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dairedara · 1 year

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The Morrígan

“Thou hast no power against me," said Cúchulainn. "I have power indeed," said the woman; "it is at the guarding of thy death that I am; and I shall be," said she. The Cattle-Raid of Regamna, from the Yellow Book of Lecan

The Morrígan is depicted in the Irish cycles as a member of the Tuatha Dé Danann, the wife* of the Dagda, and a goddess ruling over the spheres of fate, death, war, and land. She is often associated with ravens, crows, and heifers, whose forms she takes.

Name & Epithets: Morrígan, Morrígu, Mórrígan (Middle Irish— “Great Queen”), Mór-Ríoghain (Modern Irish)

Role as a Goddess of War

The Morrígan is seen in the Cycles as bringing victory in war, or foretelling death in battle. In the Cath Mage Tuired, which describes how the Tuatha Dé Danann overthrew the tyrannical Fomorians, she proclaims the victory of the gods over their enemy and foretells the end of the world. In the Ulster Cycle, she is the sometimes-patron, sometimes-enemy of the hero Cúchulainn, whose death she prophesies after he offends her, and then reminded of his fate by taking the form of an old woman washing his bloodied clothes in a creek.

Role as a Sovereignty Goddess

Sovereignty goddesses in Irish tradition represent the land itself, and thus marriage to one creates a legitimate rule or guardianship over that land. In Early Medieval Ireland (and perhaps before), a king’s coronation would include a symbolic marriage to the land, thereby granting himself power and legitimacy. The Morrígan is one such sovereignty goddess, or at least perceived as one by the 12th Century, as the Book of Invasions names her the sister of Ériu, Banba, and Fódla, personifications of Ireland married to each of her three kings.

Role as a Triplicate Goddess

The Morrígan is inconsistently referred to as one of three or a combination of three figures. In the Mythological cycle, she is named as the sister of Badb (’crow’), a war goddess, and Macha, a land goddess. Together, they are called the three Morrígna. Macha is also the name of several other figures, and Badb appears barely distinguishable from the Morrígan. Whatever the case, the names appear less like the archetypal ‘Maiden, Mother, Crone’, and more like simply different aspects of the goddess given different titles, as is common in Irish religion.

*Marriage with the Dagda

The fact of her “marriage” with the Dagda is contentious but well-supported by the texts we have access to. One of her best-known stories from the Cath Mage Tuired is the Dagda’s pact with her before the battle against the Formorians. This part of the text is often mistranslated as the Dagda meeting her [for the first time] at a certain point in the year, when really a perhaps more accurate translation would be “On this day [near Samhain] the Dagda met her yearly.” Additionally, the “union” described between her and the Dagda does not appear to be purely sexual. The word used, ‘oentaith’ is difficult to translate but probably also refers to a general agreement/pact [dil.ie/33541], not unlike a modern marriage. Additionally, as a king of the Tuatha Dé Danann, a ceremonial marriage to a sovereignty and agricultural goddess such as the Morrígan would be appropriate for the Dagda and make sense to an early Irish audience.

My UPG with the Morrígan

Recommended reading + Sources

Cath Mage Tuired [Translation] [Original]

Book of Invasions

The Cattle-Raid of Regamna

#morrigan #na morrigna #the morrigan #gaelic polytheism #irish polytheism #morrigan goddess #paganblr #celtic reconstructionism #morrigan deity

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royal-wren · 1 year

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A quick joke a small few will understand but personally, has me howling with laughter

#dorian's polytheism diary #hermes #hermes deity #aengus og #oengus #aengus deity #oengus deity #hellenic polytheism #gaelic polytheism

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oracleishdiviner · 2 years

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Uhm... I'm being active again in my witchy and spiritual ways too! So it should be about the time in which I'm actively searching for new wonderful blogs and people to interact with. So, can you interact or reblog if you:

Are a European witch (both born in the Eu or from European families elsewhere);

A Gaelic polytheist;

An Italian witch (2nd, 3rd generation American-Italian are welcomed too, bruh, you are Italian as me!)

A polytheist who follows the Etrurian gods

A devotee of any God(s) (I'd like to interact more with devotees of any traditions!)

Have one or more spirit companions

Are an Otherkind (no matter your specific kind)

Have astral travel experience (of course beginners are welcome too!)

Have a connection with the spirits of the land in your place.

Are a witch or a spiritual practitioner of your faith (of any traditions and religions, It would be my honor to be enriched by others' experiences and cultures)

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stormy-caffeine · 2 years

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Question: Personal Opinion About Deity Watchfulness

This popped into my head this morning and I can't get it out.

I know the gods of various pantheons do not function the same as the christian god is portrayed (all seeing, all knowing, etc etc) but I still feel like the gods would be able to perceive us in various ways if they felt like it.

So, does anyone have any thoughts on what the gods think if they see us do something gross? And I mean, like stuff you'd normally do when you're alone - fart, scratch places you probably wouldn't in public, certain private acts you may be interested in (I don't feel like sex or sexual activity is gross but people have different opinions or are into some crazy stuff, no kink shaming to literally anyone but I'm talking stuff you normally ask for consent if other people wanna see, yk?)

I don't personal have any clair-senses to speak of, so I can only tell if an entity is around if it actively wants to be perceived and can manifest something pretty obvious, so I always kinda worry that if they're around and just vibing and idk about it, like what if I do something that they don't vibe with and they perceive me differently? I already know the "everyone is just human" justification of them probably expecting it out of us, but I feel like any autonomous consciousness would still have opinions about it.

