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thesagedahlia · 3 months

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HOLLYWEIRD READINGS PRESENTS: SEAN ‘DIDDY’ COMBS CHART ANALYSIS * PART 1*

*TW: mentions of ab*se, violence, r*pe, and s*xual assault*

INTRODUCTION

Sean Combs has been well known as the hip hop mogul of Bad Boy Records since the 90’s, as well as his affiliations with the likes of Notorious B.I.G. and Lil Kim to name a couple of the many artists to come out of that era of hip hop, but if you were alive and aware of the 90’s you wouldn’t be shocked to know that the name ‘Diddy’ was oftentimes entangled into controversial situations and conspiracies. It would even be safe to say that there’s a conspiracy that Diddy, as a gatekeeper of the hip hop community, was in fact a very controlling, domineering & aggressive kind of person. In true Scorpio fashion, a lot of his dealings have been kept under the radar and were never pressed upon, even suppressed from the media as much as possible. UNTIL RECENTLY, not only has Diddy been paying out his former signees from the label (after not paying them properly in the first place), but Cassie Ventura also brought up a civil lawsuit against Diddy which was settled within 24 hours. Cassie was another signee to Diddy’s label, as well as his long-time ‘girlfriend’ of 10 years. They separated around 2019 which was coincidently when her contract under him finally dissolved. Since then, she’s been happily married with two children, but if you are familiar with the reading I did on Cassie some time ago, Diddy was coming up a lot as trying to get in contact with her or keeping tabs on her through different means. Though I never directly focused on any abuse of any kind, there felt to be a very dark presence around their connection, and a lot of it was operated under Diddy’s control. Which is why Diddy still to this day has such a profound effect on Cassie, which has helped her develop an addiction problem among other psychological trauma. Before I even pick apart their synastry, I’m going to pick apart Diddy’s natal chart to the best of my abilities, for the ones in the back-left that don’t believe he is capable if the things outlined in the lawsuit. What tipped me off was Diddy’s acceptance speech for his BET Lifetime Achievement Award received around June of 2023, with the way he mentioned Cassie and the words he chose. Considering what I picked up in my reading before, I wouldn’t be surprised if Cassie felt highly triggered and threatened by his speech once she caught wind of what was said. So honestly the lawsuit came as a shock, not because I wasn’t privy to such or I didn’t see it coming, but only because I didn’t expect her to stand up to him so soon after separating (it’s been roughly 3-4 years). To mention briefly, Cassie is experiencing a Lunar Nodal return (the North/South node lining back up in the position they were in at the time of her birth) which is ironically the Aries North/Libra South axis, clearly spelling out how it was in this lifetime that she was to break the mode of ‘people-pleasing’ and dependency and being inclined to stick up for oneself, especially in romantic relationships (South Node in Libra crossing her Venus placement). Cassie is an extremely strong person for asserting her boundaries in this way and now that she has exposed him and finally can work toward her healing, she was also able to open the floodgate of something far beyond her, which I’m assuming that’s also what she wanted. The past month in me conducting this report, more lawsuits of the sexual nature are starting to surface, which only confirms that this is the beginning of an unraveling within Diddy’s proverbial closet, in which his skeletons pile up.

There’s no question of Sean’s impact & influence within the industry and that impact is reflected in his chart, however this specific report will be focusing in on relevant patterns and configurations within the chart that reflect certain conspiracies and allegations:

* DISCLAIMER: FOR EDUCATIONAL/ENTERTAINMENT PURPOSES ONLY; THIS IS AN ASTROLOGICAL CASE STUDY THROUGH NATAL/SYNASTRY CHARTS, ANY ASTORLOGICAL CONFIGURATIONS THAT I MEANTION IN THIS READING THAT ARE RELATIVE TO THE READER ARE NOT PRONE TO THE ANALYSIS THAT I CONCLUDE WITHIN THIS READING, THEY ARE MANIFESTATIONS OF THE ENERGY PRESENT WITHIN A SPECIFIC CHART COMPARED TO THE PUBLIC INFORMATION REGARDING THE INDIVIDUAL*

*This will be citing the subject’s most relevant traits regarding recent news through their energy signatures*

MARS IN CAPRICORN

As a lot of people may be aware of, Sean is a person who demands respect for his reputation in the industry. Being a Capricorn Mars native, I can see this being one of the main culprits that contribute to his control issues. Mars in Capricorn natives are driven by their ambition and determination to achieve a certain status. These natives, from a shadow perspective, can be very materialistic people and can produce someone who uses their money, power and respect (see what I did there? See the irony?) to assert authority onto those who he would consider ‘weaker’ or less established. This can even create someone who ‘bullies’ people because of the status they have. Capricorn is a calculated sign as well as entrepreneurial, so he has an affinity to throw his money around to assert himself and get what he wants. Mars is also making a square to his Mercury in Scorpio, which can detail more of a defined obsession for power and control (more on this below). Mars also squaring Jupiter can expand his quest for greed and can amount to an abundance of energy that needs a proper outlet or can succumb to his impulses and aggression. His Jupiter in Libra is already making a tightly wound conjunction to Venus that can reflect how his abundance can be defined by the business he makes and those around him, which will need a further explanation considering the surrounding and angling planets involved, but this can all tie into his tactics to control the business that he does and for him to be the one to mostly benefit from it. Lastly, and more importantly, the square Mars is making to Venus can be particularly subject his personal and intimate relationship to aggression, violence and other disruptive impulses (more on this below).

MARS IN CAPRICORN SQUARE SATURN IN TAURUS

On a surface level, the energy of this aspect can make for someone who is a hard and consistent worker and can work on things to exhaustion. From a psychological standpoint this specific square can be more violent, domineering energy within this native. Sean’s assertiveness can be in conflict with authority figures in his (early) life, which can in turn create an inflated & ego-driven sense of authority within himself when achieving the power that he has been accustomed to for so long. This can also point to his tendencies to use violence and force to solve his problems or to keep people ‘in line’. There is a lot of knowing behind the scenes of exactly what Sean is capable of in the industry, so there is a running joke that he can make people do what he wants or else they will ‘disappear’, which other parts of his chart can point to that theory as well (refer to ‘significant patterns, cradle 1’). This is also a great point of Sean’s inclination to rebel at any given opportunity, and a lot of his motive has to do with power and control, which is a running theme in his chart. This square is connected in a T-square (1) with Mercury, which can be an indication of having a tight-knit network of people who have a lot of power and prestige. Sean has a lot of wealthy ‘friends’ that he does business with, and these are people who were regulars at his hosted gatherings, both public and private. This square is a very selfish energy, not willing to go out of his way for people unless there is something in it for him, especially with Saturn having power over Mars (Mars in Capricorn). This can make Sean a very callous, unforgiving person who has more interest in dominating others, and he doesn’t stop to put other people into consideration. He can also be prone to frustrations, so it’s likely he’s not the most easy-going person. Punishments are very likely with this square, as he is inclined to make people work beyond their means to be rewarded as he sees fit, or he may look to restrict those who aren’t as cooperative. I also wouldn’t be surprised if Sean was into a lot of binding (BDSM) and violent kind of kinks (like rape or torture), especially with Pluto making a trine to Mars. Moreover, Capricorn Mars natives can have an insatiable appetite for sex, and in simpler terms can make for someone with prominent anger issues.

