#i will make fairy tale references in my art forever

[kylesvariouslistsandstuff]

SHREK 2, approaching its 20th anniversary, took in around $1.3 million this past weekend... In its first theatrical run since its original release.

I have a movie theater job, and I worked this past Friday. Spring break for many schools was this past week, and this week too. Those screenings on Friday at my cinema were often packed, and a lot of them were packed with kids. As in, kids who were born well after this movie originally hit theaters. And *after* SHREK FOREVER AFTER was released, at that.

Yeah, there's some multi-generational appeal there with SHREK and SHREK 2.

Some animation fans jeered at the SHREK movies back in the day, feeling that their early 2000s attitude and pop culture references-aplenty scripts would date them, ditto their art direction and design... But no, nostalgia is very strong, especially when it's passed down. These movies appeal to little kids today. The second PUSS IN BOOTS movie being more recent also helps.

It goes to show that at the end of the day, the characters and what the movie does with them can make something a long-lasting flavor.

And I'm saying this, as someone who is not the biggest fan of those movies myself. As a kid, I did *love* SHREK and SHREK 2. I was the perfect age for them, you could argue - I was 8 1/2 when SHREK came out, 11 1/2 when SHREK 2 hit. I could probably quote whole sections of them verbatim. I know it's sacrilege to say these things, but to me, the SHREK movies are basically the animated equivalent of late '90s/early '00s live-action comedies that were usually made for adults, but in PG-rated form. Set in a fractured fairy tale world with ogres and talking donkeys and dragons and such. If not for those fantastical elements, these movies could've been some '00s live-action comedies with hot stars. They just have that vibe to them, right down to their contemporary soundtracks.

I don't see the first two SHREK movies as the high-water marks of the animation medium that they were sometimes made out to be by critics who didn't see animation as anything other than babysitter fluff. In addition to feeling that MONSTERS, INC. deserved the inaugural Best Animated Feature Oscar over this film, I also never bought that the first two SHREKs were these "revolutionary" "adult" alternatives to whatever Disney had out at the time. There's a roughly 2-second scene in Ralph Bakshi's X-rated FRITZ THE CAT - from 1972 - that's a way better satire of Disney than this movie is said to be, haha. I know at least one person who doesn't really like animation, but they will admit that they liked SHREK. That tells me a lot... SHREK was an animated movie that managed to appeal to just about everybody, including folks who would otherwise not bother with cartoons. It just has that zazz to it... Their core appeal, well specifically, SHREK 1 & 2, is undeniable. How many other relatively chill, less formal comedies like this did you see in mainstream feature animation at the time? It's not zany like, say, Disney's similarly irreverent buddy comedy THE EMPEROR'S NEW GROOVE from five months earlier, nor is it like Pixar's clever, tightly-plotted movies.

The first SHREK movie hit a sweet spot with a lot of American audiences at the right time. Adult audiences who were burnt out on Disney's Renaissance formula being repeated for each movie after THE LION KING, and especially all the movies made at other studios following their lead. Like ANASTASIA and QUEST FOR CAMELOT. Even DreamWorks' own THE PRINCE OF EGYPT, for that matter. These big, grandiose musical pictures... Certain young film fans nowadays will say "those movies went SO HARD", but back in the late '90s/early '00s, the attitude towards them was "Okay, enough of that already." They were often called things like "politically correct", that era's version of "woke". Audiences wanted an animated film that they could just laugh and have a fun time with, without the moral messaged in a specific way.

Adults had also avoided the slew of edgy action-adventure animated movies aimed at a demographic that would never be there, films like DreamWorks' THE ROAD TO EL DORADO, along with Disney's ATLANTIS: THE LOST EMPIRE and Fox's TITAN A.E.

So you have this particular landscape of animated features, circa early 2001... Big grandiose family-friendly musicals that have become rather traditional, and these action-adventures for preteen boys that few were interested in seeing in theaters. Few exceptions are in-between, like THE IRON GIANT, but those were ignored because of other circumstances. IRON GIANT by all means should've been a small respectable success back in 1999 at the very least, if not a sleeper hit/blockbuster, but distributor Warner Bros. didn't believe in it. That's the animated movie landscape of early 2001... and then this chill comedy with dick jokes and a gross-out factor to it comes along... Right place, right time, planets aligned... One person put it this way: SHREK was an animated movie that "you could have a beer with."

And to think that SHREK was at one point shaping up to be a cursed, troubled production. Something that animators were punished with. An impending bomberoo, a film that was stopped and restarted, that lurched through a tumultuous 5-year journey...

Then the sequel went on to break records in the spring/summer of 2004, a high that the later films in the franchise couldn't rekindle.

SHREK THE THIRD certainly made a lot of money back in 2007, it was the highest-grossing animated movie of that calendar year, beating out the likes of THE SIMPSONS MOVIE and RATATOUILLE... but I don't remember it landing the way SHREK 2 did. I remember seeing it opening weekend with my dad, my good friend, and his family... and... largely forgetting about it afterwards! I was in high school at the time, and had mentioned one day that a fourth one was coming. This was around late 2007, by the time SHREK 3 was out of theaters and close to DVD release. (And HD-DVD as well, remember that?) One of my classmates responded, "Ugh, they're making another one?" A new SHREK movie wasn't as novel and fresh by then, and when SHREK FOREVER AFTER came out in the spring of 2010, I remember everyone being hyped about TOY STORY 3 - opening less than a month later... Not a word on the fourth green ogre movie. SHREK 4 still made plenty of dough though, it was bigger worldwide than here. Then DreamWorks pumped the breaks on the green ogre, as FOREVER AFTER was billed as "The Final Chapter".

It's interesting to note that DreamWorks' original plan was to make five SHREK movies, and PUSS IN BOOTS would be a direct-to-video movie with the subtitle THE STORY OF AN OGRE KILLER. The fifth SHREK movie would've been a prequel, interestingly enough. But over time, as PUSS IN BOOTS graduated to theatrical feature film and was given to SHREK 3 director Chris Miller, the plans slightly changed...

PUSS IN BOOTS had a rather blah opening in fall 2011, no doubt fueled by franchise fatigue and arriving just a little over a year after SHREK 4... but the cat legged it up something fierce. Because it was pretty good, and for some, a return to form after two lackluster SHREK sequels. It was right for the time, too. An old-school swashbuckling adventure for the family, featuring a fan favorite character from the SHREK sequels. I'm not sure a Donkey or Gingy spin-off would've landed the same way, lol. I remember the early 2010s being a time of more sincere animated movies, a country mile from the ironic early 2000s attitude of the first SHREK movie and all of its imitators. PUSS IN BOOTS Uno was more in line with those kinds of movies, and some of the classic-style adventure movies that DreamWorks had out at the time, like HOW TO TRAIN YOUR DRAGON and the first two KUNG FU PANDA films. Their then-recent comedies, like MONSTERS VS. ALIENS and THE CROODS, leaned in a more cartoony and wacky direction. The early 2010s, to reiterate, were way different from the early 2000s in terms of animated movie output. What goes on in the world moves the needle as much as the pop culture does, indeed.

So then, some 11 years and at least one period in limbo later, PUSS IN BOOTS: THE LAST WISH comes out. An exciting reinvention of the whole franchise, and arriving after a decade-long void where SHREK became something of a meme. Add in nostalgia, word-of-mouth, THE LAST WISH was a gradual trip back into the world of SHREK for many audiences. A big hit in the end, and a beloved movie. It's certainly my favorite movie in this series, for sure. I still find it neat how they didn't just do the safe thing and simply make a SHREK 5 after Comcast acquired them, no. They stuck to that long-gestating PUSS IN BOOTS sequel and saw it through first, as a sort-of lead in to new SHREK movies... And still did something amazing with it, when it could've just been another typical-style SHREK universe movie. It could've also been the movie that it was initially planned to be.

I have no doubt that SHREK PLEADS THE FIFTH, when it hits in a few years, probably makes a good run at highest-grossing animated movie of all-time. SHREK 2 was just that for six years. $919m back in 2004 - without 3D, IMAX, and other such premium formats - was **massive**. TOY STORY 3 took the crown thereafter, and held onto that for three years. SHREK 5's target to beat is the 2019 CG remake of THE LION KING, $1.6 billion. If you don't count that, FROZEN II with $1.4 billion.

I wonder if this re-release of SHREK 2 sparks Universal and DreamWorks to re-release other older films of theirs. Maybe even one that didn't do so hot back in the day? This year also happens to be SHARK TALE's 20th, and MONSTERS VS. ALIENS' 15th. 2014 saw the release of three movies: MR. PEABODY & SHERMAN, HOW TO TRAIN YOUR DRAGON 2, and PENGUINS OF MADAGASCAR. 2019 saw the arrival of HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD and ABOMINABLE.

Who knows...

I think they should re-release animated movies more often, no matter the studio. The SHREK 2 re-release opened wider than the three recent Pixar first-time ever theatrical runs of movies that went straight to Disney+, and people turned out for it. It also helps that the movie is that old, whereas those three Pixars aren't that old. SOUL, the oldest of that trio, came out Christmas 2020. Not even four years ago.

Now, if Disney re-released a Pixar film wide like - say - THE INCREDIBLES this year, I'd imagine it'd get *some* traction like this SHREK 2 re-release did. Or if Disney did the same to an animated feature like LILO & STITCH. Remember those 3D re-releases of various Disney Animation and Pixar films? THE LION KING did quite well in 2011, while everything else barely made half of that... But still quite a bit nonetheless. $40m+ for, say, FINDING NEMO in 2012 is something a new animated feature would fight for today.

Every year, my cinema does the Studio Ghibli fest. Most of the beloved movies... Ya know, little tiny unheard-of movies like SPIRITED AWAY and PRINCESS MONONOKE? Always sold out to the front row.

The original KUNG FU PANDA ran for a few weeks earlier this year in the lead-up to KUNG FU PANDA 4, and a few people showed up for those screenings.

Yeah... More re-release of animated movies, please. Plus, they're great to experience on the big screen again.

[seasidearchives]

Twilight Pentagram

Do not reprint, reuse, retranslate, or link this translation on wikias and external sites without my permission. 

Lyricist: Yohei Matsui Composer:  Kyohei Yamamoto (Arte Refact) Arranger: Taishi Kawai (Arte Refact)

Translation under the cut.

I forgot I had the game size of this sitting in my drafts, so I decided to translate the full thing since they really just added one verse.

Natsume: I knew that you'd come here, Wataru: To where nothing is impossible Wataru/Natsume : Is this a dream or reality? Natsume: "Isn’t either just FINE?"

Shu: There's no such thing as unbreakable, Kanata: when you know it's all as transient as a bubble Shu/Kanata: Those are the Rules of the Game, after all Rei: So let us rejoice in this moment

Wataru/Kanata: Perhaps this is just a fleeting flirtation? Rei/Shu: This Moebius strip without a reverse Wataru/Kanata: is chaotically tangled up Natsume/Rei: and tied together by a twist of fate, Shu/Wataru: A Pentagram Rei: twinkles bewitchingly

These twilight reminiscences Kanata: float up to the sky I want to sing freely Wataru: just as I please To our merrymaking, Shu: We invite you to join in the Eccentrics’ Showtime

Kanata: In this moment between the ebb and flow of the hour's tides, Rei: Until dawn breaks, Kanata/Rei: let's make the most of this transient moment Rei: "You should come along, too."

Natsume: Let us cast a spell on the ash-covered Cinderella, (2) Shu: and dress her in a beautiful gown, Natsume/Shu: Don't worry about doing it as we rehearsed, Wataru: just dance comically!

Natsume/Kanata: If eternity truly existed, Shu/Wataru: it surely wouldn't last forever Natsume/Kanata: Rather, it's a moment to be cherished Shu/Rei: That starstruck expression Kanata/Wataru: In Your Smile Natsume: You've shown now has taught me that.

What’s Amazing Night For the Artist in Bloom Endless Twilight Magic!

Shu: These nostalgic Memorials Kanata: Overlap dazzlingly without rhyme or reason Wataru: What great joy we’ve found here, Rei: Our meeting was not a fleeting dream, Natsume: but something stronger

Wataru: If you take that twilight dream Rei: and resurrect it, Natsume: I’ll show you Kanata: its continuation And take those 5 stars, with something different from fate, Shu: And tie them together

Let's draw it out That Pentagram With nothing but miracles trapped within Shu/Natsume: Let's leave the past in the past Wataru/Kanata: and let the future be the future Rei: Let's make this moment Rei/Natsume: last for eternity A Showtime to bid farewell to you (1)

Whoo! Yeah, yeah

Twilight Pentagram

Translation notes:

泡沫 is like, “ephemeral” or a “bubble”, so I combined it because I liked the imagery for Kanata.

This entire song is full of imagery related to the oddballs and this stanza is full of it, but the note applies to the whole song, so I'll just translate Yohei Matsui's tweet about it: The title of Altered's song "Twilight Pentagram" is taken from Natsume's necklace, which is a pentagram. The lines about the ash-covered princess, Cinderella, in the 2nd verse are a reference to the "ashes returned to the sky" -> and the phoenix, a symbol of eternity and a god (Kanata), that is revived (Rei). The dress (Shu) is a symbol of the magic (Natsume) given/casted on Cinderella in her fairy tale (Wataru). I imagined a story that was supposed to end at midnight that then became eternal.

#!! era #ensemble stars #altered #twilight pentagram #rei sakuma #natsume sakasaki #wataru hibiki #kanata shinkai #shu itsuki #song #enst tl #enstars tl

[ogamagirl]

Hello! I've been thinking about getting into magical girl anime recently and I noticed you reblogging stuff from a lot of different ones, so I figured it'd make sense to come to you with this: Do you have any good starter magical girl anime recs? I'd prefer something light and fun if possible :>

OH GOODNESS I am more than happy to recommend you some magical girl anime, I LOVE magical girls, it's one of my favorite anime genres!! I hope you don't mind me answering this on my blog haha, gives me an excuse to ramble x3

My favorite magical girl franchise is Pretty Cure - most often abbreviated and refered to as Precure. It's a sprawling franchise that's been going on for the past 21 years now so it SEEMS daunting, but the cool thing about Precure is each season is its own self contained story with its own plot and cast of characters. There are two continuities with two seasons (the original Futari wa Precure and its sequel Futari wa Precure Max Heart, and Yes Precure 5 and its sequel Yes Precure 5 GoGo!), but otherwise each continuity is one season, usually between 47-50 episodes long (each season lasts one full year of broadcast time).

The best way to start with Precure imo is to look at summaries/character designs and see which one sounds most interesting to you - there's no "order" to watch them in since they're all their own stories! Precure is a children's franchise so things are generally light enough, but there are definitely some seasons that touch on/deal with heavier topics. If you'd like my personal recommendations for "light and fun" seasons of Precure, I'd recommend Smile Precure and KiraKira Precure a la Mode!

Smile Precure is about Miyuki, a girl who loves fairy tales, being tasked by the fairy Candy from Marchenland to assemble a team of 5 Precure to collect Cure Decor and revive the queen. It's bright, cheerful, and silly - I love the central cast and art style so much! A word about this season - this season was dubbed into English under the title "Glitter Force", which changed all names to English ones and cut out a handful of episodes (I believe the ones most heavily focused on Japanese culture that the dub team couldn't easily change to anything else). I personally do not recommend watching it like this! In all cases as far as Precure is concerned I recommend watching the original subtitled Japanese version.

KiraKira Precure a la Mode is about Ichika, a girl who loves sweets and dreams of becoming a patisserie. She meets Pekorin, a fairy that can detect "kirakiraru", an energy contained in sweets that represent their feelings, which evil fairies start to steal. Ichika becomes a Precure to protect the sweets and forms a team of Precure that open up their own mobile sweet shop together. One of the things that's unique about this season are the fights - one of Precure's claims to fame is the high amount of physical fighting/hand-to-hand combat it contains. KiraKira tones that element down after previous seasons were seen as "too intense", so the fights in this season are more magic/special attack based. This annoyed some people, but I personally think KiraKira's a great, fun, unique entry to the franchise! (And the fights came back next season, so it's not like they were gone forever lol).

Apart from Precure, I'd also recommend Ojamajo Doremi!

