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#i tried I'm so sorry
reejindeed · 3 months
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Hi ceej, hope you're well! I was wondering how you draw scenes with multiple characters without getting overwhelmed and how you decide what poses they should be in?
When it comes to big group shots, I try to break things down into little vignette scenes by grouping characters together, usually in groups of two-three. Those two to three characters all have something going on, either someone's doing something and the rest are reacting to it or someone is striking a pose and the others are striking poses around that pose. You give yourself one anchor point, one action, and then think of how the characters would react to that action... Then you just keep repeating that process with however many characters you need to squeeze into the piece. From there it's about contrasting body language and facial expressions. Just the regular "family photo" shot can be kind of boring, especially if it feels overly posed. Generally I try to go with something that feels very candid.
Unfortunately when it comes to how to decide what to start with from there, I can't help much. I've never fully been able to describe my method beyond I'm just... Drawing what I see? I don't always feel like I'm really the one deciding what's going on in my drawings, everyone has always kind of moved around and did whatever they want. I just apply the filter of "this is supposed to be this character." I can "direct" in the way that you can direct a model, but unless you physically went up to them and moved them around like a paper doll yourself there's only so much control you have.
This is why I really struggle to explain HOW to draw something (like hands or faces) or how I choose what I draw. In my eyes, I'm drawing what I can see. I spent a lot of time training myself to "look harder, see more," throughout high school and college, so this is the method I've always preferred. Even though I'm not working from photo reference or anything like that, I can "see the model" that I get the basic shapes and movements and gestures from that I can apply to whoever it's meant to be, if it's meant to be fanart.
So other than breaking open your skull and trying to completely rewire your brain to be as crazy as mine, my suggestion would be to look at group shots from comic books and photos. See how everyone is interacting with each other, and what little stories they seem to be telling... Then think about what kind of story you want to tell yourself. It doesn't have to be a full epic, it can be as simple as "X decided to annoy Y and Z finds that amusing. A and B are judging from the sidelines, having their own conversation about it." I think a lot of baroque-era genre paintings also set these scenes really effectively, if you want something more historical to look to.
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herd-reject-arts · 10 months
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So I'm leaving work and something darts in front of me, maybe 10ft away, too fast for me to see what it is. Peek around the tree blocking my path and I see this
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Just like... a whole ass hawk. Dude's gotta be about 1.5ft tall. Massive fucking bird. And it's just staring me straight in my soul like this, even as I try to move ahead. It didn't budge. And there's only this path back to my car unless I want to walk on a busy highway. So I have the option of Death By Raptor or Death By Truck.
So I walk in the poison ivy filled patch off the sidewalk. Guy still isn't moving. Still staring me directly in the eyes. And I do this thing when animals are behaving strangely where I'll talk to them, so I'm just like, "Hey, man. I don't know you. You don't know me. This feels really threatening. I'm just trying to get to my car, dude. Can I get some space please? You're a big fucking bird. I see those claws. You could kill me right now, but I'd appreciate if you didn't, ok?"
It didn't move until I was about 2ft away. Again: I'm as far from it as I can be without walking into the street. It clearly wasn't going to budge. I walk past, thing flies up (silent, btw. Scary) and lands on a brick wall a little further ahead
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Anyway. Weird guy. Nearly shit my pants when I noticed a bird big enough to carry off a fully grown cat was just... there, staring me in the face, unwilling to move away from me, a human, something it should see as a threat. I watched behind me the whole rest of the way to my car, just in case this bird decided to help me shed this mortal coil. 10/10 experience. Super cool guy.
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dailymanners · 2 months
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Always use "excuse me" if you have to get into someone else's personal space.
Someone at the store is standing in front of the shelf where there's a can you want to grab? Don't just reach into their personal space without warning, say "excuse me" or "pardon my reach" first so that they at least have a warning that someone is about to reach into their personal space, and most importantly, so that they have a chance to move before you get into their space.
Or if someone is standing on a walkway or in a doorway you need to get through, don't just silently shove past them or squeeze past them, say "excuse me" so that they have a warning that a someone is about to squeeze or shove into their personal space, and they have a chance to move out of the way before you do you.
People deserve a fair warning if someone is about to squeeze or shove or reach into their personal space. A lot of people are not okay with having someone, but especially a stranger, randomly shove or squeeze or reach into their personal space without warning. They also deserve a chance to move out of the way first for the sake of their comfort.
Try to avoid just staring at people who are in your way and expecting them to read your mind that you want them to move. Most people cannot, in fact, read minds, so having someone stand in front of them and stare at them often only leads to making them feel uncomfortable and frustrated.
But also more importantly, if you are standing somewhere someone needs to get to, and they say excuse me, you should move aside for them even if just temporarily, so they can avoid the discomfort of having to reach into your personal space or squeeze past you.
If someone is saying "excuse me" it's because they would like you to move because they don't want to have to get into your personal space, whether it's out of respect for you, or just because they themselves are not comfortable getting in your personal space.
All of this goes double for people with trauma and/or people who are neurodivergent. If someone has trauma related to abuse or assault they may find it more upsetting or possibly triggering to suddenly have someone shoving or reaching in their personal space without warning.
Or, many types of neurodivergence can make it especially disturbing and unpleasant to have someone else in your personal space, especially without warning.
You can never be 100% sure who is and isn't traumatized and/or neurodivergent, so always practice respecting other's personal space by giving them a fair warning with "excuse me" or "pardon my reach" before getting in their personal space, and moving aside when you hear those magic words. Or, even if someone isn't traumatized nor neurodivergent, it's still fair to not like someone in your personal space without warning and not being given the opportunity to move first.
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posting this with absolutely no context
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azzydoesstuff · 10 months
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MACHINE. I had a nightmare. Can I sleep in your room tonight?
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inkskinned · 9 months
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you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.
you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.
he says i don't like small talk. and then he smiles again, watching you.
a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.
he doesn't like small talk, figure out something to say.
you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.
people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.
wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.
also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.
he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."
you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.
"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."
he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.
you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.
is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?
you look down to your hand, clutching the knife.
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autiacorart · 4 months
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i was asked to give connor this and here we are
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thirstywaffles · 21 days
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Guess who drew this instead of doing my thesis haha.....
Template by pompipurin !!
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fridayyy-13th · 6 months
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i swear sometimes i think people forget that Jon's s1 skeptic act was just that—an act. it was an act!!! he believes the statements!! he's believed them since episode one! do we so soon forget that he denied the statements were real because he knew the Eye something wanted him to be scared, and he knew that was bad, so he decided to act like the statements just didn't scare him? remember, he was working with extremely limited information ("when i record the tape statements, i feel watched, like something knows i'm afraid, and i don't want it to know that"), and came up with a genuinely solid solution with what he had! not his fault that the thing watching him was a literal unknowable eldritch entity that feeds on fear, and he was just some underqualified archivist.
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flimsy-spine · 3 months
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my favorite madney scenes: [22/?] ⇢ Seize the Day, 3.11
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dragondawdles · 2 months
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did an art sprint challenge thing tonight have a sub-2 hour deku link
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lunacias · 2 months
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these are the silt verses, and I name our disciples thus
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jameszmaguire · 7 months
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I love how BBC Ghosts once a series is like 'and here's a new flavour of Robin being the most tragic character you will ever see' and it brings me to tears every single time
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tagerrkix · 2 months
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DOG OMENS
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collophora · 1 month
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Batcher best girl
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peanutseagle · 3 months
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sillies under the cut
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