#i need every author to do it for their characters it should be at the intro of every book

[jobean12-blog]

Wear It With Love

Pairing: Javier Peña x female reader

Word Count: 860

Summary: Javi has to leave for work so you help him get dressed

Author's Note: This man in that tac vest is enough to set me on fire and as much as I would love to get him out of clothes I think there is something intimate about helping him get dressed. Thank you all so much for ready! Much love always! ❤️❤️❤️Divider by the beautiful @firefly-graphics thank you Daisy! 🥰

Warnings: it's playful, soft, sweet and sexy (bc Javi duh hehe)

Pedro Pascal Character Masterlist

“You should stay home. In bed. With me.”

He looks down at you from the edge of the mattress, his dark and tousled hair hanging loosely over his forehead and his eyes soft as they deliberately sweep over the curve of your body that’s barely hidden by the bed sheet.

You shift and stretch, letting the sheet fall free and reveal your naked skin.

He continues to stare as his hand reaches out to caress the outline of your waist then your hip before he wraps his fingers around the back of your thigh and gently squeezes.

“You know I want to,” he murmurs in a rough voice. “It’s all I want.”

His hand slides back up, ghosting along your arm and delicately dancing over your shoulder until he closes it around the back of your neck and leans down to meet you for a kiss.

“I’ll be back before you know it,” he whispers against your lips.

Reluctantly he stands and grabs his jeans from the floor. Just as he has pulls them over his ass you get up and close the distance between you, pressing yourself against his bare chest as you stop his actions and start to slowly pull up the zipper of his jeans yourself.

Your fingers glide through the patch of hair just below his navel and when you close the button of his pants you let your hand trace the trail of hair that leads upward.

“I love that I’m the only one who knows you go commando.”  

As you speak the words your palm flattens against the bulge between his legs and his eyelashes flutter against his cheeks. You hum appreciatively and press closer to him.

“Can I help you get dressed?” you ask with feigned coyness.

He licks his lips and his hands settle lightly on your waist.

“I definitely like it better when you do the opposite,” he teases.

“Me too,” you reply, “but I do love seeing you in your tact vest…”

The corners of his eyes crinkle when he smiles and throws you a wink.

“I suppose you need a shirt,” you start and search the room for his discarded button down.

The light blue fabric is draped over the nightstand and you grab it and help guide his arms through the short sleeves.

Before you start to close the buttons you place a kiss to his neck, soft and slow, then continue downward over his skin until every button is closed. You fix his collar, trailing your fingers through the soft hair at the back of his neck and then gliding your hands over his broad shoulders.

“I’m going to have to unzip your jeans,” you whisper with a grin. “I forgot I have to tuck your shirt in.”

His lips twitch with a sideways smirk as he watches you fall to your knees.

“Fuck gorgeous…” he groans when you look up at him from your position at his feet. “Don’t look at me like that.”

You bat your lashes innocently. “Like what Javi?”

His lips press together knowingly and he grabs your chin between his thumb and forefinger, the calloused pad brushing across your lips.

“Like you want me to fuck that beautiful mouth of yours.”

“That’s exactly what I want,” you purr.

Your fingers work open the button of his jeans and slide down the zipper then you tug the tight fabric down over his hips. His cock springs free and bobs against his stomach.

Your teeth dig into your bottom lip and you whimper.

“Don’t,” he warns with a rushed breath. “I can’t. I’ll never leave.”

His expression is pained and you let out a pouty sigh.

“Fine.”

You grab the hem of his shirt and pull it down but not before placing a chaste kiss to the silky skin just below the head of his cock.

He let’s out a hiss and you see his hands fist at his sides.

You delicately scrape your fingertips over the corded muscles of his forearms and higher, digging them into his taut biceps as you get to your feet.

Once his shirt is properly tucked in you stand and reach for his belt, threading the material through the loops of his pants then buckling it. You’re still naked and even as you dress him his hands reverently wander over the dips of curves of your body with soft strokes.

“This is fucking torture,” he grits out.

You give him a sweet smile. “It’s your own fault. You’re the one who has to go to fight crime.”

A disapproving sound rumbles through his chest but you ignore it and pull his green tactical vest from the chair, resting it on his shoulders and first securing the straps there then doing the same for the ones at his waist.

Your fingers press against the thick material and suddenly it doesn’t feel solid enough. Your breathing stutters and your palm flattens over the spot above his heart. He closes his hand over yours and squeezes gently before lifting your fingers to his lips and breathing out “I love you” across your knuckles.

“I love you too Javi. Please be careful.”

@hiddles-rose @lorilane33 @kmc1989 @littleseasiren @blackwidownat2814 @lizette50

#pedro pascal narcos #pedro pascal #javier peña #javier pena x reader #javier peña x you #javier peña fanfiction #javier peña x reader #pedro pascal x reader #narcos #javier pena x you #javier peña x female reader #javier pena fanfiction #javier peña tac vest #tac vest

[ash-and-starlight]

Every Day i think about the official radiant emperor Fuck Tier List

#my very soul is being ripped apart at the seams so i need to deflect with haha silly humor #but genuinely they were so crazy for this #reading the entire book with this in mind was. an Experience #i need every author to do it for their characters it should be at the intro of every book #the radiant emperor #she who became the sun #he who drowned the world #send post #also crazy that this list only includes The Guys bc like #one superior tier has to go to madame zhang for obvious reasons #and Another even higher straight up heavenly one for ma yingzi #her pussy so good it makes u feel mercy and compassion and empathy for the first time in your life #it turns irredeemable ruthless bitches into law abiding citizens

[yammy-yammy-yama]

just doing this in spite of a post i've seen about the jjk female cast

#hot take post #im NOT a gege defender by any means!! i can make a 30 page dissertation about how yukis death was completely unnecessary #+ if i were to give jjk a 0 to 10 rating i would give it a 6.5/10 #but cmon dude be fucking for real rn #this sort of argument is so disingenous that it crosses the line on misogyny #like yes i agree fanboyism over a author doing the bare minimum is bad #BUT not every female/male/whatever character needs to be fucking “useful” in a story #who the fuck sets the standard of what “useful” is anyways? #at the end of the day they're supposed to be PEOPLE!! #so trying to box a whole set of characters into who's “useful” or not is frankly stupid #yes pls go on how female characters should be explored as much as male characters #BUT don't use this broken ass argument bc it can easily be disproven and open a loophole for ppl to be misogynistic #jujutsu kaisen #jjk #jjk spoilers

[musical-chick-13]

You know...normally the "guy is sad and murders people over it because how dare other people be happy" archetype is very annoying, but I think they made it work this time.

