#end erasure | Explore Tumblr Posts and Blogs

indigovigilance · 6 months

Text

Continuity Errors

Crowley can stop time. We’ve noticed buggy things about time. Let’s talk about it.

I’m going to start with an overview of every time he has definitely frozen time in order to establish the mechanics of Crowley’s time-stopping power in the GO universe. Then, I’m going to talk about other events where Crowley may have stopped time, and it wasn’t (directly) shown to the audience.

or read this 3,500 word beast of a meta on Ao3

edit: if you're deciding whether or not to read this, check out the reblog notes!

Opening obligatory "do not put anything about this in Neil Gaiman's askbox"

Crowley freezes time locally, selectively exempting individuals

S1E2

In S1E2, Crowley freezes time at the corporate training ground to interrogate Mary Hodges, formerly Sister Mary Loquacious (played by Nina Sosanya, actor for Nina in S2). It may seem like she’s just hypnotized and time is progressing normally around all of them, but that isn’t the case. Immediately before Crowley hypnotizes Hodges, we can hear gunfire in the background; a few seconds before Hodges is released from the trance, we hear shouting and sirens. But during the time that Hodges is entranced, all we hear is three things: the dialogue, music, and what sounds like the ticking of a kitchen timer.

We could do a little bit of extrapolation from the fact that the beginnings of gunshots and siren sounds are temporally very close together, especially depending on how we measure time. Crowley turns the paintball guns into deadly weapons at 36:59. Crowley freezes Mary Hodges at 38:47. A ticking sound starts the same moment. We also hear what we will come to recognize as the “pause time” sound, a sort of wobbly sound. The ticking sound seems to stop around… 40:07? Right before the line about lovely little toesy woesies? It’s unclear with the overlapping tracks. At 40:11 Crowley says “let’s go” and we can hear sirens in the background start now. Aziraphale then snaps his fingers and unfreezes Hodges at 40:17.

So during 191 seconds of screentime, 84 seconds of it was spent with time frozen, if I accept the ticking sound to be the indicator. If time was only frozen locally, meaning just the paintball grounds and not the nearest police station and roads leading to it, then emergency services had just over three minutes from the time the first live round was fired to arrival. If time was actually frozen globally except for Crowley, Azirarphale, and Hodges, then emergency services got there in 85 seconds, or less than a minute and a half. Maybe Britain is doing something wildly different than here idk but I think the more likely explanation for the event timing is that Crowley is only freezing time in a local bubble. The shooters stop shooting but the police are still driving towards them while Crowley and Aziraphale are interrogating an entranced Mary Hodges.

The case with Hodges is kind of confusing because the audience is presented with a false dichotomy between “frozen in time” and “hypnotized.” It’s actually both. Crowley has frozen time around the three of them, but Hodges, like Aziraphale, was exempt. It just so happens that she was also entranced at the same time, which explains as well why Aziraphale can release her from the trance, since our best evidence indicates that he can’t control time.

S1E3 & S2E3

In S1E3, Crowley freezes Jean Claude, the executioner at the Bastille. Immediately before, we can hear the guillotine, screaming and jeering outside the cell. As soon as Jean Claude is frozen, however (13:29, complete with wobble sound), there is complete background silence, except for the dialogue between our ineffable aristocrats. When Crowley restarts time, background noise restarts as well. This evidence indicates that Crowley froze time for the surrounding area as well as inside the cell.

In S2E3, Crowley freezes Mr. Dalrymple. We don’t have definitive information about how much of the rest of the world is affected since the scene takes place indoors on a quiet night and there are no external cues of time starting or stopping.

S1E6: Freezing Out Satan

In S1E6, not only are Crowley, Aziraphale, and Adam pulled out of the normal flow of time: it seems that they are also pulled out of normal space. They appear to be in an ethereal desert where we can see their wings, but we don’t actually know where they are. The way we enter, inhabit, and then exit this time-stop is completely different from any of the other three explicit timestop scenes: Crowley must use his whole body to summon the power to cast the miracle, they travel elsewhere, then he must use his crankshaft to exit the time-stop.

I take this to indicate that freezing time when Satan is near takes a lot more power than freezing time around Mary Hodges, Jean Claude, or Mr. Dalrymple. Presumably, the power a being has, the more power it takes to lock them out of a bubble to stopped time.

