#its crazy how much my art has changed since I started this comic | Explore Tumblr Posts and Blogs

couch-house · 4 months

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2023 baybeeeee. havent done an art summary in a while since i basically stopped drawing early 2020 and didn't get back on the horse until mid-2022 (i wonder... what could have caused that!) i dont feel like my art has really changed this year, only in the ways that I draw specific sonic characters (looking through my archive is fun bc i can see the progression of the diseases known as Giving Them Big Eyebrows and Drawing The Monoeye) and--more exciting 4 me--my practice with paneling comics! :)

i think the progression is much more noticeably when you line it up with last year's sonic art... i can see all the Milestones.. more talking abt that under the cut

May: couch gets into sonic. June: Yucky Sonic 1.0. this was also the month when i Heard Of fleetway super. July: couch comes back from brazil, having read stc. this is also when i start dong actual short comics. compare may -> june -> july. (also please forgive whatever tf i was doing with skintones. i needed some practice)

august: merger au takes shape. dog invented. also i just really like that speed racer sonic mspaint picture. its fun :) september: deep in the fleet mines. october: i lose a lot of steam and mostly just doodle. another comic comparison for those three months:

november: frontiers comes out. i go crazy mode and make that sonic + knuckles comic with the pretty backgrounds and LOTS OF TINY TEXT. december: winter break AND im tired. january 2023 i come back insane crazy mode and write some fanfiction?? still havent finished that LOL. made some nice cover art :) february: i shift into knuckles mode fora month. make another comic. this one is much better i think :) november -> february

march: i shift into transfem metal sonic mode. also just stick to a lot of doodling. also write more fanfiction. crazy. april: transitory period as i shift back into stc/exit: sonic mode. may: more fanfiction. more comics. i really like how both of these turned out :) while the last two were definitely taking a lot more notes from stc, i think around here i start paying attention to and trying to learn from more creative panelling from artists i admire. like @/superemeralds THOAM and @/starrjoy's pandora au.

june: i play sa2 and it's good. july: i play unleashed and it is both miserable and good. i get in kind of an artistic frustration zone and wiggle my way out. august: idk i think im just chillin. super react dot jpeg happens. it's not even named that, it's named after the other image on the canvas, which was maria holding baby shadow. more comics.

september: i burn out for a bit. get real tired. eventually get back up and make more comics. the goal here and last month has become "try to make more interesting panel shapes. I've noticed other artists don't just use rectangles--try playing with irregular polygons and see where it gets you." well it gets you mixed results as you learn :) also i think after that pause i accept the monoeye into my life. sigh...

october: oc showdown starts and @/neurotypical-sonic asks me to make some halloweeny art :) feels like i dont do much this month bc i focus on those. november: A LOT OF ART?? INSANE. more oc showdown stuff. i play shadow the hedgehog (2005). it's good and i love it. i draw a ton of shit on one canvas for it. Fucking Dember: i have shifted back into stc/EXIT mode. motivation's a little weird bc work's a little weird. doing commissions also makes it weird. well im having fun and being myself :) a final handful of comics from this month:

idk maybe ill do something sicko crazy b4 the end of the year. mayb i'll follow exit sonic's example and #GetWorse. who knows :) well this is fun i love looking at my art and seeing and noticing things. thank u all for your support and I hope we all have a great 2024!

#id in alt text #partially descriptive... i put the details i figured were relevant #art summary #i have WPRDS to SAY. i like thinking abt my art #okayvwell this was supposed to stay a draft but WHATEVER

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tyoffee · 11 months

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ACROSS THE SPIDERVERSE SPOILER DUMP BELOW 💥💥💥💥💥💥

starting with the cameos oh ymgod

BEN. BEN REILLY MY LITTLE EDGELORD. he is like fail girlfriend to me. I need to see more of the clone squad in part two (spiderboycough)

DONLAD GLOVER PROWLER HIIIIIIIIIIIIIIIIII LOSING it over his suit

AND THE OTHER LIVE ACTIONS UEOEOOGUH I DIDNT KNOW THEY COULD DO THAT!! EVERYONE THOUGHT THAT GWENS PETER WAS ANDREW (nope he's blonde) BUT NO ACTUAL ANDREW GARFIELD WAS IN THE 'SPIDERVERSE' VISUALISER ALONG W RAIMI UNCLE BEN GOTD DAMN!!!!!!!!!!

speaking of what everyone thought I love the changes from the trailer. Everyone saying oohhhh they're showing too much they're giving away the whole movie WRONG. YOU COULD NOT COOOMMPRREEHEEENDDD THE SHIT THAT WENT ON IN THERE.

miles' expression changes especially. he is Not as cringefail as initially believed put some respect on his name. he can be cringefail Later.

oh my godddd oh hyhg PAVITR.... PAVITR MY BEAUTIFUL BOY we need more of him we need more of him in part two do you hear me Sony.

'coconut oil, prayers and genetics' INCREDIBLE SHOWSTOPPING HILARIOUS

HIS UNIVERSE W A S OKAY FUCK YOU GUYS. HE DID JINX IT A COUPLE TIMES THOUGH BUT THATS NOT HIS FAULT

THE WAY HE HAS A GWEN.. AOUUUUUUUUUHH. CAPTAIN SINGH LIVES BABY

the way that the main tension in this movie is literally CAPTAIN STACY MUST DIE. so real

the thing is he usually doesn't too it's great

SPEAKING OF COMIC CONVENTIONS.

ULTIMATUM / THE PROWLER MILES MORALES

I TOLD YOU I SAID I SAID THERES GOING TO BE THE ORIGINAL MILES.

The movie is So good at letting you forget that the spider was glitching too. That's not his spider. Miles is the original anomaly OUUGGHGH (miguel was a Bitch for saying it like that tho)

ULTIMATE AARON DAVIS HIS FUCKING EYES HIS EEEYES MAN OUUUHHHHHHH

THE WAY ULTIMATE MILES' SPANISH IS BETTER. HIS BRAIDS. HES ON THE STREETS MORE. HES THE FUCKING PROWLER. AUG god they're gonna tell us who the spider was for ik and I do hope it's miles. yeah there's a spiderman miles who can exist but it's not you. You weren't supposed to be here. AUG

Since we have the Jefferson memorial maybe ultimatum has a great expectations piece too. maybe that's how he's reasoned with who knows I'd love to think that the collider is the split off point between both of them

Though that'd mean there'd need to be an og spiderman to make wilson fisk lose his family which there isn't- hey wait how was the spider created without fisk doing his dimensional shit. I thought we weren't allowed to acknowledge Norman Osborn.

also also also speaking of alchemex Spot being bagel guy. Of course he is. Holes

Do you think that was the inspiration. Bagel hole.

Anyways I need a full turnaround sheet of Ultimatum/Prowler I need to see him I love the glow and the spray on symbol aaaugghh

BETER AND GWEN FAKE AS HELL 🖕

I get the struggle tho. Beter and Captain Stacy made my dad cry.

ALSO GWENS BAND AT THE END

SORRY I ALMOST FORGOT HHOBBBIEEEE HOBIE 'if you want a watch just make one. we're spiderman we can just do it 🤨🤨🤨🤨' BROWN I LOVE HIS STYLE I LIVE FOR HIS STYLE PORTALS I LOVE HIS PROWLER THEME OH MY GOD

THE SOUNDTRACK RELEASES TOMORROW AND I NEED HIS PROWLER THEME YOU DONT GET IT

i get my 2 hours of gatekeeping this movie b4 it drops in america and I'm losing it I need to talk abt it with other ppl but I'm also is it mean to want to hold it away from ppl who don't care abt spiderman and idk what they do draw weird porn of every new movie and ppl who will misinterpret it completely that feels selfish of me Anyways

THIS MOVIE IS A MASTERPIECE. literally it's art it's animation oh hhhhhgh it's so gorgeous I'm not kidding it's bresthestking (PAVITRS SWINGING!!!!!) but it's also just SO FUCKING GOOD. THE SCENES THE SHOTS THEY WENT CRAZY ON ENVIRONMENTS OH MY GLORD

ITS SO GOOD. ITS SO GOOODODDDDDDDDDDDD AUG

I'm seeing it again in like 2 days . I will not be satiated until 2024.

#atsv spoilers #long post #across the spiderverse spoilers #spiderverse spoilers #spoilers

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averagetmntfan · 4 months

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it’s crazy that 2023 is almost to an end! Another year that just flew by!

I’ll be honest, I was desperate to post my art somewhere. It’s been kinda a rough couple of years for me. And recently.

I was extremely sad last year. Around this time, actually. Let me paint a picture.

Last year, I switched schools. Which I guess doesn’t sound like a big deal, but it was to me. My whole life was at my other school. My friends. They were the best. As u can probably imagine, I starting at a brand new school is hard. Especially when everyone already knows eachother. This might come as a shocker, but I’m kinda Anti-social when it comes to ppl around my age. (Especially cuz ppl my age are such bitches Lmao) for the longest time, I coped using discord And tik tok. I Even made my own little group. But ofc, that had to come to an end too. after that, I was sad again. For the longest time I had all these ideas, but no one to really share them with.