Do they not care at all? Do they just kinda leave and come back later? What is your opinion on this, or if anyone has clair-senses to get an opinion from someone they're working with, what do they generally say?

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writingwithcolor · 1 month

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Sri Lankan Fairies and Senegalese Goddesses: Mixing Mythology as a Mixed Creator

[Note: this archive ask was submitted before the Masterpost rules took effect in 2023. The ask has been abridged for clarity.]

@reydjarinkenobi asked:

Hi, I’m half Sri Lankan/half white Australian, second gen immigrant though my mum moved when she was a kid. My main character for my story is a mixed demigod/fae. [...] Her bio mum is essentially a Scottish/Sri Lankan fairy and her other bio mum (goddess) is a goddess of my own creation, Nettamaar, who’s name is derived from [...] Wolof words [...]. The community of mages that she presided over is from the South Eastern region of Senegal [...] In the beginning years of European imperialism, the goddess basically protected them through magic and by blessing a set of triplets effectively cutting them off from the outside world for a few centuries [...] I was unable to find a goddess that fit the story I wanted to tell [...] and also couldn’t find much information on the internet for local gods, which is why I have created my own. I know that the gods in Hinduism do sort of fit into [the story] but my Sri Lankan side is Christian and I don’t feel comfortable representing the Hindu gods in the way that I will be this goddess [...]. I wanted to know if any aspect of the community’s history is problematic as well as if I should continue looking further to try and find an African deity that matched my narrative needs? I was also worried that having a mixed main character who’s specifically half black would present problems as I can’t truly understand the black experience. I plan on getting mixed and black sensitivity readers once I finish my drafts [...] I do take jabs at white supremacy and imperialism and I I am planning to reflect my feelings of growing up not immersed in your own culture and feeling overwhelmed with what you don’t know when you get older [...]. I’m sorry for the long ask but I don’t really have anyone to talk to about writing and I’m quite worried about my story coming across as insensitive or problematic because of cultural history that I am not educated enough in.

Reconciliation Requires Research

First off: how close is this world’s history to our own, omitting the magic? If you’re aiming for it to be essentially parallel, I would keep in mind that Senegal was affected by the spread of Islam before the Europeans arrived, and most people there are Muslim, albeit with Wolof and other influences.

About your Scottish/Sri Lankan fairy character: I’ll point you to this previous post on Magical humanoid worldbuilding, Desi fairies as well as this previous post on Characterization for South Asian-coded characters for some of our commentary on South Asian ‘fae’. Since she is also Scottish, the concept can tie back to the Celtic ideas of the fae.

However, reconciliation of both sides of her background can be tricky. Do you plan on including specific Sri Lankan mythos into her heritage? I would tread carefully with it, if you plan to do so. Not every polytheistic culture will have similar analogues that you can pull from.

To put it plainly, if you’re worried about not knowing enough of the cultural histories, seek out people who have those backgrounds and talk to them about it. Do your research thoroughly: find resources that come from those cultures and read carefully about the mythos that you plan to incorporate. Look for specificity when you reach out to sensitivity readers and try to find sources that go beyond a surface-level analysis of the cultures you’re looking to portray.

~ Abhaya

I see you are drawing on Gaelic lore for your storytelling. Abhaya has given you good links to discussions we’ve had at WWC and the potential blindspots in assuming, relative to monotheistic religions like Christianity, that all polytheistic and pluralistic lore is similar to Gaelic folklore. Fae are one kind of folklore. There are many others. Consider:

Is it compatible? Are Fae compatible with the Senegalese folklore you are utilizing?

Is it specific? What ethnic/religious groups in Senegal are you drawing from?

Is it suitable? Are there more appropriate cultures for the type of lore you wish to create?

Remember, Senegalese is a national designation, not an ethnic one, and certainly not a designation that will inform you with respect to religious traditions. But more importantly:

...Research Requires Reconciliation

My question is why choose Senegal when your own heritage offers so much room for exploration? This isn’t to say I believe a half Sri-Lankan person shouldn’t utilize Senegalese folklore in their coding or vice-versa, but, to put it bluntly, you don’t seem very comfortable with your heritage. Religions can change, but not everything cultural changes when this happens. I think your relationship with your mother’s side’s culture offers valuable insight to how to tackle the above, and I’ll explain why.

I myself am biracial and bicultural, and I had to know a lot about my own background before I was confident using other cultures in my writing. I had to understand my own identity—what elements from my background I wished to prioritize and what I wished to jettison. Only then was I able to think about how my work would resonate with a person from the relevant background, what to be mindful of, and where my blindspots would interfere.

I echo Abhaya’s recommendation for much, much more research, but also include my own personal recommendation for greater self-exploration. I strongly believe the better one knows oneself, the better they can create. It is presumptuous for me to assume, but your ask’s phrasing, the outlined plot and its themes all convey a lack of confidence in your mixed identity that may interfere with confidence when researching and world-building. I’m not saying give up on this story, but if anxiety on respectful representation is a large barrier for you at the moment, this story may be a good candidate for a personal project to keep to yourself until you feel more ready.

(See similar asker concerns here: Running Commentary: What is “ok to do” in Mixed-Culture Supernatural Fiction, here: Representing Biracial Black South American Experiences and here: Am I fetishizing my Japanese character?)

- Marika.

Start More Freely with Easy Mode

Question: Why not make a complete high-fantasy universe, with no need of establishing clear real-world parallels in the text? It gives you plenty of leg room to incorporate pluralistic, multicultural mythos + folklore into the same story without excessive sweating about historically accurate worldbuilding.