#for one thing it's not like. actually just about him hating women. #and it's also more along the lines of 'everything was taken from me and it keeps happening even when I don't do anything so why do #other people get to be okay how is that fair it's time to even the playing field because I don't care about being a good person I just want #to feel better' and then actually like. owning up to the fact that he's not a good person. he's not trying to claim he's justified because #he doesn't CARE whether he is or not #which is why rachel is the 'sinner' in this equation because zack fully understands the kind of person he is and admits it #like I think this is the key. I think I need villainous characters to admit to themselves that they're bad people. either that or you have #to do an altena from noir where hardcore at every single step of the way you GENUINELY believe that what you're doing is ultimately #the right thing. which...that is EXTREMELY hard to pull off in character writing altena is literally the only example I can think of #that works (and even then. altena...not that she thinks she's a bad person exactly. but she still recognizes that she can't be an Ultimate #Moral Authority. she'll try to change things how she believes they should be but she knows SHE can't be in charge of this new system. #she's not impartial enough. someone else has to be the judge of people's sins and carry out justice.) #like I think to me. the most interesting aspect of villains is that they are allowed to be completely unapologetic in a way heroes often #aren't. they can be selfish in a way heroes often aren't. and they can explicitly feel the uglier emotions that heroes are often not allowe #to display. so when you have a villain who is trying to play the 'pity me because I'm sad I'm not actually a bad person I promise' card #...it usually falls incredibly flat #lmao. me watching a completely unrelated anime and STILL making it about noir. very on-brand for me. #mc13 watches anime #(there's also the fact that I think zack has come to associate happiness with cruelty. because the only times he's seen the people around #him exhibit joy was when they were mistreating other people-usually him. like there are layers. which was a pleasant surprise I #really thought they were going to go down the route of 'feel bad for this man because he just hates women so much it hurts')

[savingthrcw]

Added to Jemma Simmons' bio:

On the other hand, she ABSOLUTELY will put the people she loves most (be default Fitz, Daisy, May and possibly Coulson) ABOVE the fate of the many/the world. She's loyal to SHIELD as in SHIELD's values when she joined, not as in 'following orders even when she disagrees and putting it before her family'. Is this an unhealthy attachment if you can kill/die for the people you love and let others take care of the 'sacrificing my loved ones for the world'? Possibly. I know people have issues with her putting Fitz before everything and I understand. My solution is to make her even more like that. It's extended to immediate family like Daisy, and she's against putting her job before everything.

#people: we can fix her and give her more balance. me: what if we make her even more unbalanced and shameless about it #like male characters are allowed to be in every show ever. and we let her put her people first bc BOBBI was the agent who sacrificed #her marriage and everything. it's canon. why do you need JEMMA to be like that? Jemma the 'if you don't let me study Skye's blood I'll #STEAL IT' person. Jemma: I don't know what authority is bc every time I disagree with people I go behind their backs and I'm helping Daisy #steal data from SHIELD also I'm the one person who yelled at both May and Coulson when disagreeing with them why would you expect me to #put my duty before the people I love #keep in mind though that I'm not touching the Doctor!Fitz plot with a ten-foot pole and never writing it but the issue there ISN'T 'she #should be more loyal to Daisy who got tortured' jemma is more than the supporter of the people she has around #jemma headcanons #about jemma; #muse: jemma #show: aos

[cheesit-notes]

PERVY TASK FORCE 141

pervy task force 141 who just can't help but take a peak at their newest recruit, you! (and the things they do.)

tags: mdni!, task force 141 being pervs, touchy johnny, intrusive staring w. simon, power abuse w. captain price, implied coercion for sex in all of them, sort of implied guilt tripping and blame on reader,

a/n: this is a repost from my old account! I wanna change sm of this 'cause I wrote this a while ago but oh well, old memories' sake. never done tags like this so im not quite sure what to write :'>

dirty gaz who’s morals get debauch the moment you enter the picture. he can’t help but imagine you in various positions taking him, all of him. he knows he shouldn’t but god, the way you look, the way you walk, everything you do… its your fault, you made him this way. so how will you take responsibility when you find him all hot and bothered?

touchy soap who can’t help himself when he’s next to you. whether it’s an arm around your shoulder or a hand that’s a little higher on your thigh than it should be; there’s nothing he can’t and won’t do. if you ever do voice your opinion on this, he dismisses it, “it’s just a habit, lass, do it to everyone”. so don’t bother, just let him get away with this, after-all it’s because you look so pretty, yeah?

lieutenant ghost who glares at you shamelessly. he says its ‘cause you tell a lot about someone’s character just by looking at them. but over time, his gaze seems to fall less on your face and more on your body. can you really blame him though? the clothes you wear reveal wonders and yet still leave so much to the imagination, it’s honestly like you’re purposely trying to seduce him! eventually he’ll want to confirm his imagination with the real thing. he needs the confirmation, it’s making him all agitated down there every second you deny him. so you’ll give in and help him, right? take responsibility.

price who gets off of the power rush from the authority he holds over you. he’ll give you some extra tasks, twist it somehow so it’ll make sense why you’re sitting on his lap all obediently. abuses his power over you to get you to do things that he wants you to do. oh, he should feel guilty about the power abuse but look at you! you’re so pretty, he can’t help but get high off ordering you around.

#1k+ NOTES YIPEE #TEEHEE 2k+ NOTES #holy cannoli 3k+ notes #cod mw2 #cod mw2 x reader #task force 141 #task force 141 x reader #141 x reader #kyle gaz garrick x reader #gaz x reader #johnny soap mctavish x reader #soap x reader #simon ghost riley x reader #ghost x reader #captain john price x reader #price x reader #pervy task force 141 #mdni #minors dni #cheesy likes cod?!

[hedgehogcryptid]

I’ve realized that the main reason I don’t give a fuck about Red Hood’s actual canon crimes is not that I think they’re justified, or reasonable, or even just funny. He has been shown doing very fucked up shit that at times has very little, if anything, to do with any reasonable moral code. But the reason I don’t care is that I’ve steadily become very critical of villain framing. It’s so very common to have a villain say something very reasonable like “poor people shouldn’t die” and then complement it with “and I will kill babies about it.” If the first statement is reasonable, and the narrative does not provide a reason that justifies the balls-to-the-wall batshit “solution” the character came up with, then I assume the author is either deliberately or subconsciously villainizing a specific group of people for no reason, and I don’t vibe with that. At that time I no longer care about what the author/narrative actually has to say and my reaction becomes “the narrator is actually a biased witness and anything they say about this person’s actions should be taken as exaggeration”. Oh, so Jason is an indiscriminate killer who thinks every petty criminal deserves to die? Wrong. They’re exaggerating and taking the facts out of context. So he killed a hundred people in prison with barely any provocation? It probably wasn’t that many and the ones he did were trying to kill him to begin with, with no intervention from the guards, so it was self defense. He attempted to kill a child? Wrong, that was a two-sided fight between two teenagers, he just won so the other one’s bitter. Like, I don’t care how much made up context I need to stuff in there to make it make sense, I will do it because the narrative decided to frame the homeless kid from a poor neighborhood as the villain against the nice and kindhearted humanitarian billionaire so its logic is fucked from the get-go

#I honestly don't understand how the 'be gay do crime' website #that also advocates for eating the rich #has so much Jason slander #red hood #batman #jason todd #bruce wayne #under the red hood

[dramaticals]

a favour

pairing: theodore nott x reader

summary: you want to get your mind off of your break-up and theodore knows just what to do. literally just smut. characters are assumed to be 19+. mdni.

author's note: based on a thread i wrote in the rpc, but i excluded any wordings from my writing partner for obvious reasons

You didn't know who else to ask.

