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#i see them in everyone and everything
townslore · 9 months
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watching the miraculous movie has done irreversible damage to my brain. hands you miraculous shuake au.
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randomositycat · 26 days
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I FOUND IT
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I FOUND CUTE AGGRESSION MAOLAN AAHH I LOVE THESE TWO WITH MY WHOLE HEART
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thevirgodoll · 10 months
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to all of my dolls finding themselves:
originality is the "aesthetic" you are looking for. individuality is the "it factor" you are looking for. from your personality, pieces, hair, cadence of voice...even down to your favorite foods or special interests. you aren't supposed to change every aspect about yourself to be more palatable for everyone you meet. that actually makes you BORING!!!
"but so and so is doing this" "but what if people don't like it" ... so??? don't take people disliking your aesthetic as a sign that you need to do something different. like, of course they don't like it or have second thoughts - it's because THEY wouldn't do it themselves because it wouldn't go with THEIR given aesthetic. HELLOO??????
unless they are like minded, stop asking other people to weigh in on the things you CLEARLY like about yourself. especially if it's a core personality trait or interest. your LIFE isn't a group project. your LIFE is not a co-op game.
and yes... people will try to force you to assimilate and follow the crowd by speaking misfortune on your rebrand, your expression, your hobbies, your chosen path out of jealousy. however, that jealousy is lowkey unspoken respect for the fact you have the candor to go against homogeneity.
your authentic dedication to everything that makes you YOU is what will bring you the illustrious life you so fervently seek in the end...not some book a celebrity wrote or a youtube video. it's in YOUR DNA to be a star already in anything you want to do.
there isn't one tutorial on this world wide web that will help you if you don't realize you have the components within you first. there is NOTHING wrong with you!!! you are EVERYTHING that is right already!!!
NEVER conform to the way they think you should shine.
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pinkd3mon · 6 months
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Kirby deals with existential crisis and Bandana is a good friend
#kirby#kots#kirby of the stars#kirby fanart#hoshi no kirby#king dedede#bandana waddle dee#gooey#i like the fact that gooey is canonically Kirby's roomie and we never see him therr#i don't think even Kirby knows where he goes#he's like a wild cat you let live in your house but still manages to go out and returns when it wants#did you know gooey means everything to me#everyone's pal gooey#enough about gooey let's talk trauma#Kirby's existential crisis is my favorite subtextual overall narrative from the kirby novels#it's so good how Kirby is always a bit uncomfortable every time they find someone who looks like them#and no one makes them feel worse than void#i think Kirby understood more about void than we give them credit for#and if you ask me why does Kirby have nightmares despite being inside of Dreamland and around the fountain of dreams#the answer is idk#anyway bandana is really perceptive about it#marx is an asshole as always#i wish Kirby's fear and inadequacy could be explored more#they're only hinted at by the novels#but i know Kirby saw themselves in Galacta Knight#the novels confirmed Galacta used the allies sparkler when defeating void termina and the sparkler represents something objectively pure#so my favorite hc is that Kirby was born after the heroes of yore defeated void and star allies draws parallels to that giving you og Kirby#Kirby defeated void and got friends Galacta got imprisoned for eternity#i wonder if Galacta went through the same identity crisis Kirby went through but Galacta sealed with it worse#anyway nothing bad will happen to Kirby after all they have tons of friends to rely on
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mysillyside · 5 months
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The way I completely lose all interest in Lawlight as a ship if Light isn't Kira. And frankly, I feel like L would agree with me on this one. I don't think he'd gaf abt Light in the slightest if Light wasn't Mr. Serial Killer.