Time Stop Mechanics

Here are my key takeaways from analyzing these four scenes:

Crowley isn’t so much freezing all of time as pulling himself and Aziraphale (and sometimes Adam) out of the flow of time. The effort this takes is dependent on the entities that they are “pulling away” from. It is easy to pull away from humans, so much so that they don’t have to pull away very far and can occupy the same space in a bubble of paused time. When he is “pulling away” from Satan, however, he must pull away much further, all the way to another plane.

Crowley’s ability is so powerful that he can use it to escape Satan. He could use it to lock out other powerful beings, if he wanted to, but it would take a lot of effort.

Aziraphale, a being with power somewhere on the spectrum between human and Satan, could be frozen by Crowley’s powers. The fact that Aziraphale is still present and active during all of these scenes, unaffected by the time stop is only indicative of Crowley’s choice to exempt him, just as he does with a hypnotized Mary Hodges and Adam.

Crowley has stopped time on Aziraphale

In a previous post I have addressed the possible symbolic meaning behind the Honolulu Roast sign that suddenly appears behind Crowley in the S2E1 coffee shop scene. This addresses the symbolic meaning of Honolulu with respect to Aziraphale, but fails to address the “roast” part, which I have the opportunity to do now. I begin by establishing two premises:

Crowley loves Aziraphale and after 6,000 years knows him very well.

Crowley is a dick.

Crowley sits down at the table across from Aziraphale and asks him what the problem is. At this point, there is no “Honolulu Roast” sign behind him. The camera flips to Aziraphale as he (badly) tries to deny that there is any problem. When the camera flips back to Crowley, a “today’s special: Honolulu Roast” sign has appeared behind him.

What does Crowley do next?

Crowley roasts Aziraphale.

Crowley proceeds to read Aziraphale to filth, rattling off all his tells and putting him in his place for even daring to think that he could mislead Crowley about his internal emotional state.

While we’ve seen a lot more of his soft side this season, we cannot forget that the demon Crowley, at the end of the day, is a prick. He really did pause time just so that he could go get a chalkboard, write a pun on it, and hang it on the wall behind him like a display card for open mic night. He’s still going to help Aziraphale, of course. But he’s going to make fun of him first.

Let me reiterate: Crowley literally paused time, got up from the table, put up this sign, then sat back down in (as close to) exactly the same position (as possible) to fool Aziraphale into not noticing the pause, because this joke is entirely for Crowley’s own amusement. We have some cinematographic evidence of this besides just the sign itself: the lamp behind him has moved slightly, and the camera angle focusing on Crowley has changed. Literally, the left hand side of the frame gets cut off due to the repositioning. From a production perspective, this scene would have been shot all at the same time, so should not have changed angles. That said, they did a by-hand follow-in of Crowley walking in and sitting down, then switched to a dolly, but… I have faith that they could have matched the shot line-up practically pixel for pixel if they wanted to. All to say: changing the camera position before and after, alongside the other conspicuous changes, seems like it was a deliberate framing choice used to indicate that Crowley tried his best to get back into exactly the same position, but was just a little off.

But Crowley’s prank is troubling from a perspective of honesty and agency. Based on the way the dialogue progresses, it seems pretty clear that Aziraphale doesn’t know that he was frozen. Whether or not Crowley could freeze Aziraphale was beside the point until this scene where we learn that Crowley would, even for a really dumb reason like making a joke at Aziraphale’s expense.

Before moving on, I want to note that the sudden appearance of this sign could be characterized as a continuity error, even though it was the result of a deliberate action by an in-world character. Jettison your traditional understanding of “continuity error” as “production made a mistake.” In this universe, we can have continuity errors by virtue that Aziraphale is experiencing time as if it is continuous, not noticing that he functionally blacked out for a few minutes and that things have changed around him. This is not a show-level continuity error. This is an Aziraphale-level continuity error.

Crowley can reverse time

Credit where credit is due: it was this comment on the Ao3 version of my meta, The Erasure of Human!Metatron, that became an earworm that got me thinking specifically about Crowley's abilities:

So thank you, LoveIsLove <3

Let’s go back to the Mary Hodges scene, or actually a few minutes before. Our ineffable idiots get shot by paintballs.

“Look at the state of this coat. I've kept this in tip-top condition for over 180 years now. I'll never get this stain out.”