MOON-SOUTH NODE CONJUNCTION IN VIRGO

This conjunction between the Moon and South Node is significant because it represents how comfortable he is in his karmic and negative emotional patterns, and how easy it is for him to project that onto other people. Besides ones’ habitual nature and raw emotion, the Moon placement can also be the direct link to one’s mother as well as other feminine/maternal figures in a person’s chart. In the case of the mother, I discovered upon research that Sean’s mother was a model/escort (allegedly being supported by the Virgo Moon, Virgo ruling service, while modeling is ruled by Virgo’s opposite sign, Pisces (North Node)) who exuded the party-girl aesthetic, which can directly point to this Moon to South Node influence by his mother making that kind of lifestyle the ‘norm’ for him growing up, as the South Node represents our past lives or karmic lessons that we come into this lifetime needing to learn/move away from in one sense, it can also come up in a person’s chart as generational patterns that one has inherited into this life, or have been conditioned to upon entrance into this consciousness. There is also an allegation of his mother being predatory, and this is supported with the Virgo Moon representing ‘grooming’ from a feminine figure (the Moon), or the mother. More to this theory, there is a specific video where Sean professed to going to (strip) clubs with his mother and they are also seen kissing each other on the lips, which could be normal for some parent-child relationships (when the child is STILL a child), but another takes puts fuel to allegations that Sean was also preyed upon or groomed in his adolescence. Additionally, Virgo is the sign of service, work, daily routine, health/diet and anything of the like, it also represents ‘training’. As you know, Sean is known for the way he likes to be in control and how critical he is, so this is very on brand for a Virgo Moon native. When we talk about how he treated his signees on a public scale, Sean tended to be a critical, micromanaging force who controlled their image, the way they sounded, and how he wanted them to work for him. In a lot of cases this would entail how they ate as well, especially women since the Moon governs women. He also liked certain things within his order, which he could almost be obsessive about it. This doesn’t only apply to the ones who sign to his label or work with him generally, but also the employees that work for Sean on a routine basis, such as security, fitness trainers (another Virgo trait), cooks, maids etc. What I can deduce with this placement, Sean is particular about things being of a certain order when it comes to his employees and women in his life, and this can come from a specific karmic pattern that he was conditioned to in his past (The Moon can also represent one’s upbringing), namely reflecting a specific insecurity that he grew up dealing with. He may have lived in some kind of instability within himself, to which he found (albeit unhealthy) coping mechanisms for. He likely holds onto negative emotions until they build up within him to explode, which can likely be a person who is known to lose his patience. This is a wide orb so the severity of its effects may be weakened, but it is still prominent in the native so long as he clings to the comfort zone. Lastly, as a controversial opinion, the sign of Virgo is the ‘virgin’, or the maiden. Being that this sign represents something of purity and youth, as well as young women, this could pinpoint a tendency to attraction to ‘younger’ women. The lower frequencies of Virgo can take ‘training’ to a darker connotation, into the scope of ‘grooming’ as previously mentioned.

LILITH IN CANCER

The Lilith placement, in a man’s chart, represents the kind of woman he desires, yet fears. This is the same kind of woman that can truly overpower (or destroy) him. Lilith also represents defiance, sovereignty, darker emotions, the shadow side, and the wounded feminine energy or when we know we’re being manipulated, abused, or disrespected. In Sean’s case, not only does this denote a disconnect with his mother or females in his family in the traditional sense, but his Lilith placed in Cancer also says a lot about how he regards nurturing, soft and naturally empathic women. In his mind, this type of woman is ‘weak’, which can be traced back to the women he was generally able to overpower and manipulate (i.e. Cassie). This placement is another major indicator of the mother being somewhat of a temptress or taking on the ‘dark feminine’ archetype. The energy of Lilith in Cancer completely rejects traditional feminine energy and deems it to be something to dominate within oneself and others. With the afflictions to this placement, there is even more of an indication that he carries this psychology into his relationships and interaction with other women. With this placement I could go as far as saying that Sean has a complete disdain or hatred for women on a subconscious level and can manifest as a desire to have control on women that appear weaker to him. The sextile made to Pluto can tell me of just how explosive and violent he can be toward women in attempt to control/dominate, even deadly consequences are noted here. Lilith forming an opposition to Mars in extreme cases can even add forced violence toward women, even rape considering both Mars and Lilith govern over raw sexuality (Lilith being the feminine depiction of this). There is also a square Lilith is forming to Venus, which is also forming its own square to Mars (more on this Mars-Venus Square/T-square below). Venus’ contribution to Lilith in this instance can represent a more prominent force within his connections, not only referring to his intimate and personal relationships, but his business and industry relationships are subjected to this power-hungry dynamic where he is more strategic of how he gets over and manipulates others into his favor, Venus being good at making things look a particular way. This placement is an instinct within Sean to sense out those who are more capable of being manipulated, whether they are naïve and unassuming or not. Manipulations through things such as contracts, NDAs, PR, etc. as this is reinforced his Venus is placed in Libra (Libra represents written contracts and public image).

CHIRON IN ARIES

Chiron as Sean’s hidden psychological wounding (fears and insecurities) can revolve around his own, or the energy of, masculinity. As previously mentioned with his Lilith in Cancer placement, Sean has a borderline disrespect towards those he considers weaker, or ‘feminine’, so it would only make sense if that were to stem from toxic/wounded masculinity that he may have been conditioned to growing up. This can make for a person who overcompensates for his own assertiveness, pushing the barrier to being overtly violent, abusive, and domineering. This can also point to a specific ‘wound’ surrounding his masculinity that can have everything to do with sexuality with Mars making a sextile to this placement. This aspect can also give support to someone with a ruthless ambition, as Mars’ energy is doubled and can be malefic and disruptive in nature (such as Chiron). Sean could have been exposed to a violent or hyper-masculine world growing up and can be conditioned to the principles of ‘survival mindset’ and war mentality. The history with Sean’s father can put this theory into perspective, if we factor in that he was alleged to be a drug-dealer who died by gun violence (also a Mars/Aries signature). This can lead to his affinity toward solving problems with violence, especially with Pluto making an opposition these can have fatal outcomes. This is a particularly deadly energy that can bring about hostile situations.

NEPTUNE IN SCORPIO

Neptune is a generational planet that can represent a pattern in our chart that can be heavily veiled and hidden from others and even ourselves, and can be referred to as the collective consciousness. It can also refer to our psychic inclinations and our spiritual understandings. The era for Neptune transiting the sign of Scorpio was between the years 1956 to 1970, and this would cite Sean’s birth year to be 1969, making Neptune 27 degrees through the sign. This was the period infamously known for drugs, sex, rock n’ roll, and even mysticism, which were all things that gave way to sexual liberation, experimenting with substances, and the emergence of religious cults. People born in this specific time where Neptune was traveling through Scorpio can have more of a soul recognition to these influences which can serve as a subconscious relevance to the native. Sean Combs is no exception, as I would consider him to be hiding a sexual liberation that may seem unusual or shocking to others. This is also an indication of what other intuitives/astrologers have been picking up about him forever now; that he is well aware of manifestation and alchemy (Moon/Pluto in Virgo supports this as well). Sean is likely aware of and have personal interests in cults and ritualism, so this can give merit to idea that Sean hosts sex parties/rituals. This is an intense, mysterious and possessive nature that is hidden beneath Sean’s surface, and he has likely had an upbringing that has desensitized him to all kinds of destruction, danger, and chaos. This Neptune is ruled by Pluto (and Mars traditionally) and is also making a sextile between the two planets (can be found in Cradle 1 and 2). This can bring opportunities for manifestation and manipulating energy for one’s own desires. With Chiron trine to his Neptune as well, he can be someone to suppress whatever insecurities he may have through escapism tactics, such as substance abuse, giving way to the theory of Sean’s own self-destructive tendencies.

