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#helps if i actually post things instead of saving them as drafts
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I find doing research pretty exhausting; so much reading, so much fact checking. Unfortunately, a good amount of my stories require research. How do I amend this?
Taking the "Overwhelm" Out of Research
When I wrote my third novel, I went into this exhaustive research mode. I bought books about my setting's inspiration locations, I sent away for travel guides and brochures from those locations (this was back before the internet is what it is now), I spent hours researching how to do things my character did for two sentences in the story. I even had an extensive list of trees and plants that grew around my protagonist's home, and the various uses of these plants.
At the end of the day, very little of that hard work actually went into my story. I didn't need to know everything there was to know about my inspiration locations in order to base my setting off of them. I didn't need to know all seventeen steps of a thing my character did two steps of in the story. I didn't need to know the medicinal uses of forty-two different plants and trees when my character only needed to use one...
My point is, if the research you're doing for your stories is exhausting you, you are almost certainly doing way, way more research than you need to. This is why I'm actually a huge proponent of doing only superficial research ahead of the first draft, then doing deeper research once the first draft is done. At the very, very least, waiting to do research until you have outlined each scene and know specifically what elements will actually make it into the story. That way you can focus your research on things that actually matter rather than pouring hours and hours of research into things that won't ultimately matter.
And with the exception of things that are plot-critical, you can generally save your fact-checking until after the first draft is written, or even until later revisions, because by the time you get there that fact may not even be in your story anymore.
If you still find yourself with an overwhelming amount of research, try breaking your research up into smaller, more relevant subjects. Like, instead of researching Victorian era botany because your character spends time in a plant-filled conservatory, try researching "Victorian era conservatories" to get a rundown of what they looked like, what plants were typically grown in them, etc. Or, instead of researching Victorian era medicine, research "Victorian era treatments for viral infections." This way you're boiling your research down to the thing that's relevant to your story rather than trying to learn everything about the broader subject.
I hope that helps!
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effulgentinara · 4 months
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Can post this now since they were for a Christmas present - my first resin dice casting - mould and blue mica from Druid Dice, with some Culture Hustle Blue Lit mixed in so they glow in the dark! (forgot to take a picture after painting the numbers, but I used the Culture Hustle Gold with Black Gold on the 1s)
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404-mind-not-found · 15 days
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I MADE A SYNOPSIS AND A SONG LIST FOR THE HYPOTHETICAL FNAF MUSICAL (Well, the first draft, I'll probably change some minor story stuff later) Edit 20/04/2024: Read the second draft instead! Act I is really similar to the actual lore of FNAF up to the MCI, but Act II is when things diverge.
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(Actual synopsis text under cut, had the song list too but it wouldn't let me post with it, I'll try again later)
Synopsis ACT I William and Henry meet and create Fredbear's, and later Freddy Fazbear's, and both of their families are introduced (The Spark). Then, it shows the current year of 1983. While William wanted to expand further, Henry was content. Dealing with already existing jealousy plus this new anger, he murders Charlotte to keep him in line (Mine, Forever). Everybody except for Henry moves on from Charlotte's murder, and William continues as normal until his youngest son's birthday (The Birthday). The day seemed to be good for everyone involved. However, due to a prank by Michael and his friends, his head is crushed by Fredbear and he later dies. Charlotte, who was now possessing the Puppet animatronic made to protect her, gives him life inside the Fredbear animatronic. Fredbear's closes because of this, and William scolds Michael harshly (The Bite). Following this, William and Henry have much more frequent arguments, so does the former and his wife, until she disappears. William spends more of his time at Freddy Fazbear's, where he feels the atmosphere has changed. He then investigates the Puppet, finally understanding that her soul was inside the animatronic. Meanwhile, Michael and Elizabeth become closer together as William spends less and less time at home (Agony). William spends the next year and a half studying, finally creating a plan to recreate the events of Charlotte's murder. With this in mind, he decides to go and take the lives of four more children, Elizabeth overhearing the entire thing (Follow Me) ACT II Everybody in town hears about the murders by morning, and Clay starts investigating the situation. He suspects William as the murderer (Eye of the Hurricane). Freddy's closes down. At the Afton house, Elizabeth tells Michael everything that she overheard and the two of them look into all of William's stuff while he was away. Their suspicions are found to be correct (Daddy's Show). They then flee once he returns home. William goes to the room and unveils his hidden experiment: a rabbit animatronic for himself to become. He then decides he needs more Remnant, but knows he can't collect any while Clay suspects him. A few days pass and Jen visits Henry and convinces him to leave Freddy's behind for his sake (Until The End). However, after she leaves, Henry finds a letter telling him to go there. At the restaurant, William plans to murder him and frame it as a suicide done out of guilt to clear his name (Follow Me (Reprise)). Michael steals William's car and goes to Fredbear's with Elizabeth, wanting to find more answers there. They discover Fredbear possessed by their brother, and realise they need to find his father. Henry meets William, who tells him everything then attacks him. Before he can give him the finishing blow, however, his kids appear to stop him. William talks to them, but Michael sees through his ruse (You Can't.). Clay reveals himself, telling Elizabeth and Michael go outside, where they find Fredbear. Elizabeth brings him to the other animatronics, where they move on (Happiest Day). William fights Clay, and Henry stands. He takes Clay's gun and shoots William's leg, allowing Clay to arrest him before becoming weak (Mine, Forever (Reprise)). He, Mike and Elizabeth say their goodbyes. Later, the town closes the case and moves on from the tragedies. After Henry heals, Freddy Fazbear's is remade into a new space for children with the help of Elizabeth and Michael. William's place is gone through and the rabbit suit is demolished to make the sign. (Save Them).
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pokeberry5 · 10 months
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i'm not really sure what the main thrust of this post is, but this yj98 arc has been haunting me literally since I read it months ago, so I've put together a brief(ish) overview of the salient points and the questions it's left me with
aka
that time young justice was sent to a literal intergalactic war front
aka
young justice has even more complex ptsd than you probably thought!!
yj98 #35
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the premise is that there's a global war against imperiex, spearheaded by president (blech) luthor. as minors, they can't be drafted into it
(i hunted around and apparently Our Worlds at War, with Imperiex as the big bad, is the broader context, which i didn't feel like reading for this)
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instead, they're going to be attached to a "sort of super medical unit" called the "paradocs"
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the way they're persuaded to accept their role (instead of?? fighting on the front lines?? jeez kon) is to conceive of themselves as saving active-combat superheroes for their children they're leaving at home (creating an implicit distinction between those children and themselves, which i find sad)
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yj is specifically a "search and rescue team"
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with a civilian cissie king-jones as their qualified emergency medical technician (so her public persona is an olympic champion, actress, and volunteer veteran of an intergalactic war???)
is cissie the only one performing medical services then? do any of the others pick anything up from her, if these missions last long enough? (do tim and cissie bond as the only non-powered people they know going into a space war?)
yj98 #36
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they've run "a couple" successful missions behind enemy lines: what does this mean for the duration of this role?
(i'm not sure if reading Our Worlds at War would help determine how long this all lasted, but if someone who has read it has answers, i'd love to know)
also, were they in space the whole time or going back in between? (i also really really want to know what batman thinks of his protégé being part of a space war. related, did cassie tell her mom??)
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Superboy Vol 4 #91: War Letters gives some context to this
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(kon putting on a brave face!!)
but also:
even as paramedics they were participating in active combat, fighting off scavengers
the lack of specifics, the mention of the fact that he's met "a lot of interesting cats in the field," and of "things" he's seen—there's a sense that he's seen a lot but not enough yet for it to no longer be shocking. or, that what they're seeing is so savage that it never ceases to be shocking.
this also implies that they've met and rescued a slew of people from across the universe. does yj have intergalactic connections? do random alien soldiers remember this small group of earth children that saved them?
this panel also shows kon (and likely the rest of them) amidst recovering jl members. what does the broader jl think of this group of kids in an acknowledged war zone, seeing them beaten down like this? (it's unclear whether kon actually went and rescued kyle rayner here or is just helping him around the medical area, but there must be some sort of lasting impression from this)
they get diverged from their rescue mission and end up on apokolips
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bart experiences death when one of his "scouts" is killed—this has a lasting impression on him (addressed later) and kon blames himself, since it was his decision to chase after steel that landed them here. do the two of them ever talk about this? (they don't in yj at least)
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yj98 #36 contd.
