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#i don't know honestly... i need to talk more about this
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I Think Hypmic's Portrayal of Gender Roles is Kinda Refreshing: An Essay A.K.A. I'm Procrastinating on a Weekend Deadline :)
Hypmic's talking points on gender are hamfisted, corny, and melodramatic. "Maybe...we shouldn't have a wage gap," is not the hottest of takes. However, like most things in Hypmic, the writers have a lot more to say about gender and gender roles in the framing of the story itself that's much more nuanced. And honestly? It's kinda refreshing.
It's also something that went way over my head when I first became a Hypmic fan. Sure, I read manga and played Japanese video games--usually translated into English first--but I didn't have enough exposure to hundreds or thousands of pieces of untranslated Japanese media. I'm going to guess that most Hypmic fans don't either, which is totally fine and normal. We all exist within our respective cultural communities wherein we're bombarded with messages constantly telling us how to act, think, and speak. We tend to absorb these messages on subconscious levels and reflect them in the art we create and stories we tell, either by reinforcing them or challenging them. Thus, our stories don't exist in a vacuum, and divorcing stories from their cultural backgrounds can suggest the artist is the original thinker of a larger concept or hide their specific point of criticism. That is, if I wrote a story about a man who chooses to not catch fish, drink beer, and drive a Dodge Ram pick-up truck, we should be aware that I'm not the person who conceptualized the stereotype of dudes who catch fish, drink beer, and drive pick-ups. I wouldn't deserve the credit for dreaming up that exact image, and at the same time, it would be incorrect to read that as me targeting those three things randomly. The choice to not drive a Dodge Ram pick-up is not a commentary on Fiat Chrysler Automobiles. It's a stand-in for the notion of masculinity.
Thing is, we're hit with messages about masculinity, femininity, and other gender-related concepts on a daily basis. No matter where you live or what language you speak, every person on Earth is inundated with messages saying, "This is what you are, and consequently, this is how you should act." Our relation to these messages is complicated, and this complexity is compounded by different cultural communities preaching different messages in their stories, marketing, and human interactions. For instance, the US's massive global cultural influence means that those outside the US can still easily recognize what I mean by catching fish, drinking beer, and driving enormous American pick-up trucks. But the location and cultural differences may add or subtract nuances. A person living in, say, Munich is unlikely to have Dodge pick-ups advertised to them the way a person in rural Texas would. Our fictional Munich person does not feel the same social pressures to buy a Dodge and represent their masculinity with a Dodge the way our imaginary Texan would. In turn, the Munich person likely sees a Dodge with an element of absurdity--who the hell needs such a big truck in a European city?--and foreign Americanness. The Texan wouldn't have that concern--why worry about navigating your enormous truck down narrow streets when you live in the countryside?--and sees Americanness as their local default, thus removing any element of foreignness.
That is to say, gendered messages aimed at people (especially women) who live in Japan don't affect me the same way as they impact those who do live in Japan. Like, it's not my dog in the fight, and there are plenty of people who are directly affected who write their own stories and commentaries on gender roles in Japan. Japanese women don't need a random guy in the US to stand up and say, "Damn, your gender roles are fucked!" 1) They already know. 2) They're already saying it. So I come at this from an angle of someone who already has deep, primary frustration with the gendered messaging in my culture and secondary frustrations when similar messages appear in other cultures. I don't have a bone to pick with Japanese media in particular. Plain and simple, reading and working on hundreds of pieces of Japanese media is what I do for a living. It's in my face constantly, and as a result, I am also perpetually bombarded by messages about gender roles in Japanese media.
It's not a hot take to say that Japanese media, like the media of every single other culture around the globe, has a lot to say about gender. There's a lot of slotting people into boxes and telling people what to do. It's chafing, as we see all across history in art produced in reaction to gender roles. In the past couple of decades, global shifts in gender roles have caused media to shift the messages they're pushing, but it's not controversial to say that Japan has lagged behind other countries like the US.
Many, many stories push arbitrary notions of how to be a girl or how to be a boy that don't necessarily come from the author themselves. The authors probably aren't even fully conscious that they're making these choices. If an author writes a story about a library and makes every female character a romance fan and every male character an action fan, it's likely a reflection of endless messaging that says action is for boys, romance is for girls. In turn, this story becomes yet another reinforcing message. If no fictional girls like action, and no fictional boys like romance, it becomes alienating for real girls and boys who don't follow these same rules. These rules are everywhere and have so much to say about gender that it's hard to know where to begin. Girls must like cute things. Boys can't like sweet food. Women must not express sexual desire. Men can't be shy. On and on and on.
Which is why, when there's a relative lack of this in Hypmic, it's kind of a breath of fresh air.
Wrong Ways to Be a Man
Actually, Hypmic does have a few moments where characters claim there are certain things men or women should do, but the writing always frames these messages as incorrect.
Take Samatoki, for instance. After Kuukou and Sasara leave MCD, Samatoki tells Ichirou, "Men shouldn't cry when they lose their friends. Men should only cry when they lose a family member."
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(TDD chapter 10)
This line usually appears via Ichirou's perspective. In the stage play, it's told during a song Ichirou narrates, and as shown above in panel 3, the manga frames the line from the angle at which Ichirou sees it. In such moments, the audience is meant to read this as a cool line from a strong mentor figure to Ichirou. That's how Ichirou sees it, and he's a seventeen-year-old with too much on his shoulders who idolizes Samatoki. He is incapable of seeing how much pain Samatoki struggles with.
However, when the manga focuses on more intimate moments of Samatoki's life, we see that Samatoki does struggle quite a lot.
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(BB/MTC+ chapter 6)
This isn't a cool, attractive figure meant to be idolized. While Samatoki's cigarette usage and aggressiveness are often framed as sexy or enticing, the juxtaposition with dirty laundry, overflowing ashtrays, and empty bottles make him a sympathetic and struggling figure. Therefore, we should understand that his notion that men don't cry is flawed. It's a means to distract himself from emotions he doesn't want to feel.
Later, as Samatoki begins to process his emotions and open up to his teammates, the unhealthy coping mechanisms recede. Samatoki is more confident, mature, and happier as a result of being more emotionally vulnerable.
We see a similar transformation with Kuukou. As a teen, Kuukou is reluctant to accept help or truly let anyone in. In a conversation with Hitoya, he says (and I am still completely unable to take this seriously), "A man's got to wipe his own ass."
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(DH/BAT chapter 4)
However, over the course of his character arc, Kuukou learns that he cannot exist as a good leader or individual without the teamwork of his newfound "family." Only rejecting this classical and toxic notion of masculinity brings Kuukou joy.
In fact, most of the first-line characters have very similar arcs. At the start of the story, Ichirou is insistent on doing everything himself. He has to learn to be able to rely on other people (Kuukou, Samatoki, Ichirou and Jirou) to be happier and unlock his true strength. See below, his final attack and Ability use in the 2nd DRB, which is only possible when his brothers figuratively and literally support him through it.
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(BB/MTC+ chapter 25)
Sasara struggles with emotional honesty and trust in favor of using humor to gloss over discomfort. It takes multiple heart-to-hearts with Roshou before he can let humor take a backseat and say how he really feels. Ramuda has difficulty trusting other people and being honest with his emotions when faced with stressful scenarios. Only through Fling Posse is he able to open up and ask for help instead of driving people away when the problems are too big for him to face alone. Jakurai struggles to connect with other people, work through and acknowledge his complicated feelings, and not place himself on a pedestal. Through Matenrou, Jakurai is able to ask for help, be more open, and ultimately be less hard on himself.
The second- and third-line characters follow similar arcs, and this repetition creates a core message for Hypmic: Trust and rely other people. Be open with your feelings. There's a wrong way to be a man, and that's to hurt yourself and other people.
Right Ways to Be a Man...Are Infinite!
But with that being said, there is a surprising lack of commentary on how else to be a man. Hypmic as a whole doesn't do much to constrain the male characters in terms of gender roles.
Sure, some characters do fit into more traditionally masculine roles--Ichirou, Samatoki, Riou, etc. The messaging makes it clear that it isn't wrong to play into masculinity provided it doesn't become toxic. (See above.)
Even then, however, these especially masculine characters are associated with less masculine traits that are either portrayed positively or not portrayed as a joke. Riou is an avid cook, but the joke is never that he wears an apron and knows his way around an outdoor kitchen (tee-hee, men don't cook!). It's that he cooks with horrifying ingredients. Samatoki is a fashionista, but the joke is framed as a counterpart to Ichirou's nerdiness.
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(DoD chapter 1)
Here, it's funny that neither of them can shut up (the ペラペラ/blah blah SFX, the long bubbles filled with lots of text that's cut to indicate they kept going for longer), but the object of their attention--a model toy and a pair of jeans--are treated in the same neutral light. It's very common for stories to touch on, even defensively, the social taboo of men being into clothes. Hypmic doesn't even acknowledge that such a taboo could exist.
This is subtle but extraordinarily effective in giving characters the same consideration and weight. The more feminine characters are always treated just as sincerely (or, if there's a joke to be made, irreverently) as the more masculine characters. Take Ramuda, for instance. In Japanese media, a love of sweets is often characterized as feminine and will often be remarked upon, even in LGBT+ media, as atypical for men. Again, there's zero acknowledgement of such a thing in Hypmic. Whenever other characters talk about Ramuda's food intake, it's always framed as a concern about the lack of nutrition.
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(FP/M chapter 11... I don't have the source lying around on my computer, so here's the old-ass scanlation lol)
It's also given the exact same weight as anyone else's junk food habits. Here, MCD goes out for burgers (a neutral to masculine-coded food due to the meat and high calorie count) while Ramuda opts to try a sugary Starbucks-esque drink. The parallelism in the comic's framing suggests that the two objects are functionally the same, and there is no comment that a sugary drink is feminine and therefore "inappropriate" for Ramuda. There's also no indication that MCD's preferences are in any way better. They simply happen to be the characters' personal preferences. The punchline is two groups splitting up, only to awkwardly run into each other again moments later.
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(DoD volume 4 bonus comic)
Similarly, Ramuda's interest in clothes or fashion is never treated negatively--in fact, the discussions of clothes as a means to find identity and happiness make it a positive!
In ARB cards and promotional materials, Ramuda sometimes wears dresses. It's, again, portrayed in parallel to other characters wearing more masculine clothes and is never commented on as something "unusual." It's just who Ramuda is.
Hifumi is another interesting case. Like Ramuda, his playful personality often doesn't as stereotypically masculine. (To be clear, I read much of this as "gender neutral with a strong emphasis on youth" versus "feminine" in a way that I'm not sure has a good US equivalent...metrosexual/yuppie men's fashion, maybe? In the sense that it's a youth subculture that defies some masculine gender roles but is still focused mainly on men. I wish I was more well-versed in Japanese men's fashion and could give an exact term, but I'm what I'm thinking of is definitely an established thing--young, trendy dudes whose styles focus on poppiness vs. the rugged manly man or "idk, I'm just some guy" subcultures. It's a thing that pisses off old Japanese conservative men in the same fashion as people getting up in arms about "the gayz!!!1!" and their androgynous clothing lol.) Their personalities are often the butt of jokes, but only in the same way that Dice or Doppo are--that is, that they're exaggerated and over the top. There's no commentary on masculinity or lack thereof.
There are also moments when Hifumi, Gentarou, or other characters play feminine characters in roleplay moments, which is usually (but not always) not the sole joke. The audience is supposed to find it funny, but the humor is almost always centered on the absurdity of the scene as a whole. For instance, in a moment where Hifumi and Doppo are pretending to be two drunk karaoke-goers, the humor comes from the composite set-up of Hifumi's hair twirl, Doppo's untucked shirt and tie, Doppo and Hifumi's exaggeratedly flirtatious poses, the spotlights and sparkles, and the same font as used on classic karaoke machines.
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(FP/M+ September 2022 oneshot)
Hifumi and Doppo do not perform traditional gender roles in their homelife, and while it's easy to see and often commented on in the English-speaking fanbase when it comes to Hifumi, I find it just as prevalent on Doppo. It's true that Hifumi is taking a feminine role by doing the majority of the household's cooking and cleaning, but if we were to assume Doppo has the masculine role in the household, he would have the breadwinner duty. However, he isn't the main source of income for their household, and he's just as unassertive in finding a (female) romantic partner as Hifumi is. Japanese men are bombarded with media messages stressing the importance of taking an active role in career and romance. That Doppo does not would, in many stories, make him the butt of a joke for not living up to masculine gender roles. But he isn't; instead, Hypmic portrays him as a sympathetic character. It's tough, Hypmic says, for people to get good jobs and maintain friendships/relationships as an adult.