SUN IN SCORPIO CONJOINED TO MERCURY IN SCORPIO, BOTH OPPOSITE SATURN IN TAURUS:

Here is a configuration that plays a part closely with one expression conjoining to one’s mental compatibility. Scorpio can represent cruelty when operating on lower frequencies, which in this case can also take on a controlling & possessive connotation. This can also create a person that can prioritize enforcing their will onto people for the sake of gaining powerful status. Add that with a double opposition that Saturn is making to his Sun-Mercury conjunction, and you have a person who may have a restrictive and dictatorial quality to the way that they manage contractual business with others. There is an energy of a dictator or an authoritarian to other people, even a cult leader (Taurus Saturn), and being able to punish those who go against them (Taurus/Scorpio axis governs loyalty/betrayal). Another take with the Taurus Saturn, this can be someone who expected loyalty from his people in the same capacity as a cult, especially those who worked under him for extended periods of time. Saturn is ‘the punisher’, so that would suggest the claims of aggressive intimidation against certain people, even sexual abuse with Scorpio involved (citing ‘violent’ kinks). On the spectrum of sexual assault, this is a point where I believe that the nature of this configuration would impulse a native to sexually ‘punish’ their victims, which can also include a forceful connotation when the victim refuses to accommodate the native in question. Scorpio placements operating at low octaves can be vampiric to those they encounter, and that opposition to Saturn can indicate selfish tendencies that he may be more willing to use the people around him to benefit him and his status. There is also a presence here of legal situations involving the finances of other people & the contracts that they sign with Sean. A take-over spirit that sucks everyone dry is also what I would describe it as. This configuration also supports someone who is capable of limiting fame and notoriety from his own artists if they felt it necessary, placing that same spotlight onto himself. This configuration ALONE backs up a lot of claims regarding anyone feeling cheated by Diddy financially, having an entire catalog restricted from the artist, and the overall control of said artist through contractual obligations. As mentioned previously, some information in regard to Sean’s late father and the lifestyle he led, which can also be a manifestation of this configuration in his chart.

VENUS-JUPITER CONJUNCTION IN LIBRA

Getting to a contradiction within his chart, this aspect can speak to the kind and benevolent nature that he may have been trying to channel, as noted by his most recent name change to “Diddy ‘Love’ Combs”, especially from a spiritual/religious standpoint involving Jupiter. Sean has been cited lately as changing his image in the way of creating what attempts to be a ‘peace-loving’, family-oriented aura from the native. But this placement does a lot more harm than good even involving the two aforementioned benefic planets. This conjunction expresses his generous nature, especially to the women he was publicly and privately in a relationship with. Not to mention that Jupiter also governs publishing, so Sean being in control of the publishing and producing credits at the label can be seen with this aspect. This is a major indicator of being able to benefit from his own generosity, in the sense that he expects to be compensated for what he has given his artists or his relationships. Libra is about balance, symmetry, and justice and when it comes to this conjunction, Sean’s extravagance came with the expectation to continually do right by him to some degree, as there is a reciprocity that comes with the energy of Libra, this configuration in a person’s chart, on the flip side, can make the native inclined toward greed and can even make one prone to addictions. Mars squaring Venus within this conjunction creates a motivating factor to merge his money and power, to essentially have a certain type of control in the industry. He also uses this control to steam-roll his relationships into being loyal to a fault. He may also indulge the most into his addictions/greed on a social level, which can be a direct link to parties he would throw since the 90’s, the same parties that are now being implicated as possible ‘sex rituals’ or sex trafficking social events (depending on what you believe personally). The Venus to Mars square can very well include the raw, sexual nature of the parties Sean would host or be a part of himself. Sean’s extravagant nature is not something that is unheard of to people who are aware of him generally, but behind industry walls this can actually point to the inflation of his ego. Sean is also someone who likely has very good lawyers and legal professionals working for him with this aspect, and he is not one to shy away from legally binding agreements in his business, i.e. NDAs.

MERCURY IN SCORPIO SQUARE MARS IN CAPRICRON

When you have the planet of communication squaring the planet of will, this can make for a verbally forceful and disregarding native. Sean is not really a stranger to being an aggressive communicator with a sharp tongue, but this is another indication of him operating on a short fuse. This can be due to the overstimulation that’s interpreted with this aspect, and the increase in impulsivity. Sean is likely a very intimidating communicator, and he doesn’t have any impulse control. A lot of his motives are once again linked with the obsession for power and control over others through his powerful connections and status. Sean also has a violent nature that he may be more inclined to keep hidden, but with Mars squaring Venus this would make these themes show up more in his social or romantic relationships (as a Libra Venus is skilled in making public perception of the native appear polished and balanced, with Libra ruling PR). There can even be sexual kinks that are deemed deviant and would likely be shunned upon with this square happening between the signs of Scorpio and Capricorn (‘violent’ kinks are cited here). This can also make Sean a determined individual with an insatiable need to fulfill his desires, and those desires can only be met with unwavering hostility and force. This can pertain to professional, personal, and even sexual desires when it comes to Sean. There is an inclination toward arrogance and power trips toward those he employs, and verbal abuse is the main weapon he uses unto others. This also reinforces him being accustomed to innate control over others and his mode of operation relying heavily on his connections to the industry (Mars in Capricorn).

MARS IN CAPRICORN SQUARE VENUS IN LIBRA

Here we have a native that is likely to be a forceful person within his interpersonal or romantic relationships and can attract those who are easily shaped and molded (Venus in Libra) or the native can project this motive onto those he is involved with. This aspect is associated with anger issues, a lack of self-control, and intense love-hate dynamics within intimate relationships. As this can be a reflex in establishing control, it is likely Sean is as domineering as everyone may portray him to be, especially those who have seen the different side of the coin. It is also likely that Sean can have a PR team behind him that can paint a less egregious picture in regard to his personal life, though behind the scenes it’s worse than what anyone could have imagined. This can also attract abusive dynamics, especially with any other malefic influences touching this, which can be cited by Mars’ opposition to Lilith in Cancer also squaring Venus (see T-square 2). Sean is inclined to dominate those who he is intimately, personally or professionally involved with. I could even go as far as to say that he has a domination kink (if I haven’t mentioned this speculation already) or a punishment kink (involving Saturn ruling the Mars placement). This can also cite difficulties in court proceedings against Sean as his Libra Venus would suggest a functioning legal team and producing iron-clad NDAs and contractual bindings in his business dealings. Also making note that Cassie is a native to this same Venus to Mars square, which the significance of this is likely to show up in the pair’s synastry.

