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professionalscrublord · 4 months
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The Black Marauder IIC
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Turnaround:
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WIPs:
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The "Black Marauder" is a horror story of a cursed mech. Over the years urban legend has built it up into some kind of extradimensional beast, a living machine that moves of its own volition, consumes the souls of its victims and strikes fear in all that come close to it. It emerges from mist and shadows to kill efficiently and mercilessly before disappearing once more.
So I know the story says it looks like an inner sphere MAD-3R, but the way it's described as looking "Off-proportioned" and "Too smooth, almost organic-looking" makes me think it's a IIC. That and it having "Teeth", which the IIC's array of chin-lasers could be mistaken for. It also has a tendency to oneshot mechs with PPCs to the cockpit, which only Clan PPCs have the damage to do reliably. It performs unusually well in smoke/fog (advanced clan sensors perhaps?). Maybe the pirates didn't recognize what they were looking at given they lived on the opposite side of IS space from the Clan invasion front. It's also black with bits of red, the paint scheme of a certain Wolf's Dragoons "mercenary company" (read: Clan spies roaming IS space) which would explain the lack of factory markings/serial numbers. The stories mention weird behavior and unidentifiable mechanical issues so it could've been left behind since it was a liability, stripped of insignia and left on a forsaken airless asteroid in some random uninhabited system to conceal the trail. That's just my pet theory, anyway.
Pictured: Teefies (and bloody claws)
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This one was difficult for a different reason, not painting this time but being my first time working with greenstuff and sculpting/modifying a miniature.
The paint job itself was fairly quick because of the almost uniform coloration despite the number of steps: -Primed with matte black -basecoated with Night Scales metallic black (It barely shows up, there is a faint glitter in some spots but mostly it looks like a slightly lighter black.) -Heavily drybrushed with Rough Iron, a dark rust color metallic -Lighter drybrush with Gunmetal, grayish/silver metallic. at this point I thought it was too light/shiny so I went over some panels with matte black paint, keeping away from the edges I'd drybrushed. -Mars Red in the eyeholes. White on the lasers/cockpit later covered with Red/Green/Blue speedpaint. -Blood Red speedpaint over the "monstrous" bits. It disappeared into the black, until: -Gloss varnish over the speedpaint brought the red back out again. I wanted everything to be black but still have the monster bits to stand out texturally, the gloss makes them glisten nicely. -Anti-shine matte varnish on the rest. That still looks pretty shiny to me but what can you do (Vantablack miniature paint, anyone??) -The label says MAD-BLK in the Standard Galactic Alphabet. At some point I knew how to read/write it after it featured in Minecraft enchantments, though by now I lost that and had to look it up.
The sculpting was interesting. -Green stuff is tacky and sticks to my fingers when fresh, hard to apply to the model in a careful manner, but is pretty easily workable on the model, once it's on. At some points I used metal sculpting tools almost like chopsticks to avoid touching it with my hands. I twisted a pointed tool like a little drill bit to get the eyeholes in. -Getting closer to the 1hr mark it stiffens up and becomes the opposite. Easier to apply and get off my fingers but harder to work into the shapes I want and fit in the crevices for a good hold. -The claws are superglued given they're sticking out a fair bit. Roughed up the plastic surface before applying glue for a better bond. The other greenstuff I trusted to stay on since they were molded into the surfaces pretty closely. -The blood was red ink Speedpaint mixed with good old AK water medium.
I'll have to do more modding in future, truly customize my mechs.
Last Lance of Cardinal Sins featured a Zeus, only too late did I have the idea of modding a ZEU-X with the wing-like cooling vanes. Fortunately I have a King Crab waiting for me (my favorite mech!) to make a prototype KGC-010 with. It has flush-mounted dual PPCs with spiky cooling vanes sticking out the back. Should be fun.
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surveillance-0011 · 3 years
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HOTD Headcanon: Emperor, World, Empress
Empress, Emperor and The World are all the same “subspecies” of creature. Maybe even a separate species.
This species has vaguely insectile traits, which are less prominent in females. Biological sex is a tiny bit more fluid for them, though, and it’s possible for females to have more masculine traits and vice versa. Sometimes it can get hard to tell if a specimen is male or female, and a few are more in between. They seem to be right between organic and inorganic material, as their flesh and structure are very similar to plastics or metals in texture. They’re sort of like giant metal(?) cell-human things with a slightly malleable outer-layer and weird, gooey cytoplasm that houses all their organs, and they feel and smell very artificial, like chemicals.
They have less organs than humans and other creatures, and of what they do have, most organs are within a singular, circular red core, with a few others outside, just sort of floating around in there. The core houses their brain, digestive system, something like a circulatory + respiratory system, and reproductive system. It usually juts out a bit, but for some it rests just below the skin, in the chest area. Either way it’s fine, but there’s downsides and upsides: Those with exposed cores can take in air (and filter what they don't need out), eat and reproduce more easily, but are vulnerable to harm. Those with hidden cores have a bit of difficulty with the aforementioned activities, but otherwise they have the upper hand since they need not worry about getting hurt.
The core filters out any nasty stuff and also releases enzymes to digest food through those spiky things (pretty much a modified version of the tendrils other humanoid creatures have).
They grow through metamorphosis: Weird eggs with a short of egg-in-vinegar texture. a strange larval phase, a pupa stage in which they melt down, and a fully grown, part-bug part-human part-whatever-the-fuck sort of form. All of them develop some sort of elemental power, usually along the lines of water or ice related or magnetism or self/flesh manipulation.
Members of this species all have the same sort of blush, shiny skin. It’s sort of like an exoskeleton Ideally, it should look like the World’s. That right there is healthy, strong skin. Emperor is not fully developed, which is why they are more translucent and why their technically hidden core can still be hit. As for Empress, while fully grown, her skin didn’t really harden right, leaving her vulnerable physical harm even though she also has a hidden core. This disability is also why she lacks any elemental power.
The early individuals of this species were all very flawed, and often did not live long. Empress and the World 
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phantomphangphucker · 4 years
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Ectober Day 12: Betray - Sinners Are We Chap.4: The Golden Princess
Little Dove takes her first steps in walking beside mortals and a lot of people plot, particularly Orrin.
Leaving the Keep had been hardly difficult to do for Orrin, Dove hadn’t seemed to even understand what was going on. She also didn’t seem to mind the quaint brick house in one of the more deserted areas. Really it just seemed she wanted her plushie. Children. Though he certainly wasn’t like this in the slightest.
Setting up a proper food supply and figuring out how to get Dove some form of a social circle were the next tasks on the list. The first was pathetically easy, but he supposes it should be. If it was too difficult for the living to get food they died. As for the second, his only experience with socialising like a mortal was talking to passerby’s, speaking in lines, and the occasional concert. Those were not really well suited for a child. He does remember mother and father complaining about ‘school’ but sending her off to some building with other children on her own was actively asking to get found out. Very actively. That was precisely the risky move he’d expect out of brother, which of course means it would not be expected out of him. Which means that if this whole idea of his got sniffed out by mother and father then they would laugh at him doing something so far out of his expected behaviours. Which could save him from a more genuine shit-kicking. He rather didn’t feel like being holed up in bed for a week with all his bones broken and skinned. Besides, he could do that ‘volunteering’ thing to keep an eye on her.
-
Dove has very little clue what’s going on but the walls texture feels really cool and the eating stuff bro brings is weird and smelly, but shiny red and very round. Shiny is nice and It fits nicely in her hands, though it’s so squishy. She can tell it would take so little to smush it up.
Her hands also look weird, not like they usually did when they weren’t glowy. Bro looks weird too, so it must be alright. Oh, and her nails were pink, which is exactly why she licks them a little. Maybe they would taste different too. They don’t. But that’s okay.
Looking to bro and moving over when he makes that hand motion that means he wants her. Curious and hopeful. Maybe they were doing something fun again. She wouldn’t mind that. “Now listen close Dove, we’re around mortals. Yes the living kind. So it is rather imperative that you refrain from using your abilities. Understand?”. She tilts her head and hums, not sure what some of those words mean. But it sounds important and she wouldn’t want to make bro sad. So she nods a little.
Bro frowns slightly, Dove doesn’t really notice. “You didn’t understand what I just said, did you”, and sighs when she shakes her head a little. “No floating or anything. The living can’t do that and we’re pretending to be on of them”. Oh, they were playing pretend? That could be nice. So she nods softly. “You’ll even get to meet other girls your age”. Now that makes her curious. Maybe they were pretty and liked fluffy things. She liked fluffy things. And small things. And big things. And sharp things. She liked a lot of things. Littler bro liked dark things and smooth things. Bigger bro liked loud things that made messes. Pa liked funny things and surprising things. Ma liked metal that made things fly really fast.
So she nods again and happily walks after bro as they leave the small house place.
-
Orrin finds the volunteering to be rather lacklustre, but it serves his purpose. Watching Dove run around and play with the plastic animal things. At least children didn’t give a damn that she never spoke, even if one of the other ‘volunteers’ was certainly giving him an odd look over that. “She’s not much of a talker”, was all the explanation he had given, as if he even needed to explain in the first place. All in all, this ‘school’ thing seemed like it might just work out.
In fact, it might work out better than he could have foreseen. One of the other children’s mothers was part of one of those underground resistances. He personally liked to keep tabs on such things. If his parents ever got genuinely mad at him then he could simply nonchalantly expose one of the resistances to get back into their ‘good books’ again. But here and now he had a much better use for them. A much more interesting one to say the least. After all, he’s already encountered a few of its members and had a few choice conversations with them. He was likely already on their list as a ‘potential ally’ or even ‘potential member’. Resistances were always so eager to snag up new members. He can appreciate the tenacity. Even if most of them will likely die painful deaths sooner rather than later.
-
Dove likes the small lady, Remi, who likes birds the best, and she liked Dove’s name. Or the name bro said was her name, Robin. It wasn’t hers but it was a nice name and much easier than her bro’s. Bro also seems to like Remi, with how he was looking at her with a small grin and wrinkled eyes. That does make her a little cautious though, people usually got hurt when bro looked at them like that. Or he was just planning to scare them a little. Scaring was funny, but the other she doesn’t really like. The reds and greens were pretty and sweet; but the person was always gone after that. That’s the part she didn’t like. People were pretty and they couldn’t be pretty if they were gone. She hopes Ori doesn’t make Remi go.
So when the adult lady says it’s time to go, Dove goes over and pushes his face to stop smiling and turns his head to look away. That just makes him smile in the wide mean way, which she huffs and puffs her cheeks out over. Least he wasn’t looking at Remi that way. But it looks like he might know Remi’s ma, so maybe that’s why he was smiling. How sweet.
She pays more attention to making sure Remi’s hair scrunchie things are on the most perfectly than the two talking.
“I didn’t know you had a daughter, Lark”.
“What can I say, I’m a surprising guy”.
“What’s her name? Remi seems to like her. She seems... really gentle”, laughing a little, “Remi’s not so gentle”.
“Robin. And she’s always been like that, has quite the delicate touch I dare say”.
The lady laughs a little again, “does everyone in your family have bird-related names”.
“I have a sister named Raven. So you could say it’s a running theme”.
“Why am I not surprised. Anyway-”. The conversation got real quiet after that, not that Dove couldn’t easily hear. Even pa pointed out how much better halfa and ghost hearing was than mortal. And all these people were for sure mortal, smelled it. Which was cool and they were so soft and squishy. She thinks she likes these ones even more than the ones at home. “-interested in a play date of sorts”. Dove likes that idea, she likes playing, but the hair thingies still need her attention; sticking her tongue out a little.
“Oh? And where would be the location we would be gracing”. Glancing at bro shows he’s doing that smiling again. She doesn’t know what’s going on but whatever it is bro likes it. And she likes that he likes things, so long as those things don’t have to go goodbye. That makes her kind of... sad.
“No where special”. Even Dove knows that tone means it is somewhere special. Sweet, she likes special things. She knows bro does too, because special things are usually secret things and he loves finding secret things and having secret things. Just like them being here was supposed to be a secret thing. No ma and pa allowed.
“Well I certainly couldn’t turn down an offer like that, now could I”. Dove hums happily as she gets the hair things just right. Wiggling her fingers over them like she sprinkling sparkles, before pushing her gently over to her ma. Because look how pretty she is? She is very pretty.
The lady looks from bro to them, “my, Remi I don’t think I’ve seen your hair ever look so perfect”, and smiles. Dove and Remi smiling right back. Bro is just giving her that weird look that he sometimes does. The one that makes her think that he thinks that she’s weird. Like when she keeps her dollies from getting hurt or puts sprinkles on her food. Bro just doesn’t get it she thinks. Food tastes better when it’s pretty and her dollies might get sad if she didn’t save them.
“Yes it’s very... well done”. The lady looks at him like he’s the weird one so he shrugs, “I’m not the most versed in little girl things”.
The lady points at him, “that’s it, you’re definitely coming for a play date one way or another”.
Bro just raises an eyebrow, “I have already agreed you know”. Which the lady chuckles over. Pa would like her, she laughs a lot.
The lady looks to Remi, “would you like that sweetie? Having Robin here come over to play?”. Remi quickly nods and wraps her arms around Dove. Which Dove decides she really really likes. “Uh-huh uh-huh! Can she please!”. Dove’s never heard that word before. “Then I can put pretty things in her hair!”. Dove likes that idea very much and nods softly to show it.
The lady looks to bro, whispering, “look, their hugging. Or Remi’s hugging anyway”, before nodding at Remi, “of course sweetie”. Which Remi cheers over and squeezes her tighter.
Hugging. That’s what this is called? She likes it very much. She tries doing it back, no squeezing though; she wouldn’t want to break her. And grins, she likes hugging a lot.
-
Orrin hadn’t intended for this to make her even more gentle and soft, that or she was incredibly aware how breakable the living were. Why you could pick them up and they’d just snap in half. She really seems to enjoy the hugging thing though. Having hugged him repeatedly since. That was making Rio suspicious though, her glancing to him after they walk through a door in a tree and let the two girls run off, or in Dove’s cautiously prance would be a better word choice. “She seems to really like hugs. Excuse my rudeness but it didn’t seem like she knew what a hug was until just now”.
Orrin has two options presented before him right now. He could choose some level of honesty and claim that her father wasn’t exactly good and he only recently got her. Or he could just brush it off as her being unusual. But there rises the issue of the living being perceptive to that which is unlike them. While if he uses the first one then he will seem like a ‘sympathetic character’ which may prove more useful in the long run. Actions decided he sighs to make this seem more genuine, “family isn’t the kindest, let’s put it that way. She’s only with me here recently. Today actually”.
Rio’s eyebrows raise and he gets that sad smile he was aiming for, “oh I see”, then she actually looks a bit mad, “wait. So you didn’t even hug her when she showed up?”, and promptly slaps him. Which he seriously has to restrain from ripping her eyes out for.
And he does effectively keep the snarl out of his voice, the venom? not so much, “I’m not a hugger”.
“She’s a child”.
Orrin has never really appreciated Dove’s nativity before now as she runs over and basically halts the conversation. Her having a great many bow clips in her blonde -thanks to his glamour- hair. Is this really what regular little girls liked? Apparently yes, based on her bouncing on her toes faintly. At least she wasn’t trying to float.
Rio still throws him a glare as they take the girls to the ‘play den’ area. Meaning it was time to get down to business.
-
A few weeks go by, and it was becoming incredibly easy to tell who in this city knew about this particular resistance movement. Because suddenly he was some to be respected, which he can’t say he didn’t enjoy. To be treated like an important figure without that lingering fear in their eyes was certainly a new experience for Orrin. Does he prefer it? Not particularly. But he was a Gray-Phantom after all. Him not preferring fear and destruction would be strange. It was still interesting all the same. And it’s not like the group's plan and leadership was all that bad, it seemed better than most at least. Of course they had precisely zero hope of actually doing away with his family, but hey, the genuine effort was amusing. They weren’t even intending to bank everything on just one plan or one plan and a back up either. Oh no, they had a handful they wanted to enacted simultaneously. Which wasn’t actually a horrid plan. Mother could be quite narrow-minded and father easily distracted; and his brother of course was a fool. One of their plans even involved trying to blow up the Ghost Realm, and the bomb designs, that he invisibly sneaked a peek at, would actually be somewhat effective. Impressive actually. Russet would get a real kick out of it. But the group was banking a little too much on his father actually highly valuing his role as High Ghost King. Thinking he would defend the Ghost Realm just like that. His parents didn’t get their positions because they genuinely wanted them. No. They took them purely because they could. It also making them, especially father, stronger was a nice added bonus.
The rest of their plans were far less extreme and ranged from everything from: kidnapping the princess, which he had to resists murdering the lot of them for seriously suggesting, to reconstructing an ancient method of ghost mind control, not realising that that wouldn’t actually work on the high royal family. There had also been talks about turning the mortal knights that served his family, even claimed they already had turned one. But one look at him and it was obvious that was a load of crap and the guy was absolutely going to betray them. Which didn’t work so well for Orrin’s plans, which meant the knight had been promptly fed to a pack of wild bores. Then there was the plot to mind control the entire species of Drugandons and use them as an army to lay siege to the Keep. The sheer amount of chaos that would cause had him practically salivating. Oh yes, these mortals were fun.
Of course none of their plots would actually work on their own or even together. But it did have the highest possibility of any resistance group he’s encountered. And if they did go ahead like this, then plenty of ghosts would jump on board in a heartbeat. Which meant the chances of Russet getting himself destroyed would be incredibly high. And if Orrin himself were to back them, then it would be almost possible that his parents could genuinely maybe be taken out. Which would, of course, leave the throne to him.
Now he’s not particularly the power-hungry type. He doesn’t really give a damn about being High King. But it could be quite interesting. And if this group tried all this, managed to kill his elder brother, then his parents would rain-down absolute Hell. It would be nothing compared to the massacres of previous years or even their debut as monsters. It would be a sight to behold. Glorious even.
Orrin thinks he would rather like to see that. But he also knows exactly how that would go, which did take some of the fun out of it. Meanwhile, Dove becoming a figurehead for resistance was unprecedented. He could hardly predict the ways that could turn out. And Dove certainly enjoyed Remi’s company. Which was a bonus.
Another bonus was picking up on brother dearests ghostly aura a day back and successfully keeping both himself and Dove out of Russet’s awareness. Tricking that man was always a true pleasure. Regardless of how easy it generally was to do.
One thing he hadn’t accounted for though, was human stupidity.
But really? He shouldn’t have been surprised that things went to shit pretty rapidly. Gray-Phantom’s had horrid luck after all.
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sandranelsonuk · 5 years
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581 Sensory Words to Take Your Writing from Bland to Brilliant
It’s almost too easy.
By using sensory words to evoke sight, sound, touch, taste, and smell; smart and attractive writers just like you are able to make their words burst to life in their readers’ minds.
In this post, you’ll learn:
The science behind sensory details (e.g. why sensory words are so persuasive);
The definition of sensory words (plus examples);
How answering five simple questions will help you write descriptive words that pack your content with sensory language;
500+ sensory words you can incorporate into your own writing (right now).
Let’s dive in.
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The Colossal Power of Sensory Details
Remember the final scene in Field of Dreams when Ray Kinsella has a catch with his dad?
You can smell the grass on the field.
You can hear the sound of the baseball hitting their gloves.
And you can feel Ray’s years of guilt melting away as he closes his eyes, smiles, and tosses the ball back to his dad.
(Be honest. You’re crying right now, aren’t you?)
Field of Dreams made you feel like you were in Ray’s shoes, on his field, playing catch with dad.
The scene creates such a vivid experience for many viewers that whenever they think of playing catch, this scene will come up alongside their own childhood memories.
Here’s why:
When you paint a strong scene in your audience’s mind, you make it easier for them to pull it back up from their memory. You’ve essentially bookmarked it for them so they can easily find it when something — a sight, a smell, a sound — reminds them of it.
That’s the power of content that incorporates sensory details.
And this power isn’t limited to cinema classics capable of making grown men cry. For centuries, literary giants have been packing their prose with powerful words that evoke the senses:
“Cry ‘Havoc,’ and let slip the dogs of war; That this foul deed shall smell above the earth With carrion men, groaning for burial” — William Shakespeare (circa 1599)
In addition to The Bard, authors like Maya Angelou, Edgar Allan Poe, and Charles Dickens excel at sensory language. So do literally every famous poet you learned about in school.
And that begs the obvious question…
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Why are Sensory Details so Effective?
Short answer:
Our brains handle sensory words differently than ordinary words.
In a 2011 study published in The Quarterly Journal of Experimental Psychology, experts found that our brains process “tangible” (i.e. sensory) words faster than other words.
And in a study published for Brain and Language in 2012, psychologists found that a certain part of our brain is “activated” when we read sensory words.
In other words:
So, we know why sensory details are powerful. And we know writers have been tapping into their power for a long, long time.
Now let’s define them and go over a few examples:
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What are Sensory Words?
Sensory words are descriptive words — using imagery, they describe how we see, hear, touch, taste, and smell the world around us.
Let’s break each one down:
#1. Sight Sensory Words
Words related to vision describe the appearance of something (its color, size, shape, and so on).
Examples of visual words:
Her golden hair looked disheveled thanks to the gust of wind.
He was a towering presence.
I ordered a large orange juice, but the waiter brought me a teeny-tiny glass the size of a thimble.
→ Click here to unfold the full list of Sight Sensory Words.