Similarly, it's noteworthy that Hifumi's self-appointed term "Gigolo" is consistently portrayed as a good thing in Hypmic. The meaning of the English term aside, the Japanese word ジゴロ (jigoro) is almost always used as an insult for a man who is financially dependent on one or multiple women. In the strictest sense of the term, Hifumi is a jigoro in that his income derives from his female clients. However, there is never any shame associated with that, and as a whole, Hifumi's career as a host is shown to be a positive thing. I can't express enough how rare that is in any sort of semi-serious media. Certainly, Hypmic acknowledges that his job requires too much drinking (Doppo's verse in Hoodstar), but the overall portrayal is overwhelmingly positive. Hifumi and his coworkers are never treated as uneducated, boorish, or pathetic for "failing" to find other work that does not require flirting with and entertaining women. (This is partially due to the overlapping judgment with sex work.)
All the various harmless preferences and personality traits of the male characters are treated equally with no judgement over what's masculine or non-masculine. Within the broader context of Japanese media, this absence of judgment stands out and reinforces one of Hypmic's core themes: Differences make us better, not worse. In the end, Hypmic suggests, there's no one right way to be a man.
Right Ways to Be a Woman...Are Just as Infinite!
But what about women? This series is, after all, marketed mainly towards women, and while female audience members can no doubt extrapolate the lessons learned from the male characters, it's worth taking a look at the female characters too.
The female characters do receive much less screen time than the men and are not the focus in the series; I'd argue that's less an issue of overt sexism and more that they fall out of focus in the story the writers want to tell. (There's a broader discussion to be had about inherent sexism in the writers' focus which goes hand-in-hand with rap industries across the globe favoring men and rap being an example of exaggerated masculinity, but that's a topic for another day.)
Even so, the framing of the female characters is interesting in a couple key respects. The individual character arcs and motivations of the main female characters are, in my opinion, some of the weakest parts of Hypmic--many times, Otome and Ichijiku do things because the plot demands them to, making them look incompetent or needlessly cruel for characters we're supposed to sympathize with. Nemu's story seems to be handled with more care and takes an interesting twist, wherein she openly acknowledges that she's disenfranchised as a woman in modern Japan but rejects the notion that she needs to find strength on either Ichirou or Samatoki's (male) terms. By choosing to be strong in "her own way" (whatever that means...it's not well-defined), the authors are using Nemu to reject the notion that strength and power are inherently masculine.
What I find to be far more interesting is the character design for the Chuuouku women, both in what is said and what is not said.
To begin with, the characters and their portrayals run the gambit from highly sexualized to completely non-sexual. Some characters (especially Ichijku and Honobono) have conventionally attractive, curvy body types and are often drawn in ways that highlight their bodies.
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(FP/M+ chapter 4)
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(FP/M+ chapter 14)
In some cases, especially Honobono's, the enticing nature of the illustrations is framed as the character's choice; in the above, her words indicate that she wants to seduce the off-screen listeners. The images included above are largely representative of these characters' raps, regardless of illustrator.
But on the flip side, other characters with large breasts or hips are never drawn in a sexual fashion. By way of comparison, here are two shots of Nemu rapping.
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(BB/MTC+ chapter 12)
Even in shots with dynamic poses, no attention is drawn to Nemu's figure in any sort of provocative sense. Nemu touches her chest, drawing the reader's eye there, but the artist does not emphasize the size of her chest--they're allowing a chest touch to be no more than an emphasis of the self. At the same time, Nemu's body isn't downplayed. We can see in panel 2 on page 2 that Nemu has a small waist and wider hips, but once again, she isn't being sexualized. The action lines draw the reader's eye to Samatoki and thus put the action first and foremost. This creates the idea that not only can characters portray themselves sexually, but they can just as easily choose not to.
We see similar with Otome, who does not wear any sort of revealing clothing and is never shown in a sexual fashion. However, Hypmic doesn't equate revealing clothing to sexual portrayals either! While I wouldn't call Tsumabira's outfit revealing, she does have more visible cleavage than most Chuuouku figures. However, her bare chest is never sexualized like Ichijiku's.
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(BB/MTC+ chapter 4)
Compare the non-emphasis on the chest and the power stance to any of the many shots of Ichijuku where her breasts are front and center in the camera. Speaking of power stance, Tsumabira remains confident in her power stance without being sexy--that is, no stepping on the camera and showing her whole leg.
Which isn't to say that Tsumabira is a sexless character. She's drawn visibly turned on by the male characters in such a way that is cartoonish but not, in turn, overly sexual. Were this supposed to be titillating to the reader, I would have expected to see a larger close-up on her face and tongue. However, the artist (who is no stranger to focusing on tongues!) devotes the majority of the panel to Tsumabira's body language (which, again, doesn't absurdly exaggerate any of her proportions or focus on her chest) and covers part of the mouth with text bubbles. Tsumabira is drawn as engaging in sexual behavior without being sexualized for reader entertainment.
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(FP/M+ chapter 4)
The juxtaposition of such different views with little to no judgement attached to any of them suggests that it's perfectly okay to want to be sexy or not, to wear revealing clothing or not, to be involved in sexual situations without being the object of sexual interest, or to simply exist with an attractive body type without sex ever coming into the equation. Just as some characters choose to tie bodies to sexiness, some don't whatsoever--and either is perfectly fine!
The former idea ("I can choose to be sexy") may not sound especially revolutionary to US audiences, where sexuality is thrust upon women willingly or otherwise, but I find it fascinating because it lets the main characters embrace this idea without associated slut shaming. So much of Japanese media insists that women should be sexy but are also wrong for wanting to indulge in their own sexuality. Therefore, having characters who run virtually every iteration of take on the topic (I want to engage in sexuality and be sexualized, I want to engage in sexuality without being sexualized, I don't want to engage in either) with multiple body types (ie, Tsumabira isn't automatically not sexualized because she has a smaller chest; Nemu isn't automatically sexualized because she has a bigger chest) and no judgement involved feels like another breath of fresh air to me.
As a whole, I find the diversity of the Chuuouku uniforms and character appearances quite interesting. They're undeniably all feminine and relatively militaristic, but different characters wear entirely different wardrobes. Skirts vs pants, blouses vs dresses, high heels vs boots... Since every character has her own take on the common theme, it once again feeds into the idea that each character is her own individual and perfectly valid for defining femininity in her own way.
Haircuts, too, range from longer and more feminine hairstyles to pixie cut-esque looks.
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(BB/MTC+ chapter 16)
Again, nothing of the framing suggests this short-haired woman is in any way different from her longer-haired counterparts on the edges of this screenshot.
Finally, while most Chuuouku women are conventionally attractive, I find it extremely compelling that Haebaru is a stereotype of an unattractive Japanese woman. To be extremely clear, I do not think these stereotypes should have weight, but the combination of chubby and/or muscular build, freckles, rounded nose, and non-glossy hair is often used as a visual shorthand for unattractive or otherwise undesirable women.
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Sure, it's not fantastic that Haebaru is a scheming, two-bit villain. However, so is virtually every other female character in the series, and in particular, Haebaru is (the conventionally attractive) Tsumabira's counterpart. Both are treated with the same respect or lack thereof, suggesting that one's appearance has nothing to do with your ability to be a no-good baddie. Ha ha ha.
It would be lovely if the female characters were fleshed out further and given intelligent choices and diversity outside of the realms of physical appearance. However, I do think the writers' choices are limited by virtue of all women automatically being antagonistic side characters (which, again, is another discussion altogether). What the writers can and have accomplished is further reinforcing a celebration of differences. Just as there's no one right way to be a man, there's an infinite number of ways to be a scheming snake of a woman HAHA.
Intersection with LGBT+ Topics
Unfortunately, this is a very binary look at gender and gender roles, which, while largely representative of the current state of Japanese media, can be disappointing.
Hypmic appears to want to steer shy of LGBT+ topics as a whole, which is a bit of a shame. In a story so focused on gender and acceptance of diversity, it seems the natural next step to explore the notion of those who experiences don't align with a strict gender binary. Such stories are growing in popularity in Japanese media but have yet to be anywhere near the mainstream acceptance in US media (which is still in a fledgling stage at best). I would imagine Hypmic's writers are unable or unwilling to take a definite stance on these topics in the work due to fears of financial or career backlash. If nothing else, the sexuality of the main characters needs to remain in a limbo in order to have plausible deniability for both self-shipping and shipping with other characters. (Some deniability may be more plausible than others.)
The few instances in which Hypmic does wander into this territory are usually clumsy. I am no fan of the handful of scenes where male/male attraction is supposed to be funny purely by virtue of being male/male.
The inclusion of Urumi, the one minor character explicitly LGBT+, is not stellar either. I am hesitant to apply any definite label to her, as the real-life people her stereotype portrays self-identify as everything from trans women to cis men--or refuse to use these English labels at all! Still, we know from her profession (proprietor of a bar heavily implied to be a gay bar by the neighborhood it's in), appearance (poofy permed hair, exaggerated make-up), and demeanor (feminine speech style, a bit flirtatious) that she's AMAB and choosing to present herself in a feminine fashion. By writing Jirou to ask, "Aren't you a man?" in an exasperated fashion, the writers have put her gender presentation in a boke role--suggesting she's over-the-top, exaggerated, comedic. It's not great. I completely understand why readers find it offensive (and it is) even while I don't think the writers intended it that way. Ultimately, it would have been great to see other explicitly LGBT+ characters portrayed without the joking angle.
With that said, I'm not entirely unhappy with her character. She is a stereotype, but the authors have chosen to take only the visual elements of the stereotype and leave the rest on the cutting room floor. In other works of fiction, characters like Urumi are often hypersexual to the point of being in-universe creepy, especially towards underage boys. Other times, characters like her may be eccentric or off-putting in other ways. However, that's not at all the case here. Urumi seems to play a helpful big sister/aunt role in Jirou's life, and he's clearly comfortable enough with her to spend the night at her bar.
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(BB/MTC+ chapter 17. "Sorry, but can I shack up here again tonight?" "Of course you can.")
While she seems to engage in some sort of a bohemian lifestyle, as evidenced by the alcohol and smoking, it isn't anything outside of what many of the other characters do. Additionally, while she isn't drawn in a flattering fashion in scenes where she's playing up her persona (which is par for the course with any character in this series, regardless of gender), there are plenty of neutral shots of her being serious. Finally, the art is never outright rude--that is, she isn't drawn exaggeratedly masculine or flamboyantly...snakey? I don't know how to describe this to anyone who's lucky enough to have never seen this--clearly LGBT+ AMAB characters drawn with noodly limbs and huge, overblown lips winding around male characters.
Maybe because I see so much worse continuing to be produced in this day and age, I feel like Hypmic could have done a much, much worse job with this character. She overall plays a positive role and is treated with much the same care as other side characters. It's unfortunate, then, that the writers have chosen to make her gender presentation the subject of a joke.
In other frustrations, I heavily dislike the unnecessary gender divide in background characters. All punks and other background baddies are male, whereas all adoring fans are female. (But Rhyme Anima has done an interesting job of subverting this!) The vast majority of other background figures fall into strict gender roles, which is likewise disappointing. It appears that diversity may be an accepted trait for none but a lucky few that form the main Hypmic cast.
All in all, I don't think Hypmic's portrayal of gender roles is groundbreaking, nor do I think it's fair to suggest that all Japanese pop culture plays into strict gender roles. There are certainly many Japanese works, popular or otherwise, with much more interesting things to say about gender. However, when compared to the vast majority of the titles that cross my desk on a regular basis, I notice and appreciate the level of care put in to Hypmic's commentary on gender roles. The work consistently reinforces the notion that it's okay to be your own individual, no matter how that plays into your gender, and I find that freeing. That's a message we could all do to hear more often, regardless of culture and language.
TL;DR: Oh no, my rapidly approaching deadline. :)
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Tumblr has been working on implementing a Communities feature here, and they've gotten to a Closed Beta stage. There's more details in this post, but basically, some people will be getting emails with information about filling out a form if they're interested in a community and ideas will be selectively approved and created. There will be a community member cap while in Closed Beta, and taking part in feedback will probably be inevitable.
I'm honestly not sure if there's an underlying reason for who gets sent emails or if I was randomly chosen, but I have the opportunity to fill out a potential community form. Someone would have to approve it, and at this stage, allowing duplicates or communities that are very nearly duplicated with minor differences will probably be unlikely. Considering the tag spamming in Jumblr, I thought it might be a good idea to suggest some sort of Jewish themed Community.
If anyone else has gotten an email about creating a Community and has had this idea, I would absolutely like a response about it. (I have no idea if this is a 'first come, first serve' sort of thing, but I'd rather not make a duplicate suggestion.)