#Lawlight only works if Light is Kira bc otherwise light is just some rly smart pretentious teenager.#Like you're telling me L a 24 y/o self made multi-millionaire and the world's greatest detective (top 3 if you count the aliases)-#would care in the slightest abt mr “i got a perfect score on my college entrance exam”. Be fr!!#Idk the ship loses everything that makes it fun and appealing to me if you remove Kira from the mix#Ik ppl do “Light isn't Kira” AUs to make the ship more wholesome but i'd argue it just becomes problematic in a diff way.#L is not only way older but also extremely rich and successful. If Light is innocent but still a suspect- L also has immense power over him#Ig i don't see the point of trying to make Lawlight wholesome. It's still problematic but without the goofy homoerotic enemyship.#Light being Kira not only makes them equals but gives them spice!#However I DO get the appeal of “Light isn't Kira” AUs where Light is still a fake asshole who's performatively nice but hides his real feel#But removing his misogynistic swag/superiority complex/his bitchy internal monologues to make him normal? No...#Imo even if he isn't Kira he'd still be a weirdo. The only Yotsuba!Light is so normal/nice is bc he's trying to prove to everyone-#but most importantly himself- that he's a good person incapable of being Kira. He's trying to be the best version of himself.#Pre-Death Note Light for example is never as outstanding and good as Yotsuba!Light for this reason. Yotsuba!Light is the exception.#Like the Death Note doesn't make you pretentious or hate women that was all Light Yagami.#this is such a random rant sorry guys XD again more power to ppl who enjoy this AU or normalguy!Light but I don't get it personally 😔#death note#light yagami#l lawliet#lawlight#💬 katposts#🤪 sillygoofy
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dollypopup · 1 month
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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lazylittledragon · 1 year
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i'm going to scream i got accused of being a transmisogynist by someone on twitter because of this specific part of my t4t steddie art
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apollos-boyfriend · 10 months
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the jaiden-roier-cellbit dynamic is so important to me because like. cellbit treats jaiden and roier's relationship with the same level of respect and importance that jaiden treats roier and cellbit's marriage. which may not seem like that big of a thing but like. platonic relationships are often seen as "lesser" than romantic ones, and that your romantic partner should come first before all other bonds in your life. and seeing cellbit treat jaiden and roier's bond and relationship with the same respect that jaiden treats his marriage. as an arospec person it genuinely makes me want to sob
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rottengurlz · 2 months
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LONG HAIRED ENZO <3
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bread-wizards · 7 days
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I think a lot of the meta about Orym forgets that Orym isn't just an adventurer, he is a former bodyguard. His self worth is tied up in how well he can protect people and especially his loved ones. Thats why he sold his future to a hag, because its all he had left to give in order to be able to help.
Thats also why he seems so angry after FCG's death.
Otohan has killed his husband and father. Then him. Then he is brought back and told she also killed Fearne and Laudna. She killed Eshteross. She almost kills Keyleth. Now FCG has to sacrifice himself to save them all and kill Otohan and Orym was knocked out for it.
His job is to protect people and even with the added power from Nana Morri, it's still not enough. 6 years later and his loved ones are still dying and he can do nothing but watch.
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jedi-starbird · 9 days
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No one ever tells Obi-Wan that he is his Master's padawan.
Of course, for most people who had known Qui-Gon Jinn, telling someone else they resembled the the man would in fact be a thinly veiled insult. But still, Obi-Wan feels the absence of comparisons almost as strongly as he feels the absence of his Master.
There is no one for Obi-Wan to push against now, no strong presence at his side, ready to grab him by scruff and pull him back from another reckless stunt. It's an odd feeling. He has been set loose against his wishes. There is no one to his left and Anakin at his heels, but Anakin had needed, still needs, a strong, gentle figure for his prickly but sensitive heart. For even their worst bickering could not hold a candle to the scathing remarks he and Qui-Gon had shot at each other and Obi-Wan knows he cannot push and needle Anakin in the same way.
When Qui-Gon had been alive they had been an amusing, mirrored pair, the maverick and his rule-following padawan. Opposites clashing against each other, yet working together to complete the most difficult missions. Few saw that Qui-Gon's impertinence had indeed rubbed off on his padawan, cultivated from that small, angry initiate, because the only way to rebel against the rule-breaker had been to parrot the Council fastidiously. No one would ever get to see that again. Obi-Wan is one half of a mirrored pair trying to complete a routine on his own. What once was an impish, teasing compliance is now a betrayal of all his Master's values.
