and then you can make fun of me again, or humiliate me in class or shove me over in the halls. Don’t think I’m not onto you, Stark, okay, I know your game!” He waggled a finger menacingly.

Tony just sighed, and looked genuinely remorseful as he said, “yeah, really sorry about that. I was a prepubescent teen with no idea what to do with the sudden influx of gay thoughts I’d have whenever you entered a room. So I pulled on your pigtails in order to get your attention.” Tony pulled a face, before smiling, “but I’m cooler now! Comfortable with my sexuality, at least thirty percent more stable and also, still kind of crazy about you.”

Steve just blinked. “No you’re not,” he said.

“Yeah, I am.”

“Nope. No you’re really not.”

“Well, I beg to differ.”

Steve made a face. “You don’t even know me!” he spluttered, “you’re not... you don’t like me, don’t be ridiculous. You think I’m dorky and uncool.”

Tony laughed, and God, it really was a nice laugh. “I do,” he agreed, “and that is the most endearing thing in the world.” He paused, before adding, “actually no- the face you’re making right now is the most endearing thing in the world.”

Steve... had no idea how to respond. He... well... I mean, for starters, he didn’t even like Tony. “I don’t even like you.”

“Yeah, you do.”

“You’re- you’re an asshole, I hate you! I’ve always hated you. You suck.”

“Yes to the asshole part. No to the ‘you hate me part’, Yes to the ‘you suck’ part, but probably in a different context to what you’re thinking.” Tony paused, before looking at Steve’s face with a frown. “You might want to go A&E for that nose. Looks broken.”

Steve’s head was spinning. Tony was completely bamboozling him here. Why was he saying that he liked Steve? That was... that couldn’t be true, could it? Anyway. Steve didn’t even like him.

On a completely irrelevant note, he bet that if he kissed Tony now, he’d probably taste faintly like the strawberries Steve had seen him eating for lunch. 

“I’m not going to the hospital,” Steve said, shaking his head and pressing gently on his very sore nose, “it’s f-”

“Yeah, you’re going to the hospital,” Tony nodded slowly and then pulled out his phone. “It’s fifteen minutes away. I’ll drive.”

Steve looked at him incredulously. “Stop ignoring me! I’m not going!”

“You are, Steve.”

“You think?”

“Yeah.”

Steve spluttered indignantly, hands going to his hips. “Then- then come over here and make me!” He said, attempting at confrontational. 

But Tony just cocked an eyebrow in amusement, and before Steve knew what was happening, Tony had swooped down and then picked him up in a perfect fireman’s carry, walking them both down the corridor with absolute ease. Steve just froze in complete and utter shock. This was the first time he’d ever been this close to Tony. Oh God, he smelt like metal and lemony things, and Steve was looking right down at he perfectly shaped ass.

“I hate you so much,” Steve said grumpily, “and I really hate being carried.”

Tony continued on, unfazed. “Okay, so I have a proposition,” he said casually, pushing open the main exit doors and then plodding easily down the stairs. He stopped halfway down, however. “I’ll let you down if you agree to go on a date with me.”

Steve froze. “That’s not fair,” he said weakly. 

Above him, Tony sighed. “Okay. So that was a lie. I’ll let you down right now if you want me to, I’m not an asshole, and I’m not going to force you to go the hospital, but I really think you should. And. Also. The date thing. You should do that too. Because I’m an asshole and my jacket probably does have too many zips, you’re right, but I also really like you and have done for six years, I’ve always just been too scared to tell you?” Tony shrugged sheepishly. “But there. Offer’s on the table. Hey! Kill two birds with one stone- the hospital trip can count as our date, and then if you decide that actually I’m not evil whilst we’re there, we could maybe go for a second one sometime?”

Jesus, Tony actually sounded nervous. Steve couldn’t see his face, but he knew what it would look like, because he’d memorised all of Tony’s facial expressions. 

Shit.

Okay. 

So maybe he didn’t hate Tony Stark as much as he thought.

“Put me down,” Steve told him, and with a small sigh of defeat, Tony did. He looked down at his expensive shoes and stepped back, readying to accept defeat. 

Steve just sighed. “I suppose I could go to the hospital,” he muttered, “if you insist. And. Uh. The date, too. We could do that sometime as well.”

Tony paused, but then his head jerked up and he practically beamed. “Really?” He asked, beginning to bounce on his toes. 

Steve couldn’t help but laugh, even though it really hurt. “Yeah, really,” he said, “I guess I was kind of exaggerating how terribly evil you were in order to save myself from uh- going too far the other way.”

Tony’s smile, if even physically possible, grew bigger. “That’s the biggest compliment anyone has ever told me,” he said, holding out a hand for Steve to take, “now can you please take my hand and let me escort you to the vehicle?”

Steve raised an eyebrow, but tentatively slid his fingers through Tony’s. “I can walk, you know.”

Tony squeezed their hands together. “Oh, I know. I’ve just wanted to hold hands with you since I was twelve.”

#highschool au #again far too long #but whatever im gonna sleep now its 4am #stevetony #itsallavengers writes #Anonymous

[elizabethrobertajones]

Why do you think that when seemingly funny thing happen, they happen to Dean? Like the fear thing in Yellow Fever or the age thing in 5.07 and 10.12 (both old and young!) or the memory thing in Regarding Dean. I'm sure I'm missing a lot of others (and also the not so funny like the vampire thing in 6.05 and of course Demon!Dean in S10). But I can't really picture Sam on those situation tho, Dean is perfect xD

And this is why Plucky’s is my favourite episode, because the thing happened to Sam and it was also perfect but in a completely different way :P 

If you’ve seen the gifset ever of that con where they were talking somewhat seriously about this, before someone said Sam was the straight man to Dean and then Jared imploded… I mean, I need someone to turn that up for me so I can stick it in the “thanks Jared” section of my massive bi dean meta etc resource… But also they WERE making a serious point before they derailed it :P 

The show has a lot of quietly set in stone dynamics. I mean, well, they’re stuff that can get subverted or a particular arc or season will try to explore things from a different angle, but even when they try to do that they still work within certain rules. 