It's about Doremi Harukaze, the self proclaimed "unluckiest pretty girl in the world"; one day she stumbles upon a mysterious shop run by an old woman who looks like a witch. When Doremi calls her out, she turns into a "magic frog" - she WAS indeed a witch, and this is what happens to witches who are discovered in the human realm. The witch, Majo Rika, therefore enlists Doremi as a witch apprentice to help her turn back to normal. Ojamajo Doremi is really special - it's a more episodic series (tho there is an overarching plot each season) that really cares about its world and characters, it's so well written and wonderfully charming and funny and warm, really can't recommend it enough!

And for a final recommendation for now, I'll mention Cardcaptor Sakura!

A true classic of the genre, this is about a girl named Sakura Kinomoto who discovers a mysterious book in her father's library; upon opening it she scatters the deck of cards contained within and releases the creature that was sealing them. This creature, Cerberus (but you can call him Kero-chan), informs Sakura that she must now track down and capture these cards, called the Clow Cards, to prevent disaster from occuring. The card capturing element grants it a "monster of the week" flavor, but this is another sweet series focused on Sakura and her relationships first and foremost, and it's a real treat.

I think these are enough to get you started! If you want more recommendations definitely don't hesitate to ask - I started with these because you asked for light and happy, but I also enjoy darker magical girl anime as well so if you ever want to explore that route I'd have recommendations there too!

#asks #magical girls #long post #thanks for asking this was fun to talk about heheh TuT

[itcameuponamidnightqueer]

heyo! im in ‘lets circle back to that in january’ heaven rn, have you read anything recently that you’d recommend? I might finally have time to dig into it!!

hell yeah, this is a great year to ask me this question bc i actually read things, and enjoyed almost all of them! also, a plus for me and i hope it makes a difference to you—everything i read was either written by a queer author or centered the story around queer characters. yes, this was on purpose and yes i will be continuing that in 2024, i always need more queer stories in my life

fiction: siren queen, nghi vo—my favorite book i read this year. a chinese american actress trying to make it in pre-Hays Code hollywood but also there's magical realism. the queerness here is quiet but not muted. tbh i think it could have done with, like, 50 more pages; the meat of the plot seemed to really ramp up just as the book was ending. but the writing was immersive, delicate, and thoughtful.

the once and future witches, alix harrow—three sisters in 1893 work through their own loaded history as they try to bring magic back into the world. alix harrow looks at a story and says "this isn't complete until i put some generational family trauma into it," (looking at you, starling house, also recommended) and she's so right for it. she writes sisterhood wonderfully, the tenderness and trauma of it all, weaving folklore/fairy tales throughout and giving us some bonus (emotionally) tortured sapphics. can also highly highly recommend the audiobook of this; the narrator has a wonderful holly hunter-esque voice.

the teixcalaan series, arkady martine—i read both books this year but absolutely lost my shit over a desolation called peace, which is the second one. the first one, a memory called empire, is very very good and captivating but is also so full of politicking and bureaucracy that it felt slow for basically the first half. both books deal with mahit dzmare, an ambassador of a satellite station colonized by a vast, sprawling empire, and her investigation into her predecessor's death. which is a vastly simplified summary for a deliciously intricate plot; the second book has the advantage of first contact with some creepy-ass aliens and some really cool experiments with prose, from a writing perspective.

graphic novels: saga, brian k. vaughan (writer) & fiona staples (artist)—i know, i know; saga has been around for a while and i only caught up to all the TPBs this year. basic plot: two soldiers on opposite sides of a war fall in love and try to live their damn lives, despite all of the government officials, exes, and mercenaries after them. the art is impeccable, the writing is funny, sexy, heartbreaking, authentic—i can and will read this forever.

nonfiction: something that may shock and discredit you, daniel lavery—i'm not usually one for memoirs/essay collections; i prefer biographies. but i've also loved daniel's writing since the toast, and there is so much i relate to in this expression of his transition. do i always get all of the arthurian or columbo references? are there bits of it that just sail wildly over my head? absolutely. but i also burst out laughing so many times, and there were passages that i just wanted to highlight for pages and scream, "me! it's me, right here!!"

these are my top picks of my 2023 collection! i read a bunch more books but i don't want to clog up everyone's dash so just let me know if you want more recs! always happy to share

#carments #anonymous #long post #i've already added everything alix harrow and nghi vo have written to my 2024 list

[queer-and-dear-books]

Title: The 99 Boyfriends of Micah Summers

Author: Adam Sass

Genre: YA Fiction | Romance | Friendship | LGBTQ+

Content Warnings: Internet Creeps

Overall Rating: 9.8/10

Personal Opinion: The fairy tale references and allusions in this book will cast this magical spell that will make you fall in love with these characters. Micah Summers is a relatable lonely queer boy wanting to experience queer joy. He’s an artist with a vision for his future but he learns that he should be careful what he wishes for.

Do I Own This Book? Nope.

Spoilers Below For My Likes & Dislikes:

Likes:

- Those last few chapters when Micah was chasing after Elliot was quite possibly one of the most romantic moments I’ve ever read. I am a sucker for that trope. Going to the airport/train station/bus station to stop the love of their life from leaving forever. You know, so long as it’s not done the Ross and Rachel way. Anyway, it was everything. The rush to the pizza shop, the limousine filled with family, the dad’s pep talk, the fairy godmother providing the Cinderella pumpkin carriage, everything. Every part of it was memorable and filled with romance.

- The show! Oh my god, I love the show. I love the passion that went into it. The amount of work that Micah, Elliot, and Grant put into it. They truly care about their individual crafts and allowed each other to inspire their creativity and it was beautiful teamwork. You know, up until things went south. 

- My favorite part of this book though is the Summers family themselves. The parents are so supportive of both their queer children. And this is coming from a dad who was in hockey! It just brings a tear to my eye seeing them so happy for their children’s happiness. And when the dad was lending the yacht to Micah for his first date with Grant, it was so cute. 

- Speaking of the first date, I loved that first date. Their prologue too. Before their relationship became a public spectacle, I was genuinely rooting for them. I knew from the start that Micah would end up with Elliot but part of me had hoped that Micah and Elliot would just be best friends and Grant really was his happy ever after. Anyway, I digress. That first date, when Grant shoved his whole hand into the egg batter, and said, “See? You can’t mess up anymore than I have” was the cutest and stupidest thing. I laughed hard. And I loved it. It was just adorable. And then when they ran through the rain and had their first kiss at that art gallery, I melted. I was rooting for them damn it. 

- Speaking of me laughing though. There were plenty of comedic moments throughout the story. But the part that stuck out for me is:

“Is your boyfriend flirting with my dad?”

“Is your dad flirting back?”

That had me cracking up.

- I think the falling out of love for Micah and Grant was actually depicted really well. All those resentments piling up, all those moments of frustration. I felt it in my soul. 

- The falling in love between Micah and Elliot was adorable for sure. I knew they would end up together from the beginning because of Micah standing up for Elliot and Elliot calling him Prince Charming. Every moment they shared afterward just cemented that fact.

- Lastly, I love Jackson. He’s a weirdo and he’s hilarious and he’s just plain a good guy. The advice he gave to Micah? Inspired. The way he brings out the calm in Hannah? Adorable. I hope he gets whatever happiness comes his way.

Dislikes:

- This is very personal to me and has absolutely no bearing on the overall rating of this book: Why did Elliot’s neglectful boyfriend Brandon have to Asian? The one confirmed queer man of color in the book and he’s the shitty one? And he’s MY color specifically. God that feels crummy. Anyway, like I said, this is a personal thing and has no bearing on the rating of the book. Okay.

- I’m going to be brutally honest. I didn’t feel Micah and Elliot’s romance as much as Micah and Grant on their first date. Hell, even Elliot’s happiest memory with Brandon felt more romantic to me than the overall journey of Micah and Elliot. I don’t know why. Maybe I’m a hater and I just wanted Brandon to be good but yeah, that’s how I feel. It felt like I was just being told Micah and Elliot had this romantic tension rather than being shown it. They’re still a good couple! I just didn’t feel them as much as the original couples.

- That’s actually it. That’s the only reason this book doesn’t get a perfect score. Just because I didn’t feel the endgame couple as much.

#Booklr #Booksbooksbooks #Book Review #Book Rec #Book Blog #The 99 Boyfriends of Micah Summers #Adam Sass #LGBTQ #Queer Lit #Queer Representation

[sunlit-gully]

☾ : favourite word from your language

☯ : what do you love about your language?

☾ : favourite word from your language

I'm gonna say 'đất nước', which means 'nation, country'. Individually the words mean 'earth' and 'water' respectively.

That word has millenniums of history behind it.

I didn't exaggerate that one. Millenniums ago, when the Northern Yoke had yet to be, our people began crafting tales, the mythos and folklore that'd entwine so deeply with our lives. Chief among those tales was the one explaining our mythical ancestors, Lạc Long Quân and Âu Cơ.

Lạc Long Quân was a hero of godly strength who hailed from the seas, and Âu Cơ was a fairy princess of astounding beauty who hailed from the mountains. Mountain and sea, earth and water, đất and nước, forever entwined in an inseparable bond - the bond that is the Vietnamese people.

But why those two elements? You see, Vietnam traces its roots from the rice paddies. Rice is the cornerstone of our cuisine - cơm, xôi, bánh, cốm, phở, bún, miến, mì, so on and so forth. Truly, it is no exaggeration to say that the Red River Delta owes much of its cultural inspiration from agriculture. And what are the two crucial factors every farmers have to consider when they grow rice?

No points for guessing.

So there it is - etymology of 'đất nước'. A side tidbit: when (mainland) Vietnamese say 'đất nước' without specifying, they more often than not are referring to their homeland. Yup, us Vietnamese immortalise an inseparable part of our mythos and our agrarian roots in the way we refer to countries.

That is, dare I say, fucking metal and based.

***

☯ : what do you love about your language?

I am going with my mother tongue Vietnamese because why anything else.

I live the language. The first words I spoke were in Vietnamese. So will my last. Every day I am surrounded by the sounds of my mother tongue, spoken by family and friends and complete strangers. The very fact that I get to immerse in my native language so thoroughly is already an exorbitant luxury, especially in contrast to the many other languages in the world slowly fading into oblivion. Already one thing to love.

Then there's the six tones, ngang huyền sắc hỏi ngã nặng. They are the building blocks of the Vietnamese language, because there's literally not a single word in Vietnamese that is toneless (before y'all fellow Vietnamese speakers jump in, please consider that ngang is, in fact, a tone). More notably though, the six tones is crucial in making the Vietnamese language sound so musical and melodious.

Like, listen:

Now I get why foreigners sometimes say Vietnamese sounds like songbirds chirping.

And then there's the literature. It's certainly not as grand in comparison to, say, Chinese, due to the various wars and conflicts that interrupted the flow of the arts. But despite those hard times that never stopped coming, the Vietnamese language can proudly boast of a remarkable artistic heritage. Examples? The first video linked above is representative of folk literature - a collection of 136 idioms and proverbs. The second video linked above is representative of the antique era - Truyện Kiều (The Tale of Kiều). The third video linked above is representative of the colonial era - Chiến tranh (War) by Nguyễn Công Hoan. The fourth video is representative of the resistance era - a collection of poems by Tố Hữu. And the last is representative of the postwar era - Nỗi buồn chiến tranh (The Sorrow of War) by Bảo Ninh. About as comprehensive a review as I can muster in a state of midnight stupor, sorry. There you go.

#ravine talks #fr fr my longest ask so far #ive never typed this much on this webbed site #languageblr #langblr #vietnam #vietnamese #and that's ravine's vietnamese lesson of the day

[thewildwilds]

The clock strikes midnight, and I Gotta Go

#peko pekoyama #fuyuhiko kuzuryuu #kuzupeko #danganronpa #sdr2 #dr2 #fuyupeko #anh's art #otp: i heard your voice #trans fuyuhiko #i can't stop watching the choreo for this song #it's SO GOOD #SO ICONIC #i will make fairy tale references in my art forever #she's gotta go but she wants to stay!!!

[laurasimonsdaughter]

I still have kitsune on the brain, so here is a little folkloric research for your entertainment:

Most kitsune stories I know are either tragic or trickster romances. Either the kitsune dies or disappears forever when she is discovered, or she set out to deceive her partner for the hell of it. So when I saw a kitsune story with a happy end referred to as “the oldest recorded kitsune tale”, I was very upset that I had never heard of it before:

Ono, an inhabitant of Mino (says an ancient Japanese legend of A.D. 545), spent the seasons longing for his ideal of female beauty. He met her one evening on a vast moor and married her. Simultaneously with the birth of their son, Ono’s dog was delivered of a pup which as it grew up became more and more hostile to the lady of the moors. She begged her husband to kill it, but he refused. At last one day the dog attacked her so furiously that she lost courage, resumed vulpine shape, leaped over a fence and fled.

"You may be a fox," Ono called after her, "but you are the mother of my son and I will always love you. Come back when you please; you will always be welcome."

So every evening she stole back and slept in his arms.

Thus says Wikipedia. The source given for this story is Frank Hamel’s “Human Animals”, cited as being from 2003 (p. 89), but this book was originally published in 1915. His source for this story (which he actually bothers to cite!) is Captain F. Brinkley’s Japan: Its History, Arts, and Literature, from 1902 (Volume 5, p. 197). I couldn’t get access to a copy of his work, perhaps he also included his source, but there is another, more direct source for this story, even though the English translation is more recent:

In 1997 Kyoko Motomochi Nakamura published “Miraculous Stories from the Japanese Buddhist Tradition: The Nihon Ryōiki of the Monk Kyōkai”, an annotated translation of “the first collection of Buddhist legends in Japan”, at the time meant to be used by Buddhist priests to teach the people. This Nihon Ryōiki contains a kitsune story, which the Japanese Wikipedia page on kitsune refers to as possibly the oldest written source. Nakamura’s translation of Kyōkai’s tale is longer than Hamel’s version, changes the era it took place in, clears up some name confusion, and adds some very particular details. For instance the origin of the name “kitsune” (Nakamura, 1997, Volume 1, tale 2, p. 104-105):

On Taking a Fox as a Wife and Bringing Forth a Child

In the reign of Emperor Kinmei (that is, Amekuni-oshihiraki-hironiwa no mikoto, the emperor who resided at the Palace of Kanazshi in Shikishima), a man from Ōno district of Mino province set out on horseback in search of a good wife. In a field he came across a pretty and responsive girl. He winked at her and asked, “Where are you going, Miss?” “I am looking for a good husband,” she answered. So he asked, “Will you be my wife?” and, when she agreed, he took her to his house and married her.

Before long she became pregnant and gave birth to a boy. At the same time their dog also gave birth to a puppy, it being the fifteenth of the twelfth month. This puppy constantly barked at the mistress and seemed fierce and ready to bite. She became so frightened that she asked her husband to beat the dog to death. But he felt sorry for the dog and could not bear to kill it.

In the second or third month, when the annual quota of rice was hulled, she went to the place where the female servants were pounding rice in a mortar to give them some refreshments. The dog, seeing her, ran after her barking and almost bit her. Startled and terrified, she suddenly changed into a wild fox and jumped on top of the hedge.

Having seen this, the man said, “Since a child was born between us, I cannot forget you. Please come always and sleep with me.” She acted in accordance with her husband’s words and came and slept with him. For this reason she was named “Kitsune” meaning “come and sleep.”

Slender and beautiful in her red skirt (it is called pink), she would rustle away from her husband, whereupon he sang of his love for his wife:

Love fills me completely After a moment of reunion. Alas! She is gone.

The man named his child Kitsune, which became the child’s surname—Kitsune no atae. The child, famous for his enormous strength, could run as fast as a bird flies. He is the ancestor of the Kitsune-no-atae family in Mino province.

Nakamura’s notes state that while kitsune means fox, according to folk etymology kitsu-ne means “come and sleep” while “ki-tsune” means “come always”. “Atae” is stated to be “a hereditary title conferred on the family of a local governor who was of the local gentry class.” The song the husband sings for his fox-wife is originally a piece of traditional thirty-one syllable poetry.

Short as it is, I can easily see how this story would have become a prototype for the romantic kitsune. I have seen people interpret this story as the kitsune coming back to sleep with her husband only one last time, thereafter disappearing forever. But it seems to me that you could also interpret it as her coming back every night and disappearing every morning. Still tragic, still intensely yearning, but not quite as sad.

