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eluxcastar · 4 months

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Number 13 and 14 with Arlecchino

Arlecchino being comforted by her s/o

── ୨୧：arlecchino x reader

୨୧﹑synopsis :: arlecchino comfort drabbles yesyes

୨୧﹑genre :: sort of fluff

୨୧﹑content :: gn reader, possibly ooc because it was written pre fontaine quest, not very proofread, arlecchino is implied to have issues with self-image/perception

୨୧﹑words :: 2.2k

"I could see the worst parts of you and still think you are the most beautiful person I've met." "I'm going to ask you how you are and I would like you to answer me honestly."

IT'S HERE you guys always spoil me 13 is my favourite prompt and you are the first of two to request it. completely unrelated but this is so familiar to what Kae said a few days ago (months now omg 😭) when we were talking about One of Repetition and it fits those two so well 😭❤️

to the anon who requested furina it'll take me a minute to figure out how to write her because I haven't played the archon quest but I'll watch some cutscenes and do my best for you

I'll also be using this because I got it in the middle of writing this and thought it fit the idea I had going super well 🙏 that makes three Arlecchino requests with prompt 13 😭 also second anon you're fine dw you guys are free to do with your requests with these prompts as you like, mix them together, add extra descriptions and rambles it makes it more fun 👍 thank you btw 😭❤ feel free to give yourself a name for future requests if you want ❤️ I love having new anons

prompt list

It is not often that Arlecchino shows her doubt, maintaining that half-pleasant façade to hide it all. If all people see is a ruthless woman with no regard for loyalty, then the details don't matter. There's no need to question, no need to dwell. She is one thing and nothing more, and she much prefers for nobody to notice the hesitancy in her drastic decisions, the thin-veiled regret as she watches the children she witnessed grow up go on to become valiant children of the Tsaritsa.

If there is anything more, it is disregarded as her unpredictability. She is a roach in the eyes of others, and perhaps she's ok with that…mostly.

To hear someone say "I love you" is strange to her, though it shouldn't be by now.

It shouldn't be unusual to wake up tangled in the sheets with you by her side or the struggle it ends up being to leave that mess as you try to convince her to spend five more minutes with you. It shouldn't be odd to discover that you've gone ahead and made her tea in anticipation of the time she will wake up or to have you remind her every morning that you hung her coat up to dry after she dumped it over the back of a chair the night before or to see you wandering around going about your own job.

But those events all feel surreal to her, even though she has watched you walk your patrol path a thousand times now, and she has seen you slack off where she sits by the window of Zapolyarny when you think nobody is looking.

You are very real, there's no doubt about that.

The things you do never click with her, however.

Perhaps you are real, but she made up these fantasies after watching you loiter by that one spot in the garden a little too long.

Yet every evening, you meet her in her office after you're officially let off for the day, and you usually bring snacks. You are most definitely there, then, as she watches you struggle to get through the door without damaging whatever you found for her to try, usually only small, a pastry you managed to get that you absolutely mustn't knock from your hands.

"I tried to get something that wouldn't make a big mess all over your stuff," you usually say, sometimes hacking on a 6guilty little "But~ these just looked so good…" to try and excuse you for bringing something that would cover her desk in crumbs.

Arlecchino doesn't mind because you went to the trouble of getting her something.

She got you a special chair to pull up and everything, and anyone else who uses it can deal with the death glare they get or find a different one.

But perhaps she made that up too, conjuring the image of someone fumbling their way through her office door to greet her with a smile, sometimes with jam on your mouth from taste-testing the gifts that she'll point out to you that you hurriedly wipe on your sleeve and pretend it was never there.

Maybe she put that chair there for nothing, and it never really moves, and each time she thinks this, she is sure this fantasy will all disappear.

However, every evening, without fail, as the sun begins to set out the window and the room is dyed an orange hue, the door opens, and there you are again. Delusions can't possibly be that persistent, and you would've scowled at her when she approached you in the hallways if you weren't aware of this relationship.

So it must be real, which she's well and truly aware of. There must be a person out there who sees what she cannot, someone who, by some miracle, manages to see past the things that block out all of the good. How can a person see anything but someone unworthy of their love?

What else is there to see?

The idea of a person who deserves to be loved beneath bloodshed has become unthinkable.

For a person who has been exposed to Arlecchino's worst sins, who has seen everything, and whose worst offence in life is a little laziness on the job, how is it possible to look at her and smile?

Arlecchino often wonders as she watches you. She how you go through your routine of placing your things down, whether on the desk or beside them, then all too happily mosey on off to get your chair and drag it over to sit across from her. She doesn't know why it's this particular day that she asks. Perhaps the fact it was weighing on her mind after a recent mission had her list of redeeming qualities shrinking further and further. It is in her job description, and there are plenty of worse people in this world.

But do you deserve to be stuck with one of them?

"Did you ever feel pressured into accepting my feelings for you?" Arlecchino asks the question so suddenly as you're halfway through walking back with your chair that she sees the exact point you register what she said, freezing in place from the shock. "Whether through status or power," she adds.

You blink a few times before all the motion in your world resumes to greet you with the image of her staring you down from the other side of her desk, patient and waiting for your response. "Sorry?" You let the chair go to return alone to her, standing in the place where you always put it. "I don't, uh…follow? I'm sorry, I just— I'm not sure what you mean?"

She hesitates, momentarily glancing down before her age returns to you and your uncharacteristic expression riddled with worry. She must've made you upset again.

"You want to be in this relationship? With me, that is…" Arlecchino struggles to think of the words, saying them as soon as they appear in her mind. "Even though you know the kind of person I am, you still want that?"

She studies your face as carefully as she can, watching the way you react as you absorb everything you just heard and assumedly try to put a response together in your head. Arlecchino has noticed before how you take longer to speak than her sometimes, but it tends to make everything you say more thought out, though you may end it like you're unsure.

"Well, I mean…if I didn't, wouldn't I just—" you pause for only a second— "break up with you?" There's silence after you finish. She doesn't say or do anything. To Arlecchino, that strangely almost makes sense, but you must be far too bold to admit that to a Harbinger. "It's not that I want to! I'm a little--…well, I think I'm just a little bit confused where that's coming from."

"I was thinking about it." You frown when she admits that. "Some of the things you have seen of me are…" Is there even a word to encompass that? "unbecoming of a lover."

Is that the right way to phrase it?

Again, you pause, and the telltale signs of consideration cross your face. An intense focus that barely lasts, and Arlecchino waits through it all to allow you your chance to answer, intent on allowing you that much. A few seconds more, and your features relax, looking back at Arlecchino with a tender gaze. "There's not really one 'right way', is there?" Your question, though rhetorical, strikes a chord with the many impulsive responses that flood her mind, all of which she keeps to herself. "You just kind of...try your best. Things might work out, or maybe they don't— the point is that you mean well and put in the work."

"That's not enough," she argues, "you deserve better."

"I deserve what I want." Your rebuttal makes sense in theory, but what do you want? She struggles to make sense of that part, the answer muddled by all of her thoughts and lost in her doubts.

You could ask anything of her, and she would do it. Any material possession, every feeling, more love than you know what to do with in any form you desire—physical, emotional, intimate—and yet you never do. You accept her awkward hugs, that it takes her time to relax when you lay your head on her chest, the fact she sometimes snores, that her clothes may very well be covered in bloodstains when she comes home depending on uncontrollable circumstances.

You never ask for the things she has plenty of power to give you in return for those flaws.

She shakes her head, "but surely you want more."

"I don't."

"There is a lot wrong that you deserve compensation for."

Arlecchino clenches the pen in her hand tightly, feeling the slight distress of pressure around it. She can't articulate what, not in the way she understands it; flaws is too broad of a term to use. You would instantly know and understand what she meant in a perfect world, but the world is not so generous.

"Like what?" you question. You feel that it’s obvious that nothing Arlecchino will struggle to say will shake you. She opens her mouth, prepared to refute it, headstrong and frankly stubborn as ever, but nothing comes out.

There is silence for a moment, and no one rebuts what you say. Nobody can. The only other person in the room fights with herself to yield and give in to your unwavering loyalty. In your mind, she is everything you want. There is nothing else you can ask of her than to simply accept that you wish to remain with her if only she will allow you to through her own emotional turmoil.

"Are you listening to what I’m saying?" you ask, frown creeping back onto your face as it tugs the corner of your lips down, seemingly against your will, "I could see the worst parts of you and still think you are the most beautiful person I’ve met."

Another chord is struck, her heart beating so loud it thrums in her ears like suddenly becoming aware it’s been threatening to beat out of her chest the entire conversation. She breathes, shaky and caught up in her own surprise. Somehow, she didn’t expect you to be so sweet in your words or throw her off guard so abruptly. She finds it hard to believe them. Arlecchino’s worries haven’t disappeared, only dwindled. It helps, if not completely. There is a reprieve in listening to you.

You have seen the worst of her, every crease she hasn’t ironed out, her sometimes rotten personality, her stained clothes, the weapons she cleans in your home. You have seen her walk to greet you covered in blood and gore from a savage fight, kneel before you and hold your hand with the same hands she uses to kill vagrants and petty criminals, kiss your skin with those lips that spill the vilest of curses against her enemies.

Before she realises what she’s saying, she blurts out a question, "Do you really believe that?"

It is quiet, reminiscent of how gently you looked at her earlier as her voice barely breaks a whisper, and she can’t bring herself to break eye contact with you once she finds the courage to make it.

"I do."

You smile at her, hoping she will smile back. A faint smile graces Arlecchino’s lips, ever the handsome picture. Her sincerity is comforting after such a scare. You still worry, and perhaps you will never stop with the way her mind likes to trick her. How long had she thought you secretly looked at her with disgust this time? You fear you won’t have an answer again, though you desperately wish for one. As much as you notice her awkwardness, dismissing some of it and observing other parts with more scrutiny, it is hard to make her talk to you at times.

"Thank you." It is all Arlecchino can think to say in response as she forgets what else she was going to challenge you on. It will return eventually, and she will face it again, but for now, it settles. Arlecchino can reasonably bury her doubt for a time.

"Can we keep talking?" you ask.

"About anything," she confirms with a nod.

You turn away, walking across the room in pursuit of retrieving your chair from its designated spot by the wall. You pull it along, dragging it over the floor, and set it down across from her on the other side of the desk you’ve been talking across. Your seat welcomes you as it always does as you settle into place, now comfortably at eye level with her.

"In that case," you begin, taking the pen she holds and wriggling it from her hands. She relinquishes it without much of a fight, allowing you to place it off to the side out of the way. "I’m going to ask you how you are, and I would like you to answer me honestly."

"Anything for you, my love."