“You could miracle it away.”

“Hmm… Yes, but… well, I would always know the stain was there. Underneath, I mean.”

Aziraphale finagles himself a favor without ever actually asking for it. Full points, princess. But let’s examine the actual content of the dialogue. This cannot be a complete 100% bluff; Aziraphale is not going to tell a straight lie to Crowley that they both know is false about the respective nature of their powers. It must be the case that there is some truth to this statement. There is a fundamental difference between what Aziraphale can do about the paintball stain and what Crowley is actually going to do about it. Furthermore, what Crowley does is something different than a miracle.

Crowley then blows on the stain, it disappears, and Aziraphale looks quite pleased. Yes, yes, he cajoled Anthony J Acts of Service Crowley into doing his signature move, but also, he’s genuinely thankful that Crowley did something for him that he couldn’t do for himself, because miracles don’t work like that. Notably, Crowley doesn't snap his fingers or make any other gesture that we normally associate with miracles, and we don’t hear the miracle sound, which is further evidence that this is not a miracle, but something different.

If you haven’t already, please read my meta entitled Jimbriel, Satan, the Book of Life, and what it means for Crowley. It explains in depth and with evidentiary support my theory about how erasure works in the Good Omens universe. The Cliff’s notes version is that erasing something, whether it be a name from the Book of Life or a paintball from a coat, is akin to erasing a pencil mark on paper; it’s technically gone but you’ll always know it was there. Underneath.

What Crowley has done, then, is not erasing the paintball stain.

He’s reversed it.

When he blows on the paintball stain, he is reversing time in a microcosm of the universe, truly making it so that the paintball never hit the jacket. In a world full of rubber erasers, Crowley has the only Control-Z. When things are “erased” by the Book of Life, they are changed, but when Crowley reverses something, they never happened (making Beelzebub’s description of the Book of Life actually a more accurate description of Crowley’s power). It is something unique that Crowley can do that Aziraphale can’t, and we haven’t seen any evidence of any other celestial being pausing or reversing time. Please feel free to reblog with links to relevant meta if I’m wrong about that.

In true Neil Gaiman style, Crowley using this power to do something mundane like get rid of paintball paint was an incredibly benign and subtle way to indicate that Crowley has an immense, untapped power that we have not yet seen him use for any major purpose.

I repeat: we didn’t see him use it. Because usually, like Aziraphale, we the audience are exempt from the time freeze, and we get to watch what happens. But this time, we were frozen out with Aziraphale.

Clock Theory revisited: a reinterpretation of “continuity error”

A summary of clock theory

Neil Gaiman’s ask and answer on clock theory

Neil Gaiman responded to an ask about the clock jumping forward from 9:25 to 9:40 before and after the kiss with a single sentence: “It’s a continuity error, I’m afraid.”

In the usual manner, Neil is not lying, but he is relying on you making an incorrect interpretation of his seemingly straightforward and innocuous but actually ambiguous and incredibly meaningful statement. As I stated with regards to the Honolulu Roast chalkboard sign, do not interpret “continuity error” as “production made a mistake.” Interpret “continuity error” as “Aziraphale believes that his experience of time is in lockstep with the actual flow of time and doesn’t realize that 11 minutes passed while he was frozen.”

Let’s consider the evidence:

Image at timestamp 41:04 “[Hold that thought!]” the clock reads 9:25

Image at 45:04 “If Gabriel and Beelzebub can go off together, then we can” the clock still reads 9:25

Image at 47:56 the clock now reads 9:40.

Image at 48:14 the clock reads 9:40

There are two four-minute gaps, from the perspective of the viewer, and we have views of the clock face at both ends of each gap.

Gap 1, from 41:04 to 45:04, the clock hands do not move at all, nor do they in any of the intervening shots.

Gap 2, from 45:04 to 47:56 (or 48:14, as you prefer), the clock hands move 15 minutes.

The Occam’s razor, Doylian explanation for why the clock hands don't move from 41:04 to 45:04 is that the clock is a prop. It does not have any timekeeping mechanism, the hands don’t move unless some human being opens up the glass, reaches in there, and manually adjusts it. They weren’t going to interrupt filming this moving scene to move the clock hands minute by minute, so it seems pretty plausible that the fact that it doesn’t move is just an artifact of production limitations.