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kon's accusation shows that this arc happened right after the drama between batman and the jla during tower of babel (the secret contingency plan drama)
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and after batman's betrayal of tim's identity to spoiler (rip tim being betrayed on multiple fronts)
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(tim putting on a strong front :'))
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i find it interesting that tim considers his state "a world of grays" in contrast to kon's "black and white" attitude. balancing a multitude of considerations is a "world of grays?" anyway, tim staring death in the face and admitting he's scared :')
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and then tim gets to watch lil lobo die (he does technically come back but!) and says explicitly that another part of innocence he didn't know he had died with lobo. this can't be his first time witnessing a death given gotham's everything, so is it because this is the first time he's watched a comrade die (and so brutally too)?
yj98 #37
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and then! we get extended(?) mental torture on apokolips, enough to drive to tim to attempted homicide (both in the dream world and out of it)
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(he was made to watch kon and cassie get murdered brutally in front of him jsyk)
and once he's out:
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(does this ever haunt tim? that he almost broke batman's one rule? also parallels with dick beating the joker to death later on tim's behalf)
yj98 #38
the fallout:
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we see that after experiencing his scout's death on apokolips, bart's been left with a fear of death strong enough to get him to leave yj (i don't actually know how this gets resolved?? it must happen in his solo bc he just sort of reappears a few mini arcs later...)
("i quit for a bunch of reasons ... but not a single one of them had to do with being afraid i'd get killed," cissie you're sooooo well-adjusted. she doesn't think bart's valid rip)
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this is the moment where tim quits yj because he can't deal with their lack of trust (oof) and because“i don’t need the grief of young justice,” referring to everything else going on in tim's life (batman betraying his identity to spoiler)
(he'll lose them later on anyway—does it haunt him that he came back?)
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(it's sweet that kon has someone he feels he can talk to and ask advice from)
i'm not sure if tim ever gets that apology
tldr: i kind of want one or more of yj to end up as a paramedic
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prythianpages · 7 months
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ACOSM | The Night she was Born
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azriel x rhys's sister (oc) however, since this is her birth story, Azriel is not in this.
warnings: birth scene, mentions of blood, some angst and maybe mild fluff
A/N: this is just an imagine of the birth of Rhysand's sister, the first to my collection of imagines that follow her story. I do want to put a disclaimer that some details will be different in my series of imagines following Rhysand's sister, to what is actually canon in the books. Another disclaimer is that I've been in love with the name Yvaine since I watched Stardust and thought it would be a fitting name for Rhysand's mom after learning it meant "evening star." I am aware that there is a fanfiction that also named her the same but when I chose to name Rhysand's mom this, it was not my intention to copy it. I actually hadn't gotten to that part in the fic yet when I had already written this.
**
Screams of anguish followed by frantic orders filled the room. Sweat glistened on her skin, her dark hair sticking to her forehead. She hunched over in pain, her grip tight on the bed post as she refused to lay down. One of the maids rushed to open the doors to the room’s balcony and then drew back the curtains to all windows before opening those as well, allowing in the fresh draft of cool air in. 
The moon was aglow, casting its light upon the room as if it was bestowing its blessing upon the coming of the second child of the night court. But still, it did nothing to relieve the lady in distress as she let out another scream, causing the little dark haired boy beside her to pale, stricken with his own fear over hearing his mother’s agony. She had been like this for hours.
At the sound of the doors to the chambers opening, the dark haired boy turned his head. Tears glistened in his deep blue-violet eyes as they fell upon the High Lord of the Night Court. The little boy ran toward him.
The High Lord’s face crossed with fear, the color draining from his face at the sight of his wife–his mate– in pain. He paid no mind to the boy who had ran to him and sought out comfort but instead continued to walk to his mate. 
The High Lord did not say a word. He did not need to. His hand reached out toward his wife’s, finding it to be warm and clammy. He felt her relief shoot through their bond at his touch. She loosened one of her hand’s grip on the bedpost to allow herself to wrap them around her husband’s instead.
 “Push harder, my Lady.” Madja, one of the Night court’s healer, instructed as she kneeled before her Lady and urged the maids to aid her in helping with the birth. 
The High Lord watched his mate struggle, unable to hide the worry on his face. Their first born had come with ease. With Rhysand, it had been a smooth pregnancy with the babe arriving right on his expected due date. It had also been a short labor with minimal pain. Nothing compared to the scene before him. Very few things were capable of instilling fear into the High Lord of the Night Court…
Losing his mate was one of them.
“My High Lord,” Madja began with a frown. Tears streamed down her face as she brought up her bloodied hands–his mate’s blood. He followed her gaze to the pooling of blood on the floor that seemed to be growing more and more by the second. He felt like the breath was knocked out of him. He recognized that tone in Madja’s voice. “She’s lost so much blood. I’m afraid–”
“You will save this child at any cost!” The Lady of Night screamed in between her tremors. Her desperate eye’s met her mate’s. She knew what Madja was about to say and as she looked into her mate’s deep blue-violet eyes, she knew what his answer would be.
“Yvaine–”
“Please.” Yvaine, the Lady of Night, begged.
“We will save them both.” The High Lord said in a commanding tone as he returned his gaze back to Madja. A frustrated glower was etched on his face and his eyes were alight with a warning. If either of them die, you’ll be next.
The High Lord of the Night Court was powerful. However, his powers specialized in destroying and misting his enemies. He was not well endowed in the healing aspect, which is why he summoned more healers from the Night court, cursing himself for underestimating the need.
Upon their arrival, Madja barked desperate orders at them as she took the lead on Lady Yvaine’s labor. The High Lord did not know how much time had passed. He could only focus on holding his mate and whispering reassurances to her as she continued to hunch over in agony. Yvaine was strong and she would get through this. 
“The baby is coming!” Madja shouted in relief. “I can see its head!”
One last scream came from the Lady of the Night followed by silence.
Then, another cry—a babe’s cry. 
Madja caught the babe in her arms, wrapping her around the towels she had prepared earlier as her helper cut the umbilical cord. The High Lord carefully held Yvaine as some of the healers cleaned her up and switched her nightgown. Yvaine had lost a lot of blood that would slow down her recovery but she would live and that’s all that mattered to the High Lord.
As the High Lord helped Yvaine to rest in their bed, he couldn’t but smile in relief. He pressed a chaste kiss to her sweaty forehead. “Well done, my love.”
Wrapping the now clean baby in a new blanket, Madja approached the High Lord and Lady Yvaine. A warm smile on her face as she looked down to the crying bundle in her arms. “It’s a beautiful baby girl.” Madja said, holding out the baby to them.
The High Lord dropped his wife’s hand, allowing her to stretch her weak arms forward and beckoning for Madja to place her baby in her arms. 
A girl? The High Lord couldn’t help the disappointment that settled in as his gaze fell upon their newborn. A girl was not what he was hoping for and as his gaze inspected the babe further, he couldn’t help but notice how small she was or how fragile her little wings appeared in comparison to Rhysand when he was born. This was the babe that had caused his mate so much distress and pain over the past couple of months. He was hoping the pain and struggle meant the coming of another strong boy such as it had happened for the High Lord of the Autumn Court. 
 “Such a frail little thing. What a pity,” he couldn’t help but mutter as he turned and made his way out of the chambers, alluding that he had other present matters to attend to. 
**
“Rhysand.”
The dark haired boy–no older than two– turned to his mother with wide eyes, his little wings outstretched and taut. Despite being told to return to his chambers so that he may avoid the horrors of childbirth, he had opted to stay, determined to be one of the first to meet his new sibling. He swallowed the urge to bring back up his dinner and approached his mother with caution. He brought his wings back in, careful not to hurt his mother but anxious to see the small bundle in her arms. 
Rhysand’s mother, Yvaine, smiled with tired eyes, patting the spot on the bed beside her. He successfully hopped onto the bed and eased himself into her open arm as she curved it around his shoulder, bringing him close. He found himself staring into eyes that mirrored his own and hair just as dark as his. She also had wings like him. As Rhysand curiously looked upon his new sibling, the baby’s cries came to a stop as she did the same.
