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#god there is so much wrong with me
bones-of-a-rabbit · 2 years
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pov ur nervous abt ur new job but feel a little better when u think ur coworkers will be nice and friendly but then they aren’t and it sends u on a downward spiral bc ur just quirky like that
A retelling of ‘oh my god. You hated me. You’ve hated me this whole time.’, taken in a DIFFERENT mental-illnesses-go-brrr direction! Continued below the cut,
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Haha yikessss! That’s cringy! I’m surprised you’ve scrolled down this far! Mostly I’ve been hoping people would see the first bit of this post and go ‘oh hell nah’ and pretend like it didn’t just plague their innocent mind with the knowledge that self insert cringe of this level still exists! So congrats! I’ve committed many crimes and you’re here to witness them
To answer some question you might have:
Who is that???: SURPRISE IT’S NOT VANNY!!! that is Babbit! Or Rabbit, or Bones, whichever you prefer. It’s a self insert of me!
Why are they a rabbit one second then a person the next?? Are those even supposed to be the same character??: Yes, they are the same person, just drawn in different ways! Why they change is a little more difficult to explain bc it,, depends, honestly sjdhdjd. A lot of the time, the rabbit is like,, an inner version, the more honest and vulnerable version of Rabbit, the ‘you’ that YOU see in your own mind. The regular human version is, normally, what the world sees, the actual, physical person that is Rabbit.
But why tho: Idk I just like weird stupid metaphors and weird wonky character designs!
What’s happening??: Rabbit has a job at the daycare! Rabbit is an anxious, stressed out and socially inept person who worries a lot about what other people think! Sun and Moon dislike them, bc this was inspired by some of those AUs where Sun and Moon are just mean for no good reason LMAO. Rabbit is crushed by this bc they thought Sun and Moon, who are PROGRAMMED and DESIGNED to be likeable and friendly and caring, would HAVE to like them!! It’s their job! It’s what they’re supposed to do! It’s what they’re built for: to like people and to be liked by people! To be disliked by them means there is something so fundamentally and ineffably wrong with them that it breaks the laws of physics- at least in Rabbit’s mind. Before they could disregard everyone who disliked them as people being people and them just having a disliked personality! But to be disliked by something designed to like people? Holy mothballs, bat man, you must be REAL KINDS of fucked up!
They think there is something so wrong with them that even the ones who like everyone do not like them, and it is THEIR FAULT that they are disliked, not anyone else’s- not even Sun and Moon’s. But that doesn’t mean it doesn’t hurt. And it hurts more when Sun and Moon fake being kind and friendly under a heavy layer of passive aggression. So, at the end of their rope and believing there is nothing that can be done to help them or fix their situation, they start to loathe Sun and Moon and start to lash out at them whenever feeling especially slighted. Is this reasonable? No! Does it make them feel better? Absolutely not!!! Do Sun and Moon deserve it??? No not really!!! And the farther it goes the more Rabbit let’s themselves sink into being as bitter and hurtful as they always tried so hard not to be. And it’s not anyone’s job to fix them but theirselves. But right now, for the first time in a long time, they really don’t want to.
Does Rabbit actually just need a hug and a warm blanket???? Idk probably!!!!
This is a self insert????: Yup!
So this is based off you??: Unfortunately!
Does that mean-: haha!!!!!!!!! Don’t worry about it!!!!!! :) Next question!
Most people’s fantasies are about their faves liking them, yknow: Haha yeah!
Why did you even make this: I’m going to pretend like I’m not just completely nuts and say, it helps me process my feelings and also ✨catharsis✨
Do you want to talk: HAHA no definitely not this is embarrassing enough as is!!!!!!
U good?: Yes actually! Just weird! Sorry sjdgdjshdnvdndbdhd
Why are you sharing this: idk tbh maybe validation on some weird fucked up level lmao
Anyway thank u for ur time and I apologize for the death of so many of ur brain cells. Idk why ur still here but holy shit man idk if I should be proud of u or scared of u. I’m mentally giving u a gold ribbon tho congrats on,, reading this abomination of a post ig
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stoopidstapler · 9 months
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SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.