I should probably just make a gif of it for myself, but my favourite visual for this is in 11x04… actually it’s 2am and I have the Sleep Madness so I’ll just do that… 

It’s such a wonderful image of the 2 of them, with Sam wearing red and Dean wearing blue, and top and tail like that. They’re 2 parts of a whole but they’re utterly different people and they’re often mirror images to each other in ways where when something applies to one, the direct opposite is shown in the other. 

(Sidebar: it’s why I’m so delighted that Sam was like blah blah Cas is family and then Dean was like you may be able to forget Cas but I can’t!!!!1 in 13x03… But on the other hand there are things where the nuances get lost and people make weird wrong assumptions like us having to endlessly prove Dean is the smart one because of the lingering first impression that doesn’t let anyone create any nuance after “sam went to college and dean didn’t”)

Anyway, setting up a straight man and comedy sidekick duo drops that all on Dean because from the first episode Sam’s all serious and has epic angst, while Dean tries to lighten the mood and clearly has the snarky sort of attitude that lends itself towards being the comedic one. Even when they make Dean angsty, Sam is serious and Dean big brother picks on him a bit sometimes (in a nice way) and teases him a lot - this is all broad strokes season 1 characterisation I’m talking about, really. But yeah, even if they go super deep or make Dean super angsty, he’s established as the character who can deal with it. And sometimes dealing with it is shouldering a cracky episode’s concept because they know his reactions are going to be easier to sell the thing.

The other thing is emotional POV and Dean’s largely established as the character who has that. Sam spends a lot of time unavailable as the emotional POV and Dean has shouldered entire SEASONS of it (season 6 especially where he was the ONLY viable emotional POV character for large chunks of it). Emotional POV is not really who the episode is ABOUT but what character is reacting to it and filtering how we should feel about a thing for us. In 6x03 when Cas wants to read the kid’s soul to get info, Dean steps in like wtf we don’t torture kids, but Sam and Cas outweigh him because utilitarian means to an end for the greater good blah blah. It makes it clear if we’d missed it that Dean is the only person whose judgement can be trusted until further notice. So until then, we always have to check in with Dean to get the read on a thing. 

Anyway because Dean is the emotional POV we cry and suffer along with him, but we also laugh along with him.

In 7x14 even when Sam gets a funny episode about him, the clowns aren’t really revealing anything about him - we knew about the clown fear since 2x02, it’s explored before the fight but largely for Dean’s benefit, and Sam getting the crap kicked out of him by clowns makes him a hilarious object for us - the fight scene is ridiculously funny but it IS just Sam having the snot beaten out of him while they come up with creative ways clowns would WRECK you in a fight. Dean gets an emotional showdown with the guy controlling the fears, and is the one who learns a lesson from it, while Sam had never really been set up for anything other than being the centre of attention of all the nonsense because it was really really funny that he was scared of clowns. It’s like the “the ball washer” “the what?” exchange explains Sam’s entire role in the episode. 

(Which was Dean doing big brother teasing but like the entire narrative decided to torture him :P)

And meanwhile when Dean gets the hilarious episodes which turn out to be really really painful, we get deep explorations of his psyche. 4x06 explores his hell trauma and reveals a lot about what he went through, and his fears about what Sam will become (LOVE THAT DABB EXPOSITION :D)… Idk about the old man Dean episode but he had some DEEP scenes with Bobby in it I seem to recall… I think @thejabberwock was probably giffing it recently and putting it on my dash for me to scroll past without really looking the moment I recognised what episode it was :P) but it was an episode that let them sort of relate to each other a bit better I think. Or Dean to feel for Bobby some more. Idk, I think there is a super important conversation between them? This is what happens when you put an episode on your “eeeeh skip it unless you’re being weirdly thorough” list :P

But yeah young!Dean was a massively important Dean episode exploring deep down in his character, but just delivered through silly moments about cake and Taylor Swift and complaining about puberty. Or the CAR THING with Sam where it’s a huge description of their relationship that Dean hops in the car seat even though he might not be old enough to even legally DRIVE her, and then Sam gets in the front seat and Dean just squishes him, hauling the seat forward for his tiny legs to reach the pedals. Like, Sam didn’t argue and it didn’t occur to Dean and they only swapped AFTER this bad dynamic caused a stupid mess and crushed Sam? Hello entire codependency metaphor :P 

(And I don’t think I need to explain 12x11 since it was so recent and so so awful about Dean D: Oh gosh, you could have just given us the Larry riding montage and no episode and that would have been enough :P)

Anyway as the emotional POV this stuff happens to Dean because changes to his self is the plot idea to help with stuff that’s to come or to explain things that already happened in the main plot, or really OTT situations they want for their own sake, that push the boundaries of his character but seem more to do with the main plot unfolding, make sense to explore through Dean, because his emotional landscape is often plot relevant, and the exploration even if it’s wrapped up in a silly concept, usually makes a lot more sense to apply to him because we already have a vast playground of his characterisation to mess around in. 10x12 and 12x11 especially were calling on everything about Dean. I think the writer even went on Twitter I guess when he was writing it and polled everyone on the most Dean-like things they could think of, and clearly got the answers “music, pie, car and girls” because those were the main metaphors of subverting Dean’s character that he offered.

I don’t think this is to reflect negatively on Sam - he gets some fascinating character stuff but connected to the main plot and not delving him in the same way Dean is delved (I think the imbalance and not understanding how they’re written can make people sad on Sam’s behalf he doesn’t get enough development in the same way Dean gets it, which is often by default when we care about character stuff over plot. I also think the writing falls into ruts of this which HAVE favoured Dean and his emotional arcs over Sam’s plot stuff). But Sam can get some incredible character stuff out of the plot things - I think Sam in Berens episodes is a great example because I’m still reeling from 13x03 and the stuff he said to Jack, because that’s all using the main plot to explore Sam - even if a lot of it was saying obvious stuff we knew about Sam, he doesn’t really say it too often and forcing him to say it out loud in episode THREE means the season is going to have to build on that or fail Sam (and he’s so wrapped up in what happens to Jack I can’t see his character stuff connected to that disappearing :P) 

But yeah, him being the “straight man” means that Dean is bouncing off him to be the funny one, and that really reflects on every level of the show, especially when you take humour and replace it with the emotional connection we have to the show in general and humour is just a great way to game that to get the reaction in a positive way, and Sam’s not the serious one so much as he’s dealing with the big stuff, usually, and that can wander off to all sorts of places like his habit of completely hammering down any other feelings to deal with the things that have to be done. Or to do the opposite of scaling up Dean, he can scale down to be the more serious one in a silly episode. Which doesn’t mean it doesn’t affect him - all the episodes where he had to deal with something happening to Dean that put him in charge it really messes him up. Or makes him really good at poker that one time :P 

…

Ah, my neighbours have stopped having a 4 way screaming match outside in the street, I’m going to stop typing and go to bed, so no tl;dr here… it’s turning 2am :D

#Asks #WOAH after I hit post a police car showed up #dean analysis #filed under #7x14 #for my own amusement #and #12x11 #for practical reasons

[mikata-gahara]

[REVIEW] Tokimeki Memorial Girl’s Side: 3rd Story

Just look at the cute logo–it practically summarizes the whole game.

