If any of you ever end up becoming famous authors in the future and I somehow end up recognising your writing style I pinky promise I’ll take your secret to the grave, no one will know you used to write about fictional dudes deepthroating each other in coffee shop AU’s except you and me 🤝
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everytime i rewatch httyd 1 i always think wow this can't possibly be better than the last time i've watched it ? but then i watch it and it's literally better than the last time i've watched it
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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wow... what a season. it feels weird to say that this little 6-episode side quest, in all of the 19 seasons of d20, is one of my favorites they've ever done but it just is. it had all the stakes and humor and drama that you could possibly want, all balanced with an incredible cast of players. the table chemistry was excellent, the characters were so perfectly themselves, the TROPES were OFF THE CHARTS!
i can't quite remember the last time i finished something and ached so sharply for there to be more. i just know I'm gonna be thinking about this one for a long time
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hi, first off i really love your art. the h/c and warmth really hit me where i live and your illustration style is fantastic. lately i've been obsessed with the post where an unwell milek thinks geralt will leave him behind. was that an ingrained insecurity, assuming his super-witcher dad wouldn't have time for a sickly human kid?
[MASTERPOST] - Ahh, thank you for the ask! Yes, this scene.. I actually saw this a bit differently! It's not about Milek fearing Geralt will leave him behind, he actually wants him to. They need to find his Pa!! I think he often feels like a burden; Jaskier knows this, but Geralt isn't aware of this yet. Milek just wants to pull his weight, especially with Jaskier. A little sneak peak to their struggles regarding this:
Meanwhile Jaskier continues to struggle with his omega status.
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sunny also makes me insane bc like. little kids pick up on how others act around them so easily. and under all that bravado shes such an insecure kid and they want to come off as confident and only caring about money but they care so so much about having connections and of course they do. bc shes just a kid. she wants to come off as a cool kid who puts money and riches first but ultimately shes a daddys girl who just wants to be cared about
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sorry but. something about how fanfiction is vastly undervalued by readers in fandom culture. how people love to read stories about their favorite characters but only if they're in love, or if they at least sleep with each other. there's so many incredible stories that are just missed because fandom culture struggles to see beyond romantic pairings and relationships.
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˖°🦇ִ ࣪𖤐⋆♱✮ ── Day 9
➳ Bat
"who's my cute lil bat~?"
dad!Price dressing up as vampire with his cute lil batsie ~
/|㇏^•̀ᵥᵥ•́^ノ|\
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ok but im rly into the idea of till having a new era that brings the light back to his eyes and drives him forward if he gets to escape the arena. idk where he'd go from there but i want to see ivans sacrifice both haunt him and drive him to actually live his damn life after being the captured bird refusing freedom cause of mizi. once he knows she's alive with the resistance he might be able to actually experience other things and widen his world and if that happens and he puts his personal sense of rebellion towards the human cause OR settles into finding some other way to feel fulfilment that isn't a single person that could be deeply fascinating to me i think
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