Of course I prefer the happier interpretation. It offers an interesting comparison to West-European fairy tales where a lover takes the shape of a beast or animal by day, but transforms into a beautiful youth by night. Except in those cases it is usually a curse and the human form is seen as the “true form”. The kitsune, however, is always a fox at heart. Which always makes it odd to me to see them referred to as were-foxes. Japanese folklore is very clear that even while they look like humans, they never truly stop being foxes. Which is why they never stay with humans in the end, even if they love them. So I hope that this kitsune, especially if she really was the first one, at least got to spend half her time with her human family.

#kitsune #sources #japanese folklore #laura babbles #fox #fox shapeshifter #shapeshifter #shapeshifters

[inevitably-johnlocked]

Do you have any fic recs of Sherlock being soft for John and John only.

Hey Nonny! 

Ahhhhhhhh your request had me thinking that yes I do, and I did tag a few fics with “soft Sherlock”, but I’ve never started a list, so here ya go!

SOFT SHERLOCK

See also: Sherlock Soft With Children

Soft. Happy. Content. by inevitably_johnlocked (G, 223 w., 1 Ch. || Sleepy Cuddles, Bed Sharing, Slice of Life, Tooth-Rotting Fluff, Spooning, Morning After, Sherlock POV) – Sherlock reflects on his state of mind. Part 6 of I-J's Tumblr Ficlet Collection

A Perfect Figure by ecb327 (K, 622 w., 1 Ch. || Romance, First Person POV Sherlock, Pining Sherlock, Introspection, Sherlock’s Mind Palace, Light Angst) – Sherlock build a spot in his mind palace for John.

I Knew You Loved Me by inevitably_johnlocked (T, 743 w., 1 Ch. || Morning Cuddles, Fluff, Clingy Sherlock, Idiots in Love, Slice of Life, Morning After, Tooth-Rotting Fluff, Declarations of Love, Pet Name, Bed Sharing, Snuggles) – John and Sherlock share a lie-in the morning after their first time. So fluffy and gross your teeth will fall out. Part 4 of I-J's Tumblr Ficlet Collection

Peacock by ClassyGirlsWearPearls (T, 1,189 w., 1 Ch. || Romance, Cranky Sherlock, Soft John, Hand Holding, Soft Sherlock) – A study in Sherlock and John.

Mizzle by MrsNoggin (K, 1,233 w., 1 Ch || Friendship, Fluff, Platonic Johnlock, Humour, Slice of Life) – John can't decide if it's raining or not. Sherlock doesn't understand.

And, Usually, He's the One Who GIVES Me a Headache by Cumberbatch Critter (T, 1,315 w., 1 Ch. || Friendship, Hurt/Comfort, POV John, Cranky John, Headaches, Head Massage) – A migraine is never fun.

Together is What we Have, Together Protects Us by Phantom of the Black Pearl (K+, 1,566 w., 1 Ch. || Post-TRF, Friendship / Platonic or Slash, Hurt/Comfort, Insecure Sherlock, Worried Sherlock, Slice of Life) – After a case one evening in the flat Sherlock voices a concern that causes the pair to consider why they've chosen to stick together after all that's happened

Here to Stay by MockJayPhoenix12 (K, 1,574 w., 1 Ch. || Post Reunion, Friendship, Hurt/Comfort, Headache, Bed Sharing, Care Taker Sherlock, Hand Holding, Fluff) – On Sherlock's first day home, John wakes with a migraine.

Evermore by SosoHolmesWatson (G, 2,068 w., 1 Ch. || Post-S4,  5-Year-Old Rosie, Love Confessions, Song Fic, Parentlock, Oblivious John, Pining Sherlock, First Kiss, Love Confessions, Fluff, Friends to Lovers, Disney Songs, Beauty and the Beast) – For the past years, John and Sherlock have lived at Baker Street again, raising Rosie together--as friends and nothing more. Ever since the little girl has watched her first Disney movie, she is obsessed with princesses. When John comes home one day, he finds his friend and his daughter in the middle of a reenactment of her current favourite. Part 1 of Made of Music

Let the Sun Fade Out by nothingislittle (E, 2,711 w., 1 Ch. || Fluff & Smut, Praise Kink, PWP, Obsessed Sherlock, Bottomlock, Heart-Tearing Love) – "He could warm the sun itself, Sherlock thinks, could heat their flat with just his presence, could brighten the room with one dazzling smile or just the sparkling in his eyes. John is everything, he’s beautiful and he shines, he’s everything."

Unquantifiable by 221b_hound (M, 2,799 w. 1 Ch. || Est. Rel., Sherlock/Sally Friendship, Grumpy John, Tooth-Rotting Fluff, Pet Names, Texting, Sweet Sherlock, Princess Bride References) – John remains a terrible and foul-tempered patient, but he does try to make up for it with pet names and text message silliness. In the meantime, Sally Donovan visits Baker Street for a hint about the Milverton case, and has to deal with a Sherlock Holmes who can't find words big enough to thank her for saving John's life at the warehouse. For afters, there's a viewing of The Princess Bride. Part 33 of the Unkissed series

Pillow Talk by 221b_hound (E, 2,925 w., 1 Ch. || Post-HLV, Est. Rel., Preening Sherlock, Limpet Sherlock, Frottage, Hand Jobs, Sex on Furniture, Scent Kink, Masturbation, Fluff, Soft Sherlock,  Sherlock’s Bum) – John gets home late from work and Sherlock is nowhere to be seen. John walks through the flat, distracted by memories of all the excellent sex they've been having, and finally finds Sherlock asleep in the upstairs room - apparently having fallen asleep mid-wank while inhaling the scent of John's pillow. Well, you should always finish what you start, John thinks... Part 3 of Lock and Key

The General Idea by agirlsname (T, 3,022 w., 1 Ch. || Retirement, Promise of Forever / Proposal, POV John, First Kiss, Tooth-Rotting Fluff, Soft Sherlock, Idiots in Love, Crying / Emotional Sherlock, Love Confessions) – After twenty years of friendship, John is used to Sherlock acting weirdly. But the news Sherlock finally brings himself to deliver change the carefully built dynamics between them, and John realises it's time to act.

Affirmation by jamlockk (E, 3,096 w., 1 Ch. || First Time, Dev. Rel., PWP, Love Declarations, Emotional/Overwhelmed Sherlock, Comforting/Caring John, Gross Fluff) – "Sunlight dappled John's skin, casting a glow across his spreadeagled form as he dozed among the rumpled sheets. Sherlock knew the expression on his face was hopelessly soft but for once did not care about showing his true feelings so openly. He simply stood there, in the doorway, gazing at the impossibly beautiful man currently snuffling softly in his slumber." Part 8 of All the ways we love

Untouched by KittieHill (E, 3,239 w., 1 Ch. || Kissing, Frottage, Virgin Sherlock, Body Worship, Sherlock’s Scars Mentioned, Masturbation, PWP, Rimming, Multiple Orgasms) – Sherlock leaked a lot. John had never needed lubricant. John loved watching it, had once spent an entire afternoon edging Sherlock so he could watch as the thick precome drip, drip, dripped onto Sherlock's belly.

Morning Sunlight by slashscribe (E, 3,565 w., 1 Ch. || PWP, Morning Sex, Fluff, PWP, Established Rel., Soft Idiots) – A thin band of soft morning light peeks between the curtains and stretches across John’s torso, laying dormant across his forearm, dipping into the space between his arm and his chest, illuminating his right nipple but just brushing the edge of his left, disappearing into his armpit, and reappearing again right over Sherlock’s eyes where his head rests, nestled against John’s shoulder. Sherlock is not annoyed by the light’s intrusion on his sleep, not when it rests so soft and tantalizing on John’s skin, a work of unintentionally erotic art. A PWP with so much emotion.

Living Musical by VeeTheRee (G, 4,149 w. 1 Ch. || Est. Rel., Tooth-Rotting Fluff, Domestic Fluff, Hobbies, Summer, Song Fic, POV Sherlock, Painting, Play Fighting, Soft Sherlock, Dancing, Love Declarations, Hair Petting, Promise of Forever) – A one-shot of John and Sherlock being domestic during summer. There is paint, fluff, and music from Imagine Dragons, namely from the album 'Speak To Me', specific song in this one-shot is 'Living Musical'. Part 1 of the Happy Fluffy Johnlock Time series

Date Night by inevitably_johnlocked (G, 4,451 w., 1 Ch. || Anxious / Worried Sherlock, Caring John, Schmoopy Fluff, Fidget Cube, Baking / Cooking, Date Night, Established Relationship, POV Sherlock Holmes, Understanding John, Grumpy Sherlock, John’s Bum, Kisses, Hugs, Domestic Fluff, Touching, Hair Petting, Light Humour) – It's John and Sherlock's first Date Night as an official couple and Sherlock needs it to be PERFECT. Mrs Hudson helps. Part 7 of I-J's Tumblr Ficlet Collection

If He Knows by shamelessmash (M, 4,513 w., 1 Ch. || TSo3 Fic, Pining Sherlock, Bed Sharing, Angst, First Person Sherlock POV, Texting, Internal Monologue, Blanket Forts) – I imagine mornings: John handing me a cup of tea, hair sticking out at odd angles. How he would bend down to kiss me, smiling fondly as he pulls away. The way his skin crinkles at the corner of his eyes, the way his skin looks in the morning light. The soft sigh as he sits in his chair with the morning paper, the way his toes curl in the carpet, the way he rolls his shoulders before sinking deeper into his seat. I watch him, how he is when he is content, as it should be. As he deserves. Happy. With me.

all things warm and tender by darcylindbergh (E, 5,177 w., 1 Ch. || PWP, Romantic Fluff, Rimming/Anal/BJ’s, Body Worship) – Grinning and giggling, John slides back down under the sheet and pulls it over his head. He finds Sherlock waiting for him, eyes bright and hair wild, the firelight bleeding through the thin fabric, colouring everything in soft peach and topaz, and in that moment he is so suddenly, unexpectedly, ethereally beautiful that John forgets how to breathe.

Pillow Talk by scullyseviltwin (M, 5,183 w., 1 Ch. || Post-S3, Angsty Fluff, Pillow Talk, Bed Sharing, Worried John, First Time Morning After, Soft Sherlock, Sexuality Discussion, Love Confessions, Kisses and Cuddles) – John has been looking at Sherlock for ages, it feels like.

a very soft epilogue (my love) by darcylindbergh (E, 5,395 w., 3 Ch. || Retirement, Domestic Fluff, Dancing, Dogs, Grumpy Old Men) – Across the pillows, Sherlock shifts and hums, the creases of his face deepening and then smoothing before settling. John watches him wake up, his chest swelling with affection and fondness, and thinks he’ll never get tired of Sherlock in the mornings, sleepy and soft. It’s been some forty-odd years, and John hasn’t gotten tired of it yet. Part 5 of things fairy tales are made of

Naked by sussexbound (E, 6,166 w., 1 Ch. || Frottage, Fluff, Intimacy, First Time, Love Declarations, Trust) – John takes a deep breath, and then lets out a long-suffering sigh. “Sherlock, how would you feel if you were sitting out here doing one of your bloody experiments, and I just waltzed out of the loo and started fixing myself breakfast completely starkers? Hmm…? ”Sherlock’s lips inch up at the corners into a pleased hint of a smile he can’t seem to suppress. Part 2 of Intimacy

Christmas by WhimsicalEthnographies (E, 7,673 w., 1 Ch. || Worried Sherlock, PWP, Drunkeness, Christmas, Est. Relationship, Idiots So In Love) – John feels a lump rise in his throat, and it hits him, again, that this beautiful, infuriating creature is his. Completely, one-hundred percent his.

How To Give Your Boyfriend Who Doesn't Know He's Your Boyfriend the Best Valentine's Day Ever by unicornpoe (T, 9,832 w., 1 Ch. || Valentine’s Day, Fluff and Crack, Soft Sherlock, POV Sherlock) – Sherlock is pretty sure that John Watson is his boyfriend. He's also pretty sure that John doesn't know it. But with a little help from a magazine, some friends, three crepes, five dates, one awesome CD, and a stalker van, John is bound to realize just in time for Valentine's Day.

Someone I Love by hudders-and-hiddles (M, 10,002 w., 2 Ch. || Canon Compliant, HLV-Filler Fic, Pre-Slash, Jealous John, PIning Sherlock, Angst & Fluff, UST/URT, Dog Tags) – John gets married and Sherlock finds comfort in wearing John's identity tags around his wrist.

To be loved by Strange_johnlock (E, 12,436 w., 8 Ch. || Post S3, Established Relationship, First Person POV Sherlock, Pet Names, Soft Sherlock, Mild ADHD, Protective John, Captain Watson, Body Appreciation, Bottomlock, Rough Sex, Travelling for Holidays, Introspection, Sherlock Loves John So Much It Hurts) – John is so deeply integrated into the work, both as my conductor of light, and as a great shot with a vicious right hook who tackles men -and women- no matter their size all in my defense. He protects me with all he can without question, and this loyalty is surely more than I deserve. Or: Sherlock is counting his blessings.

holding steady by darcylindbergh (E, 12,724 w., 4 Ch. || Post S4, Love Confessions, First Kiss, Growing Old, Gone Fishing, Mood without Plot, Soft Sherlock, Caring Sherlock, POV John Third Person, Anxious Sherlock, First Kiss / Time, Touching, Feeling Old, Sherlock Worship, Crying Sherlock, Cuddles, Comforting, Introspection, Retirement, Hand Holding, Forehead Kisses, Caring John, Bed Sharing, Emotional Love Making) – Sitting on a thick wool blanket at the end of a rickety dock side-by-side, legs dangling over the edge, a styrofoam container of wet, dark dirt between them, they’re fishing. John knows what this is about. This is about finally figuring it out.

On The Fence by BeautifulFiction (T, 13,770 w., 1 Ch. || Fencing, Case Fic, First Kiss, Insecure John, Pining John, Hug, Greg Finds Out) – The murder of the King's College fencing champion leads to revelations about Sherlock's past. Will it be the point that tips them from friends to lovers, or will they remain on the fence?

The Invocation of Saint Margaret by Ewebie (E, 15,831 w., 1 Ch. || POV John,  Crossing Timelines, Light Angst, Fluff, Series 3 John / Series 1 Sherlock, The Matchbox, Mushy Romance, First Time, Bisexual John, Pining John, Bottomlock, Love Confessions, Sensuality, Emotional Love Making, Snippets of Time) – When Sherlock Holmes opens the matchbox from The Sign of Three and John finds himself years in the past, back to that first dinner at Angelo's with a much younger Sherlock Holmes. Is he dreaming?

Division by MrsNoggin (E, 19,542 w., 11 Ch. || Coffee Shop AU || First Kiss/Time, Fluff, Barista Sherlock, Clingy Sherlock, POV John, John’s Limp, Bed Sharing, Fluff, Sleepy Cuddles, Sensuality, Touching, Virgin Sherlock, Insecure John) – John likes mysteries. And every morning he dips into the local independent coffee bar with his newspaper and ponders another... one Sherlock Holmes.

Out of the Woods by SilentAuror (E, 20,471 w., 1 Ch. || Post S4, Romance, Slow Burn, Flirting, Drunk Sex, Practical Jokes, POV Sherlock, Bottomlock, Possessive John, Pining Sherlock, Frustrated Wanking, Frottage, Hand Jobs, Blow Jobs, First Kiss/Time, Virgin Sherlock, Love Confessions, Soft Sherlock, Dancing, Bum Appreciation, Hanging out with the Yard) – Sherlock is fairly certain that John has taken to flirting with him of late, but can't be entirely certain of it. At least, not until a case takes them into a forest, along with Lestrade's team and something happens that will change everything about their lives...

How To Unfold a Heart by elwinglyre (E, 25,477 w., 7 Ch. || Post S4 Fix It, BAMF John, Mentioned Eurus, POV First Person Sherlock, Case Fic, Fluff, Slow Burn, Topping from the Bottom, 3 Yr Old Rosie, Introspection, Sexual Fantasies, John Worship, Ogling, Hand Holding, Kidnapping, Domesticity, Sherlock Whump, First Kiss/Time, Doctor John, Caring John, Soft Sherlock, Sensuality, Touching, Crying, Love Confessions, Anxious Sherlock, Rimming, Toplock, Fingering, Bossy Bottom John) – To Sherlock’s dismay, John’s return to Baker Street with Rosie is only temporary. Sherlock’s daily visits to Regent Park with John and Rosie illuminate his lost childhood memories and missed opportunities. But with each trip to the park, Sherlock also feels a growing sense of hope. That is until the past horrors return unexpectedly in a cryptic note folded in the shape of a heart. To decipher the message, Sherlock must uncover the nature of the hearts around him, including his own.

