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#i said what i said and stand by it
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i diagnose megumi with eats tomatoes like apples
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inkskinned · 5 months
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the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.
the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.
friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.
if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!
what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!
people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.
you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.
your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.
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canisalbus · 22 days
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WOAH can we see the skull if thats ok?? that sounds so cool (also only 20€????)
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Also since it's hollow you can stick led lights in there for this sort of effect (pardon the mushy quality):
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084392 · 3 months
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actually, we need MORE object pokemon😤
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jojolightningfingers · 3 months
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i truly truly will never stop being tickled by how law's braincell count just plummets into the negatives whenever he's around luffy and kid SPECIFICALLY at the same time. like if it's one or the other he copes more or less just fine. kid's a shit-starter but he's predictable and easy (and fun) to rile up. luffy runs on baffling logic but he's fundamentally easy to get along with so long as you maintain your zen and understand that he usually doesn't MEAN to get under anybody's skin. separately they aggravate law in different ways. but when they're together kid's penchant for starting dickswinging contests (or inability to not take the bait of one) collides with luffy unhesitatingly answering with a one-up that no sane person would conceive of and what the hell is law supposed to do against THAT fuckin wombo combo. get left behind and called a bitch for it? not goddamn LIKELY!!
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ghouljams · 6 months
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I just think that Ghost has a lot of complicated feelings around sex and sometimes he wants to feel taken care of. Sometimes he likes looking up at you bouncing on his cock, the light halo-ing you like the angel you are, your hands trailing over his chest, and your lips whispering sweet things to him. He's terrible to want such kindness, he doesn’t deserve it, but he still craves it. He still watches you and tries to find the words to ask you to praise him, to ask you to treat him like some precious thing.
It hurts so terribly when you praise him, hits him between the ribs, in some tender space that he can't bear to look at. It all aches, every soft touch of your care. That doesn't stop it from making him hard, or from knowing given the opportunity he would be the biggest pillow princess.
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demigods-posts · 2 months
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i've been thinking about that scene in ep 3 when annabeth apologizes to percy before pushing him into the lake. and on the surface, it seems like she's apologizing in advance for her actions. but what if she's actually expressing sympathy toward percy for how his life will change once his father claims him? once he has to suffer through the same torment as thalia did? once he becomes the outcast amongst the group of demigods who understand his struggles but will do little to help him through it?
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the-meme-monarch · 4 months
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hlvr based things :]
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sexy-sapphic-sorcerer · 4 months
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thinking about "it's unreasonable to assume that a character knows what genre they're in" and how in series 1-3, Merlin (and the audience) thinks that he's in a fantasy adventure comedy. no one realises that he's in a tragedy until it's too late.
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doctorsiren · 7 months
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I saw an interesting post a while back that said “Capcom made us [Miles and Diego/Godot] only have like two(?) interactions because they knew we would be unstoppable with a brother dynamic” and tbh it stuck with me bc it was intriguing.
So yeah that potential brotherhood, but that Godot/Diego AU I made (that I still need a name for)
Also I bet Gregory Edgeworth would have smelled like a bit like coffee, and so Diego just reminds Miles of that comforting presence 😭 (the von Karma estate was a tea household, so he didn’t smell much coffee after DL-6 and didn’t realize how much he missed it/reminded him of his father)
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steviesbicrisis · 1 year
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💫 Steve Harrington's House 💫
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So, after this post, I couldn't let go of this house. I decided to rebuild it in The Sims and then I had so much info I felt the need to share it. Other than commenting on some crazy aspects of this mansion, I think it can give some input/ideas for possible scenarios in fanfiction! (for one, I'd like to know what Eddie thinks about half of the features of this house lmao). My process was: canon information > actual house information > gaps I filled the best I could Disclaimer: keep on describing Steve's house however you want to!! I'm sharing this in case you wanna be as close to the actual house as possible!