“Sister?” Rhysand softly asked, sparing a brief glance at his mother before he returned his awe stricken gaze to the baby. While his words were few, his mother had done well in teaching him two more words in anticipation of the babe in her stomach: brother or sister. She had opted to keep the gender a surprise to all, including herself. While she knew her mate and husband had wished for another son, she secretly wished for a daughter. And when she heard Madja’s announcement of a baby girl, she was over the moon with the news, despite her aching body.
“Sister.” His mother confirmed, pressing a kiss to his forehead. “You’re a big brother now, Rhys.” 
A tiny gasp escaped from Rhysand. Big brother.
 “Have you thought of a name, my Lady?” Madja asked, feeling her heart swell at the sight of the three.
Lady Yvaine looked down at her baby with such love and tenderness. She had heard the words her husband had muttered under his breath before departing, her heart aching at his disappointment. She could not disagree more with him. The baby in her arms was not an easy one to carry or bring into this world but she did not care. She was just so happy and relieved to finally have her daughter in her arms, safe and sound.
“She is to be strong and brave in a world like this,” Lady Yvaine stated, reaching out her finger for the baby to grasp. She broke into another smile as the baby wrapped her hand around her mother’s fingers with a surprisingly strong grip. It was as if the baby had agreed with her and a name instantly came to mind.
“Valeria.”
“Valewia.” Rhysand repeated slowly, causing his mother to giggle and those around to swoon over the adorable moment.
“Oh, my little stars.” Lady Yvaine cooed as she brought both of her children closer to her, inhaling both of their sweet scents deeply. “May you always shine bright, even on the darkest of nights.”
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Note
Do you have any advice for writing your first draft?
I’ve just finished an outline for a fic of mine, and like all my projects I abandoned them at the first draft because I lose interest in the story.
So, how can I stay interested long enough to complete my draft and move on to actually finishing the story?
HOW TO WRITE A FIRST DRAFT
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A first draft is the hardest draft you will ever write; it’s creating something from nothing, without the benefit of using a previous draft as a base. Obstacles such as writer’s block and motivation may oppose you at every turn, and it can be easy to get sidetracked and frustrated when you have ideas for the “middle” of the story but somehow can’t get to it. 
Just know that everyone is different and writes in a way that works for them, so don’t feel pressured if these tips don’t work for you or don't fit your style of writing!
1. Start With a Good Outline
Since you don’t have a previous draft as a foundation for your writing, your outline will take the place of this! Refer to my posts below:
How to Outline
Plotting for Pansters and Pantsing for Plotters
You can also refer to my FAQ, which includes a variety of resources on getting started. This includes posts on how to get into writing fiction, how to write consistently, and how to combat writer's block!
2. Know that You Don’t Have to Write in Chronological Order
Write what inspires you! If you have no idea what your first scene is going to be but have very specific ideas about a coffee shop interaction during the middle of the book,  write the coffee shop scene instead of staring at your blank word doc for an hour and giving up!
Writing is better than not writing, even if it’s not the part of your story that you “need” to get done. In fact, it can be easier (and more cohesive!) to write all of the major scenes you’re excited about first and connect them together, than to write out everything in the order from start to finish.
3. Give Yourself Permission to Write Incomprehensible Garbage
This goes hand-in-hand with the tips I highlight in my post about overcoming writer’s block. When it comes to a first draft, DONE IS BETTER THAN PERFECT, and QUANTITY OVER QUALITY. It is totally okay if your first draft is covered in placeholders for scenes and conversations that you don’t feel like writing.
For example, rather than getting stuck on writing about your characters on the car ride to the carnival, just write and highlight in red “THEY DRIVE TO THE CARNIVAL” and come back to it later. That way, you can have fun actually writing the carnival scene instead of struggling to write the stuff leading up to it. Momentum is the key to getting your first draft done, not producing writing that “sounds good.”
If you’re just going to go back and edit it later, why bother getting stuck on that now? This leads me into my next point:
4. STOP EDITING!!!
When it comes to a first draft, opening up the doc and editing the things you already wrote for the 712123979843th time is not progress; now you just have one REALLY good scene and no rest of the story. Save the editing for later; you’re more likely to lose steam and feel stuck if you keep getting caught on the same things over and over again. 
I am calling myself out on this one, as I am INCREDIBLY guilty of using editing and rewriting as an excuse to not write new material, but unfortunately it has to be said. Having it in your mind that you’re making progress when in reality you’re using editing as an avoidant technique will not help you in the long run (as much as I wish it would). 
This can sometimes be helped by writing each chapter (or scene that’s getting you stuck) in a new document so that you have no choice but to focus on what you’re currently writing; sometimes the temptations of editing are too great to resist when you have all of your writing in one place!
5. Set Specific Goals and Document Your Progress
Setting goals helps you break up the huge task of “writing a book” into more manageable chunks. 
For example, heading into a writing session with the goal “finish this chapter” or “finish this scene” or “write this dialogue” can make it easier to overcome writer’s block; you are solely dedicating your focus on doing this specific task, and are less likely to get distracted. It’s better than barging head-first into it with no direction, and may also have the added bonus of keeping your writing cohesive.
Documenting your progress can help hold you accountable for reaching the goals that you set. If you like to perform under pressure, maybe you can document your progress online or with a friend; that way, you feel a bit of a pushback from outside sources to get things done! Keeping consistent will also help in maintaining a steady flow of inspiration—you’re always thinking ahead!
However, you should remember that life happens, so don’t beat yourself up if you’re struggling to reach your goals or deadlines! Nobody is a writing machine!
Hope this helps, and happy writing!
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jojo-oliver · 10 months
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How to tumblr for artists… my own version
A collection of things that have been working for me, but may not work for everyone
~~~ your posts ~~~
!!!reblog your own stuff!!! you need to reblog your own stuff, there is nothing morally wrong with reblogging your own stuff regularly. in fact, it is morally right to allow the chance for more people to see your artwork.
~~~ queue it!! ~~~ my queue is 500 posts strong. maybe don't try to make your queue hundreds of posts strong in the same day omg but like… once every month or two i'll go through my whole blog and just scroll and "add to drafts" to every one of my own posts i have. then i'll use the "mass post editor" to add content warning tags. and add to queue, and shuffle. and then I write down what the date was for when I last added my posts to be reblogged on queue. this is helped by turning on timestamps for posts in tumblr "dashboard preferences" settings.
queueing is necessary and life saving for me. It takes out so much work with decision fatigue and the anxiety around posting. It also guarantees that even if I suddenly need time off or away from my phone, I don't just disappear and lose all traction. It also breaks the instant-gratification cycle that you expect when you finish an artwork. It's hard to keep creating when you post something and, when you're expecting to get that gratification, you get none... If you queue your new artwork to come out at a later time, you've separated that expectation - with time. It hurts less and contributes to a more consistent gratification thing instead of peaks and troughs.
~~~ tag ya stuff ~~~ when you're making a new post, the first 20 tags are what gets put into the searchable tags. do not feel shame for using lots of tags. shame is the mind-killer. tags are hard. hard to know what to tag a post with. hard to remember the tags. so I found some ways to help myself. maybe they'll help you too. dedicate some time towards just figuring out what tags you want to use. i have a list in my phone notes that i add tags to and reference whenever i'm making a new post. i have the phone right beside the laptop while i'm tagging so that i can just look at it and scroll. tags are the only way for people to find your artwork, other than people manually coming to your blog because they saw you somewhere. there is no algorithm. posting without tags, until you have an established fanbase, is throwing something into the void.
When I'm doing tag research, I look at what people seem to use - when you put something in the search bar, tumblr recommends you some that have a higher following, typically. Looks like this on desktop:
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if you like one tag, look at what other people who use that tag also tag their posts with. Observe and learn how this tag is used. search through a bunch of them and write them down.
here's what i got in my notes, for the specific kind of art I post and look for:
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these tags are sort of specific to me and the kind of art I make. You'll want to research your own tags, but this is an example of how I keep them organized to make posting more effective. I generally only write down a tag when it's got more than 2k followers. You might be tempted to use the tags with millions of followers, but I've actually found those a lot less functional for small artists. If your stuff doesn't immediately get a bunch of notifications, you're drowned out and pushed to the bottom much faster. But the bigger tags are better than no tags, so I keep them if I can't think of anything else to tag something with.