First thing first, it’s my first time conducting a review so maybe I’ll just skip all the mincing and playing with the words. And secondly, well, I know it’s a pretty old game, but since I just got my hands on it recently then excuse me for treating it as brand new.

Tokimeki Memorial Girl’s Side: 3rd Story is currently the latest installment of the Tokimeki Memorial series (excluding the ‘Battery Widget’). It’s an otome game; basically a game in which girls are making boys falling for her, for those who don’t know what it means. There are bunch of otome games out there and more often than not I’m disgusted at them (especially when some of them include BDSM, rape, or worse–gang rape). All that aside, that’s why I’m often sticking with school-life otome games, to minimize the chances of any of those horrid scenes popping in my game consoles and to keep my mind and eyes clean from any harmful influences. blah.

Right, time to go back to the right path.

Like I said, I found TMGS3 just recently and seeing that it’s pretty innocent-looking with that cute, pinky font–I tried it on my old PSP. I was pretty surprised to find that it’s so fun. You can go shopping every Sunday with a discount card, the clothes you wear will have to be matching with the season you’re in or else the guys you’re seducing will pretty much scold you for going with unfitting outfits (I’ve tried it, wearing a tank top in winter). You have to raise some stats up to make guys fall for you (but every guy has their own tastes so you can’t always get all of the guys’ confession in one playthrough) just like in real life.

When you want something, you have to really work for it–that’s one point I learn the hard way in my life and I love that this game teaches that.

Now, let us get to the main part of this review.

System

To put it simply, the system is as equally cute as it’s fun. It’s easy to navigate too. You can just choose what activity you want to do for the week right here. Choosing certain activities can both increase and decrease some of the stats so it can be tough when you have to maintain some stats which happen to be increased and decreased by activities that you also have to do. In the beginning of the game, you’re inquired to choose a room and depending on which you choose, your beginning stats will vary, though the beginning money will remain the same.

Background Music

One of the plus points for this game is absolutely it’s BGM, without it then maybe the worth of this game will drop about 50%, for me, at least. One most primary factor I think has to be in a game (especially the otome ones) is the BGM. To me, music is partially everything. Without it then the feeling you get won’t come off as great as it will be. Even bad BGMs which grate ears in some action games just make the feeling of smashing the villain even better. In short, I’m so glad that this game executes the choices of music and soundtrack so well. The confession theme music and the ending song, ‘flower or love’, are so great that it made me shed a tear.

Story

Like most games of this kind, the heroine here has no clear personality. The players are the ones who can define her through the choices and actions. While I hoped that the heroine would have more defining personality than the default, innocent and seemingly gullible personality and was let down, fortunately the whole plot of this story is "passable” to make up the fault.

There’s a legend of a church when the heroine was still a child, which is also the vocal point of this game and where the confessions always take place. The heroine also befriends the two poster boys Ruka and Koichi in her childhood, the three of them often played at the grounds of that church. One day, the heroine has to leave the city, leaving both boys and like most stories, she is back about ten years or so later only to meet up with both of her childhood friends.

It’s an overused plot story (with the previous TMGS games having childhood friends as well) but I think TMGS3 does it well and puts the scenes in a decent order. I won’t say that I particularly fond of this part since I have enough of my fill with cliche and happily-ever-after bunch of unreal tales. Like I said, the plot is passable. It’s neither really good or bad–it’s just enough to make the game look likable. At least there’s no scenes of promising the heroine that the boys will marry her someday or something even more worse than that. I’ll think of this game less than how I think of it now.

I love fairy tales and sweet nothings but sometimes we just have to face the reality and know that there’s a fine line between it and fiction. I mean let’s be real–will you still be that friendly with you childhood friends after you meet them ten years later? Don’t even start. I bet you won’t even remember what you did when you were 7 or 8 years old.

The Guys

And here we are, at the most vital part of what makes it a worthy game besides the BGM. There are a wide variety of bachelors in this game, like 6 enigmatic boys you can vividly see, 4 secret (in other words, hidden) characters which I deem not that important and a teacher which can only become your love interest when you go through a specific path and have the valid stats. Stats are the oyster in this world and you can only advance with fulfilling a certain amount of them.

The first general 6 boys are alright. I found each of their characteristics amusing especially Shitara Seiji (above), who is basically a rich brat who doesn’t know how to send a text message. There are also events for each of them you can unlock by choosing certain activities too. Some of them are hilarious and pretty interesting, though there are also some which are overly exaggerated and blown out of proportion, like Niina Junpei’s route. The best events trophy shall go to the poster boys Sakurai Ruka and Koichi–funny, interesting and emotional are packed in one boy.

I have to say that the best of this game probably lies within the events and story of the first 6 boys. The next 4 secret characters are written and executed weirdly and pretty half-assed, almost not making sense. Though it’s not really all four of them bad, at least two of them are. Let’s just be real, a chance encounter won’t happen that many times! (except when you’re obsessed with that person and you keep stalking them to make the ‘chance encounter’) But the writer seemed to love it and overused the idea a few times.

Character Graphics

And here’s another deciding factor which defines the main worth of the game itself. And thankfully I don’t think myself and anyone else in the fandom have any complaints about the graphics. The CGs are beautifully drawn and the sprites have no actual problems. I mean look at this:

The only thing I despise is Konno Tamao’s hair–like, green? It’s not that I’m not fond of the color green but to see it as hair color is just... weird. Yeah, weird. And I’m not really agree with Junpei’s hairstyle either. If only they would make his hair styled above and put aside the makeover, then it’d be perfect.

