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autisticethanmorgan · 1 year

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How I would continue mbav in comic form

disney, teletoon, fresh tv, whoever the fuck owns the rights to this, please let me have them

LONG ASS POST WARNING

we are past the days of any further mbav television content, but you know what has a much lower production cost and would fill a specific niche? a comic/graphic novel continuation >:) Teen rating because pretty much anyone who was the target audience of mbav when it was airing is late teen or older and I want the characters actions to have more consequence, basically i want to injure my protagonists

I would pick up a month or two after the lucifractor explosion, establish the new status quo, we cant really do a continuation if they all died so Ill settle for injury and property damage, including putting out main man Ethan in a half magic/half head trauma induced coma! this is kind of a cheap story beat but i cant help it I love a coma and its a good opportunity for both sarah and benny to get a little bit darker and have some interesting character development, with the most important difference being that sarah basically gets through it and refuses to compromise her morals whereas benny is very lost without ethan being his moral compass and becomes more and more reckless with magic, eventually leading to him attempting a very risky spell to wake ethan up which does work but basically has sarah and his grandma like 'wtf is wrong with you'

meanwhile erica and rory are fucking around in the states bc this would be a very fun B plot for a while before they return, if youve read the comic crowded im thinking of that kind of vibe

so anyway ethan is back up and running now and everyone is kind of trying to get back to normal but its really hard and theres a lot of residual magic causing problems and making bennys magic more powerful, and its giving ethan basically constant migranes and really vague visions and horrifying dreams and all that good 'plauged with visions' stuff.

sarah and ethan have not gone on any more dates at this point so theyre not dating but they do have this kind of romantic aspect of their relationship and they basically havent talked about it since the explosion, kind of a silent understanding of like 'i love you and i dont really care that its platonic or romantic but i just understand whats happening in a way almost no one else can and Im here for you even if now just isnt the time for us'

benny is continuing to get more reckless and kind of vengeful with his magic use, testing his limits, using magic to get back and the people making snide comments in the halls, especially after ethan comes back to school, when your best friend is in a coma for two months you get kind of defensive about it I guess. If you’re not a bethan truther I’m sorry but Ethan can have two intense friendships that border on romantic, both of which are societally non conventional/acceptable. In fact he has to. It is so good narratively. but anyway at some point there is a particularly bad incident benny gets more vindictive than ever before and hurts this guy pretty badly till ethan is yelling at him to stop

at this point ethan and sarah and grandma are like 'uhhh benny is getting kinda intense' but they dont even know the half of it because secretly he learning magic that isnt in his book, researching on his own and making stuff up. the magic itself wants him to be getting stronger, its not like sentient but it does have kind of a self preservation instinct? like a power begets power type thing that magic users can very easily be driven mad by their own magic if theyre not careful or dont have another magic user telling them to touch grass.

i think benny can have unexamined mental repercussions due to his parents having either left him or died. as a treat. so when he get magic and suddenly he can control things he couldnt before yknow who can blame him for getting kind of lost, i personally would become insane. I havent really though about the specific of him devolving and mentally deteriorating. I dont want him to be too evil yknow? bc we will be letting him get redeemed latr bc im a sucker for that.

at this point erica and rory return from their wacky adventures bc this is no time for a silly b plot. and they are like huh benny got kind of weird and different and ethan is like haha no hes fine

he is not fine

he is actually sneaking out of town to meet another magic user who is basically like 'i will act like a father figure to gain your trust' and benny is like 'epic!' yknow because he. becuase. because he has no dad :D. he gets exposed to magic that grandma doesnt do and is both scared and impressed and this other magic user is like 'she doesnt want you to learn this >:| she doesnt want you to reach your fullest potential' and benny is like 'hmm idk about that' but they keep talking until this guy is like 'arent you tired of being nice?dont you just wanna go apeshit?' but benny is still like 'hmmm my really close boy best friend probably wouldnt like that' but its too late. its already in motion.

benny gets more evil. he is causing problems in whitechapel and does not seem to care. benny be like 'thought acquired: if i control everything and destroy the things i dont like then everything will be good and i can protect my friends forever. i see no moral problems with this' more development into evil, dont ask me the details i dont know.

bennys evil girl summer culminates in some kind of fight where ethan enters his mind bc yeah obviosly thats where this has been going, idk if ive just spent to long thinking about jean grey and scott summers but this is the most interesting thing ever. i want to see ethan walking through bennys memories end of life is strange style and realizing that all of his most important memories are of them together, times that theyve comforted or protected each other and it ends with a memory of from just before they met sarah. that memory fades out and ethan is standing on the street in front of his house, so he goes up to his room and benny is there but this time its really him and not just a memory version of him and benny is like 'i dont know how it got to be like this, this isnt what i wanted, how do i fix this?' and ethan is like 'i havent given up on you, you can still come back and we can try to make it right' and they hug and they come back to reality and benny basically breaks down sobbing yeah i <3 sad boys. he has a lot of regrets. ( i have written a lot of this scene bc i am insane and obsessed)

by the next morning hes left town. only leaving a note saying he needs to go away and clear the magic out of his head. hes reversed as much of the magic he did as he could, and left ethan with a spell leaving the words 'semper reveniam ad te' on his arm that will disappear when they see each other again or if benny dies.

#this is longer than the essay i was supposed to write tonight needed to be #mbav #my babysitter's a vampire #ethan morgan #benny weir #et al

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evelhak · 1 year

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Since you were so gracious to give me some asks, I shall do the same! Artists asks: 2, 7, 19, 26, and also 30. ^__^

Always happy to hear from you and to know more about you!

2. Is it easier to draw someone facing left or right (or forward even)?

I think it's the easiest to draw someone facing left. That one usually takes the least amount of redrawing.

7. A medium of art you don't work in but appreciate

Pottery is something I feel very drawn to, as well as glass blowing. I don't have the physical requirements to become good at it but I'd like to try some time.

19. Favourite inanimate object to draw

I'm stuck between flowers and books. I'm so basic.

26. What's a piece that got a wildly different interpretation from what you intended?

Wow, what a question. Nothing came to mind from the art I have on Tumblr, so I had to look for something I haven't posted.

Someone interpreted this as your typical fantasy character with fire powers. It's SO far from that, actually. The fire is symbolic, because this character plays with fire metaphorically, and because what she's holding in her hands can symbolically be burning for better or worse, and also because she is blinded by magic in the story, although it's more the lack of it than the thing itself, and because she's seeing what she wants to see.

I guess it's not that "wild", but I couldn't think of anything else.

30. What piece of yours do you think is underrated?

I'm going to have to go with writing for this one, because sometimes I can't believe how much more interaction smut fics get on AO3 than long fics like mine that are basically like another season of the story (with a different focus or angle, but still).

I get that another reason why I'm never going to get that many readers is because I'm pretty much never posting at the height of a fandom's interest, because I need to mull things over for months after the series ends, and I never create anything while the original story is incomplete, so I'm usually only starting when the peak interest for a series is already going down, and my fan works tend to require a bit more of an attention span than the average fan seems to have for one thing. Even my She-Ra comics were a bit late for the fandom, although they are of a much more readable length than my fics, so I assume that's why they got relatively popular. I guess comic form is easier to digest for a lot of people, too.

Anyway, I think if I have to pick the fics I'm the saddest that many people haven't read them, they are my retellings.

I'm really proud of the way I basically paraphrased the whole Into The Woods to tell a KnB story! I don't understand how most people's brain doesn't light up with all the good hormones from wordplay like this! I was SO high, writing this.

I'm also really fond of this one, which was inspired by the Romance of Silence. Where are all the people who love intertextuality, hiding??

Yes, I understand another reason why people aren't into these stories is that they are so niche. That's always going to be my curse too, because I love the interaction of specific and general, but I love to go about it by combining things that are niche and don't usually go together. Not because they are niche or rarely combined, it just happens, I can't help but be drawn to specific concepts in a specific thing and then finding another equally specific thing with compatible concepts that send me right into hyperfocus, and I can't leave them untouched, I have to create something new from the interaction of those separate elements, because the abstract connections just sing to me. But I guess there's always the hope that when someone whose niche my stories perfectly fit into, finds them, then they are going to really love them. And honestly, I'd rather have one person to whom they are the perfect fit, than a hundred who thought they were "okay".

Also, I know these stories don't work very well unless you read the whole fic series, though I guess Kuroko's Fairytale makes more sense, and I tried to frame it like you could read it as a standalone, since I think technically you can, but you're probably still going to be very confused at some parts.

#art #knb #TOTverse #into the woods #romance of silence

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mejomonster · 1 year

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I read a bit of liu huo jiao chou manhua (it's on bilibili comics app) and my Chinese reading is getting rustier by the day but some random things I liked/found interesting:

Main guy is magic (?) Leader who slept in coffin until present and now he's a devil (?). Anyway the important thing is he's an "immortal" from thousands of years ago, with powers, who was around when humans and Yao went to war. This comes in later because:

In a way it reminds me of if priest took Guardian's live action drama adaptation mutant setup and played around with THAT concept, to explore the potential of mutants/Yao living with humans, people with mixed heritage, a secret bureau that finds mutants and handles mutants cases, an immortal from the past (a la Show Shen Wei) who was around during the initial human/Yao clashes ages ago and (I'm guessing) part of that war (though it was harder to read the past panels for me so idk). In THAT respect, lhjc reminds me of Guardian the Show version and if priest took some of the basically whipped together to pass censorship sci fi (ish) changes, and did something much more solidly structured and thought out and unique with that core premise

In that sense, if you like mutants like xmen (I sure do) then I think lhjc would appeal

I also get the sense of elements of novel Shen Wei being taken and reworked. This is not to say the long haired immortal guy is the same as shen wei or remotely similar as a character (so far I have no idea but I presume he's Quite Different and his own unique specific characterization cause priest is good at making unique niche characters I love). I mean that like... the concept of an immortal, who's "monstrous" and unknown, who has a large command of power and scary potential origins and you aren't sure what their motives are but are Concerned. In Guardian (both book and show) there's the sense at the start of Zhao Yunlan investigating Shen Wei and uncertain, of him and the SID members at times picking up inhuman/scary vibes from shen wei. But overall? He's their ally and quite solidly so, he's pretending to be human so he's not Flaunting the otherworldly terrifying Intense Power and feels somewhat tied to humanity, and we get his pov quite early in the novel in snippets. In contrast, in lhjc? The long haired guys FIRST IMPRESSION to the main guy is: super strong unknowable "devil" who they have no idea the motives of. It's sort of shen weis theoretical MO, but played directly. Instead of a secret investigating uncertainty of a "human" professor shen, the main guy in lhjc IMMEDIATELY sees a super-powered threat immortal bitch and is like "what are you? Where you from? What do you plan to do?!" And they kinda fight a little with fire. Its a very different vibe, and I like seeing the similar core premise being used Very Differently. It creates a very different kind of character, very different type of first meeting and impression, and this long haired devil guy comes off WAY more mysterious.