SIGNIFICANT PATTERNS

T-SQUARE 1

Taurus Saturn opposite Scorpio Mercury, Square Capricorn Mars: This is the more general source of his anger and temper towards other people, and it involves previously mentioned aspects. For this T-Square, he has his apex planet (or the focal planet where we see the problem) as Mars, which has been the running theme, if not the dominant energy in the native’s chart. The point of tension with this T-square can point back to his aggression surrounding the way he dominates and manipulates control. Saturn opposite Mercury can suggest frustration from an inability to relate to others personally due to a lack in communication skills, which could have been a theme for him from a young age. Sean could have also been subjected to seeing different ways of being overpowered by authority in his upbringing or early career, which can create initial opposition with authority that he’d aspire to overcome, and a desire to achieve the same ‘untouchable’ status that he had been privy to, even through aggressive and violent means. Sean may have grown up to inspire control over those weaker than him, in comparison to what he may have been subjected to growing up. The ruler of the sign Mars is in (Saturn) being in the sign of Taurus can bring a direct importance and drive to achieve power through his material/financial status. He is a very technical person, and very strict, especially if it comes to criticizing or training people (which has come up before in other sections). As an employer, this can make Sean a very harsh person who may place extreme demands on the people under him, even if they were simply apprentices. Sean has a significant pattern of having a dominating presence over the people in his life, whether they work for him, are friends with him, or within romantic and intimate relationships. This is the perfect configuration for “aggressive manipulation”, which Sean seems to always be tied to. He is also capable of bringing sorts of ‘punishment’ onto those who don’t abide by his expectations. This can also be in lesser extremes, such as being harsh with his training/teaching and aggressive dictation. In recent history, there have been classic shows that essentially depict this and what immediately comes to mind is ‘Making the Band’. Incidents such as the ‘Cheesecake’ incident (and things such as hazing) are great manipulation tactics where Sean can construct the belief of one’s own authority and how he was projecting that onto his signees. This was how he was able to achieve the authoritative status that he did as a mogul/gatekeeper in the industry, reinforced with his Capricorn Mars at the 29th (Leo) degree. This is also a T-square that can pinpoint his ability to network through the industry and being in rooms with different ‘important’ people and allowing himself a roster of artists/fellow associates to catapult himself ahead as a music executive. In a more technical context, this is a T-square that also points to his ‘shady’ business (one off, not only). Mercury being in the sign of Scorpio (and adversely having Pluto in the sign of Virgo) opposite Saturn in the sign of Taurus can signify Diddy’s affinity toward his iron-clad contracts, NDAs, and underhanded payouts (as mentioned in previous sections). Adding that the sign ruled by Saturn is also his Mars placement, Saturn’s energy is prominent within this T-square (Saturn/Capricorn = binding contracts, corporate business). In a sense, with Mercury in Scorpio (Scorpio = joint investments, joint accounts, ‘other people’s money’), Sean was able to manipulate those who he’s signed into going into contractual business with him, and the Mercury-Saturn opposition can translate into bad contract dealings.

T-SQUARE 2

Capricorn Mars opposite Cancer Lilith, Square Libra Venus: This specific T-square can suggest his dynamic that he has towards women. As previously mentioned, Lilith in Cancer in a man’s chart can suggest a distain or blatant lack of respect for the feminine quality and finding women to be a weaker species. Add in the opposite angle happening with Mars and you have someone who likes to overpower the women in his life. The apex planet of this T-square is Venus in Libra, which is squaring his Cancer Lilith and his Capricorn Mars. The focus here is the essential ‘domination’ over his sexual/intimate and even business relationships, and the aggression that he naturally has towards women, and this can go especially for the women he has signed in the past. The ruling planet of the Lilith placement is the Moon, which is placed in the sign of Virgo, which governs routine, work, and health/diet. A lot of Sean’s criticism towards women can have a lot to do with how they look, their diet, and how they take care of themselves. This can absolutely correlate to the women he dates as well as for the women he decides to sign and work with. As previously mentioned, Virgo is the sign of the teacher/trainer, and this can represent why the Lilith in Cancer placement is so obsessive with overpowering women in a way of dictating and critiquing them. The women in his life have to abide by a certain standard, and in a lot of ways can make him prejudice to certain types of women and want to ‘fix’ or ‘change’ them to what he finds appealing. If they don’t fall in line the way he wants to (Venus in Libra), there is a violent streak that can come out in him (Mars opposite Lilith).

CRADLE 1

Pluto Chiron Opposition (Pluto in Virgo, Chiron in Aries), Virgo Pluto sextile Scorpio Neptune, Virgo Pluto trine Capricorn Mars, Aries Chiron sextile Capricorn Mars, Aries Chiron trine Scorpio Neptune, and Capricorn Mars sextile Scorpio Neptune: This can pinpoint to a lot of rage that is inspired by insecurities and deep seeded psychological wounds (Pluto opposite Chiron) that don’t have a healthy exit point. On one hand you have a Chiron in Aries, which can indicate someone who has insecurities surrounding the expression of their masculinity, or may have some tendencies toward toxic masculinity, narcissism, and misogyny. On the other hand, his Pluto in Virgo can point to obsessive compulsive behaviors that can reach extremes about perfecting a specific standard, which may lean more toward internalized powerlessness and insecurity. This opposition can result in him overcompensating for these wounds/insecurities, projecting them onto others, and can manifest in him seeking to dominate others with that Pluto influence. The supporting aspects that create this cradle (Mars, Neptune) speak to the talent/opportunities that are connected to his goal-oriented determination and business-like ambition (Capricorn Mars) and his artistic abilities with musical vibrations (Scorpio Neptune). This cradle can suggest someone who is able to use their power and influence in the music industry to hide from their psychological wounds and using it as a crutch or suit of armor that is meant to keep him from being accountable for the way he may strong-arm other people to get to his desired status. I can also see this being a main source of his believing he was invincible from receiving any certain consequences. This can also be a source of him using his power to engage in sexual encounters of his dominating desires, and having a forceful and aggressive undertone that can easily become threatening. Another interesting thing about the Mars sextile Neptune included in this cradle, which may indicate that he would have desires to film/take pictures of these encounters, which has been alleged of him being in possession of photographic evidence of some encounters from his own partners or of different women in different states. Leverage that to him, can be interpreted as a way for him to brag or assert domination with these women by sending these intimate pictures/videos out to his mutuals (rapper 50 Cent was cited as receiving such intimate photos of Cassie from Sean back in 2010). It’s likely that Sean may be someone who wants to be able to act out and film his sexual fantasies (Scorpio Neptune) and most of them may be where he’s dominating his partner, possibly in violent ways with Mars in a trine to Pluto. A lot of his reputation, both known and unknown, are tied up with this specific astrological pattern, but the Pluto Chiron opposition alone can be the indicator of a rapist/rape victim, which the trine/sextiles to Mars and Neptune can support this. It is also alleged that he had enough power to make people ‘disappear’ and this cradle supports the manifestation of that, especially with Mars’ trine to Pluto and its sextile to Neptune. This specific configuration supports any kind of claims or allegations linked to his violent nature being supported or even helped through the power or status that he has maintained in the industry, and him using violence to stay feared (because to Sean, Fear=Power; Mars trine Pluto).