Mini Games

IT’S HELLA FUN! The pillow-throwing one, I mean. I don’t think the making-valentine-choco counts as a game actually since it’s just about decorating chocolates the way you want them to be. The ball-throwing game in sport festival is pretty fun even when sometimes I’m infuriated when the opposite team hit me with the ball instead. But most of all, the ball-rolling game is really getting on my nerves since I can’t seem to win it. All in all, aside from the making the choco thing, the mini games are pretty worthwhile.

Final Judgement

Personal Rating: 7/10

For an otome game, it’s pretty decent and possibly one of some great ones there. The story and events are well-executed and left quite an impression. Flaws are just inevitable but still tolerable. It’s worth your time and money.

#tokimeki memorial girl's side 3rd story #sakurai ruka #sakurai koichi #konno tamao #shitara seiji #niina junpei #fujiyama arashi #tmgs3 #tmgs #otome games

[heir-of-puns]

Homestuck Volume 10, One Year Later Retrospective!

Creata, by Seth “Beatfox” Peele: A very very good track to begin the last album. It just kind of embodies everything beautiful and epic about the finale of homestuck. Its beginning section is used in Collide, which brings you right into the first moments of the final battle and then, when you’re ready for the big hit and transition into Oppa Toby Style, the full version slams you with a full-out orchestra. Another thing I really really love about this one is its use of Song of Skaia. The original theme (Skies of Skaia) is used throughout the album, which I didn’t expect to be sure, but it works perfectly. We kind of forget about how important Skaia and universe creation is to the plot/lore of homestuck (which I think may have been one of the problems with Act 7 and our reactions to it but I won’t get into that).The lyrics are gorgeous too. Definitely check out the original Song of Skaia album by Mark Hadley and Tarien Ainuvë. I guess my only gripe is that the song is pretty obviously not a live orchestra or choir. That said, Beatfox did a damn good job with it. I would love love love to see a full orchestra/choir perform it.

Train, by George Buzinkai: The transition from Creata to Train may seem a bit jarring, but if Creata went straight into Of Gods and Witches we wouldn’t have time to relax. Train is just super fun, as are all of George’s songs. Speaking of, check out a bunch more songs like Train here! Also that track art tho. Not one of the strong tracks, but it doesn’t have to be with so many heavy-hitters.

Of Gods and Witches, by Tensei: Oh man, just. Goddamn. I just love this song so much. And what a beginning. The string part slams you full force and just when you think you’re getting comfortable with Jade's Pirates of the Caribbean Quest, Tensei’s classic guitar comes in. The swashbuckling nature of this one is a surprising choice for Jade, but every Jade song is a good Jade song and she definitely deserves such an awesome track. One gripe is that Doctor is referenced which has no connection to Jade but...whatevs I’m kind of weirdly obsessive about leitmotifs for whatever reason. I think Tensei said he did it to make the song 4:13. Worth it. This is one of my favorite strife-y tracks in the music canon for sure.

Beatup, by Clark Powell and Astro Kid: Beatdown is a song with a very interesting history in homestuck, not only because of its associations with Bro and his rooftop...ahem...training of Dave, but also because it was unfinished versions of Beatdown which caused the whole Bill Bolin thing. So Beatdown being featured so heavily on the album is a fun callback to the good ol’ days. And this is such a good version. That base. Makes you want to play it as party music or something. With the track art featuring both Dave and Dirk, I like to think of it as Dave’s reclamation of Beatdown, alongside his rooftop talk with Dirk and the reclamation of his identity since Bro’s death.

You Killed My Father (Prepare to Die), by Team Dogfight: Another one of my faves, though that doesn’t mean much because at least half this album are faves. This is pretty much number one on my list of songs I really want someone to do a full fan animation to, a la Rex Duodecim Angelus. Team Dogfight is amazing both as a group and as individual artists. Yishan Mai/Catboss (drums, mixing) has done tons of LOFAM music, including the Dance tribute songs (MeGaDanceVania, Dance-Stab-Dance, and Emissary of Dance) and so many others I can’t list them all. Listen to his solo stuff (especially Jar of Feelings), you won’t regret it. Will Ascenzo (orchestra, choir) has got to be one of my favorite musicians of all time. Her stuff is just...oh man. Check out Rust Apocalypse for more hs content, and also all of her original albums. DJ最テー (guitars) did Violet Prince and Iron Knight I believe, two tracks which have very much been growing on me lately. I just realized viaSatellite (bass) did Clockstopper (with infiniteKnife) which is my absolute favorite Dave song in the entire canon. David "Dirtiest" Dycus (synths, composition) and Ian White (trumpet) have also done tons of great LOFAM stuff. This song is just so fun and epic and cinematic. A+ yo.

Sound Judgement, by Malcolm Brown: First off, sick transition. Second, say what you want about the end of Terezi’s arc, but the fact that she got her own badass song on the final album says something about how amazing she is. Malcolm Brown is just the king of cinematic pieces, and this one is no exception. It does such a good job turning a pretty simple leitmotif (The Lemonsnout Turnabout/Terezi’s Theme) and making it super epic, which is a word I will keep using throughout this retrospective because I can’t think of another one. The main tune (hook?) of this one is also beautiful and emotional, both as the bells at the beginning and end and as the orchestra/guitar bit at the climax. Its use of Harlequin is obviously a reference to her fight with Gamzee pre-Game Over, though Harlequin is coincidentally also used in reference to John. So it fits both her pre- and post-Game Over arcs. 

Aggrievocation, by Mark Hadley: Considering how much it was used in Volume 5, I feel like we’ve forgotten about Aggrieve. Or maybe it was just me, whose intro to Rose’s music was almost all Chorale for Jaspers references. Aggrievocation was therefore another unexpected surprise, and damn I love it. It makes a nice little trilogy, too, with the original Aggrieve and Aggrievance from Vol.5. This would be my favorite badass Rose song if At the Price of Oblivion and Dance of Thorns didn’t exist

Stride, by Kalibration: I’m surprised neither official nor fan musicians have capitalized on the fact that Dave makes his own music in-canon. While we all know if he were from post-2009, he would deal exclusively in vaporwave, I like to think that Stride is the kind of thing he makes once he finally gets good. And considering the track art, I love the idea of him and Dirk making it together. This song exists in canon for all I’m concerned is what I’m saying. Also, this would make a great walk-around theme for either Dave or Dirk. This is the first of two great Moonsetter remixes on Vol.10, which is yet another happy surprise on this album. Moonsetter seems to have become a kind of hybrid Dirk/Meteor tune considering its original track art on Vol.9 and its use in Vriskagram. But we all know that Moonsetter is the official Gay theme now and I embrace that wholeheartedly. I...still have no idea where Showdown actually comes in though?