You've tried just about every heartbreak remedy out there—guzzling glasses of alcohol being the most recent and detrimental. The only remedy you hadn't tried required another person, and asking for it seemed to be much harder and more embarrassing than you thought.

In theory, you should be doing what any normal person would do when they want to get over an ex: find some stranger at a bar and have at it. But you're convinced the looming grey cloud that seemed to follow you around was enough to deter any stranger, regardless of whether sex was involved.

Which is why you were standing in front of Theodore Nott's place with a ridiculous and crude request on the tip of your tongue.

You and Theodore Nott weren't exactly friends. Friends of friends, more like. You two ran in the same circles, but there had never really been an opportunity or a reason to hang out one-on-one.

Even so, you knew the type of guy he was. Theo was as charming as he was alluring. He had that aura around him that just screamed lothario. And he was—at least, that's what you heard. Your mutual friends often teased him about his latest conquests, to which he'd respond with a smirk and a dismissive, "If you want me to fuck you next, all you have to do is ask."

"Y/N," Theo says. He leans against the doorframe of his apartment coolly, brows raising in question at your visit and curious eyes giving you a once-over. The way his arctic green eyes lingered on your body made you flush.

"Hey," You say breathlessly, fingernails digging into the palm of your hand out of pure nervousness. You didn't think it would be so hard to come out and just say it. "Can I ask you for a favour?"

"A favour," Theo repeats, his lips twitching into his signature smirk. By the way he was looking at you, you swear he knows what you want from him. "Depends. What do you need?"

"Could you help me get over my ex?"

Theodore's brows raise, his eyes flashing in smug amusement. He definitely knew why you were here.

"I can think of a few ways to distract you." He says slowly, eyes trained on yours. There's a teasing tone in his next words as he lists, "Movies, puzzles, bourbon..."

"Actually," you interrupt, your gaze flickering anywhere but his eyes. Your heart's practically beating out of your chest now. His intense gaze was doing a number on you, and you suddenly understood every woman he'd ever slept with. Theo knew exactly how to work a woman in the simplest way possible. "I was thinking of something more effective than that."

"Oh? And what may that be?" Theo asks as if he already didn't know. He just wanted you to say it.

You inhale sharply, your eyes meeting his again. "I want you to fuck me."

Theo lets out a breath, his lips twisting into a mischievous grin. "Gladly."

Theo beckons you inside before shutting the door and turning the lock. He wastes no time closing in the space between you two. Strong hands pull you close as his lips ghost over yours teasingly. You can practically feel his smirk on your lips, and it makes you shiver.

"You have no idea how long I've wanted to do this." Theo says huskily against your lips.

There's no time to process his words before his lips are on yours. You gasp against his mouth, allowing him the opportunity to slip his tongue in. He steps forward, guiding you backwards until you're pinned against the door. Your hands reach to cup his jawline, kissing Theo back with as much passion as he was giving you.

He lets out a groan against you, and it strikes a fire within you and to your core. God, you needed to hear more of that.

Feverish kisses turn into teasing, nipping kisses down your neck. His rough hands slide down your frame, his leg expertly maneuvering between yours and pinning you in place. You whine at the pressure, throwing your head back in response.

"Fuck, Theo," you breathe, your fingers running through his brown curls.

He lets out a low chuckle against your collarbone, clearly eating up every second of this favour. You were so receptive to his actions that a part of him wanted to drag this whole ordeal out.

His hands tug at your sweatshirt, expertly removing the garment. He hisses when he realizes that was the only barrier he had to deal with. The cool air of his apartment, along with his lips on your chest, made your nipples perk. Your back arches into his mouth.

Theo flicks his tongue against your breast, teeth grazing lightly as he pulls away to say, "So fucking beautiful."

You could just melt into him. The way he was working you was unlike anyone you've ever experienced before. And the way his hands hooked onto the hem of your skirt and knickers, pulling them down swiftly—fuck.

One hand moves to capture both your wrists, lifting them both up and holding them above you firmly. His other hand finds its way to your core, toying with your slick folds before inserting a digit.

You let out a desperate whimper. You want to grip onto something, but his hold on your wrists is solid, and it only makes your hips buck into him.

"Eager, are we?" Theo muses, his lips planting a sweet kiss on yours. He watches you attentively as he slowly inserts another digit. Slow enough to really take notice of your wetness on his fingers. Theo smirks when your breath hitches.

"Theo," you gasp. "Please."

Theo kindly obliges, curling his fingers inside you and flicking repeatedly against the spot that made your knees buckle and your heart soar. His grip on your wrists tightened in part that you could no longer keep yourself standing.

"Oh my god. I need—" you moan, your eyes shutting in pleasure.

"What do you need, darling?" Theo asks smoothly, his fingers continuing their motions inside you. His eyes are dark with lust. He plants a kiss on your jaw.

"You." You manage to get out, squirming against his fingers. You're so close.

Theo was feeling too fucking smug seeing you unravel like this, and so it's another second before he's sliding his fingers out of you and letting go of your wrists. You whine at the loss of contact, your eyes shooting open in confusion.

Theo's discarding his shirt, untying his sweatpants, and shoving off his boxers. You bite your lip at the sight of him. You didn't think he could be any more sexy.

"Like what you see?" Theo quips with a sly smile. His hands move to your hips and then to your thigh, guiding your leg up around him. He guides himself to brush against your core teasingly. You jerk at the contact.

"Theodore," you warn. You don't know how much more foreplay you can take.

With a pompous grin, Theo sinks into you roughly. He grunts in pleasure, reveling in the feeling of your dripping cunt around him.

"Fucking hell, Y/N," Theo groans, setting up a torturous rhythm of thrusts. You feel the pleasure bubbling in your core, your fingernails dragging across his bare back.

Theo buries his face in the crook of your neck, leaving sweet kisses on your skin. The sensation of his soft, tender lips on your neck versus the primal thrusts into you made you want to scream.

Theo senses this, and he relentlessly continues his movements. He's quite close himself, his cock twitching in response to your body. But considering this was a favour to you, he holds himself back. You needed to come first.

And you do.

You release a panting whine just as the building pleasure finally washes over you. You grip onto the locks of his hair on the base of his neck for support, coming undone in his strong arms. Theo moans, feeling you clench around him, before allowing himself to come.