CRADLE 2

Mars Lilith Opposition (Capricorn Mars, Cancer Lilith), Capricorn Mars sextile Scorpio Neptune, Capricorn Mars trine Virgo Pluto, Cancer Lilith sextile Virgo Pluto, Cancer Lilith trine Scorpio Neptune, and Scorpio Neptune sextile Virgo Pluto: This cradle has the same Mars Pluto trine, which encompasses that ability to acquire power and protection within the industry (involving Neptune) previously mentioned, but the focus of the tension is shifted to the complete rejection of feminine energy. Mars in Capricorn opposite Lilith in Cancer can create a self-preserving, venomous individual whose passions/ambitions are being channeled into episodes of rebellion, domination and control. This is a person who is vengeful, sneaky and domineering when it comes to his sexual and intimate relationships and can find himself projecting that back on to the women he engages with. Lilith in Cancer can directly relate to a desire to dominate women (if afflicted) especially to empower oneself, but with it opposite to Mars in Capricorn this can stem from some kind of hatred or coldness toward women that can also come off as complete disrespect. The Lilith trine Neptune in Scorpio can note an inclination to sex rituals, or spiritual (occult) explorations through sexual means in a way to manifest and manipulate energy, and a lot of women in his past have been participants and may even been scouted out for such (Mars sextile Neptune). This is also supportive of engaging in sex trafficking and being able to fly under the radar (Neptune trine Chiron, Lilith, sextile Mars). A lot of Sean’s sexual lifestyle and nature were always something people illuded to being of a dark nature, or at the very least, unconventional. It is possible Sean can have a sexual kink of dominating women in violent ways (as mentioned as being a running theme), with Mars and Pluto in a trine. Lilith being in Cancer can indicate his overall shadow side, or hidden nature, being projected onto women. This can especially be dangerous with Lilith opposite a violent planet, such as Mars, and in a sign like Capricorn he could also be a person who is punishing, domineering or restrictive of them. This could be a man who is not only sexually violent toward women, but also physically aggressive and violent with them as well. I can even say he doesn’t like women as far as respecting them as people. There were a lot of people that were around that were aware of Sean’s behavior with women in private, and so many of them turned a blind eye to their well-being, and even their safety. His Capricorn Mars indicates someone who prioritizes the power that comes with what he’s achieved, and being able to do what he wants because of it. So, with this Mars Lilith opposition, it is likely that he is the type of person to use his power and influence to attract the women that can act out his sexual desires (Scorpio Neptune) and there is an overwhelming tone of domination that can edge on the border of violence. A final note worth addressing was Sean’s Mars sextile Neptune. With Neptune governing photography, videography and even porn, he may have an interest in the documentation of his encounters with a camera, as well as using this as leverage against these women to have continued control over them (Neptune sextile Pluto), which can be further cited by the allegation of being sent Cassie’s ‘intimate photos’ in the past.

CONCLUSION

The further I go (down the rabbit hole), the more I can find evidence that Sean ‘P Diddy’ Combs is capable of most of everything that he has been accused of thus far, and he is still being hit with lawsuits of a violent sexual nature as I’ve been conducting my case on this. I have to say that I learned a lot more about this figure than what I honestly had an interest to, so much so that I’m deciding to take a break from this topic that I’ve now split into two parts (Diddy X Cassie synastry report will serve as the revisited/part 2). But a lot of what has been coming out against Sean can be explained by quite a few configurations in his chart and can be evenly deduced that he may be capable of more than a fraction of it. There were two main points that I wanted to highlight and bring home each time in regard to Sean’s psychological make-up; his controlling/domineering nature, and his sexual deviancy, and what exactly motivates the two and where it stems from. A lot of Mars (Scorpio) and Capricorn influences can be part of the contributing factors to the emphasis on power and control. His Lilith in Cancer opposing Mars in Capricorn is a major indicator of his sexual violence towards women, among other things, and it is the Aries Chiron that can give insight into his psychological wounds around masculinity. Another point one can make with his chart alignments is that he is a product of his environment, especially when you consider the facts of his life. His parents were both living alternative lifestyles, and Sean being a witness/participant in these lifestyles only fueled his familiarity to it. Speculatively, his mother being an escort opened the door for different sexual fetishes that he has till this day (Moon-South Node conj., Lilith in Cancer opposition to Mars in Capricorn) as it was alleged that this was how he was introduced to the concept of ‘orgies’. Recent findings can speculate that him and his mother engage in deviant behavior together, as a video cites Sean exclaiming his mother ‘likes to have a good time’ and how she can ‘touch the floor with her palms…flat’, which in itself is some ‘disturbing’ inuendo. This can very well play a role in his disrespect towards women as a species, as well as viewing them as sexual objects rather than people. It was also alleged by rapper Mase that Sean’s mother gatekeeps all of Sean’s ‘dirty’ business and is the main proprietor of his estate (Virgo Moon trine Saturn (Taurus) and sextile Sun-Mercury conj. in Scorpio). On the other side of the coin, Sean’s father is an alleged gang member/drug dealer that would have Sean present on certain ‘violent’ occasions, which can contribute to Sean’s belief in fear and barbarity being the most effective means to gain power and control, and this can be expressed with his Sun-Mercury conj. opposite Saturn (and instilled with afflicted Chiron in Aries). Allegedly Sean was even present when his father was gunned down in what is being described as either ‘gang activity’ or ‘a drug deal gone bad’ (Saturn in Taurus square Mars in Capricorn). These configurations can also speak to being mentored by men in the industry, who have a lot of power and prestige themselves. These where the examples that were set for him at a young age, and the way he turned out can be seen as the materialization of these influences.

When I revisit this topic, it will be from the angle of the ‘enslavement’, ‘sexual abuse’ and ‘trafficking’ that was the 10 year relationship between Sean Combs and Cassandra Ventura.

THANKS FOR READING

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basicallyanotherwitchesthing · 6 months

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Christopher Dane - Possession - Popular Library - 1973

#witches #possessed #occult #vintage #possession #case studies #demonic evil #invaded by demonic evil #popular library #christopher dane #1973

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dark-raven-feathers · 6 months

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science is fun because sometimes you get presented with a case study based on an irl homicide investigation and get asked if the victim did a stupid and accidentally ingested insecticide or if someone purposefully fed rat poison to them because the cook has a vendetta against you all the time every day and wants to off you.

#dark raven feathers #Science #Biology #case studies #case study

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theforensicintrovert · 6 months

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case study #1: 10/23/23 ->

currently writing a paper about the psychological underpinnings of arson; specifically the case of john “pillow pyro” orr.

i thought i could share a little bit about this certain case because i find it fascinating! once i finish my paper i will post it here, for you guys to read if you're interested.

first who is john orr? i'm glad you asked! john orr was a fire inspector for the glendale fire department; a very successful one at that! he enjoyed writing which separated him from his peers.

why did he start fires? my paper is going to talk about the fire-interest pathway and the dynamic behavioral theory!

dynamic behavioral theory: this theory of fire setting states that there is an involvement of interactions between general psychosocial disadvantage, predisposing factors & environmental factors that reinforce fire-setting.

3. how did he set fires? orr was said to have set about 2000 fires. a lot which happened during the day and suspiciously after arson investigator conferences (which ultimately led to his capture). his MO was using an incendiary timing device, usually comprising a lit cigarette with three matches wrapped in ruled yellow writing paper and secured by a rubber band.