Skaian Overdrive*, by Thomas Ferkol: Ah, that good ol’ asterisk. Legend says that the music team video released in tandem with the album claimed Vol.10 included a track called Skaian Starstorm, which someone eventually realized was not the name of this track and was in fact an Astro Kid song from LOFAM 2. In correcting himself, Thomas (or whoever put it together, so probably RJ) placed the asterisk in the song title, which of course means that it is included as part of the title on the bandcamp page and on downloadeds. Who can say for sure if it was intentional or not, but I appreciate that we’ve all just accepted it as part of the title, either as a wink-wink or without knowing the backstory. Anyway, this is a great song for the Battlefield. I love Thomas’s metal stuff.

Freefall, by RJ Lake: It took me embarrassingly long to realize this was, in fact, a remix of RJ’s early version of Cascade (Beta). Cascade (Beta) itself has got to be one of my absolute favorites (which, again, doesn’t mean a whole lot) and this version is so much fun. It’s funky, epic, and I really really love those drop/clap bits. And it’s so great seeing a Cascade remix on the final hs album, harkening back to what was probably, for good or bad, homestuck’s apex.

Moonsweater, by David Ellis, Alto and Tenor Saxophone performed by Malik Refaat: My roommate is a jazz snob from New Orleans and he heard me playing this and came over to my side of the room to say it was really good and ask who it was by. Which, I think, is a major victory for homestuck music and a moment of pride for me. So apparently this is a great song even by jazz snob standards, which is sick as hell. Overall, just a fun bouncy song and another cool use of Moonsetter. And it’s nice to see the Midnight Crew featured on the album, whether they have anything to do with the song’s origins or not. Yeah the song is a bit long, but I can forgive it. Question though: is it sweater like sweat or sweater like the item of clothing? Plz advise. One is significantly weirder than the other and I assumed it was that one until recently. Another mystery which doesn’t need solving but heck if I’m not gonna try and solve it anyway, so nice work.

Castle, by George Buzinkai: Another fun, simple track from George. Again, check out his album of similar stuff I linked to above, and support George with your money and appreciation! The track art makes me think of this one as a song for the post-retcon Meteor Crew sneaking through Derse to save Jake and Roxy.

Skaian Happy Flight, by Seth “Beatfox” Peele: A fun remix of Skaian Ride, harkening back to the old days of Vol.5. A bit of a filler piece, but a fun one. Beatfox said he intended this one as a tribute to the music from the Never Ending Story. As such, notice the little Hussie riding Falcor in the background of the track art.

Voidlight, by Thomas Ferkol: Mmmm the more Calliope tracks the better. Thomas said this one was written as a tribute to Callie’s void bubble and her loneliness hiding in them which, yeah it works perfectly. I also like to think of this one as a theme for Alt-Calliope too, though, not only because I am starved of Alt-Callie Content, but also because those themes of loneliness Callie experiences in the void are mirrored really poignantly in Alt-Calliope’s characterization in-comic. A beautiful piece overall.

Beatdown DX, by Curt Blakeslee: As I mentioned earlier for Beatup, it’s neat seeing Beatdown come back full force on this album. Especially this one, which is a straight-up remaster of the original by its original creator. It’s awesome, especially considering that I don’t think he’s done anything else for the comic since the original Beatdowns from way back when. The original is purposefully harsh to reflect...yeah...but this one finally puts it to its full potential. The amazing track art (brought to you by the creator of Terepy herself) really drives the point home about what Beatdown represents for Dave’s character. I like to think of this one as how Bro sees the song/rooftop battles. Heroic, clean, fun, badass, classic video-game style. And we see from the art that what Bro is doing is none of those, and the original reflects Dave’s perspective on what was going on: harsh, dissonant, aggressive, violent. I do wish that this was included before Beatup on the album, since it represents the exact thing Dave reclaims with that version, as I mentioned earlier.

Solar Voyage, by Marcy Nabors: Oh man. This song. This song is such a great tribute to some of the most iconic songs in homestuck. Starts out with a pretty much one-to-one rendition of Ruins, then hits that sick-ass drop and flare beat, then that guitar. Oh man, that guitar. I wish I could make people feel the way that guitar makes me feel. And then to top it all off, another tribute to the iconic Explore. Three classics which work beautifully together. Also this one is a collaboration from pretty much everyone: Arrangement by Michael Guy Bowman, Marcy Nabors, Clark Powell, and Erik Scheele , Piano by Erik Scheele, Guitar by Tensei, Vocals by Paul Henderson and Marcy Nabors, Drums by Jamie Paige Stanley. The whole gang. And then that transition to.......

Feel (Alive), by Luke Benjamins and RJ Lake: This fucking song, I swear to god. It gets me so pumped. Every single time I listen to it I bounce along. I usually prefer songs with leitmotifs for added Emotions, but this has got to be one my top completely original pieces in the music canon. It goes so hard, it doesn’t even need a subject. The track art makes it a Meteor Crew (plus Jade) tribute, though, so I like to think of it playing as the Meteor is hurtling towards the Alpha session and their imminent doom, with everyone having lived three years of emotional turmoil and pubescence. Truly a masterpiece.

Breeze, by Erik Scheele: Yeah it’s a bit of a filler piece, but it’s a classy filler piece. I just imagine John chilling up in the clouds, free and relaxed. Maybe he packed a lunch for a little sky picnic. I don’t think it was written with John in mind but it’s called Breeze, so I dub it a John piece, so there. And then a tantalizing transition into...

Starfall, by Jeremy “Solatrus” Iamurri: I know we all thought of this one as just a little transition piece into Ascend originally, but after listening to it over the course of a year (!) I’ve grown to really love it. Solatrus has some amazing and unique stuff and out of everything he’s done, including solo albums, this is probably my favorite. I still can’t quite place exactly why I love it so much, there’s just...something about it that’s beautiful and ethereal and just really really cool. I like that the artist decided to go with a tribute to both Rose and the Reckoning for this piece, as it really works for both of them for similar reasons as above. It’s another one that transcends a subject, though, and I am a-okay with that. And then that transition into...