The side crew is cute I like the old lady and old man

I love silly mutant powers (again I love xmen and bureau of transformer lol)

So the protagonist screams queer like before anything else dude comes into a JOB first impression and all decked out in jewelry, rings and necklaces, unruly hair, and a flashy as hell red jacket. Am going to read the novel and find out if he's flashy there but like lol. Manhua wise he has both obvious Main Character energy design, and also clearly likes standing out and doing his own thing. (And by manhua visual typecast I'd guess he's the bottom and immortal devils the top if they gotta get labeled, but again I'm curious what novel has to say because priest doesn't always typecast expected appearances with expected behaviors which I prefer a lot.. just let characters be whoever they turn out as you know). Also novel curiosity wise... I am gonna read soon and saw in the footnotes a few references to Taiwan queer films etc so I expect priest has out and proud protagonists again, which I'll find out if so. I always appreciate the amount of bi protagonists I find in priest novels that actually fucking talk about it... and all the queer characters in general just like... thinking about it sometimes or bringing it up. Like fuck man I'm gay, it would be a bit weird if I NEVER brought it up when politics came up or my dating life or talking about a cutie in a show or making a joke like? Some danmei... mostly not ones I've read though wooh... sort of avoid the mention altogether except in the ppl asking each other out and like. Idk to me a character realistically Might bring up their attractions once in a while just for various reasons as it is like you know a trait that effects how the world treats them and how they exist and interact with it. Now in the manhua I do expect it skirted over mostly cause I tend to guess less explicit mentions or less mentions generally in a comic, unrelated but btw I LOVE Breaking Through the Clouds manhua. One of my fucking favorites)

Okay so this old man is <3 everything to me. His silly little Flower vine powers. I should write an au where Shen Wei can only turn his hands into vines instead of anything strong lol (although in the dmbj world those vine tentacles could kill thousands) although I guess in theory wouldn't Show shen wei just Learn it if he met this old guy? Anyway I love this old man

And then THIS okay so immortal devil seems uh intimidating. But his chibi art is also SO cute I can't take this manhua as scary or serious much at all. He's just a little cute powerhouse that's all. A cute monster that thinks the protagonist is a cute kitty ToT

Also I thought it was cute the coins have faces

And finally. The name scan thing was cool. It was like a puzzle in retrospect, I wish I'd thought more carefully to catch it before the reveal

#lhjc #manhua #lhjc manhua #lb

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olderthannetfic · 2 years

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Reading your tumblr, and talking to a friend about her reading habits, is making me think it might be fun to read more self published erotic romance books. But every time I've tried to read a romance novel, I've found it kind of boring. But it sounds like it should be fun! My current reading habits are mostly SFF from mainstream publishers, literary queer fiction, a little YA, and lots of fanfic--but maybe that's largely because that's what I'm used to? I definitely don't have any pretensions about my tastes being "better" than anyone else's! The fic I tend to like is dark, explicit, usually short, and mostly f/f, a little f/m, and occasionally m/m (I think I just fall much more on the "insert myself into the scene" side of things, and I'm a bi woman). When I've tried romance novels, I've always wanted more sex and action, less monogamy, and wished the sex was more fucked up (dubcon, noncon, intense power imbalances, "hardcore" kink). When I've tried reading just straight up erotica I have a bit more luck...but I don't really care about the characters, which is what I understand erotic romance is supposed to be better at (and why I love pwp fic, I think!). I guess I'm just wondering--how do I go about finding more self pub stuff that I might like? Or am I maybe just not quite the audience?

The monogamy issue is going to be hard to solve outside of pure porn things where Mary Sue or Gary Stu fucks their way through a large cast. It annoys me too. What I really like are triad romance novels, and those are barely a thing. (Think OT3 "how they got together" fic. It's not super common in fandom but it's a lot more common than in original.)

I also find that original doesn't go as far into dubcon as I like, and when it does, it's not labeled... for the very simple reason that Amazon is the major way to sell your work, and Amazon bans rape erotica and anything that verges too close to it. Smashwords would allow it, but it's even harder to search and tends to end up as a repository of straight up rape porn as opposed to fandomy dubcon.

I read things that are more or less sold as "romance" and that have explicit sex, but I don't tend to buy a lot that's labeled as "erotic romance" (which is a specific niche).

My general advice for selfpub stuff is to try random keywords on amazon until you find an individual book you like and then see if you can find recs lists (e.g. on goodreads) that include it. Sometimes, Amazon's 'people also bought' is useful, though it depends. There are Facebook groups and such where people rec things also.

I read almost exclusively m/m in the selfpub space. The m/f sector is much bigger and more profitable, but I don't know much. F/F is less common but certainly out there.

I never finished this assassin/target f/f novel, but the part I read was pretty decent: Requiem for Immortals by Lee Winter. It wasn't a particularly dark take on those tropes from what I saw, but it was a lot less tame than some of the other f/f offerings out there.

For more action-y works, if you're interested in m/m, I might try Meghan Maslow's Starfig Investigations series or one of Jordan L Hawk's various series. There are people working in the original m/m space who are writing series mystery and urban fantasy rather than pure romance. Starfig Investigations isn't super dark, but it does start with one of them being a sex slave who's on loan to the other one for the duration of a case. The series sometimes covers stuff about his time as a slave, though the overall tone isn't very dark most of the time.

In the het space, I might search for things labeled as thrillers or maybe the darker end of shifter romance or motorcycle romance. But I don't really read heavily in any of that, so that's just a guess.

Basically, it's a treasure hunt, and you'll need to do a fair amount of investigation to figure out what's out there and how it's labeled.

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thecarnivorousmuffinmeta · 2 years

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A Warning to My Readers (and a Sandwich Shop)

I’m posting this here as I’m starting to see this more and more in my Twilight fics, and I suspect this is the blog those readers come from.

First, a rant/analogy you people have brought upon yourselves.

More and more I’ve been receiving reviews complaining to me that I failed to write exactly what they wanted. That my telepathy antenna is damaged, or that other plot line is better, or why do I dump all this dumb slash on them when I could be giving them Marcus/Bella. I have now even received “Why are you updating this when you could be updating what I want?”

It is the most entitled and obnoxious thing I’ve ever seen. More, I feel that I should warn you these reviews can have unintended consequences. Because I am contrary.

Unintended Consequence the First: You Will Get the Opposite of What You Asked For

You want more Marcus/Bella and think the rest of the story is “tolerable”? Well then, congratulations, you have now written Marcus and Bella completely out of the story. They may very well never appear again.

Unintended Consequence the Second: You Will Get Something Terrible That No One Asked For

You want more Marcus/Bella and think the rest of the story is “tolerable”? Well then, congratulations, you now have Eleazar as a main character. Nope, there’s no getting rid of him now. You’re stuck with him. Forever.

Unintended Consequence the Third: The Story Will Be Abandoned

I try not to do this one, as I write primarily for myself, but getting several reviews whining at me that I didn’t give them the exact sandwich I wanted is tiring and disheartening. It becomes exhausting to update knowing that this will be the primary commentary I receive. And sometimes I decide to myself it just isn’t worth it.

“She’s bluffing,” you say. I’m not, this has happened before.

Ever wondered what happened to God of the Machine or Minato Namikaze and the Destroyer of Worlds?

And once I set something to the side it becomes very hard to pick it back up.

BUT WHAT CAN I DO WITHOUT YOU WRITING THIS VERY SPECIFIC THING I WANT?!

Luckily, you have a few options. The world isn’t ending and you can have your sandwich.

Write it Yourself

You have the power to deliver the exact content you want. Frankly, this is what I do. I know no one else is going to write exactly what I want to see happening, so I do it, and it’s great. If you want your story without all that Muffin madness in it you can do it! It’s easy. You get everything you want without the stuff you have to tolerate.

Prompt an Author

I actually do take prompts as do many other authors. I can’t guarantee I’ll do it (and given my current level of annoyance you can guess that the door might be slammed in your face) but I have done it historically and other authors love to receive prompts.

Search For It

Depending what you’re looking for, it’s probably easy to find. You want Cullen fluff, HAVE ALL THE CULLEN FLUFF IN THE WORLD! You want Volturi fluff and the Cullens roasting over an open fire like chestnuts, HAVE ALL THE VOLTURI FLUFF IN THE WORLD! Admittedly, some tropes and pairings will be much more niche and hard to find, but if you look for it you may find exactly what you’re looking for.

A Disclaimer

I do receive many wonderful reviews and most reviewers seem to be wonderful people. The influx of this type of review, though, is clearly enough for me to whack the dust off the sandwich post. So please, before you hit that submit button, read the review back to yourself and ask, “Do I sound like a needy jackass?”

If the answer is yes, then there’s probably a better way to get what you want.

#twilight #writing

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bigskydreaming · 3 years

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If you were editor of Nightwing's book ever since at least the start of Rebirth to today and you were given free reign, what would your story mandates?

Oh no, this is dangerous. LOL. Hmm, I have no idea what to shoot for here, so I'll try to keep it to ten. That's reasonable right? Ten is good. Yeah. Is fine.