~~~ post at the right times….? ~~~
fridays and saturdays is when I post fresh new things... usually. every website has it's own peak hours, and you can find those hours in many different online articles that try to sell you social media growth services. tumblr is unique in having later hours.
here's some random graph from google images:
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please don't over think this. please don't let this consume the idea of when to post, preventing you from posting at all. it doesn't mean too much - if you post during very active hours, maybe your art would just be pushed down the feed faster. if you post at the end of hours, maybe everyone's going to sleep… if you post at inactive hours, maybe there's less 'competition'… if you post at the beginning of active hours, maybe that's just more time for your post to circulate for the day, if you have enough people reblogging it once it drops....
this also is in EST. So fuck the other time zones, I guess. I'm over here in europe knowing that the "best" time to post would be like 2-3am or something. It's like this for most english-speaking majority sites - higher traffic in north american time zones.
it's also worth mentioning that this is scattered as heck, compared to other social media sites. and it's not like, the activity times of your followers. it's not the best time to post for your niche. this is just tumblr, broadly. all of tumblr.
~~~ Plan ahead for annual dates ~~~
Your artwork will get more circulation if it's posted on a celebratory day. You could just put them on your calendar and if you're wondering what to make, look on the calendar for what's coming soon. For example, asexual awareness day, trans day of visibility, location-specific holidays, etc. Here's my phone notes thing with my own recorded annuals:
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I got these dates from googling and reading different articles, but I find that I still miss dates, and then I add them for next year. If you know of some I missed, tell me and I'll add them please <3
~~~ reblog other people's stuff ~~~
tumblr is sorta about ecosystems. things get passed around within groups of people that are all following eachother. to enter this ecosystem, you must engage and reblog other people's stuff too.
if you reblog other artists' stuff, sometimes they'll come over and reblog your stuff too. sometimes they'll follow you back. this is called becoming a mutual. I'll search specific tags for the kinds of people I want to follow and the kind of art I like - those are listed in the screenshot of my tag note under "Tags for finding new people".
I see a lot of blogs out there that are very clean, posts are tagless, and are only for the artists' content. like scrolling through a portfolio. I imagine this is good for people who are migrating to tumblr but already have their own established fanbase from elsewhere.
you don't need to do reblog other people's stuff on your art blog, you can do this on a separate blog. but if the two don't look very closely correlated, it's hard to tell who you are when you're interacting. and hard to make sure people know that you are the same person as your art blog. and you gotta remember to promote yourself on your personal blog.
~~~ have an art tag ~~~
make your blog easy to search!
if i go to your blog, and you've written 'artist' or 'sometimes art' in your bio, i wanna see it… it make me so sad when i don't get to see it. i want to reblog it. please let me reblog it :(
to make a tag on your own blog searchable, you don't need to repost it to add a tag. you don't even need to reblog it. you can actually just go back to the original post and edit it to add your tag. I've seen post people just have their art tag be something like #(blogname)art . you can see my own in my tags image above. if it's very unique, then it'll work tumblr-wide. I think that's good, since the tumblr search function is really weird. Otherwise it should still work if it's not entirely unique, people just have to make sure they're searching specifically your blog to see only your stuff.
I like to have a link in my pinned post where people can click to have immediately searched for my art tag. Convenience is king. Keep in mind that most people are on mobile, and if something isn't immediately clickable, they often won't find it.
~~~ be consistent and be patient ~~~
!!!this time will pass anyway!!! how many notes you have is not correlated with how good you are as an artist. wanting to earn something from your art means you essentially have two jobs. two potentially full time jobs. this shit's difficult. most of the job is promoting yourself. don't undersell how hard it is to do… don't feel bad for not immediately succeeding. I would write about how hard it's been to promote myself, but it would just be long and sad I think.
This isn't a full guide, please feel free to add more!!
I'm sure in another year I'll disagree with a lot of this, it will become irrelevant with time, and I'll have a lot of different opinions. Chip in and share what you've been doing? Teach me? This is very overwhelming. Don't do it all at once, just like, try one thing at a time, and see how it works for you. Your niche might be different. One size does not fit all. If you're confused about some of the things I talk about in here, you might be on mobile. I do most of my queueing and posting from the desktop browser version.
I will update this with more as things change, but I think you'll have to click through to see the updated post
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pumpkin-padparadscha · 6 months
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What if I just read "The Art of Losing" by @wafflelate a million billion times because it's my favorite.
Anyway the rest of this post is just going to be me going !!!!! so, spoilers ahead
Things I think intensely about:
-how suna is going to react to Gaara deciding to become the kazekage
-how any detractors of his new position are going to be IMMEDIATELY shut down because the "first" thing he does is "contract with a seals mistress to get the dead wastes converted into arable land" (who is going to prove it WASNT a seal? Sunas sealing sucks lol. And technically it did originate from a seal. Gelels seal.)
-how devastated Gai is going to be upon learning literally everything Kakashi went through
-how pissed as fuck people are going to be upon discovering that root seals can apparently block soulmate bonds? I feel like sealing people without their informed consent is about to become very very illegal outside of emergency circumstances.
-how the fuck is cat feeling. Does he believe Kakashi is dead? Does he hope Kakashi is alive?
-nara shikakunand yoshino are about to fucking eviscerate the elder council. Either they were aware of this bullshit or they were criminally negligent. Oh, what's that inoichi and shibi? Some of your family got kidnapped too? Maybe we should bring torture back to t&i. Just this once.
-kakashi is going to be so fucking proud of shikimaru. In his super repressed way. Maybe in a he deserves that legacy more than I ever did if he's feeling self deprecating.
-do you think temari has to sit through a million drafts and revised versions of kankuros shikabane play the more information comes out. Soul mates who were cut off completely from their connection, one believing the other dead, and the other never even educated about soul bonds. Them still recognizing each other enough that Kakashi was kind to her and she freed him instead of killing him. Please kankuro why can't you make the fight scenes longer.
-shikaku seeing shikakos complete shadow transformation and being like "yeah that's insanely dangerous to so much as think about attempting, I don't want to consider how bad things had to be for her to create that. Forbidden jutsu on account of who the fuck knows how she didn't end up falling into the black"
-does Gai feel like he failed Kakashi. Does he swear never to do so again. Imagine him thanking shikako for saving his friend. Imagine Kakashi being shocked Gai still considers him a friend
-hi inoichi this is my soulmate Kakashi, he did not take thinking I was assassinated well at all, do you have any self help books because he hates talking about feelings
-obviously she knows about seals because danzo wanted his own nara level intelligent seal master. Obviously she hid as much of her skill as she could from him because she isn't stupid.
-anyway here's a book a better storage scroll some medical seals and the seal to get rid of roots evil tattoo of shittyness.
-actually now I'm thinking about what if she DOES join suna because Kakashi has trouble feeling safe in konoha or just because being around a shikamaru who never knew her and idolizes Kakashi is kind of awkward.
-if they share dreams do you think she explains her original world to Kakashi after he dreams of cities he's never seen.
-wondering who was the first person to remember the lookalike yoshino nara missing nin that got mentioned in that one report.
-if I think about how nervous Kakashi is going to be the first time he trolls shikako and how he'll feel when she grins or laughs or goes along with it I experience An Emotion™
-"I don't know if you'll like them, but here's other you's favorite books. They make a good social barrier, and you've been looking a little overwhelmed."
-yoshino is going to cry so so so much. Her baby needed her all this time and she never knew it.
-kakashi learning that he was absolutely invited to shikakos funeral and danzo is just a dick who lies
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headspacedad · 7 months
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so you're ready to socialize
You've got your blog set up. You've posted or reblogged something. Your icon isn't a faceless orange shape. You're no longer in danger of being blocked on sight as a bot.
Now what?