Ascend, by Tensei: No final album is complete without a big tribute to some of homestuck’s most classic tunes. I am such a sucker for those kind of songs and this one is just so much fun. That base drop though. That’s a good base drop. I can never help but laugh, however, at Tensei attempting to use it to make Johnradia canon which...a) is a boring ship b) the art doesn’t even suggest they’re romancey it just gives cool feelings about badass god tiers extending a hand to those who have Ascended and c) the song was, of course, used in the Credits and constitutes our current, but probably final let’s be serious Last Music in Homestuck, and the only ship we associate with it now is Rosemary getting Rosemarried which I think is a very poetic backfire for Tensei. But credit where credit is due, Tensei is still one of my favorite artists and he really delivers a super fun tribute to everything homestuck. 

Lilith in Starlight, by Malcolm Brown: Yeah, there isn’t really anything about this one that hasn’t been said a bunch of times. It’s so great having a full song dedicated to Rosemary. Including Blind Justice Investigation (I am not typing that out in Terezi’s quirk), Do You Remem8er Me, Black Rose/Green Sun, Sound Judgement, and others, it truly makes Malcolm Brown the musician king of gay homestuck ships. Yay Malcolm. But seriously, this is a beautiful piece. Gorgeous references to Rose’s and Kanaya’s themes (have I mentioned how much I love Black/Rose Green Sun? I really love Black Rose/Green Sun), and a fun, dancey rhythm which always makes me think of it as Rose and Kanaya’s wedding dance number. Imagine them spinning each other around as everyone claps and oohs and aahs. Good content.

Thanks for Playing, by Max Wright: Ya know, I never give this one the credit it deserves. This is a beautiful piece of music and combined with the track art, it really hammers in the emotions of the end of homestuck. There they all are, staring into the distance as the universe they’ve just created comes into being. Emotions. I really need to appreciate this song more.

Renewed Return, by Marcy Nabors: Man, who knew Warhammer of Zillyhoo could make me so emotional. This might be my current favorite on the album, though that changes monthly tbh. Especially since this is a real live orchestra and choir! I love that!!! It includes some great overlooked pieces like Calamity and Revered Return, too. Man I’m getting tired. But this is such a great song, and kind of the emotional climax of the album for me. Whether it has much to do with Jane or not, it’s just another great song for the end of homestuck and all the emotions that entails. And this has got to be one of my favorite renditions of Doctor. Rereading the lyrics, it really does seem like they were written for Jane and her resurrection powers actually. Resurrection is a theme throughout the comic in multiple forms, and paying tribute to that through Jane is so great, even regardless of her unacceptable lack of songs.

THIS Pumpkin, by Alexander Rosetti: And topping off the list of surprising returns of old songs, here we have a full-on orchestration of Pumpkin Cravings of all things. The original is such a fun little tune, and not one you would expect to work so well with an orchestra. Alexander Rosetti said the style was very much a tribute to Danny Elfman, which yeah I totally see (hear) that. It’s also great seeing a piece for Problem Sleuth on the last album for the media masterpiece it directly lead to. And finally...

Conclude, by Seth “Beatfox” Peele: It’s interesting that rather than go with a big epic finale, the album takes a softer route. It starts out as a more soothing Creata, then hits you (me) right in the emotional soft spot that is Showtime (Piano Refrain). The first track of the comic, featured in the last track of the last album. And then of course there’s no forgetting Homestuck Anthem. When not focusing on the piece, it can be a bit boring honestly. But when actually listening to it, it really is gorgeous. Kinda reminds me of John Williams’ Star Wars stuff actually, now that I think about it. An excellent finale of a finale of a finale.

There you have it, Vol.10 One Year and Several Hours Later. This took a really long time. Plz appreciate my hard work and the lack of sufficient sleep I am getting tonight.

#homestuck #hs music recs #homestuck volume 10 #6/12 #long post #abuse cw #(for the mentions of dave and bro) #homestuck music

[tearasshouse]

Attack on Backlog 2017 - No. 9 

Final Fantasy XV

Breakdown: PS4 version at 80ish hrs for the Platinum. Plenty of post-game content left undone; plenty of pre-timeskip content left untouched; figure I’ll go back to the game someday (ha ha, not likely) and be like, oh wow, this single-player MMO still has a lot of questing left for me to do, cool (but that won’t happen).

Final Fantasy 15 is a big, beautiful, incomplete, incoherent but ultimately fulfilling and worthwhile experience that won’t disappoint if you have realistic expectations. So, it’s kind of like being in a relationship! Hah. Speaking of relationships, like the ones depicted in this game, and also like my own with the FF series...

TL;DR time! So far I’ve gotten as far as: 

Sephiroth’s fight in FF7 where I parked my characters outside of the crater and went, Nah, putting a stop to that glorious (ly pathetic) summer where I spent my 13th or 14th birthday leveling up Materia or something. Whew. Somehow I just lost the nerve to continue despite grinding for hours upon hours. I didn’t even have KotR, so naturally I skipped Ruby Weapon and that just made defeating Sephiroth kind of... pointless?

disc 3 in FF9, but because I’d neglected and refused to learn Tetra Master up to that point, I pretty much hit a roadblock and could not progress. Thanks a lot! Thanks a fucking lot. I really liked this FF. The soft limits on class specialization, with the way weapons conferred different skills to different party members, but everyone could use pretty much anything, the soundtrack, the characters; a lot of it was great. Ditto about the story tho, wasn’t paying attention ¯\_(ツ)_/¯

fhe first 5 minutes of FFIV on the NDS.

almost 50 hours into Bravely Default, but put it down because the storybeats were just too inconsistently delivered, the grinding, though greatly alleviated with some QoL features, was still a huge grind, and something about the game just... never clicked.

taking a glancing look at copy of FFX/X-2 HD and putting the thing down because I have commitment issues.  

the first 15 minutes of FF Type-0 HD.

and whoa, before I forget, Steam says I have 13.2 hours in FF13. So there’s that. Great music though! Paradigm Shifting is cool in theory too, I guess. But this game is just awful. And now I want to go back and play it. Why do I do this?