Okay, so, in no particular order:

1) Let Dick be competent 101. None of this him having to play hype man for every other character to pop up in HIS title bullshit. Nope. That's not what they're there for. He's the lead man, LET HIM BE THE LEADING MAN. Like sure, everyone has their areas of expertise, he doesn't need or have to be the best at everything, blah blah blah.....but its about the nuance. All of that is kinda lip service because the thing is, you don't go into MOST comic books and NEED to be reminded of that because the lead characters of those books are all constantly getting saved or shown up or chastised by every guest star in their books, you know? This is a very weird, very niche phenomenon very specific to Dick's character, and I'm super over it. I'm here to read about the guy who has literally been doing this longer than most superheroes twice his age. The guy who's been doing this since before he hit double digits. The born acrobat. The destined ultimate warrior or whatever of Gotham's Ornithological Society Of Murder and Pretentiousness. Gimme that guy. And that guy doesn't need to be 'humbled' every other page, because the thing is, he's not some egomaniac to begin with so the everpresent need to humble him doesn't actually come off as humbling! It just comes off as pandering and not even to actual fans of the actual character, so its like.....wyd DC.

2) Let other people take responsibility for their own crap with Dick rather than always just expecting a mea culpa from him. I'm so unbelievably tired of the words I'm sorry from Dick. I love personal accountability, so I never thought I'd have to say this about a character, but enoooooough. They have made it completely in character for this dude to apologize to everyone ELSE for being brainwashed, getting amnesia, being KILLED, like.....the amount of things he's groveled for forgiveness for when he didn't actually do a damn thing wrong or worse yet, was the ACTUAL victim of is like....pretty damn staggering. And meanwhile, there's nary a peep of apology from the people who regularly insult or belittle him, get physically violent with him, take advantage of him or take him for granted, etc, etc, etc. Its entirely too one-sided and imbalanced, and the pendulum needs to swing the other direction, like YESTERDAY, and in a fairly big way, IMO.

3) None of this Baby's First Social Justice Awakening 101 crap. I'm sorry, but no. Especially not when you go out of your way to acknowledge that Dick is Romani, only to then turn around and act like he's only JUST had his eyes opened to an awareness of like, classism and poverty and the real struggles people face day to day? Sorry not sorry, but especially for other white writers out there, do not use people of color as self-inserts for dipping a toe into Learning To See Past Privilege. And especially when talking about a character who has a history of being actively abused and hurt by the system and institutions of power, or hell, even leaving out that particular origin story, who has still been out on the streets helping people since he was a literal child. You can not tell me that this is his first face to face experience with social issues, or the first time he's had the inclination to try and address those head on. (And its also particularly egregious that the people second-guessing Dick in his own title and giving him reality checks or acting like they have more of an awareness of all this than he does like, happen to all be white? OPTICS. LEARN ABOUT THEM. COMMON SENSE. GET SOME.)

Know what would actually be a better way to approach this? Flashbacks. Show us Dick running into situations that make him think back to a case when he was still Robin, when he and Batman had started fighting over their approaches to things, actually SHOW us those conflicts and how their viewpoints had started diverging, and how much of that was due to Dick not having the same experiences as Bruce, or the same standing in society, no matter what house he lived in. THEN you can jump BACK to the present, with the reminder/awareness that this is something that isn't NEWS to Dick, but that he in the past felt he was forced to make his peace with as something he wasn't in a position to do that much about....only NOW, he's in a very DIFFERENT position, and suddenly it just hits him how he's still acting like he did when he was limited in resources or in having to be part of a chain in command or having to factor other responsibilities into things....now he ACTUALLY has the power and the resources to make meaningful change in the ways he ALWAYS wanted to, but maybe just needed time to figure out HOW.

Like you know what would have made Shawn Tsang's story arc so much better? If Dick didn't just remember her as the Pigeon's one time teenage sidekick he'd briefly fought as a kid, but like.....if he remembered her as someone he and Bruce had FOUGHT about. Because he didn't agree with sending someone to juvie for defacing public property as a form of political protest, when it was someone's LIFE who was going to be irrevocably damaged by that while the damage to the city could be fixed with a check, and what made Dick any more deserving of Bruce's leniency and faith in his potential or underlying goodness than Shawn?

But he was still a kid himself back then, and when Bruce responded with his usual conviction, talking about the importance about rule of law and etc etc, Dick just didn't have the words to get through to him then, to get him to understand that this wasn't just Dick not getting it because he was too young, it was BRUCE not getting it, that Dick was literally just saying well he wasn't too young to have been in juvie himself, and of the two of them, he's the one who has experience there so why was Bruce's opinion on whether this was the punishment that fit the crime the one that got to hold more weight here? When Dick's the one who knows what that punishment actually LOOKS like beyond the abstract, for whom it was a reality that still haunts him in ways that even defacing a few statues of some rich old fucks doesn't deserve?

Or hell, go back FURTHER than when he was Robin. Idk where any of those posts are, but I've always wanted to see something where Dick maybe runs into someone he remembers from his time in juvie, maybe a guard who is like, the source of the reasons Dick mistrusts figures of authority and is so hung up on independence and not being under anyone's thumb, or maybe someone who was in there with him, another kid who looked out for him when he didn't have to, etc. Gimme Dick tackling head-on his firsthand awareness that there's no rehabilitation to be found in a jail for kids, when most of those kids don't even need rehabilitation in the first place and only did what they did in order to survive or escape from worse situations or like, were there purely because of racist cops, etc. Let him go after THAT system, driven by personal experiences and memories that maybe only hit him in full after recovering his memories from the Ric Grayson arc, like they're things that he put in a box in his mind a long, long time ago because he didn't have the spoons or reserves to deal with them when he was a kid still so traumatized in so many ways, like, something had to give and so he put all those memories away for another day and just....never got back to them because life kept hitting him with new and fresh trauma every week.

But now something has him thinking back to those early days in Gotham, and reminding him that not everyone had a Bruce Wayne willing and able to give them an out from that place or acrobatic skills to escape it on their own, and like. You want to do something about the cycles of violence in Gotham and Bludhaven? Why not start with the places that literally MANUFACTURE cruelty on an institutional level, that teach kids that no matter what they did to get put there, even if that was nothing at all, they're all going to be treated the same way and given no reason NOT to do whatever it took to be top dog in a dog eat dog world by the time they got out.

There's SO many better approaches to social awareness in the Batbooks than what we're seeing, and like. Sheesh. The bar is way too low.

4) On a related note, if I'm editor of the Nightwing book, the FIRST thing I'm doing is making it a priority to find a writer of color for that book, ideally someone of Rom descent. Its waaaaay past time to let a Romani writer take the reins on Dick, Wanda, Pietro or Doom, aka some of the only prominent Romani characters out there? You can't tell me that there aren't talented writers who identify as Roma who would be more than willing to add their perspective to Dick's archive of narratives, and if an editor's gotta go looking for them? Go fucking look. DC and its fans have milked a lot of mileage out of the idea of Dick being Romani with very little in the way of nuanced storytelling to show for it in the past twenty years, and if DC wants to trot out little reminders that Dick is Romani every couple years, like in the form of a freaking line that has no follow up or expansion to any degree and is offset by an internal monologue that otherwise reads as incredibly privileged, the least they can do is TRY to expand on that with the narrative perspective of someone they claim to be representing via that character.

And no, this isn't gatekeeping, this is prioritizing. Its not about preventing other writers from writing this character, like just for the hell of it, its about being proactive about finding a writer who can write specific aspects of this character that have long gone unaddressed or poorly represented. And like. Okay. Its not easy breaking into the comics industry for anyone, but its particularly not easy for marginalized writers. Most every major comic book company just recites 'make your own stuff first and then show us that' but when you're a writer specifically, finding a compatible artist to partner with on creator-owned indie stuff first, when those artists are in the same position as you are and apologetically and understandably tend to have to take paying work over yours if you can't pay except on the back end, like....there are a lot of hurdles to getting your start in comic books, and while there are more and more marginalized writers in comics these days, DC and Marvel kinda fucked up, because you know what?

After being told 'make your own first, then we'll talk,' writers DID do just that....but then found out that well, due to the ease of online distribution and access these days, for any writers who CAN find an artist to partner with, its a hell of a lot easier to get their content out there these days WITHOUT a major publisher behind them.....and for a lot of marginalized writers in particular, its worth it to keep full creative control in exchange for smaller circulation. Especially when they don't have to deal with editors 'softening' their work to make it more palatable for audiences that quite frankly aren't necessarily their primary target. So yeah, marginalized voices are becoming more and more present in comics, but Marvel and DC for the most part are keeping the same voices centered they always have, and what these voices have to say is becoming less and less relevant and outdated. Because much like this arc from Taylor, even when they DO dip their toes into story matter that's of interest to wider audiences, they're doing so to a degree that still puts them years behind the conversations everyone else is having.

5) The same holds true of disability representation. I stopped reading Taylor's run for a lot of reasons but his way of responding to people unhappy with his depiction of Babs was a key one. If I'm editor on a book, and someone tweets at one of my writers that their depiction of a disabled character was hurtful because it feels like they're doubling back on everything Babs has ever said about not being defined by or ashamed of her disability and now its being treated like a dirty little secret, and that writer's response is essentially to just laugh at them and say there's nothing wrong or ableist about their writing of a disabled person, TO a concerned disabled person? That writer's ass is getting fired. Full stop.

Either you give a shit about this stuff or you don't. Don't pay your readers lip service about how important social issues are to you and how much you care about using superhero narratives to inspire people on these matters if you're gonna turn around and show your ass the second you don't feel comfortable and prioritized by the conversation, like it wouldn't exist without your oh so valuable contributions. ESPECIALLY if you don't identify as sharing the same identity of the marginalized character you're writing. You are a guest in someone else's lived experiences at that point, and you think you've got the right to belittle and talk down to the people who LIVE THERE? Fuck off, my dude.