Angular Azure Billowy Black Bleary Bloated Blonde Blue Blurred Blushing Branching Bright Brilliant Broad Brown Brunette Bulbous Bulky Camouflaged Chubby Circular Colorful Colorless Colossal Contoured Cosmic Craggy Crimson Crinkled Crooked Crowded Crystalline Curved Dark Dazzling Deep Dim Dingy Disheveled Distinct Drab Dreary Dull Dusty Elegant Enchanting Engaging Enormous Faded Fancy Fat Filthy Flashy Flat Flickering Foggy Forked Freckled Fuzzy Gargantuan Gaudy Gigantic Ginormous Glamorous Gleaming Glimpse Glistening Glitter Glittering Globular Gloomy Glossy Glowing Gold Graceful Gray Green Grotesque Hazy Hollow Homely Huge Illuminated Immense Indistinct Ivory Knotty Lacy Lanky Large Lavender Lean Lithe Little Lofty Long Low Malnourished Maroon Massive Miniature Misshapen Misty Motionless Mottled Mountainous Muddy Murky Narrow Obtuse Olive Opaque Orange Oval Pale Peered Petite Pink Portly Pristine Prodigious Purple Quaint Radiant Rectangular Red Reddish Rippling Rotund Round Ruby Ruddy Rusty Sabotaged Shadowy Shallow Shapeless Sheer Shimmering Shiny Short Silver Skinny Small Smudged Soaring Sparkling Sparkly Spherical Spotless Spotted Square Steep Stormy Straight Strange Striped Sunny Swooping Tall Tapering Tarnished Teeny-tiny Tiny Towering Translucent Transparent Triangular Turquoise Twinkling Twisted Ugly Unsightly Unusual Vibrant Vivid Weird White Wide Wiry Wispy Wizened Wrinkled Wrinkly Yellow
  #2. Sound Sensory Words
Words related to hearing often describe the sound they make (known as onomatopoeia), but this isn’t always the case.
Examples of hearing words:
He had a big, booming voice.
The sound of screeching tires was soon followed by the deafening sound of a car horn.
As I peeked under the bed, the cackling laughter coming from the closet made the hairs on my arms stand up.
→ Click here to unfold the full list of Sound Sensory Words.
Babble Bang Barking Bawled Bawling Bellow Blare Blaring Bleat Boom Booming Bray Buzz Buzzing Cackle Cackling Chatter Chattering Cheer Chiming Chirping Chuckle Clamor Clang Clanging Clap Clapping Clicking Clink Clinking Cooing Coughing Crackle Crackling Crashing Creak Croaking Crow Crunch Crunching Crunchy Cry Crying Deafening Distorted Dripping Ear-piercing Earsplitting Exploding Faint Fizzing Gagging Gasping Giggle Giggling Grate Grating Growl Grumble Grunt Grunting Guffaw Gurgle Gurgling Hanging Hiss Hissing Honking Howl Hubbub Hum Humming Hush Jabber Jangle Jangling Laughing Moaning Monotonous Mooing Muffled Mumble Mumbling Murmur Mutter Muttering Noisy Peeping Piercing Ping Pinging Plopping Pop Purring Quacking Quiet Rant Rapping Rasping Raucous Rave Ringing Roar Roaring Rumble Rumbling Rustle Rustling Scratching Scream Screaming Screech Screeching Serene Shout Shouting Shrieking Shrill Sigh Silent Sing Singing Sizzling Slam Slamming Snap Snappy Snoring Snort Splashing Squawking Squeaky Stammer Stomp Storm Stuttering Tearing Thudding Thump Thumping Thunder Thundering Ticking Tingling Tinkling Twitter Twittering Wail Warbling Wheezing Whimper Whimpering Whine Whining Whir Whisper Whispering Whistle Whooping Yell Yelp
  #3. Touch Sensory Words
Touch words describe the texture of how something feels. They can also describe emotional feelings.
Examples of touch words:
Two minutes into the interview, I knew his abrasive personality would be an issue if we hired him.
With a forced smile, I put on the itchy Christmas sweater my grandmother bought me.
The Hot Pocket was scalding on the outside, but ice-cold in the middle.
→ Click here to unfold the full list of Touch Sensory Words.
Abrasive Balmy Biting Boiling Breezy Bristly Bubbly Bubby Bumpy Burning Bushy Chilled Chilly Clammy Coarse Cold Cool Cottony Crawly Creepy Cuddly Cushioned Damp Dank Dirty Downy Drenched Dry Elastic Feathery Feverish Fine Fleshy Fluff Fluffy Foamy Fragile Freezing Furry Glassy Gluey Gooey Grainy Greasy Gritty Gushy Hairy Heavy Hot Humid Ice-Cold Icy Itchy Knobbed Leathery Light Lightweight Limp Lukewarm Lumpy Matted Metallic Moist Mushy Numbing Oily Plastic Pointed Powdery Pulpy Rocky Rough Rubbery Sandy Scalding Scorching Scratchy Scummy Serrated Shaggy Sharp Shivering Shivery Silky Slimy Slippery Sloppy Smooth Smothering Soapy Soft Sopping Soupy Splintery Spongy Springy Sputter Squashy Squeal Squishy Steamy Steely Sticky Stifled Stifling Stinging Stony Stubby Tangled Tapered Tender Tepid Thick Thin Thorny Tickling Tough Unsanitary Velvety Warm Waxy Wet Woolly
  #4. Taste Sensory Words
Taste words are interesting. Though they can describe food, they’re often used in comparisons and metaphors.
Examples of taste words:
It’s a bittersweet situation.
Her zesty personality caught Karl’s eye.
The scrumptious jalapeno poppers comforted Karl after his bitter rejection.
→ Click here to unfold the full list of Taste Sensory Words.
Acidic Appetizing Bitter Bittersweet Bland Buttery Charred Contaminated Creamy Crispy Delectable Delicious Doughy Earthy Fermented Flavorful Flavorless Floury Garlicky Gingery Gritty Hearty Juicy Luscious Medicinal Mellow Melted Nauseating Nutritious Nutty Palatable Peppery Pickled Piquant Raw Refreshing Rich Ripe Runt Savory Scrumptious Stale Sugary Syrupy Tangy Tart Tasteless Unripe Vinegary Yummy Zesty
  #5. Smell Sensory Words
Words related to smell describe — yes, you guessed it — how things smell. Often underutilized, sensory words connected with smell can be very effective.
Examples of smell words:
The pungent smell was unmistakable: someone in this elevator was wearing Axe Body Spray.
No matter the expiration date, it was clear from its rancid stench the milk had gone bad.
The flowery aroma was a welcome change after the elevator and milk incidents.
→ Click here to unfold the full list of Smell Sensory Words.
Ambrosial Antiseptic Aroma Aromatic Briny Citrusy Decayed Decomposed Doggy Fetid Floral Flowery Foul-smelling Fragrant Gamy Gaseous Horrid Inodorous Malodorous Mephitic Musky Musty Odiferous Odor Odorless Old Perfumed Piney Polluted Pungent Putrid Rancid Rank Redolent Reeking Scent Scented Sickly Skunky Smell Smoky Stagnant Stench Stinky Sweaty Tempting
  Note on Taste and Smell:
Because they’re closely related, some sensory words can be used for both taste and smell. Examples: fruity, minty, and tantalizing.
→ Click here to unfold the full list of Taste and Smell Sensory Words.
Acrid Burnt Fishy Fresh Fruity Lemony Minty Moldy Mouth-watering Rotten Salty Sour Spicy Spoiled Sweet Tantalizing
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Sensory Details: Examples in the Wild
Imagine the following headline came across your Twitter feed:
How to Avoid Using Boring Stock Photo Images in Your Content
Would you click it?
Better question…
Could you read the headline without falling asleep?
The answers are probably “no” and “heck no.”
Now imagine you saw this headline:
Much better, right?
The simple addition of the sensory word “cringeworthy” changes the tone of the entire headline. Instead of yawning, you’re thinking of an awkward or embarrassing moment you really don’t want to relive.
Let’s look at a few more modern-day examples of sharp people using sensory language to spruce up their content:
Using Sensory Words in Author Bios
I’ll pick on me for this one.
Here’s the author bio I used for one of my first-ever guest posts:
Kevin Duncan is the owner of Be A Better Blogger, where he helps people become the best bloggers they can be.
Now look at the author bio my friend Henneke wrote for Writer’s Block: 27 Techniques to Overcome It Forever:
Henneke Duistermaat is an irreverent copywriter and business writing coach. She’s on a mission to stamp out gobbledygook and to make boring business blogs sparkle.
My bio is devoid of sensory words (or any interesting words at all, if we’re being honest).
Henneke’s is chock full of them.
Her bio is interesting.
Mine is boring.
The lesson? Add at least one sensory word to your author bio.
Using Sensory Words in Social Media Profiles
Some people opt for brevity when writing their social media profiles, and that’s fine.
But if you want your Twitter profile (or Facebook, Instagram, or any other social media profile) to stand out from the crowd, sprinkle in a sensory word or two.
Like so:
Mel Wicks is a veteran copywriter who knows a thing or two about the effectiveness of descriptive words, so she uses them to spice up her Twitter profile.
Here’s an example from my badly-neglected Instagram account:
“Enchanting” and “adorably-jubilant” are wonderful sensory words — so wonderful, it’s a shame they’re wasted on a profile no one sees.
Look at your own profiles and see if there’s a place to add a sensory word or two. They’ll help your profile jump off the screen.
Heck, see if you can use enchanting and adorably-jubilant.
They deserve to be seen.
Using Sensory Words in Introductions
The opening lines of your content are so important.
If you’re a student, your opening sets the tone for your teacher (who we both know is dying to use his red pen).
If you’re an author, your opening can be the difference between someone buying your book or putting it back on the shelf in favor of one of those Twilight books (probably).
And if you’re a blogger, writer, content marketer, or business; your opening can hook the reader (increasing dwell time, which is great in Google’s eyes) or send them scurrying for the “back” button.
It’s why we put such an emphasis on introductions here at Smart Blogger.
Sometimes our openings hook you with a question.
Sometimes we strike a note of empathy or (like this post) focus on searcher intent.
And sometimes we give you a heaping helping of sensory words:
Imagine you’re sitting in a lounge chair on the beach, staring out over the glittering sea, the ocean breeze ruffling your hair, listening to the slow, steady rhythm of the waves.
In the above opening for How to Become a Freelance Writer and Get Paid $200 – $1K per Post, Jon Morrow uses sensory language to set a scene for the reader.
And it’s highly, highly effective.
Using Sensory Words in Email Subject Lines
Like you, your readers are flooded with emails.
And with open rates in a steady decline, people are trying anything and everything to make their email subject lines stand out:
Emojis;
Capitalized words;
All lowercase letters;
Two exclamation points;
Clickbait that would make even BuzzFeed go, “that’s too far, man.”
You name it, people are trying it.
Want a simpler, far-more-effective way to help your emails stand out from the crowd?
Add a sensory word.
Brian Dean loves to include words like “boom” in his subjects:
The folks at AppSumo and Sumo (formerly SumoMe) regularly feature descriptive words in their subjects and headlines.
Here’s one example:
And sensory language appears in most everything Henneke writes, including her subject lines.
In this one she also uses an emoji related to her sensory word. Very clever:
Now that we’ve covered several examples, let’s dig a bit deeper…
Let’s discuss some practical steps you can take that will make adding sensory language to your writing a breeze:
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How Descriptive Words Can Pack Your Writing With Sensory Language
If you’ve taken a good English or writing class, you’ve probably been told a time or two to “show, don’t tell.”
This means you should create an engaging experience for your audience; not just tell them what you want them to know.
You accomplish this by using descriptive language that conveys sensations and lets readers experience your words (rather than simply read them).
And how do you do that, exactly?
Ask yourself these five questions when you’re writing:
#1. What Do You See?
It isn’t enough to tell your readers there was a scary house in your neighborhood when you were a child. Describe the house to them in vivid detail.
What shade of gray was it?
Were the doors boarded up?
Precisely how many ghostly figures did you see staring at you from the upstairs bedroom windows, and how many are standing behind you right now?
Paint a mental picture for your readers.
#2. What Do You Hear?
We listen to uptempo songs to push us through cardio workouts. Many of us listen to rainfall when we’re trying to sleep. Some of us listen to Justin Bieber when we want to punish our neighbors.
Want to transplant readers into your literary world?
Talk about the drip, drip, drip of the faucet.
Mention the squeaking floors beneath your feet.
Describe the awful music coming from your next-door-neighbor’s house.
#3. How Does it Feel?
Touch sensory words can convey both tactile and emotional sensations.
Can you describe to the reader how something feels when touched? Is it smooth or rough? Round or flat? Is it covered in goo or is it goo-less?
Paint a picture for your reader so they can touch what you’re touching.
The same goes for emotions. Help the reader feel what you (or your character) are feeling. Draw them in.
#4. What Does it Taste Like?
Does the beach air taste salty? Is the roaring fire so intense you can taste the smoke? Is the smell of your roommate’s tuna fish sandwich so strong you can taste it from across the room?
Tell your audience.
Be descriptive.
Make them taste the fishiness.
#5. How Does it Smell?
It wasn’t a basement you walked into — it was a musty, moldy basement.
And you didn’t simply enjoy your Mom’s homemade lasagna. You inhaled the aromatic scents of sauce, cheese, and basil.
Evoking the sense of smell is possibly the most effective way to pull readers out of their world and into yours.
So when you sit down to write, ask yourself if it’s possible to describe how something smells. And if you can? Do it.
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The Massive Sensory Words List: 581 (and Counting) Descriptive Words to Supercharge Your Writing
Once you’ve asked and answered the five questions above, your writing will be packed with sensory details.
In time, you’ll build up your own massive list of sensory words you can reference and sprinkle throughout your work.
But in the meantime, here’s my list.
Bookmark them.
Print them.
Use them often:
SIGHT
SOUND
Angular Babble Azure Bang Billowy Barking Black Bawled Bleary Bawling Bloated Bellow Blonde Blare Blue Blaring Blurred Bleat Blushing Boom Branching Booming Bright Bray Brilliant Buzz Broad Buzzing Brown Cackle Brunette Cackling Bulbous Chatter Bulky Chattering Camouflaged Cheer Chubby Chiming Circular Chirping Colorful Chuckle Colorless Clamor Colossal Clang Contoured Clanging Cosmic Clap Craggy Clapping Crimson Clicking Crinkled Clink Crooked Clinking Crowded Cooing Crystalline Coughing Curved Crackle Dark Crackling Dazzling Crashing Deep Creak Dim Croaking Dingy Crow Disheveled Crunch Distinct Crunching Drab Crunchy Dreary Cry Dull Crying Dusty Deafening Elegant Distorted Enchanting Dripping Engaging Ear-piercing Enormous Earsplitting Faded Exploding Fancy Faint Fat Fizzing Filthy Gagging Flashy Gasping Flat Giggle Flickering Giggling Foggy Grate Forked Grating Freckled Growl Fuzzy Grumble Gargantuan Grunt Gaudy Grunting Gigantic Guffaw Ginormous Gurgle Glamorous Gurgling Gleaming Hanging Glimpse Hiss Glistening Hissing Glitter Honking Glittering Howl Globular Hubbub Gloomy Hum Glossy Humming Glowing Hush Gold Jabber Graceful Jangle Gray Jangling Green Laughing Grotesque Moaning Hazy Monotonous Hollow Mooing Homely Muffled Huge Mumble Illuminated Mumbling Immense Murmur Indistinct Mutter Ivory Muttering Knotty Noisy Lacy Peeping Lanky Piercing Large Ping Lavender Pinging Lean Plopping Lithe Pop Little Purring Lofty Quacking Long Quiet Low Rant Malnourished Rapping Maroon Rasping Massive Raucous Miniature Rave Misshapen Ringing Misty Roar Motionless Roaring Mottled Rumble Mountainous Rumbling Muddy Rustle Murky Rustling Narrow Scratching Obtuse Scream Olive Screaming Opaque Screech Orange Screeching Oval Serene Pale Shout Peered Shouting Petite Shrieking Pink Shrill Portly Sigh Pristine Silent Prodigious Sing Purple Singing Quaint Sizzling Radiant Slam Rectangular Slamming Red Snap Reddish Snappy Rippling Snoring Rotund Snort Round Splashing Ruby Squawking Ruddy Squeaky Rusty Stammer Sabotaged Stomp Shadowy Storm Shallow Stuttering Shapeless Tearing Sheer Thudding Shimmering Thump Shiny Thumping Short Thunder Silver Thundering Skinny Ticking Small Tingling Smudged Tinkling Soaring Twitter Sparkling Twittering Sparkly Wail Spherical Warbling Spotless Wheezing Spotted Whimper Square Whimpering Steep Whine Stormy Whining Straight Whir Strange Whisper Striped Whispering Sunny Whistle Swooping Whooping Tall Yell Tapering Yelp Tarnished Teeny-tiny Tiny Towering Translucent Transparent Triangular Turquoise Twinkling Twisted Ugly Unsightly Unusual Vibrant Vivid Weird White Wide Wiry Wispy Wizened Wrinkled Wrinkly Yellow
TOUCH
TASTE
Abrasive Acidic Balmy Appetizing Biting Bitter Boiling Bittersweet Breezy Bland Bristly Buttery Bubbly Charred Bubby Contaminated Bumpy Creamy Burning Crispy Bushy Delectable Chilled Delicious Chilly Doughy Clammy Earthy Coarse Fermented Cold Flavorful Cool Flavorless Cottony Floury Crawly Garlicky Creepy Gingery Cuddly Gritty Cushioned Hearty Damp Juicy Dank Luscious Dirty Medicinal Downy Mellow Drenched Melted Dry Nauseating Elastic Nutritious Feathery Nutty Feverish Palatable Fine Peppery Fleshy Pickled Fluff Piquant Fluffy Raw Foamy Refreshing Fragile Rich Freezing Ripe Furry Runt Glassy Savory Gluey Scrumptious Gooey Stale Grainy Sugary Greasy Syrupy Gritty Tangy Gushy Tart Hairy Tasteless Heavy Unripe Hot Vinegary Humid Yummy Ice-Cold Zesty Icy Itchy Knobbed Leathery Light Lightweight Limp Lukewarm Lumpy Matted Metallic Moist Mushy Numbing Oily Plastic Pointed Powdery Pulpy Rocky Rough Rubbery Sandy Scalding Scorching Scratchy Scummy Serrated Shaggy Sharp Shivering Shivery Silky Slimy Slippery Sloppy Smooth Smothering Soapy Soft Sopping Soupy Splintery Spongy Springy Sputter Squashy Squeal Squishy Steamy Steely Sticky Stifled Stifling Stinging Stony Stubby Tangled Tapered Tender Tepid Thick Thin Thorny Tickling Tough Unsanitary Velvety Warm Waxy Wet Woolly
SMELL
TASTE & SMELL
Ambrosial Acrid Antiseptic Burnt Aroma Fishy Aromatic Fresh Briny Fruity Citrusy Lemony Decayed Minty Decomposed Moldy Doggy Mouth-watering Fetid Rotten Floral Salty Flowery Sour Foul-smelling Spicy Fragrant Spoiled Gamy Sweet Gaseous Tantalizing Horrid Inodorous Malodorous Mephitic Musky Musty Odiferous Odor Odorless Old Perfumed Piney Polluted Pungent Putrid Rancid Rank Redolent Reeking Scent Scented Sickly Skunky Smell Smoky Stagnant Stench Stinky Sweaty Tempting
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Are You Ready to Unleash the Power of Sensory Words?
It’s time to say goodbye.
Goodbye to lifeless words that sit on the page.
Goodbye to indifferent readers ready to move on to something, anything, else.
You now know why sensory details are so effective. You know how to sprinkle descriptive words throughout your content. And you now have a massive, ever-growing list of sensory words to bookmark and come back to again and again.
Variations of the following quote have been attributed to everyone from Carl W. Buehner to Maya Angelou, but regardless of who said it, and how they said it, it’s true:
“People may forget what you said, but they’ll never forget how you made them feel.”
It’s time to make your readers feel.
Are you ready?
Then let’s do this thing.
About the Author: When he’s not busy telling waitresses, baristas, and anyone else who crosses his path that Jon Morrow once said he was in the top 1% of bloggers, Kevin J. Duncan is the Blog Editor and Social Media Manager for Smart Blogger.
The post 581 Sensory Words to Take Your Writing from Bland to Brilliant appeared first on Smart Blogger.
from Julia Garza Social Media Tips https://smartblogger.com/sensory-words/
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master-sass-blast · 6 years
Text
Everything Needs a Little Magic
ALL. ABOARD. THE FLUFF TRAIN!
Seriously. This is just fluff. Entirely self indulgent.
Summary: You and Piotr spend the day watching Disney movies.
THAT’S IT. NO PLOT. NOTHING BUT FLUFF. I’M DEADASS SERIOUS.
Pairings: Piotr Rasputin x Reader.
Rating: T for making out.
@colossus-and-cable-and-thanos THIS IS ALSO FOR YOU, BB. YOU KNOW WHY! YOU KNOW!
(Also, while we’re here, I highly recommend that y’all check out @x-men-babe‘s blog. They’ve got a masterlist (unlike me, who can’t get their SHIT together) and their writing is really fantastic (READ ICEBOX. DO IT. YOUR LIFE WILL BE BETTER FOR IT. I PROMISE!).
And, unlike me, they take requests! I’ve had a couple people ask me if I take requests. At this point, I don’t, and I’m not sure if I ever will. Outside of special occasions (or finishing my Piotr fic series, which’ll probably take at least a year), it’s not something I can see myself doing. I get very attached to ideas and tend to covet them closely, which ultimately doesn’t work well with doing requests (that and I don’t struggle with writing of my own volition).
But yes! Check out x-men-babe’s blog! You won’t regret it! 10000% Goblin Guarantee of quality!)
Sunlight dapples the bright green undergrowth of the woods behind the X-Mansion. Birds chirp overhead, their merry sounding songs echoing up to the bright, flawless blue sky. Bees occasionally buzz past, in search of the next patch of cutely colored flowers.
It’s a picturesque day.
You, however, are not.
You’re absolutely drenched in sweat, slick and shiny with it as you jog on a well worn path in the woods. Your shirt and gym shorts cling to your body, darkened with your excess perspiration. Your hair is equal parts limp and frizzy, and the strands that have fallen out of your haphazard pony tail --tied during the ugly hours of the morning when you’d first woken up to start your work out--are plastered against your forehead or your neck. Your knees are smudged with dirt from where you tripped earlier --along with your hands--and you just generally look like a mess.
A happy mess, though. A well-exercised mess. This run has been a part of your daily routine for several months now, and you’ve built enough endurance to go the whole distance without stopping or passing out!