#♡ — anon visit.#✦ — scenarios.#✦ — fluff.#arlecchino #arlecchino x reader #genshin impact #genshin #genshin impact x reader #genshin x reader

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cryptidghostgirl · 1 month

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The Line (Port Mafia!Dazai x Port Mafia!Reader)

Pairing: Dazai Osamu x Reader

Description: Something is there, but if they both pretend it isn't, then everything is okay.

Warnings: Angsty but also more fluff than angst I think, mafia stuff, bomb talk, its Dazai so double suicide mentioned once. Sex also mentioned in passing like once. I think that is it, please correct me if I am wrong.

Word Count: 1,262

Master Lists:

All Master Lists

Bungou Stray Dogs Master List

Hazbin Hotel Master List

A/N so i found a screenshot of this tumblr post of this quote on pinterest and besties,, I am running with it. I will add the quote in at the end.

Was it his hand on the small of her back? Was it the feeling of his whispered breaths against the shell of her ear? When had the line been crossed, if it had been crossed at all? Neither really seemed to know where it had even been drawn in the first place. Perhaps that was the trouble with it all.

Danger was a part of life for those unlucky enough to call themselves members of Yokohama's notorious Port Mafia. It was the only constant, in Y/n's eyes. Well, danger and Dazai, but they were kind of one in the same, weren't they?

"Belladonna."

The same low, constant hum. She looked up from her desk.

Dazai stood in the doorway, leaning against the frame with an aloof air. He'd grown quite a bit in the two years since she had met him. She supposed she must have grown as well but, somehow, he still seemed to be exactly the same. It was the calculating quality of his gaze. It was the smirk, the way the light glinted off his hair.

"That's new."

Y/n gestured towards the man with the end of the pen she grasped in her hand. Almost without thought, he raised a hand of his own to the bandage on his left cheek.

"I suppose it is."

They were never supposed to have even met one another in the first place. Their jobs were ones that should have pulled them far apart from each other's graces. He was an executive, after all, and she was just a lowly clerk. She dealt with numbers, paying off people who needed paying off, covering up the footprints of great men like him. He was supposed to send his subordinates to deal with her. That was what everyone else always did. Dazai wasn't like everyone else though, was he.

"I've got something for you." he stated, straightening up and taking a few steps into the room, his hands firmly in the pockets of his coat.

Y/n raised her eyebrows.

"What is it, another job?"

"A present."

Dazai pulled a box from his pocket, snapping it down on top of the work Y/n had splayed out over the desk's surface before her. It was large and flat. She eyed it suspiciously.

"It wont bite."

"You do."

"I said it, didn't I?"

"What is it, a bomb? Think it would be funny to watch me struggle to deal with something like that?"

"Don't give me any ideas." Dazai playfully replied.

"Is it full of anthrax? I have already told you, I have no interest in committing a double suicide."

"Just open it."

The Mafia was a dangerous place, those who worked there lead dangerous lives. There was no denying the living, breathing thing between Y/n and Dazai but... there was no place for such a creature here. Besides, neither of them would know what to do about it if there was. They had both forgotten how to be gentle long ago, were unsure if it had ever been in their nature in the first place. All that was left was the sharpness.

Hesitantly, Y/n picked the dark red box up and opened the lid. Nestled in the black velvet of the interior was a necklace. It was old, an antique locket of sorts with a few flowers engraved on its oval front.

"Nightshade." she commented.

"Made me think of you, Belladonna."

That was one of the things that helped tow the line, the invisible and complex line. Y/n never called Dazai anything other than his last name and Dazai only referred to her as 'Belladonna.' At first, the name had irritated her. It had felt like a denial of her personhood, her individuality. That was before she had known there had been a line to cross at all. She was older now, wiser. She looked back up at him.

"How sweet." she bitterly replied.

Dazai smiled his lazy smile in response. A girl could give up everything for a smile like that, even her life. Y/n wouldn't though. If she was willing to, that was mean it was all lost. They would have crossed the line long ago, if that were true. They couldn't have that. The line was what kept them safe, kept hem sheltered, kept them. He closed the distance, stepping up beside her in the space behind her desk.

"Here."

Long, slender fingers snaked around the locket's delicate chain, pulling it from its bed. Y/n's breath caught in her throat as his fingers brushed against the back of her neck, securing the necklace. It felt heavy against her chest, a foriegn weight that seemed to cut right through her skin to her bones below. Gently, he slipped a hand under her chin, tilting her face up to him.

"Perfect." he hummed.

Had they already crossed it? Was it too late? If so, what had been the deciding factor? Was it the late nights up on the roof, talking till the sun rose? Was it the knocks at her door at odd hours? Had it been their legs tangled together beneath the covers night after night, no sex required?

"Thank you."

What needed to happen, what change had to occur for them to be able to say the words that echoed in the backs of their minds?

Dazai's hand lingered on her face for a moment longer. Y/n mourned the warmth of his touch as he dragged his fingers from her.

"I have to go."

Y/n sighed, turning back to her messy desk.

"The work of a Mafioso is never complete, is it."

A statement, not a question. Dazai let out a light laugh in agreement. Y/n picked her pen back up, listening intently to his footsteps as he crossed back over to the door. At the sound of a pause, a hesitation in the pattern, she looked back up.

"Same time same place?"

She smiled. Tonight, the kitchens. Stolen food, stolen time. Stolen kisses too most likley.

"Yeah."

Belladonna. Something poisonous, something detrimental. Something completely and entirely his, if he was brave enough to take her. Dazai wasn't so sure he was, not right now at any rate. Dazai was a man who didn't like uncertainties. In fact, he avoided them at all nearly costs. He didn't know if the day would ever come when the bravery or the assurance would arrive. With things as they were now, it felt inevitable. A ticking bomb, a precariously placed glass. One wrong move, and everything would shatter.

With a curt nod, he disappeared back out into the hallway. Y/n listened to his footsteps against the carpet of the hall as he retreated, picturing the way he must look in the moment, wondering where he was off to.

The line was there, the brick wall between them. They both knew it. How far was too far? Was it holding hands as they walked down the street, checking to make sure no one could see? They already did that. They already did a lot of things. Maybe... maybe the line would dissolve when the fear left or, maybe, when it felt more manageable, they would be able to cross it, if they hadn't already.

How far was too far?

Y/n reached her hand up to her chest, fingering the cool silver of the locket where it hung at her collar. Maybe, just maybe, they had gone to far already. Maybe the world was already falling down around them, they just hadn't noticed it yet.

----

Here is the quote that inspired this:

#dazai bsd #dazai x reader #bsd dazai #bungou stray dogs dazai #dazai x reader angst #dazai osamu #dazai osamu x reader #dazai osamu x you #dazai osamu x y/n #mafia!dazai x mafia!reader #mafia dazai #mafia reader #port mafia #bungo stray dogs x you #bungo stray dogs x reader #bungo stray dogs #bungou stray dogs #x reader #mild angst

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am-i-the-asshole-official · 6 months

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WIBTA for kicking someone out of my D&D campaign for reasons not entirely related to the game?

This is long but the context is important I swear.

About a year ago, I (30X) tried to assemble a D&D group with my coworkers. After a whole lot of fucking around, the guy who was going to DM moving across the country, and a bunch of people quitting or getting fired, it ended up being me as the DM, my brother, a few other people who I met through a different campaign, and one guy who used to work with me.

This guy, J (23M), had a lot of personal problems when he worked for us, most of which contributed to him being let go. He had a lot of family issues that led to him missing a lot of work (and I mean A Lot. We have a Very good PTO system for the US that basically amounts to accruing one day off for every 50 hours you work, earning more the longer you stay with the company, and more allowance for attendance infractions than any company I've ever heard of in the states). He also had a lot of interpersonal issues with some of the employees, one in particular, K (21F), with whom he had some kind of situationship. I try not to get involved in work drama, so I don't know all the details.

J also has issues with money, transportation, and depression/suicidal tendencies. I'm not judging him for any of those, as I have experience with them as well, but he has been leaning on me pretty heavily around every time we hang out to play D&D. I would cover his 120$+ Uber rides home, which he would sometimes pay me back but sometimes not (if I couldn't afford it once a month, I wouldn't do it, but he insists he's going to pay me back; since he has lost yet another job I am not expecting it at all and don't hold it against him really, but I do think it's kind of shitty to insist you're going to when you clearly won't be able to), pay for his food, work with my family members to get him home, and let him crash at my house to avoid ordering an Uber. He also messaged me when he was feeling suicidal - bad enough to be institutionalized after I sent him the number for the suicide hotline. Again, no judgement, but it made me uncomfortable because I struggle with the same things. He seemed bothered that I told him I wasn't able to talk him through it, but that may have just been the crisis talking.

After all that, we come to a game session that involves more than just navigating dangerous spaces and fighting off wild animals. The rest of the party does fine, but J really botches the social interaction part, despite everyone telling him what he's doing is a bad idea and me doing my best as a DM to communicate that he should change tactics. He does not change tactics and instead doubles down and goes full murderhobo, which is not the kind of player I'm interested in playing with, something I thought J understood from previous conversations.

My original plan was to say something to the table at our next session about removing themselves from the game if the themes weren't something they were interested in engaging with, but then I get some additional info today about J and K.

Apparently J has been incredibly possessive towards K - someone who, again, he was not dating in any meaningful capacity - for weeks or months, to the point that she has blocked him on social media off and on. And then this past week, J has sent her screenshots of her location, contacted her ex who she still lives with for logistical reasons, made him upset to the point that K thought he was going to kick her out of his apartment, and harassed K's brother to try to get her to talk to him again. K is seriously considering taking out a restraining order against him at this point. J has also been updating his social media to imply that he is going to kill himself.

To say this behavior raises some red flags is an understatement. Clearly J needs help, but as a regular guy, that's really not something I'm able to provide beyond sending mental health hotlines, and I don't feel comfortable being his support system in the way he obviously needs.

All that said, I feel like I might be an asshole for kicking him out of the campaign full stop, because he's been really excited to play this whole time. But the combination of all this really worrisome, potentially dangerous behavior and the mundane reality of him just being a really annoying player kind of has me at my wits end, so, WIBTA?

What are these acronyms?

#aita #am i the asshole #suicide cw

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annymation · 1 month

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What things annoyed and infuriated you the most in Wish 2023 (or Canon!Wish)?

OOOOH BOY! You just gave me permission to open a whole can of worms! Let's gooo!