Listings: Zillow | Trulia | Homemetry
Credits: Sticky notes by rawpixel.com | Washi tapes by rawpixel.com | background paper by starline all on Freepik
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milkovichrules · 7 months
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mickey + getting ready to see ian
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inkskinned · 2 years
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it is hard to explain without sounding vain or stupid - but the more attractive others find you, the more you're allowed to do. the easier your life is.
i have been on both sides of this. i am queer and cuban. i grew up poor. for a long time i didn't know "how" to dress - and i still don't. i make my sister pick out any important outfits. i have adhd in spades: i was never "cool and quiet", i was the weird kid who didn't understand how "normal" people behave. i was bullied so hard that the "social outcasts" wouldn't even talk to me.
i got my teeth straightened. i cut my hair and learned how to style it. i got into makeup. it didn't matter, at first, if i actually liked what i was doing - it mattered how people responded to it. like a magic trick; the right dress and winged eyeliner and suddenly i was no longer too weird for all of it. i could wear the ugly pokemon shirt and it was just "ironic" or a "cute interest."
when i am seen as pretty, people listen. they laugh at my jokes. they allow me to be weird and a little spacey. i can trust that if i need something, people will generally help me. privilege suddenly rushes in: pretty does buy things. pretty people get treated more gently.
i am the same ugly little girl, is the thing. still odd. still not-quite-fitting-in. still scrambling. still angry and afraid and full of bad things. of course it became my obsession. of course i stopped eating. i had seen, in real time, the exact way it could change my life - simply always be perfect, and things can be easy. people will "overlook" all the other things. i used to have panic attacks at the idea others would see me without makeup - what would they think? even for a simple friend hangout, i'd spend a few hours getting ready. after all, it seemed so obvious to me: these people liked me because i was pretty.
i worry about how much i'm being a bad activist: i understand that "pretty" is determined by white, het, cis, able-bodied hegemonies. if i was really an ally, wouldn't i rally against all of this? recently there's been a "clean girl" trend which copies latinx aesthetics: dark slicked-back hair, hoop earrings. i almost never wear my hair like that; i can hear the middle school guidance counsellor advising me that i might fare better if i toned it down on the culture.
the problem is that i can take pretty on and off. that i have seen how different my life is on a day where i try and a day where i don't. i told my therapist i want to believe the difference is confidence, but it's not. and when you have seen it, you can't unsee it. it lives inside your brain. it rots there; taunting. i get rewarded for following the rules. i am punished for breaking them. end of story.
pretty people can get what they want. pretty people can feel confident without others asking where they got their nerve from. pretty people can be weird and different. pretty people get to have emotions; it's different when they get aggressive, it's pretty when they cry with frustration.
of course people care about this. of course it has crawled into you. of course you want to be seen as attractive. it's not vanity: it's self-preservation.
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babydarkstar · 5 months
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im smh everyone implies that harrowhark nonagesimus would listen to death metal and grindcore and all these super gritty music genres and imlike….shes literally a teenage nun raised in a religious cult by people who have long suffered from a death rattle. sugar water is too much for her. she cannot even handle salt in her soup. she is both the most intense and most pathetic human to live. babygirl is not listening to anything with rhythm but the clicking of her bone rosary and the sound of her own breath. and if she ever starts listening to music you can bet your ass it’s obscure 2hour gregorian chant with binaural beats on a portable cd player that she rewinds ad infinitum and plays on the lowest possible setting so as not to interrupt her racing thoughts
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camellcat · 7 months
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lose my mind every time the doctor takes rose's last name in fics. brilliant, amazing, splendid, absolutely perfect.
like, what do you MEAN she'd be the one to change her last name? he doesn't even HAVE a bloody name like us! plus, she's rose tyler. you think he's going to want that to be different? it's the doctor and rose tyler in the tardis (or I suppose whatever they do in pete's world, but that's still the doctor and rose tyler having their new adventure)!!
she's rose tyler and he is whatever-he-wants tyler. end of discussion. the whole pond diabolical should've been clue enough imo
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buckttommy · 24 days
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recontextualizing this story through the lens of buck/eddie and what it means for them, is like. it's so interesting because recently, i got an anon that asked me (paraphrasing) if i thought 9-1-1 would actually "go there" with buck and eddie as individuals, and that three main characters discovering their queerness would be "too much" for the general audience. and, like, not withstanding that it's actually true to life — that queer people can and do naturally gravitate toward each other even when we aren't out / passing / aware of our sexualities at the time — it's also just like. the belief (or disbelief) that 911 wouldn't "go there" with their stories also comes with this inherent assumption that there's only one way to tell a queer discovery story.
like. when michael came out in season 1, he was already at the end of his journey. he had already walked through the self-hate and forced closeting and came out on the other side to self acceptance. when we meet michael, he is a queer man, a gay man (because the word is important), who has already stepped into self actualization and is ready to live his truth. this is not the story 911 is telling with buck.