There is a note in the email that not every suggestion will be approved, and they're looking for a spread of different types of Communities. However, it also can't hurt to at least put forward the suggestion.
I haven't looked at the form in great detail yet, but it will probably ask for a name, description, community guidelines, and if the Community will be public or private.
Name: I'm not 100% sold on using 'Jumblr', 'Jewish', or 'Judaism' since those are so broad and general. However, if enough people like using 'Jumblr' or something that does seem personally broad, it's still on the table for consideration.
Description: A space for Jewish Tumblrites...? (Jews of Tumblr?) To be determined, really. (Should it be a space also open to gentile allies? Probably see the private vs public section.)
Community guidelines: Some will be the usual matters of what posts will not be allowed, how to tag for certain topics, and what conduct could lead to being removed from the comm. Specific guidelines to this comm are definitely where I'd appreciate some degree of input, though.
For example, it's entirely possible that someone interested in joining this potential Jewish themed Community will want to avoid examples of antisemitism. Does this look like a guideline about not posting antisemitic anon hate or reblogging conversations with antisemitic responses in the reblog chain into the Community? Does this look like needing to use a specific tag so other community members can blacklist or use Tumblr's filtering feature? What if someone wants to talk about antisemitism they've recently faced?
The Israel-Hamas war. Do the community members want a space free from news updates? Or would a guideline about not showing gory imagery or videos, but allowing text only updates, be alright? (Do community members want a space free from larger I/P discussions? Or as long it's tagged for filtering purposes, do they want to be able to talk about I/P without having trolls and random antisemites wander into the replies/reblogs?)
Zionism. I don't want this to be another space where people face the 'are you a Good Jew or a Bad Jew' sort of questioning. However, does this look like a statement in the description welcoming everyone including Zionists, or does there need to be a guideline about talking about anti-/non-/Zionism within the Community?
Other: I don't know what the community member cap will be in the beginning, so I have no idea whether there'll be a need for mods immediately or not. The only language I'm comfortable doing any modding in is English, so at the very least, I'd probably need someone who knows Hebrew at some point.
Public or private: I like the idea of a public community that's not dissimilar to the Jumblr tag, but you know, I'm not sure about how comfortable community members will be with a public community given the compilation of blocklists based on interacting with a particular post/user.
From the Communities Help page:
Public communities can be seen and visited by non-members, logged in or logged out. However, only the feed of posts in each community tab, and the About page, are accessible. Non-members cannot view the member list, see who reacted with what, or see community comments. Non-members with an invite can see everything a member can see, but cannot interact with anything until they accept the invitation. Private communities cannot be seen or visited by non-members at all. The existence of a private community is not hidden, however, if someone has the URL (they’ll see a message like “this is a private community”). Non-members with an invite can see everything a member can see, but cannot interact with anything until they accept the invitation.
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Not directly related but notable enough to mention: I can easily imagine that some people will not be enthusiastic that I'm volunteering for this effort. This is the main associated with a conversion sideblog, but I have not felt comfortable with revealing my sideblog, especially after October 7th. However, I don't think a Tumblr Community can be associated with a secondary account, so I can't really change that my not-really-Jewish-looking account is the one associated with this idea. If someone likes this idea but still would rather have someone else try to implement it, I guess we'll cross that bridge if we get there in the response to this.
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lover-of-mine · 2 days
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i'm freaking out because someone who watched the episode in the media was asked if after the episode will their be new buddie theories and she said she already has one but won't reveal it till after the episode. Which you can basically take that to mean something is going to happen with buck and eddie that's going to have fans theorizing/speculating after the episode. I'm honestly thinking that it's gonna be heavily teased that something happened between buddie at or after the bachelor party. like a charged moment or almost kiss but it won't be revealed at all in the episode. we will get like a glimpse of it and only eddie is going to remember pieces of it which will lead into his catholic guilt arc. and we're gonna spend the rest of the season trying to figure out what actually happened between buddie after the bachelor party and Eddie's gonna be keeping this huge secret from Buck.
it won't be revealed till the finale or something. My money is ultimately when the puzzle forms it's that buck and eddie almost kissed after the bachelor party but got interrupted by one of their many many party guests and by the finale I see Buck remembering what happened as well.
Suffice to say something is happening between buddie in this episode enough that media already has a buddie theory and she'll post it after the episode which means it will feature spoilers from this episode speculating a theory regarding buddie so that means something happens in this episode that's gonna lead fans to speculate about buddie and what happened between them?
Bestie, I literally wrote this as a fic idea right after 705 soaksasokasasok like, with how all over each other buddie seems to be you can ABSOLUTELY have a charged moment between them that doesn't connect just because they got interrupted and we don't see it until one of them talks about it later on, probably Eddie to someone, maybe Frank, and have that trigger Eddie's sexuality arc within the guilt arc, like, legit, I can see it happening, I mostly don't think the show would actually go for it, but honestly, this season keeps surprising me so... but it is a way to trigger Eddie's sexuality arc using Buck without pulling the trigger on buddie too soon, and keeping Buck oblivious to what's actually going on with Eddie while letting Buck explore his bisexuality outside of Eddie and Eddie trying to work through his own feelings would be nice. And it would be a nice parallel to Buck freaking about lying to Eddie about the date with T (because they LOVE to parallel the two of them), because Eddie would totally feel like he has to lie, because one, he doesn't understand what it means for him, two, he doesn't understand what it means for the both of them, and three if Buck is going to be infatuated about T, he wouldn't sabotage that, four, he still needs to deal with the searching for Shannon of it all, and this is a way to put the ball completely on Buck's court AND it is a way to address the emotional power imbalance that exists within buddie, because Eddie calls the shots a lot and that can't keep happening for them to be a good couple, yk? They can make Eddie explicitly make another unilateral decision about their relationship on the idea that he just knows Buck so well and knows how he's going to react, the whole I'm not enough thing could come back or just straight up use the I feel like she sees me and the I kinda can't stop thinking about him for Eddie to just decide that Buck was just too drunk and it wasn't really about him or about Buck wanting to make that change in their relationship or having feelings for him, and just expect Buck to go with it, and to have Buck reach that point where he realizes what happened and he decides to force Eddie into that conversation, I'm game, dude, like, legit, would love that. Even more, if we have some sort of emergency where both of them are in danger (trapped dads/drown Buck I will never give up on you) and you have Eddie aware to some degree and Buck being Buck without actually knowing until something happens and he's like OH FUCK and we can have the beginning of s8 addressing the will they do something about it or just keep pretending it's not there until they figure out they don't really have a choice, it's where they were going all along (buddie getting together 804 aka 100 episodes after Eddie got introduced maybe?), like, they can even have some conversation being interrupted, you can have things being said during the emergency they just don't have the chance to talk about, with the recovery or things going to hell or actually being interrupted by everyone and everything around them, especially if T is still in the mix, you can have the emergency be a season finale cliffhanger because they already have s8 confirmed and they never did a season cliffhanger and I feel like we are due one soon, and things would only be dealt with later. There's a lot to explore if something almost happens with them being drunk, and Eddie remembers but Buck doesn't. You can even add stuff like making Eddie work himself through his reactions to Buck so far or straight up confirm he has some level of awareness that his feelings for Buck are not all that platonic (Eddie fell first essay I will never give up on you) he just didn't know how to interpret that yet. It would open some fun possibilities, and considering the insistence on the triangle imagery, to make it an actual media love triangle by finally connecting the Buck and Eddie's side on a romantic level? It would add up.
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I need to get it out of my chest so here's some Striker theories/speculations fandom has come up with that I heavily dislike and why.
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Striker has some royalty blood from one parent or both.
Oh God that would suck so much if it became canon cause it absolutely defeats the purpose of his character so far, that of being a lower class imp hating royals with valid reasons even if his actions are violent and sadistic.
As he is he has such an interesting antagonistic role in the story and offers a bunch of good lines directly opposing and questioning the heroes values, choices and morality.
His mere presence and open bashing of the upper class is just good social commentary! If his hatred stems from a combination of his narcissistic nature and bitterness that being born an imp (even mixed or hybrid) robs him from ascending further into the social ladder or even if he survived a traumatic encounter with a royal as its implied and it's fuelled by anger or a combo of all those things all are good for telling a compelling story! All can be done in very interesting ways!
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But making him yet another character tied closer to royalty than just being a random person that got screwed over is honestly an underwhelming concept.
Getting screwed over for no good or justified reason should be common with Hell's racist and classist system as its been presented so far and we should get confirmation of that instead of having Striker added to the trend of each of the main characters having special connections with higher ups. It's not only redundant at this point but would make his motivation and social commentary that much weaker.
I swear if it just becomes another daddy or mommy issue imma rage quit so fast!
Striker is half shark demon
His sound design is explicitly constantly emulating the noises a rattlesnake makes. Since he's most likely a hybrid and he says to Blitzo how they are "superior to most of our kind" he's definitely part imp. So we got two halves and we got snake demon and imp, so it's basically covered? lol I don't know how this theory became so popular😅
He doesn't even look close to the design of the other sharks
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he only looks like Chaz a little bit.
And lots of characters share similar characteristics like that snout.
This one had some merit with the ringed eyes and imma be real I haven't noticed those elsewhere but like even if he had a grandpa shark what purpose would that serve?
Bah I just don't like it. Let the man be a slimy snake! Its more unique and it suits him better!
Striker is asexual cause he got grossed out by sex jokes
No...just no..
To be clear you could totally read him as asexual! But the reason being the damn sex jokes is giving me whiplash. Striker got flustered and frustrated at best cause the timing of each sex joke was inappropriate as all hell and cause everyone did it as he tried to be intimidating and threaten/kill them. If anything they were bruises to his ego not any indication to his libido.
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But like... In all seriousness asexual confirmation deserves more than a reaction to sex jokes.
Hellaverse does it better with Alastor. In his case it does tie in with his sexuality.
Same goes with all the theories that he's homophobic too.
He did the sexy villain thing trying to seduce Blitzo like so explicitly and smiled when Blitzo called it hot then! What are you talking about?
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Different situation, more receptive to sexual undertones and instigating them too. That's what I'm trying to say!
And again. Asexual reading can apply. But it can't be just the sex jokes alright?!😭
(yeah yeah it's a joke on itself. still valid I get it.)
Striker is related to Crimson and Moxxie.
Oh this one is the worst one and absolutely gives me a heart attack and thank goodness for the crew's soft confirmation that they aren't via strixxie fanart cause no joke I'd cry since its my favourite ship!
It's just similar horns!!! Striker was designed as a mix between Moxxie and Blitzo and that's the only reason why!
Striker also had sexual tension with Blitzo on screen are you gonna tell me they are related too cause he was designed with half of him in mind?
I hate this theory so much.
Granted purely for shipping reasons but holy shit it got popular and I hated that!
I've had enough with turning every ship into potential incest just cause and harassing fans over it!
Got such "Fizz and Blitzo are siblings" deja vu😬
Ahem...
Anyways yeah that's all.
To end it more positively I love the snake man! Didn't spot him on the trailer but still hope we see him in the upcoming episodes🥺
Preferably doing shit like this and traumatizing everyone lmao! (with no godawful statue jokes in sight thank you very much)
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luvring · 1 day
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hello!! hi. i hope you are not too busy. i have been enjoying your 'falling in love' hcs for the ts characters, and i was wondering if i could ask for the same concept with kuras? if possible? please take your time with it. ^_^ i thinjk he would be silly with it but would also want to biblically smite the reader with his mind (/affectionate) . or you two are psychoanalyzing each other from opposite sides of the room FAR away from each other. I Dont Know. packingf my suitcase and leaving
KURAS FALLING IN LOVE
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gn!reader | didn't realize how poor a read i have on his possible plot until writing this. my bad. good job red spring studio U and ur mysteries and kuras's identity in the overarching lore got me this time...
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this is going to be the most normal start of a relationship of the LIs. like he's just ('just') a doctor. you're about to strangers -> friends this through coffee and chatting
kuras doesn't...seek you out? not at first. that's not to say he isn't interested by you, but he has a job (and secrets) to handle. but he welcomes your visits as long as he has a break!
it starts with offering to grab or buy something, then staying and helping, learning about a random medicine he has on the counter, and then you're a semi-regular presence at the clinic, and you know which cabinets to check for the average sickness/bandaging. his practiced smile turns into a genuine one when you come through the door. he's asking how your trip was, catching you up on what's been happening lately
one moment i feel might happen is you finding yourself in his clinic, needing his help again,, hopefully your clothes are in tact this time. he jokes about how he'd rather not see you on the cot if you wanted to visit again.
little pranks...!! the senobium or him. roleplaying to throw guards off your trail y'know. getting to see that playful side of him :3
if it's him, he pranks you back, shooting you the same 'innocent' smile he does the guards. be careful about spilling that ink. you've been misplacing papers and pens all day too, haven't you? are you feeling alright?
another moment is. it's hard to say what, but you unknowingly say something tied to his situation. you casually drop your opinion on guilt and atonement—smth smth how guilt will rot and your atonement will never end if you don't let it smth smth the evil that others do with your kindness does not corrupt you smth smth—and it gets him.. Thinking. ! maybe you find those stories about a teacher and harbinger of chaos, and after bringing it up to kuras, he asks you for your opinion on them.