Okay so here's a list:

I don't like how weak the reveal of what Magnifico actually does is. Asha finds out that he doesn't grant all the wishes, awesome, that would be a cool reveal, except, it's not a reveal, she freakin KNEW THIS! Asha herself said to a kid "It could be you someday" COULD! Asha, you said COULD, as in, there's the POSSIBILITY he'll grant that kid's wish, not a certainty! Not to mention if he only grants ONE wish per month then OF FREAKING COURSE not all wishes are granted. Okay, case in point, there's no grand reveal that the king is doing something no one knew, Asha apparently just forgot how their kingdom works.

Now hear me out, I am NOT one of those people that says Magnifico is a hero and Asha is a villain, I wanna make this clear, because although I find people who legit think like that kinda funny and I reblog their takes from time to time, I also find it frustrating that Disney managed to make a STRAIGHT, WHITE, MAN, IN A POSITION OF POWER, MORE LIKABLE THAN THEIR SECOND BLACK PROTAGONIST! ARE YOU KIDDING ME??? IT'S SO EASY TO MAKE US HATE HIM!!!-ahem- But, although Magnifico is the most likable character in the movie, I do not see him as a hero, no no no, keeping the wishes away from the people of Rosas is bad, pretending that he'd grant Sabino's wish only to say SIKE was bad, saying he'd never grant Asha family's wishes was bad. So, am I saying Magnifico is a villain?... No. That's topic number 2, Magnifico wasn't a villain, he was a jerk. A jerk does not a villain make. I didn't feel threatened by that man for not a single minute, and that's including when he was possessed by the evil book, speaking of which.

That dang book both ruined and saved the movie honestly, because yeah, although it's a stupid way to make Magnifico an actual villain, but in a way that makes us sympathize with him since he's not in his right mind, and the last thing you want is for the audience to feel bad for your villain... Well, there's exceptions of course, but that's a whole other subject. But even though the book caused all this damage, it also gave us King unhinged, campy, straight up evil, fruity, voiced by Chris Pine having the time of his life Magnifico, and I loved every second of it, I ate possessed Magnifico up, I was living for every cringe cliche evil dialogue that came out of him, like hell yeah, that's what I've been waiting for, that's what it's all about WOOOOOO!!! I loved him so much I just copy pasted his personality into the Magnifico in my rewrite, although, my version is actually willing to kill teens, while Canon Mag seemed more hesitant for some reason, my headcanon is that Magnifico was fighting the curse deep down, and that's why his magic actually didn't hurt anyone, so... That's sad, hope he breaks out of the mirror and kills them all Idk

We're on topic 4 and this is not even half of my problems oh my... Anyway, Asha is boring. And I mean like, in a way that feels intentional, how did they do it? It's fascinating how she has nothing going for her, she doesn't stand out, doesn't have any internal conflicts at the start of the movie, something ALL Disney princesses have: Belle doesn't fit in with her village, Mulan struggles to make her family proud, Mirabel struggles to make her family proud x10.000, Moana wants to explore the sea but can't, Ariel wants to explore the land but can't, Jasmine wants to get out of the castle but can't, Cinderella is a victim of domestic abuse, ya'll get the idea, all these girls get their struggles that make them compelling, what's Asha's struggle that has been with her for most of her life?... Uh... Her grandpa, this dude we just met and seems pretty happy... Doesn't have his wish granted yet... Ok, what else? Oh yeah everyone in town seems to love her and dance along with her to show tourists how cool the kingdom is... Uhum... So yeah she has no compelling struggles that hook us with her from the start, and the conflict she DOES get, as I explained before, feels underwhelming.

The setting, oh the setting. Like, don't get me wrong, the architecture is pretty, but nothing about it screams SPAIN to me, where is the cultural food? Where are the bulls? Where's the stuff we associate with the Iberian Peninsula? They did such a good job in Encanto, what the heck happened? Oh and did I mention that most of the animals that appear in the forest are not even native to the Iberian Peninsula, there would be no racoons in a medieval setting there, considering they're an invasive species that was brought there from North America, something that, I assume, wouldn't be possible back then, as I don't think the americas were even discovered yet, but anyway, there they are, racoons hanging upside down from their tails, something they can't even do. Sorry for expecting biology accuracy from my disney movie guys, but you can't just make Encanto, that was freaking amazing with it's inclusion of so many gorgeous latin American animals, and then do whatever Wish is, like bruh where were the Lynxes??? They're an endangered species there, Disney could've raised awareness!!!

The music...

Valentino was absurdly annoying, and it would be SO EASY to make a baby goat cute! Baby. Goats. Are. Cute. SO WHY DID YOU MAKE HIM UNFUNNY GOAT THAT MAKES BUTT JOKES???

Characters were unmemorable, Asha's mom didn't do anything, Sabino, whose supposed to be the backbone of the story, is barely a character, and again, it's not like Disney hasn't made likable elderly people before, Moana's grandma, Mama Coco, but my guy Sabino was just... There.

Aaaand I probably could go on and on but I can't think of anything else, feel free to share your own problems with the movie yall.

#wish star #wish disney #wish movie #wish #disney #wish 2023 #disney wish

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sluttylittlewaste · 24 days

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One super fascinating thing about Kristen's current arc in JY is how much it reflects real-world conversations I've been following about effort and consistency and reliability in relationships. Specifically, I've been reading about the resentment in (primarily het) relationships caused by uneven distribution of mental load and repetivite, constant labor between partners.

Follow me now-

I've seen a few posts on here from people who have ADHD highlighting how realistic it is to their experience that Kristen is SO GOOD for doing grand acts and big miracles, but struggles so deeply with "the boring stuff". Upkeeping social media for Cassandra/YES!, consistently holding meetings to maintain whatever following she does develop for her gods, even just bi-weekly essays. I can't speak to the ADHD experience myself. However, from my relationships with people who have it and a decent amount of the posts I see on this website, that is a consistent manifestation of the disorder.

Dovetailing from that is the very real conversation I've heard time and time again about people whose family/friends/partners refuse to help with the little tasks of keeping a home in order or a project on track, but will pull through for big events under the assumption that it balances things out. It's a conversation that occurs a lot in spaces of studying gender dynamics in relationships - i.e. In a dynamic where the wife is responsible for doing all of the cooking/cleaning/grocery shopping/organizing, the husband will do a singular, high-effort task or grand gesture, "I built you an armoire!", "I took the kids out for a full day so you could relax!" and reference that singular event or task as a counterbalance for smaller tasks they do not aid in (daily dishes, laundry, running errands). This can also take the form of one partner doing grand gestures on occasion, but not showing up in smaller ways throughout the relationship on a day-to-day level.

-Ex. Partner A indicates that would appreciate more frequent affection in the relationship, such as date nights, flowers, non-sexual physical contact, etc. Partner B responds by planning a fancy dinner, gratuitous non-sexual contact/complements, and buying a lavish gift - but they do not increase displays of affection in their daily lives. Partner A mentions that though they appreciate the gesture, it didn't solve the initial problem, and Partner B doesn't understand why all of the obvious effort they put in isn't enough. The cycle continues and resentment grows as both people feel like their needs aren't being met/their efforts aren't being appreciated.

(Sorry if that's an over-explanation, I'm trying to be clear lol)

I think a lot about two things Cassandra said to Kristen:

"You're unreliable." and "It's not fair." in the context of these dynamics.

I've seen a decent number of people talk about how mutually unfair bringing Cassandra back was for both her and Kristen. I have also seen a lot of very valid arguments about Kristen being a LITERAL CHILD who makes a lot of impulsive (re: bad) decisions because she cares so deeply about specific things. We've also seen that Kristen CAN be so good in the little ways (Giving Lydia Barkrock the Help action, supporting Tracker through her bullshit, trying to do okay in school to help Riz). For all intents and purposes, there is no actual lack of effort on Kristen's part - she very obviously cares deeply. However, those efforts are more occasional and case-by-case than something constant, like going out every day to spread the word of Cassandra or doing something boring like homework.

Cassandra, whose entire thing is that she's always there to offer support -"I'm there holding your hand in the dark"- knows these things as well. She knows what Kristen is capable of. The hurt, then, doesn't come from the fact that Kristen can't but because, for some reason, she won't.

In conversations about how certain partners... underperform in relationships, one theme that often arises is that of, "I know he can do it, he simply doesn't." Whether that be daily chores or consistent acts of affection, Partner A has seen Partner B be helpful or put effort into things that they find interesting. There is no question of capability - Partner B can do whatever it is Partner A requests. Partner A thus concludes that Partner B doesn't because they don't want to. -Ex. "He refuses to help me because he doesn't care about me/He doesn't think I'm worth the effort."

While I obviously cannot make a true 1-to-1 comparison between this particular manifestation of Executive Dysfunction in people with ADHD and lackluster partners in relationships (I am aware that it is deeply harmful to imply that being a "bad" partner is in any way correlated to any singular disability), this is a degree of parallelism to be found in the Kristen/Cassandra dynamic and the type of dysfunction I reference in above examples. There is the caveat that if you have ADHD and know you struggle with doing things that are smaller or more tedious/repetitive, you can work with the people in your life to accommodate that. Additionally, men (at least in the US) are traditionally socialized to undervalue the traditional female labor that is caretaking.

That said, in universe, Kristen doesn't seem to know she has ADHD and thus could not articulate her limitations to Cassandra - and even if she could, it might not have solved the problem ( though it could have kept Cassandra from getting so upset).

The entire reason I wrote all of this is that I've seen several responses to the most recent preview for FHJY wherein Kipperlily Copperkettle accuses Kristen of not caring (and, to be clear, Kristen fully does not care about the Presidency. That is very likely what KLCK was referring to, and she is not wrong in being upset if Kristen wins this thing she hasn't even bothered to campaign AT THE SCHOOL for). The trend in the responses has been people listing Kristen's miracles more than anything, and while those do prove that she does CARE about SOME THINGS, it doesn't address the fact that for most people care is displayed through active, consistent, reliable effort rather than big dramatic displays: While the shrimp jump was cool, it does nothing to prove that Kristen gives a shit about student government.

#this is barely coherent #there's just this wild juxtaposition that I feel like comes up a lot on Tumblr #it seems to happen specifically with ND characters that people see a lot of themselves in #where even if the flaws and complications of that Neurodivergence are being assessed and deconstructed #people will plant their feet on “she can do no wrong!”#and sometimes it's whatever because it's just a fictional character #but other times #like with Kristen Applebees #where the defensiveness has the flavor or being deeply honest #which concerns me #like I truly hope y'all are putting more effort into handling real world criticism than you do with fictional shit #the instantaneous demonization of anyone who isn't tooth grindingly supportive of the Bad Kids (namely Kristen) is worrying #kipperlily is allowed to be mad at Kristen for winning! She may have done some shifty shit #but you can't say she didn't try really hard to win #and Kristen didn't even do her own shrimp jump. she only ran because she immediately disliked kipperlily #and ever Kristen's reason for disliking Kipperlily isn't fair???#Like it started before they realized the whole rat grinder conspiracy #she just didn't like that Kipperlily was a Type A overachiever #which has nothing to do with Copperkettle #and everything to do with Kristen's own insecurities #as for the relationship aspect #i have a lot of concerns about how people on Tumblr talk about relationships #let me die #if i die #d20 fhjy #fhjy #dimension 20 #rant #kristen applebees #i guess

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helvonasche · 3 months

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i quit?