You slump forward into Theo, your forehead resting on his chest. Your hands gripped his shoulders tightly, now more than ever needing the support his strong frame provided.

"That'll definitely do," you say with a weak nod.

You can't see his face, but you can practically see the shit-eating grin on his lips.

#theodore nott smut #theo nott smut #theodore nott x y/n #theo nott x y/n #theo nott x reader #theodore nott x reader #theodore nott #theodore nott imagine #theo nott imagine #theodore nott x you #theo nott x you #theodore nott fanfiction #*writing

[matryosika]

Untitled #9

Wordcount — 1,618 words

Includes — Fem!reader, mentions of contraceptives, unprotected vaginal sex. Dubcon elements (but it is all explained in detail), mentions/fantasies of creampies, use of petnames (baby).

Author's note — Just a little something! I've had this thought for a while now, and I wanted to put it out there. Despite the dubcon elements of it, I really picture both parties being super into it with full consent —for this, the male character just puts up a fight because he considers things risky, but deep down he wants it just as bad. With that in mind, read this if you have no problem whatsoever with some dubcon. If it's not your cup of tea, just scroll!

Just thinking about a forced creampie with Chan.

He had been pretty vocal about how badly he wants to fuck you raw and come inside you, but the overly-reasonable, almost persecutory part of him doesn't let him get loose. Whenever he thinks about coming inside of you, he can't help but also overthink everything that could go wrong.

“Maybe I just need a little push, you know?” He told you right after you asked him what was stopping him from fulfilling his fantasies. “I tend to get too into my head, maybe I should just- I don't know, go for it in the heat of the moment”.

But even in the heat of the moment, Chan holds back. The amount of self-control he has is crazy, so as much as he wishes to get loose, he never manages to do so on his own.

You come up with a plan, but you first make sure that he is on the same page as you —that he wants this just as much as you. So you ask him just that, and the response you get is enough for you to proceed.

“I think about it at least twice a day,” Chan confessed. “I mean, not a day goes by without me thinking about how pretty your pussy would look leaking with my cum”.

So you start off slow —first, you convince him to fuck you without a condom, fully raw. He pulls out every fucking time, much against his lust's will, but you don't mind. At least not when you can now feel every inch of him, every thickness of his veins and the warmth of his bulge. And now, he gets to feel you too —like fully feel you. From your soft walls squeezing his dick, to the sticky arousal that drips out of you.

It doesn't take long for him to get addicted to that feeling, though —despite him “wanting to take things slow”, he soon becomes obsessed and the idea of using a condom ever again is discarded by Chan himself.

So it all starts off with fucking you raw, and it eventually ends up one night with you offering that much needed push to finally allow himself go.

You're on top of him, straddling his lap while his cock reaches the deepest spots inside your pussy. You can feel him twitching inside of you, and if that isn't enough confirmation that he is seconds away from coming, the grimaces of pain and pleasure along with the veins popping on his temple and neck definitely are.

His hands are bruising your hips pretty bad while he guides your movements on top of him —roughly grinding yourself against him, squeezing your walls to provide him with the stimulation he needs to come.

“Just like that,” he groans biting down his lower lip with furrowed eyebrows and eyes closed shut, “come on, fuck yourself on my cock just like that. Make me come”.

Coincidentally, you're trying to do just that. So when he bents his legs against the mattress, and his hands try to push your body away from his, you don't stop.

“Baby,” he groans out your name, whincing in pain the longer he tries to hold his orgasm back, “'m gonna- fuck, I'm close”.

You lean down over his body, placing chaste kisses along his jaw and neck, “give it to me, Chan”.

He squeezes his eyes shut, just as his body stiffens underneath yours, “move, baby”.

“Inside,” you whimper, shaking your head into the crook of his neck. “Come inside”.

Chan's back arches a little, just as he struggles to maneuver your body, but it's all useless —he doesn't have the strength to push you away, and he doesn't want to.

“No, baby,” Chan hisses, gripping your hips as rough as he can. “I can't- please, let me pull out”.

“Come on, Chan,” you plead into his ear, biting his earlobe while your walls clench around his girth, “I know you want to”.

He lets out a painful, exasperated groan in an attempt to hold back the pent up tension between his legs —you can see he is really trying his best not to come.

“Please,” you leave one last wet kiss on his neck before straightening up your body, going from grinding against his cock to fully bouncing on it, “please, come inside me. I need it”.

Chan swears he is going to lose his mind. Between the feeling of your cunt clenching around him, the sight of your pretty body bouncing on top of his, and the lewd words and moans that are leaving your lips, Chan is sure he isn't going to last any longer.

“Let me pull out,” he tells you once again, with no intention of ever wanting you to stop. At this point, Chan still puts up a fight because he doesn't want to give in too easily. But honestly, he is not interested in winning that fight whatsoever, “'m gonna come, baby”.

You press your hands against his chest and increase the pace of your movements, forcing his body underneath yours while caging it with your legs on each side of his body.

His face is flushed, and the painful grimaces and groans he lets out can only warn you that he might not resist any longer.

“Come for me,” you insist, digging your nails on the flesh of his chest, “please, fill me up”.

At one point, he just gives in to his dirtiest fantasies and carnal pleasures. Who is he to deny himself? You're begging for something that only he can give you, and he fucking will.

So the painful moans turn into primal ones, instictual and animalistic. He opens his eyes and stare at you, his hands going from your hips to your neck, choking you ever so slightly as you ride him to his high.

Not only that, but his hips start fucking into yours from underneath —if he is going to come inside you, he is going to have it his way. Meaning he is going to be the one in control, not you.

Your whole body trembles at the unexpected thrusts, and it doesn't take you long to feel a warm, almost hot sensation filling you up.

“You wanted me to come inside you?” He asks through gritted teeth, snapping his hips against yours while your whole body goes limp. Chan hugs you tightly in place, preventing his dick from sliding out of you, “you better not fucking waste it, then”.

He milks himself inside you with each thrust, letting out deep grunts of pleasure in between.

“Chan,” you gasp when you feel his cum oozing out of your pussy and around his cock, all while he is inside you, “fuck”.

Even after a few seconds, he feels he isn't done yet —he is still throbbing and pulsating inside your walls, and he just can't stop shooting his cum into you. This is the first time he comes like this, and it is as painful as it is pleasurable.

“It's dripping out of me,” you murmur when he finally slows down, looking down to where your bodies connect —it's messy, but neither of you can begin to care. At least not when it feels this good to be filled.

Chan lets out a deep exhale, his chest moving frantically as he tries to catch his breath. He feels defeated, and weak, but at the same time he can't wrap his head about how good it fucking felt to finally let go, to be able to fuck you full of his cum until it dripped out of your tight hole.

So much so, that the idea of pulling out and coming anywhere else it's just not an option any more.

And just like he got addicted to fucking you raw, he might be addicted to stuff you full of his cum now too.

He just needed a little push.