!! one moment i hope we get is kuras 'letting loose' or being silly. laughing really loud and apologizing as it lessens to a chuckle. trying to eat food because you don't know he doesn't eat, and it goes terribly wrong so he gives up and lets you laugh at him
LOL the psychoanalyzing. you say something and he has a weird reaction like Hm. sure, of course. and you're like ??? and he tells you it's nothing, just that that makes sense for you. and you're like Woah you wanna talk about My observations about You? and kuras looks at you like [ !! ] [ ?! ]
there's also small things that suddenly feel more intimate—him cleaning up a wound on your face and holding eye contact, his fingers lingering as they brush your cheek. you instinctively reaching for him when someone bumps into you, and him making sure you're alright.
kuras starts taking more initiative by inviting you to join him places and talking about himself. (cue joke about how information is power and him saying he'll make an exception for you.)
but it won't be all sunshine and rainbows considering he's an incredibly old angel and he has. shit going on.... who knows what shit honestly
you notice how he still doesn't share everything, which is fair enough—you're not spilling your entire life story either. but you still don't know basic things about this guy, you don't even know how he's kept his clothes clean all this time or how Old he is
that distance kuras keeps between you grows again because he doesn't want you to get in harm's way, and it's inevitable if you stick too close. he's an expert at dodging questions, answering just enough to keep people satisfied, but what does this mean for you? someone he's unexpectedly grown fond of, and who keeps calling him out for it?
you voice what you're both thinking. he has a frustrated expression when you point out you both like each other, and you want to help him for once, because ??!! he doesn't know what to do here.
something something, kuras's true form, him invalidating all the good he's done for the chaos and ruin he's brought, the world before, being the one to help him find forgiveness, the divine as neither good nor bad, kuras defining himself outside of a teacher and sinner Something Somethigngggaaghhh
Honestly. i've been messing with both ideas in my head and i haven't picked one i enjoy more so.
there's kuras, who's never been in love and is suddenly fumbling for once, trying really hard to 'do it right' and figuring out what it means to be in a relationship and in love (he's overthinking) (he was doing alright) (he asks ais/mhin for their opinions)
and then there's kuras who goes with what he was doing before, just with more affection/intimacy, because seriously he was already doing a great job at being a good partner :sob:
i think kuras's feelings are a slow burn themself. like, he takes the time to get to know you, to open up, etc, and he wouldn't define what he feels as 'being in love' for a while ?? he knows you're incredible important to him, and know him better than...probably anyone else. but he thinks "i love you" is a very significant thing to think and say out loud and he wants to make sure he knows for sure.
if you wait for him to say it first, i think he'd make it a really special moment! ^^ he thinks for a while about how to do it and, maybe uncharacteristically, gets nervous. his face lights up in its own way when you say it back (not a huge face-splitting grin, but his smile does grow and it's obvious he's relieved/happy)
it isn't often that the doctor is thrown off his game, especially not for longer than a few minutes, so if you ever casually, and Very Quickly*, say "love you" while you're leaving, it's a Sight to See. imagining ais coming to see him and going ...?? when kuras opens the wrong cabinet for the most basic medicine. he applauds your work the next time you see him
*very quickly because if you're in a situation where you're alone and he isn't needed, he's going to stop you?? like what?? can we have a conversation about this (not mad just stunned and values communication and also in love with you and)
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azucarmorena97 · 18 hours
Text
Money Ties (Jungkook Love Story || Pt.9)
Pt.8 || Pt.10
Your parents have worked hard to get to the top and have made sure to teach you everything you need to know to be successful in this business: from tough but lucrative financial decisions, down to the right ball gown for any given banquet. A promising and extravagant future awaits you- that is, if you agree to one teensy detail...
Son of Mr.Jeon Sr. and heir to June Company, Jeon Jungkook is an immature playboy with nothing to offer a woman but good looks and a crap ton of money, and he stands to inherit much MUCH more, so long as you both enter into the arranged marriage contract that was drawn up before the pair of you were even born.
You're more than willing to try, but you're not sure you'll be able to stand each other long enough to inherit a single penny...
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Series Warnings: There will be smut in the near future and I will label those chapters as such. As I say before most of my pieces- I do not endorse any themes, ideas, or behaviors in this series. This is all purely fiction/fantasy! Feel free to inbox me suggestions/ideas/what you'd like to see in this series and I'll see what I can do! Enjoy <3
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Recap: For years, you've heard people say that your first time isn't as special as the movies make it seem. They say it's something to just get done and move on from so you can start having good sex- and maybe that's true for some people, but this? You like this.
- Lisa: Kookie, where are you? I miss you <3
Your heart begins to pound in your chest. You look over at the bathroom door, still closed, though you've heard a flush.
Without another thought, you dart out of the bed, quickly yanking on your clothes, making sure to leave absolutely no trace of yourself behind in that room.
You finally hear the bathroom door open though when you do, the hotel room door is already clicking shut behind you.
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You sit in front of your computer, brows furrowed in concentration as your eyes dart from one tab to the next, typing furiously. Since you've been back home, you've been working non-stop, getting everything ready for your transition from your parents' business to Jeon Company. Beside the tedious tasks to be completed before going back to Seoul, you've made it a point not to think too much about your return.
"Don't you think you should at least respond to his messages?" B/f/n says one night on facetime. "I've been responding to mine and his mother's messages, he knows I'm fine, there's nothing to talk about." "Y/n, he walks around here like a lost puppy. He tries to hide it but it's so obvious." "Tell Lisa where her dog is then." "Y/n, maybe it was a misunderstanding." "Honestly, I don't really care anymore. I've made my peace with the idea that he might end up being my husband but he will never...never be mine," The sting is present but you ignore it. "There's no way you've made any sort of peace with...any of this. What you guys did was kind of a big deal." "It...was what it was. It was gonna happen anyway, and now I'm glad we didn't wait until the wedding night so we wouldn't kid ourselves into thinking it's some sacred act." "But it was." "I've uh, gotta go," You say, having received a notification of an incoming call on your apple watch. B/f/n sighs, "Alright...talk later." "Yeah." Without another word, you hang up the call.
It's not that you mean to be mean. You can feel yourself being short with your parents, with B/f/n, but you can't bring yourself to continue answering their questions. How are you? Why haven'y you called? Did something happen between you and Jungkook? What happened? It's humiliating enough to know he fucked you without any real plans to ever get rid of his ex-girlfriend- you don't need to be telling the whole world about it. The only reason you even told B/f/n about it was because she was the one who drove you to the airport. She could immediately tell something was off and you couldn't hold it in for any longer and began crying and carrying on. You've never been one for dramatics and tears...but this one stung. No, worse... This one might have finally broken your spirit.
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"I could oversee the Australia branch on this one if you want. I'm much more familiar with the market over there -" You're trying to focus on the presentation being given by a member of the marketing department, though your mind keeps teetering back and forth between the information and your personal life. Suddenly, you see a txt message notification pop up at the corner of your laptop screen. Jungkook. Your heart skips a beat, though you quickly dismiss it and turn your attention back to the front of the room, but it doesn't stop- another message, another message, another- soon you have 5 messages from him. You bite your lip, feeling anxious to know what he's saying but not wanting to give in. "Uhm, you'll have to excuse me for just a moment," You say, shooting out of your chair and abruptly walking out of the room, leaving everyone staring at you from the other side of the big glass wall as you walk down the hall.
You take your phone out and unlock it, quickly opening up to his messages.
𝗝𝘂𝗻𝗴𝗸𝗼𝗼𝗸: 𝗬/𝗻 𝗜 𝗿𝗹𝗹𝘆 𝗻𝗲𝗲𝗱 𝘁𝗼 𝘁𝗮𝗹𝗸 𝘁𝗼 𝘆𝗼𝘂 𝗝𝘂𝗻𝗴𝗸𝗼𝗼𝗸: 𝗜𝗱𝗸 𝘆 𝘂𝗿 𝗮𝗻𝗴𝗿𝘆 𝘄𝗶𝘁𝗵 𝗺𝗲 𝗯𝘂𝘁 𝗰𝗻 𝗽𝗹𝗲𝗮𝘀𝗲 𝘁𝗮𝗹𝗸? 𝗝𝘂𝗻𝗴𝗸𝗼𝗼𝗸: 𝗦𝗼𝗺𝘁𝗶𝗻𝗳 𝗵𝗮𝗽𝗽𝗲𝗻, 𝗜 𝗿𝗹𝗹𝘆 𝗻𝗲𝗲𝗱 𝘁𝗼 𝘁𝗮𝗹𝗸 𝘁𝗶 𝘆𝗼𝘂 𝗝𝘂𝗻𝗴𝗸𝗼𝗼𝗸: 𝗜𝘁 𝗰𝗮𝗻𝘁 𝘄𝗮𝗶𝘁 𝘂𝗻𝘁𝗶𝗹 𝘆𝗼 𝗰𝗼𝗺 𝗯𝗮𝗰𝗸 𝗝𝘂𝗻𝗴𝗸𝗼𝗼𝗸: 𝗣𝗹𝘇 𝗬/𝗻
"What the fuck..." You mumble, furrowing your brows. Is he having a stroke or something? You slap your hand to your forehead and press the call button on his contact. You swore you wouldn't talk to him at all while you were back at home, yet here you are, calling him. It rings only twice and then you can hear rustling on the other side, along with loud music.
"J-Jungkook?" You say into the phone, suddenly unsure if he meant to answer it, as it takes him quite a few seconds to say anything. "Y/n? Y/n- can you hear me?" He says loudly into the phone, his tone surprised and desperate. "Yes...I can hear you."
"Y/n, why haven't you been answering me?" "Because...I needed some space." "Space? After what we did?" It isn't until now that you notice his speech is a bit slurred. "Yeah, I needed space...hey, are you drunk?" "Are you still gonna marry me?" "Answer the question, Y/n." "You first," You narrow your eyes at the wall as though he were standing right in front of you. "Alright, fine. I may have had a few beverages. But it's your fault." "Please, tell me how this is my fault?" "Because you left me. You used me and then left me." You let out a bitter laugh, "Right, I used you." "So are you gonna marry me or what?" He repeats.
"I'm hanging up." "The phone or the relationship?" "You're not even making sense, Jungkook," You know perfectly well what he means, but you don't want to have this conversation with him, knowing how absolutely inebriated he sounds. "You don't make sense," He sounds much like a child. "Good bye." You don't let him get in another word before you hang up the phone.
You don't immediately return to the meeting, deciding you need a moment to gather yourself. As angry as you are, hearing his voice was oddly comforting. You hate that.
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It's the last day of your time back home and you've packed up a lot of your things that you'll be sending to Seoul. The departure is bitter... there is no more sweet left in you to give you hope for your arrival at your new home. You don't know how you're gonna do it... your mom tried to talk you into having a bridal shower but you managed to wiggle out of it, though not without compromise. "What time is the fitting on Wednesday?" You ask your mom. "1PM. I arranged for everyone to meet fifteen minutes early though," She says excitedly. By everyone, she means herself, Mrs.Jeon, and all of your bridesmaids...including Lisa. For two to three hours, you'd be forced to play nice with the person at the center of your current rage- well, one of the people at the center. You'd be marrying the other one after. Though you suppose two to three hours is better than an entire night for a bridal shower.
"Make sure you sleep on the plane, the Jeon's invited us to dinner when you get back." "Great." "Don't start, Y/n. After Friday afternoon, they'll be family. You need to start playing smart." "I'm not playing a game to begin with," You say wearily. "Now, I don't know what happened between you and Jungkook-" You prepare to argue with her and tell her to mind her business, but she cuts you off, "-BUT- you need to put it aside and make amends. You cannot start this marriage on a bad foot." "Alright..." You concede. Pointless in protesting when you're gonna go through with it anyway.
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The plane ride is long, though you spend about two thirds of it sleeping and the last bit, writing a portion of a project proposal you'd be sending your dad on behalf of the marketing team. If you just keep your head down and your mind busy, maybe you'll be able to float through the next few days without a hitch.