You are, however, realizing that you might need to get up earlier if you want to avoid the sweltering summer temperatures and the corresponding sweat bath. You’re not sure which is more disgusting --being so sweaty that people can see their reflections when they look at your skin, or getting up early.
You’re pretty sure it’s getting up early. Probably.
As you jog through the gardens and towards the back of the mansion, you spy Piotr sitting out by the back door in his human form, presumably waiting for you.
Part of it is elating --because just last night he confessed he was in love with you and borderline made out with you on a secluded bench behind a tree, and you’re always happy to see him--but part of it is groan worthy --because just last night he confessed he was in love with you and borderline made out with you on a secluded bench behind a tree, and right now you look absolutely awful.
You slow to a stop a few feet away from him and spread your arms wide, as if waiting for applause before taking a bow. “Behold me and all my drippy glory!”
Piotr chuckles as you flop onto the ground. “You look fine, myshka. I take it your run went well?”
“Yeah, it’s fine, but it’s so damn hot.” You sit up and grimace when you try --and fail--to wipe stray blades of grass off your arms.
“Perhaps you should start waking up earlier.” He’s frowning now, concerned. “It is not good to run in this heat. You could make yourself sick.”
“Okay, I know you’re just trying to help me be healthy, but you should know that suggesting waking up anytime before eight is treason.”
He smiles fondly and shakes his head. “Will you listen if I offer something in return?”
“Absolutely. Even if it’s just you taking your shirt off. Especially if it’s you taking your shirt off. Can you tell I have a vested interest in seeing you with your shirt off?”
His cheeks flush red, but he laughs anyway as he holds out a water bottle to you. “I thought you would be thirsty, since you usually don’t take drink with you. Which--”
“Yeah, yeah, I know. Not healthy.” You groan as you press the cool plastic against your hot skin, then take a few icy sips and sigh contentedly. “You’re a real prince among men. You know that, Piotr?”
“Last I checked, it’s called being nice.”
“Pretty sure you’re just an alien that thrives off being courteous.”
He raises an eyebrow at you and smirks. “So, I am alien Prince?”
“I don’t see why not. You’ve got manners and can morph into a massive metal version of yourself. Pretty fuckin’ weird, if you ask me.” You guzzle a little more water, then groan as you push yourself into a standing position. “You’re dressed casual today. Is school not in?”
“Nyet. We are out for year.”
Right. You knew that. Duh.
Your brain does the math of it’s own volition. 
The students and most of the teachers are out for the day and won’t be back until late evening. Those who’ve stayed behind will likely spend the day doing what they want. And, as if that wasn’t wonderful enough, Wade and Nathan are out of the house on a job for Weasel. 
You smile as an idea comes together in your head. “Are there any missions you have to go on.”
Piotr shakes his head. “Nyet.”
“Do you have any hard set plans for the day?”
He’s smiling now, catching on to what’re you’re getting at. “I do not.”
“Then, what say you and I spend the day together once I’m done showering? I’m thinking marathon movie session.”
“I think I would enjoy that very much.” He opens the back door for you and ushers you inside. “But you really should take water with you on runs, moya lyubov’. Dehydration is no joking matter.”
You hide your fond smile by lifting the spout of the water bottle to your lips and let your mother-hen boyfriend lecture you about proper athletic safety and the importance of being well hydrated.
God, you love this man.
Once you’ve thoroughly scrubbed yourself and put on some dry clothes that don’t reek of sweat, you pop downstairs in search of Piotr.
He’s in the kitchen, making an early lunch for himself. “Have you eaten yet, myshka?”
“No. I prefer doing fasted workouts. You build more muscle that way.”
“Da, but you should eat something. You have burnt great deal of energy.”
“I’m going to.” You pat his arm reassuringly. “You don’t have to worry, okay? Believe me, I’m starving. There’s no way I’m going any longer without eating than I absolutely have to.”
The line of his shoulders relaxes as he exhales. “Sorry, I--”
“Don’t apologize, Pete. I like the way you’re sweet and want to take care of everyone; it’s endearing.” Then, to prove your point, you clamber up onto the stool next to him and kiss him.
Even though most of you is completely swept away by the sheer sensation of his lips pressing against yours, a tiny part of your brain still registers ‘holy fucking shit, I’m kissing Piotr, I’m his girlfriend now, I can kiss him whenever I want, this is so fucking awesome--’
He breaks the kiss with a smile and rubs the swells of your cheeks with his thumbs. “I don’t think I’m ever going to get enough of that.”
You grin and lean back in for another kiss. “Me either.”
He presses a gentle finger against your lips. “Eat something, please, dorogaya moya.”
You kiss the pad of his finger and hop off the stool. “Fine. If you insist. So, what movies are we watching?”
“I thought I would let you choose. I put my DVD binder on table in rec room.”
You stealthily lift a pack of Pop Tarts out of one of the boxes Wade has stashed on top of the fridge, then use Piotr’s meal prep distraction to slip into the rec room with your hard earned treat in hand. You situate yourself on the couch, open the foil wrapper holding the breakfast pastry as quietly as you can, and shove half a Pop Tart in your mouth while you start flipping through the DVD booklet.
The sheer number of choices is overwhelming. You wouldn’t have pegged your boyfriend as a movie junkie. The case contains a little bit of everything, from some discs with titles in Russian --no surprise there--to cheesy rom coms to several pieces by Alfred Hitchcock.
What is surprising, though, is when you spy Disney’s Peter Pan movie at the bottom right corner of one of the ‘pages.’ After staring at it for a moment, wondering why Piotr would have a kid’s movie, you shrug it off and flip over to the other side. He’s a teacher. Of course he’d have a kid’s movie or two.
Except it isn’t just one or two. Peter Pan is just the tip of the iceberg; a few quick, disbelieving flips to the end of the binder confirms that he has every Disney movie released on DVD, from Snow White and the Seven Dwarfs to Moana.
Woah. Did not see this coming.
“Pop Tarts are not a meal, dorogaya moya.”
“Agree to disagree.” You look up at him as he walks into the rec room with two plates of food. “Hey, why do you have so many Disney movies?”
“They are happy movies,” he says as he sets one of the plates in your lap. “Besides, I like the art and animation.”
“I’ve never seen ‘em. What makes them so great?”
“Well, the older ones were done by hand. Artists made backgrounds, then painted animation cels for each frame. The cels were photographed, then put together into full movie. It is...” His voice trails off as he tries to find the words. “Awe-inspiring, as artist, to watch. Compared to modern standards, the movies are arguably crude, but the amount of effort is... amazing. And I think the old movies are beautiful in ways that new movies aren’t. The texturing of the backgrounds, the softness... it is incredible.”
“Wow. That is cool. What about the newer ones?”
“Computer animation is fascinating. I doubt it will ever be ‘my thing’ but it is still interesting to watch. Plus, stories and plots are better written. Usually.”
“Always a good thing.” You shove the last Pop Tart half into your mouth and shrug. “Disney’s good. You pick where we start.”
“We start at beginning,” he says emphatically as he carries the DVD carrier over to the entertainment center.
You look down at the plate as he sets everything up and gasp when you realize it has a neat little pile of Cheetos on it. “Wait, is this for me?”
“Da. I told you Pop Tarts were not meal.”
“Man, I scored a total package. How did that even happen?”
He blushes as he stands and walks over to the couch. “I think am I the one who ‘scored,’ myshka.”
You smile and sigh happily when he presses his lips against yours.
There’s no way life gets any better than this.
Life, in fact, does get better.
Namely, in the sense that you get to spend the whole day watching Disney movies with your boyfriend.
And in the sense that, if prompted, Piotr will literally spend several minutes explaining the behind the scenes effort that went into the animating the old movies, the techniques used by the artists to construct the backgrounds, and the sheer level of talent it takes to sync audio to hand-fucking-painted animation.
That, and the movies are just that gorgeous. Granted, the writing in the newer ones are usually better --the two of you opt to hop back and forth between old and new since there’s no way you’ll make it through every single Disney movie in one day--but the level of artistry in all of them leaves you absolutely speechless.
“Man, I’ve really been missing out!” you murmur, awestruck, as you watch the ‘Whole New World’ sequence in Aladdin. “This is amazing! How did they even do this?”
“Much of animation was done on computers at this point,” Piotr says. “It allows for art to move better with music, more creative freedom.”
“No kidding.” You can’t help but smile as you watch the magic carpet soar up into the clouds as the music swells. “This is really beautiful.”
“Da,” Piotr agrees softly.
And then he shifts closer to you, stretches his arms above his head, and lets one settle around your shoulders as he relaxes again.
Suddenly, your proximity to your boyfriend is a lot more interesting than the movie. You’re tucked against his side, sitting thigh to thigh, and his arm is warm and comfortably heavy on your shoulder.
You’re hit by a desire to kiss him --and it suddenly occurs to you that there’s nothing stopping you. The two of you are in a relationship, there’s no one around that would make doing it ‘inappropriate,’ and you’re practically on a quasi-date. There’s never been a better time for it.
You wriggle into his lap until you’re straddling him, propped up on your knees --he’s so much taller than you that at times it’s almost ridiculous--and loop your arms around his next before leaning into kiss him.
Piotr’s hands flit up and down your arms, your shoulders, and your sides before settling at your waist. He uses his hold on you to pull you close, bringing the two of you flush together.
You let out a happy sigh when he wraps his muscular arms around you, effectively cradling you against his burly chest, and kiss him harder. You’ve been pining for him for so long, and now that the two of you are together you never want to stop kissing him. Touching him. Being around him.
“Is this your way of saying that you don’t want to watch movie anymore?” Piotr asks, a little breathless, when the kiss breaks.
“No,” you murmur as you kiss the bridge of his nose. “I just love you.”
His cheeks flush a lovely shade of rose as he smiles sweetly at you. “I love you too, myshka.”
You turn around and settle in his lap to finish watching the movie, snuggled happily in his arms.
This. Life definitely doesn’t get better than this.
Except it does. The universe is hellbent on proving you wrong today, and you’re loving every moment of it.
Once the film finishes, Piotr suggests that the two of you take a stroll through the gardens to get your blood flowing.
The carefully arranged and tended to patches of flowers and bushes look utterly wonderful in the golden, early evening light. A soft breeze stirs the late spring air, keeping everything perfectly comfortable as the two of you walk along the gravel pathways.
Piotr’s hand in solid and warm around yours, and you never expected such a small, simple form of contact to feel so exhilarating. You almost can’t believe that it’s real, that he’s really your boyfriend now and really loves you.
The two of you talk about whatever comes to mind --mostly the movies you’ve been watching--and take your time as you meander around the grounds of Xavier’s. There’s no reason to hurry; the students and teachers won’t be back from their beach trip for a few more hours, there aren’t any missions that need responding to, and with Wade out of the house on one of his jobs there aren’t any explosions or other disasters to shatter the easy, peaceful lull in the air.
“I’ve really enjoyed today,” you say quietly as you squeeze Piotr’s hand.
“So have I, dorogaya moya. This has been... wonderful.” He stops --slowly enough that you don’t stumble or jerk back--and bends down to kiss you.
You smile into the kiss, and rest one hand on his chest and the other on his cheek.
It’s absolutely magical. Maybe the Disney movies have been rubbing off on your life.
“Think we have time for one more movie?” you ask when he pulls back.
“I think so,” he says with a soft, happy smile.
“Cool.” You grin giddily as you walk back to the house, hand in hand, the promise of more quiet, intimate, magic-filled time together beckoning alluringly.
This. Life doesn’t get better than this.
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moffixxey · 5 years
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581 Sensory Words to Take Your Writing from Bland to Brilliant
It’s almost too easy.
By using sensory words to evoke sight, sound, touch, taste, and smell; smart and attractive writers just like you are able to make their words burst to life in their readers’ minds.
In this post, you’ll learn:
The science behind sensory details (e.g. why sensory words are so persuasive);
The definition of sensory words (plus examples);
How answering five simple questions will help you write descriptive words that pack your content with sensory language;
500+ sensory words you can incorporate into your own writing (right now).
Let’s dive in.
Pin Image
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The Colossal Power of Sensory Details
Remember the final scene in Field of Dreams when Ray Kinsella has a catch with his dad?
You can smell the grass on the field.
You can hear the sound of the baseball hitting their gloves.
And you can feel Ray’s years of guilt melting away as he closes his eyes, smiles, and tosses the ball back to his dad.
(Be honest. You’re crying right now, aren’t you?)
Field of Dreams made you feel like you were in Ray’s shoes, on his field, playing catch with dad.
The scene creates such a vivid experience for many viewers that whenever they think of playing catch, this scene will come up alongside their own childhood memories.
Here’s why:
When you paint a strong scene in your audience’s mind, you make it easier for them to pull it back up from their memory. You’ve essentially bookmarked it for them so they can easily find it when something — a sight, a smell, a sound — reminds them of it.
That’s the power of content that incorporates sensory details.
And this power isn’t limited to cinema classics capable of making grown men cry. For centuries, literary giants have been packing their prose with powerful words that evoke the senses:
“Cry ‘Havoc,’ and let slip the dogs of war; That this foul deed shall smell above the earth With carrion men, groaning for burial” — William Shakespeare (circa 1599)
In addition to The Bard, authors like Maya Angelou, Edgar Allan Poe, and Charles Dickens excel at sensory language. So do literally every famous poet you learned about in school.
And that begs the obvious question…
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Why are Sensory Details so Effective?
Short answer:
Our brains handle sensory words differently than ordinary words.
In a 2011 study published in The Quarterly Journal of Experimental Psychology, experts found that our brains process “tangible” (i.e. sensory) words faster than other words.
And in a study published for Brain and Language in 2012, psychologists found that a certain part of our brain is “activated” when we read sensory words.
In other words:
So, we know why sensory details are powerful. And we know writers have been tapping into their power for a long, long time.
Now let’s define them and go over a few examples:
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What are Sensory Words?
Sensory words are descriptive words — using imagery, they describe how we see, hear, touch, taste, and smell the world around us.
Let’s break each one down:
#1. Sight Sensory Words
Words related to vision describe the appearance of something (its color, size, shape, and so on).
Examples of visual words:
Her golden hair looked disheveled thanks to the gust of wind.
He was a towering presence.
I ordered a large orange juice, but the waiter brought me a teeny-tiny glass the size of a thimble.
→ Click here to unfold the full list of Sight Sensory Words.
Angular Azure Billowy Black Bleary Bloated Blonde Blue Blurred Blushing Branching Bright Brilliant Broad Brown Brunette Bulbous Bulky Camouflaged Chubby Circular Colorful Colorless Colossal Contoured Cosmic Craggy Crimson Crinkled Crooked Crowded Crystalline Curved Dark Dazzling Deep Dim Dingy Disheveled Distinct Drab Dreary Dull Dusty Elegant Enchanting Engaging Enormous Faded Fancy Fat Filthy Flashy Flat Flickering Foggy Forked Freckled Fuzzy Gargantuan Gaudy Gigantic Ginormous Glamorous Gleaming Glimpse Glistening Glitter Glittering Globular Gloomy Glossy Glowing Gold Graceful Gray Green Grotesque Hazy Hollow Homely Huge Illuminated Immense Indistinct Ivory Knotty Lacy Lanky Large Lavender Lean Lithe Little Lofty Long Low Malnourished Maroon Massive Miniature Misshapen Misty Motionless Mottled Mountainous Muddy Murky Narrow Obtuse Olive Opaque Orange Oval Pale Peered Petite Pink Portly Pristine Prodigious Purple Quaint Radiant Rectangular Red Reddish Rippling Rotund Round Ruby Ruddy Rusty Sabotaged Shadowy Shallow Shapeless Sheer Shimmering Shiny Short Silver Skinny Small Smudged Soaring Sparkling Sparkly Spherical Spotless Spotted Square Steep Stormy Straight Strange Striped Sunny Swooping Tall Tapering Tarnished Teeny-tiny Tiny Towering Translucent Transparent Triangular Turquoise Twinkling Twisted Ugly Unsightly Unusual Vibrant Vivid Weird White Wide Wiry Wispy Wizened Wrinkled Wrinkly Yellow
  #2. Sound Sensory Words
Words related to hearing often describe the sound they make (known as onomatopoeia), but this isn’t always the case.
Examples of hearing words:
He had a big, booming voice.
The sound of screeching tires was soon followed by the deafening sound of a car horn.
As I peeked under the bed, the cackling laughter coming from the closet made the hairs on my arms stand up.
→ Click here to unfold the full list of Sound Sensory Words.
Babble Bang Barking Bawled Bawling Bellow Blare Blaring Bleat Boom Booming Bray Buzz Buzzing Cackle Cackling Chatter Chattering Cheer Chiming Chirping Chuckle Clamor Clang Clanging Clap Clapping Clicking Clink Clinking Cooing Coughing Crackle Crackling Crashing Creak Croaking Crow Crunch Crunching Crunchy Cry Crying Deafening Distorted Dripping Ear-piercing Earsplitting Exploding Faint Fizzing Gagging Gasping Giggle Giggling Grate Grating Growl Grumble Grunt Grunting Guffaw Gurgle Gurgling Hanging Hiss Hissing Honking Howl Hubbub Hum Humming Hush Jabber Jangle Jangling Laughing Moaning Monotonous Mooing Muffled Mumble Mumbling Murmur Mutter Muttering Noisy Peeping Piercing Ping Pinging Plopping Pop Purring Quacking Quiet Rant Rapping Rasping Raucous Rave Ringing Roar Roaring Rumble Rumbling Rustle Rustling Scratching Scream Screaming Screech Screeching Serene Shout Shouting Shrieking Shrill Sigh Silent Sing Singing Sizzling Slam Slamming Snap Snappy Snoring Snort Splashing Squawking Squeaky Stammer Stomp Storm Stuttering Tearing Thudding Thump Thumping Thunder Thundering Ticking Tingling Tinkling Twitter Twittering Wail Warbling Wheezing Whimper Whimpering Whine Whining Whir Whisper Whispering Whistle Whooping Yell Yelp
  #3. Touch Sensory Words
Touch words describe the texture of how something feels. They can also describe emotional feelings.
Examples of touch words:
Two minutes into the interview, I knew his abrasive personality would be an issue if we hired him.
With a forced smile, I put on the itchy Christmas sweater my grandmother bought me.
The Hot Pocket was scalding on the outside, but ice-cold in the middle.
→ Click here to unfold the full list of Touch Sensory Words.
Abrasive Balmy Biting Boiling Breezy Bristly Bubbly Bubby Bumpy Burning Bushy Chilled Chilly Clammy Coarse Cold Cool Cottony Crawly Creepy Cuddly Cushioned Damp Dank Dirty Downy Drenched Dry Elastic Feathery Feverish Fine Fleshy Fluff Fluffy Foamy Fragile Freezing Furry Glassy Gluey Gooey Grainy Greasy Gritty Gushy Hairy Heavy Hot Humid Ice-Cold Icy Itchy Knobbed Leathery Light Lightweight Limp Lukewarm Lumpy Matted Metallic Moist Mushy Numbing Oily Plastic Pointed Powdery Pulpy Rocky Rough Rubbery Sandy Scalding Scorching Scratchy Scummy Serrated Shaggy Sharp Shivering Shivery Silky Slimy Slippery Sloppy Smooth Smothering Soapy Soft Sopping Soupy Splintery Spongy Springy Sputter Squashy Squeal Squishy Steamy Steely Sticky Stifled Stifling Stinging Stony Stubby Tangled Tapered Tender Tepid Thick Thin Thorny Tickling Tough Unsanitary Velvety Warm Waxy Wet Woolly
  #4. Taste Sensory Words
Taste words are interesting. Though they can describe food, they’re often used in comparisons and metaphors.
Examples of taste words:
It’s a bittersweet situation.
Her zesty personality caught Karl’s eye.
The scrumptious jalapeno poppers comforted Karl after his bitter rejection.
→ Click here to unfold the full list of Taste Sensory Words.
Acidic Appetizing Bitter Bittersweet Bland Buttery Charred Contaminated Creamy Crispy Delectable Delicious Doughy Earthy Fermented Flavorful Flavorless Floury Garlicky Gingery Gritty Hearty Juicy Luscious Medicinal Mellow Melted Nauseating Nutritious Nutty Palatable Peppery Pickled Piquant Raw Refreshing Rich Ripe Runt Savory Scrumptious Stale Sugary Syrupy Tangy Tart Tasteless Unripe Vinegary Yummy Zesty
  #5. Smell Sensory Words
Words related to smell describe — yes, you guessed it — how things smell. Often underutilized, sensory words connected with smell can be very effective.
Examples of smell words:
The pungent smell was unmistakable: someone in this elevator was wearing Axe Body Spray.
No matter the expiration date, it was clear from its rancid stench the milk had gone bad.
The flowery aroma was a welcome change after the elevator and milk incidents.
→ Click here to unfold the full list of Smell Sensory Words.
Ambrosial Antiseptic Aroma Aromatic Briny Citrusy Decayed Decomposed Doggy Fetid Floral Flowery Foul-smelling Fragrant Gamy Gaseous Horrid Inodorous Malodorous Mephitic Musky Musty Odiferous Odor Odorless Old Perfumed Piney Polluted Pungent Putrid Rancid Rank Redolent Reeking Scent Scented Sickly Skunky Smell Smoky Stagnant Stench Stinky Sweaty Tempting
  Note on Taste and Smell:
Because they’re closely related, some sensory words can be used for both taste and smell. Examples: fruity, minty, and tantalizing.
→ Click here to unfold the full list of Taste and Smell Sensory Words.
Acrid Burnt Fishy Fresh Fruity Lemony Minty Moldy Mouth-watering Rotten Salty Sour Spicy Spoiled Sweet Tantalizing
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Sensory Details: Examples in the Wild
Imagine the following headline came across your Twitter feed:
How to Avoid Using Boring Stock Photo Images in Your Content
Would you click it?
Better question…
Could you read the headline without falling asleep?
The answers are probably “no” and “heck no.”
Now imagine you saw this headline:
Much better, right?