#stray kids smut #skz smut #kpop smut #chan smut #bang chan smut #bangchan smut

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.

#writing tips #nanowrimo #story writing #writers on tumblr #writeblr #writerscommunity #writing #writer

[hayatheauthor]

Everything You Need To Know About Writing Gunshot Wounds 

Welcome to the latest installment in my ongoing series on crafting realistic wounds in fiction! After covering stab wounds and burns, it's time to explore the next wound category frequently explored in fiction—gunshot wounds. 

Gunshot wounds are a recurring motif in the realm of storytelling. They're something you can easily come across in every genre, however, authors often poorly portray gunshot wounds due to lack of proper research. I understand finding the right resources to aid with your writing can be hard, so here's my comprehensive guide on how to write gunshot wounds. 

How To Categorise Gunshot Wounds

There are certain factors you need to consider before writing a gunshot wound. These details are instrumental in crafting a vivid and plausible narrative while avoiding plot holes. The first and most important one is identifying the type of firearm used to inflict the wound. 

Picking The Right Firearm 

Selecting the appropriate firearm to inflict a gunshot wound is a pivotal decision. It's not just about choosing any gun; it's about picking the right one to align with your desired outcome and the narrative's overall impact. Here's a quick guide on how to pick the right firearm.  

The Impact of Firearm Selection

The firearm you choose can significantly influence the severity and appearance of the gunshot wound. Whether your goal is a graphic, gory injury or a precise, long-range shot, the choice of firearm plays a crucial role. Here are some guns you to consider:

Handguns: These are versatile and commonly used in close-quarters combat. They can result in gruesome, close-contact wounds with a higher potential for damage due to their stopping power.

Shotguns: Shotguns disperse shot pellets upon firing, making them suitable for creating a broader pattern of injuries. If you aim to depict a devastating, close-range gunshot wound, shotguns can be a fitting choice.

Rifles: Rifles are known for their accuracy at longer distances. When you need a precise, long-range shot, rifles are the go-to option. They tend to produce a cleaner wound channel, especially when used for a targeted, well-planned injury.

Choosing the Right Firearm for Your Narrative

The type of firearm you select should align with your story's objectives. If you intend to evoke visceral, gory reactions, opt for handguns or shotguns used in close proximity. On the other hand, if precision and long-range engagement are key, rifles can achieve your desired outcome.

Keep in mind that firearm selection can affect the wound's damage, trajectory, and overall portrayal in your narrative. 

Categorising The Wound 

Once you've identified the type of firearm, you need to establish what type of wound your character will incur. 

In order to bring your character's injuries to life, it's important to first identify what you're dealing with. You can do this by categorising the injury based on several factors. For gunshot wounds, this includes the type of firearm used, the bullet's trajectory, and the specific areas of the body affected.

You can categorise your character's gunshot would into seven main categories, here's a quick breakdown of what these categories look like and the level of severity associated with them: 

Penetrating Gunshot Wounds: These wounds occur when a bullet enters the body but doesn't exit. The bullet remains inside the body, causing damage along its path.

Perforating Gunshot Wounds: In this case, the bullet enters the body and exits on the opposite side. This type of wound can have a different set of implications due to the bullet's trajectory.

Ricochet Gunshot Wounds: Ricochet wounds happen when the bullet bounces off a surface before hitting the character. The nature of the surface can influence the severity of the wound.

Through-and-Through Gunshot Wounds: As the name suggests, these wounds occur when the bullet enters one side of the body and exits through the other. The trajectory can greatly affect the injury's severity.

Close-Contact Gunshot Wounds: These wounds result from the firearm being fired at extremely close range. The proximity of the gun to the body can lead to unique wound patterns and burn injuries.

Shotgun Wounds: Shotgun wounds differ from those caused by handguns or rifles. The shot pellets disperse upon firing, leading to a broader pattern of injury.

Long-Range Gunshot Wounds: When a character is shot from a considerable distance, the wound might appear different due to factors like bullet tumbling and loss of velocity.

The Anatomy of a Gunshot Wound

To create a vivid portrayal of a gunshot wound, writers need to grasp not only the external appearance but also the internal effects it has on the body. A well-executed description captures both the physical trauma and the emotional turmoil experienced by the character. Here are some symptoms you should take into consideration.

1. External Appearance and Bleeding:

Wound Size: The size of a gunshot wound can vary significantly based on the type of firearm and bullet used. Smaller calibers may leave entry and exit wounds that are relatively small, while larger bullets or high-velocity rounds can create much larger wounds. Be specific about the size, which can help readers visualize the injury.

Blood Loss: Gunshot wounds typically result in bleeding. The severity of bleeding depends on factors like the wound's location, the size of the blood vessels damaged, and the bullet's trajectory. Mention the amount of blood, but avoid excessive gore unless it serves a specific purpose in your narrative.

Coughing Up Blood: If the gunshot wound affects the chest or lung area, characters may cough up blood. This symptom often signifies a more critical injury and can add drama to your story.

2. Internal Damage and Symptoms:

Pain: Gunshot wounds are painful, and the character should express this pain through their actions, dialogue, and internal thoughts. Describe the sharp, burning, or throbbing sensations as they resonate through the character's body.

Shock: Depending on the severity of the wound, shock can set in. The character may appear pale, sweaty, and disoriented. This state of shock can impact their actions and decisions.

Loss of Function: A gunshot wound may impair the use of the injured body part. Describe any loss of function, such as the inability to move a limb or use it effectively.

Fainting: In extreme cases, characters may faint due to the pain, blood loss, or shock. Be sure to contextualize this within the narrative, as fainting can have significant consequences for the character.

By diving into the details of a gunshot wound's anatomy, you can craft a compelling and realistic portrayal that draws readers into the character's harrowing experience. I haven't exactly covered every symptom out there, but these are the major ones you should take into account when writing. 

Medical Assessment and Treatment

Once you've established your gunshot wound, it's now time to focus on the aftermath. One of the main factors to consider is the medical process that follows. If your character is supposed to die from the gunshot then you could probably skip this section, but if they're alive here are things you need to consider. 

1. Initial Assessment:

Scene Safety: In a real-life scenario, safety is paramount. First responders will ensure the scene is secure before approaching the injured person. Consider factors like the presence of firearms, potential threats, and the safety of medical personnel.

ABCs of Assessment: Medical professionals follow the ABCs—Airway, Breathing, and Circulation. Writers can reflect this in their storytelling by highlighting the character's ability to breathe, cough, or speak after being shot.

Vital Signs: Mentioning vital signs like heart rate, blood pressure, and oxygen saturation can help convey the character's condition and the urgency of their medical treatment.

2. Trauma Assessment:

Focused Assessment: Medical personnel perform a thorough examination to identify the gunshot wound's location, entry and exit points, and any associated injuries. This assessment informs their treatment plan.

Imaging: Depending on the complexity of the injury, X-rays or other imaging may be required to visualize the bullet's trajectory and any potential damage to internal organs or bones.