When you land, it's only B/f/n and Namjoon who are there to receive you. Typical. Though you'd been quite dry with B/f/n since during your time away, she is like a breath of fresh air and a sight for sore eyes and you can't help the big smile that spreads across your face when you see her. Of course, never one to hold a grudge, she embraces you tightly. "Wow, three weeks away and you'd swear Y/n was coming back from war," Namjoon jokes. B/f/n doesn't let go of you, just lazily hits him on his arm and continues hugging you. "Listen to me; you are going to be strong this week, okay? Don't think about anyone but yourself. I'll be right next to you the entire step of the way." Her words bring tears to your eyes and all you can do is struggle to nod, as she is holding you quite tightly.
When you get back to the hotel room, you drop everything and leap into bed, your heart content to just lay there... "Don't get too comfortable. Dinner's in...an hour and a half," She reminds you. You groan, face down into the mattress. You lazily roll over and stare up at the ceiling, "Maybe, if I'm lucky, I'll be reincarnated as a bed bug." "You are such a weirdo." "I'm serious...and all I'll have to do is live in people's mattresses and feast and poop...if I'm lucky, some weary traveler will transport me somewhere great, and that's how i'll live my life." "Just my luck, I'll end up being the traveler," She grumbles, causing you to laugh. "That's right, you'll never be rid of me."
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You practically drag your feet behind your parents and B/f/n. No part of you wants even to exist in the same vicinity as Jungkook right now, let alone eat dinner with him and his family. "You better fix your face," Your mom says over he shoulder, and though you're not able to fully see it, you know she's saying it through gritted teeth. "Ah, welcome back!" You hear Mr.Jeon's voice come from the direction just ahead, though your parents are completely blocking your view. You immediately 'fix your face', as your mom so lovingly put it, and stepped out from behind your dad to give the most fake smile of your life- though once the entire table is in view, you realize it's only his parents. No Jungkook in sight...and for some reason, your heart falls just a little bit, though you're sure your face doesn't give you away. "H-Hello, how are you both?" You give a small bow. "Oh, we're good. How was your trip? Did you get a lot done?" Mrs.Jeon asks, her smile warm and inviting. "Yes, I did. Thanks for asking." You glance at the empty chair and it seems as though she notices because then she says, "You'll have to excuse Jungkook tonight. He's at the office preparing for a presentation for Wednesday." "Oh, yes of course," You reach for your glass of water and look at B/f/n, who gives you a small smile. At least it'll be a calm dinner...
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Dinner was a breeze, the conversation flowing between your parents effortlessly; you mostly sat with your eyes on your plate, your spoon pushing around the little rice you had left. You couldn't help but let your mind wander to Jungkook...
"Earth. To. Y/n," B/f/n calls in a robotic voice, waving her hand in front of your face. "Mm?" "You okay?" She asks, putting her hair up in front of the bathroom mirror. "Oh, yeah. Sorry...I guess I spaced out." "Mhm...was it in Jungkook land again?" "What? Of course not," You try to lie but you know she ain't buying it. "Don't you think it's high time you guys talk? It's been weeks." "If I don't see that boy until the wedding day, I'll be perfectly fine." "Don't let the universe hear you," She warns, rubbing her face cream between her fingers. "Fuck the universe," You say arrogantly before turning around and leaving the bathroom.
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The next morning, your alarm goes off at around 6:30, eliciting a groan from you. You grab the pillow next to you and smash it against your face, not wanting to face the day. "It's tiiiiiiiiiiime," B/f/n sings at the highest possible pitch, mimicking Mariah Carrey's 'All I Want For Christmas'. "Shut up," You whine. She's usually not a morning person but as soon as your mom told her she was in charge of getting your hair and makeup done for the fitting, she insisted that you set an early alarm. Apparently, getting ready at 11AM for your 1PM fitting wasn't enough time because, as she so lovingly put it, she's "not a miracle worker".
"I don't even get why you guys are making such a big deal out of this. It's just a fitting- why do we need hair and makeup?" "You are probably the most annoying bride I've ever worked on," She rolls her eyes, patting the beauty blender lightly on your skin. "I'm the only bride you've ever worked on." "And you're already souring my experience. This is the first time you're trying on your dress- it needs to be a memorable and impactful experience." "Fine..." You cross your arms over your chest and roll your eyes, deciding it's better to give in than to keep fighting it. All you want to do is stay in bed and sulk.
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The only good to come out of the fitting today is the fact that you'll be seeing all your college friends; Han Soo-Hee, Shin Se-Kyung, Jisoo, and Jung Chae-yeon. You'd not seen them in a couple years and it'll be nice to catch up. Of course, the only downside-
"Lisa!" Mrs.Jeon says cheerfully, walking ahead of you, B/f/n, and your mom into the bridal shop. Your heart starts pounding and you can feel your blood boiling instantly. "Breathe," B/f/n whispers to you. "Mrs.Jeon!" Her voice is sickeningly sweet and you can tell by the hug she gives her that she's intent on laying it on thick. "I'm so happy you accepted to be a bridesmaid on such short notice," Mrs.Jeon turns to the side and extends her hand to motion to you, "This is Y/n." "Y/n, it's so nice to formally meet you," Lisa says with a low bow. "Same to you." You're such a liar. "I'm so excited to see you in your dress- I'm sure you'll make a beautiful bride." Her comment takes you by surprise and it takes you a moment to respond. "Th-thank you," You blush. "Of course- I'm sorry, how rude of me. What's your name?" B/f/n gives a polite smile, though you knew her enough to know that it was totally fake, "I'm B/f/n. Maid of honor." "Oh that's so sweet- You're so lucky. I won't ever be able to be a maid of honor unless my best friend finally gets married. You may have met her. Rose?"
Your mind flashes back to Rose's burning rage that day when she pulled up on Jin while you were out to dinner with Jungkook. "That sounds vaguely familiar."
"Yeah, well anyway- probably never gonna happen. Her boyfriend's a raging asshole. Anyway, are we expecting anyone else?" Lisa asks.
This whole thing feels strange. She seems way different from the impression she gave that day in the bathroom at Kook's party. You expected to be met with a sour attitude and cattiness, but she seems quite...bubbly.
"Yeah, our four other bridesmaids should be here shortly," B/f/n says, checking her watch.
Not a second goes by and the bell on the bridal shop door chimes, announcing the arrival of the rest of your court. "WHERE'S THE BRIDE!?" Se-Kyung exclaims, throwing her hands up in celebration.
"MY GIRLS!" You cheer, both you and B/f/n running to hug your guests. Instantly, you feel yourself relax. It doesn't matter how this fitting goes, you finally have your people around you.
After a few minutes, you were all lead by a sales associate to a back room with various mirrors and a pretty pink couch, the walls lined with dresses upon dresses. On the furthest wall, facing the couch, is a platform with three mirror, meant for you to be able to look at yourself from all angles...the thought makes you want to gag.
You're going into this fitting basically blind, not having been shown a single stitch of your dress until this moment. The sales lady leaves you in a room with it, hung high up to keep the long train from sagging on the floor. You stare at the grand gown for some time- so long that the sales lady comes back and knocks on the door, "You okay in there?" "Just-just a moment," You say, scrambling to get your clothes off and slip into the dress, holding it up at the bodice so as not to expose your boobs before they've laced you in.
You don't dare look in the dressing room mirror- seeing yourself might just make it too real and right now, you're trying desperately to convince yourself that this is all one big dream that you're gonna wake up from. Once the dress is secured, you pick the heavy skirt up and walk out to your court, each lady waiting for you with a glass of champagne in hand. A series of claps and cheers erupt and you feel your face burn. You stand with your back to the mirror, facing everyone. Your moms eyes are welling with tears, Mrs.Jeon has her hands covering her mouth, B/f/n and all of your bridesmaid's are fawning over you. "You look absolutely gorgeous," Mrs.Jeon says. "Doesn't she? God, Jungkook won't be able to keep his eyes off you," Se-Kyung smiles ear to ear. "Or his hands!" B/f/n adds, causing you to blush even harder. Even your mom and Mrs.Jeon can't hold back a laugh at her most inappropriate comment.
"So, what do you think?" Chae-Yeon asks. "About what?" You ask. "About the dress, you goof." "Oh- it's fine," You say, looking down and smoothing out the bottom. "Just fine? Did you even look in the mirror?" B/f/n asks. You respond with a long period of silence, pursing your lips. "Turn your ass around and look in that mirror," Jisoo reprimands you. "I did!" "Liar!" "Ugh, fine." You cross your arms tightly over your chest, shut your eyes tight and turn around. You brace yourself for a few seconds before finally, slowly opening your eyes.
You'd heard about this before- this moment. The moment where you see yourself for the first time in the dress. In everyone's stories, it's the second or the third dress, maybe even the tenth- but the moment will always come where you see yourself in that dress and simultaneously, see your future unfolding in your reflection. Suddenly, your eyes begin to well too. You can no longer pretend; this is real. Mom was right, you think, the hair and makeup did make a difference.
"It's the dress," Your mom says softly, pride in her voice. Everyone erupts in cheers again, though you hardly pay it any mind- your mind is completely and totally fixed on this feeling in your chest...
You want to see Jungkook.
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B/f/n helps put the dress safely in the trunk for you, leaving you standing there with Lisa, as the other girls had headed off to the restaurant to get your table and your mom and Mrs.Jeon went back to the hotel to start dealing with the preparations of the ballroom. Lisa had been quite warm and welcoming to everyone the entire fitting, and you began to question whether or not you'd imagined her conversation with Rose.
Could it have been that you misunderstood everything? You misread the situation? Did you fuck everything up by jumping to conclusions?
"Uhm- Hey Lisa, we're gonna be going out to dinner once we pull out of here...would you like to join us?" You ask, the words feeling strange as they come out of your mouth.
"Oh, that's so nice of you to ask- unfortunately I really have to go take care of some stuff at home. Rain check?" "Yes, of course. No worries...And hey, listen. Thanks again for agreeing to be part of my court." "Of course, it's not a problem at all," She opens her arms to you, a warm expression on her face as she goes in for a hug. You gladly return the gesture, though once she's pulled you in, she brings her lips really close to your ear, "Anything for Jungkoook."
Venom drips off of her every word, the air thick between you; and suddenly, it all makes sense. The uncharacteristically sweet smiles, the polite bows, the compliments...she's an actress, and this fitting was her stage. In fact, the entire Jeon family is a plot device for her performance. She doesn't want Jungkook...she wants to be adored.
This is why Jungkook doesn't believe me.
Before you're able to respond in any way, Lisa is letting you go, walking in the opposite direction toward her car.
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The rest of the day is a bit of a blur; so much to take in and so little to time. Dinner, drinks at the hotel bar, and now, more drinks at a pub a few blocks away. You decide to put Lisa out of your mind and just enjoy the company of your friends: drinks upon drinks are passed around, laughter and merriment fill the air- before you know it, your insides feel warm and fuzzy and your mind more free and uninhibited. "I'm gonna call him," You say, standing from your chair, a self-righteous expression on your face as you pound your chest once. "That's the best idea you've had all night," B/f/n says. "Call him!" Se-Kyung shouts. "Call him, call him, call him!" They all pound on the table, cheeks cherry red and hair disheveled- you were the sloppiest bunch anyone ever did see.
You take your phone out of your purse and punch in his number- having grown accustomed over the past few weeks at seeing it pop up on your screen, you'd memorized the number by heart. You can faintly hear it ringing but the music in the bar is so loud that you decide to stumble your way out to the parking lot. It continues to ring a few more times before he finally picks up.
"Hello?" Jungkook's voice is groggy, like he'd been sleeping. "Where were you at dinner?" You ask, cutting to the chase. "Y/n it's...it's 1AM. Where are you?" "Fuck you," You slur. "Fuck you too," He returns the same cold tone, though he doesn't hang up. "Fuck you more!" You hang up on him, mouth hanging open in disbelief at how rude he's being. Clearly, you're drunk. You can't hold what drunk people say against them. "Asshat," You grumble, returning to your friends.
About fifteen minutes go by and everyone is absolutely zombified, with B/f/n having tapped out five minutes prior, her head resting on the table. "I'm never drinking again..." Jisoo groans. "It'll be at least...twelve hours before I can stomach another drink," Se-Kyung adds. "Y/n," A familiar voice says behind you. You turn around and realize it's Namjoon. "'Joon?" You ask incredulously, "How'd you know we were here?" He chuckles, "It's my job to know. Remember?" He walks around to B/f/n and sweeps her hair out of her face. She's sound asleep. "I'm here to take you all home." "I could've gotten a car, you didn't have to do that-" "Jungkook sent me." You blink in surprise. Jungkook? "You're kinda hot," Chae-Yeon says, staring dreamily at him. "Thanks but I'm seeing someone," He says politely, gently scooping B/f/n up into his arms. "Everyone ready?"