A Quiet Life by DiscordantWords (M, 25,176 w., 6 Ch. || Post S4, Retirement, POV Sherlock, Awkwardness, Established Relationship, Family Dynamics, Minor Character Death, Questionable Parenting Choices, Non-Linear Narrative, 20 Year Old Rosie, Meddling Mycroft, Pining Sherlock, First Kiss, Love Confessions, Angst, Sherlock Whump) – There had been three days of silence and a funeral. Sherlock had the terrible feeling that whatever happened next would depend, entirely, on him.

How To Unfold a Heart by elwinglyre (E, 25,477 w., 7 Ch. || Post S4 Fix It, BAMF John, Mentioned Eurus, POV First Person Sherlock, Case Fic, Fluff, Slow Burn, Topping from the Bottom, 3 Yr Old Rosie, Introspection, Sexual Fantasies, John Worship, Ogling, Hand Holding, Kidnapping, Domesticity, Sherlock Whump, First Kiss/Time, Doctor John, Caring John, Soft Sherlock, Sensuality, Touching, Crying, Love Confessions, Anxious Sherlock, Rimming, Toplock, Fingering, Bossy Bottom John) – To Sherlock’s dismay, John’s return to Baker Street with Rosie is only temporary. Sherlock’s daily visits to Regent Park with John and Rosie illuminate his lost childhood memories and missed opportunities. But with each trip to the park, Sherlock also feels a growing sense of hope. That is until the past horrors return unexpectedly in a cryptic note folded in the shape of a heart. To decipher the message, Sherlock must uncover the nature of the hearts around him, including his own.

Deck the Halls by itsalwaysyou_jw (T, 31,018 w., 24 Ch. || Advent Fic / Multiple One-Shots, Assorted Tags) – One Johnlock ficlet for every day leading up to Christmas. Who is ready for pining, first kisses, established Johnlock, and everything in between? This collection of stand-alone ficlets will have it all.

Gold Rush by ShirleyCarlton (E, 71,783 w., 17 Ch. || Post S3 / No Mary, Friends to Lovers, Mentions of Past Sexual Abuse, First Kiss, Case Fic, Slow Burn, Alternating POV, Switchlock, Angst with Happy Ending, Marriage Proposal, Implied/Referenced Child Abuse, Abduction, Anxious/Insecure Sherlock, Miscommunication, Emotional Lovemaking) – John has divorced Mary and pops round to 221B one evening to find Sherlock in the middle of a case. As Sherlock tries to find the identity of a young woman’s stalker, John realises he can no longer deny his feelings for Sherlock – which then, to their befuddlement, turn out to be mutual. Shy kisses and tentative embraces ensue. But will Sherlock be able to cast off a shadow from his past that he thinks might prevent John from wanting to stay?

Definitions by siennna (T, 101,528 w., 12 of ? Ch. || Dev. Rel., Pining, Fluff and Romance, First Kiss, Love Confessions, Fluff, Cuddles, Girl’s Night, Texting, Virgin Sherlock, Drunk Sherlock, Background Mollstrade, Hair Petting, Laying on Lap) – Sherlock’s journey in defining his flat mate and stumbling through the muddled world of emotion. {{This feels complete; the chapter count is listed as ? but I feel like it is done}}

Against the Rest of the World by SilentAuror (E, 151,714 w., 20 Ch. || PODFIC AVAILABLE || Post-TRF, Hiatus Fic, POV First Person Sherlock, Present Tense, First Kiss/Time, Big Brother Mycroft, Escaping from Capture, Soft Sherlock, Toplock, Insecurity, Infidelity, Travelling, Introspection, Pining Sherlock, Depression, Fantasies, Yearning for the Past, PTSD Sherlock, Suicidal Ideation) – Sherlock has been away from London for nine hundred and twelve days and counting, and has no idea what sort of reception to expect when he finally returns.

#steph replies #johnlock fic recs #my fic recs #soft sherlock #Anonymous #long post

[beccalendsahand]

Takarazuka End of Year Tag 2021 (Part 1)

In which I finally answer my own tag!

You can find the questions here I decided to answer the questions in 2 posts, first 7 questions today, and the rest tomorrow coz I've realised I've run out of time, so without further ado...

1. Sumire no Hana: Did you find a new favourite this year? (Either someone who has entered the company this year or someone who has been in the company a while but you have only just become a fan, or both!)

I have a couple for this! All musumeyaku! I started the year by noticing Irodori Michiru as Mozart in Fortississimo, I thought she was such a fun character and it's so unusual to see musume in male parts so that made me even more interested in learning about her. Then later in the year, I saw City Hunter, which although wasn't really my thing, I did come away from it thinking "michiru was so cool in that", haha! So now I'm definitely going to keep watching her shows, I really want to see her shinjin koen "hoshiai" and "wansu"!

The other two I have become a fan of is the ladies of the moment for the Flower Troupe, and that's Hoshizora Misaki and Mihane Ai! They just absolutely blew me away as Isabelle and Ann Neville in Prince of Roses. I found them so striking because of how young they looked and yet how fierce their acting was. When Urara as Margaret Beaufort says to Mihane "You're a strong woman aren't you?" I really felt like it was not just Beaufort's thoughts of Ann but the thoughts of us watching Mihane on stage. They both seem to be getting great roles so I'm excited to see where their career takes them!

2. Never Say Goodbye: Which taidansha was the hardest for you to say goodbye to this year?

Do I even need to answer this one? It is of course Hana Yuuki. Hana Yuuki means so much to me, she's a an actress that kind of sneaked up on me. I became a takarazuka fan when she had just become Top Musume but I didn't become a fan of her right away, perhaps it was because I was still infatuated with all the otokoyaku at that point, or maybe it was because there was only "fairy tale" and "koisuru" to watch of her top run at that time. But then gradually I started to like her more and more, and once reihana top combi happened and I saw the Haikara-san live stream suddenly she became my entire fan identity. I think she is brilliant. I love how she strives to keep improving and you can see how she has grown with every performance. I also love her acting, she performs with this honesty that I've never seen from any other performer, she completely transforms into whoever she's playing, and even if she has to act in a cartoony style (for a manga adaptation for instance) she still manages to get to the heart of her character and make them feel real. I was so heartbroken when she annouced her taidan, "haikara" hadn't even finished yet! I had prepared myself for a good couple more years with her and then BAM! She was gone. But I love how right till the end she never got typecast, for such a short top musume run she got to play so many different kinds of women, maybe even more so than top musume who have had longer careers. She had an incredible final show as Pompeia in Augustus and a beautiful send-off in her sayonara show, which contained so many moments that will stay with me forever. Thank you Hana for brightening my days x

3. Material Girl: Favourite piece of merch (most treasured Takarazuka thing you have bought yourself this year, OR if you didn’t buy anything this year, a piece of merch that is on your wish list)

Speaking of Hana Yuuki, my most treasured piece of merch from this year has to be my bromides of the sayonara show in Tokyo. I was convinced because of proxy service that by the time white rabbit would be able to buy them for me they'd be sold out, but they weren't! My momentos of reihana.

Also wanna give a shout out to le cinq in general, I ended 2020 with 3, now i have 9! They are perfect for my interests, the photos make great art references, and then the scripts help me study Japanese! XD I love my le cinq collection, they give me the serotonin I need to get through these dark days. Earlier in the year when I was in my uni house, I felt pretty rotten, and I had this ugly wall in my room that had gross marks on it and cracks in the plaster that I would stare at from my bed, which made me feel worse. But then I covered it with my le cinq posters and it honestly gave me a boost every time I looked at them.

4. Mon Paris: Did you discover a new fav show that was not from this year? (This can be any fav show that you saw for the first time this year that was released before 2021)

This is super hard actually coz I realised that whilst in my first year of zuka I watched as many things as I could, this year I've become set in my ways. I just watch reihana on repeat and then maaaaybe I'll watch the latest official live stream (I think the only time I'm guaranteed to watch an official live stream is if it's hanagumi, I'm sorry). So I've thought long and hard about this trying to remember what I watched. And I think I'm going to go with a trick answer and say, the Casanova shinko! So I've seen Casanova before, but I've never seen the shinko. So many people talk about how good the Casanova shinko is so I was so I've been meaning to watch it for the longest time, and then a month or so ago a friend streamed it for me and it was such a fun experience! I loved seeing Hana again and so many other siennes who since then have become really big in the troupe. It was a delight!

5. Wings of the Heart: Favourite fandom memory (this could be a fun stream experience, going to the theatre with friends, all collectively freaking out about something together, anything really!)

Without a doubt it has to be watching the Nice Work official live stream together with friends. My favourite thing about being in the zuka fandom is the community we have. Watching streams together is always fun, but there was something extra special this time. We had been absolutely convinced we would never see this show because it was a broadway adaptation, but then last minute it was announced we would get a live stream and we all FLIPPED the hell out. We couldn't believe our luck. I don't think I've ever been so excited for a show before, it just sounded so perfect for reihana and hanagumi, I was so excited. And then when we did watch it we all changed our names and icons to reihana and nice work related so nobody knew who was who anymore and we just spent the stream filled with joy! It was a very special time.

6. Where is God (kami wa dokoni): What Hankyu announcement shocked you the most this year?

I'm gonna go with something totally random for this and say getting rid of the Tokyo Theatre's QR? What's that all about? Idk it's just was the most random thing and makes no sense, a theatre without a gift shop? I get that it's a little small but they litterally have a massive one across the road that people could go instead. Lol it does not affect me at all but I have fond memories of that place T-T

7. The Final Dance (Saigo no Dansu): What was your favourite duedan of the year?

I'm going to do a trick answer for this and say the most beacutiful dance I've ever seen, reihana barefoot dance in cool beast. UGH its so delicate and tender and bewitching and beautiful and poetic. I love the beauty and the beast type story that goes with it too and ahhh its just so perfect, no other duet dance comes close.

#endofyearzukatag #endofyearzukatag2021 #blahblog #end of year tag #takarazuka #becca blogs

[thehuntersmoondiscord]

Crossovers, Mingling, and Fusions! OH MY!  Here is the masterpost for the Hunter’s Moon Discord Crossover Event. If you love seeing two of your favorite fandoms collide, you’ll love these amazing creations! 

(Special shout out to @foxymoley for the beautiful event banner <3 ) 

Hunter Hills by @ember-rayne-storm 

Malec, Sterek | Teen | (Tumblr Post) After being forced through a portal, Alec and Magnus find themselves in a strange new world. A world where an equally strange and potentially dangerous creature lurks nearby. Tags:  Post-Canon, Crossover, Interdimensional Travel, Established Malec, Snippet, Happy Ending

Malec Art by @high-warlock-of-brooklyn

Torn Wings by @brightasstars

Malec | Teen | (Tumblr Post) So you see, the story is not quite as you were told." - Maleficient Tags:  Malec/Maleficent fusion, emotional hurt/comfort, fairy tale style and elements, light angst with happy ending

Won’t Go Home Without You by @sowrongitslottie

Malec | Teen After finding a semi-unconscious Magnus Bane on the side of the road, the Five-O team are thrown into the world of magic and demons as an evil entity threatens to disrupt the peace of the island. Not knowing who else to call, Commander Steve McGarrett gets through to Magnus’ partner, Alec Lightwood, who hops on the first flight available with Downworlder and known New York cop, Luke Garroway. Will the pair be able to help the Five-O task force uncover the mystery of this entity or will they be targeted just like Magnus? Tags:  Malec, Shadowhunters, McDanno, Hawaii Five-O, Crossover Event, Alec Lightwood, Magnus Bane, Steve McGarrett, Danny Williams, Hurt/Comfort, Nephilim, Warlock, Cops

Of Taste by @jesssssah

Malace | Mature | (Tumblr Post)  Once the lonely and disillusioned human son of wealthy New Yorkers, Alec is now a no less lonely and disillusioned vampire who has developed a crush on a similarly jaded tabloid journalist. When said journalist - Jace - becomes enamoured with Alec during an interview he’s not expecting to conduct, and asks him to make him immortal, Alec grows angry and returns to solitude, leaving Jace alone with only memories, feelings, and the recording he’s made of their interview. In Alec’s wake and absence, Alec’s sire - Magnus - finds Jace, promising to give him the immortality he knows Alec won’t, if he still wishes to choose it. But only once Magnus is done showing Jace what immortality really entails. Tags:  Interview With The Vampire Fusion - AU, past Malec, Angst, Moral Ambiguity, BAMF Magnus Bane, Bisexual Jace Wayland, One Canon-Typical Joke About Cancer, Explicit Language, Slurs For Sex Workers, Homophobia, Recollections Of Conversion Therapy, Internalised Homophobia, Repressed Bisexuality, Vampire Typical Death/Violence, Choking, Claiming Marks/Bruising, Blood Drinking, Siring, Sexual References, Coming Out Themes, Drug References, Ambiguous/Open Ending

Malec Art: A Dream is a Wish Your Heart Makes... by @livinglifebehindthemask

Institutes and Recreation by @bextraordinary

Malec, Jimon, Clizzy | Teen | (Tumblr Post) Otherwise known as “Alec Lightwood's misadventures with a van full of idiots" On a road trip to the Los Angeles Institute, the shadowhunters and their downworld companions are lost in an Indiana town called Pawnee where they meet two very enthusiastic locals. Tags:  Shadowhunters (TV), Parks and Recreation, Crossover, Crack, Road Trips

The Painting by @sivan325

Malec, Buddie, Sterek | Teen | (Tumblr Post)

“Alexander, get away from that picture, I think that it’s cur-“ Magnus said but felt himself get sucked into the painting with his husband. “-sed,” Magnus finished his sentence as he landed on top of his husband, who lay on some soft grass, the air so clean as they breathed.

Tags:  Alternate Universe - Canon Divergence, Crossovers & Fandom Fusions, Fellowship of the Ring fusion, Dancing with the Stars fusion, Blood, Poison, Alpha Derek Hale, Mage Stiles Stilinski, whump alec lightwood, Hurt Alec Lightwood, whump derek hale, Hurt Derek Hale, Hurt/Comfort, Bingo Square: Cursed Item, Crack, Fluff, Curses, Husbands Magnus Bane/Alec Lightwood, Battle Couple Magnus Bane/Alec Lightwood, Power Couple Magnus Bane/Alec Lightwood

36 years to forever by @squiggly-lines-on-a-page

Malec, NickyxJoe | Teen  Alec is 36 when he finds himself not bleeding to death in fucking Jersey. If there is anything he is sure of it is that he should be dead. Tags:  Alec Lightwood-centric, MCD, dont worryThey get better, Alternate Universe - Canon Divergence, Canon-Typical Violence, Immortal Husbands Magnus Bane/Alec Lightwood, Immortal Husbands Joe | Yusuf Al-Kaysani/Nicky | Nicolò di Genova

#crossover event #fanfic #fanart #malec #malace #crossover #jimon #clizzy

[theninjasheeep]

Blood of Love

Pairing: Pieck Finger x Porco Galliard (Modern/Fantasy AU)

This is my entry for @pleasantanathema’s Through Ink and Quill | A Classics Collab. I decided to go for a character study of Porco and Pieck's relationship following my Pokkopiku week piece Sweet Pandemonium paired with some vampire lore from Dracula and Anne Rice's Vampire Chronicles.

The idea of vampire!Pokkopiku came from @sinnamon19’s over the top fan art.

You can also read it on AO3.

Summary: Since they are creatures of the night, their senses, as their feelings are heightened to lengths that can’t be explained by words. But since blood is their life sustenance, it is also their means of communication.

Warnings/tags: Pokopiku, Pokkopiku, Gallipieck, Porco Galliard/ Pieck Finger, Porco Galliard x Pieck Finger, Alternate Universe - Vampire, Character Turned Into Vampire, Vampire Bites, Vampire Turning, Blood Drinking, Mentions of Post-Traumatic Stress Disorder - PTSD, Mentions of Suicidal Thoughts, Blood Sharing.

Blood of Love

Waking up in darkness after spending most of his life shunning the sun when he wanted to sleep late was a welcome change for Porco. He could lie and pretend he was one of those humans-turned-vampires who wailed about the sun, its warmth and brightness and how much he missed it, but he didn't.

He didn't miss the impending sense of foreboding dread that clogged his senses or the tacit expectation that life should have some kind of meaning. It was a succession of routines: being born, growing up, reproducing and dying; waking up, going to work or school, coming home, going to sleep and starting again the next day. There was always an unsatisfied craving, a need to be satiated that gave rise to another....