I recently got an ask in my inbox for help with this whole 'tumblr' thing. The person that asked me had a lot of the basics down so I focused on expanding your social circle - except it took me so long to write that I saved it in my drafts to add to and only then found out that once its in your drafts you can't reply privately.
so - Imma post it here without the actual ask so if the person didn't want to be mentioned they won't. Let's go!
First off, doing what you're doing right now by sending me an ask is a great way to get the ball rolling. Reaching out to other people and engaging them is a big part of how you can build a circle on tumblr.
You can do that with inbox messages.
You can do that with DM/PMs (the box that pops up to the side where you can have real time text conversations).
You can do that by reblogging other people's posts and leaving notes in the tags commenting about the post (most posters read these, though they're more for your followers to get your thoughts on a matter, like whispering in a movie theater except without the dirty looks)
reblog their post and add your own comments in the body of the post, basically chaining a response to their post, usually used when you've got something that adds to the original post like a continuation of the joke or more facts, etc.
and you can comment on the posts via the little speech bubble next to the reblog button, which is kind of like replying personally to the post (interacting with the poster themselves).
Not everyone will automatically engage in response. Some people are just here to chill and don't want to be social (some days I know I don't have the brainpower for it). A lot of people do want to be social though and so the more you comment outward the higher your chances of finding other people you can jive with. A good way to make your chances better at finding someone that will back and forth with you is over shared interests. We're a very interest based site. So find something you're excited about - maybe its a hobby like knitting, maybe its a streaming series like Good Omens, maybe its hamsters, maybe its Elizabethan neck ruffs! Whatever it is that you're interested in punch the words that will get those kinds of results into tumblr's search bar and look at the posts that come up. I tend to search by 'newest' instead of 'most popular' because it guarantees me people that are currently interested in whatever I am, who are actively putting their posts out there for others to find. Often if you start reblogging someone's posts, they'll see it and check out your blog. If you really want interaction though, the best way to go is one of the above bullet points, especially inbox or speech bubble commenting. It shows you want to talk about something they want to talk about too. A lot of times this is a great way to get more interaction with others and widen your circle (as well as find new stuff about something you enjoy). It might be slow going, I still haven't figured out what the magic is that gets someone a blow up of followers overnight, especially not the all important holy grail of Interactive followers but slow and steady still builds a good group of people you can enjoy sharing things everyone's interested in and it keeps growing over time.
This also works in reverse. A good chunk of my followers (friends honestly) come from my days in the Voltron fandom. I was VERY active making posts while the show was airing. Lots of fanfiction, lots of meta, lots of speculation, just lots of being loud and excited (and then loud and not excited). A lot of other people were interested in VLD too at the time and they found me and bounced off my ideas with ideas of their own and things really ballooned. To this day, a huge hard core of my social group are ex-VLD fans who have moved on to other things (mostly) but still hang around because we built that core and we enjoy seeing what the others in the group have moved onto and found to share with the team. So, again, find your interests and make posts about them so that other people with the same interests can find you. The more popular something is the more attention its going to get - but also the easier it is to get lost in the shuffle of everyone talking about a thing. Not every post is going to get responses. Sometimes I'll post something I think people will enjoy and get crickets. Sometimes everyone and their cousin jumps onboard. Don't get discouraged. DO use the tags. tumblr sucks when it comes to finding things in the tags but its still worth doing because sometimes, randomly and with no pattern, it doesn't suck. The first five tags are the really important ones. Make sure you put the biggest details there. For instance if you're making a post about the One Piece live action from Netflix your first five tags should be something like: one piece, opla, netflix, zoro, swords are cool. You want people looking for One Piece posts about Zoro and his swords to be able to find you easily. And, once they find you, hopefully to engage you about Zoro and his swords.
There are a lot of ways to find other people to interact with on tumblr. One of the pleasures of the site is you get to take things, for the most part, at your own pace and level of comfort. Just remember, the more active you are interacting with other people and their posts, the wider your circle will grow. Its not a 100% success rate, like I said, a lot of people are just here to vibe after a long day of having to be socially 'on' all day, but a lot of people are happy to find other people to get to natter about interests with. Do what you're comfortable with and before you know it, you'll have a group of people that interact with your posts, and you, regularly!
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solar-tl-27 · 2 months
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HEY
Whoah I’m posting
All by myself ??
Woah woah woah woah! I am here to show SOME art!
A while ago the announcement of the next pokemon game came out! And with my favorite region returning there was only one thing I could possibly do!
Hyperfixate on my own oc lore in the Pokémon universe so much that once again i’ll only be disappointed by the game in the end lol. So…. Let’s talk about them!
This will be a collection of some of my older art to finally end up on the most recent art i just finished so if u don’t care about Pokémon plz scroll down and appreciate my art ( ToT )
Ok so! I always make original characters to be my protagonist is Pokémon games so when x& y came out i created a character named colette
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A woman in her mid 20’s that I totally 100% didn’t oc x canon ship with the villain (i did)
A looong time skip later pokemon sword shield came out which led to the continuation of the colette storyline!
With her daughter Pandora and her friends! Causing the creation of joshua & sapphire (the original image is definitely created with bases so credit to pokemon for the original art & selenaede for the bases)
(Draft didn’t save here so aha sob)
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They have been through several versions since then, all slightly different over time
You had pandora: a smart and elegant young girl and the protagonist
Joshua: the nerdy one but also the one that helps everyone no matter what
Saphie: the one who likes cute things and fashion
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They were pretty basic characters and evolved but this is theee base line of their characters up until their last design
Just 3 teens on an adventure
BUT NOW
Timeee skip babyyy the return of Colette’s home means i wanna drag her daughter there!
The teens are now young adults! Trying to figure out what they wanna do in life and i can FINALLY MAKE BIG CHANGES TO SOME OF THEM
Let’s goo!
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Their outfits are loosely based on the pokemon xyz legendary Pokémon but i also wanted them to be able to stand on their own!
They are now young adults trying to figure out what they want to do with their life and having a change of scenery so
Let’s get into it!
Saphie
Saphie’s finally got his cute accessories back!! He’s finally got a cutesy outfit which suits his style and iiii finally got rid of the side shave going for a complete adorable vibe for him instead. With bows, beads and a new cute hairstyle he’s finally ascended to adorable! He’s easily home sick and going with his friends on this journey sure is a big change. Someone who’s unsure of his future but knows he always has his friends to rely on!
Joshua
Joshua is definitely still the nerdy one, he’s got the clearest vision of what he wants his life to be, not always understanding his friends but always trying to be supportive. His style is definitely the one that changed over time, leaving the nerdy studious look behind to try something new!
His friends definitely chose this outfit for him and it’s actually the closest he’s been to his oc predecessor as he was actually recycled. Sadly that art has been lost to type but, before he was joshua from this group he was joshua a character who was definitely a lot more edgy and artistic. I wanted to bring that back with this design and I personally think i did his original design justice.
Pandora
Pandora always changes the least, her design has always been clear to me in ways but i did want to try new things. Finally deciding i cant choose between the 2 eye colors she’s had I decided i don’t have to choose SO I JUST GAVE HER BOTH. Putting her into something that’s just her style but also trying different colors she’s now more confident and determined, she’s on this journey to learn more about her family and try to choose what direction to take her life in.
Proud to see her friends figure out who they are but also sometimes feels like depending on what choices she makes could have them drift apart. Having to remind herself to have fun on the trip as well she’s probably the one who’s choices will make the biggest difference in what her life will end up being. A true protagonist with issues to deal with and secrets to uncover!
Thank u forrr looking at my little art post!
Now! I have a secret for all my winx people
Guess who’s back in the building again teehee
Ok bye bye!
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demonofnowhere · 10 months
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Time’s Time: Time for Thomas (don’t interrupt him) & Time for Stelle (interrupt me ASAP)
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* now, i once had a lovely introduction to this post.  i did, honest.  it discussed how twitter has gotten worse and worse, and how if things went well i will do my best to post more thomas stuff here, and even briefly mentioned what this post is actually about. . .
* then firefox crashed. * being new to tumblr, i had not saved a draft of my post.  in fact, i found out you could save drafts mere minutes before firefox crashed.  i thought to myself “wow! what a nifty feature!”, and then proceeded to not save it.  this almost happened twice actually.  i managed to save it the second time thankfully.  i’m still livid though.