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Thursday goes by quickly, with everyone scrambling to get everything ready for the wedding. Your mothers decided to hold the wedding at the other hotel location about thirty minutes away for a nice change of scenery. Decorations are being brought in, tables and chairs set up, tapestries are brought in and hung up all over the hall ceiling. It's all coming together quickly- a circus of workers directed by yours and Jungkook's mothers. You avoid thinking about the previous night's shenanigans, cringing at yourself for having sunk so low as to drunk dial him.
But you also can't stop thinking about the absolute lack of consideration- sending Namjoon instead of just getting you all himself? What a prick...not that you wanted to see him, but it's about common decency. Don't get someone else to do your job. Even if it is technically what Namjoon gets paid to do...
"Stop talking so much, I'm getting a headache," B/f/n says sarcastically, gently nudging you. You're snapped out of your thoughts, cheeks blushing slightly, "Sorry. Just out of it today." "I can see..." You both watch as flowers are placed inside of the tall vases at the center of each table. "Am I making a mistake?" You ask, not looking over at her. She doesn't respond for a few seconds and you begin to wonder if she even heard you. "Do you love him?" She asks. Your cheeks get hotter and hotter, embarrassed by her question. "Love? I- I barely know him..." You nervously twiddle your thumbs. It's true, you barely know him...but you can't help the way your heart flutters at the word: love. You'd never been in love before...but if you're being completely honest with yourself, you can't deny that this feeling within you is nothing like the crushes you've had in your youth. This is a heavy, sticky feeling- a painful yet exhilarating condition of the heart. Love...how could you dare to speak it out loud? "Only you can answer that," B/f/n says, referring to the initial question, "And once you do, the next question is...now that you've gotten to know him, could you see yourself going back to the way life was without him?" "B/f/n! Can you please help me with this? I can't decide if I want them to out the couple's table on the left or right side!" Mrs.Jeon calls out. "Bridesmaid duty calls," She says to you before jogging over to the far end of the ballroom to give her input.
Her question stays with you, like a heavy boulder on your shoulders. The truth is, you know you can't go back. Not now...not after all of this... You guess you have your answer.
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You toss and turn all night, your dreams plagued with nightmare scenarios of how it might go during the ceremony. One moment, Jungkook is saying 'I do', and then you somehow morph into Lisa before he can kiss you. In another moment, he's completely walking away and running out of the church, holding Lisa by the hand. It feels like the night only lasts as much as the blink of an eye before B/f/n is shaking you awake, her hair disheveled and eyes barely open, "Girl are you okay?" "Wh-what?" "You were like...whimpering in your sleep- and your alarm has been going off for like five minutes." You suddenly become aware of your very loud alarm. "Sorry," You say groggily, reaching over and turning off your alarm, "Just had a rough night." "I can imagine...you're probably feeling really nervous." "Yeah..." You sit up and slouch forward, your eyes locking onto the TV that's already turned on and fixed on the news channel. You mindlessly watch as clips play, one after another- and then you see an image of the Jeons' hotel. It then switches to a reporter who says, "June Company will soon be merging with L/N Co., which will open jobs throughout the country, as well as in Australia, the United States, and Japan."
"Looks like your merger is making headlines," B/f/n says, jaw practically on the floor. Your face is completely frozen and your heart is pounding. You feel as though you may have an enormous panic attack. You obviously know that the Jeons are kind of a big deal, but you didn't realize just how important this was all going to be. "Y/n?" She sees your expression and quickly turns off the television. "Let's just get you ready, yeah? Come on." She helps you out of bed and leads you to the bathroom. You're practically catatonic for the next hour while you brush your teeth and take a quick shower.
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You get your hair and makeup done at the other location, having been put up in a room that connects to the ballroom. Mirrors were brought in to aid in the court's preparation. Every few minutes, you look over at the dress that's hung up on the opposite wall from the collapsable vanity where you're sitting. You don't dare take it out of the garment bag for fear of messing it up. Your mind is still so full of thoughts, all shouting at you for individual attention. It's almost like you're on auto-pilot, the makeup artists asks you to tilt your head or suck in your cheeks, or puff out your lips and you do- though it doesn't register that you've been cooperating so well until those odd moments you look in the mirror and realize your face is almost done.
In fact, you're so out of it that you don't notice Lisa come in. Now, your bridesmaids lovingly picked out coordinated velour tracksuits; yours is black, theirs are pink. They even got one for Lisa, but apparently she didn't need it because her dress is already on and her makeup is already done. Of course, she looks beautiful; her dress fits her absolutely perfectly, the silk fabric laying beautifully on her hips, and the color compliments her skin tone so that she looks like a pretty little porcelain doll...but fuck her. "Hey, Y/n would you mind just coming out to do a run through of the walk?" Your mom asks, popping her head into the suite. You nod, standing up and dusting the setting powder off of yourself, all bridesmaids in tow, though at the last second before entering the ballroom, Lisa says, "I'll meet everyone in a few minutes, I just have to run to the restroom really quickly," to which no one responds of even gives a flying fuck about. Because again, fuck her.
You'd practiced the entrance yesterday with everyone except Jungkook who, of course, was in meetings all day as he had been all week. You're surprised he's even found time to marry you today. Right now, he and his groomsmen are all in another part of the hotel getting ready; you're only practicing with the bridesmaids. You all run through it about three times and then head back to the suite to wrap up getting ready. One by one, all your bridesmaids slip on their dresses and jewelry and head to the next room over to start recording their video diaries for when you put the wedding video together. You're the only one who has yet to put on your dress. You needed the moment to be private; a second to gather your thoughts. You close the door to the suite and then slowly walk over to the garment bag. "This is it..."
You take off your tracksuit and lay it neatly on a nearby chair, leaving yourself in only your pretty, white, lacey bra and delicate silk, white panties with a small bow at the front. B/f/n had insisted you wear them so you could feel beautiful through and through- you initially thought it was an unnecessary detail, though as she is about most things, B/f/n was absolutely right- you do feel beautiful. You gingerly pull down the zipper of the garment bag, revealing the big white gown. Just as beautiful as you remember it from the fitting. You take it off of the hanger and walk over to one of the mirrors leaned against the wall. You step into the gown and pull it up- of course, you'll need help lacing it in but you just want an intimate moment to look at yourself. You press it against your chest and look up at your reflection-
and then the blood drains from your face.
You feel your hands get stiff and ice cold, and you feel that familiar tightness in your chest.
The panic attack that could not come to fruition this morning has now returned with a vengeance, and you are doubled over, sturggling for oxygen.
Cuts. Cuts everywhere. All over the skirt of the dress. Deep, angry slashes. How did I not see them before? How did I miss them? Were they there when I got to the hotel after the fitting? No, it couldn't be- B/f/n put it in the trunk and then hung it up at our hotel room... when did this happen?
Tears stream down your face as you slump forward in the chair. It's drafty in this suite but you can't bring yourself to put the tracksuit back on, or even to move at all beyond the violent jerking of your shoulders with every sob. "Y/n, Y/n, are you okay!?" B/f/n runs over to you, having just finished her recording, "What happened!?" You can't even speak, you just point to the mound of fabric on the floor that once was your dress...that once was the dress. She picks it up off the ground and holds it up, her mouth immediately falling open in disbelief. She's just as confused as you are. "What- how even- This dress was in perfect condition when I brought it here. I checked," She says angrily, trying to rack her brain just like you had only moments ago. Your crying intensifies, a strong feeling of defeat washing over you.
"Oh, Y/n," Her face softens and she hugs you tightly. "I don't know what the hell I'm gonna do. That was the dress. That was the last shred of hope I had for this God-forsaken marriage. Now what? I have no dress, I haven't seen Jungkook once since I've been back. I have nothing left in me to give..." She lets you cry into her chest for a moment before pulling away, "Okay, we have a little less than an hour before the ceremony. Let me see what we can do." She runs out of the room and then you're alone again. Completely and utterly alone...
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About fifteen minutes go by and not a single person has entered the suite. You assume they're all trying to figure out what happened and how to help. Your cries have quieted down a bit but still have not ceased. You feel broken and you're tired of fighting it.
Knock. Knock. Knock.
You're snapped out of your thoughts, head lifting up and looking toward the door, "Come in," You say, your wavering voice just loud enough to be heard from the other side. The door opens slowly, and you expect to see B/f/n or maybe your mom, but instead, Jungkook walks in, his expression soft and solemn as he closes the door behind him.
"Hey, Y/n."
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A/N: Hope you all liked it! Plz comment and DM for suggestions on what you'd like to see happen next in the story; you might inspire me <3
Also, I am so honored that ppl would want me to tag them in the next part. To know anyone likes this series enough to keep up with it is so heartwarming. So, with that being said:
@ttanniett <3
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Where Loyalties Lie:
To The King
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Summary: (Y/N) can't stay hidden for long. And when she is taken to the king, she gets an unexpected turn of events...
Warnings: Canon typical swearing, mentions of nudity
******
Two days. Baelon, Aemon and the guards hadn't found (Y/N) for two days. They had asked and most did say they've seen a girl of her description, but most didn't know about her or just saw her in passing. This girl was smart and quick. Aemon admired the child for her skill at such a young age. Being able to hide from a king's order wasn't something most people could do, especially when in the heart of the city. Baelon then went to a fruit stall. "Have you seen a young girl around this tall with (h/c) hair by any chance?" Baelon asked for the umpteenth time that day. He was quickly growing tired of searching, but Jaehaerys did ask of it. "Oh, yes. I do, my prince. She's the young lass who helps us set up from time to time," the man said. "Yes, she a lovely little girl," the woman added. Baelon perked up as Aemon walked over. "What's her name?" Aemon queried, finally glad they were getting somewhere. "Oh, I am sorry, my prince. That isn't something we know. But you can find her mother on the Street of Silk. The woman you'll need to look for is (M/N)," the woman explained. "She's a whore's daughter?" Baelon muttered to Aemon as they gave thanks to the vendors and began walking. "And a bastard no doubt. This girl gets more and more intriguing," Aemon said quietly in return.
When they came to the Street of Silk and to the brothels, it was noticeably more quiet during the day than how it was at night. So, they went from building to building, having to endure the working ladies in skimpy dresses or nothing at all. Until, finally, they got somewhere. "If you're looking for (M/N) go to the farthest room down that corridor," a woman explained, giving the two princes sultry looks, only wearing a mesh skirt. They nodded and began walking in the given direction, avoiding the people enjoying their time. When they got to said door, it was noticeably more isolated as they entered without knocking. The woman quickly stood up, looking at them as she realised she was in the presence of Targaryen royalty. "(M/N)?" Aemon asked. "Yeah. How can I help you?" she asked, crossing her arms over her chest, wearing a sheer shift. "We're not looking for some time. We are looking for whom we've been told is your daughter," Aemon said. That got (M/N)'s attention quickly. "What's she done?" she whispered. "Nothing wrong. Although, the king is asking she be brought forth," Baelon said, eyeing her up and down. "Since when did whores care about their children?" he asked. (M/N) quickly put on some more modest clothing. "She's a child. She doesn't deserve to know my occupation. All she knows is that she's a bastard. But she doesn't let that stop her," she said firmly. "Aye," Baelon muttered. When they left, a couple of guards followed as (M/N) lead them out of the Street of Silk.
When they came to a small house, they went inside. There was (Y/N) holding a book with an elderly man pointing at words. They stopped and looked up. (Y/N) gulped upon seeing the princes. She had been found. "(Y/N), the princes would like to talk to you," (M/N) said gently. "Please, don't run. I would not like to repeat the other day," Aemon said calmly, seeing her stand up. "The king would like to see you, lass," Baelon said, bending down to her height. "I honestly meant no harm," (Y/N) whispered meekly. "I know. Now, come along, child," he said, the guards stepping forward. Her mother watched in worry as (Y/N) was lead from her home, two guards either side of her, a hand each on her shoulder just in case she decided to run.
She felt her stomach churn in anxiety, her throat tighten as it became difficult to swallow. She wrung her hands nervously as she was walked to the gates and into the Red Keep. It was even bigger closer up. She was lead through many confusing twists and turns until she was lead to two large doors. They opened and (Y/N) felt like her legs were about to give way. The entire court was there. The princes went in as the guards gently walked her inside. The men and women of court whispered and muttered. This girl saved Prince Viserys? This bastard, grubby common girl? When the guards stopped, she stopped and lifted her gaze. Her eyes found King Jaehaerys on the famed Iron Throne. It looked even more intimidating now that she stood before it. It's many blades forged by dragonfire and the blades of Aegon the Conqueror's enemies. She had seen paintings of the throne, but it didn't prepare her to be stood before it.