The Watsonian explanation, which I do not favor, is that Crowley has frozen time for just the two of them. They are in a microcosm all their own. If true, this would have an abundance of implications, such that they are actually free to speak to each other freely, which they don’t. So I feel like with that alone, we can set this aside, but I’m open to being convinced otherwise.

If we accept the “clock is a prop” explanation for Gap 1, it doesn’t really hold for Gap 2 that they moved it a full fifteen minutes. So much care and attention to detail was given for all other parts of this show; I don’t realistically believe that a production staff member moved the hands a random amount. The music carries us from Crowley’s exit to Metatron’s entrance seamlessly, yet more time seems to have passed in-world than on-screen. There are two possible explanations:

There was more material that was supposed to be filmed to account for 15 minutes that got cut

We are supposed to figure out that there’s some “Greek play” style shenaniganery afoot

I will debunk explanation #1 with simply this: David’s contact lenses would sometimes rotate so that the slit pupils were not vertical. This error was fixed by VFX in post.

You might assume, when watching Good Omens, that Crowley’s serpent-like eyes are created using contact lenses. Or perhaps you’d presume they’re CGI. Actually, they’re a mix of both.

“The CGI versions were usually because the contact lenses had swiveled in David’s eyes … and we had to fix it,” says Mackinnon.

If they could fix Crowley’s eyes in post, there is absolutely no reason to expect that they couldn’t or wouldn’t have fixed the clock hand positions in post, especially if it was someone’s job to reach in there and change the positions to try to maintain set continuity in the first place. Additionally, there is deliberate use of clocks to symbolize various themes across both seasons. A Doylian error like this is not something that would have been overlooked and survived into publication.

So we are left with explanation #2. Time has passed that we, the viewers, don’t observe. What was happening during that time that we missed? More importantly, who knows that this time has passed? Aziraphale doesn’t seem to, and it’s unclear what the Metatron does or doesn’t know.

Some fans have posited that the Metatron is doing the time manipulations, but canonically, the only entity we have observed manipulate time is Crowley. We assume the Metatron is powerful because the angels are all afraid of him, but we’ve never actually seen him do anything, and so have no primary evidence for this. All over, he’s got some big “pay no attention to the man behind the curtain” Wizard of Oz vibes happening; I’m not convinced he could miracle his way out of a wet paper bag, and there’s a chance that in Season 3 we’ll find out that he’s all bluff. Not so with Crowley.

My hypothesis is that Crowley froze Aziraphale and everybody else for a one block radius, including the Metatron, and did something important in the bookshop before it lost its protection. Please see my meta on Sovereignty, Citizenship, and the Bookshop for an evidence-based argument on why the bookshop was the only place in the universe that Crowley could have safely hidden something. Since Aziraphale is no longer the head of an independent embassy, whatever Crowley was keeping safe in there isn’t safe anymore, and needs to be moved. Universe time continued to pass and the clock reflects that, but Aziraphale and the Metatron aren’t aware that they were paused.

Which also gives us a new interpretation for the kiss.

The Kiss, revisited

Crowley didn’t want to send Aziraphale a message.

Crowley needed a plausible cover for the immense effort it was going to take him to freeze time against Aziraphale and the Metatron that he knew was standing outside.

How do I know he knew?

No nightingales.

Juliet. Wilt thou be gone? it is not yet near day:

It was the nightingale, and not the lark,

That pierced the fearful hollow of thine ear;

Nightly she sings on yon pomegranate-tree:

Believe me, love, it was the nightingale.

Romeo. It was the lark, the herald of the morn,

No nightingale: look, love, what envious streaks

Do lace the severing clouds in yonder east:

Night's candles are burnt out, and jocund day

Stands tiptoe on the misty mountain tops.

I must be gone and live, or stay and die.

No nightingales could be the end of a romance. I argued as much in my inaugural meta just six weeks ago (and what a six weeks it has been, people!) But “no nightingales” could also be a secret signal to two people who have a unique bond through Shakespeare that Crowley has realized he is not safe, and he needs to leave, and he’s trying to tell Aziraphale that without letting their spectator in on the message.

Now he has to stop time to secure whatever item he’d been keeping safe in the bookshop. But keeping Satan at bay required him to lunge upwards, using his whole body to freeze time. He can’t get away with anything like that here in the bookshop, that would give up the ruse.