"How could Qui-Gon raise such a model Jedi?" He hears them say, "It's admirable that Master Kenobi was appointed to the Council despite his Master's maverick ways."
Padawan Kenobi would have yelled and kicked and screamed. Master Kenobi is serene. It should feel like an achievement. It feels like a disappointment.
Sometimes, Obi-Wan looks at the shape of the man he has moulded himself into, and aches to be his Master's padawan.
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ponchizs · 1 year
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I’m in love with how they are giving so many subtle hints about Alhaitham and Kaveh’s relationship and how important it is to Alhaitham, despite the way they always seem to be bickering.
Throughout the 3.2 archon quest Alhaitham tells us that the reason why he is so interested in helping Sumeru is because he doesn’t want his daily life to change. After that Kaveh starts being mentioned very frequently by him or we hear other people in the akademiya complain about how they daily argue.
Then, of course, we meet them both arguing with each other in the House of Daena, which was quite the argument. We also know many of their casual interactions and how they go to the café/bar frequently together. Furthermore, Alhaitham pays all of Kaveh’s bills (something no one would do for someone they don't care for).
And now, during Alhaitham’s quest, their tones were so soft (At least in JP and CN) and also domestic. Kaveh seems to worry a lot about Alhaitham and exchanges glances with him, which made me melt inside. I also love how Alhaitham is constantly smiling while bickering with kaveh. Remember, we dont see him smiling like this that often. Which means he really enjoys it. I really liked how after the second time Kaveh asked him if he is okay, he replied with a tease about the painting Kaveh had mentioned before. Also smiling.
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But most importantly, something I see no one talking about: the moment when Alhaitham was explaining why he resigned from being the Grand Sage to being the scribe again and he tells us that “It’s important to keep your priorities straight”, the camera points at Kaveh.
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I know this game will probably never have any canon ship because they need to make everyone happy, but we do get hints like this from time to time and I think this was one of them.
After all, why would they bother to add all of those scenes with Kaveh when the quests had already concluded, if not for showing us how is what is Alhaitham’s daily life he wants to protect that much? We saw how happy he is, how eager he was to get home and go have dinner with Kaveh. We also see how Kaveh had been waiting for him as well.
I’d like to know more about their relationship, even if it ends up not being romantic (though how do you explain that face Kaveh made when paimon asked if they are friends).
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haunted-xander · 3 months
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Song of Oblivion
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sanshinexx · 1 year
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Fun times at the family game night 🥰
[More incorrect quotes with the gang here, now as a masterlist i just made because why not]
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itsdefinitely · 4 months
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i wanna know more about the jerries/jeris
do you want to know the most horrific thing about them?
the lords did nothing to make them the way they are.
yes, the jerry jr was turned into the axeman because of the witchwood, which does what it does because of the lords, but everything leading up to that is just human nature. i see the "girl jeri is nibbly" or "they were influenced by a lord to do the thngs they do" and i need people to understand that that's just. not true. they're just like that. they were taught to be like that by their parents and, more accurately, their church. it's horrifyingly accurate how religion has shaped them into non-functional human beings, who would rather potentially lose their child to the many, many dangers of the literal woods than admit that they had sex outside of marriage.
it's only because it's hatchetfield that jerry jr grew the way he did. there was no lord's intervention in their decision to keep the baby, or to drop out of school to care for him, or to keep him seperated from any other people, or to revolve their lives around the idea that they'd committed a sin and needed to pay by pushing celibacy rather than. i don't know. properly raising their child. it was the way they were taught. the toxic pushing of overexaggerated christian ideals is what molded them. can you imagine being in their place? being a scared teenager and knowing that if you told any of the people you care about most your secret that they would shun you and disown you?
the only people they felt any kind of safe around were each other; of course they're going to be codependent. and even then, they're disgusted by each other for leading them to sin. they're stuck together unwillingly, because without the other, they're alone.