Jaehaerys recognised (Y/N) from the brief time he saw her in the Dragonpit. He stood up from the throne and walked down to stand in front of her. The guards let go of her shoulders and stepped back. (Y/N) gave a curtsy in respect of the king who gazed down at her with kindness. "You saved my grandson, little one. I thank you," he said gently. "I-I... there is no need to thank me. I only did what I thought was right. I only meant to help and protect," she whispered. Almost so quiet, no one heard it. It made Jaehaerys chuckle softly as her bent down to her height. "You are a shy one. But, I saw a pure courage in your eyes. Courage and bravery I have not seen in years, little one. What's your name?" Jaehaerys asked softly. "(Y/N) Waters, your grace," she muttered. "Born out of wedlock," he whispered. Baelon muttered into his ear about her mother too. Jaehaerys nodded in understanding. Then, he gently took (Y/N)'s hand. She lifted her head in shock and Jaehaerys managed to see her eyes and see into her soul. And he could tell, her heart was pure. Despite the scrutiny she would face as a bastard child, her heart was true and pure, untainted. He saw the truth in her eyes of (e/c) and knew she was something rare. He then thought back to a dream he had as a young man.
He dreamt of a woman with (h/c) hair wearing a white cloak, bearing the sigil of House Targaryen, holding a sword of Valyrian steel. The woman he dreamt of had been stood on the walls to the city, her sword soaked in blood, a cut along her face. He remembered how the sun shone behind her as if the gods wanted it. Jaehaerys called this dream, the White Saviour. Because his dream predicted that a warrior would protect the realm. And the courage, truth and purity he saw in the eyes of the woman in his dream was the same as what he saw in this child.
Jaehaerys straightened up and looked at the court. "I have decided that (Y/N) Waters shall be honoured for saving my grandson. It is my wish, my will and my order that she is to be trained in the ways of a knight," he announced. Everyone gasped. Even (Y/N) was stunned. She becoming a knight?! Trained as one?! But, she was a girl! All around the court, people had different reactions. Baelon and Aemon was surprised, but actually thought it made some form of sense, Viserys was shocked, Daemon found it hilarious that a girl would become a knight and -ultimately- fail, Jocelyn and Rhaenys felt pride that a girl could have the opportunity to prove the norm wrong and somewhere, in the corner of the throne room, Otto Hightower narrowed his eyes at the girl. This wasn't coincidental. Jaehaerys knew something they all didn't. It was clear in the Old King's eyes. That twinkle... something he knew would affect the realm for all eternity...
******
Okay, I'll admit, I've been sitting on this idea for a while. So I don't know how many regular updates there will be, but I'm really enjoying writing this. I hope you enjoy it too.
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bebsi-cola · 2 days
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ive talked big talk about diversifying the disabled voices you listen to. which honestly is essential for anyone who is serious about disability rights and equality, as well as disability solidarity. but like it doesn't have to be hard or big or grand every time. i was on the UK down's syndrome association website watching some videos when i saw that they advocated for person first language. i.e. "person who has down's syndrome" instead of using a shorthand of down's syndrome as a noun or adjective. since i got autism, ive seen some online and real life autism spaces speak like person first language is the devil. and it's really disliked by a lot of autistic people. ykno fair enough. i didn't know what different groups of disabled people felt about person first language, but now i know a little more. and even the simple, maybe obvious, realisation that not all disabled people want or need or benefit from the same advocacy - from the same stance or arguements about what certain language means - is just a great way to help widen your knowledge of disability. and it's also pretty useful when it comes to wording things in the future regarding arguements about things like person first language. it's not inherently demeaning. some groups strongly prefer it. some don't.
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You know, I just wanna say this now. I actually don't mind Predators. Granted, I really liked it as a kid. And my opinion on it changed when talking with a fan.
But in all seriousness, I think it's a fine film. I just kind of don't care for it in a way. Yet it's more so that I'm...kind of annoyed when concerning behind the scenes stuff. I just didn't like the idea of the film totally ignoring Predator 2. A film Robert Rodreguiz did not like. And I'm just not a fan of the "Super Predators" idea because it's just a stupid concept to me.
And well, I disliked the idea of the "Super Predators" essentially being compared to wolves and the regular Predators/Yautja are dogs...again, I'm not keen on the "Super Predators" idea. Or honestly, I want to rewatch the film.
Really, Berserker, Falconer and Tracker could've been just some regular Bad Bloods instead. And kind of a nitpick. While I think I get the intention. They really just didn't need to Crucified Predator look almost EXACTLY like Diablo. They really could've made something that was just a homage to the original, but not a full-on recreation. Because at first as a kid, I legit thought that was THE OG PREDATOR. Despite it wouldn't make any sense to bring that character back.
Anyway, I actually think it's rather cool that Predator Hunting Grounds gave some lore about Isabelle returning to Earth and all that. That's actually neat, I was listening to some of the tapes and found that cool. Also, I strangely appreciate that in those tapes, they kind of acknowledge the 2018 Predator film was crap.
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hey todd !! how do you see your relationships with all of the other poets?
Hello there!! Hmm it's only been a few weeks, so I don't want to assume anything, but genuinely, since meeting the dead poets, I've never been happier (please don't tell them because I'll be teased for days-).
They can be quite an- overwhelming bunch, but I genuinely do care about them so much.
Charlie is incredibly outgoing, and loud at times, but that's just Charlie and honestly he's a joy to be around. He's never once made me feel uncomfortable and always respects when I need my personal space- he also brings the best snacks, especially on days when I'm feeling more anxious, which I'm so grateful for.
Meeks has been tutoring me Latin and Algebra lately, which is the only thing saving my grades at the moment- oh joy to the miracle that is Meeks' brain! Plus the random facts he rambles about throughout the day are really interesting (I am now an expert on the history of linguistics in Europe). He's a really good listener, and I can always talk to him about any philosophers or literature I find interesting!
Pitts is always hanging around Meeks, but he's a chill guy, and I love sitting to read with him in the library when the classwork isn't too much. He's always tinkering with something- I don't even know how he makes half the stuff he does.
Knox when he's not blabbering nonsense about the colour of Chris' eyes or something is incredibly kind, although quite cocky (someone needs to keep that ego in check before he does something silly).
Cameron, I'm not really that close to. We are more acquaintances than friends, he can be quite snappy at times, and isn't too pleased by the dps shenanigans, but I don't really have anything against him.
And... Neil. He's been wonderfully thoughtful and kind. Ever since he's welcomed me as his roommate, we've only gotten closer- since we've started the dead poets meetings, he's never forced me to speak and has so much patience in everything. Often, he helps me out with public speaking and things like that, and I know this sounds quite stupid, but it's as if he can read my mind?? Like whenever I feel overwhelmed, he'll hold my hand to ground me, and he knows when I'm not being entirely truthful with a quirk of his eyebrow, and remembers silly stuff I mentioned a week ago. His eyes- he always makes the most intense eye contact, and usually I hate being in scrutinised in such a way, but with him?? Anyway I'm rambling right now- but in all fairness I really don't deserve him. I do hope he gets into the play, he really deserves all the goodness in this world and more.
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wavytam · 1 day
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This is the most primitive question ever but isn't Nami's tatoo a windmill and a tangerine but it's obviously an S? Can you make a post about Luffy's POV regarding SaNami? I wonder how people ship him with Nami when he's fully aware about Sanji's affection to Nami they make him look like a heartless douche
Hello, anon! I don't know how long this ask has been here, so I apologize if it took so long to answer! I didn't see this message before!
Anyway, about what you said.
First, about the tattoo: sorry, but I think it's just coincidental that it has an S shape. I think Oda could still use the drawing of the tattoo for something related to Sanji, though... maybe a pattern in something he wears. Idk. But I don't think Oda made Nami's tattoo with Sanji in mind. Maybe... I can't read his mind lol. It would be really nice if it was the case heh
About how Luffy sees Sanji and Nami: first, I'm not going to say that LN is impossible to happen, honestly.
In my opinion, the interactions Luffy and Nami had feel more like that of a brother and sister than that of a couple, but we never know when it comes to how Oda writes romance. So... Yeah. I still don't see it happening, though, for a series of reasons.
First, like you said, I'm pretty sure that Luffy, in his own way, is aware that Sanji has feelings for Nami. Not only did he witness key moments where Sanji expressed how important Nami is to him, but Luffy also incentives Sanji to help Nami.
Even without caring about romance, Luffy saw Sanji:
volunteer to help Luffy carry Nami up a mountain to find a cure,
almost die in an avalanche to prevent Nami from getting hurt
get so angry over Nami being kidnapped that he lit himself on fire
talk about how Nami is important to him during Whole Cake
So it's safe to say Luffy knows there's something there. And I think that he even incentivates Sanji to help Nami when it's needed.
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You came up with an interesting point: considering the way Oda wrote things, specially how Sanji is so enamoured with Nami (again, more than any other woman) it would be weird to make Luffy end up with Nami, with him knowing about Sanji's feelings. I'm saying this in a writing perspective.
To add more fuel to the fire I remember how Oda clearly stated he doesn't care who Luffy is interested in - which is a question he gets frequently, apparently. And just like Oda doesn't care, Luffy also doesn't care about his own love life. His purpose was always to inspire people to seek freedom. I do think he might end up with someone at the end, but I don't think Oda is actively looking for opportunities to give Luffy romantic scenes in the manga.
Sanji's developement, on the other hand, always had to do with love and emotions. So the idea that Oda always planned a romantic stoyline for him is not farfetched, and the person he likes to write Sanji pursuing the most is Nami.
Again, I really don't know what is in that guy's mind, so maybe at the end he still pulls a uno reverse card and makes LN Canon and Sanji doesn't even care lol But I think it would be a really weird choice, considering the things you have pointed out and other moments we have in the manga.
Most of the LN moments can be interpreted as more of siblings growing a bond - rather than a couple having feelings. For SaNami, especially because of Sanji's side, we can't call what he does as sibling-ish at all, even if Oda calls the Strawhat a "family" and says their dynamic should be interpret as such, he was also the one who chose to make Sanji infatuated with Nami. There's also Robin, ofc, but Nami seems to be a lot more in Sanji's mind.
Once again, it all depends on Nami and how Oda writes her reacting to Sanji's pursuits or how she acts towards Luffy.
We have favorable and unfavorable moments, and every time, it was mostly because of how Oda wrote Nami. So let's wait and see.
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rookie-chenford · 2 days
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Don't Do This- Part two of Was It Worth The Risk
Description: @looby1302 This is the second part to 'Was it worth the risk'. I ended it here, because it is getting quite long, but also I wanted to do like a separate one for the months that their apart, if this makes sense lol.
Words: 2202
Warnings: I don't think there are any, but if you see any, please let me know and I'll add them.
Three days later...
Lucy groaned at the sound of her alarm blaring. She reached over and grabbed her phone, turning off the alarm. After placing the phone back on her nightstand, Lucy lays there, her arm on her forehead as the memories of their breakup resurfaced for the umpteenth time. She groaned at the memory and the tears falling down her face. Exhaustion was taking a toll on her body from the restless nights. 
A knock on her door pulls her from her thoughts. She takes a deep breath and clears her throat. "Yeah?" She croaks out. 
Tamara opens the door and stands in the doorway. "Hey, you doing okay?" Lucy props herself up. 
"Okay, as I can be, I guess." She sniffles. 
Tamara walks into her room and scoots Lucy's legs over so she can sit. "You going back to work today?" 
Lucy sighs. She doesn't want to, but she knows she can't avoid Tim forever. "I don't want to, but I need to." Tamara nods. "I mean you could always skip today and go back tomorrow." She smiles. 
Lucy chuckles lightly. "I wish, but I can't avoid Tim forever." 
"You still haven't talked to him about the baby situation?" 
Lucy groaned. "No. I don't even know what to say. I know we need to talk, but I honestly don't even know where to start. I mean, a baby won't change our situation."
"Just talk to him when you feel like it. I mean you do have like 7 or 8 months to talk to him." Tamara shrugs. 
"I know, but I do need to talk to him sooner rather than later. I mean I know he's not going to abandon his kid. We just have to figure out how to work this new dynamic, I guess." 
Tamara stands from the bed. "Alright, well, if you need someone to go with you to doctor's appointments," Tamara points at herself with a smile. "I'm your girl." 
"Thanks." Lucy smiles. "Go get ready for school or you're going to be late." 
"Yes, mother." Tamara mocks and laughs as she exits Lucy's room. Lucy shakes her head and chuckles. 