4. outcome? orr was arrested in 1991 and was found guilty on 29 counts of arson & four counts of murder -> this sentenced him to life without the possibility of parole

#counterterrorism #criminal case #criminal justice #forensic psychology #forensics #study tips #case studies #arson #firesetting #criminal behavior

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milijanakomad · 8 months

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Product design and psychology: Exploring Gacha Mechanics in Video Game Design

Keywords: Gacha Mechanics, Gaming Industry, Psycho-Manipulation, Player Behavior, Case Studies

Abstract:

This research paper delves into the intricate relationship between game design and psychology, with a concentrated focus on 'Gacha' mechanics prevalent in the gaming sector. Originating from Japanese toy vending machines, the Gacha system has grown to be a powerful tool in shaping player behaviour. The paper illuminates the conceptual framework underlying Gacha mechanics, emphasizing its capabilities in manipulating player actions and decisions. Through an exhaustive examination, this study presents a detailed understanding of its psycho-manipulative attributes and supports its findings with specific case studies from the gaming industry. The work serves as a comprehensive exploration of the influence and ramifications of Gacha mechanics in contemporary game design.

Introduction:

The Gacha system, inspired by Japanese toy vending machines, stands as a hallmark strategy in the contemporary gaming industry. Fundamental to its design is the 'loot box' principle, where players invest financially with hopes of securing a randomized item, the allure of which varies in rarity. Beyond mere chance-based rewards, this mechanic intriguingly intersects with deep-rooted psychological tendencies, captivating human desires for unpredictable outcomes and rewards. Such mechanics are not mere playful inclusions; they strategically bolster player retention and significantly influence revenue streams. As the following sections will expound upon, the Gacha system is much more than a gaming novelty; it carries potent psycho-manipulative attributes. Through a detailed exploration, this paper seeks to unravel the underlying psychological tenets that grant Gacha mechanics their notable efficacy, further enriching the discourse with industry-specific case studies that spotlight its transformative impact.

Theoretical Foundation of Gacha Mechanics:

Gacha mechanics, now pervasive in the gaming industry, find their roots in the foundational theories of behavioral psychology, particularly the principles outlined by B.F. Skinner concerning operant conditioning. Delving deeper into the theoretical underpinnings of Gacha mechanics, we encounter an alignment with Skinner's variable-ratio schedule—a schedule of reinforcement wherein responses are reinforced after an unpredictable number of responses. This unpredictable nature of reinforcement, as Skinner posited, leads to high rates of response, which persists even in the sporadic or even absent delivery of rewards.

Such a system bears stark resemblance to the operations of Gacha mechanics in games. For instance, in "Fire Emblem Heroes," players use virtual currency—either organically accrued within the game or procured through real-world monetary transactions—to obtain randomized characters. The exhilaration associated with acquiring a rare and formidable character, with its inherent unpredictability, mirrors the principles of gambling, a pursuit universally acknowledged for its addictive qualities. Drawing a parallel, "Genshin Impact" deploys a similar methodology, allowing players to utilize Primogems, the in-game currency, to secure weapons or characters, each acquisition bearing its own element of unpredictability and potential reward.

In essence, these game designs intricately weave the principles of operant conditioning into their fabric, utilizing the powerful allure of unpredictable rewards to foster player engagement. Such mechanisms, grounded in well-established psychological theories, underscore the reason for the profound addictiveness and wide-reaching success of Gacha-based games in contemporary gaming culture.

The Psychological Framework of Gacha Mechanics:

Gacha mechanics can be analysed through the lens of operant conditioning, specifically Skinner's variable-ratio reinforcement schedule. This schedule, characterized by delivering rewards after an unpredictable number of responses, results in a high response rate and resistance to extinction. This parallels the randomized reward mechanism in Gacha systems, which fosters a sense of persistent anticipation and engagement in players.

The Psycho-Manipulative Dimension:

The realm of Gacha mechanics, deeply entrenched in the gaming industry, employs an array of psychologically manipulative strategies designed to maintain player engagement and promote continued monetary investments. Central to this design are mechanisms such as the 'near-miss effect and the 'sunk cost' fallacy, which, when operationalized, tap into core human cognitive tendencies.

The 'near-miss effect is particularly intriguing. It is inextricably tied to the psychological construct of cognitive dissonance, a state wherein players, upon achieving an outcome tantalizingly close to the desired result, experience a tension between expectation and reality. This tension acts as a catalyst, driving players towards further attempts in the game with the hope of reconciling their near victories with an eventual success. The result is an increased commitment, both in terms of time and financial resources.

Complementing this is the 'sunk cost fallacy.' Here, players, having already invested significant amounts into the game, feel compelled to continue their engagement and expenditure to justify their prior commitments. Rather than cutting losses and ceasing further investment, the players become ensnared in a self-perpetuating cycle, driven by the rationale that prior investments must not be rendered futile.

In synthesizing these observations, it becomes evident that Gacha mechanics do not operate in isolation. Instead, they deftly intertwine with key psychological processes, cultivating an environment where players are subtly steered towards continued engagement and, more critically, perpetual investment.

Further Psychological Aspects:

The Zeigarnik effect, where people remember uncompleted tasks better than completed ones, also fuels Gacha mechanics. Incomplete character collections or unachieved rarities compel players to persist. Moreover, the endowed progress effect, where players are more motivated if they perceive they've made some progress, is strategically utilized by Gacha games, often providing a few free pulls or easy-to-earn currencies early on.

Ethical Considerations and Policy Implications:

Gacha mechanics, while undeniably advantageous for bolstering the financial health of gaming companies, stand at the crossroads of significant ethical dilemmas. At the heart of this quandary is their inherent resemblance to gambling paradigms, a feature that holds the potential to cultivate and reinforce addictive tendencies. Such mechanics, with their random reward structures, might not only be captivating but also perilous, especially when considering vulnerable demographics such as minors. Given these potent implications, it is imperative to not only recognize but also proactively address these ethical challenges. As underscored in this paper, there emerges a pressing necessity for the formulation and enforcement of comprehensive regulations and industry-wide norms. Such initiatives would not only safeguard the interests of players but also act as a bulwark against the possible misuse and overextension of these mechanics. In framing these policies, special emphasis should be placed on mitigating potential harm, with particular attention directed towards safeguarding vulnerable populations like minors from the more deleterious influences of Gacha systems.

Case Studies from the Gaming Industry:

Case Study 1: Fire Emblem Heroes

In "Fire Emblem Heroes," the use of the Gacha system has resulted in a highly engaged player base. Players use virtual currency to summon random heroes, with rarer heroes having lower chances of being pulled. The uncertainty of outcomes has been linked to elevated dopamine levels in the brain, thereby creating a pleasurable feedback loop that reinforces the purchase behaviour.

Case Study 2: Genshin Impact

"Genshin Impact" applies Gacha mechanics through its 'Wish' system. The game periodically introduces limited-time banners that allow players to 'wish' for specific characters or weapons. This scarcity principle, combined with the randomized outcomes, effectively exploits the Fear of Missing Out (FOMO) and the desire for exclusivity.