All in all a very poor showing from me. FFXV was, comparatively speaking, way easier to dig in. “A Final Fantasy for fans and first-timers” they say. Well, I’m not sure if I fall into either of those camps. I guess I am a fan? Sorta? I couldn’t tell you about the lore, plot or characters of many of the games, but I do own one of these. And I used to listen non-stop to shitty low-bitrate .mp3s of Nobuo Uematsu’s soundtracks on my Walkman. And I had wallpapers of Rinoa and Yuna, and still own a really embarrassing FF8 wallscroll that was gifted to me?

So! As a casual fan then, I found this one... pretty good. I mean, there’s elements of every past Final Fantasy in its DNA. It feels like a Final Fantasy game, which is to say it feels like the ones which came after 12, which did the most to change up the ATB/turn based combat, and perhaps the composition/interaction of the characters, outside of maybe Tactics or 11. 

There’s so much to like here that I’m willing to forgive its shortcomings and missed potential, even if, by the end, the things it gets right is in equal measure to the things it misses the mark on or flat out lacks. It has so much charm and warmth that I’m willing to forgive Square’s misguided reach for critical mass market appeal what with its numerous marketing tie-ins and cross-promotions, or its divvying up of exposition to tie-in films and DLC. At least it gave us that ridiculous Cup Noodle quest line. At least it gave us that. I’m even willing to forgive Chapter 13, and I didn’t even play Verse 2.

I’ve not followed the game at all, so its understandable the ones who clamoured for something like Versus XIII would be a bit irked. All those amazing tech demos and trailers they’ve released over the years? I understand the pain, but ya’ll only have yourself to blame for buying into the pre-release footage. 

Yes, the Insomnia chapter was wholly underwhelming. Yes the pacing is weirdly rushed after you’ve hit Altissia onwards and becomes hyper linear. Yes Lestallum and Altissia are in general hilariously undercooked, non-interactive, tiny and I haven’t encountered something this disappointing since maybe hitting Markarth in Skyrim, where the magic of Skyrim’s first 50 hours really started to wear thin. We’ve truly hit a point where graphics tech has outpaced the ability and feasibility to render more organic, more reactive and believable AI simulation in towns and cities. Maybe all this increased fidelity strikes a dissonance with how we think worlds should be populated and behave? I don’t know. Witcher 3 looks incredible though, and perhaps that’s the game that shows you can have your cake and eat it too. Meaty, meaningful content that isn’t just throwaway Hunt quests, or helping some asshole with his car troubles for the umpteenth time. I’m of the opinion that all sidequests in RPGs devolve into kill or fetch quests, and the rare exception requires you to talk your way to success or solve some kind of puzzle and mechanically speaking there isn’t a whole lot you can do. So, that’s where good writing comes in. Fallout New Vegas, if I recall had fantastic writing in this regard. More recently NieR Automata had really rudimentary sidequests that were carried along with quirky written snippets that expanded upon the world. Then there’s the Witcher games and to a lesser extent the Yakuza series that construct entire stories around side content. Yes FFXV’s sidequests are... uniformly underwhelming. They’re all more or less MMO-like filler content for the sake of inflating the completion time and giving you some kind of incentive for exploring the world. And yes, Luna and Noct’s relationship is hilariously undercooked; she does her Aerith moment and it’s tits up from that point on. It’s a shame you can’t be with Iris though the game teases this; Aranea only shows up to do her thing and disappears; Cor straight up disappears; Gentiana does her thing and disappears, etc. People just disappear, for no apparent reason other than selling you DLC, or they didn’t know what to do with these characters because they are plot movers, nothing more. Sigh.

But you know what? It’s been awhile since I’ve played something like the first half of the game so yeah, sure, whatever. Throw on a podcast and go about overleveling past the main campaign. Go ahead and throw on that FF13 soundtrack and go pick up nutmeg (such a great soundtrack). 

Speaking of which, I loved the music. I might even call it majestic. I loved oddball world design of mashing what seems to be not-Southwestern & not-Pacific Northwestern USA with not-Venice, briefly not-Rivendell (Tenebrae?) & not-Tokyo. I loved playing grab ass with my boys after camping out in the mornings. I loved Ignis being the mom friend and the my headcanon where the guys store all their cooking and crafting ingredients in the same astral plane where Noctis keeps his weapons. I loved the photography feature and Prompto’s arc. I fucking loved fishing more than I thought would. I loved that there’d always be some kind of incidental dialogue when you’d go exploring or take up a quest. I loved that Bahamut had a creepy human face. I loved how dangerous and crappy the Reglia Type-F is to handle. I loved that Gladio would give Noct shit, even undeservedly at times. I loved that Regis and his crew went on a similar journey all those years ago. I loved that there’d be super high level mobs just chilling in the overworld and that level scaling isn’t a thing, but there would still be things that could one-shot you. I can appreciate a game that helps me with completing its campaign, even if it does so kind of forcibly, since open worlds tend to induce some kind of completion anxiety in me. Will you please go and fucking fight Ardyn already? 

About that fighting: I like it? I briefly tried Kingdom Hearts on 3DS and it was... It was not great. But I like the automation in this that allows for just enough player input where positioning and timing is more important than anything else. It’s not very strategic, and you don’t have much in the way of tactical forethought, but it looks cool! Props to Square’s animation team for blending all of it together into a somewhat coherent whole. It’s mostly flash, with just enough engagement to not be a entirely mindless affair. 

I think at the end of the day we all have some kind of preconception of what we wanted FFXV to be, and we were all left somewhat disappointed that it didn’t turn out to be that figment of our fancy. But it exists, its more than playable, there’s a lot to do and soak in and those post-credits scenes with Noct and the lads, and Noct and Luna with the photo you chose were enough to wash away the cynicism and disappointment. 

It feels like, with the completion of the Episode Ignis campaign and the successful rebirth of A Realm Reborn, Square might finally close the chapter on 13/Versus 13/15 and do things a bit better and more efficiently. Or maybe we’ll be subjected to a mobile hell and more games in 15′s mould, the latter of which wouldn’t be the worst thing? I keep saying it but I never follow through with going back to play the older mainline FF games. Now’s the time! Maybe.