* thank you stelle, you are a really useless idiot.
* therefore, we’re not going to have that nice introduction.  the only things you need to know from that post is that you can find me on Twitter (@DemonOfNowhere) for more of my usual infodumping, and that i’ve ditched my usual typing quirks in favour of making this post readable for you all.  let’s get straight to the point instead. * greetings, i’m stelle, demon of nowhere (name change pending?), and it is unfortunately time for thomas.
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Doesn’t it feel strange to see me type normally? With dignity? With even the slightest amount of respect for myself? Err, ahem, I mean... Thomas! I love Thomas. I love the ending of “Stepney’s Special” for Thomas.
Thomas tries very hard to maintain a very professional profile on his branch line. It’s likely something he picked up from Gordon, if his attempts to imitate him whilst he was younger are anything to go by (note “Thomas’ Train”). If you get in Thomas’s way, he kicks up such a fuss and holds it against you until either one of your gets a taste of Sudrian karma (”you” being Percy in this situation, usually). This all means that when Thomas is shunted to allow Stepney, a newcomer, fly past him with one measely coach while Thomas, Annie, Clarabel and their passengers crossly wait for him to pass, Thomas gets cross.
Really cross. Super cross. He holds it against Stepney and is still fuming by the time the next morning arrives.
Thomas spoils the effect of it very quickly though. Of course he does, he’s Thomas and he’s stupid. All Stepney had to do was give one compliment and next thing he knew, Thomas was telling him EVERYTHING about his branch like an eight-year-old telling their parent all about their cool new toy they got (don’t let Mattel hear about this). Stepney calls Thomas an expert once, and away Thomas goes, not only to stroke his own ego a little, but also just because he’s too happy to ramble about his prized branch line (which Percy and Toby clearly think is hilarious, based on the illustration...). He’s a bit like me in that sense; we like to ramble about things no one cares about, but we can’t stop ourselves. Please help me.
One of my favourite parts of this exchange is the following line: “Ah well,” said Thomas modestly.
“Modestly” is the funniest words ever used to describe Thomas the Tank Engine. You and I of course both know that, despite his good heart, he is anything but modest.
Now, there’s something else I’d like to talk about here too. If you’ve read my ramblings before, you know that I cannot type for five seconds without bringing up something else that I didn’t mean to bring up but brought up anyway. I’m silly like that.
If Thomas got mad at Stepney for interrupting his branch line’s timetable once...
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...How would he feel about having a whole train that has to do everything in its power to NOT interrupt the usual services?
In notes of Ffarquhar’s layout, the land cruise enthusaist train is noted to be scheduled in-between regular services, and mustn’t disrupt traffic. This is implied to be more difficult than it ought to be, partially because rail enthusiasts are rail enthusiasts and getting them back into the coaches is a miserable experience for the station’s secretary, and partially due to shunting arrangements at Ffarquhar that are absolutely mind-boggling (a document I wrote up of Ffarquhar’s timetable, according to the Awdry DVD, can be found here!).
The moment the Bloomer, or whoever the enthusiasts’ engine happens to be, arrives, he has to square his fancy saloon coaches away to make room for Thomas, Annie and Clarabel’s next down service. So, imagine for me, what happens when Bloomer indulges the enthusiasts’ interest in him at the platform for a little too long, only for Thomas with his grumpy little face to huff into the station yard and start angrily shouting at Bloomer to Get Out Of His Way Or Else The Fat Controller Will Find Out And You Will Regret That.
Now, we of course know little of Bloomer, but I’ve always thought of him not quite as an old grandpa, but rather a showman who takes a lot of pride in his theatrics on a railway filled mainly of engines still in regular service. Bloomer doesn’t get to appear publicly very often, but when he does, he’s going to make it worthwhile. He’s going to bask in the spotlight for as long as he can, impressing everyone who is lucky enough to draw eyes on him, and he’s certainly no pushover. If Bloomer wants to spend time talking to the enthusiasts about his past life (though he has to keep SOME secrets, of course. Part of the act, a bit of mystery is always fun), then he’s going to spend as much time as he can doing just that -- which he always does.
This drives Thomas insane. A WHOLE TRAIN THAT COULD THROW ALL OF HIS TIMETABLE, ALL THAT HE’S WORKED FOR, OUT THE WINDOW SO EASILY? WHAT. The poor guy. He and Bloomer would be the ultimate enemies, egomanaics for different reasons that will forever butt heads while the other Ffarquhar engines would wish they’d just shut up for two seconds.
He cheerfully and dutifully shunts Annie and Clarabel along from the carriage shed... then he sees Bloomer’s ugly mug taking up the platform. “YOU,” Thomas hissed, grounding to a halt, “YOU’RE not supposed to be here.” “Ah,” Bloomer smiled sweetly, “Thomas my boy, I most certainly belong here. It’s part of my act for me to be right here, right now. ‘Tis merely part of my script.” “Right now!?” scoffed Thomas, as Annie and Clarabel chattered quietly behind, “Right now, you and your ugly great houses on wheels are meant to be by the cattle dock! Never mind your ‘act’, my Timetable is much more important! You always talk such nonsense.” “And you always talk ever so much, yet say very little,” mused Bloomer, “A script would do you well, improv is clearly not your strong suit, Thomas my darling. For such a famous little engine, you never seem to respect the life of a shining star. What a waste, what a waste. We Enthusiast Engines have far more than timetables to worry about, boy; we have fans to please.” Thomas wanted to retort, but was interrupted by a shrill, long blast of Bloomer’s whistle. “I hope you all enjoyed the first part of the show!” Bloomer called to his passengers, as he began to back away, “We shall return after our intermission, and I have no doubt you shall all be there to witness the Grand Finale of today’s display! Make sure to be there at 6 o’clock sharp. After all, Time’s Time.” Bloomer winked in Thomas’s direction. Thomas’s face was redder than Bloomer’s paint, and he had practically vanished behind a thick cloud of steam. “What a horrid engine!” he grumbled to Annie and Clarabel when he finally made it to the platform, “He thinks the whole railway revolves about him, and expects everyone to work at HIS pace! The shame of it, the shame of it...” Annie and Clarabel really thought it all rather ironic.
This is all made funnier by the fact that once the enthusiasts’ train leaves Ffarquhar for the junction, it crosses Thomas with Annie and Clarabel going up the line at Elsbridge. Thomas has yet another chance to start bickering with Bloomer, especially when the Ffarquhar secretary likely couldn’t get the stragglers into Bloomer’s coaches in time (and Bloomer of course didn’t help her one bit). Their next rowl shall be exciting stuff for all involved -- except Annie and Clarabel, who have tried reasoning with Thomas the whole time, but haven’t quite been able to get through to their stubborn engine.
Now, realistically, I had planned to do a bit more talking rather than writing a whole scene. However, much like Thomas, improv isn’t my strong suit, and I hadn’t at first planned for this to be a Bloomer discussion, and perhaps this has gone on for long enough. Whoops!
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What have we learnt today? Well, personally, I’ve learnt that I probably need to get the hang of writing these posts. This probably hasn’t worked out super well. Those of you who are more familar with this site are probably cringing so hard at me right now, and you’re entirely right to do so. For shame, me, for shame...
Usually, I like to round these off with a nice, poetic conclusion about what we’ve discussed today... but really I didn’t know that this post was going in the direction it went into. I mainly wrote this to get my foot in the door and finally post something of substance here. Apparently my second to most popular post here is talking about how fucking funny Terence the Tractor here. Can we change that please? Terence the Tractor is funny but... I can do better than that...
Well, no, no I can’t.
...
You know, I meant to start using my typing quirks again at the end of the post.
But now we’re here, and it doesn’t feel right for me to start using them.
...
I’m doing an awful job at ending this.
...
Maybe Terence the Tractor IS the best I can do.
Hmm.
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effulgentinara · 4 months
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This year's resolution is to post something new I've made every day, but I'm starting out with a couple of things I made as Christmas gifts but could share earlier because the recipients are mutuals 😅
Super proud of this one, all the holes cut through evenly and didn't close up during firing - I'd originally thought it would just be a nice trinket dish, then realised that it was just the right size for a small candle.