It's not a *foolproof* method; even subtly coded multicultural fantasy societies like Avatar or the Grishaverse exhibit certain harmful tropes. I also don't know if you are aiming for low vs high fantasy, or the degree of your reliance on real world culture / religion / identity cues.

But don't you think it's far easier for this fantasy project to not have the additional burden of historical accuracy in the worldbuilding? Not only because I agree with Mod Marika that perhaps you seem hesitant about the identity aspect, but because your WIP idea can include themes of othering and cultural belonging (and yes, even jabs at supremacist institutions) in an original fantasy universe too. I don't think I would mind if I saw a couple of cultural markers of a Mughal Era India-inspired society without getting a full rundown of their agricultural practices, social conventions and tax systems, lol.

Mod Abhaya has provided a few good resources about what *not* to do when drawing heavily from cultural coding. With that at hand, I don't think your project should be a problem if you simply make it an alternate universe like Etheria (She-Ra and the Princesses of Power), Inys (The Priory of the Orange Tree) or Earthsea (the Earthsea series, Ursula K. Le Guin). Mind you, we can trace the analogues to each universe, but there is a lot of freedom to maneuver as you wish when incorporating identities in original fantasy. And of course, multiple sensitivity readers are a must! Wishing you the best for the project.

- Mod Mimi

#asks #multiracial #multicultural #south asian #sri lankan #senegalese #west african #identity #representation #worldbuilding #fantasy #mythology #folklore #fairies #deities #adoption #identity issues #mixed experiences #coding

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greenwitchcrafts · 4 months

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January 2024 Witch guide

Full Moon: January 25th

New moon: January 11th

Sabbats: None

January Wolf Moon

Known as: Bear Moon, Chaste Moon, Cold Moon, Disting Moon, Goose Moon, Moon of Little Winter, Moon of Strong Cold, Quiet Moon, Snow Moon, Stay at Home Moon, Sun Has Not Strength to Thaw Moon & When Snow Blows Like Spirits In The Wind Moon

Element: Air

Zodiac: Capricorn & Aquarius

Nature spirits: Brownies & Gnomes

Deities: Freya, Hera, Innana & Saraswati

Animals: Coyote & fox

Birds: Blue Jay & pheasant

Trees: Birch & Hazel

Herbs: Cones, holy thistle &marjoram

Flowers: Crocus & Snowdrop

Scents: Mimosa & musk

Stones: Chrysoprase, garnet, hematite, moonstone, onyx & jet

Colors: Black, blue-violet, grey, silver & white

Energy: Adventurous, ambitious, awareness, beauty, beginning & conceiving; business, career, conserving energy, energy below the surface, organization, political matters, potential, protection, recognition, reputation, reversing spells & spirituality

The name for the January full Moon is believed to have originated from Celtic and Old English roots, which European settlers then brought to the New World.

At one point, gray wolves were among the most widespread land mammals on our planet. According to the Wolf Conversation Center, gray wolves “inhabited most of the available land in the Northern Hemisphere.” Habitat destruction and persecution by humans have reduced their range by about a third worldwide and 90 percent in the lower 48 states.

The wolf’s adaptable nature to survive in a wide range of habitats and ability to prey on the largest mammals living in those regions made it widespread. Basically, if there are enough deer, moose, elk, caribou, bison, and musk ox, wolves can survive. Predation of domestic animals caused friction with European settlers and early Americans who aggressively hunted the wolves.

Werewolf myths can be found in ancient Greek and Roman societies, throughout European history and among some Native American tribes. In modern storytelling the transformation from man to wolf has been closely tied to the full Moon in films like “The Wolf Man” and “American Werewolf In London.”

Howl at the Moon means to waste energy pursuing something unattainable. It’s shorthand for doing something crazy. However, howling is hardly a waste of energy among wolf packs. And they aren’t howling at the Moon. The Moon just happens to be shining during times when wolves most often howl.

A wolf’s howl can be heard miles away. The vocalization helps wolves locate separated members and even communicate between packs marking their territories. One study recorded spontaneous howls and responses happen most often between 11 p.m. and 6 a.m.

The cry of wolves doesn’t play into the Sioux name for the January full Moon, which is known as “The Time When Wolves Run Together.” Wolves do plenty of running to defend territory that can stretch hundreds of square miles to find enough prey to support the pack.

Other Celebrations

• Hogmanay | January 1st: is the Scots word for the last day of the old year and is synonymous with the celebration of the New Year in the Scottish manner. It is normally followed by further celebration on the morning of New Year's Day (1 January) and, in some cases, 2 January—a Scottish bank holiday. In a few contexts, the word Hogmanay is used more loosely to describe the entire period consisting of the last few days of the old year and the first few days of the new year. For instance, not all events held under the banner of Edinburgh's Hogmanay take place on 31 December.

The origins of Hogmanay are unclear, but it may be derived from Norse and Gaelic observances of the winter solstice. Customs vary throughout Scotland and usually include gift-giving and visiting the homes of friends and neighbours, with particular attention given to the first-foot, the first guest of the new year.

• Compitalia/ Feast of Lades | January 3-5: was an annual festival in honor of the Lares Compitales, household deities of the crossroads, to whom sacrifices were offered at the places where two or more ways met.

Dionysius said that Servius Tullius founded the festival, which he describes as it was celebrated in his time. Dionysius relates that the sacrifices consisted of honey-cakes (Ancient Greek: πέλανοι) presented by the inhabitants of each house; and that the people who assisted as ministering servants at the festival were not free men, but slaves, because the Lares took pleasure in the service of slaves. He further adds that the Compitalia were celebrated a few days after the Saturnalia with great splendor, and that the slaves on this occasion had full liberty to do as they pleased.