#games of 2017 #attack on backlog #gaming #final fantasy #ffxv #final fantasy 15 #square enix #hajime tabata #yoko shimomura #final fantasy versus xiii #fabula nova crystallis

[ravel-puzzlewell]

I want to pre-face this long rant by saying I was not expecting some masterpiece of writing from me:a. I’ve once seen a reviewer compare Mass Effect to Fallout 2 and, honestly, it’s ridiculous. You don’t compare pulp prose to philosophical science fiction, they are made for different purposes and engage you differently. Mass Effect was always a soap opera with messy plot and cool one-liners and it’s okay. So I’m only looking at me:a at it’s own merits - as an open world RPG and Mass Effect game.

- actual protagonist of the game is your AI. sorry for spoilers I guess? You really don’t matter, you’re only there to carry your AI to the place where it needs to do it’s thing. You just do whatever it tells you to do. It’s all would be a lot more effective if they just gave AI its own body, like they did with EDI in me3. You don’t solve problems, your AI does. Whatever little decisions you get to make usually are not well-informed, so you just pick whatever with only cosmetic consequences. At the end of the game, they try to, um, solve it, by magically, out of nowhere, giving you ability to hack ancient machines without your AI. With your sheer willpower, I guess? But no one else can? It’s really hard, bc your nose bleeds! Really, really bad writing.

- This game about discovering new galaxy has no feeling of discovery. That sounds weird and impossible even, but they’ve managed it with a simple trick - all that changes from planet to planet is the climate. The actual places you’re going to visit on locations are absolutely the same - remnant base, kett camp, generic house structure #1 and #2,... that’s it. Once you’ve been in one remnant vault, you know what’s you’re going to see in all others. I’m not talking about them having same maps, but same structure - empty dark halls with glowy green lines, lots of same enemies, activate the consoles mindlessly until the game throws sudoku puzzle at you and then you’re done. There’s nothing new or interesting to discover! When you learn what’s the gimmick is going to be on a new planet, you know pretty much everything about it without even exploring. Cold planet? Everything is covered in snow, same buildings. Desert planet? Everything is covered in sand, same buildings. Good for you if you really liked these same empty buildings, I guess.

There are should be unique, interesting places on every planet that you can only see there and nowhere else and that you can meaningfully engage with. When I saw the wreck of a giant remnant ship on the Dune-rip off planet, I was excited. I thought it’s going to be something new to actually explore and discover shit there! Nope, it’s the same remnant base you’ve seen 100 times already, and you don’t even do anything interesting there. It’s like they went out of their way to not do anything creative and engaging. The Dune robot sandworm? Just cosmetics, can’t actually fight him, doesn’t have a quest, despite NPCs constantly talking about how you’d be crazy if you tried to hunt it. Let me fucking hunt that thing! These cool beasts flying in the skies on Havarl? Put some ancient temple there where you can summon them and, idk, fly on them or something. How cool would it be? If you’re ripping off Avatar, then why stop halfway and not take all actually cool stuff?

Worldbuilding. Listen. It’s an entire new galaxy. They could do literally do ANYTHING. Aliens made of crystals, or really weird cyborgs, or sentient plants, or shapeshifters, or beings of pure energy, or ANYTHING. And all they’ve come up with are the most generic grey bad guys and most well-known Star Wars tentacle-heads rip-offs? Come on, bioware, make a fucking effort!

Kett are so boring, I don’t even want to talk about them in detail. “They change other species into becoming monsters and then send them back to fight their own people!” Excuse me, I believe I played that game? It was called Mass Effect 3? Kett are literally just Reapers rip-off concept-wise, and, well, all their “culture” has to offer is “religious zealots.” Groundbreaking.

So the only real new race that you can meaningfully interact with and explore that we get is angara. And they have exactly one gimmick about them (and we’ll get to that gimmick itself later) But Ravel, you could say, one gimmick for the entire race is exactly how original mass effect species were designed too! Yeah, sure, but there’s one big difference. There were more than 10 alien races in original mass effect! Some of them were distinctly weird and non-humanoid. Volus, elcor, hanar, etc. Each of them was characterized by one cliche, but because they were all mixed up together, you really could get a sense of diverse, big galaxy. And in me:a we don’t even have most of the original species! Only asari, turians, salarians, krogans, and all of them we already know. So the only *new* race to explore is angara, and they are not even that interesting to explore? Weirdly, all stuff about their culture and religion and whatnot is hidden in side-quests, which you can skip or just miss said details because you yawned. Their culture is, weirdly, not integral to your interaction with them. And even if you do discover these details, they are not so great or interesting or original. They certainly can’t compensate for the lack of any other aliens to interact with. If you put one single culture in the setting to explore for the players, you better make sure it’s a damn interesting and unique one, like the dunmers in Morrowind. Angara just end up feeling… bland.

And their gimmick is… ugh… is that they are really in touch with their feelings. And it’s illustrated precisely by nothing. Like, one time Jaal is excited about some minor plot victory and the game basically forces you to say “um why are ur so happy?” And he’s like, let’s celebrate minor achievements even before accomplishing our goal, we angara are so in touch with our feelings! Like… no offense, I don’t hate that guy or anything, but you can swap his model with a human one and get rid of him saying that he’s so ~alien, and no one will be able to tell something is up with him. He’s just an emotional guy, ok, though the game also doesn’t really show you him being emotional, it just TELLS you. Literally, he keeps referencing to the feelings situation in every goddamn conversation. First of all, for him it should be a norm, he should see humans as weird and restricted instead of angara as so ~open with emotions~. Secondly, it seems like no other angara got the memo about their “in touch with feelings” gimmick.

- The plot. It’s predictable and average and a plot-holey mess overall, but again, the plot in ME games was always messy and plot-holey. I feel like the main problem is the quality of writing. The dialogues are just badly written, from both sides - NPCs are boring and your responses are often just saying the same thing with slightly different tones. Most of the time the option to say what you want to say is just not there, and instead there are two options that are absolutely identical and pointless. And a lot of times the “full” line has, like, nothing to do with short version on dialogue wheel, or short version is really vague and you have to guess wtf it’s going to mean, which does not help you connect with your PC at all.  And it’s where the horrible animation backstabs the game, because what you end up with is two uncanny valley dummies grimacing through generic uninspired dialogue without your real control when it’s supposed to be emotionally engaging and cinematic.

#rave party in space #andromeda spoilers #andromeda critical