But what if he lunged at the person everyone knows he’s in love with and violently kisses them on the mouth, his entire body tense with the effort of freezing time in the presence of two ethereal beings? No one would notice the difference, or think anything nefarious of it; a Class A surreptitious time-stop.

One last crackpot theory.

Aziraphale knows what Crowley did. Well, he knows that he froze time, and for the first time realizes that Crowley has locked him out, and that he used the kiss as a cover. The violation of agency, trust, and their romantic bond are all breaking across him in the instant that time restarts, after Crowley has gone away for 11 minutes and returned to almost, but not quite, the same position inside Aziraphale’s arms. It is an intimate act that Aziraphale is fully tuned into, and for the first time, he’s noticing the continuity errors.

His horror-filled expression is one of broken trust. But his bond to Crowley is too strong for even this to break it. He knows that whatever reason Crowley had to pull this trick on him, it must have been a good one. It must have been to protect him.

“I forgive you.”

***

One more completely crackpot theory based on the Gavin Finney interview at The Ineffable Con last weekend.

The camera was supposed to circle them. Finney says that this was to show that they are the center of their universe, and their world is spinning.

Okay, okay. But could it not also have represented the spinning of clock hands? I’m just saying.

Closing obligatory "do not put anything about this in Neil Gaiman's askbox"

Find my entire collection of metas here

534 notes · View notes

decarbry · 1 year

Text

hey,, what’s up friends, I bring you... a literal summary of the Yabureme story up until around war arc events. obviously this is spoilery so if you don’t want to know what happens until the relevant comic pages come out don’t expand the post! this is just for people who don’t mind spoilers. also keep in mind that this is a summary so I kind of just. word-vomited. it’s... weird? short and sweet but not in some places. a literal mess. I put 0 effort into writing good and some sections are more wordy than others because I've thought them through for longer and have them more solidified. also things are subject to CHANGE between this and the actual comic pages so read with a grain of salt. the major events are probably gonna remain the same though. things might get inserted or removed. idk. also it’s LONG I’m so sorry. enj... oy ?? ?

Aizawa has been taken. Midnight and Nezu attempt to comfort Mic; there are no leads, but the faculty have already started working schedules out to help search, which reassures him. Though he is desperate to join the search, Nezu refuses to give his blessings until he knows Mic won’t act rashly. Mic hosts the Sports Fest in an attempt to ground himself and find unity with the students.

Hidden away, Garaki has begun his work on Aizawa. The injuries are bad; though Garaki is an accomplished and varied medical professional, he can’t do what Recovery Girl can, so Aizawa is merely stabilized and the bio-engineering in later dev stages will be relied on to do the heavy lifting. Aizawa suffers 2 days and nights of infusions (one for each new quirk) and barely powers through an intense fever on the last night. The capsule is the final and longest stage to allow the quirks to take hold and the body to heal. All for One is a regular voice in the background during the entire process, though those visits stop after an incident in the capsule in which Erasure activated for a solid ten seconds and strikes everyone in the room before going inert again.

Time passes with no news. Mic is becoming frustrated and less willing to listen to reason. Classes 1-A and 1-B attend their summer camp with Vlad and various other heroes that have substituted since Aizawa’s absence. Bakugou is kidnapped by the League in an attempt to recruit. Though the topic is raised, Shigaraki refuses to do more than tease Bakugou about his missing teacher, as well as use him as a bargaining chip. We still have yet to see him since his abduction. The mission to rescue Bakugou begins.

All Might engages in combat with AFO at Kamino. His weakened form is exposed to the world and he musters up his strength for the last strike. Instead, OFA fails, and all heroes present immediately know why. Edge Shot rushes to interrupt Erasure while Endeavor attempts to reach All Might. Neither get there in time and All Might takes a blow straight through his chest. Endeavor takes over the fight against a wounded AFO and Edge Shot engages in battle with Yabureme. Edge Shot is killed and Endeavor manages to subdue AFO.