During the celebration of the festival, each family placed the statue of the underworld goddess Mania at the door of their house. They also hung up at their doors figures of wool representing men and women, accompanying them with humble requests that the Lares and Mania would be contented with those figures, and spare the people of the house

Sources:

Farmersalmanac.com

Llewellyn's Complete Book of Correspondences by Sandra Kines

A Witch's Book of Correspondences by Viktorija Briggs

Llewellyn's 2023 magical almanac: practical magic for everyday living

Wikipedia

Encyclopedia Britannica

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thelandboundseawitch · 5 months

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🐏Imbolc🐏

Imbolc, also known as Candlemas, or Brigid's Day, is a sabbat which celebrates the end of winter and the coming of spring. Groundhog's Day, a holiday celebrated in North America at this time, is very also celebrates the end of winter. The waking trees, softening and reviving Earth, and the return of the goddess. Imbolc starts on February 1st and lasts until sunset the next day.

Activities

Candle-making

Spring Cleaning

Create a Brigid Cross with straw

Plan your spring garden

Bake bread

Make potpourri

Make corn dollies

Make herbal tea

Take a hot bath

Making flower crowns or floral wreaths

Altar Decorations

White Candles

Brigid Cross

Corn Dollies

Flowers

Seeds and bulbs

Bread

Sheep and Lambs

Goddess Statues

Animals

Deer

Groundhog

Bear

Lamb

Ewe

Swan

Colors

White

Pale Green

Pale Pink

Pale Yellow

Lavender

Pale Brown

Crystals

Amethyst

Garnet

Onyx

Ruby

Turquoise

Bloodstone

Calcite

Moonstone

Deities

Bridgid

Gaia

Aphrodite

Venus

Hestia

Cupid

Eros

Flowers

Lavender

Chamomile

Daffodil

Crocus

Iris

Snowdrop

Food

Grains

Oats

Herbal Teas

Nuts

Bread

Potatoes

Seed

Honey

Milk

Cheese

White Meat

Raisins

Spice Cake

Incense and Oils

Frankincense

Jasmine

Myrrh

Rosemary

Basil

Wisteria

Vanilla

Lotus

Plants & Herbs

Angelica (Wild Celery)

Basil

Bay Laurel(Bay Leaf)

Rosemary

Cinnamon

Hay / Straw

Willow

Birch

Juniper

Spells and Rituals

Imbolc is the perfect time to cast spells, especially ones related to new beginnings, fertility, and the hearth. Spells regarding birth and rebirth are also seasonally appropriate due to many animals giving birth at this time of the year.

Final Notes

According to an old english folk tradition, if the weather is fine and clear on Candlemas, then cold and stormy weather will reign for the remaining weeks of winter. And bad weather at the beginning of February is a harbinger of a milder winter, and an early thaw.

There are different meanings for what Imbolc means, some say it means “In the belly” because of herding animals being pregnant. But historically Imbolc comes from the Gaelic word “Oimelc” which means “ewes milk”, because some animals have just given birth.

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hiddenhearthwitch · 2 months

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📚 Small Intro To Polytheism📚

One of the most frequent asks I receive is how and where to get started when it comes to polytheism. This is a fairly broad subject and I’ll try to be as general as I can for advice but I will include specific references for Norse polytheists as that’s my shit. This information can be used to help you find a pantheon or to help you pick deities to work with it. If you’d like to use it to pick a patron deity that’s super, if you want to worship 20 gods and not have a patron deity that’s cool too. You do you dude. Please keep in mind this is all reflective of my research and personal practice. 🌻

Picking A Pantheon/Deity

This really boils down to personal preference. You’ll read a lot of posts and books that tell you many different ways and it’s entirely up to you because it is your practice. That being said, there’s a couple of different ways to go about it.

Research! This is one of my favorite ways to delve in. There’s absolutely nothing wrong with reading the stories of multiple pantheons and picking on that calls to you. You can also talk to other devotees and see what they have to say about deities and their religions. It is important to keep in mind that some religions are closed so please do proper research!

For example, I wasn’t originally a Norse pagan. I read some stories and thought the Hellenic pantheon would best suit me. I reached out to Eros for a while but after feeling no real connection to the pantheon I continued my research! After reading up on the Norse pantheon I decided to reach out to them out. Obviously, I fucking loved it because here I am. Point being, you can pick a pantheon based on research and not some divine message or whatever. You are also more than welcome to try out a religion, decide it doesn’t suit you, and move on.

Divination! You can use runes, a pendulum, tarot, etc.This can go a few different ways. You can write pantheon/deity names on separate pieces of paper, mix them up, and place them face down then ask the pendulum to pick. You can assign a deity/pantheon to each suit of cards or major arcana card or even do the same thing with runes.

For example, this is how I found a devotion to Frigg and Hel. I asked if there were any deities who were interested in working with me and pulled the runes Hagalaz and Berkana which read as Hel and Frigg to me. I followed up with tarot cards and pulled Death(Hel) plus the Queen of Pentacles(Frigg).

Asking/waiting for a sign. This isn’t something I’ve personally done so I don’t have much to say on the subject. You can go about meditating, praying, doing a ritual, or whatever and essentially wait for a sign after. It can come via a dream, something you experience, symbols you see in your daily life, it’s pretty much up to your intuition to decipher it. If anyone has information they’d like me to add in here please let me know!