The simple addition of the sensory word “cringeworthy” changes the tone of the entire headline. Instead of yawning, you’re thinking of an awkward or embarrassing moment you really don’t want to relive.
Let’s look at a few more modern-day examples of sharp people using sensory language to spruce up their content:
Using Sensory Words in Author Bios
I’ll pick on me for this one.
Here’s the author bio I used for one of my first-ever guest posts:
Kevin Duncan is the owner of Be A Better Blogger, where he helps people become the best bloggers they can be.
Now look at the author bio my friend Henneke wrote for Writer’s Block: 27 Techniques to Overcome It Forever:
Henneke Duistermaat is an irreverent copywriter and business writing coach. She’s on a mission to stamp out gobbledygook and to make boring business blogs sparkle.
My bio is devoid of sensory words (or any interesting words at all, if we’re being honest).
Henneke’s is chock full of them.
Her bio is interesting.
Mine is boring.
The lesson? Add at least one sensory word to your author bio.
Using Sensory Words in Social Media Profiles
Some people opt for brevity when writing their social media profiles, and that’s fine.
But if you want your Twitter profile (or Facebook, Instagram, or any other social media profile) to stand out from the crowd, sprinkle in a sensory word or two.
Like so:
Mel Wicks is a veteran copywriter who knows a thing or two about the effectiveness of descriptive words, so she uses them to spice up her Twitter profile.
Here’s an example from my badly-neglected Instagram account:
“Enchanting” and “adorably-jubilant” are wonderful sensory words — so wonderful, it’s a shame they’re wasted on a profile no one sees.
Look at your own profiles and see if there’s a place to add a sensory word or two. They’ll help your profile jump off the screen.
Heck, see if you can use enchanting and adorably-jubilant.
They deserve to be seen.
Using Sensory Words in Introductions
The opening lines of your content are so important.
If you’re a student, your opening sets the tone for your teacher (who we both know is dying to use his red pen).
If you’re an author, your opening can be the difference between someone buying your book or putting it back on the shelf in favor of one of those Twilight books (probably).
And if you’re a blogger, writer, content marketer, or business; your opening can hook the reader (increasing dwell time, which is great in Google’s eyes) or send them scurrying for the “back” button.
It’s why we put such an emphasis on introductions here at Smart Blogger.
Sometimes our openings hook you with a question.
Sometimes we strike a note of empathy or (like this post) focus on searcher intent.
And sometimes we give you a heaping helping of sensory words:
Imagine you’re sitting in a lounge chair on the beach, staring out over the glittering sea, the ocean breeze ruffling your hair, listening to the slow, steady rhythm of the waves.
In the above opening for How to Become a Freelance Writer and Get Paid $200 – $1K per Post, Jon Morrow uses sensory language to set a scene for the reader.
And it’s highly, highly effective.
Using Sensory Words in Email Subject Lines
Like you, your readers are flooded with emails.
And with open rates in a steady decline, people are trying anything and everything to make their email subject lines stand out:
Emojis;
Capitalized words;
All lowercase letters;
Two exclamation points;
Clickbait that would make even BuzzFeed go, “that’s too far, man.”
You name it, people are trying it.
Want a simpler, far-more-effective way to help your emails stand out from the crowd?
Add a sensory word.
Brian Dean loves to include words like “boom” in his subjects:
The folks at AppSumo and Sumo (formerly SumoMe) regularly feature descriptive words in their subjects and headlines.
Here’s one example:
And sensory language appears in most everything Henneke writes, including her subject lines.
In this one she also uses an emoji related to her sensory word. Very clever:
Now that we’ve covered several examples, let’s dig a bit deeper…
Let’s discuss some practical steps you can take that will make adding sensory language to your writing a breeze:
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How Descriptive Words Can Pack Your Writing With Sensory Language
If you’ve taken a good English or writing class, you’ve probably been told a time or two to “show, don’t tell.”
This means you should create an engaging experience for your audience; not just tell them what you want them to know.
You accomplish this by using descriptive language that conveys sensations and lets readers experience your words (rather than simply read them).
And how do you do that, exactly?
Ask yourself these five questions when you’re writing:
#1. What Do You See?
It isn’t enough to tell your readers there was a scary house in your neighborhood when you were a child. Describe the house to them in vivid detail.
What shade of gray was it?
Were the doors boarded up?
Precisely how many ghostly figures did you see staring at you from the upstairs bedroom windows, and how many are standing behind you right now?
Paint a mental picture for your readers.
#2. What Do You Hear?
We listen to uptempo songs to push us through cardio workouts. Many of us listen to rainfall when we’re trying to sleep. Some of us listen to Justin Bieber when we want to punish our neighbors.
Want to transplant readers into your literary world?
Talk about the drip, drip, drip of the faucet.
Mention the squeaking floors beneath your feet.
Describe the awful music coming from your next-door-neighbor’s house.
#3. How Does it Feel?
Touch sensory words can convey both tactile and emotional sensations.
Can you describe to the reader how something feels when touched? Is it smooth or rough? Round or flat? Is it covered in goo or is it goo-less?
Paint a picture for your reader so they can touch what you’re touching.
The same goes for emotions. Help the reader feel what you (or your character) are feeling. Draw them in.
#4. What Does it Taste Like?
Does the beach air taste salty? Is the roaring fire so intense you can taste the smoke? Is the smell of your roommate’s tuna fish sandwich so strong you can taste it from across the room?
Tell your audience.
Be descriptive.
Make them taste the fishiness.
#5. How Does it Smell?
It wasn’t a basement you walked into — it was a musty, moldy basement.
And you didn’t simply enjoy your Mom’s homemade lasagna. You inhaled the aromatic scents of sauce, cheese, and basil.
Evoking the sense of smell is possibly the most effective way to pull readers out of their world and into yours.
So when you sit down to write, ask yourself if it’s possible to describe how something smells. And if you can? Do it.
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The Massive Sensory Words List: 581 (and Counting) Descriptive Words to Supercharge Your Writing
Once you’ve asked and answered the five questions above, your writing will be packed with sensory details.
In time, you’ll build up your own massive list of sensory words you can reference and sprinkle throughout your work.
But in the meantime, here’s my list.
Bookmark them.
Print them.
Use them often:
SIGHT
SOUND
Angular Babble Azure Bang Billowy Barking Black Bawled Bleary Bawling Bloated Bellow Blonde Blare Blue Blaring Blurred Bleat Blushing Boom Branching Booming Bright Bray Brilliant Buzz Broad Buzzing Brown Cackle Brunette Cackling Bulbous Chatter Bulky Chattering Camouflaged Cheer Chubby Chiming Circular Chirping Colorful Chuckle Colorless Clamor Colossal Clang Contoured Clanging Cosmic Clap Craggy Clapping Crimson Clicking Crinkled Clink Crooked Clinking Crowded Cooing Crystalline Coughing Curved Crackle Dark Crackling Dazzling Crashing Deep Creak Dim Croaking Dingy Crow Disheveled Crunch Distinct Crunching Drab Crunchy Dreary Cry Dull Crying Dusty Deafening Elegant Distorted Enchanting Dripping Engaging Ear-piercing Enormous Earsplitting Faded Exploding Fancy Faint Fat Fizzing Filthy Gagging Flashy Gasping Flat Giggle Flickering Giggling Foggy Grate Forked Grating Freckled Growl Fuzzy Grumble Gargantuan Grunt Gaudy Grunting Gigantic Guffaw Ginormous Gurgle Glamorous Gurgling Gleaming Hanging Glimpse Hiss Glistening Hissing Glitter Honking Glittering Howl Globular Hubbub Gloomy Hum Glossy Humming Glowing Hush Gold Jabber Graceful Jangle Gray Jangling Green Laughing Grotesque Moaning Hazy Monotonous Hollow Mooing Homely Muffled Huge Mumble Illuminated Mumbling Immense Murmur Indistinct Mutter Ivory Muttering Knotty Noisy Lacy Peeping Lanky Piercing Large Ping Lavender Pinging Lean Plopping Lithe Pop Little Purring Lofty Quacking Long Quiet Low Rant Malnourished Rapping Maroon Rasping Massive Raucous Miniature Rave Misshapen Ringing Misty Roar Motionless Roaring Mottled Rumble Mountainous Rumbling Muddy Rustle Murky Rustling Narrow Scratching Obtuse Scream Olive Screaming Opaque Screech Orange Screeching Oval Serene Pale Shout Peered Shouting Petite Shrieking Pink Shrill Portly Sigh Pristine Silent Prodigious Sing Purple Singing Quaint Sizzling Radiant Slam Rectangular Slamming Red Snap Reddish Snappy Rippling Snoring Rotund Snort Round Splashing Ruby Squawking Ruddy Squeaky Rusty Stammer Sabotaged Stomp Shadowy Storm Shallow Stuttering Shapeless Tearing Sheer Thudding Shimmering Thump Shiny Thumping Short Thunder Silver Thundering Skinny Ticking Small Tingling Smudged Tinkling Soaring Twitter Sparkling Twittering Sparkly Wail Spherical Warbling Spotless Wheezing Spotted Whimper Square Whimpering Steep Whine Stormy Whining Straight Whir Strange Whisper Striped Whispering Sunny Whistle Swooping Whooping Tall Yell Tapering Yelp Tarnished Teeny-tiny Tiny Towering Translucent Transparent Triangular Turquoise Twinkling Twisted Ugly Unsightly Unusual Vibrant Vivid Weird White Wide Wiry Wispy Wizened Wrinkled Wrinkly Yellow
TOUCH
TASTE
Abrasive Acidic Balmy Appetizing Biting Bitter Boiling Bittersweet Breezy Bland Bristly Buttery Bubbly Charred Bubby Contaminated Bumpy Creamy Burning Crispy Bushy Delectable Chilled Delicious Chilly Doughy Clammy Earthy Coarse Fermented Cold Flavorful Cool Flavorless Cottony Floury Crawly Garlicky Creepy Gingery Cuddly Gritty Cushioned Hearty Damp Juicy Dank Luscious Dirty Medicinal Downy Mellow Drenched Melted Dry Nauseating Elastic Nutritious Feathery Nutty Feverish Palatable Fine Peppery Fleshy Pickled Fluff Piquant Fluffy Raw Foamy Refreshing Fragile Rich Freezing Ripe Furry Runt Glassy Savory Gluey Scrumptious Gooey Stale Grainy Sugary Greasy Syrupy Gritty Tangy Gushy Tart Hairy Tasteless Heavy Unripe Hot Vinegary Humid Yummy Ice-Cold Zesty Icy Itchy Knobbed Leathery Light Lightweight Limp Lukewarm Lumpy Matted Metallic Moist Mushy Numbing Oily Plastic Pointed Powdery Pulpy Rocky Rough Rubbery Sandy Scalding Scorching Scratchy Scummy Serrated Shaggy Sharp Shivering Shivery Silky Slimy Slippery Sloppy Smooth Smothering Soapy Soft Sopping Soupy Splintery Spongy Springy Sputter Squashy Squeal Squishy Steamy Steely Sticky Stifled Stifling Stinging Stony Stubby Tangled Tapered Tender Tepid Thick Thin Thorny Tickling Tough Unsanitary Velvety Warm Waxy Wet Woolly
SMELL
TASTE & SMELL
Ambrosial Acrid Antiseptic Burnt Aroma Fishy Aromatic Fresh Briny Fruity Citrusy Lemony Decayed Minty Decomposed Moldy Doggy Mouth-watering Fetid Rotten Floral Salty Flowery Sour Foul-smelling Spicy Fragrant Spoiled Gamy Sweet Gaseous Tantalizing Horrid Inodorous Malodorous Mephitic Musky Musty Odiferous Odor Odorless Old Perfumed Piney Polluted Pungent Putrid Rancid Rank Redolent Reeking Scent Scented Sickly Skunky Smell Smoky Stagnant Stench Stinky Sweaty Tempting
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Are You Ready to Unleash the Power of Sensory Words?
It’s time to say goodbye.
Goodbye to lifeless words that sit on the page.
Goodbye to indifferent readers ready to move on to something, anything, else.
You now know why sensory details are so effective. You know how to sprinkle descriptive words throughout your content. And you now have a massive, ever-growing list of sensory words to bookmark and come back to again and again.
Variations of the following quote have been attributed to everyone from Carl W. Buehner to Maya Angelou, but regardless of who said it, and how they said it, it’s true:
“People may forget what you said, but they’ll never forget how you made them feel.”
It’s time to make your readers feel.
Are you ready?
Then let’s do this thing.
About the Author: When he’s not busy telling waitresses, baristas, and anyone else who crosses his path that Jon Morrow once said he was in the top 1% of bloggers, Kevin J. Duncan is the Blog Editor and Social Media Manager for Smart Blogger.
The post 581 Sensory Words to Take Your Writing from Bland to Brilliant appeared first on Smart Blogger.
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lulu-balu · 5 years
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Just because I can't get the image out of my head with Christmas approaching, Fen and Seabrass discover a decorated Christmas tree in a vault of the Red Queen. In the end Piper finds them after whatever hilarity has ensued, because she was worried after losing contact with the pair
Okay so first off, I’m so sorry this took so long. This ended up being a lot longer than I wanted but honestly, there’s nothing wrong with a couple hundred extra words. (I had to stick most of it under a read more though, so there’s that. Sorry mobile users >_>)
The whole crew knew it well: SeaBrass was bored out of his mind. Acting as the “police”for a still-recovering society was all good and fun, sure, but taking out the lingering Scrappers and unconvinced Royalists (Who were still trying to enforce the dead Queen’s laws) were starting to grow stale. He wanted something slower for a change.
In his nightly musings he decided that having an adventure by himself was a fun idea, so he formulated a plan to raid the one of the Red Queen’s vaults, taking whatever treasures it might still hold. Caution still whispered persistent warnings in the back of his mind, though, so to shut it up he convinced Fen to tag along for the ride. Besides, they seemed oblivious enough to not realize they very well might get in trouble—nevertheless, if any danger arose, they would be a good partner to have in a fight.
He managed to convince Piper to send the two of them onto a small Scrapper ship that had been reported to be carrying Scrappers who were bugging the locals. They were decommissioned swiftly and when it came time to leave, SeaBrass directed the escape pod in the opposite direction. If everything went to plan, they’d be in and out of the vault before anyone suspected a thing.
Before long, the pod had reached the vault, sliding into the docking bay like a plug fitting into its port. They had to fight with the door on the vault’s side to get it to open, but once they did, they found it to be very dark inside.
“I’ve got this,” Fen exclaimed, turning every light on their body on,lighting them up to the brightest setting they could without overexerting themself.
Fen started forward, looking about rather eagerly for hidden treasures. SeaBrass didn’t expect Fen to move so quickly, so he had to pick up the pace, not wanting to get left behind. After a few minutes, Fen inadvertently kicked something, the item making a loud clattering sound as it scraped against the floor. Startled, they jumped a bit, their antennae standing on end.
“Aye, what is it?” SeaBrass asked, immediately striding over to it. He leaned over it, studying it with curiosity; and it wasn’t long before Fen joined him.
“It’s a hook,” observed Fen.
SeaBrass picked it up; just from an initial feel he could tell it was pretty heavy, much heavier than his own. “And a rather fancy one, it be.”It was true; fancy markings and patterns were etched into thebowl-like bottom. Whoever wore this must’ve been in a highly respectable position.
It was when SeaBrass started fawning over it, saying how he’d pick up all the ladies with it that Fen grew bored and moved on, their pirate friend unaware that he was being left in the dark. They fumbled around old and dusty antiques and other uninteresting things before something green caught their “eye”.
On first glance, it almost looked like Wonky’s plant, Earnest, but this one was much taller. It lacked those “leaf” things that Earnest had, instead having these short, pin-like obtrusions on its branches. There were a weird plethora of trinkets on it, from shiny orbs to porcelain depictions of organics. Looking closer, Fen saw that a bunch of wires with unlit bulbs attached were also wrapped around the strange plant.
How does it live without light? Earnest has to be set by the window everyday. For“photosynthesis” as Wonky calls it.
Fen reached out to touch one of the pins—it warped under his touch and felt like some sort of plastic. Nothing like fleshy, durable texture of Earnest’s thick stem. Was it perhaps fake?
“Hey!Wait up… What it that?” Seabrass said as he finally caught up with Fen.
“I have reason to believe that it is an artificial plant.”
“Aren’t those wires wrapped around it though? Like those doohickeys that make ye run?”
“Yeah,they are… perhaps I could do something with them.” Fen followed the wires with their “eyes,” looking for an end to them, or more specifically, something they could interact with. Their gaze fell to the floor, where the wire finally ended with two flat, metal prongs,a small holes in both of them. He walked over and picked it up,tracing the holes with their fingers.
Fen distinctly remembered channeling power into a similar device years ago… what would happen if they did the same to this one?
“…Gabriel?Stand back, I don’t want you to get injured.” Fen had adopted Piper’s habit of calling SeaBrass by his first name, and to be frank, he hated it. No matter what he tried, however, he couldn’t convince Fen to call him by his nickname.
SeaBrass begrudgingly obeyed and took a few long strides backwards, allowing Fen to put whatever plan they had into motion.
It happened so quickly: sparks of electricity branched out everywhere(somehow not touching anything), tiny little lights appeared on the tree, Fen quite literally squeaked and accidentally tackled SeaBrass to the ground in their attempt to get away. Fen suddenly picked up SeaBrass, tucked themself underneath his back and shivered violently.
SeaBrass looked like he had just had his harpooning skills insulted, was stomped on and spat at. Not only was he being used as a hiding place for his nutty teammate, he was being used as a spot to hide from an inanimate object.
“Oh,so it lights up? You learn something new everyday, I suppose.”
Fen’s attitude did a complete one-eighty; one minute they were cowering under SeaBrass and the next they were hovering protectively over him, lightning coil charged and ready to go. Seabrass fell to the ground, landing painfully on his back again. He was sure he would have to have his back looked at later.
“Hey, it’s okay! I don’t mean any harm,” the voice said at Fen, who was growling (SeaBrass was starting to suspect that they were some sort of animal in a robot disguise).
As Fen lowered their lightning coil, withdrawing the power from it, their shoulder was used by SeaBrass for support in getting himself up. They then shared an identical confused look as they took in the bot before them.
He seemed to be some sort of Royalist, but really old, if the way he hunched over was anything to go by. He had white facial “hair”and an eye patch. He gave them a warm smile. “I sort all the old stuff around here. You won’t believe the kind of crazy thingamabobs I’ve taken in over the years, and that fake, decorative plant in the corner is no exception. The little bulbs on it was the one mystery I’ve never solved, but it seems you two have accomplished the task for me.”
They stood in awkward silence for a minute as they took the info in.
“I don’t like it,” Fen decided, and knowing Fen, SeaBrass couldn’t ask why. Fen was strange like that.
“So it is a fake plant, then. What use is a plant if it doesn’t make any o’ that stuff called oxygen?” asked Seabrass.
The old robot shrugged. “I’ve heard rumors suggesting that long before the Earth exploded, it was worshiped, organics leaving boxes wrapped with fancy paper underneath its branches. The tree would bless the boxes, leaving gifts inside them.”
Fen blurted out, “That’s ridiculous.”
“Of course it is, the organics were complete nut jobs.”
The Royalist chuckled. “But you have to admit, it is decorated very nicely, no?”
It was mere seconds later that they found out that Fen didn’t think so, because in those few seconds Fen managed to set the tree on fire with their lightning coil.
“PUT YOUR HANDS UP!” Someone shouted, and in response, all three robots in the room did so, looks of utter panic on their faces (Even Fen,who only had “eyes” for a face, managed to pull off a terrified look). The next thing they knew was that they were staring down the barrel of Piper’s rifle. Piper herself had an absolutely livid expression.
Before she decided to pull the trigger on the poor man Fen and SeaBrass quickly explained the whole thing, knowing full well that they would face punishment later. Piper put her gun down and raised her brows when they finished, clearly processing their words.
SeaBrass sighed and looked to the floor. “…Sorry, Cap’n.”
Instead of receiving an annoyed sigh and forgiveness like he hoped, SeaBrass instead earned a slap on the face. “Don’t do that again! You had me scared to death back there. Turned the whole ship into a sauna, I was steaming so much.” She sighed, her rage dissipating. “Listen, if you wanted to have some fun, I would have gladly taken you to a concert or something. Ask me instead of deciding to raid some old man’s vault. Now go wait for me in the ship.”
“Bu-But it’s not his vault, it was the Queen’s vault! Anything in here is up for grabs!” SeaBrass protested, but Piper clearly wasn’t listening. Besides that, a grumpy Fen was trying to drag him away, so he realized he wouldn’t be able to change the Captain’s mind.
“Don’t worry about it; I grabbed the hook on the way out for you,” Fen whispered. To their relief, Seabrass’s face broke into the widest grin they’ve ever seen.
“What a peculiar pair of robots,” the old robot said as he watched the pair trudge out.
Piper groaned and rubbed the spot between her photoreceptors. “You have no idea. I love them, they mean everything to me, but they can make me worry like no tomorrow.”
Suddenly, water flew over their head, arching in a beautiful curve before landing on the burning tree, dousing its flames.
“Only you can prevent forest fires!”
“DORA, FOR COG’S SAKE, GET BACK ON THE SHIP!”
5 notes · View notes
Text
Light Switch
You are awake.
Your eyes flutter wide open, but you see nothing. Just pitch black darkness all around you. You remember where you were—where you should be. Where your bed stands in the room. The night table in the way.
The night table with the lamp on it. Your digital clock should be there as well, but the glowing red digits it displays remain absent. It is so dark that you cannot tell if your eyes are focusing or you have gone blind.
What time is it? You feel dizziness, and your limbs are as heavy as lead.
You reach out, trying to feel something familiar. But the night table is not where it should be.
Slowly, memories and realization of where you are come back to you. You moved here just a few days ago. You remembered the way your room used to be furnished. The door and the bed are not where they used to be.
It does not help that you spent a few days in the hospital not too long ago, and went through the same disorienting experience when you woke up there one night, groggy from sleep and medication.
