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#i'm done bye
panstarry · 27 days
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my final from last semester that i made into a zine. cooked this one up in a couple hours before the critique (the ink was still wet!), so it's very raw and kind of sloppy but the sentiment is there. i love you trans people of color. we are the backbone of this community 🌟
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homuraholic · 27 days
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it'll be okay hameru, the boops are coming
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beets · 17 days
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baby, bi bi bi
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poorly-drawn-mdzs · 14 days
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This was home.
[First] Prev <–-> Next
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willowser · 15 days
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"touya, are you my dad?"
rei's house is quiet this late, only alive in the muted whir of ceiling fans and the rainbow of colors from the nightlight out in the hall. touya can just barely see the distant glow peeking under the gap of the door; soft greens and blues and purples.
all the air in the room seems to evaporate, and instead is replaced by that awful, muggy heat that builds up in touya's hairline and in the creases of his skin, everytime he hears that word: dad.
he's better at knowing how to act around kids than he expected to be. not in some parental sense, but the bits and pieces of touya the big brother are at work again, slow and old and creaking—but moving nonetheless.
touya's thankful for the quiet; whispering hides the tremor in his voice. when he turns to the little girl in the small bed lying beside him, all he sees is you, staring back in red and orange and yellow.
"what makes you ask that?"
the little girl shrugs, shuffles around to push still-wet hair out of her face as she snuggles deeper into her blankets. touya doesn't realize he's holding his breath until she finally elaborates, clutching her little stuffed puppy to her round, full cheeks. "that's what people say."
it's not that you don't want her to know, but softening the truth for a kid ain't easy; touya's not even sure he wants her to know, quite yet, because it means introducing a version of himself he's not proud of. one he's never been proud of, one that still itches under his skin and makes his hands shake, one that wants to burn the guilt away instead of face it.
touya watches the soft blink of her eyelashes, long and dark, and when she looks back up at him, he's just—not ready for her to know him yet. because—
"would it be okay if i was?"
the little girl—his, yours—thinks for only a moment before nodding. "yeah, that'd be okay."
because this touya's okay, for now.
it makes him smile, even with the uncomfortable heat that's broken sweat all out across his body, even with the shame that's waiting for him out beyond the edges of the greens and blues and purples. even knowing that, one day soon, he's gonna have to break her heart the same way he broke yours.
touya shifts a little further down in the bed until his head's resting on her pillow, so they're eye level. he's half hanging off the thing, the tiny twin bed in her room at his mom's house. still doesn't have a place of his own yet, still trying to remember how to be a functioning member of society; gears slow and old and creaking, but moving nonetheless.
the is the only way he gets to see her right now, these few days out of the week that you let her stay the night, so he can get to know the daughter he's missed out on for far too long.
touya hums and forces a big yawn, closes his eyes and hopes she'll follow the act; shouto used to, once long ago. "'s'talk about it tomorrow, okay?"
the little girl shuffles around until she's a little closer, huffing against his face through her own yawn. "okay," she agrees, and touya waits a few minutes before peeking at her. watching her even breathing, in the red and orange and yellow.
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good for ryan. setting boundaries. removing himself from situations
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Bye bye Sebek, :]
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(he didn’t stand a chance, poor guy :[  )
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itshyuka · 1 year
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SWEET — ‘Surrender‘
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causeimanartist · 7 months
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Behold, the last lunch break drawing in my sketchbook
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noxious-fennec · 9 months
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Got the opportunity to color one of @metfell 's lovely pieces!! It was delightful :)
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yesokayiknow · 4 months
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okay so you know how it goes: fourteen comes to life in thirteen's clothes. and they're both too short and too loose and entirely too bright for his frame of mind. they worked with a doctor who hid everything behind a too wide smile; not so much with a doctor whose pain and tiredness is written across his face
he needs to change. obviously
and then the star beast starts, and fourteen leaves the tardis, and he's still in thirteen's clothes
he just. he doesn't know. how does he choose new clothes? he feels wrong. how will wearing something else change that?
(donna tells him that it's christmas, mate; it's bloody freezing. maybe wear longer trousers, yeah? also he's both too young and too old to wear braces. just a friendly note)
he doesn't have to explain who he is to the unit scientist, not with those clothes. instead he talks about how he doesn't understand why he looks like this. why he is this. why this face? why isn't he someone new?
actually. maybe he is someone new. was he ever this open before? hm
why do you look like that, sylvia hisses, trying to hide him from the daughter he destroyed ruined left
it's a lottery, he replies, purposely ignorant
he still has his thirteenth self's screwdriver. it's too small in his hands
(the whole time they were her, her hands were too small. she didn't like touching anyway, but whenever someone took her hand, it felt wrong. they were too small. sometimes it felt like if she worked fast enough, tinkered about without stopping, she wouldn't have to look at them)
everything goes wrong. his fault, like always
(blimey. of all the things to carry over from the first time he had this face, it had to be the guilt, didn't it?)
you shouldn't look like that, the doctordonna says, and he runs a hand down his face with a tired laugh
no, the doctordonna says, not the face. a hand reaches out to grasp at the collar of his shirt, at the dangling earring chain. this isn't you. who are you, doctor?