6) Re-center Dick as someone who the superhero community RESPECTS. I love seeing Dick depicted as someone who has an awareness of his own limitations and an appreciation for what others bring to the table, and so I'm not opposed to him calling on others when he needs to.....but I also would like to see more of the opposite. But not in the way we usually see it these days, where he's asked to come help with a crisis and then usually second-guessed the whole way, and then sent back home without so much as a thank you when its done. Yawn. Sorry. I've read that story by now.

You know what story arc I freaking LOVED as a kid, back in the 90s? In Green Lantern, when Kyle Rayner first became the sole GL, one of his very early arcs, before he ever joined the JLA or anything....was him realizing how little he knew about being a superhero. He was like, my predecessors all had a full fledged CORPS to teach them everything they needed to know, but I had a few lines of exposition from a funny little blue guy in a red pillowcase and then I was off to the races. That's not good enough. There's so much I don't know about being a hero, I don't even KNOW what I still need to know.

So he went on kinda a superhero training roadtrip. He went to Metropolis to ask Superman for advice, he went to Batman to learn from Batman and Robin (Tim at the time). He went to Wonder Woman, Sentinel (Alan Scott, the first Green Lantern), etc, etc. And in the end, Kyle very much became his own kind of hero who wasn't just a pastiche of all those other heroes and the advice they gave him, but like....this put him on the road to that.

And I'd love to see something like that happen in Dick's solo title. We've seen him train in a team setting, we've seen him train the other Robins.....I'd love to see like, young superheroes from OTHER books, not ones created by the title, but like names people actually recognize from other franchises, like, guest star in Nightwing's book to learn from HIM, specifically. I wanna see something where Wally looks at the latest speedster and is like, you know what, if you really wanna be the best hero you can possibly be, then Nightwing's who you gotta go to, because there's no one I trust to make a better hero out of someone than him. I want the newest kid on the JLA block to worry that people aren't taking him seriously because of his age or experience, and he's always hearing them talk about Nightwing and how young he was when he started and so if anyone knows something about how to gain the respect of your older superhero peers, that's the guy to talk to.

Gimme Dick's couch being crashed on at various times by a half dozen new or upcoming young superheroes who all heard or figured out that if they really want to up their superhero game, Nightwing's the guy to see.

7) Bring back Bea. There's no long paragraph expansion on this, its really simply. Bring back Bea. She was one of the freshest breaths of air in Dick's supporting cast in ages, most of the current run is based off her character direction in the first place, she's literally the best suited TO help Dick in this venture, and the reasons they gave for writing her out of Dick's life were all bullshit and they just wanted to focus on his previous relationships, which would be fine if they didn't fall into the same two endless cycles of bring back up, go nowhere with, awkwardly avoid each other for years, rinse and repeat. Like. Bring back Bea, please and thank you, the end.

8) Focus on new villains. Heartless is meh, but the idea of new villains is still better IMO than rehashing Blockbuster, Zucco, etc. Like, nostaglia ain't it. If I want to read Blockbuster fucking up Dick's life, I can do that. They're called back issues. The thing is, love it or hate it, the Blockbuster arc WAS iconic. It left its mark. And anything that doesn't leave just as much of a mark, if they're going to bring him up again, is just gonna be a waste of time, you know? It'll just dilute his overall presence when like, what he was - worked fine as is. We don't need Round Two.

The trick to good villains, IMO, is they have to speak to a fight that needs fighting.

What I mean by that is....the best villains are those who resonate on a more instinctive level because they embody something that already exists in a reader's mind as a conflict that needs fighting. Like, if superheroes exist, if the embodiment of larger than life presences and forces devoted to protecting the world from various things are real....then their villains need to embody the kinds of fights or conflicts that NEED larger than life figures to combat them, at least on a one to one level.

Look at Superman and Lex Luthor. Superman at his core embodies the strength of community. He's the ultimate hero of the people, his essence is that he was the last survivor of a doomed race who was raised by two honest, hard working people to see the beauty in just being ONE of them, in using what he had on behalf of all of them and not just himself. In contrast, Lex Luthor is basically the embodiment of capitalist greed, of excess, of the entitlement of being able to have anything with a snap of your fingers and thus assuming that gives you divine mandate to make the kinds of choices that he sees as only his right to make.

He hates Superman, ultimately, because Superman is the WRONG savior of the people. He wants their only savior to be HIM, half the time he honestly believes he's saving the world FROM Superman, but just as often he's perfectly content to be the villain and not shy about it....because Lex Luthor's ultimate motivation is he wants everyone to know when he's dead and gone that LEX LUTHOR WAS HERE. He genuinely doesn't care WHAT his impact or legacy is at the end of the day, just that it exists and it overshadows most everything else...because all that really matters to him is the irrefutable proof that HE mattered. And thus at their cores, Superman and Lex are perfectly opposed. Ideally situated to eternally be in conflict, their own forever war, because their core natures are incompatible. They CAN'T compromise, without compromising themselves and essentially ending up as someone totally other than who and what they are already.

And you can go down the list. The Joker is the chaos to Batman's order, while Mr. Freeze is the stagnancy of that order taken too far, he's what you get when you freeze everything in your grief and refuse to let anything go on, anything new grow, because that would mean having to admit once and for all that what you're mourning is really gone. Two-Face is the ultimate embodiment of Man vs Self, a once good man at war with his own worse nature, and reminding everyone who looks at him how easily they could fall to the same fate.

And so on and so on. What Dick needs, is more of the same. Like, as much as I'm not a huge fan of Talon stories, I maintain that the Court of Owls were a great foil for him - just they tend to be poorly used in canon as well. But I also think how poorly they come off in canon has a lot to do with canon not really touching on WHY they're such a perfect foil for Dick....and that's Dick's history with being outside the system, mistreated and even exploited by the system. Because the Court, their core concept, is they ARE the system. They are entrenched, enfranchised, institutional power, passed down through generations, dynastic control that is a perfect counterpart to the dynastic power of the Wayne family, embodied in its youngest generation in the form of Bruce's FOUND family, the children he adopted regardless of whether or not his peers found them deserving of that honor. The Court, and their entire....thing...about the Gray Son, is the entitled fury of those denied something they deem theirs simply because they WANT it, and who will burn the whole world down rather than admit defeat or let someone else have it instead.

And that resonates. It could resonate a lot MORE if DC would actually lean into those concepts and allow Dick to explore how the Court are nothing he's not used to, they're literally made up of the same people who have looked down on him ever since he came to Gotham, but now they're actually a face and a name put to all those attitudes, something he can literally FIGHT BACK AGAINST. The Court are literally human-sized embodiments of everything and everyone who's tried to confine Dick since his parents' deaths, tried to define him without his permission, tried to make him other or lesser than who and what he is.....and who thus now exist in a form that Dick can literally BATTLE. So that he doesn't HAVE to just take this stuff lying down.

Thanks to the Court, he doesn't HAVE to just passively accept it, that this is just how life is, that some people are going to view him this way and think this about him and there's nothing he can do about it. He CAN do something about it, in superhero stories. He can kick its ASS, in the form of the Court of Owls and everything its members think about him and intend for him. He can refuse to bow down to them, to accept their mark on him. He can say lol, no, and then blow their shit sky high, ideally with a little help from his family. He can BEAT them, in this incarnated form, and in doing so, even though he can't beat everything they stand for and represent, that victory still matters, still means something symbolic to readers it resonates with.

And that's what we need more of. Villains created specifically to embody concepts that are diametrically opposed to Dick and what he represents. The system, yes, but also villains who embody the kind of tyranny and control he fights back against in his constant battles for autonomy and self control. Villains who embody the 'new hopes' of a second generation just like Dick himself is the focal point of the hopes embodied by the second generation of heroes. I'm actually not the hugest fan of multiversal constant Dick Grayson, but I might like it more if he had an opposite number there, someone he was specifically contrasted with. Idk.

But you get it.

9) Dick having a social life. Gimme the Titans and his siblings showing up JUST to show up. We have room enough for at least a couple pages every other issue where we just get to see these characters having some breathing room, taking a beat to stop and be something other than just a superhero, to be human as well. There's more to life than 24/7 fighting, even for them, and that's largely been lost in modern superhero comics, which kinda sucks, because that was what made most of the more iconic and lasting dynamics between various characters like, STAND the test of time. The larger than life battles between good and evil might be what many of us come to superhero comics FOR, but the relatable back-and-forths and ups and downs of their private lives spent with friends and family tends to be what keeps most of us coming BACK. And lately its all just mission, mission, mission, and I'm like blah, blah, blah and its like, meh, meh, meh. Y'know? Give the guy some down time, and let his friends come spend it with him.

10) Boone. This is purely self-indulgent, but if you know anything about me, you know my obsession with Robin: Year One, Dick's brief time at Vengeance Academy, and the hate/hate relationship he has with his brief frenemy from that period, Boone aka Shrike. This character has SOOOOO much potential to be Dick's true archnemesis and rival, and like. *Sobs* I can't get into it all again. Its too much. I can't do it.

Okay, I absolutely can. And will, probably. But like. Later.

BONUS ROUND:

Other thing I would absolutely insist upon if I were Nightwing editor....

GET THAT FUCKING MEME SHIRT ABOUT BRUCE SLAPPING DICK THE FUCK OUTTA HERE.

Like. Seriously. WHAT THE HELL. Why would you double down on THAT? Why is Babs STILL wearing it? (Last I checked, like I think I saw it in a scan from last issue? I'm pretty sure its still there? If not, forget this entire rant, and I am very embarrassed. Okay not that embarrassed. I don't really care if I'm wrong here but like, in case I'm not)...

WHY. Who thought that was funny? No, seriously, on behalf of any other abuse survivors who like me are SERIOUSLY not amused, who the FUCK thinks its FUNNY to have one of Dick's best friends sporting a shirt that no matter what it represents IN universe, to readers OUT of universe, is always going to call to mind the fact that this meme only freaking EXISTS because of all the times DC has obliviously and without acknowledgment written Bruce abusing his children, including the BFF that Babs is literally wearing that right in front of.