Hours after the battle ends, Kurogiri searches for Yabureme, who has not reappeared as he was meant to. He finds Yabureme badly injured and hiding after his fight with Edge Shot and warps him back to where the League has taken up to recover. Shigaraki only knew that AFO had plans for Aizawa, not that Yabureme was to be a gift for him, but Kurogiri informs him of this. Shigaraki is unimpressed considering Yabureme’s wounds after only a single fight, but he’s going through some stuff, so he has license to be a bratty child for a night. Once Kurogiri hears from Garaki, he takes Yabureme to be patched up. Later he’s returned to the League, who as a whole are unsure about what to do next now that AFO is captured.

While everyone else is appalled to hear rumors that the supposed-missing Eraser Head was present at Kamino and had a hand in assisting the villains, Mic suddenly has a new fire lit under him. He breaks away from UA and strikes out on his own, against the pleas of friends such as Midnight. He manages to track the League’s movements after much work and finally sees Yabureme for the first time… but is unable to reach or speak to him as his quirk is erased during their escape.

Class 1-A witnessed Mic depart and, with the help of other pros, manage to convince Mic to let them help in catching Yabureme. He is very resistant to putting them in danger but relents with the alliance of Midnight and Gran Torino. During a previous sighting it was noted that Yabureme’s movements slowed and stiffened the more eyes were open on his body, so a plan is hatched to surround Yabureme with as many enemy quirks as possible in order to stun him.

Yabureme is located. He’s alone, which is odd, but not wanting to miss their chance, the operation is launched. Surrounded by what he believes are hostile enemies, Yabureme opens enough eyes to erase the quirks of every student, stunning himself. A short battle ensues; Kaminari is injured but proves instrumental in the discovery of a weakness in the Nomu: that an electrical current will force all of his eyes to close and subsequentially interrupt Erasure. Mic, Gran Torino, Midnight, and Class 1-A succeed in capturing Yabureme.

Too much of a threat for any normal prison containment, Yabureme is taken to Tartarus. They learn: about the nature of his engineering, that exhaustion has nearly killed him, that unlike every other Nomu contained so far he is not a corpse, and that three quirk factors were combined to create Yabureme. Erasure and Dupli-arms (or related) are confirmed, but the third is still being investigated. Because the third quirk is still unknown, containment is at a risk and a shock collar is placed to help mitigate any attempts at escape. The students are brought in to speak to him after everyone else, including Mic and Midnight, fail to get any response out of Yabureme. Unfortunately, the students are also unable to get through to him. Their failed efforts leave them dejected. Yabureme doesn’t speak a word the entire time he is inside Tartarus.

After a few days, the third quirk is activated by an unknown trigger. Yabureme and AFO escape Tartarus with the help of Kurogiri— the timing of the pieces prove that this was orchestrated from the beginning.

In the wake of the escape, Mic is told in secrecy that Yabureme has not removed the shock collar, probably because of its failsafes. It’s been tracked, and his location is known— a new operation is underway to recapture him. Mic rushes to get there first, finding Yabureme in solitude at an abandoned building, having split ways from the League temporarily to avoid getting them tracked while he tries to find a way to remove the collar himself. Mic and Yabureme have a tender moment, or so Mic thinks… but Yabureme slyly uses Mic’s obvious obsession with him to get the hero to take the collar off. Mic falls for it and Yabureme flees.

Though it seemed to be just manipulation, this kind interaction has left the first shred of uncertainty in Yabureme. He returns to the League and resumes his role in protecting Shigaraki and the others. A long period ensues where the League and the heroes play cat and mouse, Mic returning to society in order to accept help from friends and family rather than trying to go it alone as he had before.

Day after day, Yabureme’s doubts deepen as small things burrow into his mind: things like a song on the radio, a familiar black cat, names that he’s heard before. He can’t shake the face of the hero that spoke to him gently and had something warm in his eyes. He meets Eri, but seems to be merely a moment of warmth in her life before departing. Time passes.

The League grows frustrated with Mic, considering his constant interference as troublesome and annoying. Dabi sets a trap for Mic and attempts to kill him. Without any understanding of why, Yabureme takes the worst of the trap himself. He drags an unconscious Mic away from the inferno before collapsing with horrific burns across the right side of his body. Mic wakes in time to feel Yabureme’s heart stop, and in his anguish accidentally causes it to start again with the impact of Voice against the Nomu’s chest.

Mic manages to smuggle Yabureme to a hiding spot, containing him with the only thing available: simple metal handcuffs. Recovery Girl answers his call to the secluded site warily, unhappy that she is asked to keep such a dangerous secret. She stabilizes Yabureme and begins healing some of the burns, but considering his physical deterioration and exhaustion, can’t do much in one sitting.