Update: Privated all my fics, deleted everything from AO3. If you want a copy of anything, let me know, but I'm gonna be real picky about who I give copies of anything to.

Now that I've got your attention: I'm quitting fanfic, not writing.

Not deleting my blog or AO3, either, and I'll still be here.

Most of my stories will be staying right where they currently are. I've deleted any posts that are too personal, and this includes a couple fics. If you notice something is missing or a link has broken, please let me know so I can fix it. I still have copies of everything.

So don't be a cuck and ruin this for everyone else. I want to leave this up because I've had my heart broken by writers deleting everything, but I also understand that impulse.

If not writing fics then what? Books.

The reason I started writing fics in the first place was to practice writing and hopefully get better. But at some point I do have to walk away. I'm still gonna be on Tumblr though. And if you wanna ask about book stuff.. do it?

Emotions and reasons below the cut, but that's it. I'm done posting fics, but still vaguely here.

Ugh. Feelings. Fine.

Basically, I've spent most of a year trying to finish the fics I had left and I can't do it. I've sat at the computer for hours, made and remade plans, tried everything I could find for writer's block, drove my friends fucking nuts, had panic attacks... fuck, dude, I've talked to a fucking therapist about it.. and I barely finished Of The Abyss.

I also just had a fucking shitty year. It nearly killed me, not being melodramatic or using hyperbole. I thought I'd lost everything on three separate occasions in only 8 months. It's changed my perspective on a lot of things, but mostly on how I spend my time.

As terrifying as it is to walk away from the vague comfort that is posting fics on Tumblr, the reason I write has also changed.

But the reason I struggled with quitting fics and have tried to keep posting is because I love this stupid place. Don't get me wrong, the bots and staff suck and some people too, but there's so much good here and I will miss that more than.. fuck. There really aren't words for this. Um.. I'm devastated and crying while writing this? It fucking sucks.

I've made friends here. Real ones. Not going to tag, but you know who you are. You have my address. You know my real name. You've probably spoken on the phone to me. And a very very few have met me. Even the people I don't talk to for any number of reasons (mostly because I can be a shitty friend), you're all wonderful and gave me hope that life isn't as awful as it seemed.

You saved me.

Thank you for giving a creep a chance.

And before anyone can ask or point out that I've been struggling with writing... I have been writing. Just not fanfic.

There's more I want to say, but I'm calling it. Going to stop crying and eat something, then write a book.

<3 hel.

#last update for a while #hopefully not too long

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edenfenixblogs · 3 months

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Love you all (personal)

Leaving my phone in another room for awhile. I'm not ignoring any of you, and I have seen and will respond to all your EXTREMELY KIND messages, even if it takes awhile.

I was attempting to take a break from all this over the course of the week, because I felt myself growing weary and needed a recharge. Then my ceiling collapsed in heavy rain and I had to turn off my "Work Hours Focus" setting on my phone. It was supposed to silence all notifications and alerts from non-work and non-family phone numbers and block all non-work apps.

LOL...not really possible to have that setting on when coordinating with a bunch HVAC/Roofer dudes I've never met before.

But still. Jewish law commands us to find joy somewhere even when we're miserable. And while I know that is a sentiment that does not work for a lot of people, it has always been helpful to me.

So, despite all this, I am grateful for the shift in my plans this week for several reasons.

I'm grateful we were able to band together to help @rabid-catboy with an actual urgent issue. It feels very good to do something that you know helps someone. If my phone was in work mode I never would have seen this message in time to do anything about it. I had a similar experience in high school and I still think about it often. I get upset at how much was being asked of me and how much I was expected to know so that I could educate my peers and educators to do better. I didn't have the words to describe why something was so upsetting to me and why I know that it was wrong. Years later, I found the words and was so angry that I was expected to have them even when I was a child. It's an unfair burden, and I'll always be grateful that, even though I didn't find the words in time, I could help someone else find their words.

I am glad to have seen how active allies have been over the past week. I'm pretty emotionally drained by this all the time, so I may not say it as clearly or as often as I should, butt you give me hope. I am not used to relying on other or sharing my grief. It's actually a big problem. I don't tell people when I'm upset, because I'm afraid to inconvenience people or seem dramatic. that's part of the reason I struggled through undiagnosed PTSD for 13 years before reaching out for help. With the help of my BFF and my therapist, I chose to start being more open about my emotions with people. It's been a mixed bag. The people I knew would be here for me have continued to be here for me, thank goodness! But all (except 1) of the people I THOUGHT I could trust have simply stopped interacting with me at all. And I'm a lot less pushy/aggressive/vocal about all his suff IRL than I am when I have time to compose my thoughts and answer questions on here. It's been cataclysmic and devastating. To see so many people I've never met IRL not only lend emotional support to me personally but also provide emotional and temporal labor into fighting antisemitism and supporting Jews more broadly has gone a long way to restoring the faith in humanity that this conflict is trying to erode within me. I know I'm not he only Jew who feels this way right now. Please never underestimate the impact you have just by visibly existing in this space with us.

It's been nice being able to channel my anxiety about my ceiling into something productive.

Reminder: I love you all. Sorry for delayed replies. I'll be back. <3

#an eden original

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amethystfairy1 · 5 months

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You like worldbuildy questions? I have worldbuildy questions! TTSBC Glamour Edition!

We know that hybrids and mutants (all the ones that we’ve met, at least) have glamour, that it’s a genetic dice roll that’s somewhat affected by species, and that some species (butterfly hybrids, voidwalkers) rely on it pretty hard. We also know that glamour is almost unheard of on the surface - even their labs don’t know it exists, if Zed is to be believed

But, do humans have any latent potential for glamour? Or are they the only species with no ability for it whatsoever? Could one of our humans learn to use glamour now that they have contact with undergrounders who could teach them?

Actually, followup question - how does one learn to use glamour? Is it an instinctive skill that they figure out, like walking, or is it something that their brains are primed for but needs refining, like language? Is it something that needs to be learned from a young age to develop correctly, or could someone learn to use/control it later in life and be perfectly fine?

We know some species are supposed to be especially good at glamour. Are there any species known to be particularly bad at it?

Also, is it possible for a non-human individual to be born without any glamour at all, or does everyone have at least a little? What can the average person do with glamour, and what do they use it for?

(I was thinking about Everything and More and suddenly got the thought of “the only way Tango’s self esteem could get worse is if his human bf is somehow better at glamour than he is”. And then I started wondering if that was even possible, and then I had questions, and here we are. Sorry not sorry lol, thanks for taking the time to read all this)

I ADORE WORLDBUILDY QUESTIONS! GIVE ME ALL THE WORLDBUILDY QUESTIONS! GIVE ME AN EXCUSE TO RAMBLE ABOUT ALL THE DETAILS KNOCKING AROUND INSIDE MY BRAIN!

Ok ok ok ok ok...

Answer number 1: No. Humans do not have any potential for glamor. We could possible play with the idea of someone who has mixed human/under-city ancestry having a capability for glamor in the future but...honestly, I doubt I will. I like the idea of keeping it to the under-city.

And yeah, as far as Zed and most of the over-city community is concerned, glamor doesn't exist, it's not a thing. That's why Zed is so confused/fascinated by it because to him it's basically magic. Which, to be fair to my dearest Zeddie, it kinda is but like...also not. Anyway.

Glamor is an instinctive skill, yes! Like walking and breathing!

I like to think of it kinda like athleticism in a way...if you take a group of relatively able/healthy people and tell them to run a sprint, they all could do that, right?

But then let's say one of them is an Olympic track athlete, another ran track in college, another works out on the weekends, and another hasn't run since they were forced to do so in gym class back in high school...would we be expecting all of them to run the same speed?

Absolutely not.

So yeah...if you train and practice and work on it, you can learn to do neat tricks with your glamor and possibly get more skilled/stronger, but there's also always just the ceiling of your own natural ability with it. Just like someone who is taller is gonna have a better chance while playing basketball...I dunno, I'm struggling to come up with a better metaphor than that, but that's what I've got for now.

If you're from the under-city, you'll be born with a certain aptitude for glamor, and while you could improve it somewhat by practicing and working hard, there's always gonna be a ceiling you won't be able to break through.

Tango is one example of that ceiling just being unfortunately very very low. There are some species that are known to be particularly bad with glamor, yes! A few we've met? Creeper and zombie mutants! Doc and Cleo, both of them already probably weren't great with glamor, and the augmentations definitely didn't help, since, as we've learned, glamor can't pass through inorganic material.

Everyone has at least a little glamor! No one is ever born entirely without it! A good example of someone with an average skill set with glamor would be Jimmy! He can fire little bullets. and use it to conceal himself or parts of himself! He can also manage to conceal others, like he did with Scott, but only for very brief amounts of time, and only if he maintains physical contact with them the entire time. And that's exactly what he uses it for!

Also, glamor is oftentimes used as a signal/code into doors or locks, because while glamor can't pass through inorganic material, it can make impacts against it. Like a bouncy ball. So like when Jimmy uses glamor to unlock the door to the rail cart station, or Tango mentions he can barely manage to unlock the doors at the labs because his glamor is so weak, stuff like that is day-to-day use. From there it's more species-specific, or even job-specific, what you might use glamor for. Some people use it for their careers, like we've learned about Shelby the witch! Others need it for mobility, like Joel used to before he tore his wing...and others need it even just to breathe, like Xisuma. There's a whole bunch of other little tiny things it might be useful for, but I think those are the biggest ones.

No no no, we're not tanking Tango's self-esteem any further by making Zed the magical glamor-using human 😆 poor sweet little Tango has already suffered enough, and he's got so many more issues to sort out than just the self-esteem with glamor stuff, so I hope you'll look forward to that!

I was more than happy to read it! I did a little happy dance when I saw such a detailed and exciting ask! I promise, I absolutely love the excuse to go off on tangents like this about my AUs, all you gotta do is point me in a direction and I'll write posts like this no problem! 💖

Thank you for all your lovely thoughts!

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respectthepetty · 1 year

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Bed Friend Ep. 6 - Asks & Answers

I got a good number of asks about this episode AFTER I said last week that I was going to stop writing about the colors in it, so thank you gentle people for making me a LIAR! @negrowhat, @slayerkitty, @sliceduplife, @akkrosu, @wen-kexing-apologist. You already know it's going to be long, so skim for your tag in the post.