Like omg do you hate her, DC? What other possible reason could you have for thinking that would be a cute, funny thing for her to wear around the guy getting SLAPPED, by his DAD, in your shirt's iconography.

Okay I'm done.

LOL.

Sorry, that last one was brewing for awhile. Deep breaths. Woo.

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twistedtummies2 · 3 years

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Well, you've done DC. How about Marvel?

Okay, this one was REALLY tricky. XD The issue with Marvel is that while there is one character who is consistently one I adore, the rest of the characters I can have kink crushes on tend to be in flux, so to speak. Like, sometimes I'll like them a whole lot, sometimes I'll only like them a small bit, sometimes I'll like certain designs or portrayals and not others, etc. So there are NUMEROUS Marvel characters I wouldn't mind writing for and can fantasize about, but how much those levels stand is forever fluctuating. Having said that, this won't REALLY be a Top 5 of favorites, but more...a Top 5 of consistency. Because aside from my number one (and maybe my number two), the other characters here fluctuate in terms of how much I like them compared to others. HOWEVER, they are ALL characters I CONSISTENTLY enjoy to some degree or another in a pred/big eater role. (Mostly pred, if you haven't guessed from previous answers.) Now, let's get into them...

5. Galactus.

Ah, yes, the Eater of Worlds himself. In point of fact, Galactus' literally cosmic appetite is both his biggest pro AND his biggest con. Galactus is a veritable god of destruction; a nigh-omnipotent being whose entire existence REVOLVES around consumption on a massive scale. Galactus literally eats worlds; he absorbs all energy the planet has into his being, and his hunger is neverending. Time and again he's come after Earth, but every time, he's outsmarted by the heroes and left to find some other place to gorge himself. On the one hand, God-level predators are freaking AWESOME, and that level of sheer hunger is INTENSELY squeak-and-blush-inducing. On the other hand, however, it doesn't leave much room for intimacy or for writing that will present an especially great amount of conflict. As a result, Galactus' appetite is both incredibly appealing and yet slightly off-putting for me.

4. Fin Fang Foom.

While his name is pretty silly, this giant dragon is actually one of Marvel's most underrated and intensely powerful antagonists. Originally imagined as a sort of unlikely cross between Godzilla and Fu Manchu - a monstrous distillation of all things that terrified people during the Yellow Scare - Fin Fang Foom has evolved with the times and, much like the Mandarin, still has a steady home at Marvel in the comics and in animation. He's not very well known, however, I think mostly because he hasn't appeared in any movies. As you know, I love dragons, and Fin Fang Foom is a dandy of a beast: a regularly rampaging monster who is, indeed, a canon pred. The image used here is actually from a defective clone of Fin Fang Foom, which had much of his power but little of his intelligence; the REAL Fin Fang Foom is actually highly intellectual...but this does not make him any less ravenous than the version depicted above. (Plus...come on, with imagery and writing like that, I HAD to make this the image I shared.) He's pretty much perfect for macro/micro type stuff, if you're into dragons.

3. Nightcrawler.

There are several X-Men characters I have had crushes on: Beast, Blob, Toad, and Sabretooth are the chief ones. However, in all four of these cases, how much I like them tends to fluctuate, as I've said before: it depends on a LOT of factors. However, the one X-Men character I seem to consistently want to stuff full of food or end up feeding myself to is, ironically, one of the least likely options: Kurt Wagner, a.k.a. Nightcrawler. I WOULD say this is because he's my favorite X-Men character (which is true), but I don't really think that's the reason. There's not much evidence of Kurt being an ESPECIALLY big eater, and certainly no evidence of him being of a predatory mindset...yet he has developed a niche group of vore-loving or belly-loving fans who really love the thought of feeding him one way or another, and I am in that niche. I think it's a mixture of his design and his personality: Kurt looks like a fanged, fuzzy demon, but his soul is actually that of a very fine fellow. He's an impish mischief maker, a charismatic and chivalrous gentleman, and a kind, charitable, religiously devout sweetheart, all at the same time. You can imagine Nightcrawler being a big tease to someone who has certain kinks, but you can also imagine him being very docile or very comforting. He's pretty much a tailor made character for the softer, safer, more playful sides of these interests almost without trying.

2. Tiger Shark.

I've only come to know Tiger Shark fairly recently, and I haven't READ much of him...but with what I have seen of him and learned of him, he's definitely worthy of the number two spot. Remember how I said in a previous thing of these sorts that Killer Croc was sort of "King Shark done right"? Yeah, I think Tiger Shark is an even more accurate example of that. In the comics, this rogue's story goes like this: Todd Arliss was once an Olympic swimmer who lost his abilities in an accident: desperate to regain his athletic capabilities, he gave himself over to experimentation, and his DNA was fused with that of a tiger shark, and also of the mythical Sub-Mariner, Prince Namor. The resulting mutation turned Arliss into a predatory monster, with superhuman strength and a savage appetite. Over the years, Arliss has been depicted less and less human and more and more animalistic by various artists; whether this is a canon show of his worsening mutation or just artistic license is anyone's guess. Tiger Shark has a more consistent personality than King Shark, and while his design has changed over the years, he's at least retained the basic concepts, as well as his hunger. I have to admit that I actually prefer a version OUTSIDE of the comics for my interests: the version that appears in the series "Avengers Assemble," which gives him a whole new backstory and a decidedly beastly design. If I were to write for the guy, I'd likely follow that one more closely. Still, the comic version definitely has some merits, too.

1. Venom.

Now, I'm specifically talking about the original Eddie Brock Venom; other versions just don't interest me as much. With that out of the way...Venom didn't START OUT as a predatory beast, but quite quickly, as time went on, the character became more and more focused on that aspect of things. Just looking at the guy, it's easy to see why. The Jekyll-and-Hyde-esque relationship between Eddie Brock and the ravenous Symbiote that controls him is one that can be used for both comedy and tragedy, and Venom's gluttonous, aggressive, and at times delightfully witty personality makes him a very fun character to imagine. He can devour massive amounts, has a canonical love of chocolate (as well as human flesh), and has more appealing dialogue than you can shake a stick at throughout his long history. He's right up there with Killer Croc as one of my favorite predator crushes in comics, and possibly the only Marvel character I can consistently say I adore above ALL others.

#ask #answer #marvel #q&a #comics #supervillains #superheroes #nightcrawler #venom #fin fang foom #galactus #tiger shark #pred crushes #kink crushes

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marimopeace · 3 years

Text

d. gray-man still fucks me up...

in the best of ways, even after all these years plus breaks on my end as a fan and hoshino's circumstances.

loved all things gothic and fantasy in middle school to escape my life via power-wielding teens (i.e. 07-ghost, pandora hearts, soul eater, karneval, hakkenden, etc.) and d.gray-man was huge for me since i was still in a phase where i was binging all the long anime series i could since it gave my attn span something to latch onto and be immersed in for a good amount of time. tbh i can't tell if my attn span has gotten even shorter considering i usually substitute streaming social media videos over tv nowadays or better since i'm able to better sustain interests in specific niche things?

i switched to consuming content on a more seasonal basis in high school but i became more of a manga reader so at the time i was still on the nose for the rare new d.gray-man chapter. i was so excited for when hallow was announced! i think the hallow promo visuals + posters were some of the last things i shared on my old tumblr blog actually lmao. didn't love hallow as a show but i loved it for what it brought back to me in terms of bringing hoshino's drawings to life via sound + color and seeing ppl turn into fans via gifs in comment sections. that's part of the reason why the furuba reboot meant a lot to me too tbh! always so nice when you can see new and old fans come together to show artists the love they deserve <3

took a break from d.gray-man specifically since the searching for a.w. arc was just a lot for me to take in chapter by chapter since it was hard to keep track of intricate plot details without needing to re-read some chapters for every release and that's not how i enjoy content personally. and i guess from there life just kind of ? came and went? college + growing up in general with new life obligations have changed the way i pursue entertainment aha.

i don't know what switched it on but i ended up spending this past weekend going through everything from scratch! i haven't sat down to marathon 100+ chapters/episodes of anything in a long time since i either keep up with shorter serials now or keep up with things on a monthly basis and wowwww the immersion hit different this time fr XD i swear i felt like a kid again!

but wow going through the entire manga + anime bit by bit from my new position in life really made me appreciate hoshino's storytelling a lot more; it's not so much that the plot of d.gray-man aged well, but that the whole series works together to tell one of the most cohesive stories i've seen for a fantasy shonen (esp with such a young protagonist--allen is the age of a high school sophomore!!!!!! a literal child!!!! someone be on his side kthxJohnny).

when i say i went through bit by bit i MEAN IT i fully had a list of episodes via wikipedia out and i was going through chapter arcs as they were recreated in the old anime series i went in completely XD god i'm crazy.

but it felt so sweet and so wonderful to dive into the adventure head-on.

i'm trying to do the same with the hallow sequel but reading/watching d.gray-man like this is really making me see how rushed it was ^^; it's taking more chapters to get to where each episode of hallow ends and i get why hoshino was so peeved with both shows now to be honest for the out of order details or skipping of content.

i'm also really resonating with hoshino's anger towards TMS for the hallow promo materials and i get why she went as far as to shoot their bank accounts in the foot bc the way i started tearing up during hallow episode 6 with talk of the lotus, flashbacks, and the hand reaching up to the sky....ㅠㅠ #bigoop

kanda shouldn't have been shoved into a yaoi narrative for the sake of money (nor allen esp considering his age) since it completely goes against his character arc and everything he is with alma. i'm getting so fucked up by their past lives' love story and their current again like when i say the tears i'm shedding come from something so old and deep inside of me ㅠㅠ (oh lorde it's so sad!!)

i had to pause my marathon since i spent my monday without wifi bc of a storm in my area and it'll prob be a while until i can finish re-reading/watching until the end of hallow. i'm excited to read new saying goodbye to a.w chapters though! i know it'll definitely be worth waiting these past few years <3 seeing allen's character growth as he matured as a "destroyer who saves" and how he grapples w mana's influence is fascinating and exploring the nitty-gritty of the morality that pervades the Black Order is just! ugh love this kind of worldbuilding with strong characters sm

planning this next content binge will be tricky though since i meant to catch up on the furuba reboot before it ends next week...welp i'll see how this goes ^^;

// time to get to writing this thesis marimo! //

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writeouswriter · 4 years

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Been seeing a lot of rude and degrading fanfiction discourse these past few weeks and I’m tired of it. Guess what:

You can read real books and read fanfiction, they’re not mutually exclusive. But if you don’t wanna, well hey, that’s your life, have at it.