3. Treatment:

Bleeding Control: Stopping the bleeding is a top priority. This may involve applying pressure, packing the wound, or even tourniquet application in extreme cases.

Wound Care: Depending on the wound's severity, cleaning and suturing may be required. The character's response to this procedure can add an element of realism to your narrative.

Pain Management: Gunshot wounds are excruciatingly painful, and medical personnel will often administer pain relief or anesthesia during treatment.

Monitoring and Observation: Patients with gunshot wounds require careful observation and monitoring for signs of infection, complications, or changes in their condition.

By accurately portraying the medical assessment and treatment of gunshot wounds, you not only enhance the authenticity of your writing but also depict the physical and emotional toll such injuries can take on your characters. This attention to detail helps your readers connect more deeply with the story.

The Psychological Impact

Gunshot wounds don't just inflict physical harm; they also leave lasting emotional and psychological scars. It is important to note that the extent of the psychological impact on your characters will heavily rely on various factors. 

For example, you need to consider whether or not this injury is something normal for them. Do they work as a spy, assassin, or other such roles that would mandate such dangerous injuries? You also need to consider who shot them. Does this wound come with emotional damage as well? Think of Aaron Warner’s reaction to Juliet shooting him. 

If you’re sure your character will have some extent of a psychological impact, here are some factors you should consider. 

1. Shock and Denial:

Immediate Response: Characters who have been shot may initially experience shock and denial. This can manifest as disbelief, emotional numbness, or a surreal sense of detachment from the situation.

Physical Symptoms: Shock can lead to physical symptoms like trembling, chills, or even fainting. Incorporating these details can make the character's reaction more genuine.

2. Fear and Anxiety:

Survivor's Guilt: Characters may grapple with survivor's guilt if they are the only ones to emerge unscathed in a violent encounter.

Anxiety: The threat of recurrence or the fear of returning to the location where the shooting occurred can trigger anxiety and panic attacks.

3. Post-Traumatic Stress Disorder (PTSD):

Flashbacks and Nightmares: Characters who have survived a gunshot wound may experience recurring flashbacks and nightmares, vividly reliving the traumatic event.

Hypervigilance: PTSD can lead to hypervigilance, where characters are constantly on edge, expecting danger at every turn.

4. Depression and Isolation:

Emotional Withdrawal: Characters may withdraw from social interactions, experiencing feelings of isolation and sadness.

Emotional Numbness: Some may describe feeling emotionally numb, unable to experience joy or pleasure.

5. Recovery and Resilience:

Therapeutic Support: In your storytelling, consider how characters seek therapy or counseling to cope with their emotional scars. Therapy can be a path toward recovery and resilience.

By addressing the psychological impact of gunshot wounds on your characters, you create more layered and relatable individuals within your narrative. This depth allows readers to connect with the characters on a profound emotional level.

I hope this blog on Everything You Need To Know About Writing Gunshot Wounds will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

#hayatheauthor #haya's book blog #haya sameer #haya blogs #writers on tumblr #writer community #writer tools #writer blog #writer stuff #writer wednesday #writer tips #creative writing #writers of tumblr #writerscommunity #writeblr #writing community #writer spotlight #writer things #writing prompt #writing tools #writing stuff #writing #writing life #writing inspo #writing help #writing advice #writing inspiration #writing ideas #writing things #writing tip

[justblades]

⌕ WHAT THEY LIKE TO HEAR DURING HEATING SESSIONS, 18+

⟢ CHARACTERS : gepard, blade, jing yuan & luocha x gender neutral! reader

⟢ WARNINGS : EXPLICIT, MDNI.

GEPARD

— is too embarrassed to admit it but he bathes in rapture whenever he hears the sounds of skin slapping, squelching noises emitted from his cock meeting with your entrance and lastly, your jagged breathing becoming melting heavy sighs of pleasure. the mentioned noises meshing together play a perfect harmonious tune for his ears, gearing him towards climaxing, to the point that his face crumples everytime he thrusts faster with the help of his large fists on your hips. he becomes absent minded and thinks of nothing but quenching the thirst for his lust, immediately cumming inside you with no forewarnings, he's just that deep in. every sex ends with him apologizing and swearing he'll let you know next time, but him planting his seed inside you happened as naturally as he breathed.

BLADE

— thrives in having authority, control and reign over your body as well as your rationality. he likes to hear you beg and put into complete sentences what you want him to do to you, going as far as teasing his tip in your hole, to drain the remaining dignity inside you by no other than him. he's well aware that once you're completely riled up, there's no going back - one of the many instances he makes the most of hearing you plead. he would never give it to you unless you verbalize each step, naughty words spilling from your lips, embarrassment washing over yourself. otherwise if you fail to meet his expectations, he'll display that stoic expression of his not until you satisfy his ego's needs.

JING YUAN

— hearing your musings of praises about how he's so big, hot and thick whether you're sucking him, giving a hand job or inside your walls stimulate the general even more. the minute you fall silent as he jackhammers into your hole will be the minute he'll be aggressive, not until you describe what you're feeling from his movements in detail. phrases such as "i can feel you throbbing inside me" or "you're digging deeper" has him in a chokehold, moans bubble from his throat as long as he gets to hear how you feel good from his dick. jing yuan prioritizes your feelings before his and adores it when you give feedback. getting old is inevitable that he couldn't help but think he's become a boring person - however, your sweet nothings say otherwise, oftentimes complimenting the general.

LUOCHA

— it may not be patent for the merchant as he usually appears calm and composed at all times, but the superficial breaks whenever you two engage in sex, melting into putty whenever he asks you if only him can do you like this and you reply with an obedient "yes." his heartbeat picks up as more blood rush into the head of his cock, making his length resemble that of a curve, a true sign he's getting bigger and more aroused than ever. knowing that he's the only one who'll get to see your tantalizing and pathetic state turns him on, making him mess you up even more. "what should i do to you if you turn your back on me?" he queries, "give me a punishment that you see fit." the male goes nuts when you fully submit to him. reassuring that you'll stay by his side forever and never leave him merits you his sweet, melodic moans.

my masterlist !

#jing yuan #jing yuan x reader #luocha #blade x reader #gepard x reader #luocha x reader #honkai star rail smut #honkai star rail x reader #hsr x reader #hsr smut

[fuxuannie]

Hi sage!! I hope you're doing well<33 do you mind doing jealousy headcanons for dan heng, jing yuan and any other characters you chose?? Thank you 🤍🤍 you're keeping the hsr x reader tag alive 😭

* pairing(s) : various hsr men (4, again) x gender neutral reader

* prompt : jealousy bites like you like a poisonous snake, the bite hurts, but its the venom that gets you.

* authors note : hi anon !!! (๑´ㅂ`๑) thank you for requesting, you're so sweet for the last msg omg tysm <3 i hope u enjoy !