Thoughts Before I Begin:

Not only did Uea move his head like a cat, he kept his hands in a paw position (didn't open them), so someone on that set did their homework about pet play.

King is still the best boy BUT a flaw is beginning to surface.

King doesn't push the conversation with Uea in the stairway because he respects the boundaries Uea has put in place. King might toe the line occasionally, but during that conversation, he never retorts. He keeps making different suggestions (a beach trip this weekend, spending the night at his house, staying late for Uea), but he never forces the conversation. He reads that Uea is putting in place hard no's, so, as much as I wanted him to argue back, King wouldn't because he is the BEST BOY.

But his flaw, which continues to show up, is jealously. He has shown it with Gun and el gringo at the beach, and admitted to it in the past, but last week, he accused Uea of being around Krit intentionally, and next week, we see him do it again. I doubt this would happen if Uea and King were in an actual relationship. King knows Uea is attractive and he likes that, but not being able to publicly claim Uea as is (not possession nor ownership, but an understanding of their commitment to each other) is making King lash out in ways I don't think he normally would since these outbursts are becoming more heated.

Now to the COLORS:

*I'm not writing about Krit wearing pops of blue because he is the nastiest skank bitch I've ever met. Do not trust him. He is a fugly slut.

Group Assignment

I've mentioned that group color coding is purposeful. This show has told us the office does this to align to the day's color, and I've noted that we should also focus on the person who doesn't cooperate with the color coding, which has been King, and he has been called out for it.

The group's colors this episode were black and white. On the first day, King is wearing black, the color he is known for (and that drives me crazy). The second day, he wears blue, which is odd since previously he was called out for wearing black when he should have worn blue. Black is his default color, so why not wear it like any other day? He is out of alignment, while Uea aligns both day. *put a pin in it*

Uea

@sparklyeyedhimbo posted Uea's outfits from episode six, and mentioned Uea becoming more muted in his color (red) as the episode progressed. Let me add to this - Most of Uea's outfits have pearl accessories. Pearls symbolize enlightenment and protection because the precious gem is enclosed by a hard shell that has to be pried open and it's unknown if the shell has a gem inside until it's opened. *This has not happened before in the show. I did my research.

Episode six starts where episode five ended, with Uea in red and King in blue.

They have amazing pet play-themed sex, which pushes King to almost put a ring on it the next day, but he hesitates instead offering a beach trip since Uea mentioned loving the beach on the office trip. And just like that, @slayerkitty, Uea is in King's blue, trying to make Purple Pair happen (the lines on the sweater).

But after King dashes Uea's hopes, Uea attempts to get back to his color, yet is struggling and lands on a pink-ish sweater.

However, he ends the episode in blue. Jade is wearing tan. King is wearing black (don't worry, I'm getting to him). Gun seems to be wearing gray. This is a choose-your-own-adventure day, yet Uea decided blue was his adventure, and it's King.

Uea is planning to resign. Remember, King told him this was something he could do before they spoke about the beach trip. Uea is taking King's advice as he is realizing his feelings for King. Next week, we see him in a muted red shirt arguing with King. Then, he shows up in black, white, and yellow (that fake happiness!) to his childhood home.

Uea is struggling to get back to his red because his feelings and color now belong to someone else...

King

To my great annoyance, King wears black, often, yet this episode, he Missy Elliot-ed his wardrobe and flipped it and reversed it. He began the episode in the blue, and (unknowingly) participated in a group color day in black, but got right back to the blue. King is trying to prove that he can be the loyal and stable Blue Boy that Uea needs and his choice in color reinforces that. But he fucks up, @negrowhat.

As I mentioned in my stray thoughts, King doesn't push Uea because he is cautious and respects Uea, but Uea will place barriers and boundaries any time he feels out of control. King has been working hard to get Uea to open up so he can see the pearl inside, but Uea is always ready to clam back up. *pun intended*

King, in his blue, wants to be loyal to Uea, but Uea can't bring himself to breach this topic. King tried talking to Uea directly in the restaurant and indirectly in the office about the date his mom arranged, but Uea, both times, avoided the conversation. Uea continues to lose his color the more he gets lost in his feelings, but a barrier comes up between them (the window's mullion seen above).

And although the door is still open (literally and figuratively), the barrier gets bigger as a wall now separates them. @wen-kexing-apologist mentioned that glass is usually seen surrounding Uea when he struggles to hide his emotions, which is why Uea needs solid barriers between them to hide his feelings.

I've written about reflections showing truth because mirrors (and glass) represent transparency of emotions which causes, as Ron Burgundy would scream, Uea to be in "a glass case of emotions" when he can't hide behind a wall (literally and figuratively).

But King doesn't want Uea to hide, so he tries to make it right with Uea, to the point that he video calls Uea while his mom is still in his house! (This man is wild!) King has only worn Uea's red once before on the office beach trip, but here, red has a grip on King's throat with a red pillow standing in for where he wishes Uea was - right by his side.

Yet Uea is having none of it, and shuts King down as soon as he hears King's mom leaving King strangled by the red with his blue showing through the curtain (as mentioned by @akkrosu). King is trying to shine his blue light for Uea, but is being shut out. So he tries again.

The next day at work, it's a black-and-white group color day, which King would normally unknowingly ace, but King being on his say-no-to-group-projects-because-King-is-a-free-elf agenda wears BLUE.

He tries again to talk to Uea to prove his loyalty and to get Uea to notice his blue shirt made out of the finest boyfriend material, but as my nice bread crumbs throughout this post have outlined, Uea is throwing barriers, clamming up, and trying to get off the glass (case of emotions). Uea won't even look at King.

When he does, the window barrier is back in place separating their spaces.

A barrier of light pops up. Uea stays in the light (remember, he is afraid of the dark), and King, normally in black is dark. King doesn't cross any of the boundaries, because HE NEVER DOES. That's the downfall of this Best Boy.

Uea is the one to walk past the boundaries he has placed during the discussion, so he can go back to work, but he lingers giving time for King to reach out, but once again, King would never cross a line that Uea has drawn, mostly when Uea has stated in black-and-white (figuratively and literally; he is wearing black and white as pointed out by @sliceduplife because he doesn't want to stick out from the group) the consequences of such a transgression.

Blue Boy Bullshit

I wrote I wouldn't mention Krit, but y'all have already proven I'm a liar when it comes to not writing about the colors. But I only have one observation to scream, and it's more about King -

King better pick up that blue a lot more after next week, because he cannot be in the same black boat as these two bastards.

#Bed Friend #episode 6 #asks and answers #the colors mean things #color coded boys in love #KING IS A BLUE BOY #He better get out of that black

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eric-the-bmo · 8 months

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Now I’m curious to hear about your VtM character! Impulse Embraces are always really fun (and I’m noticing very Malk-like)

[barrels into the room] MAN OH MAN I HOPE YOU'RE READY TO HEAR ABOUT LEO WEST, THE NUMBER ONE MALKAVIAN OF MY HEART

[tiny pixel leo was made by @ slimejunior btw]

(It's so cool you wanna hear about him- this is my first time in a vtm chronicle, and while i'm not the best at roleplaying, i've been having a blast with the story. I'm sorry btw, this turned into a very long post- I jumped at the chance to ramble about almost everything I can about him- however, since my fellow players follow me here, I'm keeping quiet about certain parts of his character and past.)

Anyway! Leo West is an amnesiac(?) conspiracy theorist and Anarch Malkavian, and is for an on-going chronicle taking place in San Jose- us players have decided to name it Blood and Silicon (there's actually a blog dedicated to it that's run by one of the players).

Leo's a quiet and inquisitive man who's earnest and stubborn, and refuses to talk to the coterie about his issues (but really, none of the other members do that either). He knows very little about vampire society, as his sire refused to tell him anything before sending him away, and has been repeatedly described as a blank slate and full of potential- mostly due to his "newness" to Kindred unlife. He's probably being manipulated by at least 2 people at this point.

He's got Auspex and Obfuscate, and is (unintentionally) built as a stealth character. He also has the Sandman predator type- it's how his sire hunts, and he would prefer victims who wouldn't struggle, anyway.

With his occasional visions, it seems he's got connections to the Cobweb- additionally, since no one's explained to him what the Beast is (and his takes on the guise of his sire's voice), Leo is currently convinced his Beast is actually his sire just talking to him.

While I described him as an amnesiac earlier, he hasn't completely forgotten everything.

However, my main form of communication is infodumping (/hj), so allow me to ramble below, even though I can't fit everything about him in here:

Leo was a hopeless romantic born on May 26, 1994, raised in Chicago and brought up as a Christian. He stopped believing in that faith sometime in high school; something Definitely happened during that time in his life, since it was also when he broke his nose and started smoking (but hey, if I don't know what happened, then he doesn't either /lh). He did eventually quit cigarettes in college, where he graduated and was a librarian for a while; he helped run the DnD sessions the library would hold every month :-)

In 2019, he met a man named Jeremiah: his future sire. J is a man I could make an entire post about- but tbh this isn't about him, so I'll give only the bare amount of information needed.

Jeremiah is a bartender who moved to Chicago from San Jose, and at some point in the first year of knowing Leo, he ended up blood-bonding him for reasons unknown. Leo, who was completely unaware that he was now Jeremiah's ghoul, experienced the symptoms of the bond and assumed he was in love- which surely was a whole thing for him, because at this point in Leo's life he had just come to the conclusion he would never fall in love, since he's never had the best luck in that part of his life. The two of them entered a relationship (or at least it seemed that way to Leo), and of course given the dynamic/power imbalance here- as well as Jeremiah in general- it wasn't a very good one.

(Amy, Leo's sister, kinda picked up some bad vibes from her brother's partner, and very much dislikes him.)

During their almost-three years together while Leo served as his ghoul, Jeremiah used Dominate a lot on him, erasing his memories of anything that could be seen as Masquerade-breaching- meaning that Leo has no idea what he did for him.

Mr. West noticed his gaps in memory, of course, and with the help(?) of one of his more common library patrons, Chris, he fell down into a bit of a conspiracy rabbit hole to try and figure out what was happening to him. Sometime around this point he picked up his smoking habit again.

[As a result of J's actions, Leo no longer trusts his memory and carries around a notebook; It's also one of the reasons he avoids eye contact a lot, since that's necessary for Dominate.]

Eventually he must've figured things out, or perhaps his curiosity got the better of him- but somehow, on September 16, 2021, Leo stumbled upon something that resulted in his untimely death at 27 years old.

Jeremiah Embraced him that night, although it's unknown whether he did it because he still needed Leo's servitude, or if he genuinely cared about his ghoul (and I am unsure which one is worse).