Conclusion:

The Gacha mechanics, deeply rooted within the gaming industry, provide a captivating examination of the confluence of gaming, psychology, and consumer tendencies. This intricate interface goes beyond mere game dynamics, delving into potent revenue-generation avenues while simultaneously raising poignant questions about ethical dimensions and the need for considered regulations within game design. Through an in-depth exploration encompassing theoretical frameworks, real-world applications, and pertinent case studies, this paper has furnished a comprehensive panorama of the Gacha system. Notably, its psycho-manipulative capabilities underscore the dynamic's capacity to both enthral and influence player behaviour. As the research suggests, while the Gacha mechanics illuminate potential avenues for substantial profitability, they concurrently evoke urgent deliberations on the ethical frontiers of game design. Thus, a profound understanding and judicious navigation of these mechanics remain pivotal, ensuring a harmonious reconciliation of business imperatives with paramount player welfare.

References:

Anderson, C. A., & Dill, K. E. (2000). Video games and aggressive thoughts, feelings, and behaviour in the laboratory and in life. Journal of personality and social psychology, 78(4), 772.

King, D., Delfabbro, P., & Griffiths, M. (2010). Video game structural characteristics: A new psychological taxonomy. International Journal of Mental Health and Addiction, 8(1), 90-106.

Kuss, D. J., & Griffiths, M. D. (2012). Internet gaming addiction: A systematic review of empirical research. International journal of mental health and addiction, 10(2), 278-296.

Przybylski, A. K., Weinstein, N., Murayama, K., Lynch, M. F., & Ryan, R. M. (2012). The ideal self at play: The appeal of video games that let you be all you can be. Psychological Science, 23(1), 69-76.

Skinner, B. F. (1953). Science and human behavior. New York: Macmillan.

Suits, B. (1978). The Grasshopper: Games, Life, and Utopia. University of Toronto Press.

Hamari, J., & Lehdonvirta, V. (2010). Game design as marketing: How game mechanics create demand for virtual goods. International Journal of Business Science & Applied Management, 5(1), 14-29.

Festinger, L. (1957). A theory of cognitive dissonance. California: Stanford University Press.

Thaler, R. (1980). Toward a positive theory of consumer choice. Journal of Economic Behavior & Organization, 1(1), 39-60.

Zhang, P., & Ren, J. (2019). How gacha design influences the player experience in mobile games. CHI Conference on Human Factors in Computing Systems Proceedings.

Hamari, J. (2019). Loot boxes are again linked to problem gambling: Results of a replication study. PLOS ONE, 14(3), e0213194.

Macey, J., & Hamari, J. (2018). Investigating relationships between video gaming, spectating esports, and gambling. Computers in Human Behavior, 80, 344-353.

Zendle, D., & Cairns, P. (2018). Video game loot boxes are linked to problem gambling: Results of a large-scale survey. PLOS ONE, 13(11), e0206767.

#Gacha Mechanics #Gaming Industry #Psycho-Manipulation #Player Behavior #Case Studies #product design #psychological manipulation #game design #gaming #user experience #player behaviour #video gaming #player engagement #genshin impact #fire emblem heroes #gachapon

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rory-is-hiding · 1 year

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i wish i could tell him that it wasnt his fault - meaney et al 1988

some men in a laboratory split a group of rats in half. some were loved, raised with affection. raised with mothers and fathers and packed lunches and socks without holes in them and all of the things necessary to a rats childhood development. the other half were neglected. it was for science, and it wasnt fair.

so today, i am thinking about rat number 12.

i want to know if he ever peaked around the corner, and saw rat 11 in the arms of someone who cared about him.

and i wonder if he was angry. and i wonder what it felt like for him to see love for the first time, and if it hurt him in places he didnt even know could hurt, and if he wished he never looked.

and i want to know if he kept trying to find that for himself, something he had no words to describe. and i wonder if it just hurt him more, because it was never the same and it never would be. there was no way for him to fix it.

and i wonder if he begged for forgiveness for all of the ways that this pain made him ugly. and i wonder if he abandoned god. and i wonder if he never felt pure, or clean, or good, or gentle, ever again.

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blueheartbookclub · 3 months

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"Unraveling the Human Tapestry: Frank Hamel's 'Human Animals'—A Journey into the Complex Nature of Humanity"

Frank Hamel's "Human Animals" is a thought-provoking exploration of the intricate interplay between our human nature and the animal instincts that reside within us. This fascinating journey into the realms of biology, psychology, and societal constructs unfolds with a narrative precision that both challenges and enlightens. The title itself serves as a prelude to a comprehensive examination of the dualities that define our existence—a title that hints at the untamed aspects of our being, waiting to be unraveled.

Published in [Year], "Human Animals" is a testament to Hamel's keen intellectual curiosity and his ability to distill complex concepts into a narrative accessible to a broad audience. The title alludes to the central theme—the recognition that beneath our veneer of civilization, there exists a primal essence shared with our fellow creatures in the animal kingdom.

Hamel's exploration begins with a scientific lens, dissecting the biological similarities between humans and other animals. The opening chapters lay the groundwork for understanding our shared ancestry, evolutionary traits, and the genetic links that bind us to the broader animal kingdom. The title "Human Animals" becomes a guide through this scientific inquiry, inviting readers to reconsider their perception of human uniqueness.

Beyond the biological, Hamel delves into the psychological dimensions of our shared humanity. He navigates the complexities of human behavior, emotions, and social structures, drawing connections between our actions and those observed in the animal world. The title encapsulates this psychological journey, suggesting that within our societal constructs, there exist primal instincts that shape our behaviors.

Hamel's writing is not merely an academic discourse; it is a bridge between the scientific and the philosophical. The narrative is enriched by anecdotes, case studies, and historical examples that add a human touch to the exploration. The title serves as a thematic compass, signaling to readers that they are embarking on a nuanced exploration of what it means to be human, entwined with our animalistic roots.

As the book progresses, Hamel ventures into the ethical considerations surrounding our treatment of animals and the environmental impact of human activities. The title becomes a poignant reminder of the responsibility we bear as stewards of the planet, urging readers to reflect on the consequences of our actions on the delicate balance of the natural world.

"Human Animals" is not just an examination of our shared biological heritage; it is a call to introspection and societal self-reflection. Hamel challenges preconceived notions, inviting readers to confront uncomfortable truths about the intersections of humanity and animality. The title, with its enigmatic allure, guides readers through a labyrinth of ethical contemplation.

In conclusion, "Human Animals" by Frank Hamel is a captivating exploration that transcends disciplinary boundaries. The title encapsulates the essence of the book—a multifaceted exploration of the intricate connections between humanity and the animal kingdom. Hamel's prose is engaging, his ideas are profound, and the title acts as an evocative portal into the depths of our shared nature. As readers journey through the pages, "Human Animals" leaves an indelible impression, challenging us to peel back the layers of societal conditioning and reevaluate our place within the vast tapestry of the natural world.

Frank Hamel's "Human Animals" is available in Amazon in paperback 15.99$ and hardcover 23.99$ editions.

Number of pages: 399

Language: English

Rating: 9/10

Link of the book!

Review By: King's Cat

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sp-epari-digitalmedia · 4 months

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A Heist with Markiplier: A Narrative Overview

BLOG 1: NARRATIVE STRUCTURE IN INTERACTIVE MEDIA DESIGN

Playing video games, watching films, or participating in other storytelling mediums has always been my way to unwind after a long day. Even though I have spent quite a lot of time immersed in stories, I have only recently started to recognize the unique storytelling techniques used in some games. A familiar narrative rhythm was provided by games like God of War, Spiderman, and Ghost of Tsushima, but new uncertainty and suspense were brought in by games like Detroit: Become Human and Minecraft Story-Mode. I've always been interested in these intricacies, but the subject didn't grab my attention until I started learning about the theoretical side of interactive media. Realizing that the story structure of a game immensely influences the overall experience, I decided to conduct a more thorough investigation, utilizing different conceptual frameworks to establish connections and make sense of the topic. I will examine a piece of media called "A Heist with Markiplier" in this blog post. The subject lies somewhere between a traditional video game and a YouTube video.