Fanfiction is NOT just smut and coffee shop AUs, and anyone with such a narrowminded knowledge of it shouldn’t be speaking on the subject at all. Most people pour their heart and soul and time into it just like any other art form. They write epics and novels and explore conflicts and consequences the original writers never dreamed of. There’s originality even among the unoriginality, with unique writing, unique concepts, unique details created out of love for a world they wanted more of. But even if it were just the former, who cares? People read and write this for fun. And no one is actually unironically out there saying their slash fiction or whatever is equal to Dante’s Inferno. You know how a square is technically a rectangle but a rectangle is not a square? Maybe Dante’s Inferno = fanfiction, but that doesn’t mean people are saying all fanfiction = Dante’s Inferno. They’re saying there’s more to fanfiction than you give it credit for and there is a place for fanfiction in history and in the future and in humanity in general.

But even if it’s not some big world changing epic? So what? It can still be important. Not every piece of writing has to change your entire world view. Simple consumable entertainment is not necessarily a lower form. Sometimes you just want to read something familiar: familiar characters with new plots, new styles, or old plots, old styles, but either way, it’s something free and accessible and easy to filter to fit exact tags, warnings and tastes. Hurt/comfort? Check. Romance? Okay. Short fic? Long fic? Super specific tag that’s ridiculously niche? They got you covered. Sometimes you don’t want to get to know new characters or worlds when you have perfectly good old characters right there, and when you want to continue the journey with them even if their original media has ended. Sometimes bite sized fics are a lot easier to consume and focus on than a whole book. Or sometimes, you know, it’s just none of your business what other people read or do in their free time and you can’t dictate that.

Is there a lot of bad fanfiction out there? Hell yeah, I’m not going to deny it. But there’s a lot of bad original fiction out there too, as there is with anything. It’s a sliding scale for both. But we don’t judge the entire art form of novel writing just because hur de dur Twilight bad. Not every published book is the level of Dante’s Inferno either, not every published book changed the world. And I’ve read plenty of fics with better writing than popular novels. Maybe none have reached a level of recognizable scale yet, but that doesn’t mean anything. With so much writing and reading material readily available at your fingertips, with the internet giving everyone the chance to put their work out there, to put their own spin on things, to do whatever, no, you’re not going to hear about them as much as you would with the limited travel/tech and resource in 1492.

And finally, this is a big one: FANFICTION IS NOT A DIRTY WORD. People are out here acting like calling Dante’s Inferno (that’s the one I saw most often so that’s the one I keep mentioning) or whatever else ‘fanfiction’ is some grave insult. But it literally just means something that was written by a fan, featuring pre-existing characters?? Like, pretty sure Ole Dante there did not, in fact, invent the poet Virgil, who he was a fan of!!, or go on a journey to Hell with him. That, my friends, is fanfiction, albeit on a large, large scale, and that’s okay.

Don’t @ me, I can’t hear you over the sounds of all these ghosts as I walk through the afterlife in 1200 years with my good friend Elvis Presley. Like yeah, read books too. Yeah, maybe that coffeeshop AU is not the same as Dante’s Inferno or Gilgamesh or whatever the heck else, (who said it was?), but why are you out here punishing people for creating? For consuming? For loving to the point of creation? And for finding amusement and interest in the fact that humans have always been the same, for 500 years, for 2000 years, writing about each other, writing about their favourite characters, their favourite people who are worlds apart, meeting against the impossible, going on adventures, changing how people view aspects of the world, etc. And if you truly believe people writing or reading such things have no influence, no power, why do you care so much in the first place?

#fanfic #fanfiction #fanfics #the discourse #long post

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tendermiasma · 3 years

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i’m not even into overwatch anymore but i just wanted to say I ADORE your art style and hope to develop my own into a similar semi-realism leaning...have you made a post about your art journey? I’m assuming I just need to buckle down and do anatomy studies but any tips are very welcome!! Ty for your time <3

Oh man thank you! I’ve never made a comprehensive post about how I got to *gestures* whatever this point in my art this is, and I definitely sat here wondering what “art journey” means for me since I always feel like I’m stumbling around so I’ll answer as completely as I can. But a great way to develop a realism-minded eye is to draw from photos and life. Everyone in the world has said it over and over but it really gets it done, it’s not any more complicated than that. It’s how I started when I was little and it’s not something I planned, but the Legolas posters were right there so how could I not? Your own non-realism “stylistic” touch will bubble up whether you want it to or not and that’s a beautiful thing. It’s not something you need to look for because it happens on its own, whether it’s you seeing something another artist is doing that you like and assimilating it into your work, or it’s your own unique way that you absorb information from the world and use it to solve problems in the drawing in front of you. Some new artists also still have the idea that using references is cheating-- I’m not blaming them, sometimes this weird thing is circulated by more established people as well-- but this is a very small minority. Please use references. I’d be lost without them. The Castlevania team has a giant collection of references for faces of every character from every angle, props, etc. and I always have a second screen up with 10 different sheets of whoever I’m drawing. Feeding yourself info is essential to getting better. Look at how other artists handle something you’re having a problem with too. If they’re doing a similar pose or something, study their drawing and ask yourself what specifically, extremely technically about that drawing is convincing-- what marks are where, and what is the quality or direction of the strokes? Try it out on your own drawing. If you’re stuck, become aware of if you’re holding on too tightly to what you think something should look like. I have to remind myself this as well. Really try to let go of the idea you have in your head about how something works and simply try instead to draw what you see, even if it feels weird. The results are often pleasantly surprising.

I have a funny relationship with studies. You seem to be looking at them like a chore and I feel the same way. It’s impossible for me to sit down and just draw something over and over, disconnected from emotion or a larger narrative. I think a wonderful way to “study” is to incorporate those studies into a project that you wanted to do anyway. I’ve used my minicomics to get better at background painting or specific figure poses that I needed for the story but wasn’t sure how to do. I’m a very “oops I need it now better learn TODAY” kind of artist, if that suits you better than buckling down and doing anatomy studies for hours. Both are great ways to improve, but you have options for how to get there.

In terms of how much time I spend drawing.. well lol it’s a lot. I almost typed “but I don’t do it every day” but yes, my jobs have made sure that I do (I tend to separate personal drawing and job drawing). But the truth is, to get better, a lot of very focused drawing time is important; how much of it is up to you and your schedule. You can sit down for 6 hours and doodle or you can sit down for 3 with an extremely critical eye. It’s about the volume of time as well as focus and I don’t have a clear answer for it, but I can point to one specific year in my life where I made artistic progress like I’ve never seen from myself since. I drew a comic with regular updates during that time and, looking back, the art was not good. But the point was, I was drawing for 7 hours a day after work, at least 5 days a week, and actively looking to draw things that I hadn’t done before or knew that I wasn’t good at, and the result was that every single update was almost like it was drawn by a different person-- readers noticed and commented on the progress as well. It was very much an art bootcamp and I wouldn’t have the skills I do at this point if I hadn’t done it. It’s important that you’re loving what you do if you do it for yourself! That’s how you get through big projects and continue to be excited with where you are. Love is one of the most important motivators and discipline-keepers in art, in my experience. Draw what sets your brain on fire and attack it wholeheartedly even if it’s really weird or niche, not what you think you should be drawing, and you’ll improve a million times faster.

Art journey in terms of what I’ve done with my life (if this is what you meant from the beginning I’M SORRY I’m just trying everything you might have meant) uhhh I haven’t been to art school. I have no idea what my relationship with art would be like now if I’d had any formal training and I don’t really dwell on it. I could either be a testament to being able to get by without it or an example of someone who has no idea what she’s doing at all and lacks many basic foundational art skills. I have an architecture degree. I love architecture, I love the language of space we build for ourselves, and I’m truly, deeply glad for that eye-opening and often grueling experience, but I think my current field is a much better fit. Before animation I worked as a graphic designer mainly drawing storyboards for commercials and internal-industry stuff-- lots and lots of quick colored sketches (one of our main clients was a big glass company and my god I never thought I’d draw so much glass in my life). I was able to do that job due to the skills I developed through personal work. Maybe I’d be a hundred times more powerful if I went to art school! Maybe I’d be completely burned out and bitter and not drawing anymore at all! I just don’t know. I have friends who have had both experiences. Whether you choose art school or not it’s best to keep tabs on if the art you’re currently making brings you joy. Joy and struggle aren’t mutually exclusive. Oftentimes I’m drawing something I care deeply about but it’s VERY FUCKING HARD and I’m frustrated but it’s worth it.

I also do everything while being very scared of the thing. I have a lot of deep-seated anxiety that I’m constantly trying to root out and my brain compulsively twists things around into why I can’t do something, why people secretly know I’m below-par and are just too nice to tell me, how I’m “tricking” people into thinking I’m better than I am, etc. It’s so bad that my first thought when I was initially offered the art test for my current job was to say no; not because I didn’t want it so badly it hurt, but because I thought I’d be too much of a disappointment. After completing the test I spent an hour figuring out the most gracious way to apologize for not being enough. It’s common, but not something to accept and we’re all working on it. I just thought it was important to mention because art is also a mental journey and forces you to do all this navel-gazey shit in order to advance, and feeling like you are Not Enough is rife in the creative community. The work feels entangled with my value as a person because art is a massive part of my life. Something I’m learning is that I don’t have to be confident or sure of myself all the time. This ensures that the process is usually painful and frightening. Often there’s no way to make it less painful or frightening, and I just have to hold my breath and do it. An oddly comforting thing to me the past couple years is to remind myself that the scary thing I’m about to do won’t be the scariest thing I’ll ever do. I implies both that this isn’t the pinnacle of my progress and also that I will inevitably get over it. If you continue with art you’re going to run into things like this and I guess if it was me it would’ve been helpful to know I’m not alone in it.