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kanansdume · 24 days
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I've recently been watching these very interesting Star Wars video essays on YouTube (yeah I know, a rare breed) and it brings up these comments Lucas has made about how he views Star Wars as almost like a silent film in terms of how important the visuals are to him in comparison to the dialogue. But this essay also points out how important Lucas finds all of the "rhyming" moments in his trilogies and the way he utilizes them to remind you of something else for emotional or thematic reasons. And there's so many of them, both in visuals and in dialogue, and it's interesting to consider how important this is to him, the repetition for a purpose as well as the storytelling through visuals above everything else and then to look at Star Wars since the Prequels came out and realize how little has really been able to match up to those ideals since then.
The ONLY thing that's come out since the Prequels that I think really hits these two things the same way is, in fact, Andor. One of the things I noticed about the way people discussed Andor as it was airing in a way I haven't really seen for any of the other shows or films was the visual SYMBOLOGY. So many times I saw people noticing the Imperial cog everywhere, from the aerial shot of Narkina 5 as the prisoners escape to the architecture of Mon Mothma's house. There were people picking up on the use of items in Luthen's shop that are familiar from other things to give this idea that Luthen is from another time, he's attempting to preserve this world he lost, that if you're not looking closely enough you won't notice what he's really saying or doing with this shop. The color choices for the different locations and people got analyzed because the people involved spoke about how they intentionally utilized color to SEND A MESSAGE about the characters and the world. We know that the people who made the costumes and sets really worked hard to treat Star Wars almost like a period drama and study the history of the franchise as if it were a real place so that the things they came up with felt like they belonged in this world everyone knows so well even if it's completely new. And of course there were all of the myriad references to things from Rogue One, the constant repetition of "climb", the sunset on the beach, etc.
Nearly EVERY SHOT in this show was created with so much intention behind it in order to say something meaningful about the characters, the world, this specific story they're in, and the overall saga of Star Wars itself. It's insane how much greater impact this show was able to achieve through the incredibly careful usage of visual symbols and thematic repetitions, much like Lucas did before them. It feels like they didn't just study the history of the galaxy far far away, but they studied the history of STAR WARS and what Lucas was trying to do and say with this story. They peeled back his onion a bit more and were able to create something that really has that same visual feel even when it's not created for a child audience. It also is experimenting with its narrative style through its structure and through Cassian's character being allowed to be somewhat more reactive than proactive, and while that didn't work for everyone, it does feel like it's following in Lucas's footsteps of experimentation through Star Wars. Push the boundaries of what Star Wars is and can be and what you can say with it.
But this only works because they peeled the onion back enough to TRULY understand all of the messages Lucas was sending with it. They got the heart of Star Wars and despite its lack of space wizards, despite the lack of most major characters in the Saga, this was a show that honestly got the message more than just about anything else Star Wars has put out since the Prequels. The choices between selflessness and selfishness, the themes about how you always HAVE to make a choice even when it feels like you don't have any (sometimes ESPECIALLY when it feels like you don't have any), and how important it is to make sure to choose the path of compassion above everything else. The themes of connection to others, the symbiotic circle and the impact even the smallest person can have on world around them, it's RIGHT THERE and it's CENTRAL to Andor's storyline.
So yes, it experiments a little with narrative structure, but it's possibly the most Star Wars thing to exist Revenge of the Sith because it honestly truly GETS what Star Wars was about, both in its themes and in its filmmaking. A lot of people said that Andor didn't feel like Star Wars to them, usually because of the lack of space wizards and the fact that it's not a story aimed at children. But to me, Andor is EXACTLY what Star Wars is and has always been. They're stretching the boundaries of what Star Wars can be, but it's saying the exact same things Star Wars has always said, it's just saying it slightly differently. This doesn't feel like fanfiction to me, not really. Unlike things like the Mandoverse or the books, Andor isn't just taking some of the toys out of the sandbox and going to play with them somewhere else. Andor is IN that sandbox. It's building a slightly different sandcastle, but it's still within the sandbox, using the same sand that Lucas did.
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