If it weren't for that same life and the unexpected, he would still be stuck in the routine of a life that no longer felt like one. Not so long ago he was eager to die and escape the curse of boredom. However, now that he was undead, he felt more alive than ever.

He didn't miss living as a human.

He did not miss the wars that sent young men like him to fight in battles and advocate for ideals that were in no sense his own. Wars like the ones that took his brother away from him, wars that made mothers cry and lose their lives to grief, like his. He didn't miss being part of a greater good, he fancied being selfish, living only for himself and what he deemed worthy of living for, like Pieck.

Pieck who turned him, Pieck who gave him a reason to live in hope and love.

The stories that are told about vampires are rich and wide-ranging. The majority depict them as cold and devoid of emotion creatures who enjoy drinking blood and playing with their mortal victims without any consideration or pity, with no regard for their suffering.

Dracula is the one that, for Porco, is closest to the truth. Leaving out, naturally, his own inability to turn into mist, a bat or a wolf, and how terribly he has fared with the latter when he has encountered them on his nightly hunts with Pieck high in the mountains, puts him quite a distance from what is supposed to be the blueprint for all vampires.

It has been less than fifteen years since Pieck agreed to turn him and allow him to stay with her forever. Overall, he could even be considered a novice vampire, at least in comparison to the more than two hundred years his female partner has been crisscrossing the planet. However, it has been long enough to learn what is both necessary and appropriate, but what the books say is, amongst other things, preposterous and out of proportion.

Porco's hazel eyes, in the darkness of the room, shine like two torches as they scan the words in each book with unprecedented speed.

The library, nestled in Pieck's hideout in an abandoned town once called Liberio, is about the same size as the house itself. To the unsuspecting eye, the house is a dilapidated old manor from which thieves plundered the treasures long ago, leaving only the massive stone and iron columns. Underneath, however, is a hidden cellar and a sealed passageway that can only be opened with the supernatural strength of a creature like Pieck. Not even he, with his years beside her and the same superhuman strength, is able to open it without visible effort.

Once that initial obstacle is overcome, a long corridor rises up with small windows that let in just enough light to clue the nighttime inhabitants as to what time of day they are in. And behind that corridor is a scaled-down replica of the ruined house that exists above ground: three bedrooms, a kitchen - more out of habit than necessity - a living room and a huge bathroom with a bathtub built into the wall, in addition to the library, make up what could be considered Porco and Pieck's home sweet home.

Although it is ridiculous, Porco is not going to stop enjoying his reading and perusing every nook and cranny of the library while Pieck, with all her quirks, tries to do some vampire yoga in the room across on their home.

Stories about vampires always depict them as a kind of blood-drinking skeleton barely able to articulate words and unfit to walk freely in broad daylight, as the sun is their greatest enemy. The only thing they got right is that their skin burns and the acrid smell of ashes is the only thing that lingers in the air after they perish.

In other stories, they are portrayed as having no emotional capacity and could be easily mistaken for an angsty teenagers searching for their identity and place in the world, with little to no impulse control, driven by their whims, manipulating their way until they achieve their goal. In these tales, the depiction is so over-the-top ridiculous that it is almost comparable to handing a child a panic button.

What is undeniable is the enormous capacity of humans to envision and demonize what they do not know.

Superhuman strength and speed, mind reading and control, morphing into wolves, bats and mist? The books detail how versatile their powers are, how they are able to cloak themselves, thanks to their human appearance, and hide for long periods of time in large communities and lead a relatively normal life, without arousing suspicion.

Although there are also accounts that refer to them as ruthless, cruel and stone-cold beings, who toy with the humans they intend to use as food until they have had enough, and only then, kill them in the most violent and painful way possible.

At this, Porco rolls his eyes. In his experience, both he and Pieck are careful with the humans they feed on. They always look for ways not to cause them pain or fear, and above all, to avoid leaving behind scenes worthy of a gorey b-movie.

Perhaps the only time such a scene involved the two of them was when Pieck agreed to transform him into a vampire.

--

There was a moment where he couldn’t see or speak anything and everything went black for him. He started to listen to a heartbeat, two actually. One was his... the other...

“Pieck?” He asks. He can hear her voice somewhere in the distance, it sounds pained and far, far away.

Meanwhile, Pieck keeps pouring her blood on Porco’s mouth and is silently praying to whatever it is that created them and allowed them to be alive for him to survive this ordeal. She’s panicking now because he’s very pale, dead by now, but he’s not responding to her calling like he is supposed to.

“Porco, wake up!” She cries. “Open your eyes,” She pleads. “Come to me!”

Nothing happens and Pieck panics, falling in a circle of self loathing.

Giving up on him, she lets her head fall on his chest and at this point she’s just a mess of guilt and anguish. Her hair is on her face and his shirt is all bloody with his blood, her blood, her tears. She can’t move, the will to do anything has left her completely so she just lays there beside him on the floor crying.

--

He hasn’t read anything that depicts accurately how they are created. Probably humans think they just popped out of nowhere. However, vampires themselves have a myth: Ymir Fritz was the first human turned into a vampire, many call her the Founder. She was a slave but became Queen of Eldia when King Fritz was unable to defeat her in battle. He surrendered and married her and, in turn, she made him into a vampire and together they gave birth to their species.

Where are they now? No one knows, they are probably marble statues, since the longer a vampire lives, the whiter and rougher their skin becomes.

One book in particular catches his eye: its dark blue cover with gold sparkles featuring a nine-pointed star, the symbol of Ymir Fritz. However, after a brief glance, he discovers that it is a parody.

Porco snorts, he can't believe he's found a book in which vampires don't roast in the sun, but glow like a fairy in plain daylight without any repercussions for their lives. Pieck must have been really bored to get —and keep— something like that and deem it worthy of their huge underground library.

"Have you found anything interesting, Pokko?" Pieck's mellow voice reaches his ears from the bedroom. Her body doesn't make any sounds when she moves, but her soft breathing tells him that she's still trying to do vampire yoga, as if she needs to.

"Geez, Pieck!" Her taunting giggle is the only response he gets, and aware that she can also hear him from where she is, he retorts: "You scared the hell out of me." He grumbles in fake annoyance.

"Don’t worry, you won’t have a heart attack."

“Tch.”

But it is true, no matter how much she may sneak up behind him to scare him, his heart has long since stopped beating, and if he had remained a human, he would most likely have died many years ago. When Pieck came into his life one night, wounded and seeking shelter, he had lost the will to live. All that remained from the happy Porco who lived with his parents and brother was a mere shell that always reminded him of how much he resembled Marcel. And had he lived, despite his desire to die, he would have been almost forty years old by now.

Putting the books aside and getting up from the floor, Porco makes his way to the bathroom where there is a huge full-length mirror, which he and Pieck use in such creative ways when they make love at night.

A derisive smirk tugs at his lips as his reflection glances back at him through the mirror. There are stories that claim vampires don't see themselves in mirrors and that's the reason they avoid them. If only whoever wrote that knew the things the mirror in his bathroom has seen him do to Pieck.

Sometimes, when he is overcome by melancholy and Pieck's love and company fail to reach the deepest wounds in his heart, Porco wishes that particular myth were real. What would his life be if his brother were alive? What would Marcel's life be if the war hadn't extinguished the light in his eyes? The same deep green eyes that right now were scrutinizing his every feature in the mirror.

As the years have gone by, his skin has become paler and his eyes more golden. Pieck likes to say that he is slowly turning into a lion.

Speaking of Pieck...

A slender hand appears over his right shoulder in the mirror, and down his arm until it curls around his waist. Seconds later, the weight of Pieck's head resting on the space between his shoulder blades confirms that he is no longer alone in front of the mirror.

“Hey,” She greets, nuzzling against him tenderly, “what are you thinking?”

He clears his throat, embarrassed.

His left hand reaches up and intertwines his fingers with Pieck's over his chest, and looking behind him, his gaze meets hers.

“My brother.”

Pieck's embrace grows tighter and a line of kisses and scratches from her fangs on his neck make Porco forget, for a moment, how much he misses his family.

“I’m sorry.”

“You know they were long gone before I met you.”

“I know, it’s just...” She releases her hold on him, walking a few steps to stand in front of him in the mirror, her back against it. “I wish I could ease your pain, but I’d be lying if I say that I never think about my father, I miss him.”

Porco raises his hand to caress her cheeks. “You’re stuck with me forever, remember?”

She smiles softly, leaning against him and hugging him back. Porco buries his face on her neck and taking advantage of their embrace, sinks his teeth on her neck, making her moan in delight.

There’s another thing the books about them seem to ignore or purposefully miss: yes, they are creatures of the night and as their senses, their feelings are heightened to lengths that can’t be explained by words. But since blood is their life sustenance, it is also their means of communication. Drinking the blood of another vampire is a gesture so intimate and so rare, that when it’s done by partners, it’s more than just a confession of love and trust, it goes beyond lust and desire: a vampire can show what they feel through images to their partner when they share their blood, and since words are not his forte by any means, he’s always eager to show Pieck comfort and reciprocate everyday the comfort and peace she gave him.

Licking the tiny marks of his fags on her neck, he nuzzles against it, kissing her tenderly. Pieck, being smaller than him, has a harder time reciprocating his gesture, but she stands on her tiptoes and kisses him back, biting his lower lip and drinking his blood as well.

Emboldened by the gesture, he carries her and sits her in the sink, standing between her legs without breaking the kiss. At this, Pieck leverages herself on his shoulders and —finally— sinks her teeth on his neck, eliciting from him a low growl. He bites her back and through their blood they both convey to each other what their words and their hands, roaming over every inch of the other' s body, cannot: they are together until the end of time and the sadness that each one carries is shared by the other.

Together, they were safe.

#pokopiku fic #pokopiku #pokkopiku fic #pokkopiku #porco galliard/pieckfinger #porco galliard x pieck finger #gallipieck #vampire aesthetic #dark fantasy

[nyxshadowhawk]

An Analysis of The Ninth Gate

I finally got around to watching The Ninth Gate after it was recommended on Occultism with a Side of Salt. Seriously, why did it take me so long to watch this film? This is pretty much everything I like! It’s a film from 1999 (incidentally, the same year as Eyes Wide Shut) starring Johnny Depp as an expert on rare books called Dean Corso. It’s based loosely on a novel by Arturo Pérez-Reverte called The Club Dumas, and was directed by Roman Polanski (who’s the man behind Tanz der Vampire, but who is extremely problematic and we do not stan). Corso is employed by a rich book collector named Boris Balkan to authenticate his copy of a grimoire called The Nine Gates of the Kingdom of Shadows, which may be the coolest title for a grimoire ever. The book is supposedly designed to summon the Devil himself, and was copied from another mysterious book that the Devil was said to have written. Corso compares the grimoire with the two other existing copies to find out which one is the real one, but there are mysterious deaths and other unsettling events around the book, and he has a mysterious girl helping him.

The film is very spooky and has a wonderful Dark Academia aesthetic. What’s most interesting to me about it is, although it isn’t authentically occult, it feels very authentic. The grimoire is clearly modeled after real ones. The engravings in the book also could easily be mistaken for real ones if I didn’t know better. I think that the pentagram on the cover is a little too on-the-nose, especially since pentagrams weren’t associated with Satanism until relatively recently — I think the Sigil of Lucifer would be a better fit, since it’s reasonably well-known (for example, the Mother Superior of the Satanic Nuns in Good Omens wears one instead of a cross) and it comes from a real grimoire. That’s me being very nitpicky, though. Although this film follows some tropes of Hollywood Satanism, its portrayal of that is still more realistic than normal. Real-life occult ritual groups are more like book clubs or potlucks, but the actual ritual part can in fact look something like the one in the film. (Sure, it wouldn’t be in a mansion with cool-ass gargoyles, but this is certainly more realistic than Eyes Wide Shut.)

This film feels authentically occult becuase a lot of real occultism is pouring over old books and analyzing symbolic images. I do a lot of that! Right now, I’m reading a dictionary of alchemical symbolism. I hope to eventually be able to look at all the weird images in alchemical manuscripts and make some sense of them. This film is basically about doing exactly that. I noticed the tarot symbolism in the engravings immediately, and I felt a little like I was trying to decipher them right alongside Corso. It reminded me of solving Nox Arcana puzzles, and that just makes me incredibly happy. The approach this film takes is also realistic — (slight spoilers) it could have gone the classic Hollywood route of summoning Satan to destroy the world and all that, but it doesn’t. Instead, the end goal is more abstract and spiritual, much more in-line with occultists’ actual goals in real life. Just as in alchemy, the goal is not to make gold or live forever, but to experience spiritual transcendence, and this is encoded in alchemists’ notes and artwork.

So, I want to try my hand at deciphering the engravings’ secrets, and test my own knowledge of occult symbolism in the process. Everything that follows involves major spoilers, so I will dispense with the exposition and assume that you have already seen the film.

I’ve seen it argued on YouTube that the engravings represent actual events in the film, and some of them seem to. Bernie is murdered and hung upside down, the collapsing scaffolding is the “danger from above” arrow, Corso is hit in the back of the head in one of the film’s most chilling scenes, and the Girl (who is implied to be Lucifer) ends up… well… “riding” him in front of the burning castle. But come on, that is way too easy. For one thing, the related events don’t seem to occur in any specific sequence, either the engravings’ numbered sequence or Balkan’s rearranged sequence. It would make sense if Corso would have to experience every engraving and “pass through each gate” — that happens a lot in films like this one, where an eerily coincidental series of events plays out just as in the book/prophecy/whatnot. But that doesn’t really happen, or if it does, it’s not obvious enough for the only interpretation of the engravings to be literal. What impresses me the most about The Ninth Gate is that it goes for that more figurative, spiritual dimension. That is really what makes it feel realistically occult.

The real solution to the engravings seems to be spiritual growth or enlightenment, which is the goal of most occultists. Balkan sort of understands this, which is why he disdains Telfer and her coven being edgy and playing dress up instead of really making an effort to understand Lucifer’s secrets. And yet, Balkan also fails, because he is after power, not enlightenment. It seems as though both of them misunderstand Lucifer, believing him to be the kind of Lucifer that you usually see in these movies. (That would fit in well with his name and his role in the Eden story, if you interpret it that way.) If we assume that the Girl is Lucifer, then she is more benevolent an influence than anything else. Hell, Corso doesn’t even suffer any “temptation” consequences from having sex with her. Corso wins in the end because he actually puts in the effort, and the Girl helps guide him toward enlightenment. Maybe Lucifer is a good force in this film’s world. Lucifer’s own versions of the engravings seem to emphasize that s/he is genuinely invested in helping his/her followers towards enlightenment.

When Balkan assembles the engravings in the proper order, this is his interpretation of the riddle:

To travel in silence, by a long and circuitous route, to brave the arrows of misfortune, and fear neither noose nor fire, to play the greatest of all games and win, foregoing no expense, is to mock the vicissitudes of fate and gain at last the key that will unlock the Ninth Gate.

First, I want to say that this riddle reminds me a lot of the Emerald Tablet. It’s similarly cryptic, and I only sort of have it figured out. I love that something like that is real and authentically ancient. Anyway, moving on. I’ll go through the engravings in the order that Balkan puts them in (as opposed to their numbered order), and see if I can make sense of them.

The first engraving shows a knight traveling towards a castle. In the AT version of the engraving, the castle has four towers, while in LCF’s version, it has three. Balkan’s interpretation is “To travel in silence,” while the caption is “Silence is golden.” That immediately reminds me of the common occult maxim, “To Know, to Will, to Dare, to Keep Silent.” I’ve never been much of a fan of keeping silent, which is why I post things like this on the internet, but in general occultists tend to be secretive folk. According to this article, another translation of the caption is “Only one who has battled according to the rules will prevail.” I’m not sure whose rules are being referred to here. Lucifer’s, maybe?

This is one of the only engravings in which there is no obvious tarot symbolism. There are four Knights in tarot, one for each suit — wands, swords, cups, and pentacles — but this knight doesn’t have a symbol of any of the suits or anything that could suggest that. The difference is in the castle towers — three in LCF’s, four in AT’s. In traditional numerology, three is a number symbolizing perfection and creation, as in the Holy Trinity, while four is the number of the solid and material and unlucky. (Source: Richard Cavendish, The Black Arts). Sets of three are especially common in fairy tales and mythology — three siblings, three tasks, three encounters, three magical objects, three questions, three trials or tests, repeating an action three times with the third time being different or conclusive, etc. Lucifer’s castle at the end also has three sets of towers. The most obvious interpretation of this is that your destination will be either material gain (AT) or spiritual advancement (LCF).