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p4nishers · 7 months
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i cant get over the ball being so CLEARLY all for crowley i can't get over aziraphale trying to woo him with a WHOLE FUCKING BALL because that's what he knows that's what romance IS for him because he's been wanting to dance with crowley ever since dancing was invented and he's so stuck in time with the way he dresses and talks and he still thinks a dance is the high of romance AND HE MADE A WHOLE ENTIRE FUCKING BALL FOR CROWLEY JUST SO HE COULD DANCE WITH HIM like now it's so fucking obvious he gave away his BOOKS without a second thought and it was all for crowley he organised a whole JANE AUSTEN THEME BALL just so he could have an excuse to finally dance with the love of his life and i can't get over this i'm shaking my fists and pacing up and down he did not give a single fuck about anything other than dancing with crowley and HE BARELY TOUCHED OTHER PEOPLE'S HANDS WHILE HIS WHOLE FUCKING PALM WAS PRESSED TO CROWLEY'S AND i need to lie down
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clouvu · 10 days
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Nothing in the world belongs to me But my love, mine, all mine
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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echoesofcamelot · 1 year
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Friendly reminder that this conversation takes place in 01x03:
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Note:
The ambiguity of his response to Morgana.
His choice of words. The right person to love. Not woman. Person.
And then, only one (1) episode later:
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He didn’t even hesitate.
It seems he had, in fact, found the right person to love.
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momentomori24 · 3 months
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THEY ARE SO INSUFFERABLE AND HORRIFIC AND AWFUL BUT SO AMAZING AND DORKY AND THIS PART IS SO UNFAIRLY FUNNY AND CUTE AND WHOLESOME-- PLEASE, PLEASE HAVE MORE SCREENTIME IN S2. PLEASE LET THEM TAKE OVER THE SHOW. I KNOW THEY'RE HORRIBLE PEOPLE BUT I NEED MORE OF THE VEES.
And the most important scene of them all (to me):
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First of all, how is Vox doing that. Second, you just know that these two douchebags are going to bang so hard with Alastor getting his ass kicked replaying in the background after this. I hate them so much.
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scootkiddo · 1 year
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it shouldn’t be glossed over just how empathetic Joel is. he expressed empathy towards Ellie given her dire case of being a child within the confines of a cruel, unforgiving-apocalyptic world that supplants what should have been a habitual childhood for her. he offered an apology for scolding Henry and calling him a rat without initially reconciling the benign intentions behind his actions. he pleaded for the elderly sniper on the outskirts of kansas city to put down the rifle so he didn’t have to kill him. it all accentuates just how against his nature he must be to survive in this world. he can’t always spare people, he can’t always shed sympathy. but he wishes he could, and even on occasion tries. it’s the very context he once stooped to the level of the hunters in his past that makes this point pang all the more. he isn’t apathetic. he isn’t exclusively selfish. he isn’t rigid. he is open-ended. Joel is more than a hammer that sees all problems as a nail to be forcefully struck without finesse. He values compassion and preserving life, and any ultimatum that cements the opposite only elicits a last resort of violence and numbness. the silver lining is more desirable than conforming to cruelty
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poorly-drawn-mdzs · 7 months
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There is a platonic explanation for all this. Right?
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julijbee · 2 months
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girlbossing too close to the sun.