So the night table is not there, nor is the clock, or the lamp. You just have yet to find the time to set things up properly. The night table is in another room, the clock in the kitchen, the light switch in this room next to the door.
No problem.
You swing your legs out of bed, and your feet touch the ground.
Cold. And somehow very wrong. The floor’s surface is smooth and hard and unyielding, like a solid slab of steel. Now that you think of it, your bed feels wrong, as well. Too soft. And damp. But your head is also still spinning, so maybe your senses are all messed up, too.
Almost falling down, you brace yourself against the wall and use your sense of touch to sidle your way over to the door. To that light switch.
Even this feels wrong. Your fingernails are weird—longer. Rigid. They make louder, sharper sounds as they tap against the wall. Scrape, even. Now is a good time to remind yourself that you might be dreaming. Or you are stuck in a nightmare.
Or you ate something funny before going to bed.
The wall extends farther than you expected. Still getting used to the new place, after all.
You bump into something at knee’s height. At least it does not hurt. It just should not be there. Some sort of box. But as your shin glides along its surface and you bend down to touch it, you know this is no box. The shape throws your imagination for a loop. All you figure out is that it is not rectangular and it does not feel like cardboard. It feels like rough plastic, and it has no edges. All rounded. Too big to be a vacuum cleaner. Too weird to figure out what the hell you left there.
Stretching out an arm, you get around it, continuing to follow the wall.
Are you going so slow that you have lost your sense of dimensions? The way from your bed to the door feels much farther than it should be. Like you are going down a hall.
Your fingernails patter across a grate of sorts. Unpleasant on the fingertips. Nothing beyond it. An air vent? Big enough you could stick your head through if it were open, but the grate’s bars are thin and so close together that you cannot stick a finger through.
This grate really throws you off. There is no such thing in your room. Where the hell are you?
A bad feeling spreads in your belly region, anxiety starts spreading throughout your body like a cold fire burning its way from your heart in every direction, reaching the tip of every extremity. A chill runs through you, gives you goosebumps.
Then it gets worse—you hear something. You are sure it was not you. A guttural, alien sound, like a frog croaking mixed with something industrial. Not like an animal or a person, but not like a machine either. It must have come from your own mouth. But your mouth should not be making such a sound.
How far away is your bed? How close is the door now? Your body begins to shake like a leaf. Panic is setting in. Somehow, you have just enough clarity to understand that. You need to see again.
Now.
To understand what is wrong. To see where you are.
You continue pushing forward, one hand leading the way, feeling the way of the wall. Then you finally reach the corner. But no door.
There should be a door here. Both your hands hurriedly search the new wall, desperate to find the cracks or shapes of a door. Or the light switch. But you find none.
What were those things you felt? This was not your bed. And what was that thing you bumped into? Hell, this was not even the hospital. It could not be. At least you saw something there after your eyesight focused. Not like being in this pitch-black hell that you are lost in.
Then you find something.
It is a switch. Or rather, a large button? It stands out of the wall, round, and cool, and smooth. Like glass. Maybe it is not even a switch, but something tells you it is.
And what if you turn it on? The dread you feel now is giving you pause. Just like that time when you had the accident, and your brain did not quite register the injury yet. Only after several breaths of gathering the necessary courage, you looked down and then you saw the damage done. The pain and the nausea only followed after you got a good look at it.
Just like it was back then, some part of you does not want to see where you are. What this place is. Some part of you knows this is all wrong. You are not supposed to be here. You do not even know where here is, and you do not want to know.
But you need to know. Your hands are cold—freezing, even. You should be sweating, but then you hear that strange sound again. More like a rasp rubbing over metal this time, mixed with a groan.
It is you. You are the one making this sound. You feel your chest, but it feels strange. Like it is not your own. The shape is wrong, the texture. You are not wearing anything, and it is smooth but rubbery and slick.
You press the button.
It begins to emit a deep red glow, and then the ceiling does as well, revealing all.
Even though you feel them clearly, your hands are not your own. Your fingers are way too long. The number of fingers is not even human. The color is somewhere between dark green and gray. Shiny, like the surface of a snake.
You try not to look down at your own body, but you see far better than you should. Your body is all wrong. You are some kind of monster. This is not your body.
And wherever you are, this place you are in, it looks like a huge prison cell. It does not look like you are on Earth anymore. This is not where you are supposed to be.
Meanwhile, you switch a light on in your home.
Everything is as it should be there—the place you moved into recently. All the furniture in the right place. Right body, and all that.
Except that something else is in your body now. It switched the light on, confused and afraid as you just were. It looks around in shock, disoriented by the alien environment of your bed and some cardboard boxes.
It does not know where it is. Your body is as alien to it as its body is to you. But it is free.
And it is very, very hungry.
—Submitted by Wratts
2 notes · View notes
anamorales · 4 years
Text
Beautycounter Skin Twin Review
Hi friends! How’s the day going so far? I hope you’re having a great one! We’re just hanging out here at home, I’m looking forward to catching a barre class on demand and heading to the pool later. The usual.
Tumblr media
For today’s post, I wanted to feature a Beautycounter product that I’m LOVING lately, and this is coming from a person who is super picky about foundation: our newest Skin Twin Featherweight Foundation.
Here’s a little bit about Skin Twin:
Skin Twin is skincare and makeup in one: it’s buildable coverage but also contains hyaluronic acid to plump and smooth skin, plus moisturizing benefits all in a recyclable glass bottle. It gives you coverage, protects your skin, and can improve texture all at the same time. The hyaluronic acid can improve the appearance of fine lines and wrinkles over time and most users notice immediate results with first-time use. When I first heard about all of this, I was like sign.me.up.
Beautycounter Skin Twin Review
Like I mentioned before, I’m really picky about foundation. I feel like too much of the wrong type is aging, and that I benefit from a “less is more” mentality. I’ve loved the Tarte BB cream for years, but it’s extremely matte, so I’d often mix it with our Dew Skin foundation (on the shinier side). The Skin Twin is like the best of all worlds. It’s moisturizing so it doesn’t dry out my skin and doesn’t add weird creases. It’s buildable if you want more coverage, and isn’t too matte or shiny. I also love that it’s not too oily or greasy. I’m prone to milia under my eyes -little white bumps if things get too oily- and I haven’t had this problem with the Skin Twin. It’s just enough to even out my complexion without feeling like I’m caked in makeup.
Skin Twin Foundation Key Ingredients
Hyaluronic Acid: Known as a moisture magnet, hyaluronic acid delivers supercharged hydration for visibly plump, glowing skin immediately, and with continued use.
Jojoba Esters: Derived from the desert-dwelling jojoba plant, this lightweight, non-greasy emollient helps to moisturize, soothe, and soften skin.
Hydrophobic Pigments: Specially coated and color-true, these pigments provide long-wearing, buildable, second-skin coverage.
How we’re committed to safer and more sustainable products with Skin Twin:
We source safer ingredients: no mineral oils, cyclic silicones, or synthetic film formers–which may be linked to harmful effects to human health.
All products are subject to stringent safety testing. Each batch is tested for heavy metals to ensure it meets our strict safety measures. We’re highly selective when it comes to pigments; out of the 65 cosmetic colorants allowed in the US, Beautycounter prohibits the vast majority–only using 18 colorants in our color cosmetics.
Glass bottles! Moving Skin Twin into a glass bottle will avoid an estimated 235k plastic tubes from entering landfills and waterways in just one year.
Beautycounter Skin Twin Match
One of the most exciting things about Skin Twin is that we offer 18 shades so it’s easy to find a shade to match your skin tone. If you need help, you can use our handy shade finder here. For reference, I use shade Medium 340.
If you need help with any of the products on the site, please send me an email or comment below and I’m happy to help! You can also fill out my skincare survey here for personalized recommendations.
Tumblr media
What foundation do you currently use? Have you discovered any new awesome products or brands lately?
xo
Gina
The post Beautycounter Skin Twin Review appeared first on The Fitnessista.
Beautycounter Skin Twin Review published first on https://immigrationways.tumblr.com/
0 notes
jonasmaurer · 4 years
Text
Beautycounter Skin Twin Review
Hi friends! How’s the day going so far? I hope you’re having a great one! We’re just hanging out here at home, I’m looking forward to catching a barre class on demand and heading to the pool later. The usual.
Tumblr media
For today’s post, I wanted to feature a Beautycounter product that I’m LOVING lately, and this is coming from a person who is super picky about foundation: our newest Skin Twin Featherweight Foundation.
Here’s a little bit about Skin Twin:
Skin Twin is skincare and makeup in one: it’s buildable coverage but also contains hyaluronic acid to plump and smooth skin, plus moisturizing benefits all in a recyclable glass bottle. It gives you coverage, protects your skin, and can improve texture all at the same time. The hyaluronic acid can improve the appearance of fine lines and wrinkles over time and most users notice immediate results with first-time use. When I first heard about all of this, I was like sign.me.up.
Beautycounter Skin Twin Review
Like I mentioned before, I’m really picky about foundation. I feel like too much of the wrong type is aging, and that I benefit from a “less is more” mentality. I’ve loved the Tarte BB cream for years, but it’s extremely matte, so I’d often mix it with our Dew Skin foundation (on the shinier side). The Skin Twin is like the best of all worlds. It’s moisturizing so it doesn’t dry out my skin and doesn’t add weird creases. It’s buildable if you want more coverage, and isn’t too matte or shiny. I also love that it’s not too oily or greasy. I’m prone to milia under my eyes -little white bumps if things get too oily- and I haven’t had this problem with the Skin Twin. It’s just enough to even out my complexion without feeling like I’m caked in makeup.
Skin Twin Foundation Key Ingredients
Hyaluronic Acid: Known as a moisture magnet, hyaluronic acid delivers supercharged hydration for visibly plump, glowing skin immediately, and with continued use.
Jojoba Esters: Derived from the desert-dwelling jojoba plant, this lightweight, non-greasy emollient helps to moisturize, soothe, and soften skin.
Hydrophobic Pigments: Specially coated and color-true, these pigments provide long-wearing, buildable, second-skin coverage.
How we’re committed to safer and more sustainable products with Skin Twin:
We source safer ingredients: no mineral oils, cyclic silicones, or synthetic film formers–which may be linked to harmful effects to human health.
All products are subject to stringent safety testing. Each batch is tested for heavy metals to ensure it meets our strict safety measures. We’re highly selective when it comes to pigments; out of the 65 cosmetic colorants allowed in the US, Beautycounter prohibits the vast majority–only using 18 colorants in our color cosmetics.
Glass bottles! Moving Skin Twin into a glass bottle will avoid an estimated 235k plastic tubes from entering landfills and waterways in just one year.
Beautycounter Skin Twin Match
One of the most exciting things about Skin Twin is that we offer 18 shades so it’s easy to find a shade to match your skin tone. If you need help, you can use our handy shade finder here. For reference, I use shade Medium 340.
If you need help with any of the products on the site, please send me an email or comment below and I’m happy to help! You can also fill out my skincare survey here for personalized recommendations.
Tumblr media
What foundation do you currently use? Have you discovered any new awesome products or brands lately?
xo
Gina
The post Beautycounter Skin Twin Review appeared first on The Fitnessista.
Beautycounter Skin Twin Review published first on https://olimpsportnutritionde.tumblr.com/
0 notes
williamlwolf89 · 4 years
Text
583 Sensory Words to Take Your Writing from Bland to Brilliant
It’s almost too easy.
By using sensory words to evoke sight, sound, touch, taste, and smell; smart and attractive writers just like you are able to make their words burst to life in their readers’ minds.
In this post, you’ll learn:
The science behind sensory details (e.g. why sensory words are so persuasive);
The definition of sensory details (plus examples);
How answering five simple questions will help you write descriptive details that pack your content with sensory language;
500+ sensory words you can incorporate into your own writing (right now).
Let’s dive in.
Back to Top
The Colossal Power of Sensory Details
Remember the final scene in Field of Dreams when Ray Kinsella has a catch with his dad?
You can smell the grass on the field.
You can hear the sound of the baseball hitting their gloves.
And you can feel Ray’s years of guilt melting away as he closes his eyes, smiles, and tosses the ball back to his dad.
(Be honest. You’re crying right now, aren’t you?)
Field of Dreams made you feel like you were in Ray’s shoes, on his field, playing catch with dad.
The scene creates such a vivid experience for many viewers that whenever they think of playing catch, this scene will come up alongside their own childhood memories.
Here’s why:
When you paint a strong scene in your audience’s mind, you make it easier for them to pull it back up from their memory. You’ve essentially bookmarked it for them so they can easily find it when something — a sight, a smell, a sound — reminds them of it.
That’s the power of content that incorporates sensory details.
And this power isn’t limited to cinema classics capable of making grown men cry. For centuries, literary giants have been packing their prose with powerful words that evoke the senses:
“Cry ‘Havoc,’ and let slip the dogs of war; That this foul deed shall smell above the earth With carrion men, groaning for burial” — William Shakespeare (circa 1599)
In addition to The Bard, authors like Maya Angelou, Edgar Allan Poe, and Charles Dickens excel at the use of sensory language. So do literally every famous poet you learned about in school.
And that begs the obvious question…
Back to Top
Why are Sensory Details so Effective?
Short answer:
The brains of human beings handle sensory words differently than ordinary words.
In a 2011 study published in The Quarterly Journal of Experimental Psychology, experts found that our brains process “tangible” (i.e. sensory) words faster than other words.
And in a study published for Brain and Language in 2012, psychologists found that a certain part of our brain is “activated” when we read sensory words.
In other words:
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So, we know why sensory details are powerful. And we know writers have been tapping into their power for a long, long time.
Now let’s define them and go over a few examples:
What are Sensory Details?
Sensory details are descriptive words that appeal to the five senses — using imagery, they describe how we see, hear, touch, taste, and smell the world around us.
Let’s break each one down:
1. Sight Sensory Words
Words related to vision describe the appearance of something (its color, size, shape, and so on).
Examples of sight words:
Her golden hair looked disheveled thanks to the gust of wind.
He was a towering presence.
I ordered a large orange juice, but the waiter brought me a teeny-tiny glass the size of a thimble.
Click here to see all 185 sight sensory words
Angular
Azure
Billowy
Black
Bleary
Bloated
Blonde
Blue
Blurred
Blushing
Branching
Bright
Brilliant
Broad
Brown
Brunette
Bulbous
Bulky
Camouflaged
Chubby
Circular
Colorful
Colorless
Colossal
Contoured
Cosmic
Craggy
Crimson
Crinkled
Crooked
Crowded
Crystalline
Curved
Dark
Dazzling
Deep
Dim
Dingy
Disheveled
Distinct
Drab
Dreary
Dull
Dusty
Elegant
Enchanting
Engaging
Enormous
Faded
Fancy
Fat
Filthy
Flashy
Flat
Flickering
Foggy
Forked
Freckled
Fuzzy
Gargantuan
Gaudy
Gigantic
Ginormous
Glamorous
Gleaming
Glimpse
Glistening
Glitter
Glittering
Globular
Gloomy
Glossy
Glowing
Gold
Graceful
Gray
Green
Grotesque
Hazy
Hollow
Homely
Huge
Illuminated
Immense
Indistinct
Ivory
Knotty
Lacy
Lanky
Large
Lavender
Lean
Lithe
Little
Lofty
Long
Low
Malnourished
Maroon
Massive
Miniature
Misshapen
Misty
Motionless
Mottled
Mountainous
Muddy
Murky
Narrow
Obtuse
Olive
Opaque
Orange
Oval
Pale
Peered
Petite
Pink
Portly
Pristine
Prodigious
Purple
Quaint
Radiant
Rectangular
Red
Reddish
Rippling
Rotund
Round
Ruby
Ruddy
Rusty
Sabotaged
Shadowy
Shallow
Shapeless
Sheer
Shimmering
Shiny
Short
Silver
Skinny
Small
Smudged
Soaring
Sparkling
Sparkly
Spherical
Spotless
Spotted
Square
Steep
Stormy
Straight
Strange
Striped
Sunny
Swooping
Tall
Tapering
Tarnished
Teeny-tiny
Tiny
Towering
Translucent
Transparent
Triangular
Turquoise
Twinkling
Twisted
Ugly
Unsightly
Unusual
Vibrant
Vivid
Weird
White
Wide
Wiry
Wispy
Wizened
Wrinkled
Wrinkly
Yellow
2. Sound Sensory Words
Words related to hearing often describe the sound they make (known as onomatopoeia), but this isn’t always the case.
Examples of hearing words:
He had a big, booming voice.
The sound of screeching tires was soon followed by the deafening sound of a car horn.
As I peeked under the bed, the cackling laughter coming from the closet made the hairs on my arms stand up.
Click here to see all 161 sound sensory words
Babble
Bang
Barking
Bawled
Bawling
Bellow
Blare
Blaring
Bleat
Boom
Booming
Bray
Buzz
Buzzing
Cackle
Cackling
Chatter
Chattering
Cheer
Chiming
Chirping
Chuckle
Clamor
Clang
Clanging
Clap
Clapping
Clicking
Clink
Clinking
Cooing
Coughing
Crackle
Crackling
Crashing
Creak
Croaking
Crow
Crunch
Crunching
Crunchy
Cry
Crying
Deafening
Distorted
Dripping
Ear-piercing
Earsplitting
Exploding
Faint
Fizzing
Gagging
Gasping
Giggle
Giggling
Grate
Grating
Growl
Grumble
Grunt
Grunting
Guffaw
Gurgle
Gurgling
Hanging
Hiss
Hissing
Honking
Howl
Hubbub
Hum
Humming
Hush
Jabber
Jangle
Jangling
Laughing
Moaning
Monotonous
Mooing
Muffled
Mumble
Mumbling
Murmur
Mutter
Muttering
Noisy
Peeping
Piercing
Ping
Pinging
Plopping
Pop
Purring
Quacking
Quiet
Rant
Rapping
Rasping
Raucous
Rave
Ringing
Roar
Roaring
Rumble
Rumbling
Rustle
Rustling
Scratching
Scream
Screaming
Screech
Screeching
Serene
Shout
Shouting
Shrieking
Shrill
Sigh
Silent
Sing
Singing
Sizzling
Slam
Slamming
Snap
Snappy
Snoring
Snort
Splashing
Squawking
Squeaky
Stammer
Stomp
Storm
Stuttering
Tearing
Thudding
Thump
Thumping
Thunder
Thundering
Ticking
Tingling
Tinkling
Twitter
Twittering
Wail
Warbling
Wheezing
Whimper
Whimpering
Whine
Whining
Whir
Whisper
Whispering
Whistle
Whooping
Yell
Yelp
3. Touch Sensory Words
Touch words describe the texture of how something feels. They can also describe emotional feelings.
Examples of touch words:
Two minutes into the interview, I knew his abrasive personality would be an issue if we hired him.
With a forced smile, I put on the itchy Christmas sweater my grandmother bought me.
The Hot Pocket was scalding on the outside, but ice-cold in the middle.
Click here to see all 123 touch sensory words
Abrasive
Balmy
Biting
Boiling
Breezy
Bristly
Bubbly
Bubby
Bumpy
Burning
Bushy
Chilled
Chilly
Clammy
Coarse
Cold
Cool
Cottony
Crawly
Creepy
Cuddly
Cushioned
Damp
Dank
Dirty
Downy
Drenched
Dry
Elastic
Feathery
Feverish
Fine
Fleshy
Fluff
Fluffy
Foamy
Fragile
Freezing
Furry
Glassy
Gluey
Gooey
Grainy
Greasy
Gritty
Gushy
Hairy
Heavy
Hot
Humid
Ice-Cold
Icy
Itchy
Knobbed
Leathery
Light
Lightweight
Limp
Lukewarm
Lumpy
Matted
Metallic
Moist
Mushy
Numbing
Oily
Plastic
Pointed
Powdery
Pulpy
Rocky
Rough
Rubbery
Sandy
Scalding
Scorching
Scratchy
Scummy
Serrated
Shaggy
Sharp
Shivering
Shivery
Silky
Slimy
Slippery
Sloppy
Smooth
Smothering
Soapy
Soft
Sopping
Soupy
Splintery
Spongy
Springy
Sputter
Squashy
Squeal
Squishy
Steamy
Steely
Sticky
Stifled
Stifling
Stinging
Stony
Stubby
Tangled
Tapered
Tender
Tepid
Thick
Thin
Thorny
Tickling
Tough
Unsanitary
Velvety
Warm
Waxy
Wet
Woolly
4. Taste Sensory Words
Taste words are interesting. Though they can describe food, they’re often used in comparisons and metaphors.
Examples of taste words:
It’s a bittersweet situation.
Her zesty personality caught Karl’s eye.
The scrumptious jalapeno poppers comforted Karl after his bitter rejection.
Click here to see all 51 taste sensory words
Acidic
Appetizing
Bitter
Bittersweet
Bland
Buttery
Charred
Contaminated
Creamy
Crispy
Delectable
Delicious
Doughy
Earthy
Fermented
Flavorful
Flavorless
Floury
Garlicky
Gingery
Gritty
Hearty
Juicy
Luscious
Medicinal
Mellow
Melted
Nauseating
Nutritious
Nutty
Palatable
Peppery
Pickled
Piquant
Raw
Refreshing
Rich
Ripe
Salted
Savory
Scrumptious
Stale
Sugary
Syrupy
Tangy
Tart
Tasteless
Unripe
Vinegary
Yummy
Zesty
5. Smell Sensory Words
Words related to smell describe — yes, you guessed it — how things smell. Often underutilized, sensory words connected with smell can be very effective.
Examples of smell words:
The pungent smell was unmistakable: someone in this elevator was wearing Axe Body Spray.
No matter the expiration date, it was clear from its rancid stench the milk had gone bad.
The flowery aroma was a welcome change after the elevator and milk incidents.