(cuz none of my irl friends like nor watched tmnt) and recently I ended a friendship w/ someone. We were both in the wrong, I’ll admit. I did say somethings behind her back. Nothing too bad. But it did call her a hypocrite. Because she would always complain about our other friends leaving to hang out w/ other ppl. When she does the exact same thing. And I was alone. Alone at lunch. Just sitting there. She would treat me so..rudely. Just plain rude. I asked her a question (Idk what is was exactly) and she responded with such a rude response. And that was on fucking Halloween. (Which I was sick on) so that’s when the entire friendship fell to shit.

Since then I’ve been hanging out by myself in the library (well, the times it’s open anyway) so u can probably imagine how I feel. Then one day, it all changed. I discover this wonder escape. Tumblr. I signed up and made this acc. And I met such amazing ppl on it.

@allyheart707: has given me good advice on my little comic series, genially super nice, fun to chat w/. I think I’ve been mutuals w/ her for the longest.

@ghosty-0w0: very silly, I have so much fun doing art collabs w/ you!! Again, very nice and thoughtful. Mutuals for a bit but it feels longer!!

@mikey-rottmnt: the ultimate silly, whiteboard was to much fun (I’m gonna try and make another board for us lol), I have no idea how we became mutuals lmao. Very fun to chat w, always open to listen, caring and sweet. I enjoy having conversations w/ u!

@c00kietin: I had a lot of fun drawing u!!!, Irish gang 🍀☘️, that one time I didn’t get sleep was chaotic, very chill, a local amphibia fan!! I wanna talk more w/ u, cuz ur js so cool!!

I Hope y’all have an amazing new year! May the year bring u luck, kindness, adventures (hopefully) not artblock, and alot of ideas!! (Not that anyone of u need them, cuz ur so creative!!)

and dw..Hehe..I will make u all suffer w/ ANGST ANGST AND…fluff. JK MORE ANGST >:))

(no but real talk I will not js do all Angst I swear—)

I APOLOGIZE FOR THE OTHER MUTUALS THAT IK AND ARENT ON HERE, ITS CUX I FORGOT UR TAGS!!!

#<3 #jj rambles #jj rants #Jj…vents??#Happy new year!#2024 :0

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cozymochi · 7 months

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🌻 >:)

IM FOUND ONE OF THESE MEMES IN MY DRAFts! Im gonna rank my experiences in the major fandoms i’ve engaged with.

🩵 YUGIOH! - Second longest running fascination. Upside!! Made life long friends. DOWNSIDE!! Was my first go at online engagement and in those 10 years so much happened that I still can’t help but feel a little sour. …Though ygo back in the day wasn’t good at tag comments, so I didn’t even know those were a thing for years until I branched out. 5/10. But grows to a 7/10 because i’ve settled into a niche area with so few people that it’s now a silly little club. 💕

🧡 Dragon Ball/Z - GENUINE CHAOS. Started off slow but intensified hard cuz get who got involved while Super was airing??? (I didn’t watch it lol), so the discourse and fighting was at an all time high. I have no idea how I even survived this in retrospect. My slight association with people netted me troll asks and my liking of Yamcha also set me up for those. …and frequent art reposting, and quite a few bizarre interactions. Pretty sure my art and edits have circulated more in latin america than I even know. This was also pre-tumblr purge so the amount of nsfw that got thrown my way is… something. That said!! Made also really good friends 💕 and DB/Z probably desensitized me to longer form discussions. 5/10 for insanity, but 8/10 for good reception and VERY PEAK and generous humans.

I think dbz hardened me.

💚 Invader Zim- started off fun (mostly irl with my friendo from days of YGO), but quickly devolved into territory that tested my patience. WHY ON EARTH THIS SERIES’ CONSUMERS had such a huge morality high ground base is beyond me. It’s this fandoms fault I learned about certain modern day online discourse terms and what instilled an irrational posting fear for a year lol. Fun at first and there’s super creative and receptive folk (then those people got kicked out) and left the most insufferable beings imaginable. There’s no in between. Shoutout to all 3 friends made who are still peak. 3/10, if I ever finish any remaining projects or decide to bite the bullet and show completed work, i’m not engaging again. The base just skews somewhere I can’t handle. Which is crazy given the ABOVE contenders have, on paper, done so much more.

dbz hardened me but iz weakened me. Which is probably why i need the formers bootcamp back. Don’t think I’m as fearful now, but i’ll still be salty.

💜 Twisted Wonderland - this is a work in progress experience. Will require further evaluation if all of the above experiences haven’t set my standards. Will stay in my corner. So far it’s 6/10 in vibes (they’re much calmer than the last one), tho I question how much of the interest is from what i do vs. what I did for others. Haven’t shared a ton of opinions yet and god knows lol we don’t want that /s. Still recovering from the former making me wanna just not do much. Baby steps I suppose.

💙 - Sonic The Hedgehog: This is a cheat, I have never interacted with the fandom directly (purely by happenstance, so thankfully no traces exist), but I have been into this since I was a child with no issues. So by default this is the best one. 10/10, didn’t engage, but I do lurk. Though all the stuff I see on tweeter isn’t exactly anything out of the norm for fandoms in general to do, so it weirds me out that people rag on this one for just kinda talking amongst themselves about innocuous things.

“omg this fandom is arguing over QUILL length ughhh can they never be pleased [30 yt videos about this drop]” ngl, this just feels like par for the course junk fandoms do. It really feels no different from DBZ where people go ham about the art style changes and which one is better. Or stupid shit in IZ where they fight about comics vs movie vs show. Like??? The only major difference here is that StH has more people in it (by the millions).

So literally nothing these folk do or say strikes me as anything more serious than what other fandoms already do??? Its just more outsiders see it then churn out content and perpetuate something worse from what’s honestly….pretty tame stuff. Maybe it’s just twitter’s setup given that’s all folk talk about.

#cozy texts #weirdly enough twst kinda involves things i always liked and went nuts for-#snuggles right in.#Side note: ever think about how the only visibility folk have is when u actively post #so when u dont people will just assume any other feelings dont exist?#no??? okay. but just keep that in mind lol #probably 70% of my experiences are behind closed doors

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airctrl · 1 year

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Been reading webcomics on Webtoon and tapas! Here are some thoughts :

- Tripp by KotaBlickie

I found this comic through the Parasomnia OCT! When I figured out that one of the judges has an original comic of their own I had to check it out.. and it does not disappoint HOHOO I love me some space adventures. The characters are so fresh and lively! With a non-binary mc!!! :D

- The Weekly Roll by CME-T

I’m trying to get into DND at some point and this comic really brings into perspective how being in a campaign is! Its humor is so snarky and the helmet Beckett guy is hilarious. the comments had people referencing Monty Python. It feels at home…

- Love Advice from the Great Duke of Hell by unfins

I remember reading this years ago and I just finished it… the serious plot that’s right there with the overpowering comedy is something I fall for because the expressions/jokes in it made me audibly laugh so many times. Plus I love demons and the designs are sick.

- Don’t Worry Teri Blokhin by Bioatomic

I gotta say this is that one webcomic that made me motivated to create my own. I’ve been following this comic for a long time and seeing new updates come in makes my day! The object heads are S-tier. I love EVERYONE in this comic wtf, especially Sputnik. Also Gram. he’s a scummy asshole but I can’t not love a believable character. The depth put in the characters is so cool to see because learning how things are connected is the most satisfying part of stories for me. I can tell there’s so much in store for this world and it’s inspiring.

- Sparks by Revel

This is such a cute comic I just started to read! (despite its mature themes lol) the banquet scene near the beginning is so warm and the dynamic between the humans and satyrs is so interesting. The world-building is so easy to follow and the little chibi pages explaining how magic worked are so cute and informative!! Plus the royalty and fruitiness going on is 10/10. When I realized that the comic was only starting after reading deep into it made me so excited!