When the Nomu wakes, Mic and Yabureme have their first real conversation, speaking mostly about the latter and how he’s feeling, what he’s thinking, and why Dabi, his supposed ally, would harm him so badly. He also points out that Yabureme could get out of the cuffs easily, and yet, for some reason, hasn’t.

On the second day, Recovery Girl returns, but so does a second guest: All Might. He is partially wheelchair-bound, the apparent repercussions of the wounds he took at Kamino. He expresses his unhappiness with this situation: Yabureme needs to be properly contained, not hooked to a chainlink fence with fragile metal handcuffs. Mic wants his blessing but plans to keep Yabureme here at least for a short while, highlighting the fact that he’s behaving more openly now than he ever did while in Tartarus. They notice Yabureme watching them and All Might speaks to the Nomu alone. He and Recovery Girl have agreed to give Mic a few days with Yabureme until his burns have been treated, but that he will be returned to Tartarus after that— and now that the third quirk is known, escape will not be possible a second time. He shares some belief that Mic is right that there is hope for Yabureme and that if anyone deserved a path back to normal, it was Shouta Aizawa. He urges the Nomu to try his hardest to remember anything he can.

In the ensuing days, Mic spends time conversing with Yabureme. Unlike the catatonic state he was in while at Tartarus, Yabureme is nervously conversational, answering questions and asking them on his own. He admits his confusion and doubts to Mic, and Mic learns that the whole reason Yabureme was unresponsive while at Tartarus was because of the lights and the intense head pain they cause, utterly decimating his senses and thoughts. He wasn’t shutting down because of his programming or a need to be disobedient— he simply could not function in those conditions.

The morning of the intake comes. Tsukauchi and numerous officers arrive to take Yabureme into custody. Mic attempts to keep everything smooth, warning Yabureme about their arrival and making sure that there aren’t too many men appearing at once. Yabureme nearly panics anyway at the sight of firearms, but is calmed when Mic holds his hands and gives encouragement. Yabureme is taken into custody without a struggle, though he shuts down when he’s led away from Mic.

Mic apologizes to Tsukauchi for hiding Yabureme, but is forgiven considering the relative ease of the capture. The detective promises to keep Mic with Yabureme as much as possible this time around, since his presence clearly helps. He also acknowledges Mic’s request for accommodating Yabureme’s aversion to the bright lights of the prison, especially with the confidence that it might help with getting information out of the Nomu. Yabureme’s shutdown reverses some when Mic reappears in the police transport to travel with him to Tartarus.

Yabureme and Mic arrive at Tartarus and the Nomu is immediately assaulted by the lights. He’s given relief in the form of a sedative. His wounds are checked over while he’s out: it’s discovered that his right eye took far too much damage from Dabi’s flames and must be removed before the dead material causes an infection, shock, or worse. The majority of the burn scars will be permanent because of the lack of proper immediate care in a supplied burn ward. Aside from a handful of new scars and wear and tear, nothing else is noted.

Yabureme startles awake, finding himself in a Tartarus cell with Mic at his bedside. The lights are dimmed rather than blindingly bright. Mic gives him the rundown of what happened, and proudly tells him that the hardest part, getting to the start line of his recovery, was over. He is questioned for the first time the day after waking, and though he is much more responsive to interrogation compared to his last stint in Tartarus, Yabureme still shies away from answering questions that would cause the League a disadvantage… though he is clearly conflicted.

So begins Yabureme’s long road back to someone he didn’t know he used to be. Mic becomes the only foothold of stability Yabureme has, finding that his physical reassurances such as hugs and hand-holding are intensely grounding. The second time he is questioned, he holds Mic’s encouragement in his mind, and manages to talk shortly about some of the Leagues’ hideouts.

He still has doubts about all of this Shouta Aizawa stuff, but Mic works him through stories of his past gently and at a slow pace. The first bit of information that helps Yabureme see that the possibility exists of a connection between himself and this other person is a story Mic tells about Aizawa feeding cats on the street; Yabureme shyly, but excitedly, admits that he does that a lot too. After this, things begin to come more swiftly. Mic brings him his wedding ring, and Yabureme asks to hold Mic’s as well, and remembers the sensation of them clicking against one another in his hand.