If there’s a god you’re curious about and don’t want to do any of the above it’s totally cool to just reach out and ask if they want to work with you.

Idk How To Research

Same, tbh my keyword search game is weak. Anyways, good portion of us are looking up dead religions with little reliable resources. To give those curious about the Norse an easy head start here’s a compiled list of books by yours truly(click me!!) . It’s important to take everything with a grain a salt of salt when doing research. In my experience a lot of the retold Norse sagas have been Christianized or written under heavy Wiccan influences. It’s a good idea to do research on the author before reading one of their books.

Other blogs! There are tons of great witches and pagans on tumblr that have information waiting for you. 💗 You can search their blog/tags for good references for books, websites, podcasts, etc. Plus lots of blogs are open to answer asks. If you don’t know where to start for searching it’s best to try things based around your interest like: “norse polytheist”, “hellenic witch”, “gaelic polytheism”, etc.

Media! How lucky are we that we live in the age of technology? Knowledge is right at our fingertips! There are countless documentaries, podcasts, and audiobooks on youtube full of information for different cultures and religions. I’d personally recommend almost anything by BBC, Myths & Legends, and World Mythology!

Books! I love starting on goodreads to find good books and trust worthy authors. They’ve had almost every book I looked up with bunches of different reviews so you can get varying perspectives. Check out your local library as well! A lot of city libraries have online databases now of all of their books so you can “check it out” online and read the PDF(personal fave).

Feeling Lost Still?

That’s completely reasonable and your feelings are more than valid. It can be overwhelming and lot of information to soak up. Just do your best and take it at your own pace, there’s no rush to find a deity or pantheon. 💞 Below are a few other general concerns I hear a lot that I was hoping to address.

“I’m leaving a monotheistic(Christian, Catholic, Jewish, etc) religion and it’s giving me anxiety.” This is entirely common and almost expected in my opinion. I was raised Roman Catholic and my first year to two looking into polytheism riddled me with anxiety. I was constantly concerned that god would smite me down or I’d face an eternity in hell for worshiping false gods. While I can’t speak for everyone that fear was entirely erased for me when I found my gods. I’ve never felt so safe and strong and hopefully with time you can find the same in your gods!

It’s okay to want to learn more or to seek something more. I can’t tell you how to handle your anxiety but please know you’re not alone in that fear. There’s whole communities out there willing to support you and help you find your safe space(including me)!

“What’s UPG?” You’ll see a lot of posts, mine included, that mention UPG - UPG is Unverified Personal Gnosis. This is essentially someone’s personal thoughts and beliefs about a deity. For example, I associate Sif with hazelnuts. There’s nothing in the lore or any book that says that she likes hazelnuts; that’s just a personal opinion(aka a UPG).

“How do I reach out to the gods?” I have a lot of information on my blog about this topic although a lot of it is Norse specific. You can check out my beginner polytheist tag here and my beginner norse post/ask here.

Altar! This is my go to typically. Altars aren’t limited to the cookie cutter image that comes to mind(no hate though I have a few); one thing you can make a side blog dedicated to your pantheon/deity, make a small one in a tin can, or even make one in a video game like Minecraft or some shit. You can be as creative or as to the book as you want. It’s up to you.

Prayer! You can totally just sit down and be like, “Hey man wanna work on some shit together?”. While I’m not 100% that all gods would be down with you being that casual it’s still something you can try.😂 You can reach out to them by sitting down in a quiet space and meditating into prayer, praying in the car or in the shower, or just pray at the altar you set up if you did. Again, I can not reiterate this enough, it’s your practice, reach out to them as you please.

Do something personal! This is more like devotional work in my opinion. Let’s say you knit and you want to reach out to a creative or domestic deity, you can knit something as a devotional act to them and as a way to reach out. For example I pick up litter in honor of the Vanir and Jörð, or I play Skyrim for Thor and Týr.

Most importantly just be honest and up front with the god that you’re reaching out too. Considering that statement be honest with yourself as well. There’s no point going into a relationship with a god if you can’t be upfront, it’ll end up in nothing but grief.

“Can deities reach out through gods/signs?” They totally can. However, it is up to you and your intuition if a deity has and it’s not likely another witch will decipher that for you. Sounds, experiences, images, all have different meanings to each of us - they may show you something that’s very personal to you but would be mundane to someone else. Trust your instincts. However, please remember that not everything is magical, sometimes a raven is just a raven and not Odin.

✨Take everything you learn with a grain of salt. Including this post.✨

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#my posts #witchblr #beginner witch #witch community #pagan tips #norse paganism #norse pagan #beginner pagan #paganism #heathenry #witch tips

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alpaca-clouds · 7 months

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Divine Bloodlines

Alright. I need to get this one idea out of my system as well. Because I cannot help but wonder... Richter's Theme is called Divine Bloodlines. Which, yeah, fair. Within the context of the games this is just very much a "yeah, the Belmont bloodline is super special". And was the anime worldbuilding the same as the game worldbuilding I would not have put a second thought on this. But... it is not.

In Nocturne we now clearly establish that there is actually such a thing as divine bloodlines. Annette has the blood of a god. Heck, it might well be a theme for this series now, given that Erzsebet has drunken from a goddess and there is a good chance the same might be true for Olrox. And this makes me think: What about the Belmont bloodline?