- TRINITY by stillindigo

Characters are SOO cool…. dystopian class conflict stories are the best because you can have that Sleek and seemingly Perfect but controlling government setting and that more chaotic and rough underground setting that creates that SCRUMPTIOUS contrast between characters. So awesome…. & I love Frannie and her dad they are so adorable!

~~~~~~

I think from all the inspiration here I’ve gathered I’m going to finally write out a structure of what my webcomic is going to be like since I recently changed up a plot point. It's called plantverse!

I’ll probably never find a stable upload schedule in the next few years but the leisure in it is the best part :) doing something of my own will… crazy.. My art below!

I might follow up on this with other webcomics I've read!

#webcomics #webtoon #tapas #tripp #the weekly roll #love advice from the great duke of hell #don't worry teri blokhin #sparks #trinity #aceyspace #aceyhead

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dashawfrostart · 6 months

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This Week In "Time & Again" #2: Gettin' Technical Here! 😁

Now, since all the vector prep is done, it's finally time for me to start actually drawing every single frame for Chapter 5!.. Just like that! 👇😁

Oddly, as I started drawing the frames for Chapter 5, I feel extra hyper but also very relaxed and blissful at the same time. Maybe it's nostalgia, for as far as I remember, in winter days I liked to enjoy drawing at home, in the warmth, watching the snow outside. Seems like the work on the artworks is going exceptionally well - much better than when I worked on Chapter 4. I'm excited to go forward with my crazy undertaking; but on the side, I have a lot of non-"Time & Again" ideas, and I revisit my old writings, hoping to find extra spark for the other universes and timelines I have in mind, and all of that powers me up. I feel very active and positive. Aaaah, dis is the season, innit?.. Here, on this side of the globe, winter is halfway on. In the end of the last week it snowed in neatly and almost evenly, and the birds on our balcony look all fluffed up and fidgety, waddling from one little foot to another to keep themselves warm while trying to unbury the birdy omnomnommies from under the not-so-giant-yet heaps of snow. The snow has melted a bit by now; I watch them through the balcony window, sipping on my Earl Grey tea every morning and throughout the day, and it makes me feel at peace, and yet a little sad at the same time. For if I had knitting skills, I would've supplied all those cute little sparrows and the peanut-hungry blue jay family with some nice sets of hand-made sweaters, hats, scarves, and socks. But alas, I can only do that in the form of artworks for now. But I digress. Back to my graphic novel now.

For those who don't know how I usually work on "Time & Again" - and I presume, that's what I'll keep doing for the rest of my comic-type projects, that is, if there's ever gonna be any more - I do everything consecutively, starting from the lineart (including the backgrounds, especially if the frame requires very specific placement of the character on the background, or they interact with it in any way), then I do the flat colouring, and then I go for the shading. And by that, I mean that I do all the lineart for all the pages first, then, once that is done, I switch to colouring of all the pages, and then, once that is done as well, I finally get to do the shading on all the pages. Told you, there's definitely a certain system in the way I work on my stories. This is also a reason why I never ever post updates page by page: because there's simply nothing to post, since they're all incomplete. Deal with it 😎 It seems that this manner of work suits me best. I'm not certain why, but I've never been keen on sharing the works that are half-done or something - although lately I'm going through a certain metamorphosis in this respect. Moreover, it is important to me to keep the same steady, precise, and classy art style throughout the chapter. Consistency is what I highly value in my creations. People, who also draw, have probably noticed that, at times, their art style might wiggle and be, let's say, all over the place - and sometimes this just happens on its own. I can't really explain this. This must be some sort of hidden mysterious consciousness of our pen/pencil that simply does things on its own 🤪. Sometimes our mood contributes to how the art style changes in tiny little details - at times to better, at times to worse comparing to what we strive to achieve. Through executing everything consecutively and finishing up the "chunks" of different types of work one after another, my goal is to avoid unnecessary and unwanted art style inconsistencies that might occur otherwise.

But enough of this lengthy preamble! Let's finally get technical, just as the post title announced it! I see you're getting bored... (no, wait, what do you mean it's just my neighbours snoring?.. I don't know what you're talking about)

This time, since I decided on making a regular page-by-page PDF version of the chapter as well as its scrollable webcomic doppelgänger, I needed to figure out how exactly to simplify my work in order to avoid accidental complications (here, almost a quote from a character's line from the current chapter, lol!). Of course there's no way I want to do the same amount of work twice just because I didn't anticipate the outcome correctly. Not to brag about it, but I must admit, as far as I remember myself - I've always been good at this. There's always a place for being extra technical when it comes down to the artworks. It's not as simple as it might seem to you. Deciding on the technical aspects of creating artworks is kind of a puzzle, in a sense. It's almost mathematical 😁

So, as you can see on the screenshot just a little above, that's a layout of a comic page (in the regular format for now). To make everything work out in a simple way in the end, I decided to create layer groups for every each separate frame (red markings) that will include everything I need for the frame: the lineart, the colouring, and the background. That will help me to just copy-paste a certain frame on the new canvas optimized for the webcomic format - and that is all! All done in a few clicks. Automation 100% 😁 (having Minecraft flashbacks now for some reason...)

All the text-related material (speech bubbles, the text lines themselves, and all the possible written sound effects such as "Swoosh!", etc.; the green markings on the screenshot) is currently included into one group above everything else. I've been importing these layers straight from Inkscape in PNG. But I started to think now that I need to separate those elements in the end, too, for further convenience and simplicity of arrangement on the webcomic format canvas. But that will be work for another day in the future.

In terms of memory usage, I'm not certain yet how it will go for me, for sometimes Krita would randomly crash on me without anything in the error log, and every additional layer adds to the memory usage even if it's near empty - finally, considering fairly large size of the artworks pixelwise, it all adds up pretty quickly. But I'm not exactly running Krita on a potato either (mmm, potaties 🥔🤤), so I think I should be fine.

Previously, perhaps counterintuitively - but again, it worked just fine for me back in the day - I used to create a giant layer with all the lineart for the current page, and then the flat colours for the entire page were stored on a separate "flats" layer, and all the shading for the entirety of the page was stored on its own separate "shading" layer, too. The same went for the backgrounds: depending on the pictures overlapping or not, I would've drawn all the backgrounds on a single layer called "BGs".

This approach would've not worked this time though.

In the lineart work, I'm currently finishing up page 9 already. ALREADY! 🥳🥳🥳 Which indeed sounds pretty awesome, because it just goes ahead steadily. That is, however, keeping in mind that there are frames that I just left out and skipped for now, for they require extra consideration. You see... Chapter 5 is going to have a peculiar scene - something that I've never ever tried drawing before just yet, and it's gonna be pretty long. It's fairly stretched out across a few pages and it's almost represented in a slower-than-real-life pace (surprise, surprise, isn't it what I usually do anyway tho?..). As I work on it, I wonder if it's going to be too boring for the readers. But I think the time will tell, for, once everything is done properly and in colour, it's gonna be much more of an eye-candy than it is now. I sometimes have difficulties approximating the end result in my head. But often it just turns out a little nicer than expected, which is a bonus. Because screw perfectionism; that's in the past for me 🤣 (true story! did NOT enjoy it! got out with minimal losses!)

... Since this post seems to be stretching out in time and space as well, just as the certain scenes I'm working on, I think it might be time to wrap it up for today.

Happy Halloween everybody! And I foresee significantly more sketches and screenshots in the upcoming posts! Take care! See ya sometime next week! 👋

P.S. And, of course, for a nice holiday treat, I made a Halloween artwork, again. And this time it's not that simple (and for a spoiler: this year it's not gonna have Cacodemons as pumpkins, nope): it also serves as the first teaser for Chapter 5 and the second half of "Time & Again"! So don't miss out on it 😉 You won't though, because it will soon appear in my blog!

#This Week In Time And Again #TimeAndAgainbyDWF #graphic novel #wips #krita

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abcdosaka · 8 months

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media time

im soo excited for the jjk anime. the manga is really good rn too the fight is so interesting. when gojo dies >>

ive also been reading hiroyuki nishimori manga lately. i started w i'm doshiro bc i was high and i read the description and it sounded funny and i read like 25 chapters and it was actually a knee slapper especially high it was really really good. it started getting a little serious after that so reading it sober i was like ._. but it was still fun. i might reread the beginning bc i really forgot

then i read all of cheeky angel and now i'm watching the anime. im kinda obsessed with it like idk its really really good and same thing happened where it was funny but then shit got really serious toward the end but i think it worked better here. its interesting bc its kinda dated (obviously since its 20 years old) but also very progressive in its view of gender roles.

like since the audience thinks that megumi is a boy and has the mind of a boy she is right to think the way she thinks/behaves, i.e. her want to be cool and reliable and strong is taken seriously but even given the spoiler that doesn't change she's still a serious character which i really appreciate. obviously bro did not have trans people in mind when creating this manga but it’s interesting to see the idea of changing genders taken seriously when normally genderbending is like a fetish thing in manga. and literally every character is bisexual as a result thats crazy. even keiko. i love keiko she's so much funnier in the anime idk who they got doing her voice but she's a star. anyway point is its nice that in the end, even though her identity is important to her, equal importance is given to her as a person