I hope that maybe answered some of your questions, maybe? If you have some specific questions feel free and I’ll try my best. Hope you have a good day/night!

#anon #asks

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makeste · 4 years

Text

BnHA Chapter 279: Here Comes the Airplane

Previously on BnHA: Gigantomachia gathered up the rest of the League and headed off to go help Tomura. Also he is now 80 feet tall. The heroes were all, “whoa this guy is really big, we should probably stop him and maybe even devote an entire chapter or two just to that,” and so they sent three whole people after him, which sadly is pretty much the exact sort of strategy I’ve come to expect from them by this point. Anyway so Mt. Lady tried to hold Machia off but kept getting flung aside, and Kamui Woods tried to catch him but was set on fire by Dabi who is just having way too good of a time setting all of the flammable heroes on fire today, and Midnight tried to put him to sleep but Compress threw a bunch of debris at her and so she fell like 80 feet. The chapter ended with Midnight being all “fuck this” and calling Momo, who ordered the rest of the child soldier squad into action as Machia approached. I’m not really sure what they’re gonna do, but I honestly don’t really care, because it’s Momo, and so, YES.

Today on BnHA: U.A.’s first-year hero students, who apparently had nine hours to prepare their battleground instead of the fifteen seconds we had all assumed, launch a complex multi-staged assault which is actually really fucking impressive because these kids are actually awesome. First they pin Machia down in one of Honenuki’s mud pits, and then they take turns making impassioned attempts to take out the other League members chilling out on Machia’s back. Unfortunately none of these attempts work because of Dabi, who’s working overtime while the rest of the League sits around shooting down each other’s escape plans. Basically a lot of stuff gets set on fire, and then the chapter ends with Mt. Lady pinning Machia to the ground while MINA, YES, MINA, charges at him covered in acid like some sort of video game boss that you need some kind of specific item to defeat. DID YOU KNOW YESTERDAY WAS MINA’S BIRTHDAY YOU GUYS. Anyway so this chapter is basically pandemonium from start to finish, and it’s great. It is a RUMPUS, y'all. A STRAIGHT UP HULLABALOO.

IS IT MOMO LOVIN’ HOURS I THINK IT IS, YOU GUYS. ARE YOU EXCITED. I AM EXCITED

but first, the color page we were promised, in celebration of Six Whole Years Of This Bullshit!!

oh god oh god so much to love so little time

some of the rowdier characters are making MULTIPLE APPEARANCES IN THIS SHITSHOW, including Kaminari who appears to be in a record-setting THREE of these! who exactly was taking all of these pictures, and why are they so obsessed with him. also how many of these are going to be used as evidence in the latest Kami Traitor Theory posts and is it too early for me to get mad about it

“WE INVITED ENDEAVOR AND HAWKS TO OUR ‘BEING FANCY ON THE COLOR PAGE’ PARTY, EVEN THOUGH THEY’RE NOT U.A. STUDENTS OR FACULTY. WE JUST FELT LIKE IT.” listen that is fine, y’all don’t have to explain yourselves to me

Mirko however is not here, I assume because if she was, Horikoshi would have forgotten to draw all the rest of the characters again. she’s too powerful

Midnight is so sexy I don’t even ksdfnkl

ALL MIGHT LOOKING HAPPY GIVES ME THE STRENGTH I NEED TO MAKE IT THROUGH THE REST OF THIS WEEK. YOUR SMILE IS THE MVP

Cementoss’s face is the runner-up MVP and one of the greatest things I’ve seen in my life

half the people here seem to be attempting to flirt with whoever is taking the pictures. I am starting to suspect that the culprit is Momo. change my mind

for some reason I am really shocked to see Endeavor getting his drink on. and he’s literally the only one, too

Bakugou’s half-assed I SAID NO PAPARAZZI skills are no match for Tamaki’s legendary “I WILL LITERALLY DIE IF YOU CAPTURE ME ON FILM” abilities

I literally didn’t notice Deku until like three quarters of the page in. he sure does blend right in there

Tokoyami is approximately 97.3% done and ticking EVER CLOSER to full 100% doneness, and when that happens even I can’t tell you what is going to go down

do I even need to mention how sexy Aizawa’s hair is. apparently I do

SERIOUSLY THOUGH CEMENTOSS’S FACE

anyway, so that was nice! NOW ON TO THE MOMOLOVIN’

and we begin with FIRST YEAR CLASS B HONENUKI “MUDMAN” JUZOU just LAYIN’ SOME TRAPS IN THE WOODS, as one does

oh my freaking god Tokage

somehow her quirk didn’t freak me out quite this much the last time we saw her. she is really something. has she always had shark teeth

also WHERE IS MONOMA’S GROUP. I immediately want to know!! is he with the Shouto group? or is there yet ANOTHER student group we don’t know about? what would they even be doing

or did Horikoshi actually get three quarters of the way through writing this arc and then suddenly slap his forehead as he realized that if Monoma just casually copied Machia’s powers he would either DIE IMMEDIATELY or else become SUPER STRONG and also grow 80 feet tall and this would suddenly be a very different battle with the scales tipping decidedly in the heroes’ favor. and so he had to quickly write him out of the battle in this very half-assed way

anyway, so while I ponder that, Tokage is peeking the top of her head out over the trees and staring at Machia who is, you guessed it, still heading right their way! just like he’s been doing pretty much this entire time

and now there’s a whole page of reaction panels you guys. this is why Horikoshi tries to avoid these massive Endgame-style battles with every single hero known to man participating. hopefully we won’t have too many of these. like I mean thank you for the roll call and all but I’d like to get to the action now

Mineta of all people is stealing this entire page with that expression though. he is not fucking around. this is twice in as many chapters that he’s been a page-stealing face-making champ. dare I hope this could be the start of a new niche for him? lord knows it would be so much better than the old niche

also this page is just sweatdrops galore. these kids are so nervous. MANGA GODS PLEASE KEEP THEM SAFE, although I’m honestly not too worried about them compared to the adults. I’m sure I should be, but I just am not

all right so now Momo is explaining what those little canisters are!

okay but someone please explain to me how it is that they had time to stop and lay all of these traps?? not just Honenuki’s, but Mineta’s and what looks like some of Shiozaki’s work as well?? did Machia just STOP MOVING for like five whole minutes all of a sudden for no reason at all? while they were all sitting out here saying things like “with that speed...”? ????? ????????

also lol wtf. “we’re gonna have to make him eat it.” I still have no idea what their plan is, but it’s getting more entertaining by the minute I’ll say that much

okay so Momo says that if they can get him to swallow just one of these, then that should be enough to put him to sleep. oh my god this chapter is going to be AMAZING isn’t it

meanwhile Mineta is worrying about Midnight. I swear to god if they turn this into something where he’s only worried because she’s hot, I will take one of these canisters and shove it right up his...

okay good, Mina’s reassuring him that it’s gonna be okay, and then we’re just cutting to Machia stampeding in with Mt. Lady and Kamui still clinging to him

WHAT THE HELL ARE THESE GUYS EVEN DOING

“we’ll just stand here adjacent to him and just kind of watch as he rushes straight at the children.” someone help me, I’m having difficulty finding a synonym for “useless” that carries the full amount of emphasis I want to place on it right now. this requires a degree of language the human race is not yet capable of

OH SNAP

THEY GOT HIM YEAHHHHH

OH DANG, FOR REAL THOUGH!!

ngl, for a brief spiteful moment I was disappointed he hadn’t actually fallen on them :/

and they’re still JUST STANDING THERE, I CAN'T EVEN?? we’re getting to the point where I honestly think actual civilians might have been of more use in this situation

YESSSSS

TIME TO FIND OUT HOW MANY TENTH GRADERS GIGANTOMACHIA CAN TAKE IN A FIGHT

also, sorry to keep harping on this, but the juxtaposition of that earlier panel with all of the fully grown and experienced pros just standing in dumb awe, immediately followed by this panel of BRAVE BUT DETERMINED CHILDREN CHARGING IN AND YELLING “GO GO GO”, is just... it really is something. shit. if I was the HPSC and this was what I had to work with, I too might have seriously considered fudging a few age requirements in hopes of finding someone who could actually get the fucking job done

also what the hell is going on down there with Shishida and Satou and that third person? what are those Blackwhip-looking things?? I’m confused

ohhhhh no

Shiozaki is about to be sent flying through the air courtesy of her own hair vines omg

OH NO WAIT THE THREE TOUGH GUYS ARE STOPPING HIM. AHHH THE LAST ONE WAS KENDOU AHHHH

I still can’t figure out what the hell those are though lol. did Momo make some steel cables?? I feel like Machia would be able to break just about any kind of rope or chain they could concoct just by sheer brute strength alone

ah fuck

DON’T YOU GUYS GO RUINING THIS FOR ME!! THEY’VE GOT A GOOD THING GOING HERE, LET THEM HAVE THEIR FUN!!

although I do appreciate how they’re all “U.A.!!” in kind of this “oh shit, these guys we actually have to worry about” sort of tone lol

this look on Toga’s face is a bit concerning! well but Deku and Ochako aren’t here though, so I wonder who she’s gonna fight if it comes to that. huh

(ETA: seriously, does anyone have any idea what Toga is planning cuz I sure don’t.)

