ahh the way your own family just crushes you into nothing and go "if we don't tell you, who will" and "its all your fault" and then expect me to accept them with warm loving hugs
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I bring more crumbs for boat boys/smalletho enjoyers in the form of lets not forget that Joel permakilled etho in last life
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desperately need to do a presentation on why the Twelfth Doctors journey perfectly represents the transfem experience
their previous eleventh incarnation being suave and hypersexual (i know moffat is mostly to blame but!) is reminiscent of attempts to fit into heteronormative ideals of masculinity. whilst it is not completely insincere, there are obvious signs this does not fit you as a person, it is acted out of desperate need to being seen. as Vastra put it, eleven wore that face, and subsequently that form of masculinity, to be accepted. on becoming twelve, realising even an "idealised" masculinity does not inherently serve them, they retreated into themselves as a person for self-reflection and trying to understand why they feel so detached from who they are.
the "am i a good man" arc mirrors being closeted and having to present as something not inherently tied to your sense of self, but still wanting to be the best of your perceived gender as any failure could leave you spiralling into self-doubt about simply being like any other "man". you ignore your gender dysphoria/questioning by trying to claim a moralistic view of gendered expression. made even more clear by Twelve rejecting Clara's heroic view of them, establishing that even though they have made efforts to be a "good man", that is just a placeholder for their loss of identity.
Missy appearing as she does, who as a character serves as a parallel to The Doctor on what they could become, and her eventual arc in trying to become good is symbolic of the fear around transition regret that internalised transphobia can create when you are closeted. Missy never gives importance to their fem existence other than nonchalant jokes, rather showing a more free and expressive personality devoid of any frustration. this immediately dismisses the transphobic assumption that trans people are only focused on their gender. also, Missy representing trans femininity is inherently tied to chaos and upsetting the status quo, she is the embodiment of what society considers accepting your womanhood as someone previously labelled masculine. what many others, and The Doctor themselves, saw as a need for attention and senseless disruption is Missy not needing to serve a false version of who they are, that they can now focus on becoming whoever they want to be now without losing energy to performing a gender that society has imposed on you. Missy could never have made the decision to stand with The Doctor if she had not given importance to her own queerness.
it wasn't coincidence with meeting Bill, she was the perfect foil for The Doctor to finally let go of their anxious attachment to masculinity. i would even argue for the majority of s10, The Doctor is largely ambiguous in their gender identity and does not fit into any construction of masculinity or femininity. whilst they still present as something socially labelled as masculine, they do not internalise that gender expression. they are uncaring about and not needing the validity that comes with heteronormativity, and thus is free to finally accept the decision they have to make. as Bill says, it is so hard to let go of The Doctor, and that rings true for twelve themselves. but they begin to realise The Doctor can be anyone. yes, they are tired, it would be so easy to simply rest and not give value to who you can become. but choosing to let go of everything you once were to survive is better than oblivion. it is better to let go, to choose another lifetime where the only person that dies is your falsity, to finally get it right and choose kindness. for yourself and for those who you love. they regenerate, not just into another person, but into someone who (if only tv scripts...) can now move forward.
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so you know that oliver loves felix, that oliver lives in the shakespearean love drama, that oliver lies and fails. but for a terrifying moment imagine this: he lies about deliberately throwing up the poison, and threw it up because he genuinely couldn't stomach it, too much alcohol or what have you; maybe even forgot he did, maybe thought that throwing up wouldn't help the overdose. for a terrifying, poetic moment, imagine he lies to us about everything else because he did not expect to survive felix.
the swig of the wine was a gamble, but not in the way you'd think. oliver was freshly rejected, oliver came to his last resort: the poetic romeo ending to his juliet lover dying. felix would die in the maze, and oliver would in his bed, overnight.
how genuinely startled he is out of sleep by the family's cries! how grief-stricken he is, how fast he clings to whatever's left of felix!
he should have died. he failed to die. he lives to spin the new, equally beautiful tale.
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average day in the life of a writer:
wake up past 1 pm
open your 300 words of writing
stare at it blankly, struggling to come up with ideas for hours
eat food
keep staring
write a sentence
erase the sentence because it sucks
close writing document
cry yourself to sleep at 4 in the morning because you'll never be able to make your dreams a reality
repeat
the RARE HOLY day in the life of a writer:
wake up around noon
open writing document
crank out 30,000 words in two hours
eat food
crank out another 30k (in an hour this time)
daydream
daydream more
have human interaction (god forbid)
go to sleep at a reasonable time (two in the morning)
never repeat because its impossible to get two of these in a row :(
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i actually really dont like this sketch but i thought id share it anyway
first (Second) time doodling kai so i have absolutely no idea what im doing!!!!!!!!
this is the consequences of being in "art block" due to having to work on zine piece, i cannot think of any ideas, only characters, so i end up with little scribbles like this
he could take razlo in a fight
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"i need to know if this character is an adult or not so i know if i can selfship with them!" ...my dude you clearly are already attracted to them ??? like. gurl theyre FICTIONAL. do whatever the fuck you want god damn.
self ship with them with them aged up. or with an imaginary version of you aged down. or just hc whatever gd age you want for them whether or not it ends up being canon (or its already stated in canon but doesnt match ur view of them). or selfship yourself with them through a character in canon. you can literally just see your fictional other as aging with you. who fucking cares. its fiction. the specifics of the relationship is whatever the hell you make it.
its literally so sad to see people being afraid to just SELF SHIP because they dont know if its potentially ~problematic~ depending on stuff they can easily just rule out of their own view of canon 💀 canon is your sandbox you can tear down the castle and build it anew however to your liking
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Day thirty-six |id in alt
I love jujutsu kaisen but you can't tell me everything the curses do is purely physical, some of these kids gotta go through 1 hour of horribly made bass boosted songs while fighting.
Going through the Most.
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