and then with eddie, you have this character that is introduced with the idea of being perfect, as ryan said, of having it all together, only for the audience to realize he's not. only for the audience to realize that he's broken and cracked on the inside and that a lot of it stems from war. but most of it? most of it doesn't. most of it stems from his father, and from how he was raised. raised to shut it down, to swallow things whole even if they hurt, even if they make him bleed. he was told to keep it all quiet, repress repress repress. and so. i know this is an unpopular opinion, but to that end, i don't think an explicit queer discovery storyline is necessary for him, in the sense that, subtextually, i think it's already happened. season 5 was very much eddie's unrepression arc. we dug deep into the things that make eddie diaz, eddie diaz. and a lot of that was war. violence. chaos."warzones are my thing." but if that was all that his arc was meant to be, why have it end with a conversation with his father? they could have played that arc out in so many different ways.
for one, they could have had mills still be alive. they could have had her and eddie reconnect. they could have had her and eddie have a conversation where she shoulders some of the weight that eddie's been putting on himself and have him settle into the peace of the realization that he's not alone in this specific thing, that he never has been, that other people survived what he did and that he can find solace in them. but the writers didn't do that. they took it back to his childhood, to the root of where eddie diaz began and they said, this is where you need to go. this is what you need to address before you can heal and move on. so that conversation with his dad that culminated in him choosing wellness, in him choosing happiness, in him choosing safety in his body for himself has very much always read to me as queer acceptance even if not explicit (due to the assumed barriers that were placed on that story at the time).
eddie has always been with women, eddie has always liked being with women, so i'd be shocked if he's ever even thought about the nuances of his sexuality. but his unrepression in season 5, to me, has always made him open to the possibility of falling into whatever comes next, whatever that looks like.
this is also not the story they're telling with buck.
(as a side note, i'd just like to say that queer subtext is still queer existence. subtext is how our stories have been told for generations, well before we were able to take up space on the page, and subtext is still a wholly valid and beautiful way of telling a queer story. please don't forget that).
so then, finally, we get to buck, and he's so very new at this. so very green he may as well be a blade of grass on a country club golf course. and so, despite the fact that there have already been two queer storylines prior, this is the first time in 9-1-1 (and tv!) history, that we have ever gotten to see an unplanned queer character discover who he is at this intimate, detailed level. we get to see buck's story unfold in real time, we get to learn about who this actualized version of himself is, as he is realizing it, and we get to know and dissect the layers and nuances, the ebbs and flows of his sexuality as he's taking himself apart and seeing what's underneath.
friends. this is the story they've always needed to tell.
and so, when i think about buck and eddie, and i think about their progression toward a romantic relationship and what that would look like, realistically and in the eyes of the audience, buck has really always been the missing key. we've talked about it before — who he is, who he was, has in no way been ready for eddie on multiple levels. whether it was because of his insecurity, his lack of place in the world, etc, buck has always been (for lack of a better word) too immature for eddie. eddie is a single father. he doesn't have time to play games, and though he will always love and reassure buck when he needs it, he doesn't have time to heal buck for him. nor should he. so buck was the only one who canonically, canonically, needed to be yanked from point a to point z.
and. it's like everyone's said, even before the season began — buck has been on a hamster wheel, buck has been stuck in a rut, yadda yadda yadda, which means that, as far as the audience was concerned, what always was for buck (women) is what always would have been. and there was nothing in canon, nothing concrete to disprove them from believing so. so we needed him to fall into something, not just radical, but sometime new.
and when i think about buck, and when i think about eddie, and when i think about their stories both as individuals and together, buck has, realistically, been the only real stopping point. at least with eddie, when the time is right and buck/eddie go canon, we, the audience, can go back in time and we can look at the way he came into himself and settled into his identity as a person, as a man, and say, like, oh okay, this is the moment. you know? we don't need the writers to take our hands and guide us through the same processes buck is experiencing because eddie's already had his ah moment, he's already experienced the moment where he decides that his life and his needs and his joy and his liberation are just as beautiful and valuable and worthy like everyone else's.
so when people ask, like, "would 9-1-1 really go there with three queer discovery arcs?" it's just like. well yes. they already have. we've already there. in fact, we're well into the third and final act. buck, eddie, and the audience, are almost ready — as in, actively ready — for each other. and yes, sure, even after the meat of this arc has passed, there will still be some things buck and eddie need to learn — specifically, they will need to learn that, not only do they have feelings for each other, but that feelings for each other is actually an option — but. for all intents and purposes, this is the crescendo before the final chord. this is it. and the thought that we've been here, that we've witnessed these three beautiful queer storylines unfold with these three beautiful characters (two of which are gentle, loving, present men of color) makes me entirely too emotional for words. tbh.
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