Click here to see all 47 smell sensory words
Ambrosial
Antiseptic
Aroma
Aromatic
Briny
Citrusy
Decayed
Decomposed
Doggy
Fetid
Floral
Flowery
Foul-smelling
Fragrant
Gamy
Gaseous
Horrid
Inodorous
Malodorous
Mephitic
Musky
Musty
Odiferous
Odor
Odorless
Old
Perfumed
Piney
Polluted
Pungent
Putrid
Rancid
Rank
Redolent
Reeking
Scent
Scented
Sickly
Skunky
Smell
Smoky
Stagnant
Stench
Stinky
Sweaty
Tempting
Whiff
Bonus: Taste and Smell Sensory Words
Because they’re closely related, some sensory words can be used for both taste and smell. Examples: fruity, minty, and tantalizing.
Click here to see all 16 taste & smell sensory words
Acrid
Burnt
Fishy
Fresh
Fruity
Lemony
Minty
Moldy
Mouth-watering
Rotten
Salty
Sour
Spicy
Spoiled
Sweet
Tantalizing
Next, we’ll look at a few real-world examples of sensory details.
Back to Top
Sensory Details: Examples in the Wild
Imagine the following headline came across your Twitter feed:
How to Avoid Using Boring Stock Photo Images in Your Content
Would you click it?
Better question…
Could you read the headline without falling asleep?
The answers are probably “no” and “heck no.”
Now imagine you saw this headline:
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Much better, right?
The simple addition of the sensory word “cringeworthy” changes the tone of the entire headline. Instead of yawning, you’re thinking of an awkward or embarrassing moment you really don’t want to relive.
Let’s look at a few more modern-day examples of sharp people using sensory language to spruce up their content:
Using Sensory Words in Author Bios
I’ll pick on me for this one.
Here’s one of my old author bios:
Kevin J. Duncan is the Editor of Smart Blogger, where he helps writers learn the skills they need to land writing gigs that pay.
Now look at the author bio my friend Henneke wrote for Writer’s Block: 27 Techniques to Overcome It Forever:
Henneke Duistermaat is an irreverent copywriter and business writing coach. She’s on a mission to stamp out gobbledygook and to make boring business blogs sparkle.
My bio is devoid of sensory words (or any interesting words at all, if we’re being honest).
Henneke’s is chock full of them.
Her bio is interesting.
Mine is boring.
The lesson? Add at least one sensory word to your author bio.
Using Sensory Words in Social Media Profiles
Some people opt for brevity when writing their social media profiles, and that’s fine.
But if you want your Twitter profile (or Facebook, Instagram, or any other social media profile) to stand out from the crowd, sprinkle in a sensory word or two.
Like so:
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Mel Wicks is a veteran copywriter who knows a thing or two about the effectiveness of descriptive details, so she uses them to spice up her Twitter profile.
Here’s an example from my badly-neglected Instagram account:
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“Enchanting” and “adorably-jubilant” are wonderful sensory words — so wonderful, it’s a shame they’re wasted on a profile no one sees.
Look at your own profiles and see if there’s a place to add a sensory word or two. They’ll help your profile jump off the screen.
Heck, see if you can use enchanting and adorably-jubilant.
They deserve to be seen.
Using Sensory Words in Introductions
The opening lines of your content are so important.
If you’re a student, your opening sets the tone for your teacher (who we both know is dying to use his red pen).
If you’re an author, your opening can be the difference between someone buying your book or putting it back on the shelf in favor of one of those Twilight books (probably).
And if you’re a blogger, writer, content marketer, or business; your opening can hook the reader (increasing dwell time, which is great in Google’s eyes) or send them scurrying for the “back” button.
It’s why we put such an emphasis on introductions here at Smart Blogger.
Sometimes our openings hook you with a question.
Sometimes we strike a note of empathy or (like this post) focus on searcher intent.
And sometimes we give you a heaping helping of sensory words:
Imagine you’re sitting in a lounge chair on the beach, staring out over the glittering sea, the ocean breeze ruffling your hair, listening to the slow, steady rhythm of the waves.
In the above opening for How to Become a Freelance Writer, Starting from Scratch, Jon Morrow uses sensory language to set a scene for the reader.
And it’s highly, highly effective.
Using Sensory Words in Email Subject Lines
Like you, your readers are flooded with emails.
And with open rates in a steady decline, people are trying anything and everything to make their email subject lines stand out:
Emojis;
Capitalized words;
All lowercase letters;
Two exclamation points;
Clickbait that would make even BuzzFeed go, “that’s too far, man.”
You name it, people are trying it.
Want a simpler, far-more-effective way to help your emails stand out from the crowd?
Add a sensory word.
Brian Dean loves to include words like “boom” in his subjects:
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The folks at AppSumo and Sumo (formerly SumoMe) regularly feature descriptive words in their subjects and headlines.
Here’s one example:
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And sensory language appears in most everything Henneke writes, including her subject lines.
In this one she also uses an emoji related to her sensory word. Very clever:
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Now that we’ve covered several examples, let’s dig a bit deeper…
Let’s discuss some practical steps you can take that will make adding figurative language to your own writing style a breeze:
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How Descriptive Details Can Pack Your Writing With Sensory Language
If you’ve taken a good English or creative writing class, you’ve probably been told a time or two to “show, don’t tell.”
This means you should create an engaging experience for your audience; not just tell them what you want them to know.
You accomplish this by using descriptive writing that conveys sensations and lets readers experience your words (rather than simply read them).
And how do you do that, exactly?
Ask yourself these five questions when you’re writing:
#1. What Do You See?
It isn’t enough to tell your readers there was a scary house in your neighborhood when you were a child. Describe the house to them in vivid detail.
What shade of gray was it?
Were the doors boarded up?
Precisely how many ghostly figures did you see staring at you from the upstairs bedroom windows, and how many are standing behind you right now?
Paint a mental picture for your readers.
#2. What Do You Hear?
We listen to uptempo songs to push us through cardio workouts. Many of us listen to rainfall when we’re trying to sleep. Some of us listen to Justin Bieber when we want to punish our neighbors.
Want to transplant readers into your literary world?
Talk about the drip, drip, drip of the faucet.
Mention the squeaking floors beneath your feet.
Describe the awful music coming from your next-door-neighbor’s house.
#3. How Does it Feel?
Touch sensory words can convey both tactile and emotional sensations.
Can you describe to the reader how something feels when touched? Is it smooth or rough? Round or flat? Is it covered in goo or is it goo-less?
Paint a picture for your reader so they can touch what you’re touching.
The same goes for emotions. Help the reader feel what you (or your character) are feeling. Draw them in.
#4. What Does it Taste Like?
Does the beach air taste salty? Is the roaring fire so intense you can taste the smoke? Is the smell of your roommate’s tuna fish sandwich so strong you can taste it from across the room?
Tell your audience.
Be descriptive.
Make them taste the fishiness.
#5. How Does it Smell?
It wasn’t a basement you walked into — it was a musty, moldy basement.
And you didn’t simply enjoy your Mom’s homemade lasagna. You inhaled the aromatic scents of sauce, cheese, and basil.
Evoking the sense of smell is possibly the most effective way to pull readers out of their world and into yours.
So when you sit down to write, ask yourself if it’s possible to describe how something smells. And if you can? Do it.
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The Massive Sensory Words List: 583 (and Counting) Descriptive Words to Supercharge Your Writing With Sensory Language
Once you’ve asked and answered the five questions above, your writing will be packed with sensory details.
In time, you’ll build up your own massive list of sensory words you can reference and sprinkle throughout your work (no thesaurus needed!).
But in the meantime, here’s my list.
Bookmark them.
Print them.
Use them often:
SIGHT WORDS SOUND WORDS Angular Babble Azure Bang Billowy Barking Black Bawled Bleary Bawling Bloated Bellow Blonde Blare Blue Blaring Blurred Bleat Blushing Boom Branching Booming Bright Bray Brilliant Buzz Broad Buzzing Brown Cackle Brunette Cackling Bulbous Chatter Bulky Chattering Camouflaged Cheer Chubby Chiming Circular Chirping Colorful Chuckle Colorless Clamor Colossal Clang Contoured Clanging Cosmic Clap Craggy Clapping Crimson Clicking Crinkled Clink Crooked Clinking Crowded Cooing Crystalline Coughing Curved Crackle Dark Crackling Dazzling Crashing Deep Creak Dim Croaking Dingy Crow Disheveled Crunch Distinct Crunching Drab Crunchy Dreary Cry Dull Crying Dusty Deafening Elegant Distorted Enchanting Dripping Engaging Ear-piercing Enormous Earsplitting Faded Exploding Fancy Faint Fat Fizzing Filthy Gagging Flashy Gasping Flat Giggle Flickering Giggling Foggy Grate Forked Grating Freckled Growl Fuzzy Grumble Gargantuan Grunt Gaudy Grunting Gigantic Guffaw Ginormous Gurgle Glamorous Gurgling Gleaming Hanging Glimpse Hiss Glistening Hissing Glitter Honking Glittering Howl Globular Hubbub Gloomy Hum Glossy Humming Glowing Hush Gold Jabber Graceful Jangle Gray Jangling Green Laughing Grotesque Moaning Hazy Monotonous Hollow Mooing Homely Muffled Huge Mumble Illuminated Mumbling Immense Murmur Indistinct Mutter Ivory Muttering Knotty Noisy Lacy Peeping Lanky Piercing Large Ping Lavender Pinging Lean Plopping Lithe Pop Little Purring Lofty Quacking Long Quiet Low Rant Malnourished Rapping Maroon Rasping Massive Raucous Miniature Rave Misshapen Ringing Misty Roar Motionless Roaring Mottled Rumble Mountainous Rumbling Muddy Rustle Murky Rustling Narrow Scratching Obtuse Scream Olive Screaming Opaque Screech Orange Screeching Oval Serene Pale Shout Peered Shouting Petite Shrieking Pink Shrill Portly Sigh Pristine Silent Prodigious Sing Purple Singing Quaint Sizzling Radiant Slam Rectangular Slamming Red Snap Reddish Snappy Rippling Snoring Rotund Snort Round Splashing Ruby Squawking Ruddy Squeaky Rusty Stammer Sabotaged Stomp Shadowy Storm Shallow Stuttering Shapeless Tearing Sheer Thudding Shimmering Thump Shiny Thumping Short Thunder Silver Thundering Skinny Ticking Small Tingling Smudged Tinkling Soaring Twitter Sparkling Twittering Sparkly Wail Spherical Warbling Spotless Wheezing Spotted Whimper Square Whimpering Steep Whine Stormy Whining Straight Whir Strange Whisper Striped Whispering Sunny Whistle Swooping Whooping Tall Yell Tapering Yelp Tarnished Teeny-tiny Tiny Towering Translucent Transparent Triangular Turquoise Twinkling Twisted Ugly Unsightly Unusual Vibrant Vivid Weird White Wide Wiry Wispy Wizened Wrinkled Wrinkly Yellow TOUCH WORDS TASTE WORDS Abrasive Acidic Balmy Appetizing Biting Bitter Boiling Bittersweet Breezy Bland Bristly Buttery Bubbly Charred Bubby Contaminated Bumpy Creamy Burning Crispy Bushy Delectable Chilled Delicious Chilly Doughy Clammy Earthy Coarse Fermented Cold Flavorful Cool Flavorless Cottony Floury Crawly Garlicky Creepy Gingery Cuddly Gritty Cushioned Hearty Damp Juicy Dank Luscious Dirty Medicinal Downy Mellow Drenched Melted Dry Nauseating Elastic Nutritious Feathery Nutty Feverish Palatable Fine Peppery Fleshy Pickled Fluff Piquant Fluffy Raw Foamy Refreshing Fragile Rich Freezing Ripe Furry Salty/Salted Glassy Savory Gluey Scrumptious Gooey Stale Grainy Sugary Greasy Syrupy Gritty Tangy Gushy Tart Hairy Tasteless Heavy Unripe Hot Vinegary Humid Yummy Ice-Cold Zesty Icy Itchy Knobbed Leathery Light Lightweight Limp Lukewarm Lumpy Matted Metallic Moist Mushy Numbing Oily Plastic Pointed Powdery Pulpy Rocky Rough Rubbery Sandy Scalding Scorching Scratchy Scummy Serrated Shaggy Sharp Shivering Shivery Silky Slimy Slippery Sloppy Smooth Smothering Soapy Soft Sopping Soupy Splintery Spongy Springy Sputter Squashy Squeal Squishy Steamy Steely Sticky Stifled Stifling Stinging Stony Stubby Tangled Tapered Tender Tepid Thick Thin Thorny Tickling Tough Unsanitary Velvety Warm Waxy Wet Woolly SMELL WORDS TASTE & SMELL WORDS Ambrosial Acrid Antiseptic Burnt Aroma Fishy Aromatic Fresh Briny Fruity Citrusy Lemony Decayed Minty Decomposed Moldy Doggy Mouth-watering Fetid Rotten Floral Salty Flowery Sour Foul-smelling Spicy Fragrant Spoiled Gamy Sweet Gaseous Tantalizing Horrid Inodorous Malodorous Mephitic Musky Musty Odiferous Odor Odorless Old Perfumed Piney Polluted Pungent Putrid Rancid Rank Redolent Reeking Scent Scented Sickly Skunky Smell Smoky Stagnant Stench Stinky Sweaty Tempting Whiff
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Are You Ready to Unleash the Power of Sensory Details?
It’s time to say goodbye.
Goodbye to lifeless words that sit on the page.
Goodbye to indifferent readers ready to move on to something, anything, else.
You now know why sensory details are so effective. You know how to sprinkle descriptive words throughout your content. And you now have a massive, ever-growing list of sensory words to bookmark and come back to again and again.
Variations of the following quote have been attributed to everyone from Carl W. Buehner to Maya Angelou, but regardless of who said it, and how they said it, it’s true:
“People may forget what you said, but they’ll never forget how you made them feel.”
It’s time to make your readers feel.
Are you ready?
Then let’s do this thing.
The post 583 Sensory Words to Take Your Writing from Bland to Brilliant appeared first on Smart Blogger.
from SEO and SM Tips https://smartblogger.com/sensory-words/
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alexbrockart · 7 years
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Gargoyle Process
This painting started from a sketch in 2015 that I didn't touch for a bout a year, then came back to after ruminating on it on and off over that lapse. It's loosely centered around this legend of the walled city of Agartha, and the guarding demons and djinn that would keep the unworthy from entering. 
Here I sketched out the environment surrounding the figure and arranged the composition a bit. I wanted the environment to have a sort of Mediterranean feel to it, almost classical ancient Greek/Roman with a little hint of tropical. I ended up changing the perspective quite a bit because I wanted to paint in a lot of texture in the landscape of the background, and also wanted to drive home a feeling of the figure standing on a really high wall far above the ground below. So I raised the horizon line almost to the top of the canvas and redid a lot of the figure to fit in with a more top down perspective.
Here you can see the new perspective and wings, and my attempt at dumping colors all over the place that I felt gave off the feeling I wanted for the piece, which was a sort of bright and sunny warm day in the afternoon, soon approaching the golden hour.
Here's some images that I felt captured the mood and lighting I wanted to portray
Let the render fest begin! As I was painting the torso my power supply for my computer started crapping out and it was pretty terrifying to paint for fear of losing work. I had finished just about the entire torso and arms when it crashed when I tried to save it, and had to do it over, about 5 hours of work. The second version definitely came out better though. I threw in a crazy weird mandala-lever-table-mechanism I thought would be interesting but ended up chucking it for the sake of time and it threw off the composition a bit. It's inspired by this talk I listened to about the physicist Wolfgang Pauli and his therapy sessions with C. G. Jung. From what I remember, through deep trance or in a dream, Pauli saw this mandala that represented perfect rationality and other dimensions or concepts like increments of time integrated into each other. The idea was to sort of have the Gargoyle in control of one of the levers, hinting that your perception of reality may be manipulated or something along those lines. I mostly wanted an excuse to make a shiny 3D object and render it so that I could have perfect shiny reflection in the painting. I got my jollies in that regard with the mace that I replaced this mandala with. 
Here's the talk and a picture of the mandala: 
Here's some of the references for the skin and torso. In the old master painting with the man pointing toward the sky I really liked the way their skin looked really pale in some parts and very tan or oily/dirty in others and tried to replicate that effect on the figure with a sort of red-grayish green and a more yellow green. I imagine there being less callous spots that would be lighter and more "juicy" like when the skin is stretched it'll lighten up in those areas, kind of like when some plastic bends it gets lighter in those spots that are really stretched out. It's sort of an effect or look that produces a sensation that I wanted to portray and think looks cool and not much more. 
Here's about where I had gotten before I lost my file to the dark lords of psd corruption. Lots of rendering and minute fiddling, pulling and pushing forms and moving around muscles underneath the skin. Reference is a lifesaver when it comes to anatomy, or anything really, but especially anatomy because of how complex it is and how easy it is for people (who all have bodies) to recognize when something is off. I remember this is where I really felt like I was going somewhere with the painting and it had some potential. 
Got the rest of the human parts nailed down. I almost went fully Egyptian with his undergarments but decided against it. I found out the name for this type of clothing though, "shendyt" if you ever need to know that. Lots of challenging but enjoyable intricacies worked out here. If I could give a tip on picking color it would be to learn how to really feel it out. If you try to do this with only your intellect and calculate every aspect of surface color and lighting and reflection you mostly end up getting in your own way (not that this isn't important). If you can grab a color that feels ok and run with it you're better off than being indecisive and worrying that the color isn't perfectly accurate.  Make a choice and observe the result. What happens when you lay that color next to the others, how does it feel deep down in your gut and heart. What does it need more of? It's like tasting pudding, when you put it on your tongue and smack it around in your mouth how does it taste? What would make it taste more like the most perfect pudding you can imagine? You also have to have good taste to make things that taste good. 
Focused heavily on the wings and tree here. I took a big leap with the dappled lighting and just went for it. I knew it would be really hard to make it look realistic and it kind of became abstracted, but I learned a lot. After having finished it I've seen multiple images that would have been much better reference for the dappled lighting than what I used, but such is life. In place of accurate lighting effects I had fun making cool shapes and swirlies. I tried to create an effect similar to some sort of vectoring of light blobs where their outer edge sort of merges with the nearby blobs, similar to when you squint your eyes and look at lights out of focus. On the upper/outer edges of the wings I tried to pull of the effect of something being in shadow on a sunny day and heavily reflecting the blue of the sky. Since that surface isn't being blown out by sunlight you can really see other ambient light sources reflecting on it. 
I darkened the shindyt loin cloth by plopping a multiply layer over it and touching it up a bit. I though the lightness of the previous color was attracting a little too much attention and contrast. But when I look at it now I almost like it better.
I also tried to get down some of the awesome patterning on eucalyptus trees that I see here around town. They're some of the coolest looking trees in my opinion and really wanted to capture that dramatic contrast of values and colors they have on them along with the smooth swirly lumps. This tree was extremely difficult and I redid it at least once. I still don't think I pulled off the look I was going for with it but I like it in it's own right. 
Here's the bottom before and after the redo. I really wanted to pull off a section of surface that's lit evenly but has two different values/surface materials and have it look cohesive. This was a pain but I'm starting to come around to the idea of doing stuff over even if it's really close to what you want or it feels like too much work. It almost always comes out better.
I also had a friend help out and do a paintover to try and tie up the values which explains the darkened corner on the ground. Much more moody and dramatic. He also taught me this technique to strategically adjust the levels with brush strokes using a mask.
Create a levels adjustment layer. Depending on how you want to adjust the levels (lights, darks or midtones) move the sliders around to a spot you like, and this is the awesome part is it doesn't have to affect the whole image, so you can pick an area you want to change the levels of, adjust accordingly, and target that spot. To do this click on the blank white square (red X) and paint bucket it fully black, then go back to the levels adjustments (click on the layer name or graph square) and start painting or lassoing in white in the spot that you wanted changed. This helps a TON.
More progress! I started experiment with texture in the background by making some brushes and messing with them. I was really inspired by the way Craig Mullins can pull off seemingly intricate detail with abstract shapes and textures and wanted to try something similar. Maybe next time lol. I was also inspired by Dean Cornwell and looking at his work for the texture on the ground, trying to make nice big juicy blobs of paint that almost look like clumps of mud or stones. I also really had fun with trying to make a compelling pattern that was still in perspective. For the background I was looking at the Walter Everett painting above a lot, trying to get a beautiful harmony of really light values and colors, having forms be defined with only hue and not much value change at all. It's really hard to pull off. 
I went nuts on the background. I replaced the original idea of a golden glittering canyon with a more earthy and gradient filled landscape. I also tweaked the values much brighter, which I think I darkened back down later. I was heavily inspired by Whit Brachna and had at least one of his paintings open the entire time I was working on the background. 
These are some of my all time favorite paintings. Just look at them, gotdang. 
3D mace! Mostly inspired by spiky black metal aesthetic. I made a very rough (but that's really all I needed) model of the mace in Cinema 4D. The most tedious part was obviously all the spikes. There's probably a way you could pull them out of the sphere in 2 seconds but I'm not versed enough to avoid tediously scooting each individual spike one at a time. I then took it into ZBrush and just scrubbed it over with a cool texture brush that gave it a bunch of amazing details that you can't even see in the painting. I tried to set up a scenario in C4D that was as close to the painting as I could muster to get the lighting right. I copied a bunch of disc tubes to try and replicate leaves and branches. Since the figures hand, and most of his upper body was cast in shadow I tried to strategically place some "leaves" over the top half of the mace. 
I messed with a bunch of different surface materials and render settings and ended up going with the shiniest one, heh. 
Here it is before and after being painted on, very minute adjustments. 
I'd say the rest is pretty straightforward and can't really think of any extraordinary advice except maybe doing more quick studies of your weak spots. I'm realizing I could get a lot of benefit from doing a higher quantity of less elaborate stuff to really improve more. 
  I really hoped this helped and if there's anything you'd like me to elaborate on or that you felt was left out please don't hesitate to ask!
Here's some meaty juice for you. I made a 2000px tall resolution gif of all the process images which is included in the .zip, containing over 30 of the aforementioned 2000px res process pics, some full resolution (8000px) crops of the final image, and a few other random in progress shots. And finally here's the full resolution (8000px) final .jpg, the final .psd file (2000px), and my brush presets. Enjoy!