Shouji and Ojiro, who I might remind you are normal people with no enhanced physical abilities aside from extra appendages, appear to have somehow circled all the way around to Machia’s back and are now climbing up oh shit

oh and Aoyama’s there too! -- is Shouji carrying him omg

he’s using him as a human ray gun omggg. this is the most delightful thing I’ve ever witnessed

NOW SOMETHING IS BEING SHOT AT THE LEAGUE AND DABI’S STARING AT IT ALL “>:(” AND I’M PRETTY SURE THIS THING, WHATEVER IT IS, IS ABOUT TO BE SET ON FIRE, LET’S SEE

lds;afksjdl;fkj WERE THOSE JIROU’S EARJACKS??!!

okay you know what fuck you Dabi. you think it’s funny to set a little girl’s ears on fire?! don’t expect any sympathy from me when Aoyama lasers you in the face

WELL I DON’T KNOW WHAT’S HAPPENING BUT THEY’RE SHOOTING WHAT LOOK LIKE A BUNCH OF LITTLE TAMBOURINES AT HIM NOW

I ASSUME THEY ARE NOT ACTUALLY TAMBOURINES, BUT I REALLY DON’T KNOW, IT’S NOT LIKE THEY HANDED OUT THE RULE BOOK TO THIS THING AHEAD OF TIME

[HUGE EXAGGERATED GASPING SOUNDS]

oh my god oh my god oh my god oh my god oh my

OH MY GOD AND YANAGI THREW THEM WITH HER POLTERGEIST QUIRK!??

I DON’T KNOW WHAT THIS “ACK?!!” IS AND IT’S REALLY BUMMING ME OUT, BECAUSE THIS CAME WITHIN INCHES OF BEING THE COOLEST FUCKING COMBINATION I’VE EVER SEEN IN MY ENTIRE LIFE!?!?

(ETA: it would have laid them all flat in seconds. Kaminari is to be feared you guys.)

NO!!!!!

it is sincerely frustrating to me watching the League carelessly toss aside all of their painstakingly accumulated goodwill from the MVA arc in the span of just a few short pages. hey Compress, you think it’s cool to hurl a bunch of rocks at my six-and-a-half-year-old son?? I hope someone rips that cool robot arm off and uses it to punch you in the dick

here comes Sero!! and how are you going to die, Sero

what in the

did he just... sneeze them all into space

okay but hear me out, what if Shouda absorbed that impact. SHOUDA YOUR TIME HAS FINALLY COME. CLASS 1-B’S ASCENT TO GLORY

(ETA: watch this space!! Shouda is here for a reason mark my words.)

meanwhile on Machia’s back, Dabi is soliloquying about Machia’s quirk while his arm is doing... something

please forgive me for not being able to drum up any sympathy for poor Dabi’s arms right about now. quit trying to set all my kids on fire

wait whaaaaat lol

so I scrolled back up to the previous page, and... that was fire?? lord help me why am I still so terrible at being able to tell when Horikoshi is drawing fire as opposed to just air randomly whooshing through trees. I have really got to memorize that foossh sound effect

so can Gigantomachia just BREATHE FIRE now?? or was ALL OF THAT Dabi??? if it was the latter then at least he had the decency to wait until all of the kids got blown out of range before setting the whole forest aflame to keep them back. I’ll admit it, that was thoughtful of him as far as villain power moves go

OHO BUT YOU CAN’T COUNT MOMO OUT JUST LIKE THAT!!

AND NOW EVERYTHING AROUND THEM IS EXPLODING AHHHHHH DID YOU GUYS SET LANDMINES, BAKUGOU WOULD BE SO PROUD

once again I have to ask myself exactly how much prep time they had here. Horikoshi would have you think it was mere seconds, but that clearly cannot be the case?? maybe they set some of these up beforehand to catch any stray villains trying to flee the area?

lmao Spinner’s all “wait why doesn’t he just dig his way out”, because apparently Machia can tunnel himself under the ground. but Compress is all “um because we would die” and Spinner is all “oh right”

though I gotta say, it’s not like they’re that much better off as things are now, either. pinned down in the woods surrounded by fire and explosives. definitely a conundrum

oh snap Compress has realized that their presence is holding Machia back. don’t tell me Machia is gonna head off on his own and leave the rest of the League to square off with the kids

YOOOOOO HOLY SHIT THE HEROES ACTUALLY DID SOMETHING

there you go, League! free cannon fodder to get you all pumped and confident again!

DKFJLSDKJ

PLEASE LET THIS BE THE ACTUAL TRANSLATION OH MY GOD. THIS IS MY NEW FAVORITE LINE IN ANYTHING AHHHH

“I’m leaving it to you, U.A.’s youngsters!” yeah, you and everyone else. ah well, can’t deny they get the job done

OH MMKJKYYYY GODDDDDDJJK

MINA COATED HERSELF IN ACID AND IS RUNNING AT GIGANTOMACHIA AND IS SHE ALSO ON FIRE??!?! SHE’S JUST RUNNING AT HIM LIKE A BIG OL’ FIERY BLOB???! QUEEN MINA???!! FIRE IS NOT HER WEAKNESS???! MINA??!! IS AIRPLANE?!??!!?!? MINAAAAAAA

holy fucking shit this whole arc is just one big Arc Of Ladies Getting To Do Stuff and I am 1000% living for it. THIS ARC IS MY FAMILY. I WOULD DIE FOR IT AND LEAVE EVERYTHING TO IT IN MY WILL. ahhhhhhhhhh

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tsaritsa · 3 years

Text

tagged by the beautiful and sexy and successful @fullmetalscullyy + @megthemighty. ty babes ur both fergalicious mwah how many works do you have on ao3? 40

what’s your total ao3 word count? 275,381 words

what are your top five fics by kudos?

may i feel, said he

for the serpent has died and i’m leaning by your side

enthrallment

against the run of play

a strange fate with wandering limbs

i’m really proud of each of these pieces for different reasons. mifsh is a love letter to mar and to the fandom generally; ftshdailbys (what a fucking acronym lmao) was one of the first pieces i did with the intention of hitting a specific word count; enthrallment is a reminder to myself that pain does eventually pass (and that riza/bradley is sexy af); atrop definitely helped develop my love for multimedia fics and playing around with how we show information to the reader; and asfwwl was as much a study of riza as the people around her

do you reply to comments, why or why not? absolutely — although i tend to wait for updates to reply to the previous chapters if it’s an ongoing piece. i’m always stunned by the comments i get and i treasure each and every one of them. ty for giving me a little joy in my daily life

what’s the fic you’ve written with the angstiest ending? i guess it depends on ur perspective. a strange fate is essentially dead dove on arrival — and bellyache deals with some unsavoury themes as well

what’s the fic you’ve written with the happiest ending? prolly that v saccharine valentines day fic. personally it makes me cringe a little now, but if that’s what floats ur boat, then go for it

do you write crossovers? if so, what’s the craziest one you’ve ever written? specific aus are as close as i’ve gotten - the crown!au would be the best fit. the concept of doing a marvel-esque endgame showdown has never really vibed with me; especially for the fma universe, which is incredibly niche and unique in a variety of ways

have you ever received hate on a fic? hahahahahah remember the time when ppl were bitching about mifsh on here bc it was ‘everywhere’ and we were ‘no better than rcyeddies’ with the power imbalance and it was a ‘glorified self-insert fic’ and we were deviants for sharing it and had made the royai fandom ‘cheap’ and ‘an awful place to be’ bc they were so much more than fucking?

yeah me neither lol. i’d also like to state that i’m not bitter about this anymore — but it really did feel awful to read those things, and for ppl to judge us and the substance of the story without ever bothering to talk to us before doing so. i’d like to think the fandom is a kinder space now, where we can just. move on if we don’t enjoy something, instead of sniping about it publicly and deliberately trying to make ppl feel bad

and if u were one of those ppl who were mean: either die mad and jealous lmao OR write something better and more engaging if u want ppl to shut up about may i feel. that’s literally all u have to do 🤷

do you write smut? if so, what kind? i write sexy smut. sometimes it’s an au where they’re in a ballet company. sometimes they’re at university. sometimes i forget to finish them in a timely fashion

have you ever had a fic stolen? not lifted verbatim. but there have been a few times where — and it’s not just my gut feeling, others have brought it to my attention — ideas and phrases align a little too neatly for me to brush it off as mere coincidence. at the end of the day it doesn’t really matter

have you ever had a fic translated? i’ve been very lucky to have a few translated: a few in spanish, russian, and mandarin as well, if memory serves me right

have you ever co-written a fic before? y’all know i have. may i feel and starstruck are the published ones, but maybe more will surface. we’ll see

what’s your all-time favourite ship? royai for sure. they just tickle a very specific part of my brain

what’s a wip that you want to finish but don’t think you ever will? won’t say i can’t finish any of them bc there’s always the chance i will — just a matter of sitting down and figuring out what needs to happen

what are your writing strengths? this made me pause for a bit bc in truth i’m not terribly sure. i’d like to think my dialogue is strong — not only in terms of characterisation, but in the ability to move the plot forward without having to simply tell the reader what is going on. y’all know i love making things sound pretty as well — assonance my beloved

what are your writing weaknesses? it’s a double-edged sword. as much as i love writing to a particular aesthetic, that definitely hinders me too when i get too involved with the details rather than examining my writing from a birds-eye perspective. i also know i struggle with keeping things simple — from explaining something as just. as it is as well as bigger issues like “let me just tell y’all about the history of the economy of resembool from the years 1872-1911 even though this was meant to be a throwaway sentence″

what are your thoughts on writing dialogue in other languages in a fic? i think it can add a ton of depth to a scene — it’s more a case of ensuring that the context around the dialogue can help the reader infer meanings without feeling so unsure they want to go search the translation. for the most part in may i feel, i think readers have been able to understand without too much hassle when a character uses spanish (but also we all know enough rudimentary spanish that it’s not utterly foreign). using a non-latin written language like mandarin or thai would definitely take me out of the fic more — but again, it’s all in how u apply it

what was the first fandom you wrote for? fruits basket! i never published it tho

what’s your favourite fic you’ve written? currently it’s my piece that will be published for this years fma big bang. i’m really excited to share more about it next month (and publish it on october 3rd!!)

tagging @firewoodfigs, @royai, and @bringingglory if y’all haven’t already gotten around to it

#would u believe i'm writing fic again?#who would've thought lockdown would give me time + space to do so hah

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