The rest of the events of his Embrace are a bit tricky to talk about- I can't go into much detail without giving much away- but with all the stress and trauma of what happened, his clan bane manifested as Dissociation; in tandem/addition to this, Leo's brain blocked off parts of itself, resulting in even more memory loss.

In fact, after Sept 16, there's about an entire month and a half of missing time for Leo, and he doesn't remember any of it (this was originally due to a misunderstanding of the game's timeline, but is now a part of the Lore).

Anyway, even though I can't go into specifics of what happened to Leo during this moment of his unlife, I can offer you this sort-of-meme about it:

[At some point during this time J informed him of blood bonds, which was kind of a jerk move, considering his childe was having a bad mental moment already.]

It's been stated by Leo that Jeremiah sent him away to San Jose, and the fledgling currently has his coat- which implies J gave it to him as a gift, or at least let him take it with. His relationship with his sire right now is... complicated.

Anyway, Leo spent about a week in San Jose before meeting [aka getting kidnapped by] a Kindred named Harrison, who introduced him to the rest of the coterie. Currently, they're all a bit secretive, and Leo occasionally leads them into trouble (like lowkey breaching the Masquerade, and almost getting caught by a gang).

Throughout Blood and Silicon, Leo's been learning about Kindred unlife, and has additionally requested an informant to look into Jeremiah. (He's got a bit of a fixation on his sire- in his eyes, his investigation to figure out what's going has not ended, and it seems Jeremiah has many secrets..)

In the most recent session, the coterie has been gifted territory as a reward for doing a quest for Harrison. Meanwhile, something's going on with Leo, because vampires can't get headaches, can they?

I'm very excited to see where this leads...

[thank you for asking, this was fun to ramble about him <3]

#but yeah leo is FUCKED UP if u wanna know whats going on with him i can maybe tell u somehow idk #sorry for so much i get really overenthusiastic about my OCs at times #If J gets his own post i'll elaborate on their relationship as well as other stuff about him and Additional Lore #aka i need signs ppl are interested so someone send an ask and ill do that /lh #eric finally speaks #leo vibes #blood and silicon #no beta we die like Leo #vtm oc #vtm #vampire the masquerade #vampire oc #malkavian #vtm malkavian #malkavian oc #ask answered #tw smoking

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frodothefair · 6 months

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When I first started simping Eomer

During my most recent reread of The Two Towers, I once again "met" Eomer when he encountered the Three Hunters, and his reaction was, if you put it in our language, "what the fuck, what the fuck, what the actual fuck, who are these weird people, and more importantly what the HELL am I supposed to do with them now?" Part of his job was to enforce an edict that required all foreigners in Rohan to be arrested and brought to the king, and he struggled with whether to carry this order out, or help the Hunters in their quest. Ultimately, he bent the rules, even within sight of a number of other men under his leadership, and let them go, and even lent them horses.

And by the time I was done reading this, I was sobbing in my mind and thinking "you too, Eomer, man, you too??!!! Let me buy you a pint of mead and we can commiserate all about it..."

I face situations the like the one described every day. I get paid to solve problems for people, just as Eomer kills orcs to keep his people safe, and over the course of my job I run into outlandish situations I only thought existed in books ("legends that spring up from the earth.") I am also part of a system and have to enforce rules I may or may not agree with from time to time, and have to make difficult decisions about what the most logical and humane course of action is in any given case.

As Mr. Nisile was quick to point out, of course, I do not run the risk of being imprisoned or exiled if I make the wrong choice, but in every other respect, the parallels are there, and quite meaningful to one who has both power and responsibility, but often still cannot do enough, and yet they must function within a system and answer to many different masters, from their own respected superiors, to the people they serve, to their very own conscience.

The bad news? My car refuses to answer to "Firefoot." The old name, even though it's that of an actor I've cooled toward, has stuck and does not want to unstick. Ah, well.

@sotwk @konartiste

#lotr #eomer #eomer eadig #lord of the rings

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justanancientfangirl · 6 months

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A bit of a rant: on Sylvie

Okay, look, as a preface: I do not hate Sylvie. I feel like I see a lot of hate for the character from a lot of people not Sylkie shippers, and I definitely do not hate her, even if the ship is something I struggle to see.

I actually like Sylvie's character a lot. She has had to struggle and fight and flee for something like a thousand years. I honestly don't begrudge her desire to stay in a quiet universe and just live a life. I want that for her, even.

Is she being a huge dick to Loki every time they interact this season? Yes. She refuses to listen to him (though he isn't being entirely straight with her either, to be fair), and she continually belittles his own choices and refuses to take responsibility for her own. She blames him and the TVA for the destruction of timelines, even though Dox's crew was, at the time, acting as a rogue element, and the issues that the timelines and TVA are currently facing are entirely her fault.

Again, I totally understand why she didn't listen to Loki at the end of season 1. It makes sense that she wouldn't want trust anything that He Who Remains had to say, and it makes sense that she wouldn't trust Loki at all. She barely knows him, and she's been alone her entire life. She doesn't really remember her life before the TVA ruined it. She has no friends, no allies. So yes, it was foolish of her to not stop and think for like ten seconds, but killing He Who Remains had been her ultimate goal for centuries. Of course she was going to do it.

HOWEVER. Because she killed He Who Remains, the multiverse is in danger. And just because I understand her inability to accept responsibility for her actions, does not mean I condone it. The lady is incredibly emotionally stunted. Of course she doesn't know how to take responsibility. She's been blaming other people for her problems her entire life (and most of that was 100% justified). To stop doing so now, when she hasn't had a chance to learn, would be bad writing.

I am all for a good character arc and a redemption story. Loki's himself has been...a little rushed. And they haven't touched on the trauma that was his time Before New York at all since that like, thirty seconds in season 1. Sure, he mentions NY a little flippantly here in season 2, but we all know that was just a way to get Mobius to talk. Point is, they have set Sylvie up for a good character arc, and kind of fast tracked Loki's without actually talking about some of the things I'm most interested in, but...eh, whatever. I can rant about that another time.

What I don't understand though, is Sylkie shippers. Like...number one, are we watching the same show? Season 1 seemed to have some unrequited pining going on, on Loki's side, especially before Loki and Mobius made up, but Sylvie has never shown any interest in Loki beyond that of a tentative ally. And really, there's no reason she should. When would Sylvie have had time, ever in her life, to think of romance beyond, possibly, an errant daydream? And this season, it really seems like she can hardly stand him.

Every time they interact, she lashes out, she tries to hurt him. She has told him, unequivocally, to leave her alone, multiple times. She listened to him say that he feared being alone most of all, and then she left him (I assume she has a tab at that bar, otherwise who the hell paid for those shots, and also, I've never met a bartender who would hear 'two bourbons' and just pour shots immediately, if it isn't a common order for that patron, but that's yet another rant for another day).

Like, she just seems to be going out of her way to be cruel, to drag him down, to blame him for everything, and to paint him as the bad guy. Sure, he wants to have his friends back, and maybe that IS selfish, but he ALSO wants to save the TVA because he believes that will save the multiverse, and that isn't, but she knows that once she pokes any holes in the story he's concocted for himself, he's only going to dwell on the bad side. Which he does. Her goal, I assume, is to get him out of her hair and leave her alone. She doesn't want to be involved with all this TVA stuff anymore. And...yeah, fair enough, except that the multiverse is actively disintegrating. Which is at least...oh, 45% her fault. (I'll grant that most of the fault lies on the heads of the old TVA, He Who Remains and Ravonna. And maybe like 3% Loki's fault. Everyone can take somewhat a share of the blame, but she really was trying to do the most. And she is the only one of our 'heroes' who hasn't taken any responsibility for the problems now facing the multiverse).

Look, I have shipped Loki with almost every single character he has had screen time with, if the story is well written enough for it to make sense. I've even read a Sylkie story that I actually managed to really get behind. (It took place before season 2, the premise being that in their fight at the Citadel, there was an accident and they ended up in Westview during the events of Wandavision, and were paired as a husband/wife duo for the show. It made sense, and there was enough of a build of their relationship that I was like...yeah, sure).

The writers of this show have NOT done their due diligence to make Sylkie make sense. In season 1, I could see that he might have a thing for her. But I never saw that being reciprocated.

Sylvie needs friends, she needs to learn how to trust, she needs stability, and she needs to figure out who she is as a person when she isn't on the run. She does NOT need a romance. A romance at this stage would be incredibly bad for her, really, if we give a shit about a fictional character's mental health.

I like Sylvie as a character. I think her arc has been interesting, but she is definitely still in the middle of it, and it is nowhere near resolved. I can't see a single instance in the show where she showed a romantic interest in Loki. (And...what, she kissed him? That was only to get him distracted enough to kick him out a time door so she could kill He Who Remains).

If this season ends with Sylkie endgame, I will have honestly lost faith in Marvel's ability to write a good story entirely. If they want the two of them to be together, they have to write them together. They have to actually be a team, not just constantly bickering (or in this season, Loki begging for her help and her telling him to stuff it). She only comes to help because her own universe gets shredded, not because she wanted to help Loki or save the other universes. She would not be good for him, at least not right now. That relationship would be hella toxic. Has she ever done anything for him? Just for him, not because he was useful to her in some way?

Look, TL;DR, I like Sylvie as a character and I want to see her grow and thrive, but Sylkie makes no sense and if they go that route this season it is bad writing. MCU has always been bad at romance and character development, but this would take the cake.

#loki #loki season 2 #spoilers #sylkie #anti sylkie #pro sylvie #rant #mcu #just show me where she ever once cared about Loki #where she acted in HIS best interest #why do people think she'd be good for him?

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fanfic-inator795 · 9 months

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WoY: A Decade Later (A personal retrospection)

Wander Over Yonder… for a time, it was - in my opinion - the best cartoon ever. It was my number one, and I wasn't sure that anything else could top it. While I don't necessarily feel the same way these days, it's still a cartoon that very much lives in my heart and I don't think I'll ever truly leave it behind.

From a personal perspective, it was probably the biggest and most active Fandom I had been in at that time. It wasn't my first fandom/hyperfixation - prior to WoY, there had been Cartoon Network's Chowder and Regular Show, as well as Disney's Phineas and Ferb. But Chowder was short-lived and RS and PnF were both shows I had lost interest in due to them beginning to dip in quality.

WoY, however, was new, fresh, exciting and growing rapidly. It inspired me to write probably at least a hundred fanfics. It was a blast live-reacting to new episodes with everyone and seeing all the art that would come afterwards. It brought me into the RP scene and, if not for that, I might have never met my best friend of 10 years (and counting! Love you, Tessa).