I'm not sure how to export your presets as new brushes and you may already need the .abr file for the presets to work, so if you have any tips on that let me know. Most of the brushes I use are straight from other sets or slightly tweaked and saved as a preset. 
Anyway, I think this will conclude this massive post. I truly hope it's helpful, or at the very least mildly interesting. Thanks for reading!
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shabbychicboho · 4 years
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The Look and Durability of Cast Concrete Home Furnishings
Cast concrete is a highly versatile building material, whether for houses, furnishings, or both. It's durable and, when stained and polished, can look stunning!
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Modern, chic, sleek, and industrial. These are the words today’s homeowners are using to describe their ideal dream home, condo, or apartment. To accomplish the modern look of today, designers are using unique shapes, colors, and materials in their interior designs. One innovative way to modernize your home or apartment is with concrete home furnishings. Concrete offers a mellow earthy color that pairs well with almost any color and material. It’s also durable and versatile allowing you to enjoy it for years and years. You may have noticed more condos, apartments, and offices are taking advantage of the concrete floors and walls as they restore old buildings. They offer a timeless, industrial, and contemporary style. Concrete also fits anyone’s tastes and decor. The best part is that concrete is affordable. In some cases, you can build your own concrete home furnishings to accent your home. Check out how cast concrete home furnishings can add to the look of your home.
What are Concrete Home Furnishings?
Home furnishings are a mix of furniture, decor, and fixtures. They include items such as countertops, seating, shelves, and showers, to name a few. Concrete home furnishings include all of the same things. The only difference is these furnishings use concrete as the main material. You can replace wood, granite, carpet, or whatever material is common on a particular furnishing with cement. If you’re not familiar with concrete furnishings, the idea of having concrete floors or a concrete table may weird you out. A little polishing, however, can make a cast concrete piece look absolutely stunning. The Pros of Cast Concrete Furnishings Looking good is only one of the many benefits of using concrete for your home furnishings. Did you know concrete offers these pros as well? Durable Versatile Uses Affordable Recyclable Make your own furnishings Make your own decor Long-lasting Contemporary Fits into any style Easy to clean Texture & pattern possibilities Concrete offers more benefits than most traditional furnishing materials. The Cons of Cast Concrete There are many great benefits to choosing cast concrete furnishings. However, there are a few drawbacks to using cast concrete furnishings. Concrete is heavy Not comfortable for relaxing Concrete gets cold Can absorb moisture if not sealed Can crack Before you begin investing in cast concrete home furnishings, you should make sure your home or apartment can support the weight. Those who plan to use concrete in their bathroom or kitchen should consider a sealant to prevent cracks or other damage. You can make almost anything into a cast concrete home furnishing. Here’s a look at some popular items that look even better made from cast concrete.
Creative Concrete Home Furnishing Ideas
Have you wondered what you can use concrete for in your home? The good looks and versatility of concrete will surprise you. Learn how you can use concrete to add some zest to your home or apartment. Concrete Tables Do you want a striking coffee or dining table in your home? Concrete tables can offer a granite-looking appearance, particularly when polished. If you’re looking for a particular style, you can order a custom-made table for far less than granite or other stone. You can find concrete tables available for sale in many different sizes and shapes. Whether you want a wide tabletop or a narrow one, there are many options available to fit your needs. Concrete Floors & Walls Are you remodeling your home, condo, or apartment building? If so, it’s possible your home has concrete somewhere on the walls or floors. Many old warehouses use concrete during a renovation. Concrete walls and floors are trending in today’s interior design. Creative individuals can use colored resin epoxy to create a truly artistic floor and pattern. Polish concrete to make it look sleek and visually appealing. For those who are renovating a kitchen or bathroom, consider adding textured concrete instead of tile. You and your contractor can create any textured design or pattern in the concrete. Cast Concrete Furniture A lesser-known concrete home furnishing is concrete furniture. It may sound uncomfortable to sit or lay in a chair made of concrete but pair it with cushions and throw pillows to make it attractive and comfortable. Like tables, cast concrete furniture can come in a variety of shapes and styles. The introduction of GFRC or glass-fiber reinforced concrete allows designers and engineers to create 3-dimensional complex shapes from thin slabs of concrete. This makes concrete furniture lighter and easier to move. Don’t like the idea of concrete furniture in your living room? Consider using it for your outdoor patio, deck, or garden. The durability of concrete furniture allows it to withstand most of the elements year-round. Concrete Sinks, Tubs, & More Cast concrete makes an excellent material for those looking for an earthy or modern looking kitchen or bathroom. The immense versatility of concrete makes it a good option for bathtubs, showers, and kitchen sinks. If you’re renovating your kitchen, you must check out these concrete sinks. Freestanding concrete bathtubs will make your bathroom appear more modern and sleek. Don’t need a freestanding bathtub? There are many more beautiful cement bathtub styles you can use anywhere in your bathroom. Are you more of a shower person? Concrete can transform your shower into an elegant hideaway. It’s warm gray colors and your choice of textures can make it feel like you’re showering under a waterfall. Concrete Countertops Granite, quartz, and other stone make kitchen countertops look sophisticated and classy. However, not everyone can or wants to invest in expensive granite countertops. The solution? Concrete countertops. Concrete will save you money and give you greater flexibility with countertop design. Like the cement floors mentioned above, you can add a shiny polish or colored resin to give your countertops some zest. You can also have the concrete custom-made for uniquely shaped counters than include shelving or space for seating. Use thinner lighter slabs of concrete to make your kitchen counters and shelves appear cozier and more rustic. Wider slabs can make a kitchen feel more modern and industrial. Concrete Shelving Homes and apartments with concrete walls give you the option to create built-in concrete shelving. This shelving is extremely durable and is a great choice for those who enjoy minimalist interior design. You can also enjoy freestanding concrete shelving. There are many styles of concrete shelving available. You’ll find shelving made entirely out of concrete and others that mix it metal or wooden legs for a more natural earthy look. These concrete home furnishings are only a fraction of what’s available. As you hunt around, you’ll find end tables, coffee tables, bowls, and more that use concrete as the primary material.
DIY Concrete Home Furnishings
Feeling crafty? You can make many custom concrete home furnishings. Whether you’re looking to save a few bucks or simply enjoy using your hands, making your own concrete furnishings is fun and cost-efficient. Before you begin, you will need the following items: Cement mix A cast of whatever you’re making Concrete trowel Portland cement Sanding block & orbital sander Water Rubber Gloves Tub or bucket to mix concrete Wire mesh Additional accessories like wood, drills, or metal for table legs Concrete Potting Boxes Make your potting boxes long-lasting by making them yourself. Use old laminate or veneer cabinetry and rigid installation to create a mold for your concrete. After the cement cures, peel or break the cast off to reveal your new potting box. You can choose to leave it as is or polish it to make it a work of art! Concrete Vases If you have old glass or plastic bottles sitting in your recycling, reuse them to create earthy-looking floral vases. Mix and pour your cement into the bottle and place a long candle or another long item to keep an opening. Once cured, you can cut or break the bottle off of your cement vase and remove the candle. Use a sander to smooth out any jagged areas and voila! You have a beautiful piece of decor. Concrete Stools Concrete stools are rustic and surprisingly easy to make. You’ll need a circular bucket to mix and pour a short layer of cement in. As it begins to cure, add 3 wooden dowels or another material to use for the stool’s legs. After the concrete cures, you can carefully pull the concrete out of the bucket or cut the bucket apart. You’ll have a cute stool you can impress your friends and family with. Concrete Patio Furniture Do you want to transform your plastic bargain patio chairs into sleek concrete outdoor furniture? Use hollowed plastic furniture as a cast for your concrete. You can also use large buckets, barrels, and more to create outdoor tables, bins, and more. Only your imagination and casting options will limit your ability to make creative outdoor furniture.
Give Concrete Furnishings a Try
If you’re looking for ways to add some style to your home, look no further than these affordable and great-looking concrete home furnishings. Flex your creative side by making furnishings and decorating them with polish or colored resin. Concrete is such a versatile material and is sure to match with any style you’re going for. Want to keep your home looking it’s best? Check out the latest Home and Garden Articles to learn more! Read the full article
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rabbitindisguise · 7 years
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Watercolors for Beginners (on a budget)
All these watercolor artists on YouTube have their favorite “expensive” brushes, meanwhile Jay Lee, who is an incredible artist, uses $4-5 dollar brushes. I’m not a fan of the cheapest ones still, like the $7 packs, because it’s hard for them to retain shape. The best brush for you- like writing software- is a brush you know well over a brush some artist in a fancy studio says Will Get Results. I think this is something that should have been obvious to me after learning photography equipment is more about skill than dollars once you get a DSLR or mirrorless, but enough about that. If you want to get into watercolor, here’s my advice a year in.
Materials
A standard round brush really is the most important brush- unless it isn’t. You can exclusively use flats, and it can add an interesting stylistic aspect to you work. But a round can do pretty much anything you ask from it. Generally, this brush is a size #8, #10, or a #12. If you splurge on anything at all, it should be your base brush, who will be with you for a very long time. Paint and paper are “consumables” so eventually they get used up, but a brush, even a ratty old one, is basically forever. Treat it well.
Some kind of large wash brush, like an oval brush, dagger brush, quill brush, or large flat brush. Or even thick, four inch wide, and slightly terrifying ones for wall sized large surfaces. Whichever one you pick, a large brush really does help give the smoothest washes and gradients for large areas.
Either a rigger brush, small round brush, small/medium flat brush, or even a fan brush. Riggers are good for detail and natural lines, fans for cool effects and lines, and flats for thick or thin lines. That said, these brushes do help certain styles. Riggers are excellent for naturalistic painters who like trees, and they’re also good for painting, well … rigging on ships. The fan is good for abstract, and the flat for geometric shapes specifically, but both of them have many more uses than just those. Rounds are the most multipurpose due to their influence on watercolor in the United States is, and a smaller size can be useful for detail work. All these different brushes fit into one category because they can do each other’s most important job, which is to make super thin lines.
Pans or tubes Don’t worry about cost because they’re about the same. Student grade is okay. I swear. If you’re not displaying your physical paper copies yet, relax. Lightfastness doesn’t exist on the internet. (Tip: learn Photoshop so that your watercolors will look good online, it will make a world of a difference.) If it helps to use the cheapest 7 pan set made by a crayon company so you actually paint, so be it. You’ll have to overcome your fear of using expensive materials eventually though, so student grade is a good medium between the two. Try and pick a brand that has both artist and student quality if you can afford it, so you can reuse pans if you pick that option.
Fluid, Canson, Arches, etc are some good name brands but explore your local art store or online options available cheaply (if you like goulash you can even use regular cardboard). Cold press is good for naturalistic subjects, absorbency, and texture. Hot press is smooth, less absorbent, and allows for re-wetting. Most people use coldpress, it has that classic watercolor look. There are also two main weights for paper, 140 lb which is often cheaper, and 300 lb which comes in higher qualities, often in large sheets. 140lb is best held down or in blocks, 300lb can be painted on its own, which is good for painting outdoors. You can also use the backside of both weights, 140 lb and 300 lb. Remember, this is LB as in pound. Some will say “300 series” or whatever. What’s really important is the weight, not the arbitrary classification by a company.
Fun stuff. Brushes that look weird. Metallic paints. Salt, water brush pens, saran wrap, natural sponges, and masking fluid. Water based ink. Complex mixing pallettes and jar systems to avoid having to get up mid-painting. Paint is supposed to be fun, or intellectually stimulating, or expressive, or whatever reasons you have for doing it in the first place. If making glorious paintings with three primaries in the woods using creek water in a cup sounds like a good time: ignore this next bit, and I respect you. If you’re trying to force yourself to do boring things because of online advice telling you to hammer the basics into your very soul before having fun, here’s the contradicting advice: have fun. It makes for better art, if nothing else.
TL;DR: moderately cheap paper is okay, to a point, which is the 140 lb minimum. Student grade paints are good for work you won’t display. You need three brushes, including a basic brush (#8 round is what I use), a detail brush (#4 rigger for me), and a wash brush (I have lots, even though I paint postcards, so definitely try to plan ahead for your standard paper size).
Extra information: having lots of brushes is really very fun- especially when you have some that you can mistreat. I don’t regret buying the other brushes at all. Go the cheap pack route if you haven’t figured out what “snappy” means, or shedding, or other qualities that makes good brushes good. Going cheap helps you appreciate the nuance of a better brush and gives you a good base, like downloading a basic texture pack for digital art, and something to scrub paint off pans with when they wear out.
I haven’t recommended any brands for a reason, which is there is a lot of brand loyalty among watercolor artists. Plus, I think you should do your own technical (lightfastness, qualities) and experiential (how does it Feel) judging. This is true of brushes, paper, and paint. If you’re totally lost on brushes, watch this video by witty gritty paper co, and this video by Liron, and this other video by Liron. For more research, there’s lots of science behind the quality of brushes, especially water uptake. ProArte is the only brand I know of using prolene synthetic material, which has better water uptake than standard synthetic, and you can find some packs online. I recommend the set with the rigger brush, because large wash brushes naturally hold a lot anyway. Oh, and synthetic is far cheaper than natural hair brushes. With paint and paper, sticking to name brands is a good guideline.
Again, one more time for emphasis. Take care of your brushes. Wet them a little while (Brush Experts™ recommend 30 minutes, I just do it at the same time I wet my pans) before you begin. Clean them thoroughly. Shape them to a point after use. Masking fluid can gunk up your brush, so be careful. Most importantly, don’t press too hard! Watercolor brushes are soft so that they can use the specific properties of water to carry pigment, and bending the bristles can disrupt that. Don’t drag them on the bottom of your water cups, don’t dig them down to the ferrules (the shiny metal or plastic bit) into your paper, and don’t scrape them along the paper unintentionally without enough water. Doing even a couple of these will drastically increase the lifespan of your brush.
Cost breakdown
About $15-20 on brushes, $35ish on paints, and as little as $7 on reasonably sized paper. It’s usually about .50¢ to $1 a sheet, and a pan set or set of tubes will last you a very, very long time. Many artists start using artist grade paints before they run out of student grade. This is about $62, which is a lot of money! So don’t be afraid of the absolute cheapest watercolors, but it’s important to fund your passions, too. You can absolutely start with one quality brush ($5 vs $20), tiny paper ($5), and decent student grade ($35) for $45 and still have everything you really need. Karia on YouTube should be coming out with more reviews, in addition to the ones already posted, on different cheaper materials that could help you save costs, too. Going to a store to avoid shipping helps on top of that, and gives you a chance to compare brush size vs your paper, and to see the different paint options next to each other.
A lot of this post was just me synthesizing information, so definitely check out the people below. These are free excellent watercolor tutorials, material reviews, advanced techniques, and more. I’m just starting in watercolor, but I remember being disappointed there wasn’t any guide on Tumblr on where to spend money and where you can save and still learn something. I hope this guide helps, in some way, to fill that gap, and it wouldn’t exist if I hadn’t had access to videos like these online.
Channel Recommendations
Jay Lee has fantastic tutorials at many levels of skill, mostly works with flowers and brighter colors. This channel is a good option for visual learners, and combines basic exercises with complex brushwork well. Also, this artist freehands, which means no outlining beforehand.
Liron Yanconsky doesn’t traditionally work in watercolor so there are fewer videos than than other content. Still, there are a lot of material and technical discussion, which was incredibly helpful when I was just starting. Liron mostly works with a natural pallette with landscapes. A special aspect of Liron’s paintings are the use of perspective. On top of that, there are multiple speedpaints to help with figuring out how light to dark works. This channel in particular is good for auditory learners, because he talks about everything from technique to mental blocks common to artists. Very interesting stuff, definitely subscribe.
Karia has a similar background to Liron, and the channel is much more low key. I especially like the cat visitors during the videos. The channel doesn’t really discuss much art wise, but still offers good content. Also, you can donate directly to Karia from the links in the description! Definitely consider it, based off all the hard to find comparison videos of paints.
TheWittyGrittyPaperCo is actually a company channel, run by Meredith, who is a self taught (through YouTube) watercolor artist. The channel has a fantastic overview of the basics, including materials, exercises, and other tips. A few specialized aspects are portraits and lettering. It’s also the kind of channel that talks about things that even google has a hard time answering- how much water, how to use new watercolor materials, legal things like reference photos, etc. I have used these videos the most I think, especially small tips buried in the longer videos, to improve my work. Like Jay Lee’s channel, there are tutorials for visual learners. I almost don’t need to subscribe because I revisit the videos so often.
Susan Harrison-Tustain is a watercolor artist from New Zealand who has some incredible instructional videos. Many of them discuss techniques that just aren’t that common on youtube. Susan even has her own brush series. Considering the information is usually found on DVDs, it’s worth at least one watch to learn terms and see specific effects.
Ekaterina Smirnova is another incredible artist. This channel includes tutorials, techniques, materials, and more. Many of these tutorials are freehand, and include both auditory information and visual information. There’s also videos in Russian. The channel updates regularly, but not often, so it would beneficial to subscribe if you like he videos.
That’s it! My inbox is open for anyone that needs help, there’s so much info I just couldn’t include because it was getting long enough already.
EDIT: I waaay over estimated the money for the paints. Cotman watercolors (a half decent beginner 12 color set) is only $13, making the basics cost only $23! I also forgot to mention a hand towel and ceramic plate to sacrifice to the pigments. The hand towel is for drying your brush to control water flow, and the plate is for mixing and diluting. Bought new, it would only be around $5 at most, but I'm assuming you might already have them.
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lindabodecom · 5 years
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581 Sensory Words to Take Your Writing from Bland to Brilliant
It’s almost too easy.
By using sensory words to evoke sight, sound, touch, taste, and smell; smart and attractive writers just like you are able to make their words burst to life in their readers’ minds.
In this post, you’ll learn:
The science behind sensory details (e.g. why sensory words are so persuasive);
The definition of sensory words (plus examples);
How answering five simple questions will help you write descriptive words that pack your content with sensory language;
500+ sensory words you can incorporate into your own writing (right now).
Let’s dive in.
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The Colossal Power of Sensory Details
Remember the final scene in Field of Dreams when Ray Kinsella has a catch with his dad?
You can smell the grass on the field.
You can hear the sound of the baseball hitting their gloves.
And you can feel Ray’s years of guilt melting away as he closes his eyes, smiles, and tosses the ball back to his dad.
(Be honest. You’re crying right now, aren’t you?)
Field of Dreams made you feel like you were in Ray’s shoes, on his field, playing catch with dad.
The scene creates such a vivid experience for many viewers that whenever they think of playing catch, this scene will come up alongside their own childhood memories.
Here’s why:
When you paint a strong scene in your audience’s mind, you make it easier for them to pull it back up from their memory. You’ve essentially bookmarked it for them so they can easily find it when something — a sight, a smell, a sound — reminds them of it.
That’s the power of content that incorporates sensory details.
And this power isn’t limited to cinema classics capable of making grown men cry. For centuries, literary giants have been packing their prose with powerful words that evoke the senses:
“Cry ‘Havoc,’ and let slip the dogs of war; That this foul deed shall smell above the earth With carrion men, groaning for burial” — William Shakespeare (circa 1599)
In addition to The Bard, authors like Maya Angelou, Edgar Allan Poe, and Charles Dickens excel at sensory language. So do literally every famous poet you learned about in school.
And that begs the obvious question…
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Why are Sensory Details so Effective?
Short answer:
Our brains handle sensory words differently than ordinary words.
In a 2011 study published in The Quarterly Journal of Experimental Psychology, experts found that our brains process “tangible” (i.e. sensory) words faster than other words.
And in a study published for Brain and Language in 2012, psychologists found that a certain part of our brain is “activated” when we read sensory words.
In other words:
So, we know why sensory details are powerful. And we know writers have been tapping into their power for a long, long time.
Now let’s define them and go over a few examples:
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What are Sensory Words?
Sensory words are descriptive words — using imagery, they describe how we see, hear, touch, taste, and smell the world around us.
Let’s break each one down:
#1. Sight Sensory Words
Words related to vision describe the appearance of something (its color, size, shape, and so on).
Examples of visual words:
Her golden hair looked disheveled thanks to the gust of wind.
He was a towering presence.
I ordered a large orange juice, but the waiter brought me a teeny-tiny glass the size of a thimble.
→ Click here to unfold the full list of Sight Sensory Words.
Angular Azure Billowy Black Bleary Bloated Blonde Blue Blurred Blushing Branching Bright Brilliant Broad Brown Brunette Bulbous Bulky Camouflaged Chubby Circular Colorful Colorless Colossal Contoured Cosmic Craggy Crimson Crinkled Crooked Crowded Crystalline Curved Dark Dazzling Deep Dim Dingy Disheveled Distinct Drab Dreary Dull Dusty Elegant Enchanting Engaging Enormous Faded Fancy Fat Filthy Flashy Flat Flickering Foggy Forked Freckled Fuzzy Gargantuan Gaudy Gigantic Ginormous Glamorous Gleaming Glimpse Glistening Glitter Glittering Globular Gloomy Glossy Glowing Gold Graceful Gray Green Grotesque Hazy Hollow Homely Huge Illuminated Immense Indistinct Ivory Knotty Lacy Lanky Large Lavender Lean Lithe Little Lofty Long Low Malnourished Maroon Massive Miniature Misshapen Misty Motionless Mottled Mountainous Muddy Murky Narrow Obtuse Olive Opaque Orange Oval Pale Peered Petite Pink Portly Pristine Prodigious Purple Quaint Radiant Rectangular Red Reddish Rippling Rotund Round Ruby Ruddy Rusty Sabotaged Shadowy Shallow Shapeless Sheer Shimmering Shiny Short Silver Skinny Small Smudged Soaring Sparkling Sparkly Spherical Spotless Spotted Square Steep Stormy Straight Strange Striped Sunny Swooping Tall Tapering Tarnished Teeny-tiny Tiny Towering Translucent Transparent Triangular Turquoise Twinkling Twisted Ugly Unsightly Unusual Vibrant Vivid Weird White Wide Wiry Wispy Wizened Wrinkled Wrinkly Yellow
  #2. Sound Sensory Words
Words related to hearing often describe the sound they make (known as onomatopoeia), but this isn’t always the case.