In the tarot, the threes represent the completion of the first stage of a venture — the Three of Wands represents a successful enterprise, the Three of Cups represents celebration and fulfillment, and the Three of Pentacles represents recognition for your achievements. All of them have something to do with attainment except for the Three of Swords, which represents loss, heartbreak, betrayal, etc. The fours aren’t bad, representing stability and structure — the Four of Wands is joyful and peaceful, the Four of Swords takes time to rest and recoup, the Four of Cups is bored and listless, and the Four of Pentacles receives material abundance. All of them are a bit more grounded and material, so I think it makes the most sense to interpret the difference in this engraving as being the spiritual three vs. the material four, and leave it at that.

The fourth engraving, which is second in Balkan’s sequence, is of a jester standing at the entrance to a labyrinth. In LCF’s version the labyrinth’s exit is open, while in AT’s it is bricked up. Balkan interprets this as meaning “by long and circuitous route,” while the caption reads “Fate is not the same for all.” that seems fairly straightforward — Balkan and Corso have different fates. Corso is able to find his way out of the Labyrinth, but Balkan’s exit is bricked up. This is because he never properly experienced the journey the way Corso did, he just wanted the payoff and tried to take shortcuts.

The Labyrinth is a very old symbol, and it carries the dual symbolism of a death trap in which there is a Minotaur, and a path to spiritual enlightenment. It can represent the Underworld or the darkness of the subconscious mind, with the Minotaur being your Shadow. Either you are trapped in the Labyrinth and eaten by the monster, or you find your way back out into the light having gained some self-awareness. The jester is probably meant to represent 0 The Fool, who, in the Tarot, is the naive adventurer who sets out on a spiritual journey over the threshold and into the realm of the subconscious and symbolic — i.e. the Labyrinth. As for the dice in the foreground, this seems to reinforce the caption’s point about fate. But dice, like tarot cards, can be used as both a game and a divination tool — it is the assumption of the diviner that random chance is always meaningful. And indeed, the visible faces on each die add up to 6 — 666.

The third engraving depicts a traveler walking towards a bridge. In the clouds above him, there’s a Cupid-like figure with an arrow pointing down at him. Balkan’s interpretation is “to brave the arrows of misfortune,” and the caption is “The lost word keeps the secret.” AT’s version is pictured here; in LCF’s version, there are two arrows, the other one pointing upwards in the quiver.

This traveller looks much more like the traditional Tarot depiction of 0 The Fool than the jester. The Fool is happy-go-lucky and doesn’t notice the danger he might be walking into. TV Tropes describes The Fool trope as referring to a person who, despite having no idea what they’re doing, doesn’t come to any harm because of their luck and innocence. So, the traveler will probably not be hit by the arrow, the same way Corso avoids the collapsing scaffolding. The two arrows in the LCF version seem to reinforce the idea of there being two possible outcomes. The arrow pointing up and the other one pointing down could also reference the famous occult maxim, “As above, so below,” adding another spiritual dimension to it. Balkan’s interpretation of the engraving reminded me a lot of a certain famous soliloquy: “To be or not to be, that is the question: / Whether ’tis nobler in the mind to suffer / The slings and arrows of outrageous fortune, / Or to take arms against a sea of troubles / And by opposing end them.” In this scene, Hamlet is considering whether or not to take his own life. But when applied to this engraving, these lines seem to once again suggest the two possible outcomes — you can suffer and die, or move on towards your goal.

And then there’s the caption. “The lost word keeps the secret.” Well, it’s pretty obvious what that refers to — the ninth engraving, replaced with a forgery that changes the meaning of the entire thing. The missing engraving contains the secret. But that caption seems completely irrelevant to this engraving, except that the face of the archer doesn’t look remotely like a baby’s, as putti usually do — it looks like an old man’s, specifically, the Ceniza brothers’, who removed and replaced the missing engraving.

The sixth engraving, fourth in Balkan’s sequence, depicts a man hanging upside-down by his ankle, and an arm with a flaming sword reaching out of a castle tower. Balkan’s interpretation of this is “and fear neither noose nor fire,” which proves he knows fuck all about tarot. No wonder he got the riddle wrong. This one is so blindingly obvious. The man isn’t hanging by his neck, he’s hanging by his foot. He’s the Hanged Man.

XII The Hanged Man is a strange and disturbing card at first glance, but it has become one of my favorites. The Hanged Man is almost never depicted hanging by his neck; he hangs by his foot, and has a serene expression, indicating that he wants to be there. He represents going through a period of tribulation, suffering, surrender, or introspection in order to obtain wisdom, enlightenment, self-awareness, and insight. He goes through a metamorphosis, just like the caterpillar that hangs upside-down in its chrysalis to become a butterfly. He’s a Christlike figure, evidenced by the halo around his head in the Rider-Waite deck, and the fact that he willingly suffers for a higher purpose. He even wears the same colors as Jesus in Da Vinci’s The Last Supper in the Rider-Waite deck, although I’m not sure if that’s on purpose or not.

The caption to the engraving is “I am enriched by death,” which is a million times more meaningful than Balkan’s interpretation. If you’re an occultist, that line is probably self-explanatory. Pretty much everything mystical involves that theme of (symbolically) dying and being resurrected. The alchemical process has three stages — nigredo, which is death, albedo, which is the ascension of the soul, and rubedo, which is returning to life in a “purified” body as a more spiritual being. The Hero’s Journey follows this same pattern — the hero entering the Underworld or the Labyrinth and facing trials that allow them to spiritually ascend and achieve apotheosis (or something close to it). It’s everywhere in books, movies, and video games. It is the initiation ritual. Most occultists figuratively go through it in one way or another. And in tarot, XII The Hanged Man is at the rough midpoint of the Fool’s journey through the Major Arcana, and immediately followed by XIII Death. “I am enriched by death.” You cannot be reborn as a new and better version of yourself without first having died.

The difference between AT’s and LCF’s engravings is that AT’s has the Hanged Man hanging by his right foot, while LCF’s has him hanging by his left foot. I don’t think this changes the meaning of the engraving too much. In Rider-Waite, the Hanged Man hangs by his right foot, but in the Tarot de Marseille, which is older, he hangs by the left foot. The only significance to this that I can see is that the Latin word for “left” is sinistram, and the word “sinister” has its current meaning because left was considered Satanic. Left-handed people were discriminated against for this reason, until as late as the mid-20th century. In occultism, the “Left-Hand Path” is an approach to magic that involves rejecting tradition and dogma and generally being edgy. I think that the right-hand and left-hand paths are a false dichotomy (you use both your hands, don’t you?), but anything Satanic is considered part of the Left-Hand Path. Jung associated left with the unconscious, so we’re back to the Labyrinth.

I don’t have much to say about the flaming sword. It could be foreshadowing Balkan’s death (more on that later), or it could represent the flaming sword of the angel of Eden (i.e. guarding spiritual knowledge).

The seventh engraving, fifth in Balkan’s sequence, is of a king and a peasant playing a chess game. Two dogs are fighting in the background, and the moon can be seen through the window. In AT’s version, the board is black, and in LCF’s, the board is white. Balkan interprets it as “to play the greatest of all games,” and the caption is “The disciple surpasses the master.”

The tarot symbolism that I see here is that of XVIII The Moon, which has dogs baying at it in the Rider-Waite deck. The Moon represents the subconscious, imagination, and dreams, but also nightmares, madness, and illusion. The illusion here is probably still the missing engraving being replaced by the forgery. The themes of the subconscious get reinforced. Underneath the Moon, a black dog and a white dog fight each other, almost seeming to create a yin/yang shape. This brings the dark and the light into balance, the same way the Moon spends equal times dark and bright as it goes through its phases. The game is chess, which is played with black and white pieces, and the board is either black or white. The game seems to be a draw, making the peasant and the king equals, just as the dogs are unable to defeat each other. So, this engraving is all about reconciling dualities.

There’s another layer to this. God is the “King of Kings,” so this could demonstrate a human becoming God’s equal. This is basically the goal of occultism — to become like God, in some form. Left-Hand Path’ers in particular seem to like the idea of becoming gods themselves, or even “surpassing” God. Since the book was created by Lucifer, this could tie in to Lucifer’s desire to become God’s equal that got him cast out of Heaven (but I’m not the biggest fan of that story, so I won’t go any further with that). To the occultist, man is God, just as God can become a man — as above, so below. That’s also a form of reconciling the duality of human and divine.

The caption, “The disciple surpasses the master,” probably refers to this, but it could also refer to Corso surpassing Balkan and succeeding where Balkan failed. Any good teacher wants their students to have learned so well that they surpass them. God (or Lucifer) intends for his disciples to surpass him, but Balkan tries (and fails) to prevent Corso from surpassing him.

The fifth engraving, which is sixth in Balkan’s sequence, depicts a man counting coins while Death stands behind him with a pitchfork and hourglass. Balkan’s interpretation is “and win, foregoing no expense,” while the caption reads “In vain.” Balkan is an idiot. Exactly like the man in the engraving, he is focused entirely on the money and completely misses the literal shadow of Death standing behind him. How does one overlook the significance of that? There’s a big difference between “I won the game so now I get money” and “in vain”! Of course, this means that Balkan is too focused on material pursuits and misses that he is about to die. In AT’s version, the sand is at the top of the hourglass, while in LCF’s version, it is at the bottom — the man has run out of time. The expression “you can’t take it with you” comes to mind. Money and material goods don’t ultimately matter compared to spiritual growth. “In vain.”

In tarot, XIII Death almost never represents physical death. Instead, it represents change, usually a change for the better. Death is about letting go of old things so that new things can come, stepping through a threshold into another life or state of being. This can be difficult or emotionally painful, but it is necessary and ultimately beneficial. If The Hanged Man is the chrysalis, then Death is the emerging butterfly (the Greek word psyche means both “soul” and “butterfly,” because butterflies represent the souls of the dead). Once again, Death is a required step towards spiritual advancement. And if you refuse to acknowledge this, it isn’t going to go well for you.

The checkerboard floor probably continues to reinforce the theme of duality. As for the pitchfork, maybe the reason Death has a peasant’s pitchfork instead of a scythe is because pitchforks are associated with Satan, or it could be a representation of peasants taking revenge on rich people. Or it could be a reference to American Gothic. I think it’s the first one.

The eighth engraving, which is seventh in Balkan’s sequence, depicts a praying man about to be bludgeoned by a knight with a mace, with the Wheel of Fortune in the background. Balkan’s interpretation is “to mock the vicissitudes of fate” and the caption says “Virtue is defeated.”

The Wheel of Fortune is a medieval motif that shows how fortune is apparently random. Some get to be kings, others are serfs, and your fortunes can turn at any moment. Just when you think everything is great, someone hits you on the back of the head. In tarot, X The Wheel of Fortune means exactly what you would expect it to — a twist of fate, a change of fortune. Whether it’s for better or for worse depends on the context and the cards around it. Life is full of ups and downs, so enjoy what you’ve got while you have it, etc. Sometimes when it shows up, it can mean that you should trust in fate.

But that’s the background. What to make of the foreground? Honestly, this is the most disturbing engraving to me, especially with the accompanying scene where Corso gets hit in the head. By whom? It’s probably Telfer’s lackey, because the knight in the engraving kind of looks like him. And if the caption is “Virtue is defeated,” the praying man hasn’t been defeated yet. The knight is about to hit him, not already standing over his body. It could be an example of “bad things happen to good people” — being virtuous won’t stop you from suffering. Since Corso is the one who gets hit in the back of the head, maybe that indicates that he’s the most virtuous character (which is saying a lot, since he’s not exactly an upstanding person). In LCF’s version of the engraving, the knight has a halo — does that mean that defeating Virtue is a good thing? I guess that would make sense if the artist is Satan? Or does it mean the knight is protecting the praying man? I don’t know. I genuinely am not sure how to interpret this one. What I do know is that Balkan is still an idiot. Nothing about this suggests mocking fate. If anything, this is an example of succumbing to it.

The second engraving, eighth in Balkan’s sequence, shows an old man with a dog, holding two keys in his hand. In AT’s version, the keys are in his right hand, and in LCF’s, they are in his left hand. Balkan’s interpretation is “gain at last the key,” and the caption is “Open that which is closed.”

This is another obvious tarot image. This is clearly The Hermit with his lantern. IX The Hermit represents withdrawing into solitude for contemplation and meditation, to gain spiritual wisdom and awareness. Like the Hanged Man, he indicates a need to be passive in the service of introspection. He’s the archetypical guru on a mountain, and he holds the keys to enlightenment. Keys represent access to information, and the ability to pass between worlds. “Open that which is closed” is pretty obvious — unlock the gates, receive spiritual insight. LCF’s version having the keys be in the left hand just reinforces everything I said about left earlier.

Also, that Hebrew symbol next to him is the one for the number nine. That suggests that the Hermit is right in front of the Ninth Gate. In numerology, nine is a magical number, being three times three. It represents completeness, spiritual achievement, and initiation. So, that’s self-explanatory. In tarot, tens are the ultimate state of completion, so the nines are the penultimate step — the Nine of Wands gives you the strength and willpower to overcome obstacles, the Nine of Cups represents success and contentment, and the Nine of Pentacles represents celebrating an accomplishment. (Once again, the Swords are the outlier, representing fear and despair.) Nines in general are good, the perfection of three multiplied by itself. (The Hermit is also the ninth card of the Major Arcana, if you noticed.)

And finally, we come to the ninth and final engraving (that Roman numeral should read “IX”). This depicts a woman who looks suspiciously like the Girl reading a book, ostensibly The Nine Gates of the Kingdom of Shadows, and riding a dragon with seven goatlike heads. There is a castle in the background, and the castle is a real place. There are three versions of the engraving — this one, which is signed by AT and has the castle as-is, a forged LCF engraving that shows the castle in flames, and the real one. Balkan’s interpretation is “that will unlock the Ninth Gate,” and the caption is “Now I know that from Darkness comes Light.”

The woman is apparently an image of the “Whore of Babylon” from Revelations, who rides a seven-headed dragon. I’m not really sure what she’s supposed to represent, beyond being generally Satanic. Of course, Crowley recasted her as a sex goddess. The seven heads of her dragon are significant — seven is the number of secrets, mysteries, magic, introspection, and searching for inner truth, which have been running themes this whole time. It also signifies creation, completeness, and rest, since God created the world in seven days. In tarot, the sevens present a new challenge after the perfection of the sixes — the Seven of Wands brings new obstacles that require determination to overcome; the Seven of Cups represents imagination, dreams, and illusions, so back to The Moon again (and the illusion of the forgery); the Seven of Swords also represents deception or a con artist (like the Ceniza twins, or maybe Balkan); and the Seven of Pentacles represents a threshold or a new opportunity, and reflecting on one’s achievements. That all aligns scarily well with the situation here.

The critical illusion is that the “LCF” engraving with the burning castle is a forgery. So, Balkan sets himself on fire for no reason other than egomania. This image is similar to XVI The Tower in Tarot. The Tower is one of the scariest cards to get. If Death is a difficult but beneficial change, The Tower is a dramatic turn for the worse, complete destruction and devastation. It is struck by lightning and destroyed, going up in flames. I drew this card shortly before the pandemic hit. That was The Tower — destruction, upheaval, devastation, but with the promise of rebuilding. I also had to deal with a lot of emotional turmoil because of an unrelated thing that happened around the same time, and it shook me to my core. So, obviously the forged engraving leads to Balkan’s destruction.

The true ninth LCF engraving shows the sun shining from behind one of the castle’s towers:

Replacing The Tower with The Sun is a drastic difference. If The Tower is one of the worst cards to get, XIX The Sun is one of the best. The Sun is a good omen in every capacity. It represents everything that these engravings have been working towards — spiritual growth, fulfillment, success, enlightenment, revelation of secrets, good fortune, etc. It fits right in with Lucifer’s status as the Light Bringer, and it is the solution. (The true engraving is also very reminiscent of The Star, which directly follows The Tower, and represents hope and the light at the end of the tunnel. I drew it recently, signifying the end of my emotional turmoil.) The jagged rocks at the bottom of the castle in the other two versions are missing here, and the castle is more accessible, with a visible path. The woman gestures directly to it.