Cone 10 clay, glazed in copper red and St John's black
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koinotame · 3 months
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speaking of that horror protag hero au fic... it will forever remain in my brain. if i was better at writing and at not leaving everything i do a wip i’d absolutely make a p2 of that. and also of everything else you've ever made with her but anyways
ps could i be 🌌 anon ? maybe ?
the hero au fic with her my beloved.... definitely one of the fics i want to go back and edit and post. idk about a part two but i wouldn't mind writing more for the au in general 👁️
i like the way i ended it but in terms of what happened afterwards she probably took you to her house to patch you up. she probably lives uncomfortable close to your home (this is not a coincidence). from there she could've pretended some actual villain came in and killed the heroes instead of her and tried to frame it as you being innocent or wrongly accused, or just owned up to the murders and gone on the run with you. she's not one of the top heroes of the country for nothing though so you wind up keeping her because she is useful despite *gestures* everything about her
and just for you. here's a scrapped & unfinished draft scene i have saved for the original fic (unedited), starting roughly where you get [attacked] by the two heroes looking to arrest you:
"any last words?"
and even though you can’t hear anything properly over the sound in your ears, you gather just enough strength to prop yourself up on your arms shakily and spit onto the guy’s shoes.
you think you hear a scoff before someone (the other guy, maybe) kicks your stomach.
it’s not just your senses that’re starting to slip at this point; your consciousness is close to joining.
there’s some commotion coming from the entry to the alley, you think, but it’s impossible to see anything, let alone focus on it. you slip into sleep quickly.
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it’s bright when you open your eyes.
well, bright for someone who was just asleep. it’s not actually too bright, just a decently lit room during the early evening just before sunset.
the second thing you notice is that your whole body fucking hurts. the back of your head pulsates painfully, especially when you move your head, and your stomach feels incredibly sore. other than that, though, you’re feeling much too comfortable to be in a prison cell.
a quick look around the room confirms your thoughts. yeah, whatever this place is, it’s not a prison cell. you don’t know if that’s a good thing or not.
the decor reminds you of something you’ve might’ve chosen when you were younger. it makes you strangely nostalgic, and it makes you want to go back to sleep and pretend this is just some weird, bad dream and that everything will be okay again when you wake up.
unfortunately, your splitting headache prevents you from doing that.
the door opening gives you a sense of deja vu.
her gasps are always so dainty, as if they’re practiced to perfect to seem cute and ladylike. this one, though, feels more genuine, as if seeing you awake is genuinely good news to her.
she doesn’t close the door this time, instead closing the distance to you and helping you sit up.
"how many fingers am I holding up?" she wastes no time in shoving a hand in your face, only retracting it when you cringe and try to push your head away.
"four," you answer anyway, voice croaky. she seems visibly relieved, offering you a glass of water and a pill.
"ibuprofen," she says quickly when you look at it skeptically. "but I can get you a new, unopened one if that would make you feel better…?"
you take it anyway. to her credit, it tastes exactly like the type you usually buy. you have no clue if this is coincidence or not, given that you seem to be in her private bedroom, and you frankly don’t want to know.
she watches you intensely as you drink the entire glass, then sits down on the floor and leans against the bed, leaving only her folded arms and head on it.
you’re pretty sure she takes a big sniff after practically burying her head into your lap.
her hand reaches up to yours and intertwines them soon enough. she lets out a content sigh, eyes still staring intently at you.
"[name]," your name leaves her lips like a content sigh. you immediately stiffen. "who did this to you?"
"how do you know my name."
she giggles, the noise sounding much more sinister this time around. "you’re so cute… I’d always wanted to be your hero, to be the one you’d depend on. but…." a lovesick smile spreads on her face as alarm bells ring in your head. "then you became a vigilante."
her thumb rubs circles into your hand.
"seeing you kick around creeps made me realise I wanted you to kick me around. it almost made me jealous, seeing you hurt everyone else but me."
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silver-wield · 2 months
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Final Fantasy VII Rebirth Review Chapter 4!
Okay, this collection of posts will be filled with spoilers, including clips and screenshots, so if you don't wanna see things, then don't look. Some of the things I'm gonna highlight will include references to Remake and other sources to link with the overarching plot. This is a straight path playthrough with no sidequests or extra content.
Now you know, let's go!
Chapter four is a meaty fucker. Once you discount all the waffle you can do with sidequests and other random things, chapters 1-3 aren't actually that long and involved story content wise. Chapter four is really the start of the bulky content. And I'm gonna summarise most of it because I'll be here all day otherwise.
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Okay, once we cross the plains and reach Under Junon, we're basically thrown into the fight with Bottomswell, although it's not called that anymore and icba to recall what its new name is.
The battle itself is pretty fun and makes full use of Tifa's flight capabilities if you know what you're doing.
The plot has been changed slightly. We don't rescue Priscilla, but instead it's Yuffie in trouble. Our buddy, Mr Dolphin, has his moment at the end with a combo and he comes back into play later when we climb the electrified tower, which I honestly thought wouldn't happen because it's pretty cringe originally, but they made it work so I can't complain.
Once we've dealt with Bottomswell and made it back to shore, we find the mayor giving Yuffie CPR. Now, I noticed Cloud scrutinising the procedure, so I'm suspicious about this coming back at some point in part three. There was originally a draft of Tifa giving Cloud CPR that didn't make it into the game, so it's possible they're planning on doing something with the idea.
Anyway, we save Yuffie and get a hilarious bit between her and Barret. I honestly love their dynamic. She's such a kid and he's got so little patience for older kids. I feel bad for future teenage Marlene 🤣
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After we agree to meet Yuffie, it's back to the inn for some convos and rest. This one with Barret amused me. Cloud knows he likes the limelight and plays along with it. This detail also comes into play later the GS when Cloud's defending Barret to Dio.
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On the way to his room, Cloud overheard a strange voice coming from Aerith's room. This is the first hint that Red isn't exactly what he seems to be. We also hear more about the whispers and what happened to them both. This is actually interesting. What exactly did Sephiroth need to steal from them?
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This chat with Tifa is non-optional, unlike the others, and delves deeper into their relationship and her suspicions about what he remembers. They have a heart to heart, but aren't quite on the same page, which leaves them both a bit downcast.
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Next morning, Yuffie intrudes to let the group know she's been hired to kill Rufus at his inauguration. She escapes and they're left to pursue her and hide in plain sight as troopers. But they also want to talk to Rufus about whether they're actually being hunted.
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But before all that, Cloud has to go hopping off the back of a dolphin to climb the tower. And yes, he looks smug when he's done because he's a lil shit 🤣
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Meanwhile, we get some snippets leading into part three's storyline in Wutai with EC's Glenn making an appearance. Rufus literally killed him, and going off what he spoke about, it's possible he's actually just Sephiroth in disguise and using Glenn to stoke war and gather more dead souls in the lifestream to corrupt it. But we won't know for sure until part three.
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After the failed assassination, Cloud splits up with the others and finds himself stuck with some of the platoon he was directing in the parade. You have to keep them alive to succeed at this part.
At the end of the gauntlet is a rematch with Roche. And after you kick his ass, he helps you get to the dock to board the ferry.
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Cloud reunites with his team and has picked up a few stragglers. And Yuffie. Who's in disguise as a robe. But that's for chapter 5.
A lot happens plot wise in this chapter, but most of it is set up for part three. Rufus mentions he's read Cloud's file, so that'll be interesting. There's also the plot with Glenn and stuff with Roche. And that's before we even get to Sephiroth.
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severeweatheralert · 5 months
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Things I learned while writing two novel-length fics in the space of nine months
Or, advice I hope might be of someone use to someone out there, but all brains are different so YMMV. Ironically, this is probably the longest tumblr post I've ever written. Do let me know if you got something out of it!
Planning
You don't need to know every single plot detail at the start. It DOES really help to know roughly where you're going, plotwise and thematically, so it feels less like you're running straight into the great unknown and more like you're headed to some destination. Even if you don't quite know how you're going to get there, yet.