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"A Heist with Markiplier" stands as a notable piece of interactive media created by the esteemed YouTuber Markiplier, a prominent figure in the gaming community often mentioned in the same breath as top-ranking YouTubers like PewDiePie and Jacksepticeye. Mark Fischbach, the man behind Markiplier, took on multiple roles in the creation of this interactive film, serving as the writer, director, and lead actor. Produced by Jeff Guerrero, the project made its debut on Mark's YouTube channel, "Markiplier," in 2019 and has maintained accessibility since. The success of this interactive experience was evident as it garnered widespread acclaim from the audience, earning nominations for Show of the Year – Audience Choice and securing a victory in the Best Scripted Series category at the Streamy Awards. The sequel, "In Space with Markiplier," further solidified Mark's success with a Show of the Year nomination in 2021 and a triumph in the Best Scripted Series category. Notably, it also received an Emmy Awards nomination in the category of Outstanding Interactive Media. For the purpose of this blog post, the focus will remain solely on the narrative intricacies of "A Heist with Markiplier."

In "A Heist with Markiplier," the story becomes an exciting adventure in which the audience and Markiplier set out on a risky quest to steal an antiquated relic from a museum. But when the artifact's curse throws off a series of events that disturb the world's natural order, this seemingly simple heist takes an unexpected turn. As the main character, Mark brings humor to the plot by playing a character who is more of a tag-along for the journey. With an astounding thirty-one distinct endings, this interactive experience is unique in the vast array of possibilities it presents. Each ending presents a unique outcome, ranging from alien abductions to discovering hidden treasures, and the trajectory of the storyline is intricately shaped by the choices made throughout the experience. The interactive nature of the show allows for a highly personalized and varied viewing experience, making it a wholesome and replay-able adventure where the narrative unfolds differently with each playthrough.

Play, "A Heist with Markiplier"

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Academic Standpoint

Taking a scholarly approach to studying non-linear narrative in the context of "A Heist with Markiplier," I studied Hans-Joachim Backe's insightful work, "Narrative rules? Game structures and story logic." The awarded script for the interactive show was decoded using this theoretical lens, which is essential for comprehending the complexities of storytelling. I separated the analysis into discrete sections to aid in comprehension.

Backe distinguishes between three categories of game actions in the first section, which looks at catalysts and cardinal functions: random actions, actions that are necessary for gameplay success, and actions that affect the plot. These behaviors have a tenuous relationship to cardinal functions in linear texts, catalysts, and the flexible structure of non-linear texts. Here, the main goal is to determine whether or not these components are present in the interactive program and how they are portrayed. (Backe, 2012)

The second section delves into Microstructures and Macrostructures. Backe's substructural level narratological perspective reveals events and characters that constitute a kind of reality that may be infinite in boundless events. Using performance evaluation, outcome selection, and decision-making based on avatar assessment, the agency over the macrostructure is carried out. This intricacy affects both gameplay and narrative aspects and is especially present in role-playing games. The analysis seeks to determine the extent to which macrostructures and microstructures are present in "A Heist with Markiplier" and how they apply to the story. (Backe, 2012)

Two sets of motivations emerge in the third section, which examines playstyle and motivation using Caillois's theory: paidia (self-entertainment) and luadus (motivation to win or avoid losing). This investigation aims to ascertain how well the game engages the audience and where it fits into these motivational sets. Through the application of these scholarly viewpoints, a thorough comprehension of the theoretical foundations of non-linear narrative in "A Heist with Markiplier" emerges, providing a sophisticated lens for additional investigation. (Backe, 2012)

Critical Analysis and Dissection

It's crucial to comprehend the central idea of the story before getting into the narrative analysis. To put it another way, we must identify the catalysts that propel the whole narrative. It is not too difficult to determine the answer to this query. The initiator is Mark Fischbach's character, Markiplier. Throughout the duration of the play, Markiplier serves as the narrator. Not only does the character consist of him as a thief, but it also includes other alter egos. Markiplier is primarily responsible for introducing us to the game's goal of stealing the artefact from the museum at the outset. Fundamentally the interactions that the player does, makes the entire show an interactive experience and therefore the choices that Markiplier presents classify under both, actions that are necessary for gameplay success and actions that affect the plot. We can say that the cardinal functionality comes from the choices that the player makes. This makes every experience uneven and giving the entire narrative script a topology.

Given our discussion of the narrative's topology and structure, it seems appropriate to delve further into the intricate details of macro- and microstructures. The game is full of microstructures because there is always a new choice to make with each decision, but the macros are easily identifiable. Since Mark continues to be the face of the entire show, it is difficult to differentiate. However, we can identify the changes by the way the Mark responds. Given that there are 31 possible outcomes, it makes sense that the game is made up of a variety of thematic elements and components. The player's decisions are influenced by microstructures, which aid in differentiating between these macrostructures. For example, the game has a section where we enter and everything looks like an arcade game. The player was able to discern that the goal had changed from initially being to escape and leave the museum and get as far as possible to either escaping or surviving the prison and that visual shift had a lot to do with it. There are other instances where we witness a change in the personality of Mark, your partner who was loud and eccentric. He turns into a boisterous and peculiar figure who accompanies us on our adventures. Here, escaping the museum becomes less of the goal and the objective becomes, locating the sacred treasure.

Since everything about it is unclear, there is no clear way for us to categorize it under Caillois's Theory. The way each person plays the game varies greatly. Some may classify it under paida, where the objective is to simply explore different endings and determine the likelihood of specific events occurring. For others, it may be as straightforward as locating an ending that aligns with the original plan to escape with the artefact, which falls under luadus. In my opinion, this makes it one of the most distinctive types of content available.

Conclusion

In "A Heist with Markiplier," a compelling investigation into the domains of non-linear storytelling, Markiplier assumes a central role as the essential character directing players through an engrossing heist encounter. The story deftly combines macrostructures and microstructures, offering a wide range of possible outcomes and a deep variety of storytelling styles. Playstyle determines how interactive the experience is; players can customize the story to suit their needs, whether they enjoy finding out every possible outcome or would rather take a more focused, guided approach to the story. The program's charm is found in its ability to accommodate different playstyles and in Markiplier's captivating storytelling, which highlights the potential of non-linear narratives in video games. Intimate player interaction with the narrative elevates "A Heist with Markiplier" beyond conventional gaming experiences, leaving a lasting imprint on the ever-evolving landscape of interactive storytelling within the gaming sector.

References

Backe, H.-J. (2012) 'Narrative rules? Story logic and the structures of games,' Literary and Linguistic Computing, 27(3), pp. 243–260. https://doi.org/10.1093/llc/fqs035.

Markiplier (2019b) A Heist with Markiplier | Official Trailer. https://www.youtube.com/watch?v=trYqU6kShPA.

Markiplier (2019) A Heist with Markiplier. https://www.youtube.com/watch?v=9TjfkXmwbTs.

4 notes · View notes