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#fuck the blue line
victusinveritas · 9 days
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Comic by @comeonalready
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k3ithsk0gane · 9 months
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I NEED THE WHOLE BOOK NARRATED BY THIS CAST ESPECIALLY TAYLOR AND NICK PLS PLS
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lisondraws · 6 months
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Workplace Nuisance~
My participation to the "Ten Years of Experience" Newmann Zine and honestly one of the most fun I've had on a piece this year.
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larrylimericks · 7 months
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6Oct23
With hues blue and green, Lou was tinged, Sang ‘7’ in Barça, then grinned Cos sharing is caring And H still likes wearing Lou’s jumper — Um, bro, they’re unhinged.
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spacemaverick · 4 months
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totally normal guy thats never had anything weird happen to them
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banamine-bananime · 2 months
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my concept of donut is like, he should be on a 1960s white america boyscouts poster but like, goofy about it. do you get what i mean.
like to me donut was basically cooked up in a lab to be a parody of the Good Ol’ Boy Back When Boys Were Real Boys who played outside all day with friends smacking each other with sticks playing space cowboys and aliens, rubbing dirt in all his cuts and knowing big boys repress all their emotions except Boisterousness, always says his yes maams and yes sirs and never questions authority (but also, y’know, boys will be boys so of course they’re up to Mischief when unsupervised, a bit of chaotic and violent rule-breaking fun is all fine and good as long as they’re respectful to authority and just accept their punishment with an “awwww, man! Shucks!” in the end).
a parody because it plays up how someone genuinely like that probably must be pretty stupid/oblivious/gullible to be so pliable to authority and follow dumb norms of “what is a nice polite young man supposed to act like” without any thought into “wait, what makes this something it’s important or nice to do? are there perhaps other things i could focus on doing that would actually be more important or nice to do? do i actually get or care what being nice and doing good is, or do i just like doing whatever i want without having to think about Ethics and then having a very easy set of rules of How To Be Nice to follow”.
and also a parody because he also is like, extremely gay, and he literally just does what he wants and acts how he wants and it’s simultaneously ^that whole Good Ol’ Boy thing and the most flamboyant stereotypically gay mannerisms and hobbies you’ve seen in your life. and he just fully lacks the interest in doing any reflection that would lead him to conclude anyone might see these as rather contradictory or subverting expectations. he’s exposed both to norms of good behaviour coming from conservative places and from progressive places and doesn’t really think about these perhaps being conflicting ethos, he just grabs this random patchwork of “hey this is something someone told me yayyyy :)”. he can enthusiastically follow the letter of many laws rooted in heteronormativity and toxic masculinity and also the letter of laws coming from Progressive Ideals but he fully does not give a shit to consider whether there might be a bigger spirit to any of those laws. dumbitchitis got him immune to internalized homophobia (no he isn’t actually. but he is quite certain that just Not Thinking About It means any negative emotions don’t exist. this is a foundational truth to donut’s understanding of the universe)
what i’m saying is donut should simultaneously give the impression of walking straight off a cheery WWI Join The Troops poster or 1960s boy scouts ad, but also of being absolutely A Pansy of the same era, but also of being the kind of modern queer who says “be gay do crime” not because they’ve given two seconds of thought to prison abolition but because they find doing crime really fun
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high-voltage-rat · 1 month
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Actually I'm still thinking about it. Another interesting way in which RvB is anti-war is the way that the Director fills the role of a villain and antagonist (especially in the Recollections trilogy, where he's a faceless villain we never see but is responsible for everything that happens).
In his memos to the Chairman, the Director emphasizes his sense of duty and obligation to the military- he becomes irate for the first time when he feels that it's being implied that he was derelict in his duty... or that the work he did out of that duty is being criticized for being against the military's interests. He also talks about Allison's death in a way I find... interesting.
"You see; I never had the chance to serve in battle. Nor did fate provide me the opportunity to sacrifice myself for humanity as it did for so many others in the Great War. Someone extremely dear to me was lost very early in my life. My mind has always plagued me with the question: If the choice had been placed in my hands, could I have saved her? [...] But, given the events of these past few weeks, I feel confident that had I been given the chance, I would have made those sacrifices myself... Had I only the chance."