Examples of hearing words:
He had a big, booming voice.
The sound of screeching tires was soon followed by the deafening sound of a car horn.
As I peeked under the bed, the cackling laughter coming from the closet made the hairs on my arms stand up.
→ Click here to unfold the full list of Sound Sensory Words.
Babble Bang Barking Bawled Bawling Bellow Blare Blaring Bleat Boom Booming Bray Buzz Buzzing Cackle Cackling Chatter Chattering Cheer Chiming Chirping Chuckle Clamor Clang Clanging Clap Clapping Clicking Clink Clinking Cooing Coughing Crackle Crackling Crashing Creak Croaking Crow Crunch Crunching Crunchy Cry Crying Deafening Distorted Dripping Ear-piercing Earsplitting Exploding Faint Fizzing Gagging Gasping Giggle Giggling Grate Grating Growl Grumble Grunt Grunting Guffaw Gurgle Gurgling Hanging Hiss Hissing Honking Howl Hubbub Hum Humming Hush Jabber Jangle Jangling Laughing Moaning Monotonous Mooing Muffled Mumble Mumbling Murmur Mutter Muttering Noisy Peeping Piercing Ping Pinging Plopping Pop Purring Quacking Quiet Rant Rapping Rasping Raucous Rave Ringing Roar Roaring Rumble Rumbling Rustle Rustling Scratching Scream Screaming Screech Screeching Serene Shout Shouting Shrieking Shrill Sigh Silent Sing Singing Sizzling Slam Slamming Snap Snappy Snoring Snort Splashing Squawking Squeaky Stammer Stomp Storm Stuttering Tearing Thudding Thump Thumping Thunder Thundering Ticking Tingling Tinkling Twitter Twittering Wail Warbling Wheezing Whimper Whimpering Whine Whining Whir Whisper Whispering Whistle Whooping Yell Yelp
  #3. Touch Sensory Words
Touch words describe the texture of how something feels. They can also describe emotional feelings.
Examples of touch words:
Two minutes into the interview, I knew his abrasive personality would be an issue if we hired him.
With a forced smile, I put on the itchy Christmas sweater my grandmother bought me.
The Hot Pocket was scalding on the outside, but ice-cold in the middle.
→ Click here to unfold the full list of Touch Sensory Words.
Abrasive Balmy Biting Boiling Breezy Bristly Bubbly Bubby Bumpy Burning Bushy Chilled Chilly Clammy Coarse Cold Cool Cottony Crawly Creepy Cuddly Cushioned Damp Dank Dirty Downy Drenched Dry Elastic Feathery Feverish Fine Fleshy Fluff Fluffy Foamy Fragile Freezing Furry Glassy Gluey Gooey Grainy Greasy Gritty Gushy Hairy Heavy Hot Humid Ice-Cold Icy Itchy Knobbed Leathery Light Lightweight Limp Lukewarm Lumpy Matted Metallic Moist Mushy Numbing Oily Plastic Pointed Powdery Pulpy Rocky Rough Rubbery Sandy Scalding Scorching Scratchy Scummy Serrated Shaggy Sharp Shivering Shivery Silky Slimy Slippery Sloppy Smooth Smothering Soapy Soft Sopping Soupy Splintery Spongy Springy Sputter Squashy Squeal Squishy Steamy Steely Sticky Stifled Stifling Stinging Stony Stubby Tangled Tapered Tender Tepid Thick Thin Thorny Tickling Tough Unsanitary Velvety Warm Waxy Wet Woolly
  #4. Taste Sensory Words
Taste words are interesting. Though they can describe food, they’re often used in comparisons and metaphors.
Examples of taste words:
It’s a bittersweet situation.
Her zesty personality caught Karl’s eye.
The scrumptious jalapeno poppers comforted Karl after his bitter rejection.
→ Click here to unfold the full list of Taste Sensory Words.
Acidic Appetizing Bitter Bittersweet Bland Buttery Charred Contaminated Creamy Crispy Delectable Delicious Doughy Earthy Fermented Flavorful Flavorless Floury Garlicky Gingery Gritty Hearty Juicy Luscious Medicinal Mellow Melted Nauseating Nutritious Nutty Palatable Peppery Pickled Piquant Raw Refreshing Rich Ripe Runt Savory Scrumptious Stale Sugary Syrupy Tangy Tart Tasteless Unripe Vinegary Yummy Zesty
  #5. Smell Sensory Words
Words related to smell describe — yes, you guessed it — how things smell. Often underutilized, sensory words connected with smell can be very effective.
Examples of smell words:
The pungent smell was unmistakable: someone in this elevator was wearing Axe Body Spray.
No matter the expiration date, it was clear from its rancid stench the milk had gone bad.
The flowery aroma was a welcome change after the elevator and milk incidents.
→ Click here to unfold the full list of Smell Sensory Words.
Ambrosial Antiseptic Aroma Aromatic Briny Citrusy Decayed Decomposed Doggy Fetid Floral Flowery Foul-smelling Fragrant Gamy Gaseous Horrid Inodorous Malodorous Mephitic Musky Musty Odiferous Odor Odorless Old Perfumed Piney Polluted Pungent Putrid Rancid Rank Redolent Reeking Scent Scented Sickly Skunky Smell Smoky Stagnant Stench Stinky Sweaty Tempting
  Note on Taste and Smell:
Because they’re closely related, some sensory words can be used for both taste and smell. Examples: fruity, minty, and tantalizing.
→ Click here to unfold the full list of Taste and Smell Sensory Words.
Acrid Burnt Fishy Fresh Fruity Lemony Minty Moldy Mouth-watering Rotten Salty Sour Spicy Spoiled Sweet Tantalizing
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Sensory Details: Examples in the Wild
Imagine the following headline came across your Twitter feed:
How to Avoid Using Boring Stock Photo Images in Your Content
Would you click it?
Better question…
Could you read the headline without falling asleep?
The answers are probably “no” and “heck no.”
Now imagine you saw this headline:
Much better, right?
The simple addition of the sensory word “cringeworthy” changes the tone of the entire headline. Instead of yawning, you’re thinking of an awkward or embarrassing moment you really don’t want to relive.
Let’s look at a few more modern-day examples of sharp people using sensory language to spruce up their content:
Using Sensory Words in Author Bios
I’ll pick on me for this one.
Here’s the author bio I used for one of my first-ever guest posts:
Kevin Duncan is the owner of Be A Better Blogger, where he helps people become the best bloggers they can be.
Now look at the author bio my friend Henneke wrote for Writer’s Block: 27 Techniques to Overcome It Forever:
Henneke Duistermaat is an irreverent copywriter and business writing coach. She’s on a mission to stamp out gobbledygook and to make boring business blogs sparkle.
My bio is devoid of sensory words (or any interesting words at all, if we’re being honest).
Henneke’s is chock full of them.
Her bio is interesting.
Mine is boring.
The lesson? Add at least one sensory word to your author bio.
Using Sensory Words in Social Media Profiles
Some people opt for brevity when writing their social media profiles, and that’s fine.
But if you want your Twitter profile (or Facebook, Instagram, or any other social media profile) to stand out from the crowd, sprinkle in a sensory word or two.
Like so:
Mel Wicks is a veteran copywriter who knows a thing or two about the effectiveness of descriptive words, so she uses them to spice up her Twitter profile.
Here’s an example from my badly-neglected Instagram account:
“Enchanting” and “adorably-jubilant” are wonderful sensory words — so wonderful, it’s a shame they’re wasted on a profile no one sees.
Look at your own profiles and see if there’s a place to add a sensory word or two. They’ll help your profile jump off the screen.
Heck, see if you can use enchanting and adorably-jubilant.
They deserve to be seen.
Using Sensory Words in Introductions
The opening lines of your content are so important.
If you’re a student, your opening sets the tone for your teacher (who we both know is dying to use his red pen).
If you’re an author, your opening can be the difference between someone buying your book or putting it back on the shelf in favor of one of those Twilight books (probably).
And if you’re a blogger, writer, content marketer, or business; your opening can hook the reader (increasing dwell time, which is great in Google’s eyes) or send them scurrying for the “back” button.
It’s why we put such an emphasis on introductions here at Smart Blogger.
Sometimes our openings hook you with a question.
Sometimes we strike a note of empathy or (like this post) focus on searcher intent.
And sometimes we give you a heaping helping of sensory words:
Imagine you’re sitting in a lounge chair on the beach, staring out over the glittering sea, the ocean breeze ruffling your hair, listening to the slow, steady rhythm of the waves.
In the above opening for How to Become a Freelance Writer and Get Paid $200 – $1K per Post, Jon Morrow uses sensory language to set a scene for the reader.
And it’s highly, highly effective.
Using Sensory Words in Email Subject Lines
Like you, your readers are flooded with emails.
And with open rates in a steady decline, people are trying anything and everything to make their email subject lines stand out:
Emojis;
Capitalized words;
All lowercase letters;
Two exclamation points;
Clickbait that would make even BuzzFeed go, “that’s too far, man.”
You name it, people are trying it.
Want a simpler, far-more-effective way to help your emails stand out from the crowd?
Add a sensory word.
Brian Dean loves to include words like “boom” in his subjects:
The folks at AppSumo and Sumo (formerly SumoMe) regularly feature descriptive words in their subjects and headlines.
Here’s one example:
And sensory language appears in most everything Henneke writes, including her subject lines.
In this one she also uses an emoji related to her sensory word. Very clever:
Now that we’ve covered several examples, let’s dig a bit deeper…
Let’s discuss some practical steps you can take that will make adding sensory language to your writing a breeze:
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How Descriptive Words Can Pack Your Writing With Sensory Language
If you’ve taken a good English or writing class, you’ve probably been told a time or two to “show, don’t tell.”
This means you should create an engaging experience for your audience; not just tell them what you want them to know.
You accomplish this by using descriptive language that conveys sensations and lets readers experience your words (rather than simply read them).
And how do you do that, exactly?
Ask yourself these five questions when you’re writing:
#1. What Do You See?
It isn’t enough to tell your readers there was a scary house in your neighborhood when you were a child. Describe the house to them in vivid detail.
What shade of gray was it?
Were the doors boarded up?
Precisely how many ghostly figures did you see staring at you from the upstairs bedroom windows, and how many are standing behind you right now?
Paint a mental picture for your readers.
#2. What Do You Hear?
We listen to uptempo songs to push us through cardio workouts. Many of us listen to rainfall when we’re trying to sleep. Some of us listen to Justin Bieber when we want to punish our neighbors.
Want to transplant readers into your literary world?
Talk about the drip, drip, drip of the faucet.
Mention the squeaking floors beneath your feet.
Describe the awful music coming from your next-door-neighbor’s house.
#3. How Does it Feel?
Touch sensory words can convey both tactile and emotional sensations.
Can you describe to the reader how something feels when touched? Is it smooth or rough? Round or flat? Is it covered in goo or is it goo-less?
Paint a picture for your reader so they can touch what you’re touching.
The same goes for emotions. Help the reader feel what you (or your character) are feeling. Draw them in.
#4. What Does it Taste Like?
Does the beach air taste salty? Is the roaring fire so intense you can taste the smoke? Is the smell of your roommate’s tuna fish sandwich so strong you can taste it from across the room?
Tell your audience.
Be descriptive.
Make them taste the fishiness.
#5. How Does it Smell?
It wasn’t a basement you walked into — it was a musty, moldy basement.
And you didn’t simply enjoy your Mom’s homemade lasagna. You inhaled the aromatic scents of sauce, cheese, and basil.
Evoking the sense of smell is possibly the most effective way to pull readers out of their world and into yours.
So when you sit down to write, ask yourself if it’s possible to describe how something smells. And if you can? Do it.
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The Massive Sensory Words List: 581 (and Counting) Descriptive Words to Supercharge Your Writing
Once you’ve asked and answered the five questions above, your writing will be packed with sensory details.
In time, you’ll build up your own massive list of sensory words you can reference and sprinkle throughout your work.
But in the meantime, here’s my list.
Bookmark them.
Print them.
Use them often:
SIGHT
SOUND
Angular Babble Azure Bang Billowy Barking Black Bawled Bleary Bawling Bloated Bellow Blonde Blare Blue Blaring Blurred Bleat Blushing Boom Branching Booming Bright Bray Brilliant Buzz Broad Buzzing Brown Cackle Brunette Cackling Bulbous Chatter Bulky Chattering Camouflaged Cheer Chubby Chiming Circular Chirping Colorful Chuckle Colorless Clamor Colossal Clang Contoured Clanging Cosmic Clap Craggy Clapping Crimson Clicking Crinkled Clink Crooked Clinking Crowded Cooing Crystalline Coughing Curved Crackle Dark Crackling Dazzling Crashing Deep Creak Dim Croaking Dingy Crow Disheveled Crunch Distinct Crunching Drab Crunchy Dreary Cry Dull Crying Dusty Deafening Elegant Distorted Enchanting Dripping Engaging Ear-piercing Enormous Earsplitting Faded Exploding Fancy Faint Fat Fizzing Filthy Gagging Flashy Gasping Flat Giggle Flickering Giggling Foggy Grate Forked Grating Freckled Growl Fuzzy Grumble Gargantuan Grunt Gaudy Grunting Gigantic Guffaw Ginormous Gurgle Glamorous Gurgling Gleaming Hanging Glimpse Hiss Glistening Hissing Glitter Honking Glittering Howl Globular Hubbub Gloomy Hum Glossy Humming Glowing Hush Gold Jabber Graceful Jangle Gray Jangling Green Laughing Grotesque Moaning Hazy Monotonous Hollow Mooing Homely Muffled Huge Mumble Illuminated Mumbling Immense Murmur Indistinct Mutter Ivory Muttering Knotty Noisy Lacy Peeping Lanky Piercing Large Ping Lavender Pinging Lean Plopping Lithe Pop Little Purring Lofty Quacking Long Quiet Low Rant Malnourished Rapping Maroon Rasping Massive Raucous Miniature Rave Misshapen Ringing Misty Roar Motionless Roaring Mottled Rumble Mountainous Rumbling Muddy Rustle Murky Rustling Narrow Scratching Obtuse Scream Olive Screaming Opaque Screech Orange Screeching Oval Serene Pale Shout Peered Shouting Petite Shrieking Pink Shrill Portly Sigh Pristine Silent Prodigious Sing Purple Singing Quaint Sizzling Radiant Slam Rectangular Slamming Red Snap Reddish Snappy Rippling Snoring Rotund Snort Round Splashing Ruby Squawking Ruddy Squeaky Rusty Stammer Sabotaged Stomp Shadowy Storm Shallow Stuttering Shapeless Tearing Sheer Thudding Shimmering Thump Shiny Thumping Short Thunder Silver Thundering Skinny Ticking Small Tingling Smudged Tinkling Soaring Twitter Sparkling Twittering Sparkly Wail Spherical Warbling Spotless Wheezing Spotted Whimper Square Whimpering Steep Whine Stormy Whining Straight Whir Strange Whisper Striped Whispering Sunny Whistle Swooping Whooping Tall Yell Tapering Yelp Tarnished Teeny-tiny Tiny Towering Translucent Transparent Triangular Turquoise Twinkling Twisted Ugly Unsightly Unusual Vibrant Vivid Weird White Wide Wiry Wispy Wizened Wrinkled Wrinkly Yellow
TOUCH
TASTE
Abrasive Acidic Balmy Appetizing Biting Bitter Boiling Bittersweet Breezy Bland Bristly Buttery Bubbly Charred Bubby Contaminated Bumpy Creamy Burning Crispy Bushy Delectable Chilled Delicious Chilly Doughy Clammy Earthy Coarse Fermented Cold Flavorful Cool Flavorless Cottony Floury Crawly Garlicky Creepy Gingery Cuddly Gritty Cushioned Hearty Damp Juicy Dank Luscious Dirty Medicinal Downy Mellow Drenched Melted Dry Nauseating Elastic Nutritious Feathery Nutty Feverish Palatable Fine Peppery Fleshy Pickled Fluff Piquant Fluffy Raw Foamy Refreshing Fragile Rich Freezing Ripe Furry Runt Glassy Savory Gluey Scrumptious Gooey Stale Grainy Sugary Greasy Syrupy Gritty Tangy Gushy Tart Hairy Tasteless Heavy Unripe Hot Vinegary Humid Yummy Ice-Cold Zesty Icy Itchy Knobbed Leathery Light Lightweight Limp Lukewarm Lumpy Matted Metallic Moist Mushy Numbing Oily Plastic Pointed Powdery Pulpy Rocky Rough Rubbery Sandy Scalding Scorching Scratchy Scummy Serrated Shaggy Sharp Shivering Shivery Silky Slimy Slippery Sloppy Smooth Smothering Soapy Soft Sopping Soupy Splintery Spongy Springy Sputter Squashy Squeal Squishy Steamy Steely Sticky Stifled Stifling Stinging Stony Stubby Tangled Tapered Tender Tepid Thick Thin Thorny Tickling Tough Unsanitary Velvety Warm Waxy Wet Woolly
SMELL
TASTE & SMELL
Ambrosial Acrid Antiseptic Burnt Aroma Fishy Aromatic Fresh Briny Fruity Citrusy Lemony Decayed Minty Decomposed Moldy Doggy Mouth-watering Fetid Rotten Floral Salty Flowery Sour Foul-smelling Spicy Fragrant Spoiled Gamy Sweet Gaseous Tantalizing Horrid Inodorous Malodorous Mephitic Musky Musty Odiferous Odor Odorless Old Perfumed Piney Polluted Pungent Putrid Rancid Rank Redolent Reeking Scent Scented Sickly Skunky Smell Smoky Stagnant Stench Stinky Sweaty Tempting
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Are You Ready to Unleash the Power of Sensory Words?
It’s time to say goodbye.
Goodbye to lifeless words that sit on the page.
Goodbye to indifferent readers ready to move on to something, anything, else.
You now know why sensory details are so effective. You know how to sprinkle descriptive words throughout your content. And you now have a massive, ever-growing list of sensory words to bookmark and come back to again and again.
Variations of the following quote have been attributed to everyone from Carl W. Buehner to Maya Angelou, but regardless of who said it, and how they said it, it’s true:
“People may forget what you said, but they’ll never forget how you made them feel.”
It’s time to make your readers feel.
Are you ready?
Then let’s do this thing.
About the Author: When he’s not busy telling waitresses, baristas, and anyone else who crosses his path that Jon Morrow once said he was in the top 1% of bloggers, Kevin J. Duncan is the Blog Editor and Social Media Manager for Smart Blogger.
The post 581 Sensory Words to Take Your Writing from Bland to Brilliant appeared first on Smart Blogger.
source https://smartblogger.com/sensory-words/
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anamorales · 4 years
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Beautycounter Skin Twin Review
Hi friends! How’s the day going so far? I hope you’re having a great one! We’re just hanging out here at home, I’m looking forward to catching a barre class on demand and heading to the pool later. The usual.
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For today’s post, I wanted to feature a Beautycounter product that I’m LOVING lately, and this is coming from a person who is super picky about foundation: our newest Skin Twin Featherweight Foundation.
Here’s a little bit about Skin Twin:
Skin Twin is skincare and makeup in one: it’s buildable coverage but also contains hyaluronic acid to plump and smooth skin, plus moisturizing benefits all in a recyclable glass bottle. It gives you coverage, protects your skin, and can improve texture all at the same time. The hyaluronic acid can improve the appearance of fine lines and wrinkles over time and most users notice immediate results with first-time use. When I first heard about all of this, I was like sign.me.up.
Beautycounter Skin Twin Review
Like I mentioned before, I’m really picky about foundation. I feel like too much of the wrong type is aging, and that I benefit from a “less is more” mentality. I’ve loved the Tarte BB cream for years, but it’s extremely matte, so I’d often mix it with our Dew Skin foundation (on the shinier side). The Skin Twin is like the best of all worlds. It’s moisturizing so it doesn’t dry out my skin and doesn’t add weird creases. It’s buildable if you want more coverage, and isn’t too matte or shiny. I also love that it’s not too oily or greasy. I’m prone to milia under my eyes -little white bumps if things get too oily- and I haven’t had this problem with the Skin Twin. It’s just enough to even out my complexion without feeling like I’m caked in makeup.
Skin Twin Foundation Key Ingredients
Hyaluronic Acid: Known as a moisture magnet, hyaluronic acid delivers supercharged hydration for visibly plump, glowing skin immediately, and with continued use.
Jojoba Esters: Derived from the desert-dwelling jojoba plant, this lightweight, non-greasy emollient helps to moisturize, soothe, and soften skin.
Hydrophobic Pigments: Specially coated and color-true, these pigments provide long-wearing, buildable, second-skin coverage.
How we’re committed to safer and more sustainable products with Skin Twin:
We source safer ingredients: no mineral oils, cyclic silicones, or synthetic film formers–which may be linked to harmful effects to human health.
All products are subject to stringent safety testing. Each batch is tested for heavy metals to ensure it meets our strict safety measures. We’re highly selective when it comes to pigments; out of the 65 cosmetic colorants allowed in the US, Beautycounter prohibits the vast majority–only using 18 colorants in our color cosmetics.
Glass bottles! Moving Skin Twin into a glass bottle will avoid an estimated 235k plastic tubes from entering landfills and waterways in just one year.
Beautycounter Skin Twin Match
One of the most exciting things about Skin Twin is that we offer 18 shades so it’s easy to find a shade to match your skin tone. If you need help, you can use our handy shade finder here. For reference, I use shade Medium 340.
If you need help with any of the products on the site, please send me an email or comment below and I’m happy to help! You can also fill out my skincare survey here for personalized recommendations.
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What foundation do you currently use? Have you discovered any new awesome products or brands lately?
xo
Gina
The post Beautycounter Skin Twin Review appeared first on The Fitnessista.
Beautycounter Skin Twin Review published first on https://immigrationways.tumblr.com/
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