oh also abt the manga. the viz translation is really... like idk who was translating it but anime fans in the early 00s were not real bro nobody talked like that not even in american comics or whatever they were trying to emulate to make them appeal to western audiences. they were doing way too much esp in the early chapters. it got better later on but overall the anime delivers the comedy way better

ig the one thing thats like ermm is that the gender roles are sooo enforced in the society depicted in the manga like ik its how it is/was but damn. my parents go easy on me like i haven't done anything feminine (that was forced on me and wasn't out of my own desire to act feminine) basically ever. and i was never really all that feminine anyway. maybe its bc i was pretty passive too so they let it slide

the early art style was so pretty im kinda sad it changed but ig its nice how stylized it became toward the end. also the 2nd ending is SO good

anyway i will be reading kyo kara ore wa after. reading these made me realize i love delinquent manga. oh i might finally continue reading slam dunk too i'm in the mood for some old shit

what else. i watched paul high. that shit was ASS truly terrible idk wtf letterboxd reviewers are on there was maybe 2 funny lines and im surprised bc some really good comic actors are in that like they couldn't have spoke up and been like hey maybe we should stop embarassing ourselves. points for the lesbian tho i forget her name but its sue sylvester. but anyway i was high and that movie had me completely stone faced like WHAT

last thing. im looking forward to hwasa cb. she released some of her greatest hits when she had auburn hair so i am ready for her to serve

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heloisedaphnebrightmore · 3 years

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All your fault [Sirius Black x Reader] - Requested

Title: All your fault Pairing: Sirius Black x Gryffindor!Reader Word count: 1.9k Published: 16 February, 2021 Author: Heloise Daphne Brightmore Summary: Sirius’ boredom causes you to end up in detention. Or so you think, but he has a different perspective on the events and you clearly can’t find the golden middle. Request: [x] I have combined two requests. One from Tumblr and one from Wattpad. I took the liberty to change some things, but overall it’s the same.

“Hey Talented! Could you write a Sirius x Gryffindor!reader where the reader is jock with intense emotions and a chaser in Quidditch team? Also Is exceptionally talented at DADA and that make sirius jealous and turned-on too? please?” - @marauders-hogwarts

“Hey, I was just reading your marauders x reader one shots and I had an idea for one. Could you pls make one where Sirius gets into an argument with you and at the end grabs your hand to turn you around and abruptly smashes his lips against yours and asks you to be his girl. And the next day he comes up to you and tell you that ther is something wrong with your hand untill he picks it up and puts his own hand in yours and says that's better. Please? Thanks so much. I am a huge fan of your work.” - @Tamarakyra [Wattpad]

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Sirius Black had never been one to question things. He was very stubborn much to his professors’ dismay. Doing what he wanted regardless of consequences has become his personal motto. Swaying him seemed impossible, he always knew what he wanted, how he wanted it and when he wanted it.

However, on a rainy dull Saturday afternoon as he was watching you up in the air, flying across the quidditch pitch on your broomstick, your hair flat against your face, your uniform drenched in water, your eyes covered with a pair of goggles, something has changed within him. For a mere moment he felt as if time had stopped as you screamed at James for not being able to catch the snitch and win against Ravenclaw. His eyes focused only on you, even forgetting about the ongoing match.

The way you sat on your broomstick leaning forward to speed up, the way you tucked the quaffle under your arm and secured it, the sheer amount of energy you projected and the bold tone you used against his best friend all hit him right in the chest, forcing him to fall back onto the bench of the bleachers. He didn’t know where his sudden feelings came from, but the unexpected warmness filling him up from the inside made him smile at the simple sight of you. From then on, he knew the friendship you had has become more on his side.

You sat right beside Sirius at Defence Against the Dark Arts, doodling on the parchment in front of you as he kept nudging you, trying to get your attention.

“What now?” you asked for the 10th time in the past 10 minutes. “Perhaps you could focus more on the lesson. You need it more than I do,” you hissed angrily, feeling fed up with his childish behaviour.

“I’m bored,” he whined in a silent whisper.

“I can see that,” you scoffed as you drew another random pattern on your paper. Closing out the lesson, you focused completely on your drawing, finding it more interesting than whatever your professor was talking about. That was until Sirius started nudging you again.

“What now?” you hissed in anger, slightly raising your voice, but you quickly silenced yourself as you looked around, every pair of eyes focusing on you, including your professor’s. “I’m so sorry,” you apologised, hunching your back, trying to hide away from embarrassment.

“Since you have already graced us with your attention, why don’t you answer the question?” he asked in a pompous tone, clearly trying to make you feel even more awkward. However, as the new teacher, he couldn’t have known about your exceptional knowledge and talent on the subject. It took you a good second to recall the memory from the darkest and deepest part of your mind, before you were ready to answer.

“The Tongue-tying curse prevents people from being able to form a coherent sentence, therefore stopping them from being able to incantate further spells. Although Langlock its sibling curse also prevents people from being able to speak, in this spell’s case the tongue sticks to the roof of the mouth, whilst when using Silencio it causes the victim to be temporarily muted,” you explained proudly. The professor didn’t compliment you, nor did he scold you. He offered you a deadpan expression and cleared his throat.

Sirius snickered beside you with a proud grin across his face, knowing the professor didn’t expect your reply. Years ago, he would have told you off for being a know it all, but now he found it comical. He didn’t know if it was because his feelings had changed or because it was you who did it, but in the end it didn’t matter. You could have done anything and he would have supported you like a loyal puppy. At times he couldn’t even believe how easily affected he was by you.

“Khm- smartass,” you heard a cough from the side as Evan Rosier was trying to cover his words in an obvious manner. You were not one to let others walk over you nor did you plan to be one in that moment. You felt anger bubbling up inside you, the boy’s mere presence irritating you.

“Let me show the spell in practice, professor,” you grinned proudly as he turned around with a shocked expression across his face, ready to stop you in mid-spell. However, he was slower than he wished to be and before he could have said anything, the word left your lips. “Silencio,” you lifted your hand and pointed your wand at the boy, watching as he grabbed his throat, desperately trying to speak, gaping like a fish, but no words leaving his mouth.

Sirius watched as the scenario unfolded in front of him. His initial surprise quickly disappeared as he saw a smirk appear across your face, pure pride taking over your stance. He always admired your can-do attitude and bold personality, possibly one of the reasons you have been such good friends. He wasn’t lacking any of those personality traits, but when he saw you standing up for yourself, being strong and independent, it just drove him crazy. It made him feel like there was an invisible string between the two of you, pulling him closer and closer to you.

Since he realised his own feelings for you, he was watching every little move of yours, trying to protect you from everything and anything that could possibly hurt you. But before he could ever intervene and show you how much he cared for you, you took care of it, proving once again how independent you were. He didn’t mind though, he loved the strength you harboured, he just wished to be able to show you that you could rely on him.

You watched as the professor rushed up to Rosier, pulling his wand out of the inner pocket of his robe and quickly using the counter spell on him, before rushing up to your table, his index finger pointing right between your eyes. “Detention! How dare you? Detention after classes!” he shouted at you, veins popping on the side of his neck and temple, his face turning red in anger. If he had time, he would have probably embarrassed you in front of the whole class, but as the bell rang, indicating the end of your class, he had no choice, but to let you go.

Quickly collecting your belongings, you hurried out of the classroom with Sirius right behind you, calling your name relentlessly as you were about to cross the Courtyard.

“What do you want?” you asked angrily as you halted. You didn’t want to sound rude, being around Sirius was the highlight of your day, but at that moment he was a pain in your backside.

“Woah, calm down,” he gestured with his hands, but if anything, it made you angrier.

“Calm down? Calm down? It was all your fault to begin with. If you didn’t nag me about being bored, I would have kept drawing and kept my mouth shut. But you just couldn’t find anything better to do so you decided to get on my nerves and now of course it’s me who has to go to detention,” you rambled, annoyed, trying to take deep breaths to calm yourself.

“Okay, I accept that I was nagging you, but I didn’t curse my classmate,” he scoffed with a hidden smile in the corner of his lips.

“It’s not funny! If you didn’t nag me, the professor wouldn’t have questioned me, which means Rosier would have never insulted me, hence the reason you are at fault,” you groaned as you turned around and started walking away.

“Hey, stop already,” he whined, but you didn’t halt your steps, if anything, you sped up. “I’m sorry,” he tried to break the ice, but it seemed to just fire you up even more. You turned on your heel, stopping right in front of the boy.

“Sorry? That’s it? You just have to say sorry and I’m supposed to forget about it?” you scoffed in disbelief. “You must be joking,” you looked up at him in clear astonishment, but after seemingly waiting for an eternity Sirius still didn’t reply.

He wanted to, he was about to defend himself, but as he watched you getting worked up about such a minor issue, at least minor for him, he could only think about how adorable you looked when you were upset. Not that he ever wanted to see you angry or sad, but for some reason it just caught his eyes that instead of being threatening, you seemed as if you were slightly pouting.