The rest of the scene is much more shadowed in the true version, which fits right in with the caption: “Now I know that from Darkness comes Light.” I, in my obsession with Shadow work, interpret this as confronting the dark parts of oneself and bringing them out into the light to become a whole person, and to grow spiritually. This goes back to the Labyrinth, needing to enter the dark Underworld or the realm of the subconscious in order to gain spiritual wisdom and finally achieve enlightenment. Everything in the engravings seems to point back to that — needing a period of introspection, reconciling of duality, obtaining safe passage through the various trials until you see The Sun, which is followed by Judgement (resurrection) and The World (fulfillment). The Nine Gates of the Kingdom of Shadows are like the seven gates of the Underworld that Inanna must pass through (and that eight-pointed star is a symbol of Inanna). Corso passes through the Ninth Gate, out of the Kingdom of Shadows and into the light.

Balkan’s interpretation is clearly off. So, let’s rearrange the engravings back into their intended order:

Silence is golden. Open that which is closed. The lost word keeps the secret. Fate is not the same for all. In vain. I am enriched by death. The disciple surpasses the master. Virtue lies defeated. Now I know that from darkness comes Light.

If you, who seek after secrets, wish to unlock the gates to wisdom and enlightenment, be wary of potential dangers and missing pieces. You can either suffer and die, or move towards your goal. You will either find a way out of the Labyrinth or find that your path is blocked. Do not pursue material gains, and miss the shadow of Death hanging over you. Face Death, and you will be enriched by it, gaining spiritual insight that will allow you to surpass your superiors and become God’s equal. After a final challenge, test of virtue or twist of fortune, you will emerge from the darkness and into the light.

Am I reading way too deep into a spooky movie? Maybe, but come on! How could I resist? Do any of you have interpretations of your own?

Sources:

https://slapphappe.wordpress.com/2009/03/22/symbolism-in-the-ninth-gate/#%3A~%3Atext%3DThe%20fire%20at%20the%20Ninth%2Cof%20the%20Kingdom%20of%20Shadows.

https://davidjrodger.wordpress.com/2011/08/24/the-ninth-gate-occult-and-tarot-like-symbolism-in-the-engravings-by-aristide-torchia-and-lucifer-plus-wider-meanings-of-the-movie/

#the ninth gate #the ninth gate film #johnny depp #johnny depp movies #occult #occultism #occult symbolism #tarot #tarot symbolism #occult symbols #movie analysis #spooky #dark academia #dark acadamia aesthetic #occult films #lucifer

[ryttu3k]

Finishing up SoNY, ‘bad’ end and final thoughts!

But first, the early game over.

Wow, she just gets shot. Not even slurped? That’s rude as hell XD;;

And on to the ‘bad’ end!

Beginning is much the same, ofc.

“You’re too in love with weaving a good story and establishing a seductive narrative to let facts get in the way.” Foreshadowing for the ‘good’ end, maybe?

God that Embrace scene gives me literal goosebumps.

Alright! Last time I did Danse Macabre and Retributive Justice, let’s try The Risks of Swiping Right!

lmao god I’d eat this guy too. Back to the ghost club! That legitimately is a really neat scene. ...Ooh yes so that’s where the girl was from.

Panhard just lowkey dying at the mental image of Katherine Weise in a fast food restaurant is so good.

The sweet scene between Julia and Dakota hits a bit different after the ‘good’ end XD;;

Went to the park, reminisced, and helped out the guy. That was sweet ;_; High-humanity Julia, this time!

‘Fairy God Mother?’ is great but ‘Vin Diesel?’ is objectively the funnier response.

“Shining even more brightly than usual, Aisling.” Samira got a cru-ush~

Poor Julie. It’s probably been tough without Sophie around :(

Huh. Interestingly, refusing to lie to Mia results in Julia actually feeling genuine loyalty to the Cammies (for now, at least).

Believing Agathon is still alive = more optimistic = different dialogue! See, this is how you make choices have consequences, game!

Oooh boy time to meet Adelaide XD;;

“She uncrosses her legs in a strangely seductive motion. In her mind’s eye, it probably looked like Sharon Stone in Basic Instinct, but in reality, it had all the grace of a tracksuit Slav squatting.” *snickering*

Fight me, Adelaide >:(

‘sup Nastya. Went with the slightly less disruptive routine here XD Huh, she’s an aspiring DJ! Julia is deeply confused as to how being a DJ and being head of security works together.

lmao Julia referring to Hope as a girlboss. That phrase has lost all meaning to me...

The conversation between Julia and Father Leonard is still really interesting. Man, you know who I want Julia to talk to? Anatole. Interesting insights into balancing being queer Catholic vampires there for sure.

lmao oh my god I want to fight this street reporter.

‘I can almost feel my brain losing its wrinkles.’ *snort*

Yeaghhhh the Abyss bit is still so creepy...

Oops. Being honest regarding Tamika and Torque’s relationships gets a fail :(

Oh, or not XD That works! Also, uh, apparently the giant albino ghoul alligator is real, according to New York by Night. He’s Calebros’ pet.

“Because I think I have a pretty good nose for people’s auras. And when I take a good look at you... ...somehow, I have a feeling you’re a surprisingly decent person. Whatever way of unlife you choose, I hope you don’t change it. And that you remember my advice.” :)

“I know.” Oof.

“Hi.” “WAAAH!” lmao sorry Princess XD;; Just trying to imagine Qadir’s face as he tells Julia to find a 1990 glass statue of Scrooge McDuck... dying...

Oh she’s so a Toreador XD Low art options are a fantasy book, an anime DVD, or a video game... those can all be arty, though! And went with the anime DVD called ‘Ririsu no Daibouken’... that translates to ‘Adventures of Lilith’. How on the nose XD “The cover says ‘Lilith’s Carnal Carnival’.” Oh. Yeah, that’d do it XD

“This 90s original video anime presents us with a tale of five big-bosomed samurai warriors travelling through America in search of General Hastavista, The Incubus King. Don’t let all the titillation misguide you: the main draws here are peerless direction, a nearly avant-garde editing rhythm and dialogue that coyly comments on traditional gender roles in anime. Once you see the animation in the final battle, you’ll understand why it never fails to set a sakuga fan’s heart ablaze!”

She’s my new favourite.

“So can I know your name now?”

“Hmmm... Let me think...

No. <3″

I need to stress that the heart appears in the dialogue box. Like. The actual less-than-three heart.

Didn’t investigate the rat this time, so Qadir did and I die. “Glad you’re alright, little guy.” Qadir...

Still not over the drunk blood doll rats.

Kaiser’s still a goddamn creep and this time Julia is not going too far. She still has her humanity, dammit. Final set of traits:

Loyal to the end

Glass half-full

Not into a bad cop schtick

Honesty is the best policy

No more human, still humane

Onwards to the ‘bad’ end! Oops, and Dakota still did the Single White Female thing XD;;

Man I’m still really curious who the ‘good friend’ is!!

Okay! Time for end game!!

So that’s the good friend, huh? “Let me phrase it differently, then. You’re not Ecaterina the Wise, the Agitator of Prague, a Brujah elder causing turbulences all over the world... are you?”

Mention of Christof! Mention of Christof doing shady shit :| Poor Hana.

“An immigrant from Eastern Europe comes to New York City, takes the position she always expected to find herself in, is molded into someone who is no longer herself.”

Julia and Dakota representing Carthage is kind of neat.

I want to say the mention of St Jude is a reference, but I’m not sure what to XD;; Is that from Redemption? Christof could have been the one to tell Hana that.

“Like a two-person human centipede loop or something. An Ouroburos? Or an, uhh, Mobius strip?” No, that’s the other traditionally Sabbat clan XD

That‘s. That’s a hell of a reconciliation XD “Yeah, let’s give it a try. By the way I’m on the run for my unlife, want to go to California and try to find utopia?”

Julia, wear a fucking mask XD

“Hey.”

“Yeah?“

“Do you love me?”

“... Of course I do. For now, at least.”

I still don’t know if I love her. Or even if I can love anyone, for that matter. I’m a fucking monster, after all. I don’t even know if we’ll exist next month. The prospects are not looking good. But although I can’t see myself in the rearview mirror right now...

...I will remember this image of us leaving the city, somewhat melancholic, and somewhat hopeful, forever. And maybe the meaning of this image will be clarified with time. Or maybe I will just force a more positive description on it, and that is what I’ll believe.

No matter what happens... even if oceans of blood lie before us, I will make this a cherished memory.

Whatever possible salvation still remains for me... ...it probably lies in the eyes of another.

Oh dang I have chills.

So the ‘bad’ ending is about the subverted compromise. Julia resigns herself to letting the compromise about the truth of Callihan’s death go ahead. ‘Catherine’ is a walking compromise to hide the Ecaterina’s real deeds. But while Hana is still stuck in her role for now, Julia refuses to accept the compromise she’s made, both the one relating to the investigation and the compromise she made of her own views and morals. It might blow up in her face, yeah. But damn, she’s going to try.

So, final thoughts! For the sake of completion, this is what I said about Coteries:

And of course this is the part where the game all falls apart :-\

Just… god. This is probably the biggest problem with CoNY, and the reason I didn’t bother getting it until it was like… 60% off. The bulk of the game is great - the writing is intriguing, the design is stunning. But the choices themselves are so limited it’s barely worth even getting it at 60% off!

You have three choices of characters, with their own opening chapters and own individual scenes with their touchstones. You have four choices of coterie members, and three sidequests. You can probably get in at least three full story arcs and a sidequest or two, but you’re only ever limited to two of your coterie members showing up at the not-yet-endgame.

So let’s say you decide to play all three protags, which, indeed, is encouraged (there’s an achievement for it). You are going to repeat coterie arcs and side quests, because there simply aren’t enough for three unique playthroughs.

And then you get to the end and literally everything is scripted. You get attacked by the SI. You get rescued by your two coterie members (and then never see them again, despite the game being called Coteries of New York). You meet Torque, you escape the SI, Sophie reveals her plan to Torque, you go to Ellis Island, Adelaide kills Sophie (and despite the fact that you’re given multiple options there, none of them work), Arturo does his spiel, end of game. You don’t even get to choose between ending up blood bound or going “no fuck you” and at least dying with a bit of dignity!

I just. I really want to like it, and there genuinely is a lot there to like! But uuuugh the ending. Like damn at least give the poor protag the option to choose what happens to them!

Anyway. Not sure what’s next. To get all the achievements, you have to finish with all three protags, so that’s three full runs and a lot of repetitiveness (compare to, say, Bloodlines or Night Road. I have eighty-five hours on Night Road and there’s still stuff I haven’t seen!), so I can’t even just… rush it through up to the meeting with the touchstones on the third play. Nope. Gotta finish it :-\

Final rating: 6/10

8/10 characters, 9/10 atmosphere, 8/10 story aside from ending, 3/10 story ending, 2/10 replayability. Final consensus: get it on major sale if you can, otherwise, you might as well just watch an LP. I might do that instead of doing a third run, although I at least want to do a second.

I ended up revising that 6/10 to 5.5/10 after finishing all runs and getting the achievements just out of how goddamn repetitive it was. So, how does Shadows measure up?

Absolutely continued with all the things I enjoyed about CoNY (characters, atmosphere, and writing), and of the bits I hated (cookie cutter protagonists, lack of real choice, repetitiveness, the godawful ending), every single part has been completely improved.

Instead of three fledglings so similar they even have the same internal thoughts, we have Julia, who’s got such a distinct voice that she becomes the most memorable game protag I’ve seen in years, and I’m including non-VtM games in this. This is absolutely her game, and it’s just... absolutely fascinating to read and watch.

Related - actual real choices. There are five key choices that determine the ending, and every single one has actual consequence in-game. You get different dialogue. Different introspection. Different philosophies. And this carries across - if Julia believes Agathon is alive, she’s more optimistic about her relationship with Dakota, too. And of course, both endings are completely distinct and incredibly written - the ‘good’ ending where Julia gives in to her most Lasombra instincts, plays the game, wins it, gets power and respect at the expense of her humanity and avoiding all those wraiths... or the ‘bad’ ending when she listens to her morals, reconciles with Dakota, and leaves for California, uncertain, but hopeful.

Not a lot of repetitiveness. Yes, by design, you’ll probably do two playthroughs. The main plot is much the same, but there are enough options there to get multiple dialogue options and stuff. And for the little sidequests, you can actually get all in with just the two playthroughs, only repeating like... two, I think. Still, I wasn’t feeling actively bored like I was midway through my second run of CoNY!

Loved seeing more in-depth backstory and development for the coterie members. Agathon’s section was particularly fascinating, literally getting into his head.

And just. Atmosphere and music is so, so good.

Final rating: 9/10. Thank you, Draw Distance, you hit it out of the park.

#vampire the masquerade #vtm shadows of new york #ry plays sony

[miss-tc-nova]