like he knows. like they've ever-
she dies.
she lives. he doesn't deserve it. it isn't about him. he still doesn't deserve it
we're letting it go, donna says, and he looks down at himself, at another him's clothes, another him's screwdriver
well, she never was subtle, his donna
the tardis is gorgeous, though when isn't she. he tries to show off his new console to donna, and she rolls her eyes, and drags him off to the wardrobe
unlike normally, where all the clothes are scattered about, the new tardis wardrobe now also has a line of wardrobes stood against the wall. fifteen of them, to be exact
the last wardrobe is open. and empty
he goes to the second to last, and opens it to reveal a wide array of rainbow patterned shirts. she probably would've hated for her things to be organised like this. always creating mess so she wouldn't have to think about anything important. he laughs. and he takes off the sky coloured coat and the worn boots and the earrings and gently places them inside. tag, he thinks, as he closes the doors
and then he moves down to the eleventh wardrobe, full of brown coats and blue suits and neatly pressed shirts and pairs of converse. and he stands in front of it. and he wonders
after a moment, donna's like wait do you want me to leave?? you never cared about nudity before, did you? and he's like oh actually i do feel more self conscious. huh. weird.
he doesn't have to say, i think i'm a different person. not to donna. she just gives him a smile, and a shoulder nudge, and tells him she'll see him in the console room
the last wardrobe is empty
he takes a breath, and then goes to rummage about in the rest of the clothes
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menciemeer · 1 year
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Sometimes I think about Louise Hobbs for too long and start going a little crazy.
Garret Jacob gets all the attention on the show. Abigail gets it from fandom. The absence of Louise is almost invisible. She’s not there. We don’t think about her.
We don’t think about her, of course, because she’s not in canon in the first place. She has no lines. Her name is not mentioned in dialogue. She only barely appears on camera.
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Here is Louise Hobbs alive and well. Striking about this bit, once I was looking at it: she doesn’t look towards the camera, she doesn’t look towards her family members, and her family doesn’t look towards her. They move around one another and don’t directly interact. Look at it: Abigail and Garret Jacob Hobbs are communicating, here, in a way that she’s entirely cut off from.
(And, ok, listen, I’ve gotta sidebar. Even before Abigail actually picks up the phone, GJH is keeping track of where she goes. There are no clear frames of this tiny interaction, but look:
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he’s keeping tabs on her. The minute she moves, he’s checking over his shoulder to see what she’s up to. By contrast, he doesn’t look at his wife even once.)
(One other thing about this tiny little scene of them playing house. GJH has absolutely no chill. He is tense and intense even before he gets on the phone. It’s not really possible to tell what Abigail is thinking through all of this--we know from later that she’s a pretty good liar--but Garret Jacob Hobbs is not subtle. He’s jumpy as fuck, and he’s probably that way all the time.)
Continuing.
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The next time we see Lousie, she’s being shoved out the front door. Think about that. GJH didn’t kill her immediately. He’s not interested in seeing her dead. He’s using her to buy time in the kitchen with Abigail because he knows he doesn’t have any left.
The way I remembered Louise dying was with a cut to her throat, but look at it. She’s got wounds on her arms, on her torso. He wasn’t careful, or quick. He didn’t hold out his hand to her and ask her to come closer. He attacked her, shoved her out the door, and slammed it behind her.
That is the end of Louise Hobbs.
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Hobbs family dynamics just. Absolutely fascinate me. (Too much.) I so desperately want to know what it was like to be Louise Hobbs. I want to know how much she knew, how much she suspected, and how much she refused to let herself understand. She’s the cannibal the show cares about the least. She’s the one who dies so that someone else can have a little more time.
The show constantly returns to the idea of murder as a way to break or make families. Besides the Hobbs family, there’s the children and foster mother from Oeuf, Gideon killing his wife in backstory, Lawrence Wells who killed his own son, Margot and Mason, and of course Dolarhyde’s obsession with killing families together. Louise Hobbs’s is a murder to break a family. She is, very literally, cast out.
We do see her one last time:
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It’s interesting that, when Abigail sees this, Alana is the one who becomes her mother. Whatever you want to say about the long-term feasibility of the Murder Family, it’s indisputable that Hannibal was never interested in planning a future with Alana. She’s there nearly by accident. Holding a place meant for Will. She is not part of the plan.
If Abigail mourns for Louise, she does it off-screen. We see flashbacks to her interactions with Garret Jacob, but, after this, Louise never returns. We’re left to wonder, or to forget, all on our own.
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grxceful-ly · 11 months
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peter bringing mayday with him to do spider stuff because yeah, he had things to live for before--but now he has a child and he is going to raise this child and be there for her and maybe if she’s there, strapped to his chest, he’ll be more careful. he’ll consider his life almost as precious as hers. maybe bringing mayday to work is a precaution. 
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lightasthesun · 2 years
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The symbolism of Vaders helmet being cracked open by his former Master and former Apprentice several years apart and each on a different side, only for his son to lift it off completely —
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eyelessfaces · 4 months
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dare I say it...... major llewyn vibes
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catzgam3rz · 1 year
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"Goop this one up Motherfucker"
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