You groaned, annoyed as the silence grew between the two of you and a small smile started appearing on Sirius’ face. “I hate you!” you shouted at him as you left him behind, stomping across the Courtyard, heavy and loud steps following you.

“Do you?” he shouted after you, silently chuckling, finding your behaviour quite funny and somewhat cute.

“I do!” you replied sulking, your steps becoming quicker.

Sirius couldn’t just let you walk away, he jogged after you and grabbed your wrist, halting your steps, pulling you back against his chest. For a second even the air stuck in your lungs as you realised how close you were to him, his breath fanning your face, his pink lips almost touching yours. You were completely engulfed by his aura, his warm hold on your wrist sending shivers through your body as his other arm sneaked around your waist.

You could swear he felt your dangerously racing heart against his chest, your lips quivering in anticipation, wanting nothing but to feel his mouth on yours. As if he could read your mind, he leaned closer and closed the gap between the two of you, kissing you slowly, sensually. You expected him to be slightly aggressive, maybe dominating, but his kiss was more passionate, gentle instead, causing you a delightful surprise.

“Why?” you breathed against his lips as you parted, your eyes still closed, completely lost in the moment.

“Because I wanted to do it for a long time,” he whispered.

“Why would you?” you chuckled awkwardly. He was always your closest friend and now that you kissed, knowing the friendship you have had was gone, you didn’t know what to do.

“Do I really need to say it?” he scratched the back of his neck, pulling a face, feeling embarrassed about the words you waited for so impatiently.

“If you don’t say it out loud, how do you expect me to understand?” you questioned, and Sirius knew how right you were.

“I- khm,” he cleared his throat awkwardly. “I- I have liked you for a while,” his words were silent and unsure, making you question it.

“Are you sure?” you asked, making him feel even more awkward.

“Of course, I’m,” he groaned, slightly sulking. “It’s just not easy to say.”

“Is it easier if I say I like you too?” you giggled happily, watching as his embarrassed expression slowly changed into a proud grin.

“I knew it, I felt it,” he chuckled happily, earning a deadpan look from you as you slapped his chest gently, before your lips curved into a small smile.

“Right, you did,” you scoffed as you peeled his hands off you and started walking to your next class with a hidden smile in the corner of your lips.

“Wait, wait,” he called after you as he tried to catch up to you.

“What now?” you asked, rolling your eyes as Sirius joined beside you.

“There’s something wrong with your hand,” he stated with a deep frown. You looked down at your hand, lifting it up, looking at it curiously, turning it up and down, but nothing seemed out of the ordinary.

“What do you mean? It seems alright to me,” you replied in confusion, but you couldn’t take a closer look at it as Sirius took it in his hand, interlocking your fingers.

“Now, it’s better,” he grinned playfully, making you giggle.

“Sirius Orion Black, you have a horrible sense of humour,” you scoffed, but you couldn’t fool him. He knew his little joke made you happy and even if it didn’t, the warm feeling of each other's touch, your small hands engulfed by his big palm made up for his silly joke.

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@awritingtree @chloer1275 @emmaev @haphazardhufflepuff @inkhearthes @pregnant-piggy @anchy-bananchy @sreidswhore @levylovegood @fific7 @harrypotter289 @moatsnow @pandaxnienke @nebulablakemurphy @sarcasticallywitty15 @iliveiloveiwrite @acuunaa @nuttytani @audreythehufflepuff @the-unmanaged-mischief @mesmerisedangel @crowleysqueenofhell @justmesadgirl @montsepliego @iamninaanna @hahee154hq @emilianamason @theincredibledeadlyviper @bruxa0007 @pxroxide-prinxcesss @naviation-xx

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#sirius x reader #sirius black x reader #sirius black x reader fanfiction #sirius black x reader one shot #sirius black x reader imagine #sirius x reader imagine #sirius x reader one shot #sirius x reader fanfiction #sirius black #sirius black one shot #sirius black imagine #sirius black fanfiction #harry potter fanfiction #harry potter

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beevean · 4 years

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SEGA and the eternal issue of the Sonic-Amy dynamic

[Translator’s note: here’s the original article written by @latin-dr-robotnik, originally written on the 26th of August 2018]

While the Bowsette phenomenon shattered the internet into a thousand pieces, it seems like the Sonic fandom is splitting itself over a completely different matter: the eternal discussion over Sonic and Amy’s dynamic, and how much it can be considered official from SEGA’s perspective.

Note: this article ended up becoming the first part of a trilogy. Stay tuned for the next two parts!

The main culprit of this new chapter of the discourse is, believe it or not, the official SEGA Shop.

Emi Jones (I don’t need to introduce her, most people in the fandom know her) brought the attention on the description of one of the new clothing pieces that appeared in the shop for Amy’s 25th birthday, which essentially invited us to “celebrate 25 years of Sonic the Hedgehog’s girlfriend”. This short sentence generated a chain reaction in the fandom, both positive and negative, and it brought to the light once again the eternal question: is it really possible that they’re actually a couple? What is the official position of SEGA about this? There are good arguments for both sides.

Eggman: If you fight my robot, we’ll be disqualified and you’ll never win that couch for that whiny little girlfriend of yours.

Sonic: SHE’S NOT MY GIRLFRIEND!

*wrong answer noise*

Sonic Boom – S1E41

First and foremost, who is Amy?

Note: the article is based on Cutegirlmayra’s research in different magazines, in the games’ canon, in the differences between Japan and the West, in the structure of the relationship, and in SEGA’s marketing.

Note 2: while there will be mentions of other medias such as comics and TV series, this article will explicitly focus on the dynamic between Sonic and Amy in their official Modern versions, that is, from the videogames.

Since her official conception in Sonic CD, Amy has simply been considered our blue hedgehog’s girlfriend without any issue, but Sonic Team looked for a way to make this common cliché a little different. So a “unique” dynamic was established between them: Amy is the one chasing Sonic, Sonic tries to avoid her explicit affection, but despite this they are destined together, both in the proper canon (according to Amy’s tarot cards the two are made for each other) and outside of it (SEGA’s directives). This means that their dynamic is written in an implicit manner, and it’s never clear if Sonic wants to flee to a different galaxy to get away from Amy or if he wants to stay with her forever. Officially, there have been signs both in favor and against it, and the rest is normally left to the interpretations of the fans. Nevertheless, SEGA of Japan and SEGA of America (with the complicity of Europe) have radically different ways of dealing with the Sonamy dynamic.

Sonamy in Japan

The relationship between Sonic and Amy, with its twists and turns, is deeply rooted into the Japanese culture of the ‘90s. According with the material found by Cutegirlmayra, Sonic and Amy are a couple in Japan, no doubt about it. This simple vision is due to how the Adventure era games were written: Sonic is much more gentle and subtle with Amy, to the point that there is a clear difference in tone in the Adventure 2 scene when Sonic, about to be sent off into space in a capsule, tells Amy to take care of herself. Japan didn’t have this vision of an openly hostile Sonic or of a totally-obsessed-to-the-point-of-violence Amy, in their culture and in the game scripts everything is much more serene and acceptable. At the same time, the situation is kept under control thanks to the mandates that SEGA strictly enforces over how to write the characters: for example, one of the most infamous ones is “Sonic can’t explicitly show affection to Amy Rose”. This kind of control allows SEGA of Japan to avoid problems like the ones in the West.

Then we have Sonic Channel, the official Japanese website for information and art, where once in a while events about Sonic and Amy take place, with fans sending their fanart of the official couple.

And finally, we can’t forget Sonic X, that, despite not being part of the official game canon, clearly shows the agenda of SEGA of Japan and Sonic Team for the two characters: dozens of scenes that imply something more, many songs about love/lovers and, well, everything about the famous Episode 52 ending.

Sonamy in the West.

In the West things became more complicated. On one hand, the West came to know Sally Acorn before Amy, and the way they presented the Sonic/Sally relationship was, without any doubt, much healthier in SatAM than, for example, Sonic/Amy in Adventure (note: I purposefully won’t mention Archie Sonic here). At the same time, the differences in translation of the original Japanese scripts, and the cultural differences between these two countries on opposite sides of the world, radically changed the personalities of both characters, giving us the infamous “hysterical fan” Amy in Adventure and Heroes, the one who chases Sonic to force him to marry her. The general public’s perception quickly opposed these attitudes, seeing that they could be potentially toxic and that they undermine the very nature of Sonic. Sonic X did little to help in the West due to the strong censorship process it received when translated from Japanese to English. By 2006 the damage was done, and subsequent attempts to modify Amy’s personality, so that she was not as effusive with Sonic, have been tried over the last decade to repair their dynamics, with a little help from Sonic Boom (where the dynamic is so well written that, in the penultimate episode of season 2, Sonic literally stops racing Tails and Knuckles at Amy’s request to go buy ingredients for the cake he was making - Modern Sonic wouldn’t do that in a thousand years) and from the direction Ian Flynn has been taking the comics he’s been involved in. SEGA’s mandates were applied in the West as well, but relatively late and as a consequence of some things that were slipping out of control, like Archie Sonic. Both Flynn and the writers of Sonic Boom had to find new ways to present the characters, adjusted to both Western cultural patterns and also to the mandates of a Japanese company. Anyway, thanks to the recent accomplishments, we can deduce that the rigid structure of the official mandates is going through some changes that could mean a new agenda from SEGA to represent the Sonamy dynamic.

All of this information leaves us with the last question, that brings us back to the topic of this article and concludes it:

Could Sonamy work today?

In the last 5 years we’ve seen a series of important transformations, both in the way Amy sees the world, her responsibilities and Sonic (ex: Sonic Lost World), and in the way Sonic himself treats Amy. Sonic Forces took some pages from Boom’s book when it came to their personalities, and it seems to be the beginning of a new era, made explicit by that description appeared in the SEGA Shop that sparked today’s discussion.

In 25 years, we’ve seen Amy chasing Sonic all over the world, living a life of adventures that contradicts her dreams of a stable life and a marriage, according to her declarations in games like Adventure. At the same time, Sonic never stopped seeking adventures all over the world, both alone and with his friends, of which he became the protector, including Amy. For the Sonamy dynamic to work today, I think the most obvious solution would be for the two of them to go on adventures together. How we see love has changed a lot in the span of 25 years, and Sonic and Amy would fit well the modern stereotype of those couples that travel all over the world to find adventures, and that we see in those posts labeled “Relationship goals”; at the end of the day, Sonic and Amy are this, stereotypes that follow a certain pattern. What’s more, such a relationship can still be kept subtle and true to official mandates if we add the rest of Team Sonic to the equation, which is basically what Sonic Boom did.

No need for kisses, no need for grandiose love declarations, weddings, or forming a family. All of this would even be extremely out of character for Sonic, and I’d hate for something like this to happen. Team Sonic is the only family he needs, and the Sonamy dynamic could benefit from the adventures, the anecdotes and the moments they spend together. A race at sunset, the view of a mountain, defeating a giant robot together… that’s how I would see a canonical relationship possible, and indeed I’m not the only one who sees it that way - remember IDW Sonic #2? [Translator’s note: the article is in Spanish and outdated]

And let’s not forget about this scene from IDW Sonic #2: Sonic tells Amy that she can come on an adventure with him, but Amy refuses Sonic’s offer because of her responsibilities. Small changes like these have the potential to be slowly integrated into the official canon, and we have already seen how in Forces Amy barely bothers Sonic with her feelings.

So, when the eternal question of whether or not Sonic and Amy would work as a couple comes up again, you can say, yes! Yes, it can work without Sonic having to sacrifice his freedom, or Amy her dreams! The current context is making way for this, and while I may not think this whole SEGA store thing was completely intentional to drive the fandom crazy, I do think it’s time to start accepting the validity and potential of the couple. At the end of the day, everyone will ship what they want anyway, and that’s perfect. It will sound cliché, but remember that phrase that always circulates on social networks: "There are best friends who look like a couple, and couples who look like best friends."

#sonic the hedgehog #amy rose #sonamy #translation #analysis #personal comment: i disagree very much that amy in adventure was as crazy as she was in heroes #i think it was much more balanced and she had her shiny moments #but not my place to change the original words :P #also the bowsette joke immediately dates this article lol

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disneytva · 4 years

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‘The Owl House’: It’s a Hoot!

You would never think that the dark art of 15th century Dutch artist Hieronymus Bosch would serve as the inspiration for a children’s cartoon. Well, thanks to Dana Terrace and her wild imagination, the strange creatures conjured by the European painter have found their way in the new Disney Channel series The Owl House. The show, which debuts in January, and is already in production of its second season, follows the adventures of a young teenage girl named Luz who decides to pursue her dreams of becoming a witch after she stumbles into a strange realm, inhabited by feisty witch Eda and her tiny warrior friend King.

Terrace, a former director on DuckTales and storyboard artist on Gravity Falls, recalls starting to collect her notes and images and putting together her pitch for the story back in 2015. Then, she finally began pitching her story about a young girl who becomes a witch’s apprentice only a few months after she started directing DuckTales.

“Many of the characters have barely changed since then,” recalls Terrace. “I knew I wanted an older witch mentor figure and a young optimistic girl who was the main character, who learns and grows throughout the show. There’s also this trickster little jerk character named King (voiced by Gravity Falls creator Alex Hirsch).”

The setting for The Owl House changed a little bit since its early days. Terrace says for a brief time, she was toying with the idea of the whole show being set after the young character dies, so that the Owl House is all set in the afterlife. What really had a clear impact on her work is the work of artists such as Bosch, John Bauer, Remedios Varos and the puppetry of Jim Henson.

Real-Life Models

In addition to the crazy creatures of Bosch and religious illuminated manuscripts, Terrace found inspiration in some of the familiar elements in her life as well. “I have always wanted to tell a story about a rough-around-the-edges mother figure, based off of my aunt, nana and mother who raised me,” she recalls.

Terrace says the show’s central character Luz evolved from late-night conversations she used to have with her former roommate roommate and close college friend. “We were both dorks together,” she recalls. “We tried to cut our own hair and it never worked out. We didn’t have many friends. So, in a way, Luz bubbled out of our conversations. When I told her that I was going to base the main character on her, she said, ‘Yes , but you’ll have to make her Dominican.’ So that’s what happened. Luz now also works on the show as a storyboard artist and consultant, and I get to work with my best friend every day.”

As a young girl, Terrace used sneak into the living room to watch cartoons and copy what she liked in her flip books. Her love for shows such as The Simpsons, Pokémon, The PowerPuff Girls and Studio Ghibli movies finally lead her to study animation at School of Visual Arts in New York and make her way out to L.A. to pursue a career in the animation business. Her first big break happened when someone discovered her art blog and sent her a storyboarding test, which led to her landing a job at Gravity Falls and opened other doors as well.

During her big pitch to Disney, Terrace says she was a bit worried to mention Bosch and his odd, evil creatures, but to her surprise, one of the executive’s response was, “Heck, yeah!” “They have been nothing more than enthusiastic and helpful from day one,” she notes.

After spending a good year writing and making the pilot, Terrace began building her production team in 2018. Art director Ricky Cometa and supervising producer Stephen Sandoval also joined the Disney TV Animation production. At capacity, the show has about 50 staffers as part of its pre-production crew, and an overall count of 120 including the overseas teams at Sunwoo, Rough Draft and Sugarcube in Korea. We’ve been very fortunate to work with all of them,” says Terrace. “They’ve made the show really, really spark.”

The Owl House has attracted a top-notch list of vocal talent as well, including Wendie Malick as Eda, Hirsch as King and Sarah-Nicole Robles as Luz. Among the guest star lineup for the show’s first season are Matthew Rhys, Isabella Rossellini, Tati Gabrielle, Issac Ryan Brown, Mae Whitman, Bumper Robinson and Parvesh Cheena. Terrace points out that having a sterling class led by Malick has been a real treat. “Our witch could have been a very hard character to cast, because we wanted to have sass and energy, and Wendie was absolutely perfect. She came in with all her talent and experience, and my first instinct was ‘You don’t need any direction. Do whatever you want to do because you are amazing!”

She also mentions that she knew Alex Hirsch was going to end up playing the little sidekick King. “I used to hear him pitch when I worked on Gravity Falls. I knew that he can bring a lot to the characters he plays. He would also give me some helpful advice about running his own show and working at Disney.”

Art director Ricky Cometa (Steven Universe, Costume Quest) says he was swept away by Terrace’s wild ideas and spectacular imagery, things that were not usually seen in children’s animation. “The second she came in and said, ‘I want you to read this show bible. The first thing that caught my eye was ‘Bosch and the demon world?’ I very much needed help to figure out what this world looks like. We had this blank canvas and there was a lot of religious iconography. I knew we were going to push the boundaries. I mean we are doing the demon realm on the Disney Channel? You bet I’m in!”

Cometa points out that it was clear that they needed to balance the darker aspects of the witch’s world with the more light-hearted and fun components of Luz’s comical adventures. “At first, I wasn’t sure how dark we could have made the world this world that Luz jumps into initially. We had to make clear decisions about when the story needed to be scary— when do we highlight the darker moments versus when the story is lighthearted and welcoming. It was all about finding that right balance of warmth and spookiness.”

Terrace agrees. “If we made everything super scary and spooky — which is something I’m not afraid of, scaring my audience — but if we made everything the same color, then the scary parts and the day-to-day light-hearted parts wouldn’t have popped. We needed that contrast for writing purposes.”

Amazingly enough, Terrace is only the fourth woman to solely create and run an animated series for Disney — following in the footsteps of Sue Rose (Pepper Ann), Chris Nee (Doc McStuffins) and Daron Nefcy (Star vs. The Forces of Evil). She says one of her biggest challenges on the show was going through the learning process to run a writer’s room, which includes four other writers and a writer’s assistant. “Before this show I had always written and drawn my own comics and cartoons, but this was the first time I had written scripts professionally. Learning the process of writing scripts and learning to run a writers’ room was probably the biggest challenge for me. Luckily, I was with a team of talented writers, and we all kind of learned together. Most of that team has carried on to the second season, and we’re very excited to keep writing together.

As the show begins its run on Disney Channel, Terrace says that ultimately she hopes audiences will be entertained by Luz’s world and her off-the-wall adventures. “There are so many different kinds of animated shows out there and so many traditional and streaming services, that I don’t think it’s possible to have a gigantic blowout hit anymore. At the end of the day, no matter how much stuff is out there, stories with interesting core characters and relatable, understandable stories will shine through.”