* brief warning : blade kills a man, very blade of him. (his is also more of a joke im sorry blade lovers) ALSO THIS PROGRESSIVELY GETS SHORTER EACH CHARACTER, I JUST REALLY LIKE DAN HENG IM SORRY LMAO.

DAN HENG can't hide the way his eye twitches, how tightly he grips onto his spear or the way he'd mutter things under his breath. He despises it when he's jealous, but he hates it more when he sees the reason for doing so.

He knows he's.. not exactly like all your previous partners, it stemmed an insecurity in him. He wasn't all too funny, and knew he couldn't make you laugh with a corny joke.

So the way Sampo keeps making you laugh, making you smile, it was sparking a jealous flame in his heart. But more than anything, it saddened him that he couldn't make you laugh like that.

God, your smile was so pretty.

After a while, he interlocks his fingers with yours and mutters a small 'Can we go?' to you. You immediately notice his saddened tone, and thank Sampo for his time before walking home with your boyfriend.

"Dan Heng?" You say softly, noticing his rather saddened mood. He lets out a small hum to acknowledge your call for him, and you sigh. "Are you upset?"

He nods his head.

"Is it.. because of Sampo?"

He hesitates, but that alone gives you an answer.

Dan Heng takes a deep breath, before looking at you, his eyes filled with honesty. "I was.. jealous. I know I can't make you laugh the way he does, and it frustrates me. I want to be a man who makes you smile everyday but-"

Amidst his rant, he sees how your gaze softened at his words. This entire time, he was insecure? He hid it well, so well, at the very least from you. "I'm sorry, this is stupid-"

"N-no! It's not, I should be apologizing if anything! I failed to realize these things.. I'm sorry, my love. Sampo.. he makes me laugh, but you make my heart flutter. You make me feel things no one else can, okay? I'm yours, as you are mine."

He smiles at you, he's just happy he communicated his feelings, and you understood. "I'll be sure to try and tell you how I feel next time, okay? As long as you promise you'll stop hanging out with him. I was honestly afraid I was gonna have to get rid of him."

You blinked a few times, but he sighs. "I'm kiddinngg.."

JING YUAN knows he's far too good of a man, therefore doesn't get jealous.

He's yet to be disproven in the first part, but his golden eyes are filled with annoyance as the stares of a certain enemy of his lingers far too long on you.

You were filling in for Yanqing, he was absent for the day (something about falling into an ice cold river and getting sick or something...) and so someone needed to be there as the General would be meeting Blade.

And Jing Yuan couldn't ignore how Blade's eyes never left your form while he spoke, hanging your head down low and so you wouldn't notice. That made him greatly annoyed, almost unable to focus, but he had a mission at hand. And so he forced his jealousy to subside.

Needless to say, the small marks on your neck was embarassing to have seen in public. (And the small bird constantly pecking at Blade's hair was definitely also not Jing Yuans doing.)

GEPARD is so understanding, he evaluates every situation with logical thinking, as expected as a leader.

So it wasn't hard to figure out the intentions of the 'friend' that was speaking to you, how their voice was almost sweeter, and the way they clinged onto your arm was signalling red flags.

Gepard wouldn't have minded this, it could've easily been friendly gestures, but Serval is one of your closest friends and you were within a friendgroup. And she knows that person has a crush on you, and it was painfully obvious.

So naturally, he swiftly and surpisingly gently pulls you from the waist out of their grasp especially with how firm his grip around you was. He gives them a not so friendly glare, and plants a soft kiss to your lips. "My partner." He states, pulling you close as you're left to be stunned with the sudden posessiveness of your partner. "Mine."

Blade simply stares down at the person even attempting to approach you with clearly bad intentions. And if they dare to try to push their luck, Blade comes home with blood on his hands.

"What did you do??" You'd ask, you already knew the answer after already learning what Blade was truly like. "What was necessary." He replied, a kiss on your cheek as he walks in through the door to wash his hands.

#✹ ִֶָ ꐑꐑ entos paw prints #honkai star rail x reader #hsr x reader #honkai star rail #dan heng x reader #jing yuan x reader #gepard landau x reader #gepard x reader #blade hsr x reader

[duchessonfire]

I have been reading a bit on the OTW elections and the whole Tiffany G thing, but most of all, I've been reading comments from people supporting Tiffany saying that she just wants to clear AO3 from all the CSAM (child sexual abuse material) content and I don't know who needs to hear this but:

If someone comes to a predominantly QUEER space (like AO3) and tells you that censorship is necessary to eradicate CSAM... it's not actually CSAM they want to eradicate...

I've seen this type of discourse about Pride and about queer literature and queer movies and queer communities. It's a tried and true technique of the right and conservative movements.

First, they say there is a DANGER to the community through CSAM and they conflate the actual threat of CSAM in the community (we all know someone who thinks that writing a love story between two characters who are 16 is CSAM...), and make you believe that censorship is the only way to PROTECT THE CHILDREN. And since most people are (rightly) mind-bogled at having to explain that of course they don't support CSAM content, they bow down and accept the censorship for the greater good, without anyone actually trying to have a conversation about what qualifies as CSAM (which needs to, you know, actually involve real children and not fictional characters who are 17 and losing their virginity with their crush in a Mature-rated story about high school football and first love based on the author's own experience of losing their virginity at 17 to their crush in high school).

Then, they tell you that there are other forms of DISTURBING CONTENT, and what they really mean is porn that THEY find disturbing, for ex, (and I kid you not, I have seen comments like that) porn featuring disabled characters, which they consider to encourage the exploitation of vulnerable individuals, or BDSM porn (which supposedly encourages violence and lack of consent), or rough porn, or any kind of porn that isn't two (preferably white and skinny) able-bodied people doing it missionary style while lovingly gazing in each other's eyes. SO TO PROTECT VIEWERS, that needs to be banned as well.

And then, they tell you that even that sanitized version of porn is still porn and that people under 18 or under 21 or under whatever age they consider too young to view anything sexual regardless of the fact that not all countries have the same law about the age of maturity, should be free to surf the site without having to *gasp* filter out properly tagged works. So TO PROTECT THE CHILDREN, every explicit content is censored.

And then finally, when all that is left is a sanitized, white-washed, ableist, puritan type of content featuring General-Audience approved gay works of two nice men or two nice women holding hands and chastely kissing each other on the lips... Well guess what? :) CHILDREN SHOULD NOT BE EXPOSED TO QUEER CONTENT SO WE NEED TO BAN THAT AS WELL, and since we've basically done purge after purge before and there are still a handful of people on the website, well surely they won't mind/care anymore, will they?

It's not just a slippery slope, it's something that has been done time and again, and that is why censorship on AO3 will never, never have a positive outcome.

Thank you for coming to my TED talk.

#otw elections #ao3 #sorry for the rant #but i'm tired of seeing the same BS again and again #tw cp mention #censorship

[vroomvroomwee]

Aziraphale's vest

I'd like to take a second and talk about his vest because I think it's a really good metaphor for Aziraphale's internal feelings.

