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#even if it's out of love
chirpsythismorning · 11 months
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Realistically do you still think Milvn will breakup in the first couple of episodes? I feel like the fabdom is focusing on fanon so much at this point that they are missing canon and actual narrative on the show. It seems very unlikely to me for Mvln's breakup taking place in first couple of episodes. But the fandom are still stuk in their previous thoughts and cannot seem to think differently at all and never even consider the possibility of mlvn breakup happening way later on in the next season. Most of the Byler's analyses about El's character has turned out to be wrong. El doesnt seem to be done with the relationship. She still loves Mike (or thinks she does) and she drew strength from his monologue. A mildvn breakup right into S5 does not make any sense canon narrative wise. We can argue that the show was different that the script, while i agree with it to an extent i reaaaly think people are trying way too hard to discredit the writers intention and the script here. El was not angry at Mike. She was sad about Max and Hawkins' situation. 🤷‍♀️
What i am saying is that i feel like most Bylers are misinterpetating what is happening with the narrative here and it leads to unrealistic and baseless expectations for the characters and S5 regarding how Mlvn vs Byler will take place. And i am greatly sorry but i dont think Mike lied in his monologue, like at all. And the situation reads like "Mike loved el romantically but they wont be together bc of incompitability". El is not even still over Mike. And people expect her to be like "i breakup with you bye" right into S5. Mike still has underlining feelings for El. Like... all i am saying is people shouldnt base their expectations on headcanons and fanon misinterpretations.
Lastly, while i really would like a more detailed gay coming of age and sexuality storyline for Mike, realistically going by canon i dont think its happening. Sorry. They will mostly focus on Will's sexuality and coming of age it seems like and Mike will mostly have a "realization" arc where he realizes El and him are not fit for each other and then he decides to be with Will.
Based on the show’s trend of doing break-ups (or at least implied break-ups) early in the season, yes I do think it’s likely that the audience will at least have the impression that Mike and El are broken up early in s5.
That’s based on a technique they have done repeatedly, whereas the assumption that they will break-up midseason is based on what exactly? The Duffers saying that s5 is jumping right back into the action?
I mean, if anything shouldn’t that be an indication that the arcs heavily built up in s4, that were left deliberately unresolved, are going to be dealt with in a timely manner, as opposed to being put on pause and then squished into mid s5, when we’re arguably going to have even more stuff the characters are dealing with? Like, them literally fighting for their lives?
When it comes to Mike’s monologue giving El strength according to the script, this is actually really easy to explain and so I will! 
For starters, they did not disclose El's feelings about the monologue in the Piggyback script, bc they released it knowing it would go public, at least two years before s5 is set to actually come out. They would not just throw in a huge spoiler like that, seeing as it was intentionally left unaddressed in s4, with the intention to be addressed in early s5. That’s the whole thing about s4 kind of leaving things so shaky and uncertain, with s5 jumping us right back into that, bc there was just so much set up for all of those dominos to inevitably fall.
To understand Mike’s monologue and its impact on El better, it might help to recall the memory of El’s birth and how her mother’s love is what gave her the strength to defeat Henry the first time in 79’.
I mean look at the lighting of that scene, it’s probably the brightest fucking lighting we’ve ever seen in the entire series (you know what light means... pure, genuine, true love…). And it’s because strength from love is much more powerful than strength from anger. That’s something she is literally throwing back in Henry’s face that day of the massacre, going against what he told her to do and instead using the memory of her mother’s love to beat him. 
During Mike’s monologue, we see El using anger to give her strength to finally break free and stop Vecna, all orchestrated by events that Henry has had a role in impacting, meaning he was actively going up against her this second time, all while knowing that in order to actually beat her, she needed to be vulnerable and unable to use love as strength, with her only option being anger. And so what we see is anger about Mike still woefully misunderstanding what she had tried to explain to him earlier in the season, along with watching her best friend be murdered in front of her. And look at the lighting of that scene, she's literally seeing red. The atmosphere is eerily uncertain at best.
This monologue was SOOO necessary for the narrative in order to keep the public away from considering Byler. Because they already don’t want to consider it as it is, and that monologue gives them an excuse not to. You saw how they reacted to the piggyback script? Like it was this huge sigh of relief for them? Meaning that they were having doubts…
The thing is, I have considered the possibility of a mid-season Milkvan break-up. I’ve talked about how waiting until mid-season, something that would be unprecedented bc they’ve never done it before, would be odd considering we will be dealing with vastly different concerns and conflicts by that point. 