Looking back on it 10 years after the fact, I can't fully say that WoY is still my favorite cartoon (shows like Kid Cosmic, The Ghost and Molly McGee, Big City Greens and Craig of the Creek have all outshined it in one way or another), nor can I claim that it is/was a perfect show. But man… It sure was a hell of a ride.

(Keep reading for all my admittedly VERY LONG personal thoughts or opinions regarding this one of a kind show)

Humble Beginnings

Pretty sure I've mentioned this before, but I actually didn't care for WoY at first. It was the summer right before college, and I remember watching the sneak peek - The Picnic - early one morning after not being able to go back to sleep. I remember not really laughing much or even seeing the appeal… and yet the episode stuck in my mind, to the point that I ended up watching it again during a free moment I had from Freshman Orientation Week. I had a similar reaction to the show's proper pilot, The Greatest - not loving it, but not hating it either.

The fact that people/friends from my RS and PnF days were also posting about it helped keep the show in my mind (shoutout to Taylor, Erin and Darkwing). But it wasn't until two specific episodes - The Fugitives and The Good Deed - that I managed to finally start to connect with the characters myself.

I started to see the appeal in this little furry orange spoon who just wanted to do good and make others happy, even when it was a struggle. I really liked the show's core theme of not just optimism and positivity, but also just being kind. I also started to really enjoy the show's sci-fi and space aesthetic and grew to adore its animation and gorgeous backgrounds, as well as laugh at its wacky sense of humor (I still laugh at The Fugitives/Good Deed quite a bit, even though I probably have their entire scripts memorized at this point).

So, it was official. I was hooked. Whenever there were new eps, I'd either try to watch them on the basement TV in my college dorm or wait for a livestream or FreeCartoonsOnline upload. If we're being honest, the first half of season 1, while being much more low-key than the wackiness that the show would end up eventually shifting to, was probably when it was at its most consistent. Other eps later on would reach higher highs, but getting stuff like The Bad Guy, the Prisoner, the Troll, the Pet, the Box and The Little Guy back-to-back just made my love for the show grow more and more.

The Little Guy specifically is one that is just incredibly well-crafted in its dialogue, story-telling and pacing, being both enjoyable and heartfelt. (Also the last time I watched it the ending made me bawl so, there's that, lol). Shortly afterwards, The Hero was another ep that I distinctly remember sticking in my head for whatever reason (Dracor and Demurra are still adorable, ngl). Then we had another favorite of mine, The Nice Guy.

I know I may be in the minority on this one - I remember my parents being annoyed and frustrated when they watched it with me, haha - but I absolutely love this episode. I find the jokes funny enough - the cashier is one of my favorite minor characters tbh - and the space gas station appeals to my aesthetic. But what really sells this episode for me is how it handles and portrays its moral of "being nice isn't always easy, but it's still right and still worth doing". Its ending never fails to get an "awwww" out of me, and honestly I could probably go on for an hour about all the little details and things I like/appreciate. I've also grown to really like its sister episode, the Time Bomb.

But no show is perfect, and right around here is where the show, in my opinion, started having some misses. It was mostly just "meh" affairs like The Night, The Toddler and The Big Job (weird, since I usually like heist eps… though I haven't rewatched this one in a while so *shrugs*). Other eps like The Tourist and ESPECIALLY The Helper (which I consider to be the show's worst outing, the vibes are just SO WEIRD on this one) I just didn't care for at all.

Nothing terrible (save for the Helper), just cases of the jokes not landing or the stories being boring. This was also when the show really started leaning into the wackiness - which wasn't BAD persay, since it led to some really funny jokes and memorable moments when it was used well - it's just that looking back, I sorta miss the simplicity of early s1.

Thankfully, the season put out some real bangers by its end, with my personal faves being The Epic Quest (that ending will never not make me cackle. Again, it's a case of the wackiness actually working incredibly well), the Halloween/Christmas special, and the Rider, which is a great adventure to cap off the season and also the Horse from Horsin’ Around guest stars in it! (and does a pretty good job too. Will Arnett is def one of my favorite celeb VAs at this point, ngl)

So yeah, between the two seasons, s1 is easily my favorite. Call it nostalgia or personal taste, but for me it's all about that consistency. Adding in the fact that s2 has some pretty notable flaws and is thus a lot harder to look back on without noticing those flaws, and it's really no contest for me.

New season, New problems

I certainly remember the excitement - as well as the fandom's stir craziness - in the lead-up to s2. There were crackships that were invented, silly RP blogs were rampant, Craig McCracken and crew (back when they were still on Tumblr) kept us fed with cool behind the scenes info as well as sneak peeks of the new season, and while I can't recall when it specifically happened, I also vividly remember the 'Bad End to Episodes' phase that the fandom was in at one point. Ah, the joys of still being in your angst phase.

Come that year's Comic Con, and a new round of hype came from the reveal that our new villain of the season was going to be a girl! …yeahhh, it sorta sucks recalling how hyped we all were about Dominator now that we know that she didn't quite work out the way we were all hoping for…

But regardless, s2 had a very strong start. Outside of the premiere, my favorites of this first batch would easily be The Boy Wander and The It for both just being incredibly funny. Although, if you had asked me at the time though, I probably would have said the Skeleton Dance fueled eps that were The Big Day and the Fremergency Fronfract - and like, yeah those eps can still be funny and enjoyable, but I've definitely cooled on the Skeleton Dance ship since these eps first premiered. (Still love a lot of the cute fanon stuff though)

Skipping past the next tent-pole episode for right now, this season had two of my favorite episodes of the ENTIRE SERIES - these being The Cartoon and The Black Cube. The former is just hilarious while the latter has a unique visual presentation and feels like an early s1 ep, and I mean that in the best possible way. I also really enjoy the Eye on the Skullship as well as the Hole… 'Lotta Nuthin' (this one especially, as it's another instance where, for as good as the ep is as a whole, it's the heartwarming lesson and hilarious ending that makes it such a winner in my book).

But for as much as the show was still putting out hits, I'll admit that there were also quite a few meh or just okay eps, especially as the season goes on. Some eps I found funny when I first watched them, but that humor doesn't hit as well when I watch them now. I also feel like there were points where it tried to be TOO silly to the point where it inhibited the actual humor and made the characters flatter and a bit flanderized compared to how they were in s1 (Hater especially got hit bad with this, where it’s less about him ‘softening up’ to show that he has the potential to be a good guy, and more just him constantly leaning into him being a bratty teenager instead of having that mix of dumb/bratty teen boy and legit evil conqueror).

Other times, it was just another case of a story not being as good as it could have been - and by this point in the season, while there are still enjoyable eps with fun concepts/jokes in the latter half of the series, the only one to get near the peak of the show's typical high quality is the musical ep, and if we're being real, it's Andy Bean's impeccable songwriting that saves this ep and makes it so good to rewatch despite its connection to the season's flawed overall story.

And I think it's about time we talk about that…

Not Quite Ready for Serialization

Being a show that was made right after Gravity Falls but before stuff like Star VS, Amphibia, and Owl House, s2 of WoY felt like a show with one foot stuck in episodic stuff and one foot trying to step into serialization. Because of this, the season’s overarching plot feels incredibly underbaked.

Now… Am I saying that I’d want the show to be like ATLA where every episode had to relate back to either the overarching story or one of the side-arcs? No, absolutely not. We’d be missing out on some of my favorite one-shot episodes if they did that, and if I had to choose between the season we have now and the season we could have gotten had the WoY crew gotten more freedom and were allowed more serialization, I’m going with the former each and every time.

HOWEVER, I still have to acknowledge just how poorly done the structure of this season was when it came to the overarching story. Basically we got four tentpole episodes acting as the season’s beginning, arc shifts and ending. During the season’s second and third arcs, there would be certain episodes afterwards reacting to the change in the show’s status quo.

Now, I get what they were TRYING to do but in my opinion it just really didn’t work as well as it could have. I’ll talk more about this in a bit but the season’s second arc (the “romance” arc) definitely got tiring after a while, meanwhile the third “Stop Dominator” arc felt like it was sort of killing time given that it was mostly just the main 4 trying to find some sort of weapon/figure out some sort of plan that ultimately resulted in some ‘funny’ failures and some quick lessons, with the occasional character piece thrown in here or there.

Now, I didn’t hate these episodes. By this point, it should be evident that one of my favorite elements of WoY are its morals and lessons, so even if the episodes themselves didn’t amount to much in the grand scheme of things and were essentially filler, I can at least appreciate a message like “being sad doesn’t mean you’ve given up hope” or “allowing yourself to laugh even in the dark times can help a ton”. So yeah, not completely pointless.

Unfortunately, even with a few bright spots here and there, the overarching plot of s2 still feels underbaked somewhat - and that’s ultimately because of the new character its focused around.

Dominator’s Dilemma

Okay, fess up. Whose idea was it to completely exclude Dominator from the first six episodes of the season (after the s2 premiere)? Because WOW does this decision backfire a lot. I don’t even like Dom that much and I can still acknowledge that she needed much more screen time and focus than she got.

I don’t know if this was to build up the ‘mystery’ surrounding her or because they wanted to get back in the groove of writing the main 4, but this was the crew’s first crucial mistake. Hell, in the first two episodes she plays an active role in, she’s nearly silent in both of them, only having her little fangirl rant in The Greater Hater and a small handful of lines in The Battle Royals. (Which, if I’m being honest, is still a really fun episode for 90% of it, having both great action and absolutely hilarious jokes that still make me laugh, but I get the ending of it making people sour on the episode as a whole.)

Again, it felt like trying to build up this artificial mystery surrounding her when it really wasn’t necessary. Dominator was meant to be a MAIN MEMBER of the cast! Yet I’m pretty sure Emperor Awesome got more significant screen time than her in the end!

Things got a teeny bit better as the show went on, with Dom at the very least getting more lines and more moments to be both badass and totally villainous, but she still felt more like a goal/obstacle than an actual character. I’m not sure if the writers MEANT to do this persay, or if it was just an accident.

Ultimately, it wasn’t until The Night Out when Dom finally got a spotlight episode… which was a little over 3/4ths of the way through the season. You could argue that she also got a bit of characterization in the musical episode, but it was really more emphasizing what we already knew or could infer about her.

The Night Out, meanwhile, gives us something new - that she’s lonely - and we get a teeny hint of this again in The Robomechabotatron before being told outright in the series finale. Ultimately, it truly does feel like too little too late - especially when her secretly desiring friends just sorta feels like it’s aping off Hater’s secret motivations of wanting to be liked/admired and to have friends/people who love him for who he is.

So yeah, the crew completely dropped the ball on Dom’s characterization, using her as just a goal/threat/obstacle/etc. for nearly all of her appearances. Not only does it make Dom feel like a shallow character, but it also just feels unfair in general. Practically everything we know about Dom is for the sake of other characters.