#The Owl House #Owl House #Dana Terrace #Disney Channel #Ricky Cometa

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imasimpforstevengrant · 4 years

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Why do we like this clown so much?

Change the "we" for "I" and you get an usual tag I use whenever I post my content in Tumblr. And it sounds funny at first but whenever you start diving into that phrase, the deeper it becomes. So, I finally have decided to share my thoughts about this strange but wholesome attraction to this deeply flawed character. It's not something I usually do since I don't know how to write down my feelings properly and also in english so please forgive any typos (I'm from Chile so don't be surprised lol).

So...Why do we like this clown so much?

Why was it that a character precisely designed to scare and to disgust the fuck out of us ended up unchaining a series of feelings that shouldn't have taken place in a beginning?

Let's take a look at the background: Joaquin Phoenix was cast as Arthur Fleck/Joker in 2018. The first image of him as the aforementioned character revealed a deeply disturbed man. We knew the plot. A man driven to insanity after a brutal history of abuse, creating concern in people if the upcoming film would inspire real life violence. Incel violence and mass shootings, more specifically.

(the image in question)

As 2019 arrives, the two trailers generated so much hype that media needed to fuel its concern about it. Since it wasn't your typical comic book film, media basically bombed our minds making us believe this film was going to be a total disaster, an excuse to cause harm to others among other nonsense, as if the film would justify everything Arthur would do in the film, eventually. As the release date is closer, the film receives thunderous applause and unanimous praise from critics. At this, fans rejoiced and expressed impatience to watch the film.

October 5th.

People left the theaters amazed, shocked and genuinely moved by the inhuman treatment Arthur received in the film. The fear media tried so desperately to infuse in us with all the incel bullshit and such turned out to awake one of the most positive, best feelings in humans:

E M P A T H Y

The word that so gloriously cleared away any dark thoughts or actions not only proves media was wrong but it turned out to ridicule it in way nobody will forget: Hundreds of people advocating for mental illness, calling out to the kindness that could change a person's bad day and questioning how politicians and rich people are indifferent to social problems proved how much as a society we have changed in comparison with the one shown in the film.

However, since we are on Tumblr, I'll get straight to the point and try to explain why the fuck does this clown has us dying out of love and compassion (and lust).

I. Background.

As nurturing as we women are for a biological matter, we see a man deprived of a good job, is on seven different medications, working like a slave to sustain his ill mother, putting aside his own health and well-being to look for her, struggling to make his dream of being a comedian despite everyone stepping on him, underpaid and treated like a freak for a disorder he did not ask to suffer, which makes it impossible to be indifferent to all the horrible ordeal that eventually will reach the limit of what he can tolerate without going insane. It is impossible to not say or think, at least, that someone (even if it's just one person) should stand for him just as it is impossible not to feel the need to throw ourselves at him to shield him from people who hurt him or simply offer him our shoulder whenever he has had a bad day, specially when he learns he was sexually assaulted by his step father.

This horrid behaviour terrifies newer generations because they get a taste of what being a social outcast was like more than thirty years ago in comparison with today, where there's more acceptance and treatment for mentally ill people like Arthur. We see in him someone who could have been saved with a proper education and emotional support instead of descending into madness as a criminal. Others simply saw themselves being treated like him at some point in their lives and couldn't help but put themselves in his shoes.

II. Personality.

TRUTH BE TOLD:

There's something called "attraction by proximity". It is the explanation to the eventual love you feel whenever someone doesn't catch your eye at first terms of physical attraction but his/her personality does attract you. This happens to be the base of this situation. His shyness, introverted nature, tenderness and innocent desire to make people laugh and put on a happy face awake some kind of tenderness we cannot resist. This combined with the gloomy background increases our understanding (but not justifying) of the bad decisions he'll eventually take during the course of the film. This traces a line of harsh, almost hurtful contrast of the violence he shows later on the film. Once again, it is not justified in any way but it is certainly understandable.

III. Appearance.

Arthur Fleck is unconventionally attractive.

This happens to be a plus for most women. He is out of the male beauty standards (no abs, not too muscly or particularly tall), which makes him even more unique. It is precisely the fact that he's not a model one of the reasons women love him. He could easily be your man next door or your colleague or the guy you always see but never dare to talk for fear to bother him Because it's about proximity. Arthur looks like your common neighbour. He's not meant to be your typical desirable male protagonist at all.

... And yet.

Jesus Christ, he's so fucking hot I can't even---

It's not about how beautiful his green eyes are, his long slender fingers, his hair or his smile only. It's the charm behind it.

Another "magnet point" is the way he dresses. I know he's impoverished and his wardrobe tend to be repetitive but it is so unpretentious, so simple that is hard to not fall for. The modesty of the shirts, ironed trousers reminds us of a mature man deeply withdrawn into himself, love starved and longing to be seen and loved by others, like a war veteran who still fights the most important war: with himself. Is someone who needs to be listened and understood.

AND OF COURSE WHAT'S NOT TO LIKE ABOUT IT?

He's also brought back the old gentleman outfit, white shirts, red/yellow vest, red suit and elegant dancing moves and the retro style of the film boosts this attractiveness.

People keep comparing him with the previous interpretation of Joker (Leto's) whose costume appealed to young women with a tattooed, gangster, mumble rapper crazy-guy wannabe which didn't connect with the audiences (young people in general). This supposedly was to match or even have a sexy, tormented and desirable villain like Marvel's Loki. We all know how that story ended but it's the link for the next point below.

IV. Transformation

This is a particularly strong point considering how much we loved to watch the process of this weak, powerless, forgotten caterpillar into a beautiful and visible butterfly that will gracefully stir its wings for everyone to see its colours.

When Arthur transitions to the Joker, it's so cathartic to see taking revenge on those who wronged him (even when we're not supposed to root for him) like seeing his shyness fading away into a vivid confidence when dancing half naked in the bathroom, or witnessing him making way to make his name known to people in Murray Franklin's Show:

Adding to this newly gained confidence, there's another turn on: the way he walks.

At the beginning, his pace is hunched and limping, displaying his submission to violence, which makes the viewer more satisfied to see his broken yet beautiful soul turning the past pain of his existence into art: he lets music guide his moves as a way to tell the world he's a new man by cutting most of the sick, evil roots that harmed him, that he's invincible, that no one can stop him. Watching this cathartic display of euphoria was the most iconic scene in the film, following his speech at the TV and the inevitable meltdown that caused Murray's death.

Going to further appreciation, even his clown make up is beautiful. Why? Simple. The combination of colours, shapes and the intimidating glare just embellishes even more the character.

The dark blue triangles in his expressive eyes makes the light green colour to highlight, specially in dark backgrounds, giving the impression he's piercing your soul whenever he stares directly at the camera. Same can be said about the red smile and emerald green hair. They boost an already intimidating look.

The cold and warm colours paint a picture of a man full of intense emotions, mirroring it in a simple yet masterful artistic way.

Another interesting point is the way Joker dresses. Usually we had almost every single live adaption of this character in purple coat, hat, etc. But this particular version is not following any comic, which gives more freedom to creativity and once again, out of the standards of what we could have expected.

Red is a colour related to passion, action, love, strength, motivation and excitement. As for yellow, it indicates freshness, happiness and enlightenment and finally, green. Green is renewal, growth and regeneration. Colours that represent a new stage in his life, a mirthful chapter at last. We finally get to see our battered, always humiliated protagonist (or hero) descending into madness, but finally free from his repressed man who held his soul captive like a bird to fly away, to never come back. An insanity that despite being his downfall, turned out to be his ticket to freedom as he walks to the light in Arkham Asylum dancing at the end.

Ladies and gentlemen: behold the film nobody asked... But the film we fucking deserved.

Thank you for coming to my TED talk

❤️💚💛

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denimbex1986 · 3 years

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Note: This video won’t play for anyone outside of the UK.

“Anthony, I wanna kick off with a big one. You’re Sam Wilson, AKA The Falcon - how the heck did that happen?”

Anthony: “Erm, well, I, I got lucky. I got very lucky. I - I’ve always wanted to be a part of the MCU since the first Iron Man. And, you know, when they uh, some - saw some of my other stuff, they called me to LA and I had dinner with the Russo brothers and it kind of worked out. I was like: ‘All of you, just don’t be an asshole!’”

“That was their one note, their first note.”

Anthony: “That was it - don’t be an asshole.”

“What do you like most about your character?”

Anthony: “Uh, the fact that he’s a normal guy. You know, if you think about it, he was just a guy out for a jog, and Captain America was like: ‘You’re a good guy - I want you to be an Avenger.’ What?! Like, you know it’s ,it’s - that’s something no-one expects, That was a hell of a jog. Like, what happened if he never went on that jog? He would never have met Black Widow, who is the love of his life. He would never have got to go on adventures with Captain America, who is is best friend. And now he would never be dealing with all this craziness with Bucky. who is his arch nemesis. (interviewer laughs) All from one jog.”