For them to hold off settling a break-up, that was built up all of s4 (arguably since s3), until mid-s5, would fall flat. If anything jumping right into the action means all the major stuff built-up, but left unaddressed in s4, is what we’re jumping back into.
They need to address those things so that they can move on to the aftermath of all of that and then beyond that. 5 episodes of ignoring that, and then 4 episodes of it happening and processing all of it AND dealing with endgame right as the finale is coming to a close, would be hard to juggle and make satisfying.
The reason they like this approach so much, is because it allows the audience to root for the other option in the love triangle. And with Will getting home-wrecker allegations as it is, a milkvan break-up is extremely necessary this time around as well, especially with byler being endgame and them really wanting us to root for them finally. 
How can we do that if the Duffer’s break their own trend of early break-ups and in turn make it difficult for us to root for byler, all while leading on milkvan’s unnecessarily even longer (with no intention of going that route), making it even more unlikely for viewers to accept Byler endgame?
They’ve been building up to this inevitable break-up since s3, with s4 ending in a way that made it sort of obvious El is not happy with Mike and with Mike clearly struggling with something.
Are we just going ignore the implications of the inevitable painting reveal or the fact that Mike called El ‘his’ superhero (the most insulting thing he could do honestly, least of all during a love confession) at the end of s4, and have that confrontation be stretched out? For what? El hasn’t even responded to it or told us her side at all? She told Mike she missed him and that’s it… That’s all we’ve got. Like, let her speak and actually say how she feels about their fight in her room and the events at Surfer Boy and everything leading up to this inevitable moment for them.
While Mike and El didn’t outright break up in s4, there was heavy implications of it, and that was for a reason. They wanted us to watch those Will and Mike scenes throughout the season and see something more. Even though it didn’t end with a kiss between them, nor them officially getting together, they still did it because they wanted us to interpret those scenes as romantic comfortably. That's also why they kept Mike and El seperate at the end of s4, because they wanted us to look at Mike and Will in a way that made us go 🫣🫣🫣 at the very least.
Now, if s5 is leading to Byler endgame, just imagine how much more important it is to make it really clear that Mike and El aren’t happening?
Another even more important reason to have break-ups early in a season in general, is to allow the overall season to have a vibe that is cohesive as it’s own entity. Major stuff happens at the beginning and major stuff happens at the end, with the middle making up the overall vibe and feeling they want us to subscribe to the whole time, with certain pairings being constant that time more than the end/beginning. It makes more sense for us to root for byler most of the season, the whole middle, and for the first time at the end now as well, while letting go of El and Mike early on, even if it’s ambiguous like it was in the previous season. Personally I think the prospects of a dump your ass parallel are high… (can we do something interesting and fun like speculate how the break up would go down? Will it be angsty? Will it be lighthearted? Like I want to see all of those hot takes bc that's actually something that is more fun to think about than the 'when').
I know some people are here because they love romances or love queer romances and just enjoy shipping in general, but I’m genuinely here bc Byler makes sense based on all that stuff you would probably consider to be reaching. That stuff is the best part to me. So, if you don’t like others doing that, then consider muting those that you deem as people ‘misinterpreting the narrative’, again, according to you. 
At the end of the day you can believe whatever you want to believe. 
This idea that it’s okay to tell other people they are wrong and have baseless claims, all while ignoring the actual evidence they are presenting… Like I mean this just comes off like Milkvan’s telling Bylers they’re delusional for considering Mike and Will as being a possibility at all. If you have to constantly use, it’s not that deep as your core argument after being presented with evidence, while only yourself giving maybe one or two reasons at most for why your interpretation makes the most sense, then you’re probably not actually open to considering things based on evidence. You want to believe what you want to believe and you're projecting onto others for not following along with it.
Especially when it comes to the whole Mike having a coming of age story or whatever, where some fans have tried to make the argument that there is nothing to support that, when that actually couldn’t be further from the truth. Bylers have provided heaps of evidence. If all of that is not enough for you, that’s something that you have to contend with at this time. Just like us believing what we believe based on evidence we’ve gathered is our concern and something we have to deal with, not you. No need to apologize! Just try to worry about your own interpretation of things and feeling confident in that, but without having to tear down others' because they don’t subscribe to yours interpretation of things.