Like, is there a posibility that they actually also have a divine ancestor? Given they originate from France the ancestor might be a gaulic or brittanic deity. Though I am perfectly honest with you: Those are the celtic gods I know little about. Like, I know stuff about Anglo-Saxon deities, gaelic ones and those from Welsh. But the French ones? Yeah, I know very little about outside that due to the Roman contact they kinda got merged with a lot of Roman gods. And I also know that they still had a lot of animal gods and also a ton of gods associated with the crafts.

Nodens is a god associated with both healing and hunting, so that might be a possible fit. But there are also a ton of local protector deities.

It is just such a weird little thing, though.

One thing I am almost certain off: Annette is gonna teach Richter to enter the Ancestoral plane and we get to see some other Belmonts.

#castlevania #castlevania netflix #castlevania nocturne #belmont family #richter belmont #divine bloodlines #celtic mythology #theory #fan theory

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wolverinesorcery · 1 year

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UNBLENDING CELTIC POLYTHEISTIC PRACTICES

Celtic Umbrella

This lesson is largely focusing on the insular Celtic nations & Brittany (Ireland/Eire, Scotland/Alba, Wales/Cymru, Cornwall/Kernow, Isle of Man/Mannin, & Brittany/Breizh) - traditionally regarded as 6 out of the 7 Celtic nations. Galicia/Galizia is the 7th, but because of a mix of the below + my own lack of knowledge, I won't be covering them.

The vast swath of Continental Celtic cultures are a different but equally complex topic thanks to extinction, revival, varying archaeological artefacts and the work of modern practioners to piece unknown parts back together.

This will serve as a quick 'n' dirty guide to the insular Celtic nations, Celtic as a label, blood percentages and ancestry, the whats and whys of "Celtic soup", and how to unblend practice.

The insular Celtic groups are split into two language groups: Brythonic languages and Gaelic languages.

Brythonic languages are Cymraeg/Welsh, Kernewek/Cornish, & Breton

Gaelic languages are Gàidhlig/Scottish, Gaeilge/Irish, & Gaelg/Manx.

The language split leads to certain folkloric and religious figures & elements being more common within the language group than without. All of these nations had historic cultural exchange and trade routes via the Celtic sea (and beyond). Despite this, it is still important to respect each as a home to distinct mythologies.

Pros/Cons of a broad Celtic umbrella

Pros

- Used within celtic nations to build solidarity - Relates to a set of cultures that have historic cultural exchange & broad shared experiences - A historic group category - Celtic nations’ culture is often protected under broad legislation that explicitly highlights its ‘Celtic-ness’.

Cons

- Can be used reductively (in academia & layman uses) - Often gives in to the dual threat of romanticisation/fetishisation & erasure - Conflates a lot of disparate practices under one banner - Can lead to centring ‘celtic american’ experiences. - Celtic as a broad ancestral category (along with associated symbols) has also been co-opted by white supremacist organisations.

In this I’m using ‘Celtic’ as a broad umbrella for the multiple pantheons! This isn’t ideal for specifics, but it is the fastest way to refer to the various pantheons of deities that’ll be referenced within this Q&A (& something that I use as a self identifier alongside Cornish).

What about blood % or ancestry?

A blood percentage or claimed Celtic ancestry is NOT a requirement to be a follower of any of the Celtic pantheons. The assumption that it does or is needed to disclose can feed easily into white supremacist narratives and rhetoric, along side the insidious implications that a white person in the USA with (perceived or real) Celtic ancestry is 'more celtic' than a person of colour living in a Celtic region (along with other romanticised notions of homogenously white cultures).

Along side this, a blood percentage or distant ancestry does not impart the culture and values of the Celtic region or it's recorded pagan practices by itself. Folk traditions are often passed down within families, but blood percentage is not a primary factor within this.

Connecting with ancestry is fine, good, and can be a fulfilling experience. It stops being beneficial when it leads to speaking over people with lived experiences & centres the USA-based published and authors - which can lead to blending/souping for reasons further on.

What is 'soup'?

Celtic soup is a semi-playful term coined by several polytheists (primarily aigeannagusacair on wordpress) to describe the phenomenon of conflating & combining all the separate pantheons and practices from the (mainly) insular Celtic nations into one singular practice - removing a lot of the regionalised folklore, associated mythos, & varying nuances of the nations that make up the soup.

Why does it happen?

The quick version of this is book trends and publishing meeting romanticisation and exotification of Celtic cultures (especially when mixed with pre-lapsarian views of the Nations). It's miles easier to sell a very generally titled book with a lot of Ireland and a little of everywhere else than it is to write, source and publish a separate book on each.

This is where centering American publishers and authors becomes an issue - the popular trend of USA-based pagan publications to conflate all celtic nations makes it hard to find information on, for example, Mannin practices because of the USA’s tendency to dominate media. Think of Llewellyn’s “Celtic Wisdom” series of books.

It has also been furthered by 'quick research guides'/TL;DR style posts based on the above (which have gained particular momentum on tumblr).

The things that have hindered the process in unblending/"de souping" is the difficulty in preserving independently published pamphlets/books from various nations (often more regionalised and immediately local than large, sweeping books generalising multiple practices) along with the difficulty of accessing historic resources via academic gatekeeping.

All of this has lead to a lack of awareness of the fact there is no, one, singular Celtic religion, practice or pantheon.

Why should I de-soup or unblend my practice?

Respecting the deities

It is, by and large, considered the bare minimum to understand and research a deity's origin and roots. The conflation of all insular Celtic deities under one singular unified pantheon can divorce them from their original cultures and contexts - the direct opposite to understanding and researching.