At first glance it's obvious the vest is quite old. Really old in fact if you note the way it's practically disintegrating.

And it got me thinking a bit. The way the white practically bleeds from the edges of the neck, shoulders and buttons, going further and further, one day if he's persistent enough to wear it, it might even take over the entire vest. You could say that that, somehow, mirrors Heavens influence over Aziraphale. Slowly, slowly, biding their time, until it has completely ridden him of any colour. Until it has completely washed him of his identity, of his originality, of his character.

Take a look at his clothing when he's up in Heaven.

Completely and utterly white. Every piece of clothing he's wearing is pure and untarnished white. Upon entering Heaven, against his own accord, it has stripped him of his uniqueness, of anything that might distinguish him from any other angel who blindly follows orders and who's sole purpose is to do Heavens bidding.

Now, he could miracle the white patches on the vest away easily. But he doesn't want to.

The thing is. He likes the imperfect. He likes partaking in human activities and pleasures, like food, music, etc. Likes to indulge himself in earthly things Heaven would label as sinful or "sullying." And as someone who bas been on the receiving end of Heavens ridicule and passive aggression for millenia, as someone who for centuries has been told that he's underperforming and needs to do better, as someone who is all too aware of his own impurity by the standards an angel should hold and of the quite frankly unholy behaviour in performing immoral temptations and directly going against Heavens orders no more than a few times throughout the eras, it's no wonder he finds comfort in the imperfect.

He keeps the deteriorating edges because they are a perfect representation of his own internal feelings and image. After all, there's no rule that says he can't. And a big kudos to the costume department, for the patches perfectly encapsulate his religious trauma. Without it, he would probably be a very different person. He wouldn't be the same Aziraphale we know and love. The same way he likes being old-fashioned with his clothes and how that is a part of who he is, his trauma is a part of him as well, along with Heavens influence that has shaped him into who he is today, whether he likes it or not.

Every part of the vest illustrates Aziraphale's character and internal feelings, which brings me to another point I want to draw attention to, and that is the BACK of the vest.

It's DARK. And I don't think I'm mistaken when I say that most of us didn't expect it to look like that from behind. We all just assumed that it would be the same beige colour as the front, which is in tune with the rest of his attire. After all, seeing him wearing a dozen different outfits all throughout history, all of them some shade of white, it was the logical conclusion.

But no.

It's not white. It's a dark, slightly viridian or a dark blue colour. "Dark blue suggests a more mysterious depth or ominous quality. Power and authority: Dark blue signifies power and responsibility. "

Not what we would have expected that colour at all. Similarly to how one wouldn't expect an angel to perform temptations or be gluttonous, or envious, or slothful, or hedonistic. Not at first glance anyway.

Not unless you look carefully.

Not unless you know him.

The coat almost acts like a cover. The light over the dark. Almost as if it's trying to hide something. The only times we see Aziraphale not wearing the coat is in his bookshop. Which is logical, of course. You wouldn't wear a coat indoors, obviously. Except he DOES. He wears the coat when he and Crowley are drunk, he wears it when he's reading Agnes Nutter, he wears it when Gabriel and Sandalphon pop in, he wears it when he's talking to the Metatron, he wears it when he's listening to Shostakovich, he even wears it at the Ritz where it would be custom to take off your coat while dining. And it's worth noting that during the events happening (at least in the first season), the season is summer. Which would make it quite ridiculous to be wearing so many layers everywhere you go and therefore risk boiling. But he still wears the coat.

The only times he doesn't wear it is in the first episode after the sushi, when he's all ALONE, and in season 2 at the bookshop when Crowley comes back and in 1941.

And there's something oh so personal about that.

I don't think it's a coincidence that the darker part is specifically the back of the vest. There's always been this natural human instinct to protect yourself by never ever turning your back on a foe. And I don't think this is a conscious effort on Aziraphale's part, but rather genius writing, directing and costume design, and anyone who's watched and read Good Omens knows that almost nothing is coincidental.

Note this is probably the first time Aziraphale has called Crowley his friend, seeing how uncertain and doubtful he was to even say the word in this scene and how quick he was to deny their friendship in the Shakespeare scene. And the camera immediately cuts from Crowley to Aziraphale, who is turned away, whose back is turned to Crowley oh so casually without a care in the world. Just before he calls him his friend. His back is turned, and so is the dark part of his vest.

The dark part he only shows in his bookshop, when he's alone and there's no one there. The part that he now only shows to Crowley as well. Crowley who knows him so well and who's been with him through everything. "I won't tell anyone if you won't." And "you said trust me""and you did". Just this small motion of Aziraphale depicts exactly how much trust he has in Crowley not only that he'll keep him safe and protected but to accept him just as he is, to not judge him, to not demean him for his imperfections as an angel. Practically mirroring Crowley's self-protection mechanism that is reflected in his motions to hide his eyes with his sunglasses (there's a wonderful meta on this by @simply-brightly-zee here )

And it might just be clothing, or it might just be genius symbolism, but note how self-aware Aziraphale is of his looks when Gabriel pops up.

The desire to impress is almost unconscious in this scene, and how does he go about doing it? By making sure he looks presentable. Presentable, despite the white patches and the vest that is falling apart, he doesn't even realise it. Therefore, it's clear Aziraphale puts thought into his clothes, whether consciously or unconsciously.

I personally dont think any of this (the coat, the patches, the way he turns his back, when, where and around who he's most comfortable) is a deliberate and intentional act on Aziraphales part but rather creative brilliance from the directors and producers. So him being shown to expose the back of the vest only in scenes with Crowley (and the one in s2 infront of an amnesiac Gabriel with the intelligence and awareness of a squirrel) is a master move on the costume department's part. The symbolusm being so small and imperceptible, but holding so much meaning. This small metaphor shows how much Aziraphale trusts Crowley and how comfortable he is around him. Crowley who knows about Aziraphale's transgressions, sins, unholy behaviours, lack of interest and dedication to his job, and overall "incompetence" as Aziraphale might put it and how he's "just enough of a bastard to be worth knowing". Crowley, who will accept him and love him no matter what. Not despite those things, but because of those things.

They have found their "own side".

Edit: Not that important, but I just want to mention how, despite being tattered and falling apart, the vest is still in perfectly good condition. No matter the white seeping in and draining its colour, the vest doesn't have a single seam torn, not a button lost, perfect as the day it was bought. No matter what it's been put through, it's still kicking, whether by miracle or sheer willpower. Very much like the person wearing it.

#good omens #goodomens #aziraphale #crowley #goodomenss2 #good omens 2 #ineffable husbands #good omens season 2 #aziracrow #goodomenss2spoilers #good omens meta #good omens analysis #analysis

[artsekey]

Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

              But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

#wish #disney #review #magnifico