Because I feel like it would honestly be a lot more humiliating to insist other peoples theories are wrong and they’re only going to embarrass themselves in the end, only for that person saying that to end up being wrong… Everyone is making theories and everyone is bound to be wrong about some or even most. That's okay. That's natural. That's sort of an unwritten part in the agreement we all agree to by participating in this theorizing in fandom experience.
When it comes to Mike again and his arc, I always say this, but it really comes down to this more than anything.
Finn is 2nd top billed among the kids. He used to be THE top billed among the kids for s1-3, but then he got bumped down behind Millie in s4. There is a major possibility, that Noah is going to be ranked up, with him going from being paired up with Sadie, under Gaten and Caleb, to be bumped up under Finn with them sharing a title card. Though it’s unlikely they would rank Finn down under Noah, who was not even in the opening credits of s1, while he was the first name that season and the following two, meaning Finn's character Mike needs to live up to that top billed spot right behind Millie. He needs to have an arc on his own that is equally as substantial as Will and El's arcs, and separate from them just like theirs will have aspects that are separate from Mike as well.
Because Mike was the protagonist of the first season, he HAS to be important again in a similar vein in the end for the show to work as an overall five part story. When people go back to rewatch after s5, they are going to be met with Mike front and center. That will only be satisfying if we get genuine insight into his character in the final season, beyond the surface level.
Quite honestly, ALL of the kids deserve something deeper than what you are implying for Mike, and so applying that to him, the og protagonist, is just so absurd to me. If anyone is going to come out with a surprising arc we’re not expecting, it’s Mike. The audience is already not expecting Will to actually get the boy, that's the aspect that they aren't prepared for for Will, and so what about Mike's unexpected reveal?
Literally most of the audience doesn’t even think there is the slightest possibility Mike could be queer. You don’t think that warrants some addressing and unpacking…? You know… because he never really unpacked…?
I feel like people hear me say Mike is going to be important in s5 and go oh so you don’t think Will is the main character?? And it’s like?? Honestly my answer is yes and no. I think Will is literally the spine, the heart, or whatever you want to call it. In Finn's own words, he is the reason that everything happens and he is the most important character arguably, because of how important he is in terms of all of these events taking place throughout the series.
However, Mike is at the forefront from the very beginning and we arguably see everything from his eyes in s1 and 2 more than anyone else. But that goes away in s3-4. And that felt extremely intentional based on what is about to go down (byler endgame). You can tell that by doing this, they are trying to lead up to a reveal that brings him back to his original place in the story for the audience to see him as his most authentic self again, and with answers for why we lost that insight in between.
I could count up at least 20 Easter eggs hinting at Mike being in danger/targeted, which goes all the way back to the first episode of the series. 
This isn't even considering, that another trend they’re likely to bring back in s5, bc if they don’t they’d be breaking a series long trend, is Mike being late. He starts every season late. And so, what is Mike going to be late for this time? Could it have something to do with all of the unknowns about him that are yet to be addressed?
I think that sometimes we say that something isn’t going to happen because we don’t want it to. A lot of this stuff I’m saying happening isn’t based on feelings, it’s based on actual evidence.
If you don’t want certain things to happen because of x, y, z, you can just say that is the case instead of making arguments that there is nothing supporting it, when that’s not actually true?
Like nothing? Nothing at all? Baseless? Like, be serious rn.
ST5 is very likely going to give off s1-2 vibes. While Mike is going to be less in the background compared to s3-4, Will AND El are still going to have equal, if not more attention than him, bc I do believe that their bond is what is going to also be a part of saving Hawkins.
The ending is going to be surprising bc those primary color-coded bitches are the answer to it all. If me saying that upsets anyone because it goes against their interpretation of things, I'm sorry too I guess!
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"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).
Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.
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tearlessrain · 1 month
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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notherpuppet · 1 month
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Sketchy sketchy outfit swap
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diabolicjoy · 1 year
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you can start learning anything you always wanted at any point in your life. & how nice it is to remember that
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notbrucewayne48 · 4 months
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"aphobia doesn't exist"
bitch literally not that long ago an aroace youtuber animator was insulted by almost half of its community for being it
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bastardlybonkers · 5 days
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i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one
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his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.
ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication
ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.
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inkskinned · 1 year
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probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.
we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."
at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.
the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.
the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.
what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.
here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.