She’s a test for Wander, an enemy/temporary love interest for Hater, an obstacle for our main four to overcome, and a threat to the characters we already love. Again, there’s nothing wrong with having a character that’s only meant to serve a purpose in the narrative, nor is there anything wrong with a character being shallowly evil… it’s just that the WoY crew hyped her up so much and claimed that she was a fifth main character (implying that she would get about as much development as the main four), so it just felt all the more disappointing when we didn’t get that. Add in her character design - a mix of goth/punk girl energy with Hartman Hips - and it does feel just a tad misogynistic.

There were things I liked about Dom - her cool lava powers and gadgets, her excitable personality, her villain spotlight moments, and her fun vocal performance provided by Noel Wells were all excellent. But unfortunately, these were all surface-level elements, and the crew just didn’t put in enough time to give her much else, essentially saving all her deeper character stuff for the never-made season 3…

A love-hate relationship (leaning towards hate)

Of course you can’t talk about Dom without discussing the season’s second arc, which many see as both a tumor on the plot and the absolute low point of the season. Admittedly when I was watching the season for the first time, I didn’t mind the romance arc all that much. I didn’t care if Dom was getting short-changed, I was too busy laughing at Hater falling all over himself like a dork and thought all the ‘critics’ of the arc were just focusing on the wrong thing and didn’t know how to have fun with a silly cartoon.

Obviously, this was the wrong perspective to have about this sort of thing (I was in the mindset of “I don’t want to accidentally make myself hate this thing I love so I’m going to ignore all criticism of it”. Definitely not the right approach), one that I still apologize for because the critics were totally in the right. From both an objective and a storytelling standpoint, this arc was just the worst - and for several reasons.

Leaning into the overall problem with Dom herself as mentioned previously, this arc was focused solely on Hater and Wander (and to an extent Syl and Peeps as they tried to talk some sense into their respective friends). Whenever Dom was brought in, she either used Hater’s crush to mess with him or just ignored it entirely, being obviously annoyed - and that was the extent of focus that her feelings got.

Outside of those moments, however, Dom’s feelings are relegated to the background, deemed as ‘unimportant’. Sure, in the climax of the arc, she gets this big whole musical number about how she’s “not the damsel” and isn’t interested in Hater’s affections - but again, it’s at the VERY END of the arc and the moment is less about Dom standing up for herself and more about emphasizing just how cruel she can be, as instead of simply rejecting Hater’s advances, she laughs in his face, continuing to mess with him to try and make the rejection as painful as possible before ultimately trying to kill Hater.

But while the arc ends in a showy (and admittedly still kinda fun, thank you Andy Bean and your musical talents) way, the way it starts sorta proves why this idea was so rotten to the core. The ONLY reason why Wander tries to get Hater and Dom together is ONLY because he knows Hater wants a GF and believes that a ‘positive’ thing like love could only ever result in the two villains finding happiness and no longer being evil. Nevermind the fact that Wander is shown only really caring about Hater’s perspective, not once considering Dom’s feelings or even asking if she wants a BF or romantic partner in general.

We get Syl calling him out on this a couple of times, but it’s in that ‘oh that Wander, always with the crazy ideas’ way. You’d think Sylvia, the icon that she is, would be just a bit more blunt and maybe even a bit harsh about how Wander’s treating Dominator - it’s not just a matter of it being a dumb and dangerous plan, but it’s essentially objectifying Dom, treating her like Hater’s missing piece. But hey, it’s fiiiiine, because Wander learns his lesson in the end, right? Except, no not really.

Because even when Wander FINALLY realizes this and feels guilty about causing so much trouble, Syl is more concerned with comforting Wander about it, because he TRIED to do what he thought was right and that “acknowledging you messed up is the first step towards making things right”. Like… yeah I guess but you could have let Wander actually acknowledge what he did was wrong and super messed up, focusing more on the personal aspect of how his whole romance scheme affected Dom AS WELL AS Hater (not JUST Hater) instead of how his scheme broke Hater’s heart and inadvertently made Dom more powerful.

(Also we see Wander shipping and actively pairing up the little Pikmin things in “The Sky Guy” soooooo no I don’t think he fully learned his lesson)

I also have to bring up how there are fans who view Dominator and her whole anti-love thing as aphobic. As someone who only recently figured out she was almost definitely aromantic, I’m certainly not the authority on this, but I can certainly understand the critiques.

What I THINK the WoY Crew was trying to go for was a ‘strong female villain who don’t need no man’, but between Dom constantly being described as ‘heartless’ and Peeps saying that he “doesn’t think she likes anybody” and her cruelty being turned up to 11 whenever someone expressed romantic feelings towards her, it does sorta imply “She can’t love and THAT’S why she’s a villainous monster” rather than simply “she’s a villainous monster”. And because we don’t get any real development or strong characterization with Dom, it’s hard to say where exactly her cruelty comes from, so it’s hard to really argue against these implications without simply inserting headcanons like “Dom is a lesbian”.

Now to be fair, I have seen some aromantics see Dom as good representation - I recall a month or so back when I saw people praising her after she was included in one of those Tumblr polls, with this one being focused on aromantic characters, saying that they liked how she didn’t sugarcoat her rejections and seeing her as this strong, cool, badass villainous who didn’t need romance. So yeah, obviously not every person who shares an identity is going to agree on representation and whether or not it's good, but considering all of Dom’s baggage and the inability to determine whether or not her heartlessness is the cause of her evil or simply a by-product of it, I personally feel like she’s just too messy of an example of a potential aro character.

(Honestly, Syl feels like a better example of an aromantic character to me, given that she and Ryder seemed just as platonic as she and Wander are, as well as her multiple rejections of Awesome and general disinterest/discomfort with romance. Buuut given that those latter examples are specifically with villains and thus it makes sense why she’d reject them regardless of her orientation, it’s still just a vibe/headcanon).

Before I close off this section, I do wanna acknowledge that beyond the potentially aphobic nature of Dominator, WoY’s LGBTQ+ rep isn’t nearly as great as I thought it was once upon a time as a young shipper. Some parts are still pretty okay, like Wander being coded as genderfluid/agender, but overall it still feels more like an old Looney Tunes cartoon than an episode of “The Owl House”, if you get what I’m saying.

In Craig’s defense, the man has never been all too interested in romance in his shows nor has he claimed otherwise - he either uses it as a joke while portraying it as a negative (see Ms.KeenexProf.Utonium, BlooxBerry or, obviously, DomxHater) or it’s a wholesome relationship that ultimately still stays in the background because it’s not all that important (see DracorxDemurra or Ramona and Carlos Flores from “Kid Cosmic”).

BUT given that there were LGBTQ+ crew members working on the show in s2, such as N.D. Stevenson, as well as LGBTQ+ allies, it is a shame that no proper representation came of that. We got a whole episode where the joke was “oh, Wander and Hater are planning Wander’s execution like it’s a wedding”, an episode where Peeps and Hater essentially break up when Hater fires him, and an “I just can’t quit you” sort of moment from Peeps in the s2 finale when he goes all heart-eyed over Hater deciding to continue being a villain. That’s it, all jokes but nothing substantial. Even the show’s number one lesbian/wlw pairing of SylxDom got a quick Girls Night montage and one sweet moment between them, nothing else.

Again, it’s fine if you’re just looking for jokes, and yeah the WoY Crew never outright promised any romances… buuuut given how much they chose to lean into the Skeleton Dance and DeathGlare stuff while at the same time never outright confirming any of these characters as LGBTQ+ (they didn’t even have to make any ships canon, they just had to say whether or not Wander/Hater/Peeps were gay/bi/pan/etc), I’m not gonna invalidate people who feel just a bit queerbaited about the whole thing.

Bittersweet Goodbyes

As I said before, I was starting college when WoY first premiered. It’s the show that led me to my best friend and it’s the show that helped me through those first two years of college (easily the roughest part of college). It was a show that made me laugh and got me excited, even during the times where I was stressed out or worried. For all its flaws, it was one of the brightest lights in my life at that time.

So, needless to say, when I heard the show was canceled, I was devastated. I remember crying about it that night and even the day after, and I remember joining in as many online strategies as possible to try and get the show back, from letter writing to petition signing. Of course none of that worked, but as a bright side, going through this helped emotionally prepare me for the next time one of my favorite shows was suddenly canceled (looking at you Nickelodeon. Though considering how the RotTMNT movie turned out maaaaybe it was for the best…)

Honestly, for as much as I can look at the show through a critical lens nowadays and point out all the ways it could have been better, I think there will always be a small part of me that wishes we could have gotten some sort of continuation, whether it be through a special, a TV movie or a comic - or hell, I’d even take the plans for s3 leaking at this point. Now, given that the end of WoY brought about the creation of “Kid Cosmic”, I feel like this part has faded a bit, but I’m always gonna want closure on things like Hater’s arc as well as his origins given how much they were teased.

But that in itself is another critique I could give the show. Whether it be Wander facing a different type of threat that wasn’t just another villain, Hater’s transition into becoming a good guy, Peepers getting fed up with his boss and striking out on his own, or Dom’s true characterization that the crew kept insisting was there - the show simply saved a lot of it’s most interesting ideas for a potential Season 3. It was a gamble, and it was one they ultimately lost. It sucks, but it is what it is.

There’s a few more things I could critique about the show, such as its take on the idea of character redemption and Wander becoming a bit of a karma houdini that the show pretty much stopped calling out, and while these critiques are valid I feel like there are other fans who could do a better job talking about those points. But in the end, while season 2 was both a let down in some parts and a bit of a mess in others, I still feel like there were ultimately more good things to be found within the show than bad things.

It’s not a perfect show, far from it. Frankly, I don’t look down on anyone who fell out of love with this show or enjoyed s1 but hated s2. But for what it’s worth, the memories I got from the show are still ones I treasure, and episodes like “The Good Deed”, “The Little Guy”, “The Nice Guy”, “The Epic Quest”, “The Rider”, “The Boy Wander”, “The Black Cube”, “The Hole… Lotta’ Nuthin’” and “The Cartoon” are ones I still love to bits and will probably always love as I watch them over and over.

Disney Channel itself may not care all that much about this show these days save for an occasional rerun or a quick cameo in their Chibi-Verse shorts, but I’m always gonna remember it - for better and for worse. So here’s to 10 years, WoY. I may not always like you, but I still love you.

#wander over yonder #woy #long post #personal thoughts #personal opinions #fair warning this is VERY long hence the read more #wasn't tempted not to post it because of the length #but this show was such an important part of my life #and I wanted to get all my current thoughts out about it

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