You don't need to know every single character detail, either. Favourite song? Favourite food? I couldn't name my own, let alone my characters'. What is important is a general idea of what makes them tick. What do they want? Why are they here? How do they think? (and if you do introduce details, save them in a notes file someplace, so you can easily find them later).
Outlines are great. Outlines are not the law. If you come up with something that works better than the thing you'd originally planned? Change it.
Scene setting
Remember that you're writing fic, not a movie script. That means you don't have an effects team to pay and you can make the entire environment do whatever you want. Forest fire on the horizon to match your characters' mood? Do it.
Trust that your readers' imagination works. You don't need to describe every single detail to set a scene effectively. Just pick out a few that give off the mood you want, and leave it at that. (Setting dependent, of course- a scifi setting will need more description than a classroom or a hospital room, where most people will have been in their life at least once). This goes for character descriptions too.
Sprinkle scene descriptors through the dialogue/action instead of starting with a whole paragraph of exposition. You'll pull people in quicker.
Research: if you're setting your fic in an existing place, it helps to do (some) research and incorporate that in the work. Simple things like incorporating the name of an existing retail chain or a highway makes your setting feel a lot more real. Google Maps is great if you're writing in a country you've never been to. Just hop on streetview.
Drafting
If you're trying and failing (multiple times) to write a scene, ask yourself if there might be a pacing reason for that. Is the scene necessary at all? Are you trying to start too early in the scene? What are you trying to establish with it, and could that maybe happen elsewhere in the story?
If you get stuck on a phrase/name you haven't picked/word you can't think of/detail you haven't yet researched: put something like [NAME] in brackets. Then keep going. You can come back to it later and you don't need to disrupt your writing flow.
Turn grammar and spell check off. Run a spell check when editing but don't get haunted by the little red line while drafting. A lot of the time its suggestions are bad anyway.
When writing dialogue-heavy scenes, it's sometimes nice to get the actual dialogue out of the way first, then come back later and add actions or descriptions in between to pace the dialogue.
Sometimes you'll have to draft a scene multiple times before it feels right. This is painful, but ultimately okay.
Feel like you should write but don't really want to? I like to set a timer for like 20-30 minutes, give it a go, and if I'm not into it by the time it goes off I'll go do something else.
Editing
Let a section sit for at least a day before going back in to edit. Give your brain some time to forget some of it. You can still draft the next bit in this time!
Sometimes it helps to set the text to a different font or to paste it into a different text editor. Trick your brain into thinking you haven't seen it before, basically. If you're brave, you can even use the editor of whatever website you're posting to.
This is when you run the spell check. But remember: you're allowed to mess with grammar and use words that the spell check says don't exist. "He deadpanned" is a perfectly understandable dialogue tag, for example.
Use a thesaurus! I like powerthesaurus.org because it has a dark mode. The main thing to remember is that you're using it to find synonyms that may fit your meaning/the mood better, not to find more complex words. Especially useful if you find yourself using the same word over and over in a section.
Practical things
Brainstorming on paper works WAY better for my brain than brainstorming digitally, for reasons unknown. Plus you get the fullfillment of using up a notebook.
Have a scraps folder for deleted scenes. Don't actually delete them! You can scrap them for good lines later.
Especially for longform work, keep notes. Things like repeated lines, relevant plot details, things you want to incorporate in future chapters: keep them somewhere where you can find them.
For writer's block: sometimes you need to let a story simmer for a bit. I like going for hikes or chewing on my plot in the shower.
I like having two WIPs with vastly different moods at the same time. One in posting stages, one in drafting stages. That way if I don't want to work on a very moody WIP, I can switch to the other and still get something done.
If you're writing longform work: you'll improve over time. Try to resist the urge to go back and edit the first chapters once they start grating at your perfectionism. Especially if you've already posted them.
Don't write the whole thing in one document if it's longer than ~10k. I like SmartEdit Writer to organize my fics. It's free.
Uploading
I'd recommend having a few chapters' backlog before you start posting. This way you a) know you like the fic enough to keep working on it for more than one chapter; b) have some backlog in case writer's block strikes or life gets in the way of writing; c) can go back and edit in foreshadowing or edit out plotholes as you discover them.
If you have (and want to give) a lot of content warnings, keep a list while you're writing the chapter, so you don't have to figure it out last minute before uploading.
Your works' stats (kudos/hits/subs/comments) say nothing about the quality of your work. This one is hard to internalize.
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unexpectedstormy · 6 months
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@akchimp75 you sent me an ask a week or two ago asking about my steampunk story and I saved it until I had plenty of time to write about it and tonight I wrote up this whole big post but when I saved it to my drafts, tumblr ate it instead. So here is the rewritten version of it. (Ehehehe I hope you're ready cuz it's infodump time.)
My eldritch steampunk story is called Tenth Generation. Once upon a time on a recently terraformed planet called Arona, there lived in a steampunk civilization, a diverse people of many different species (humans, pixies, cyborgs, anthropomorphs, human-animal chimeras, etc.) and many different genders and sexualities.
There are three main story arcs to the series (of books or graphic novels):
Arona fighting for independence from the organization responsible for terraforming, colonizing, and protecting the planet and exploiting it's resources to supply a distant space war
The main characters seeking the jobs they want
Everyone trying to solve the mystery of why there's a bunch of eldritch beasts running around the dark corners of the city when no eldritch beasts were brought over on the colony ships...
The main characters are:
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Tempest Shields: a 15 year old roguish genderfluid (defaults to girl) who is nonverbal autistic. She dreams of becoming an airship engineer or pilot but it isn't feasible at this time due to her disability.
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Timothy Shields: an 18 year old human-canary chimera who has a burning interest in religion and the occult. His desire is to become a cleric or an exorcist. He and Tempest grew up together on the streets and in an orphanage and adopted each other as siblings.
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Timber of the Skies: (age undecided) Tempest's biological sister. They were separated from each other when they were young and have led very different lives. Timber is an airship pirate and her goal is to become the Pirate Queen of the Skies. Timber isn't in the story in the beginning but comes in later; one of the main story arcs is about Timber and Tempest restoring their sibling relationship. She doesn't have autism but she does have some kind of behavioural issue.
Some side characters include:
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Detective Rory Poofypants (actual last name undecided). A fully transitioned transmasc detective in the city of Stormcairn. He is investigating the strange eldritch beast sightings and the bizarre stories of hysterical people who claim that they were temporarily transported to a dark realm, the home of the monsters. Rory also ends up frequently wrangling Tempest back to their home or tutor as they get into mischief around the city.
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Kestrel Wothen: the young adult enby who is fabulous and extra and loves all things shiny and colorful. They spend all their money to buy an old mansion which (once the gang puts the resident ghosts to rest) serves as the home base of the crew as they investigate the eldritch mystery of the city.
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Zakiyah Lee: a rich and beautiful aroace young adult. She's as sharp as a whip and fascinated by all things dark. By day, she's a student at the university, and by night, an amateur detective. Slowed only by her dysautonomia, she eventually leads the revolution against the Exploration World and (spoilers) eventually becomes Queen of the World. (Her cat's name is Bastet and there's more to her than it seems.)
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Unnamed Pixie girl (possibly not a girl) age 14. She is a street urchin and becomes good friends with Tempest and helps her get into mischief. She has alopecia and sometimes chooses to wear a headscarf and other times doesn't wear any sort of head covering. Her wings get stolen by an eldritch beast, but Timothy rescues the wings and returns them to her.
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Tempest's unhinged tutor. She lost her last tutoring gig because her pupil got eaten by a tiger (no fault of her own). She is middle aged and actually has red hair but the picrew didn't have a red hair option. Is mainly concerned (at least initially) with helping Tempest learn to communicate better through a combo of sign language and AAC.
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And last but not least, Dominic. He's a 12 or 13 year old boy and he's got magic hands. He's a child prodigy and the only known wielder of backwards magic AKA eldritch magic. A rich benefactor (not in this list) sponsors him and supplies his every need on the condition that he continues to practice and grow his magical ability so that it can be monetized. Dominic becomes good friends with Tempest and Pixie girl. His older brother is Kestrel's boyfriend.
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