Walking into the station, she avoids as many people as possible and heads into the locker room. Lucy gets dressed and waits for everyone else to leave, giving herself a moment to give herself words of encouragement. She takes a deep breath and heads out of the locker room and towards the roll call room. Before she can open the door, Nyla is calling for her. 
Lucy lets go of the door handle and heads towards her. "What's up?" 
"I have a friend who needs a partner to go undercover with. You in?" 
Lucy thinks for a moment. She would love to go undercover and put her skills to use since she hadn't been on an undercover op in a while. But she no longer had herself to worry about. "I-I would love to, but there may be a little problem." 
"If you're worried about Tim-" 
Lucy stops Nyla before she can continue, not worried about Tim for the moment. "No, uhm, I'm not worried about him." 
"Then what's there to worry about?" Nyla questioned, not sure why Lucy was so hesitant. Usually, Lucy would jump for joy at an undercover opportunity. 
Lucy groaned and looked around. "Can we talk somewhere a little more private?"
Nyla still looked a little skeptical but nodded and told Lucy to lead the way. They headed towards one of the empty observation rooms. "Alright, spill. What's going on? You would have jumped at an opportunity to go undercover without a second thought." 
Lucy wrung her hands together, trying to form the words to spill out of her mouth. Nyla waited patiently, knowing this was unlike Lucy. "I, uhm, I'm-I'm pregnant." Lucy whispered. Nyla's eyes bulged out of her head. "What?" 
"Yea, I found out a couple of weeks ago." 
"Well, damn, congratulations." Nyla smiled. "But you don't have anything to worry about. I was pregnant with Lyla when I was undercover. You have to be a little more careful. But you and Niko, who you'll be going undercover with, are just going to be running drugs for now. Niko is trying to build rapport with the people he's in with, hoping they'll let him further into the group and find out who's supplying the drugs. But, at any point, if you want to leave, you say the word, and we'll pull you out." 
Lucy considered it for a moment. She could do it for a couple of months and then regroup once she was farther along in her pregnancy. "Okay, okay, I can do that." 
"Are you 100 percent sure?" 
"Yes. 100 percent." 
Nyla nodded. "Alright. I'll call Niko and we'll get started once he gets here." 
About an hour later, Niko shows up in the observation room with Lucy and Nyla. They review the details, what is expected of them, and how checking in will work. 
"One more thing," Nyla pauses, looking at Lucy and then turning back to Niko. "She is pregnant. So, if you feel the need to pull her out, you do it, whether she fights you on it or not. We've also gone over the risk and if it starts to become too much, she'll pull out." 
Niko nods, a little surprised at the news. "Okay. Well, as long as you're all good, I'm good." 
"I'm good." 
"Now that we're all on the same page, you both need to go get your affairs in order and then meet back here." 
Lucy left the observation room and went into the locker room to get changed. She quickly changed and headed out toward the parking lot. She barely made it out the door before she ran into Tim. Lucy quickly sidestepped him as he reached out. He quickly dropped his hand, sadness washing over his features. 
"I've been looking for you. Can we talk?" Tim was hopeful they'd be able to talk since they hadn't after the breakup. 
"I, uhm, not right now. I've gotta go," Lucy said, a little guilt washing over her. She turned to walk away, but Tim grabbed her arm, pulling her back. Lucy pulled her arm out of Tim's grasp, and he quickly dropped his hand. 
"What do you mean, "not right now," Lucy? I have been looking for you everywhere so we could talk. You dropped huge news on me days ago and haven't said anything since. We need to talk," He pleaded. 
Lucy scuffed, her eyes casting down at the concrete as she kicked her foot at an imaginary rock. "Yeah, well, I had something special planned to tell you, but you ruined that." Tears brimmed her eyes as the memory of her planning on telling Tim they were having a baby came to mind. 
A pang of hurt hit Tim in the chest. "I'm sor-" 
Lucy held up her hand, stopping him. "I don't need your apologies, Tim. Now, I gotta go. We'll talk later." She turned and walked to her car. 
Tim sighed as he walked back into the building, heading straight to Grey's office. He knocked on the door and waited for Grey to wave him in. He waved him in as he was finishing up a call. 
"What can I do for you, Bradford?" He asked after hanging up the phone. 
"Where's Lucy going?" 
Grey raised an eyebrow, confused about why Tim was asking. "She didn't tell you?" 
"Tell me what?" 
Grey sighed. "She's going undercover." 
Tim went pale. His world crashed around him as the word undercover passed Grey's lips. "What do you mean she went undercover?" Tim thought of all the worst-case scenarios that could happen while she was undercover. Their baby. How could Lucy put their baby in danger? "She's pregnant! How could you let her go undercover while she's pregnant?" Tim's voice was laced with anger now. 
Grey held up his hand. "We know. Her and Nyla talked about it and Nyla made sure Lucy was going to be okay. Nyla will keep extra tabs on Lucy throughout this operation. If at any point her partner, herself, or Nyla feels like she needs to be pulled out, she'll be pulled." 
Tim was at a lost for words now. He stormed out of Grey's office and headed towards Nyla's desk. Nyla saw the anger on Tim's face, but she wasn't phased by it. "Here we go." She muttered. Angela looked up, a confused look on her face. Nyla nodded her head, telling her to turn around. Angela turned to look and saw a furious Tim heading towards them. She turned back to face Nyla and raised her brow, wondering what was going on. 
"How could you make Lucy go undercover?" He seethed. 
"Lower your tone. I didn't make her do anything." 
"She's pregnant, and you didn't stop her," he accused. Angela's mouth hung open. The news of Lucy's pregnancy took her by surprise. "Lucy's pregnant?" 
Both Nyla and Tim ignore her. "But you sure didn't stop her." 
"Tim, I asked her multiple times if she was sure, and she was adamant about doing it. Communication and check-ins this time around are different. She can pull out in a week, a month, or two months; it doesn't matter. As soon as she says the word, she's being pulled out. The same goes for if her partner or I feel she needs to be pulled; she will be pulled." 
Tim storms off, and Angela hollers for him, but he ignores her. He can't believe Nyla let her go after finding out she's pregnant. He heads towards his shop, needing to drive around and try and take his mind off things. Just as Tim opens the driver's side door, it's pushed shut. He turns and looks at Angela, fury in his eyes. "Back off, Angela." He barks. 
"No, Tim. You can't go out on the streets like this. You need to calm down." 
"I'm fine," Angela scuffs. "Yeah, you sure do look fine. Your jaw is clenched, your shoulders are up to your ears, and there's fire in your eyes. But yeah, keep believing you're fine." Tim rolls his eyes. "What do you want me to say?" 
Angela ignores his question. "Are you driving, or am I?" Tim hesitates but pulls the keys from his pocket and hands them over to Angela. He rounds the shop to the passenger side and gets in with a huff. Angela looks over at him before starting the shop and driving off. 
They're silent for a while, listening to the radio as calls filter through to other shops. Angela is the first one to break the silence. "What's on your mind?" Tim thinks about it for a moment. Everything is on his mind, and he doesn't know where to start. "Everything," he says. 
Angela snorts. "Obviously." She pauses to wait, seeing if Tim will say anything. He doesn't, so she continues. "So," she drags the word out. "Lucy's pregnant?" Tim looks out the window. "Yeah." He whispers. 
Angela's eyes soften a little as she looks over at him for a brief moment. "How do you feel about it?" 
Tim shrugs his shoulders. "I mean, I'm excited." He pauses for a moment, swallowing the lump in his throat. "I just, I don't know. I don't know where this leaves us. I don't know if she'll ever let me be in the baby's life. We haven't talked since the breakup and I don't know what to do." 
"You know Lucy would never keep you from the baby. Just give her time. You'll both have some time to think while she's undercover. While she's undercover, go to therapy." 
Tim scuffs and rolls his eyes. "I can't even believe she went undercover." His anger was starting to bubble up again. "She-What if she gets hurt?"
"It's a possibility, and she knows that. But Tim, you also have to trust her and her instincts. Lucy wouldn't just go undercover without weighing her options. So this has to be something that won't put her in complete danger." 
Tim scuffs and rolls his eyes. "I just- I won't get to go to appointments and just be there for her. I won't get to hear the baby's heartbeat. I can't even ask her how everything's going. I don't know how long she'll be gone." His voice cracks at the end. Angela was just about to speak up when Tim's phone rang. He groans and pulls it out of his pocket, his breath catching as Lucy's name pops up on the screen. "It's Lucy." He clears his throat and answers. 
"Hey." 
"Hey, I've got to be quick, but I just wanted to let you know you're stuff is in a box by the living room. I know you know, so keep an eye on Tamara for me, please."
"Lucy, don't do this." 
She sighs. Their conversation pauses for a beat. "It's already in motion. I gotta go." She rushes. 
"Luc-" Before Tim could get anything else out, Lucy hung up. "Dammit." He whispers. Angela placed a reassuring hand on his arm. She knew this would be hell on him; all she could do was be there for him. 
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soap-ify · 2 months
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some vampire!reader x vampire hunters!141 thoughts that are refusing to leave my mind. pardon me this is unedited and i'm sleepy as fuck. feminine terms used on reader.
cw — they basically kidnap you.
“i dinnae think there’s any more of those creatures left here!”
“shut your whining, johnny.”
ghost and soap had been bickering back and forth, serving nothing more than to worsen the headache blooming in price’s head. at least gaz was silent, observant as ever. price pretended to ignore the amused grin that adorned gaz’s lips very much clearly.
the appearances of vampires around the front of the woods had significantly started to lessen due to these vampire hunters who actually gave a fuck about their job, dedicated in clearing out the parts so the civilians could sleep peacefully at night.
though at the same time, it meant that finding a vampire was as hard as digging up some treasure. it was infuriating, in all honesty, especially for price. these mindless patrols were fucking up with his head, the lack of activity making him more irritated.
plus the rest three just seemed too immersed in some banter to even care. though eventually, a soft rustle from the bushes caused them all to fall quiet due to price’s hand gesturing to them to stop, observant pair of eyes carefully looking around.
“there’s something here.” commanding as ever, price took the initiative of stepping forward, his pistol clutched in his hands.
the four of them discreetly stepped through the bush, coming across you. you, who were standing there wide eyed, hands trembling in pure fear, taking a step back from the hunters in front of you.
weird. you were supposed to bare your fangs, to attack them and try to suck their blood for your life. but no, you were acting more like a poor trapped bunny, not a vampire.
“price.” ghost grumbled and stopped price by holding his shoulders, pulling him back slightly. this masked man was terrifying observant, eyes boring deep within your skin, as if unpeeling every layer of you to grasp the poor soul within, for the sake of his own amusement perhaps?
he could see you salivating, unable to hold in the drool that glistened pathetically under the moonlight, yet not making any moves whatsoever. “you thinkin’ what i’m thinkin’, simon?” gaz nudged ghost slightly, those dark eyes looking at you a bit more kindly, almost interested.
“look at the wee lass, captain.” soap could barely hold in a snicker, already putting his gun back into the holster. he couldn’t care less, in all honesty. what were you going to do, bite him?
price had oddly became the quietest, his stare making you try to shuffle away uneasily. though before you could even try to move a little, his hand shot out and grabbes you by the shoulder, dragging you over to him and the rest, ignoring your hisses.
“don’t think she’s like other of those bloodthirsty fuckers.” price huffed out curiously, his other hand forcing your mouth open, thumb running over your fangs. weak. what had you been feeding on to lack the power others like you possessed?
“how ‘bout we take her home, cap’n?” gaz mumbled and took out a pack of cigarette from his pocket, drawing one out.
“i agree with him.” ghost mumbled, taking a step forward, towering over you. a shadow eager to destroy. “we can study her like that, y’know.”
his words made you sweat coldly, throat tightening up, unable to utter a single form of protest while price dragged you almost effortlessly, making you walk alongside them until you reached a jeep parked beside one of the many trees.
“c’mon, hen.” soap eagerly opened the door, giving you a push inside. “ye’re comin’ with us.”
finally some activity for all four of them.
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magnusbae · 10 months
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To illustrate this post by @mayahawkse I would like to visualize to you the difference:
A post in 2023:
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A post in 2014:
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A zoom out of the same post:
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This is what a community looks like.
See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.
It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.
Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.
If you want more of something, reblog it.
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thedramaticduke · 1 year
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Disney: Yeah, sorryy, we don't know how to make villains without queercoding them and people didn't like the twist-villains, so we stopped making them alltogether :( I hope you like 3593 intergenerational family-traumas!
Dreamworks, while creating not one, not two, but three amazing villains: Pathetic
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daily-odile · 3 months
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Odile patting Molly Epithet Erased on the head, you know why
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have two bc i care them
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