Folklore and myth surrounding various Celtic deities can be highly regionalised both in grounded reality and geomythically - these aren't interchangeable locations and are often highly symbolic within each nation.

Brú na Bóinne, an ancient burial mound in Ireland, as an entrance to the otherworld of the Tuatha Dé Danann.

Carn Kenidjack & the Gump as a central site of Cornish folk entities feasts and parties, including Christianised elements of Bucca’s mythology.

The Mabinogion includes specific locations in Wales as well as broad Kingdoms - it’s implied that Annwn is somewhere within the historic kingdom of Dyfed, & two otherworldly feasts take place in Harlech & Ynys Gwales.

Conflating all celtic pantheons under one banner often leads to the prioritisation of the Irish pantheon, meaning all of the less ‘popular’ or recorded deities are sidelined and often left unresearched (which can lead to sources & resources falling into obscurity and becoming difficult to access).

Respecting the deities

Deities, spirits, entities, myth & folklore are often culturally significant both historically and to modern day people (just average folks along with practitoners/pagans/polytheists and organisations) located in the various Nations

A primary example is the initiatory Bardic orders of Wales and Cornwall.

Desouping/Unblending makes folklorist's lives easier as well as casual research less difficult to parse. The general books are a helpful jumping off point but when they constitute the bulk of writing on various Celtic polytheisms, they become a hinderance and a harm in the research process.

A lot of mythology outside of deities & polytheisms is also a victim of ‘souping' and is equally as culturally significant - Arthurian mythology is a feature of both Welsh and Cornish culture but is often applied liberally as an English mythology & and English figure.

Celtic nations being blended into one homogenous group is an easy way to erase cultural differences and remove agency from the people living in celtic nations. Cornwall is already considered by a large majority of people to be just an English county, and many areas of Wales are being renamed in English for the ease of English tourists.

How can I de-soup?

Chase down your sources' sources, and look for even more sources

Check your sources critically. Do they conflate all pantheons as one? Do they apply a collective label (the celts/celts/celt/celtic people) to modern day Celtic nations? How far back in history do they claim to reach?

Research the author, are they dubious in more ways than one? Have they written blog articles you can access to understand more of their viewpoints? Where are they located?

Find the people the author cites within their work - it can be time consuming but incredibly rewarding and can also give a good hint at the author's biases and research depth. You may even find useful further reading!

Find primary sources (or as close too), or translations of the originating folklore, e.g The Mabinogion. Going to the source of a pantheon’s mythos and folklore can be helpful in discerning where soup begins in more recent books as well as gaining insight into deities' actions and relationships.

Ask lots of questions

Question every source! Question every person telling you things that don't define what pantheon or region they’re talking about! Write all your questions down and search for answers! Talk to other polytheists that follow specific Celtic pantheons, find where your practices naturally overlap and where they have been forced into one practice by authors!

Be honest with yourself

There’s no foul in spreading your worship over several pantheons that fall under the celtic umbrella! A lot of polytheists worship multiple pantheons! But be aware of the potential for soup, and make sure you’re not exclusively reading and working from/with sources that conflate all practices as one.

If you approach any Celtic polytheistic path with the attitude of blood percentage or 'ancestral right', stop and think critically about why you want to follow a Celtic polytheistic path. Is it because it's the most obviously 'open' path to follow? Is it a desire to experience what other folks experience? Being critical, turning inward, and really looking at yourself is important. Originally posted in the Raven's Keep discord server

#celtic polytheism #celtic paganism #celtic soup #celtic #celtic reconstructionism #celtic revivalism #celtic polytheist #celtic pagan #celtic religion

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talonabraxas · 2 months

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Bridget, Bright Goddess of the Gael Talon Abraxas

Brigid was a goddess of the Tuatha Dé Danann. She was a daughter of the chief of the gods, The Dagda, and was known as a goddess of healers, poets, smiths, childbirth and inspiration. Her name means "exalted one". This article by Branfionn NicGrioghair explores the story of Brigid and the later Christian Saint, St. Brigid, who is still honoured to this day, especially in Faughart, her birthplace, and Kildare, where she founded a monastery.

Brigid is the Daughter of the Dagda, one of the more universal deities of the pagan Gaelic world. She is known as the Goddess of Healers, Poets, Smiths, Childbirth and Inspiration; Goddess of Fire and Hearth and a patron of warfare or Briga. Her soldiers were called Brigands. Her name means "Exalted One." She is also known as Brigantia, Brid, Bride, Briginda, Brigdu, and Brigit. She is said to lean over every cradle. The lore and customs have continued to this day regarding Brighid, more vividly than all the other Gaelic deities combined.

In the middle ages, Brigid is in many stories. In one she is the wife of Bres, the half-Fomorian ruler of the Tuatha Dé Danann. Their son, Ruadan, wounded the smith god Giobhniu at the second battle of Magh Tuireadh but he himself was slain in the combat. Brigid then went to the battlefield to mourn her son. This was said to be the first caoine (keening), or lament, heard in Ireland. Until recent time, it was a tradition to hire women to caoine at every graveside. In another story, Brighid was the wife of Tuireann and had three sons: Brian, Iuchar and Ircharba. In the tale, The Sons of Tuirean, these three killed the god Cian, father of Lugh Lámhfhada when he was in the form of a pig.

She was transformed by the Church of St. Brigid into St. Brigid about 453 C.E. Saint Brighid is known as the patroness of farm work and cattle, and protector of the household from fire and calamity. To this day, one of her most common names in Gaelic is Muime Chriosd, "Foster-Mother of Christ." St. Brigid was said to be the daughter of Dubthach, a Druid who brought her from Ireland to be raised on the Isle of Iona, sometimes called "The Druid's Isle."

