be a moon unto yourself 🌕
i took a long break btwn working on this one n this was the original idea... i do miss it but i thought the clothes were too unrelated to him :( goodbye leyendecker inspired gale 💔
- comp based on gale's datamined icon/waterdeep's coat of arms
- pose is from persona 3 protag's boss fight in p5r + listen to kimi no kioku if u haven't already ⚰️
- the flowers are roses!! i associate them with gale + his ambition even more after learning he burnt the rose bushes as a child
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actually can we stop talking about “deserve” when it comes to characters dying in fiction. not everything is a fable with a moral lesson to be learned. romeo and juliet didn’t “deserve” to die. bambi’s mom didn’t “deserve” to die. izzy dying in the finale doesn’t mean ofmd is saying that certain types of queer people “deserve” to die. fictional death can serve more narrative purposes than just punishment for the character doing the dying.
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Prompt 139
So. Dan has somehow found a small child. A practically newly born ghostling who had literally fallen right on top of him. A ghostling who had practically formed right above him, far away from nurseries and instead above him of all ghosts?
Him, the Sunkiller? The Worldeater? Jordan Vladimir FentonNightingale-Foley-Manson? Son of Space and War? Bringer of the End?? Seriously, what the hell! Ghostlings shouldn’t even be able to form within other ghost’s Lairs, and he knew for a fact this wasn’t his own ghostling seeing as he wasn’t interested in such things.
So here Dan is, feeling more confused than he ever has with a newborn ghostling clinging to him and sobbing in his arms about wanting his dad. What even is his unlife right now.
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for use with any friend you may want to slap for thinking of doing something stupid
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hannibal. god. hannibal. every last one of his actions throughout the show thrums with the undercurrent of desperation. every manipulation, every lie told, it's steeped in this ugly desperation he tries to cover up so badly, but he can't. it bleeds into everything he touches. he needs to get will to like him, to trust him. he needs will's trust more than he needs air to breathe. he talks to god but the sky is empty for the first time in years, because will walks the earth. he wants to drop to his knees and beg for love and understanding, but his legs won't bend and his mouth will only spout vaguities and half-truths. none of his approaches work, he's lost his footing for the first time in decades, it's making him lash out. the lashing out is, too, layered in desperation. he's unraveling
and more than anything he wants to grab will's face and Show Him. and it's a delicate dance, because will is so easily spooked. not spooked, maybe, but pushed away. he doesn't tick like a normal person, and maybe that's what hannibal needs, but it's tricky. and it all culminates on that goddamn cliff and as they're going over, will is drenched in blood and red is his color and there's gore in his mouth laced between his teeth where he'd bitten out a chunk from a man's neck and he's telling hannibal It's Beautiful and he's holding on for dear life and he Sees, the way hannibal's wanted him to See ever since that day he'd shot garrett jacob hobbs in his own kitchen, and maybe it's over and maybe it's just begun but it doesn't even matter because he's finally got what he's been after for the past three fucking seasons and no one can take it away from him DO YOU HEAR WHAT IM TELLING YOU
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what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.
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