AU where Mr. D claiming to be Percy’s dad accidentally counts as Claiming according to Greek god law or whatever and now all the other gods legitimacy believe Percy is his son, but if Mr. D corrects it, he has to explain to Zeus why he pretended he was Percy’s dad so now he’s like “YEP ol’ Perry Johansson is MY child wowie just look at the little fry, you have your mother’s eyes. Please stop standing next to water or you will blow my cover”
Meanwhile Poseidon is just standing off to the side like “how on earth did I dodge THAT bullet”
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Halsin- Archdruid of the Emerald Grove
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ALT
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i think a lot about exactly 1 thing from the roman empire: the concept of bread and circus. the idea was that if your population was fed and entertained, they wouldn't revolt. you are asking us to give up our one small life, is the thing - for under 15 dollars an hour.
what would that buy, even. i am trading weekends and late nights and my back health. i am trading slow mornings and long walks and cortisol levels. i am trading sleep and silence and peace. for ... this. for what barely-covers-rent.
life really is more expensive right now. you aren't making that up. i make almost 3 times what i did 5 years ago, and despite an incredibly equal series of bills - i am still struggling. the most expensive line item i added was to own a dog. the money is just evaporating.
we were okay with it because it's a cost-benefit analysis. i could handle the customer harassment and standing all day and the manager's constantly changing temperament - i was coming home to hope, and my life planned in a blue envelope. three hours would buy me my dog's food for a month. i can give up three hours for him, for his shiny coat and wide, happy mouth. three days could be a new mattress, if i was thrifty. if i really scrimped and saved, we could maybe afford a trip into the city.
recently i cried in the car about the price of groceries.
business majors will be mad at me, but my most inflammatory opinion is that people should never be valued at the same place as products. your staff should not be a series of numbers in an excel sheet that you can just "replace" whenever you need something at that moment. your staff should be people, end of sentence.
it feels like someone somewhere is playing a very bad video game. like my life is a toy. like someone opened an app on their phone and hired me in diner dash ultra. they don't need to pay me well or treat me alright - they can always just show me the door. there is always someone more desperate, always someone more willing.
but i go to work and know i could save for years and not afford housing. i am never going to own my own home, most likely. i have no idea how to afford her ring, much less the wedding. my dog doesn't have his own yard. everything i love is on subscription. if i lose my job, i have no "nest egg" to catch my falling.
this thin life - they want me to give up summer for it. to open my mouth and throat and swallow the horrible hours and counted keystrokes. they want me to give up mountains and any non-federal holiday. to give up snow days. to give up talking to my mom whenever i want. to give up visiting the ocean and hearing the waves.
bread and circus worked for a while, actually. it was the kind of plan that would probably now be denounced by republicans as socialist commie liberal pronoun bullshit.
but sometimes i wonder if we should point them to the part of the history book that says: it worked until it didn't.
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(ID in Alt Text)
A while ago I was invited to contribute to the Form the Ashes ATLA fan Zine for @recovery-zine!
I got to illustrate this double spread! (which was terrifying, thank you)
Pretty sure this is where the thought "Jee survived the north" began to form for me! The theme was about the war ending, peace settling and people getting to come home and reunite with loved ones.
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going through my old journals as part of therapy homework and i'm reading a section written in the emotional wreckage of a full-on breakdown when i get hit with this line:
There is never a satisfying answer to ‘Why didn’t they love me?’
like wow babe. good fucking point
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i’m going to throw the fuck yp WHOOOOOO made this WHY is it in my break room im losing my mind
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couple more of the pokemon crossover! Mightyena for Ruggie (someone suggested a shiny because of the colors, which I did originally do...but I ended up liking the look of the darker colors with him better? all the browns were like...TOO much somehow) and Rockruff + Maractus for Jack (ultimately went with Maractus over Cacnea because I feel like it's a more decorative plant-type cactus, but I also kind of want Jack to just have a very round pokemon. the decisions -- the decisions are just too hard sometimes 😭)
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Neil behind the camera all day tomorrow
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It drives me a little spinny when I see people posting “Why Aziraphale doesn’t just keep his books at home if he doesn’t want to sell them” because it seems to me to so clearly be a riff on real life antiquarian bookshops?
I worked in a used and rare book shop for five years, and have frequented them since I was young, and Aziraphale is like, a type of guy who just exists. An older fellow who refuses to keep his books in any sort of order, neglects to write prices in, opens at wildly varying hours, and by all accounts does not seem to want to be in business at all. The answer I found, by the end, was because many of them were doing it as a sort of retirement hobby. They made enough money to keep the lights on and to buy new rare books to look at.
I swear to you: nobody in the book business would bat an eye at Aziraphale. Especially if his shop had been there for generations. They would assume that the occasional loose encyclopedia plate sale would be enough to make rent, or that Mr. Fell had business and land holdings elsewhere.
And I assume that though he doesn’t want to sell them, he would LOVE a curious browser. Antiquarian vendors often adore it when you ask how to find a rare book, because the thrill of the hunt is often better than actually owning the volume. Anyone can have a private library, but owning a quaint little bookshop is a saucy way to brag and chat with other book lovers, and you can’t put that on your shelf at home.
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It saddens me that Helen of SPARTA is mostly known as Helen of TROY. As if she wasn't born, raised, and most likely, died in Sparta. Yes, she was of TROY for a while...But she was able to go back home to where she WANTED TO BE.
(Edit: Hating on Menelaus is illegal)
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Crowley: *look how evilly I demoned!*
goats: *I can flyyy, wheee!*
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early days in the Garden… i love thinking about Aziraphale at peak cute and naïve cherub :^]
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The Stand-in Job
Danny loved his job. It was an easy on call job he got rather on accident. But it paid well and gave him enough time to deal with ghost matters outside of scheduled work hours.
Though now he got stuck in a situation his Boss had not provided him with a script and or explanation how to behave for.
Danny was a simple Stand-in. Sort of like a Stuntman kind of job. His boss was paying him to simple take his place during public appearances, or meetings with no big decision he has to sit through just to listen. Or on the easiest of days, to just sit in his boss office so it appears that someone is there while his boss was doing who knows what. Danny doesn't question, that's why his boss liked him.
But again, no where in his contract was described how he was supposed to handle this situation. So now he was stuck having beat up a couple of wannabe kidnappers and some vigilantes talking to him all casually going on and on how 'Tim', his boss, wasn't supposed to do that to not risk his public image. Should he record this as evidence for his Boss? It sounded like these vigilantes were spilling some of his boss' secrets that shouldn't be known to the public.
Tim just needed someone to sit in his place to make it appear like he was there when he had cases to work through. Danny was the perfect hire for it and Tim liked very much that Danny doesn't ask questions, like he understood. Yet when Danny sent him a text questioning how he should behave as Stand-in in front of Gotham's vigilantes.... Tim wasn't sure if he should feel offended or highly amused about his siblings not realizing that the one kidnapped in public hadn't been Tim but his Stand-in Danny.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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hey. dont cry. 1 million autisms on earth ok?
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