By Branfionn NicGrioghair

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oracleishdiviner · 2 years

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Are there good materials on he Etruscan religion, myths and civilization in English?

As basic as it sounds, in Italian you will find a lot of books and material if you know the language and want to study more (I have yet to purchase said books and research about the authors)

Also: I'm going to look if I can find very specific books about the very specific tribes that were on my territory before the Romans came, wish me good luck!

#etruscan #spirituality #witchblr #witch community #paganblr #polytheism #deity work #witches of tumblr #gaelic polytheism #cultures #languages #traditions #mythology books

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blackcrowing · 1 year

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Important Facts about Bealtaine from an Irish Celtic Reconstructionist

Spelling and Pronunciation

OI. Bealtaine (Bell-tin-Na) has more recently been written as I. Beltaine or Anglicized Beltane (Bell-tain). In the Cormac Glossary it is said to derive from the deity Bel and OI. 'Tene' meaning fire.

Dates

Most Reconstructionists celebrate Bealtaine on April 30th-May 1st, sundown to sundown. Iron age Irish (and other Celts) structured their days from sunset to sunset so while we now track this time as stretching over two days, they would have seen this period as one single day, being the first day of the month of May by the Gregorian calendar. Some Reconsructionists might prefer to celebrate by the Julian calendar which would place this holiday on May 13th-14th (by the Gregorian calendar), still of course from sundown to sundown. In the most traditional sense this holiday would have been celebrated when the livestock was moved from the winter grazing fields out to the summer grazing fields.

Importance in Mythos

Most mythological reference to this holiday comes in the form of the movement of peoples or invasions of peoples.

The mythological invasion of Partholon and his people occurred on Bealtaine and the plague that wiped them out also began on that date and lasted a week. The Tuath De Danann are said to have arrived on the island on Bealtine as well and lastly the Sons of Mil are said to have invaded on this date also (Macalister, 1940).

In later times when Christianity had made its mythologies the way of the land and the old deities were moved to the status of Fae this idea of movement and invasion seems to have persisted. Traditions hold that this date is a dangerous time for mortals as the aes sídhe are moving amongst the daoine sí and may stop by unsuspecting homes to ask for butter or perhaps some water, but if this request is granted they will steal the homes luck for the year.

I will make a note here that while the Cormac Glossary notes the deity Bel there is no Celtic/Gaelic deity of this name (though there is a Mesopotamian one) and this seems to cause a lot of confusion, especially when it comes to Wiccancentic ideas and articles. Cormac was likely referring to the Celtic/Gaelic deity Belenus NOT the Mesopotamian Bel. Belenus/Belenos was associated with the sun and healing and during the Gallo-Roman period was often noted to be the Gaelic Apollo. There is evidence to suggest that Belenus/Belenos was known throughout the Celtic/Gaelic world, though we don't have any specific information about how prominently he was worshiped in Ireland itself it is relatively safe to assume that the Iron age Irish would have known who he was.

Celebration Traditions

Like on Samhain, at the opposing 'end' of the year livestock were transitioned from one grazing area to another. While on Samhain, when the 'dark' half of the year begins and the livestock are moved in from summer grazing to winter grazing, Bealtaine is the opposite. It begins the 'light' half of the year and livestock are moved from the winter grazing out to the summer pastures. At both holidays to ensure healthy animals and protect them from any malicious factors great bonfires were built (most notably on the hill of Uisneach) and livestock would be driven between them.

There seems to be a traditional emphasis on the protection of homes, barns, livestock, peoples, and crops. Generally this seems to be a time when warding against ill luck for the community became a focus. Yellow, specifically yellow flowers (primrose, gorse or hawthorn blossoms), appear to have played a role in this as they have been used to decorate, but when exactly this tradition originated is unknown. The healing wells of Ireland and specifically the dew on the morning of Bealtaine have been thought to be important. Some traditions hold that the dew, when washed with will bring beauty, while others think if drank by the milk cows it would cause them to produce more, but again the origins of these traditions are relatively unknown.

Interesting History to take into Consideration

Given Bealtines long lasting history in Irish mythological tradition of being associated with mass movements of peoples and a need to protect ones family and community in this tumultuous time it is -possible- these ideas persist due to the movements (and possibly famines or plagues) during the "Megadrought" of the Bronze age (1250-1100 BCE). Most studies have focused on the effects of the Mediterranean at this time, but it is reasonable to assume the ripples of effects could have been felt strongly enough in Ireland to leave a lasting impression, especially since it is not outlandish to assume that people fleeing the Mediterranean area, which was no longer able to adequately sustain them, may have fled to the more temperate British Isles and passed on their trauma through oral tradition. This could possibly be backed up by looking at the etymology of 'Bel' not as referencing Beleus/Beleos but as referencing the Irish Balor (or perhaps they are different aspects of the same figure) who embodies not the life sustaining properties of the sun but the deadly and destructive ones. Balor balcbéimnech, 'Balor the strong smiter,' Balor birugerc, ' Balor of the piercing eye,' Balor mae Doit meic Néid, 'Balor son of Dot son of Néit.'

This is obviously only my personal opinion and can be taken or dismissed as one likes.

#celtic mythology #celtic reconstructionism #celtic paganism #celtic reconstructionist #celtic #Irish #irish mythology #irish reconstructionist #irish reconstructionism #irish paganism #beltaine #Bealtaine #Beltane #festival #fire festival #blackcrowing

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