The idea of sacrifice is central to the way he talks about his wife's loss, to the way he talks about the war in general. He talks of sacrifice with a sense of veneration- that it's something he aspires to do, that he longs for. There's a few ways we can interpret "I would have made those sacrifices myself"...
-That in Allison's place, he thinks he would have laid down his life too.
-That if given the chance, he would have given his life to save hers.
But most interestingly...
-That he would have sacrificed Allison's life for the continued survival of humanity, if that was what duty called for.
...And personally, I think all 3 are true.
In most war media, the Director's perspective on sacrifice is very common. Sacrifice is glorious and heroic- to die in battle is an honour- and it's the only way to ensure the group you serve survives. This is a tool of propaganda- nobody wants to go to war just for the sake of it, you have to give them a reason that the risk of dying or being permanently disabled isn't just acceptable, but desirable. Beyond that, most people don't want to do things they think are immoral- you have to convince them it's important, a necessary lesser evil. You teach them to sacrifice their morals, too.
The way they train soldiers to follow orders and to kill, is to convince them that they, and the people around them, and the people they care about, will all die if they don't. It's drilled into your head from day one. It's the way they ensure their commanding officers won't shy away from sending their men off to die. The message is constant- sacrifice is your duty, and duty ensures your people's survival.
In the Director's eyes, the damage Project Freelancer caused was his sacrifice. He never got the opportunity to sacrifice himself during the war- so he sacrificed others, as military brass do. The Freelancers- including his daughter. The countless sim troopers. Any people he considered "collateral damage" on missions. And when the opportunity to do so presented itself, he sacrificed a copy of himself- Alpha- and he sacrificed a copy of Allison- Tex.
The very thing that derailed his life- the loss of his wife- he made it happen again. He put her copy in dangerous situations, let her exist in the position of constant repeated failure, created the circumstances that would eventually lead to her death. He put their daughter in deadly situations that nearly killed her repeatedly, provided her with impossible expectations leading to self-destructive behaviours in the name of duty, implanted her with two AI knowing they could cause her permanent harm. He was confident he "would have made those sacrifices himself" because he did.
The Director is the embodiment of the military war machine. As an antagonist, he is a warning against buying into the glorification of sacrifice. He's a condemnation of the idea that one should be willing to do anything to win a war- that duty to the military is the thing that ensures survival... All the messages that are pushed to ensure recruitment and obedience of soldiers.
He's a reminder that swallowing the propaganda leads to you doing terrible things... and in the end, you're a broken man left mourning the losses that you suffered even as you repeated them, convinced that it was all necessary.
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evilkitten3 · 10 months
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atla crack au where zuko and azula burn the palace down as kids (like 12 and 10, respectively, pre-banishment but post-grandpacide), run away to avoid consequences, and somehow end up "discreetly" living in the abandoned fire nation ship in the south pole ("discreetly" is a word which here means "all the adults know they're there bc they have massive arguments every other day, and when hakoda's nearby he "drops" things that might be useful")
ozai ends up blaming the palace fire on iroh and banishes him. he must capture the children to regain his honor (translator's note: this is adult speak for "get their asses back here so i can ground them for the rest of their lives")
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everyryuujisuguro · 1 month
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thelilylav · 19 days
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Do you think we’re together in every universe?
(the two bad endings and the one good one)
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pardon my shaky hands
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bachirasbodyguard · 1 year
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blue lock as gordon ramsay moments (shoutout to one of the most legendary haters of all time🙏)
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bread-that-draws · 1 year
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The Lovers: Being at crossroads. Choices. Commitment. Falling in love. Harmony. Warmth.
The Lovers Reversed: Misalignment. Imbalance. Disharmony. Coldness.
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luzho · 5 months
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wanna go drown at the beach?
(based on the poses of the first pic of this editorial by gilles bensimon, and the lighting in this pic by noah dillon) given what's currently going on in blue period world, i think this is a great moment for yatora and yuka to have another beach escapade, like in chapter 20!! i mean, they did say they would be back!
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keymintt · 2 months
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life doodles
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cloud-ya · 11 months
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this meme
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