Unconventional Wayfinders - Xehanort x Eraqus

I’m not entirely sure how I feel about this one yet. I like the idea, but I’m wary of my execution. Oh well!

~~~~~

               Fingers work their magic, gliding through ebony hair. The pampered would absolutely melt into oblivion if he could; instead, he just soaks in the sunlight streaming in through the window and indulges in the feeling of someone playing with his hair. So relaxed is the young man that he begins to drift away—that is, until the magic stops and a digit taps against his nose.

               “Eraqus, aren’t you supposed to be reading?” Book aside, silver eyes—sparkling from that afternoon light—peer down at the lap in which the slacker rests his head.

               The response is an unashamed grin. “Maybe.” A brow arches at him. “Come on Xehanort. I’m not bothering your studies.”

               “So,” the studious replies sharply. “If you don’t study, when the test comes around, you’ll try to get me to cheat for you again and we’ll both get caught and get detention…again.”

               Chuckling, Eraqus reaches up to swat silver bangs from the other boy’s face. “Maybe next time you should double check before throwing the most obvious cheat sheet right in front of the Master’s face.”

               “Or—” The book snaps shut. “—you could study and do your test without getting me in trouble…again.”

               “I thought you liked risk.”

               “Sure, but I’m not a fool—you should know; you’re king of that field.” Fingers pinch at a cheek.

               The boy in white pushes the fingers from his face, still smiling like the royal fool he is. Then something that’s been dancing through his thoughts for a long time slips past his lips. “Hey, get a piercing with me.”

               Understandable is the look of shock on his partner’s face. “What the hell are you talking about?”

               Granted, it is a very odd request, but there is certainly a motivation behind his suggestion; he can display his affection all he wants in smooches, snuggles, and sneaky spots, but those are things that can fade in the fleeting moments following said acts. That’s not to say Eraqus will ever forget his beloved’s greedy kisses or the embraces that make him feel like he’s more than just another face in a bloodline of world defenders, but those affections, filled with so much adoration, always leave him anxious that his happiness will one day vanish—all he wants is some physical proof that these moments happened. Having thought long and hard about the decision, this is the solution that emerged.

               “Let’s go get our ears pierced,” he repeats, sitting up. “Come on. It’ll be fun!”

               “I’m sure it’ll be painful…”

               “Only for a while—Urd says it’s not that bad. Even Bragi got one.”

               “Okay, first off, Bragi would jump into a hole for a bag of candy. Second, Urd is probably the one who threw the bag down there.”

               An attempt to defend his friends is made, “That only happened once!”

               “But it happened.”

               “Just—come on! Please!”

               There’s an initial resistance, but Xehanort cannot withstand his boyfriend’s puppy-eyes for long—Era knows; Era checked. The “simple request” has to be considered a bit longer than an average request but he does inevitably give. “Fine.”

               “Yes! Let’s go!” Grabbing his hand, the excited boy drags the other out of the library.

               “Now?!”

               Yes, he wants to go now.

               By the time they arrive at the tattoo parlor that’s been scouted out for a few weeks, Eraqus is sure his companion is only seconds away from reconsidering his life choices. Various art pieces adorn the ruby walls and black furniture is set to accommodate guests. There are tables and chairs behind the show-case counter with a variety of bottles and tools looking ready to torment someone at disposal.

               “What can I do for you boys?” the man behind the glass counter.

               “Hi.” A wave is added to the greeting. “We’re here to get our ears pierced.”

               He’s far more relaxed than expected. “Cool. What do you have in mind?”

               And thus they have approached the first obstacle. “Er, actually we haven’t decided yet.”

               So the man goes over the variation of ear piercings, shows some example pictures, and explains how to care for new piercings. When there’s still no decision on the type of piercing, there’s a gesture to case, offering a look at the myriad of jewelry they have.

               The second his eyes lay on the black bands, Eraqus knows which ones he wants to share with his boyfriend—it seemed like fate to him. His finger points into the glass. “These ones.”

               They clink as they fall onto the counter for the two to inspect, but the instigator is already sold. “You sure you want these ones? Cuffs usually go in the cartilage which is a bit more painful than your usual earlobe piercings.”

               Xehanort eyes the shorter boy who grins and declares, “Yep. I want these ones—one for each of us.”

               “Alright. Who’s going in the chair first?”

               Now in the face of imminent pain, Era starts to get cold feet. While he is a key bearer and is no stranger to pain, he’s not exactly a fan of it and prefers to shy away. He’s fully aware his reaction is a little silly, but good ol’ Xe heaves a sigh and announces, “I’ll go first.”

               Stone eyes watch on as the first boy speaks with the piercer about placement of the ear décor as casually as talking about the weather on Scala. True to his persona, he shows no apprehensions.

               “You wanna hold his hand?” the artist offers the onlooker.

               This immediately brings up an objection from the first victim. “Pfft. I don’t need anyone to hold my hand. Let’s just do it.”

               A sheepish grin via Era is given; the artist shrugs and turns back on the boy in the chair. The faintest hint of concern finally flashes in those silver eyes, detectable only by the boy who knows him best. Nevertheless, with a simple blink and only the slightest of twinges, the job gets done. Once he’s free, Xehanort looks to Eraqus—ear just starting to react to the piercing.

               “How does it look?”

               The gleaming metal brings about a strange happiness within the shorter male. In Eraqus’s mind, it’s a mark—a claim—and it makes him absolutely overjoyed. “It looks great…I guess that means it’s my turn?”

               The boys swap out and the boy with black hair feels the nerves coil in his gut again. A marker taps against his ear and the placement is confirmed. As the needle is being prepped, his heart beats louder in his chest. His gaze turns on the other boy.

               “Guess I’m not quite as brave,” he admits, hand upturned in requisition.

               There’s a mock of annoyance but fingers interlock and hold firmly. “It’s not that bad, you wuss.” Nervously, the second victim just smiles.

               There’s a warning and the muscles in his body tense, his fist curling tighter around his partner’s. A sharp bite takes hold in his ear but he knows better than to flinch away. Instead, focus goes to the reciprocated squeeze in his hand. It feels like forever but eventually the pain dies down, blood rushing around the spot which is unlikely to die down soon.

               Elated and relieved, he hops up. “Phew! I’m glad that’s over!”

               “Glad? You’re the one who planned this whole thing,” his boyfriend scolds.

               “That doesn’t mean I go around poking needles through my ears in my spare time.”

               The good-natured artist chuckles. “Alright.” A mirror is propped up for their viewing. “Wha’chu boys think?”

               Once again, Eraqus is very pleased at seeing his shiny, new adornment, but that euphoria is nowhere near the hit he gets from each glance at the matching piece worn by Xehanort. Bleeding through his brain is the thought of how beautiful the mark he’s chosen looks on his dearest.

               “It’s perfect. Thanks.”

               Xe bounces his shoulders. Several more words of gratitude are given before the couple pays and heads home. The boy in white is more chipper than usual on their trek and his companion’s admiration of the light-heartedness is not missed.

               Back at the castle, the pair ambles along the student dorms.

               “So we’re supposed to spray this on our ears twice a day?” questions the boy in black, holding up a mini spray bottle.

               “That’s what he said.”

               A hand riffles through silver hair, only to quickly retract with a grimace; his ear is now notably upset at having been impaled.  “Why did you have to pick a helix piercing?”

               Despite his beloved’s griping, Era eyes the band with a little smile. “I thought it looked cooler. What? You don’t like the cuffs I picked?”

               “Why cuffs?”

               This is where the shorter boy feels a bit sheepish in admitting his cheesy reasoning—but if anyone would understand, it would be Xehanort. “Because they have stars in them.”

               What Eraqus is referring to is the star-shaped holes in the black metal. Years ago, shortly following the arrival of the non-native boy, he told his classmates about a fruit from his home world that is rumored to bind two people’s destinies should they share one—it grows in the shape of a star. Now Eraqus had no way of finding Xehanort’s home world, let alone this magical fruit; so in hopes the symbolism will be enough—even if it’s just to remind these boys to take control of their own destinies—he chose the jewelry based on a fantasy.

               “You’re such a sap.” This is no doubt Xehenort’s attempt to lighten the heavy implications. It’s worth noting the tint of pink bleeding across his nose.

               With a childish huff, Era folds his arms and storms ahead into his room. “Fine. Don’t wear it. See what I care. You just had a needle in your ear for nothing.”

               Just as he’s shirking off his haori, a pair of arms slips around his waist. “I said you were a sap; I didn’t say I wasn’t gonna wear it,” the taller hums, chin falling on a shoulder. “It’s cute that you believe in such fairy tales.”

               Stony eyes roll. “You’re rude.”

               He can’t resist the nuzzle against his neck. “You’re adorable.”

               There’s little resistance to being pulled around, but Eraqus is in for a surprise when the hands against his shoulders push him down onto the bed. He has just enough time to sit up before the other straddles his lap. It feels like a balloon swelling in his chest as his face is captured and drawn close. However, the normally hunter-like gaze is surprisingly soft and warm.

               “Silly, symbolic jewelry or not, no matter where our paths may take us, I’ll always find you in the end.” Even his voice holds that sincere emotion.

               Xehanort is not one to blatantly lay himself out for anyone—even his partner sometimes struggles to reach through the indifference. But the moments where he does let his guard down tend to be most cherished by the shorter boy as he knows they are the most important. No matter what happens, he knows Xe will hold true to his words and maybe that’s all Era needed to keep his peace of mind. It’s still going to fill him with happiness to see his little tag on his boyfriend’s ear though.

               The sweet instant is short lived, transitioning easily back to the wolfish nature more suitable for the boy in black. With a dangerous gleam, he leans closer. All tension melts in submissive boy’s anticipation.

               “On the other hand, if you wanted some sort of proof of your claim, there are certainly other ways you could’ve left a mark,” the instigator whispers against pink lips, putting every strand of black hair on end.

               “Wanna demonstrate?” His mind is already lost to the desire for affection.

               With slow, deliberate draw of his tongue along the bottom lip, Xehanort lowly replies, “Oh you know I’m going to.”

               He pushes his partner down onto the bed and indulges Eraqus in his greed.

#xehanort #eraqus #xehaqus #xehanort x eraqus #young master eraqus #young master xehanort #ymx #yme

[franadamo]

CASE STUDIES AND INSPIRATIONS.

Sleeping Beauty

Disney’s notorious and classic movie, Sleeping Beauty, was released in theaters on January 29th, 1959. The movie centers around a young princess, Aurora, who was cursed at a young age to prick her finger on a sewing wheel and to fall into a deep sleep on the day of her sixteenth birthday. At the end of the story, the Prince comes to her aid, by getting rid of this curse with a kiss. While it has been re-released four times, it is also the second highest grossing movie of 1969. 

The writing for Sleeping Beauty began in 1951, after Cinderella was released and the success it followed. Some of the elements that are found in Sleeping Beauty were taken from Snow White and the Seven Dwarves, although that doesn’t come as much of a surprise. Alongside Snow White and the Seven Dwarves and Cinderella, Sleeping Beauty was the third fairy tale movie released by Disney, and the last to be released for some time, before returning to them with The Little Mermaid in 1989. 

During the production of the movie, there was a series of replacements of directors. While the movie was originally led by director Wilfred Jackson, he had a heart attack in 1953, leaving the work to the directing animator, Larson. Disney would eventually replace Larson with Clyde Geronimi.

With this movie, Disney wanted the “film’s design aesthetic to be completely unique to anything the studio had previously crafted.” The idea for this movie was to go with a “moving tapestry,” in a sense, as if it was a moving illustration. This was a result of art director John Hench’s seeing the 16th century unicorn tapestries artwork at the Metropolitan Museum of Art in New York City. Disney also wanted the work to be as detailed as possible with, both, the character designs and the backgrounds, this work falling on background painter, Eyvind Earle, who worked in the studio for only three years. 

And this, specifically, is exactly why I wanted to include Sleeping Beauty as one of my case studies for my animation. While the overall aesthetic, color palettes and style behind Disney’s Sleeping Beauty resembles the one I envisioned for Mavis and her world, Eyvind Earle’s masterpieces are one of the things that stood out to me the most. While he had previously worked on projects such as Peter Pan (1953), For Whom the Bulls Toil (1953) and Lady and the Tramp (1955), he “truly left his mark” with Disney’s Sleeping Beauty. He was greatly notorious for his “lush landscapes” and strong verticals. After Disney saw his work, he decided that, instead of having the background artists follow on to the animators’ footsteps, he’d have the opposite, where Earle would lead with his paintings, and the animators would follow in with his style. As a matter of fact, “the animators found it difficult, even impossible, to translate Earle’s detail-laden style into viable character designs.” 

Sadly, the movie was a “financial flop.” Not necessarily because of its art direction, but because, as author Bob Thomas noted, “the emphasis was on visual beauty and spectacular effects.” Furthermore, the movie was “released in Super Technirama 70mm, which means there was a higher level of detail and stylisation,” being a huge step forward in the animation field at the time. It also featured a significant transformation in terms of animating, where the traditional “round imagery” turned to a flatter and more graphic sophistication. 

Similarly, in terms of style, I also wanted to include Disney’s One Hundred and One Dalmatians (1961) and Pinocchio (1940).

References: 

Cain, A. (2017) This Artist Made Disney’s “Sleeping Beauty” Enchanting - and Nearly Impossible to Animate. Available at: https://www.artsy.net/article/artsy-editorial-artist-made-disneys-sleeping-beauty-enchanting-impossible-animate.

Jamieson, D. (2020) The House of Mouse Project - “Sleeping Beauty”. Available at https://thejamreport.com/2020/04/22/the-house-of-mouse-sleeping-beauty/

Deja, A. (2013) Deja View: The Art of Sleeping Beauty. Available at http://andreasdeja.blogspot.com/2013/01/the-art-of-sleeping-beauty.html.

Rowney, J. (2019) Sleeping Beauty Facts on 60th Anniversary - Movie that nearly Bankrupted Disney. Available at https://www.mirror.co.uk/film/sleeping-beauty-facts-60th-anniversary-13838175

Oliver, M. (2000) Eyvind Earle; Artist and Disney Painter. Available at https://www.latimes.com/archives/la-xpm-2000-jul-25-me-58783-story.html

Thumbelina

The movie Thumbelina was originally released on March 30th, 1994, by Warner Bros. It was directed and produced by director Don Bluth. While the movie was produced in the 1990s, the story itself originates from Hans Christian Andersen’s fairy tale, Thumbelina.

The story features a tiny girl born out of a tulip, after a woman struggled to have a child of her own. Thumbelina herself, like the name suggests, is the size of a thumb. Throughout the story, Thumbelina learns to love herself by undergoing several adventures. The production featured renowned voice actors, including Carol Channing, John Hurt, and even Jodi Benson, who’d notably voiced Disney’s Ariel in The Little Mermaid, in 1989. Some of the animators that worked on this movie were Paul J. Kelly, Jacques Muller and Mark Pudleiner. 

When producing the movie, Merlin and Media Assetshave offered to spend 6 million dollars in the production of Thumbelina, as well as A Troll in Central Park. Unfortunately, it wasn’t as successful as it was planned to be, gaining almost half of what was put into the production of the movie. While I personally remember liked the movie as a child because of its colorful aesthetics and in the way that the animals’ features were overly exaggerated, it was also very colorful, while having a, somewhat, darker theme, when it came to the presentation of a fairy-tale world. In a sense, it stayed true to the darker hints that Hans Christian Andersen left behind his stories. Also, while the colors are plenty and to be seen everywhere throughout the movie, they’re also quite muted, and not as bright as they’d usually be for an animation that is aimed at children or at a younger audience. 

Nonetheless, aside from the style and the use of colors, I also included this movie as one of my case studies because of the way that the creatures are shaped and presented. In a way, they serve as some sense of inspiration when I work with Mavis’ own universe, in terms of anthropomorphic and normal animals.

References:

The Big Cartoon Database. Thumbelina. Available at https://www.bcdb.com/bcdb/cartoon.cgi?film=23391

AllMovie. Thumbelina (1994). Available at https://www.allmovie.com/movie/v133496

Hersholt, J. Thumbelina. Available at https://andersen.sdu.dk/vaerk/hersholt/Thumbelina_e.html

Dawtrey, A. Merlin’s Magic May Animate DBE. Available at https://variety.com/1992/biz/news/merlin-s-magic-may-animate-dbe-100532/

Spirited Away

The movie was released in 2001, by the notorious Studio Ghibli. It was produced by the Studio Ghibli co-CEO Hayao Miyazaki. After releasing the greatly acclaimed Princess Mononoke, he immediately began working on this new project, after he found inspiration during an outing with some of his friends and their daughters. At that time, he noticed how girls were reading manga, and how the latter were often times focused on romance, and subjects of the sort. This made him think, ultimately asking himself: 

“Is there possibly more that we can offer the young girls of this country?”

And so, the idea for Spirited Away, originally called The Spiriting Away of Sen and Chihiro, was born. The story follows the adventures of a young ten-year old girl through a “strange world of spirits,” where she needs to “find the will to live and save her parents,” who, in the meantime, had been turned into pigs. The movie began with a budget of 15 million dollars, while Disney agreed to finance 10% of its production costs. After its release, Spirited Away had a massive success, way more than the Studio could have ever imagined. In fact, “by the spring of 2002, the film would go on to shatter the previous record helf by ‘Titanic’ at the Japanese box-office.” Furthermore, “Spirited Away's $235 million not only sunk Titanic, but also set the film as the first non-American film to make $200 million outside of the US,” surpassing Princess Mononoke’s $155 million’s box office, back in 1997. 

This movie is, to this day, the highest grossing movie in Japanese history. Additionally, frequent director of notorious Pixar movies, John Lasseter, was assigned with the task of Disney’s creative consultant in the US release of Spirited Away. This was also a key factor in the commercial success of the movie outside of Japan, as John Lasseter, aside from being a highly renowned animator, was also a huge fan of Miyazaki. 

* Miyazaki is also very known for his use of watercolors. Furthermore, he often times includes anti-war, pro-environmentalism and feminist themes into his works.

In terms of the animation itself, Miyazaki wanted to explore the use of computer technology. However, while he and his team wanted to work with this media in particular, he also didn’t want it to use too much. Instead, he wanted to “keep the technology at a level to enhance the story, [and] not steal the whole show.”

“Studio Ghibli has forever shifted Japanese popular culture through their unique and constant quality storytelling coupled with beautiful visuals.”

Similarly, in terms of style and color use that I like to associate with the world and animation that I have in mind for Mavis and her own universe, I thought of Studio Ghibli’s Kiki’s Delivery Service (1989).

References:

The Making of Hayao Miyazaki’s Spirited Away - Part 1. Available at http://jimhillmedia.com/alumni1/b/michael_howe/archive/2003/04/15/1391.aspx

Herskovitz, J. “Mononoke” Creator Miyazaki Toons up Pic. Available at https://variety.com/1999/film/news/mononoke-creator-miyazaki-toons-up-pic-1117759995/

Gurney, J. (2017) Watercolor Tips from Hayao Miyazaki. Available at http://gurneyjourney.blogspot.com/2017/03/watercolor-tips-from-hayao-miyazaki.html

Ewens, H. (2016) Why ‘Spirited Away’ is the Best Animated Film of All Time. Available at https://www.vice.com/en/article/8geg4b/spirited-away-ghibli-miyazaki-15th-15-year-anniversary-best-animation-hannah-ewens

Mcdonald, T. (2020) Studio Ghibli and its Affect on Japanese Culture. Available at https://www.arcgis.com/apps/Cascade/index.html?appid=b2e39738b7d140babc407db5a40415e8

BBC. (2016) Hayao Miyazaki: Japan's Godfather of Animation? Available at https://www.bbc.co.uk/news/world-asia-38074088

Honorable Mentions: Disney’s Robin Hood (1973), Tangled (2010).

#course: animation principles #animation principles term one #uni work #year 1 #myportfolio #case studies