#art#ive literally just been treating this game as a library simuator#i walk from bookseller to bookseller opening up all of their books#vivecs sermons are either a highlight or the point at which i stop reading#ive been trying to convince the ordinators that imitation is the highest form of flattery but it hasnt been working#let me wear your helmets please theyre so funny..#posting morrowind in 2024 isnt a cry for help but youre not wrong to be concerned.#morrowind#almalexia#vivec#im going to explain the chitin armor give me a moment#so the bonewalker nerevar on the shrines is adorable and it was only after drawing it however many times that i realized#it looked relatively close to a modified chitin armor#and so i modified chitin armor a few times and this was probably the cutest result#i also know i drew almalexia relatively pristine and untouched by years and vivec not so much but my thought process was#vivecs role as if not a favorite then the most accessible divine or the most “hands on” in a manner of speaking#acting in ways visible to the general population or actions explicitly brought to their attention#like not that almalexia isnt doing anything she is#but the dissemination of information regarding that is very different etc etc etc#anyways to a certain extent a god is the face on a shrine or in art or upon a statue or carving#but vivecs presence is interwoven with the geography of vvardenfell especially and his actions and writings with pubished materials#and the arts and culture and customs etc etc etc#so to me the face of a god you know and feel a commonality with or a god that walks alongside you is a face you would recognize#and vivec is already otherworldly looking enough#the simple mark of the years on his skin in some way grounding him in reality felt more right#that and i think the ways in which he and almalexia care about outward appearance are slightly different- they prioritize different things#and the ways they present outward power and their embodiment of their respective attributes share some similarities as they both have that#important preoccupation with physical power and physical strength to a certain degree#oh my god nobody read this i am yapping so bad.#tes
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world's most annoying man is not allowed outside due to his inability to shut up
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benisasoftboi · 7 months
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I am so happy with the conclusion of BBC Ghosts.
There were so many things I loved about the final series that I can't even keep it all straight in my brain, I'll have to rewatch it all (and the Christmas special, of course! Must remember it's the not the true end yet!)
But something I can immediately say I loved was what they didn't do. See, that line in the trailer that turned out to be from episode 5 - about there being a pattern to when they move on - worried me. One of the best things about the show, to me, is how there truly is not any reason at all to why the ghosts are there, or when they go. It's something the creators have said over and over, and that the show has always backed up; we saw so many times that, unlike in most ghost media, addressing unfinished business or achieving emotional resolution changes absolutely nothing. Pat hit some sort of emotional resolution three times. And Julian realised the importance of family, and Robin saved someone’s life, and Thomas discovered the truth of his death, and so on and so on. Finding closure isn't the end, and equally, the end isn't predicated by a climatic conclusion. It just happens. And the same is true for why people become ghosts. It just happens. And you exist, and fill your days, and then you’re gone. And no one knows why.
It's kind of the most agnostic television show I've ever seen.
I love that. Every other afterlife show I've ever seen has some kind of reward and punishment system. Or at least says that there's a reason for things, some kind of higher power at play, not necessarily a god but something like it. Even the American adaptation felt the need to bring Hell into it, which is why I need to specify that I'm only talking about the British version here. And I feel like a lot of fans wanted there to be reasons too, or felt like there simply had to be, that it wasn't even a question. I get why - it's not just because it's the standard for ghost narratives. It's really uncomfortable to think about the randomness of life and death. But Mary didn't go because of anything that happened before that day, and Cap was never going to go because he came out, and one day, when they've all gone, there won't have been a reason for it.
Because the real point of BBC Ghosts is that there is no point. You’ve just got to make it through the days, surrounded by people that irritate you, trapped in a confusing world where you’re mostly powerless. And it sucks, and you're angry, and sad, and bored as hell. And you also find happiness in the mundane chaos, and you get really good at chess, and watch the ants in the garden, and write bad poetry, and read terrible romance novels, and gamble money you don't have, and go camping, and play games, and learn French, and watch reality TV, and have sex with a decapitated Tudor nobleman’s body, and dance to old music, and look at the stars, and find that you actually really love all those annoying people after all, and that’s the point.
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lgbtlunaverse · 7 months
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The thing that really gets me about xiyao. that will never NOT get me about xiyao. Is that they met in circumstances where for just a moment their respective stations in society didn't matter. Not to each other. Their relationship started outside of social conventions. And they spend the next 17 years trying to preserve that time, that relationship outside of society. And society crept in anyway.
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seagull-scribbles · 9 months
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“Ain’t turtles supposed to be endangered?”
“Only the ones who can’t do this!”
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canisalbus · 2 months
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Imagine if Machete was Muslim instead of Catholic. His name would be something like Saif سيف, and Vasco would probably be something like Dhahabi ذَهَبِيّ
.
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fauna-and-floraa · 7 months
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Fav skz moments // Felix's Fruits™
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