#this is true#writeblr#warm up#relatedly for some reason one of our Favorite Jokes#amongst the Siblings#is like - ''this is so good u will love it''#while we are reacting to something we OBVIOUSLY find viscerally disgusting#like we will be actively retching and be like ''nooooo it's so good''#to the point that i sometimes get nervous if someone outside my family is like oh u should try it its good#(obvi we never force each other to eat anything. we are all just curious birds and#like. we're GONNA try the new thing.)#edit to answer why we had so much vanilla:#my mom is a very good cook and we LOVE to bake. so she just had a lot of staples in the house.#it's one of those things that's like. have u ever continuously thought ''ah i should get butter im probably out''#even tho u are not out of butter. so u end up with like 5 years of butter.#my mom would do that in a costco but like with vanilla extract#to be fair we WERE always using WAY TOO MUCH bc we were kids#so like she was right to stock up#ps. yes we were VERY sick after this lol i just didn't want to include it in the post in case ppl had an ick about that#u can tell it's real bc we knew "oh no we fucked up that's too much vanilla to waste'' but our reaction was to just. keep drinking it#> sibling understanding that vanilla extract isn't free > knowledge mother doesnt mind if we use it for milkshakes#> sibling choice to maybe get in a loophole of ''not wasting it'' if we drink it bc that's the same as using it (not throwing it out)#listen bud i was like 13 and my sister was like 9#when my mom discovered this we. got in. A LOT. of trouble. a lot of it. a LOT of it.#3rd edit bc i guess it isn't clear - i am 1 of my brother's 2 little sisters#i am the middle child#out of all the ways i have had to explain a post before being like ''did u forget a middle child can happen'' is my favorite
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lazylittledragon · 4 months
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you know what fuck it we’re doing dadstarion
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hyperdrama · 2 months
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History repeats itself.
GAME CHANGER Lou Wilson in s5e09 "Escape The Greenroom" & s6e03 "Sam Says 3".
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radioroxx · 1 month
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this is kerdly 2 me. btw
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andthebeanstalk · 11 months
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Today my therapist introduced me to a concept surrounding disability that she called "hLep".
Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"
And my therapist pointed out that this is not "help", it's "hLep".
Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.
At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.
So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!
Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!
Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!
Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.
#hlep#original#mental health#my sympathies and empathies to anyone who has to rely on this kind of hlep to get what they need.#the people in my life who most need to see this post are my family but even if they did I sincerely doubt they would internalize it#i've tried to break thru to them so many times it makes my head hurt. so i am focusing on boundaries and on finding other forms of support#and this thing i learned today helps me validate those boundaries. the example with the milk was from my therapist.#the example with the towing company was a real thing that happened with my parents a few months ago while I was age 28. 28!#a full adult age! it is so infantilizing as a disabled adult to seek assistance and support from ableist parents.#they were real mad i was mad tho. and the spoons i spent trying to explain it were only the latest in a long line of#huge family-related spoon expenditures. distance and the ability to enforce boundaries helps. haven't talked to sisters for literally the#longest period of my whole life. people really believe that if they love you and try to help you they can do no wrong.#and those people are NOT great allies to the chronically sick folks in their lives.#you can adore someone and still fuck up and hurt them so bad. will your pride refuse to accept what you've done and lash out instead?#or will you have courage and be kind? will you learn and grow? all of us have prejudices and practices we are not yet aware of.#no one is pure. but will you be kind? will you be a good friend? will you grow? i hope i grow. i hope i always make the choice to grow.#i hope with every year i age i get better and better at making people feel the opposite of how my family's ableism has made me feel#i will see them seen and hear them heard and smile at their smiles. make them feel smart and held and strong.#just like i do now but even better! i am always learning better ways to be kind so i don't see why i would stop
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The one bizarre thing to me about textiles is that warp-weighted weaving is at least 6500 years old, but our oldest knitted artifacts are only ~1000 years old, and crochet 200 years old. Even though you need less equipment to knit (two sticks) or crochet (one hook) compared to warp-weighted weaving (frame, loom weights, batting, heddles). Why the big gaps between these inventions? And why did each one appear and spread when it did?
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spiderversegf · 3 months
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i have started asking myself “how can i make this more fun?” in regards to the things i have to do and it is such a small difference but it brings me so much delight
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The FNAF troublemakers finally meet,, Abby and Gregory
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beybuniki · 2 months
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gym buddies
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