With Mic’s help, and the help of a therapist that meets with him daily, more and more begins to come back. Even memories he reclaims are left blurry and dull, but once the flood gate opens, it doesn’t close, and Yabureme’s progress quickens the harder he works. When his memories begin to focus on Class 1-A, he asks to see them. Plenty is still missing, but he apologizes for the things he did to them, focusing on Kaminari and the wounds inflicted during his first capture. He wants to work for their forgiveness, but doesn’t expect it. Midoriya mentions that he seems a lot more like his old self, which fills Yabureme with a hidden relief and encouragement.

Time passes. Yabureme continues to work hard at getting back to himself, and the image of Shouta Aizawa gets more clear by the day. His old mannerisms begin returning in small amounts: rolling his eyes at stupid things Mic says, muttering about things that annoy him. When he gets a surprise visitor, both Mic and Yabureme are surprised to find Kaminari requesting advice for a hitch in his hero training. As Yabureme converses with Kaminari in an observation room, Mic and Tsukauchi watch, and both are amazed to see the clearest image of Aizawa they’ve seen since before his abduction. Mic takes the opportunity to ask about a road that leads outside of Tartarus and, though Tsukauchi doesn’t shut it down, he admits there are many concerns— specifically regarding hidden triggers that might still exist inside Yabureme’s mind. An idea is floated: bring someone in with a voice-copying quirk, and see what happens when Yabureme is faced with orders from Shigaraki or All for One.

Yabureme (Aizawa? Yabuzawa by this point?) agrees to the experiment, though he is clearly discomforted by the idea, unsure of how he mind be effected. The experiment begins. Yabuzawa is secured heavily just in case, but he is clearly determined, if nervous. The voice-copying quirk speaks in Shigaraki’s voice first, ordering him to turn his head to one side. Yabuzawa doesn’t seem to have a problem disobeying, but when the speaker doubles down and becomes hostile about his refusing to obey an order, Yabuzawa spirals and has a panic attack. All for One’s voice cuts in with an order that is obeyed immediately, and Mic is only able to snap him out of it with a slap to the face. The results are clear: Shigaraki’s orders can be ignored with enough work, but AFO’s orders seem unquestionable. Yabuzawa is frustrated by his own perceived failure in the experiment, understandably upset that despite all of the progress he’s made, they still hold some power over him.

Time passes. Yabuzawa improves with his response to Shigaraki’s voice, though still shaken after being faced with it, can do so without panicking. AFO’s orders seem unbreakable. Mic once again breaks the topic of getting him out of Tartarus, and after some debate, it’s agreed that the UA students and the hero efforts (and Yabuzawa himself) would benefit more with Aizawa back in the world. By this time the unknown of the League and AFO and the PLA have long been poisoning society’s trust in heroes; Erasure can’t be hidden away in a bunker with tensions growing by the day.

Mic is permitted to confine him to their apartment under police guard for increasingly longer periods of time, regular check-ins and evaluations, and lots of rules. Yabuzawa isn’t permitted to be alone with anyone aside from Mic, and when outside of the building must cover his neck, arms, and hands. Finally, the shock collar is back as a last resort. If you read this whole thing you’re a certified #1 Yabureme fan sorry I don’t make the rules

#boku no hero academia #my hero academia #Yabureme Spoilers #Yabureme Aizawa AU #text post #I mostly just wanted to put this out there so people who wanted to dig further into the au could do so #and maybe widen your questions a bit if you felt like it #since there's a LOT more here we haven't touched at all hehe #but a lot of this I want to do in comic form. like the actual comic form I did the first chapter in #but some of it especially filling in the holes would be great for little side content comics #also I just want to put it out there that the canon timeline doesn't work with this au #so I'm making the executive decision to stretch it out a lot more #instead of the war starting at the end of the first school year #it starts way after that #ok? ok #it was already a pain in the ass trying to figure out the nomu dev timeline to fit with what I wanted to do in Kamino #I hate timeline shit HAHA #heck tbh I don't even know if there is still a war arc anymore #AFO has erasure now and it fucks everything up #anyways just pretend that that stuff doesn't matter right now #I'll get to it eventually #just focus on the erasermic. erasermic. erasermic. xoxoxo

197 notes · View notes