“One jog. And that line: “on your left” - it must be a nightmare for you. You can never be to the right of anyone ever again.”

Anthony: (laughs once) “Very true, and its interesting because you can always tell when somebody’s about to say it. And, you know, it’s the build up, and the build up is like: ‘No, don’t say it. Should I say it? Can I say it? What would he say if I say it? Okay, ’on your left! Ha-ha-ha.’ (interviewer laughs) And it’s never a girl - it’s never a girl. It’s always some 40-year-old dude who, you know, it’s always some 40-year-old dude.”

“Yeah. I get it.”

Anthony: “If it was a pretty girl and she’s like ‘On your left’, you’re like ‘Yes you are.’”

“Good move, I’m glad it works. (Anthony laughs) Let me say this to you - would you say you might have the most uncomfortable costume in the MCU, when you’re wired up, I mean?”

Anthony: “I - I think I have the costume with the most pieces. I have about, - hoo -, one, two, three, four, five, six, seven, eight - I have like, twelve pieces to my costume. And it just goes on layer after layer after layer and it, it can be, um, a bit much but actually, it’s pretty uh, comfortable. I mean the backpack is the only off thing - that’s maybe like 15 pounds, uh, the whole piece; the harness that it goes on. But nah, I’m - I’m pretty comfortable with mine. It’s just when I’m doing stunts I usually rip through the crotch of my pants.”

“There’s this great bit in the blooper reel where you crash into the ground right in front of Robert Downey Jr as Iron Man.”

Anthony: “Right.”

“Ah, great days. (Anthony laughs) What would you say are your favourite Falcon moments on the big screen so far - and I do have suggests if you’d like them?”

Anthony: “One of my favourite moments that made me go ‘Holy shit!’ was in um, I wanna say it was in Winter Soldier. When the Harriers are coming up, and I go under the Harrier and the, the missiles are following me and I do a barrel tuck and they hit the Harrier and I come back out. For me, that was the first moment I was like: ‘This is amazing!’ Right? And my second one, my all-time, my all-time, is this first sequence in episode one. The first ten minutes. That was the second time when I saw it, when I saw myself and I went: ‘Holy shit!’ (interviewer laughs quietly) So those two are probably my top moments.”

“For me, I can’t resist the moment where you say in Civil War: ‘So, you like cats?’ (Anthony laughs) And with Bucky himself: ‘Can you move your seat up?’ (Anthony laughs) Love it. Even the: ‘Everybody’s got a gimmick now’ - you’ve got all these lovely little lines.”

Anthony: “Right.”

“Good-looking guy in the sunglasses, And what I love seeing, the behind-the-scenes footage for this new show, it’s that it’s called ‘Bromance’ on the clapper board. (Anthony laughs once) And I know you’ve been asked a million times about your friendship with Sebastian, so here’s my tack. How would you describe him in three words?”

Anthony: “Uh - boring. Introverted. Er - I feel like shy is the same thing so I won’t say shy. I’ll say boring, introverted and um, a great sense of humour.”

“Love it. I’ll accept it.”

Anthony: “But he’s literally the most boring person I’ve ever met in my life.” (interviewer laughs quietly)

“All right, between the two of you, who breaks, who corpses and laughs most on set between the two of you?”

Anthony: “Oh - I would say it’s a 50/50 split. Like, when we’re on set, and that’s why I say he, he has a great sense of humour - when we’re on set, he always does something in some kind of way to just, you know, crack me up. It’s - it’s really funny. You know him with like - there was one day when he was putting the arm on, and you know, the process of putting that arm on is quite disgusting. So, (laughs aloud, interviewer laughs silently) he’s putting the arm on the, the - so they use KY Jelly to get the arm on, right? -”

“Yeah, the lube.”

Anthony: “ - So he has to dip his arm in the KY Jelly and slide it into this arm, and he puts - and he does this (slight moving motion) and a glob of KY Jelly just goes (motions glob hitting his face, then laughs, as does the interviewer). Never fails. Never fails.”

“Never not funny. I - I would imagine the whole staring contest bit would be enough to set me off. Like, I wouldn’t be able to keep a straight face.”

Anthony: “Yeah, that was good editing because that whole sequence - we literally just went at each other for about ten minutes (laughs) and they just cut it down to what it is.”

“Love it. And I’d like to thank you on behalf of all Marvel fans for holding up and basically powering all of the gag reels for, what, close to ten years now. (Anthony laughs) Are there any ‘Cut the cheque’s’ in the blooper reel for this show?”

Anthony: “You know, I don’t know. I don’t even know. We can do a whole episode that’s just bloopers. Like, we had a lot of fun on this show, dude. There - between you know Sebastian, Daniel Bruhl - ”

“Yeah.”

Anthony: “ - Even like, there was some stuff, you know, Emily VanCamp did - it was just like - it was just co - comic gold, like just comedic gold. And none of it made - because, because we’re not doing a comedy. Like, if we were doing Guardians of the Galaxy, all that shit would be in the movie. But, I - I wish they’d take all of this stuff and cut like a one-hour comedic version of this show. It, it would be - it would break the internet.”

“Oh God, I now really, really want that. (Anthony laughs) What would you say are the weirdest, most surreal things you’ve done promoting a Marvel movie or this TV show? Because I’d like to suggest reading out thirst tweets, an escape room and mean tweets. I mean, I don’t know whether Catchphrase with J.Lo was part of that? (Anthony laughs) There must’ve been moments where you’re going: ‘Is this really happening?’“

Anthony: “I would say the, the weirdest thing, um, when we went to um, China, for, uh, Civil War, we - there are only like seven chefs in the world that can cook, uh, uh, pufferfish because of poison- ”

“Of course.”

Anthony: “So, we go to this restaurant and the chef’s like, uh, you know: ‘As, as a, as a sign of gratitude, I made you guys some pufferfish.’ And we’re like ‘Oh wow, isn’t that danger, like - that’s dangerous’, and he’s like ‘No, no. There’s only seven people in the world who can cook it and I’m one of the seven.’ So we’re like: ‘Okay.’ So we all go to eat this pufferfish and our mouth is like tingling and numb. He’s like: ‘Oh well, you know, the art is to leave a little bit of poison in so you can taste it.’”

“Great.”

Anthony: “I’m like: ‘Not a good idea, homeboy. Not a good idea.’ But Singapore, we um, we uh, got to stand - I think it was the Opera House - and they like, set the whole city on fire with fireworks. It was insane. It was literally - the entire city was on fire.”

“Amazing. God, those were the days. (Anthony laughs once) Can I ask you, would your press - you know, I know you’ve done pranks over the years, but has Nishka, your wife’s friend made an appearance?”

Anthony: (laughs) “She has not.”

“I - I love her. (Anthony laughs) I’ve got to tell you I love her. What mementos have you taken home over the course of the films and this TV show? Do you still have that poster of yourself as the Falcon up in your house?”

Anthony: (laughs) No, but I do, um, there’s - there’s a few things. Once you get into the series, you’ll see, uh, from my house, um, I’ve, I’ve - there’s a record record player. Jacked that. I’ve been trying to get - they’re fighting me on it - I’ve been trying to get my wings, ‘cos I’m like: ‘The wings have changed every movie, so you should give me the old wings.’”

“The little pigeon ones? The little quail ones?”

Anthony: “That’s what I’m saying - the little three-foot ones like that. That’s the ones I want. So, I’m working on that, uh, but our prop team, uh, my man Russell and uh, Travis, they are - the angriest little dudes on earth and they watch everything - it’s impossible.”

“Well, what do fans say to you though, typically, when they see you on the street? We’ve already discussed ‘on your left’, but do they just walk up to you and start playing Trouble Man out their phones? Like what, what are they doing?”

Anthony: “The funny thing is most of them walk up to me and think I’m Don Cheadle. (laughs) They literally go: ‘Hey man, I love you as black Iron Man!’ I’m like ‘Er...’ Or they’ll say: ‘Aren’t you the guy in Iron Man?’ I’m like ‘Err...’“

“Not so much.”

Anthony: “Like literally, once a day, someone comes up to me and asks me if I’m Don Cheadle. Which it could be worse.”

“I love those bits in the bloopers where you say - ” (You want Wesley Snipes or Denzel;. ‘Denzel.’ ‘Done. Roll sound.’ blooper plays and both laugh)

Anthony: “Two very different things, man. Two very different things.”

“Two very different things. Okay, here’s another big question. What advice would you give to your younger self, before you got this role, to prepare yourself for a life as the Falcon?”

Anthony: “Er, enjoy it. I think a lot of times I, I missed the opportunity to just step back and enjoy it. Because so many people have so many expectations of you just because they saw you in a movie. Like, you know, it’s - it’s like being a pretty girl at a bar. You know, when one guy offers you a drink, that’s cool, then the second guy, then the third guy, it’s like ‘Yo, I just wanna chill for a minute.’ You know, so a lot of people feel entitled to your time and your energy, you know?”

“I get it. I get it. And you talk about that in the show as well which I kind of love, even in the first episode - there’s that discussion of an ownership of you - ”

Anthony: “Right.”

“ - because you’re an Avenger.”

Anthony: “Right.”

“There’s lots - there’s lots of stuff in this new series which feels really, really true. How does it feel working with Malcolm Spellman about that?”

Anthony: “Um, you know what? Malcolm has a great voice as a writer, and he was 100% in tune with how I felt and, you know, what I wanted this character to, uh, convey. Uh, he was really wonderful, man. I mean, he and Kari, they held no punches. They really went at these characters and this story, and they wanted to shine the light on what it means to find your new normal. What it means to live post-Blip and how that is very similar to how we’re going to be living post-Covid when we’re all vaccinated. So they held no punches and I’m proud to say they both did a great job and Malcolm was really, really great with capturing our voices - Sebastian and mine. Uh, when we would give him notes, they would come right back spot on. And you know, it was - it was really impressive. I’ve never had an experience like that with a writer.”

“Do you guys miss, even just a little bit, Chris Evans being on set - just to get that laugh where - where he punches your shoulder and leans in a bit? (Anthony laughs) I’ve missed that so much.”

Anthony: (laughs) “Of course. Look, Chris is, you know - the three of us we were - are - very good friends and we talk all the time. Chris was always the most fun, the most supportive, the most loving human being when you spend time with him. So of course you know, we - we always want him on set, we always want him with us.”

“And what’s it like knowing that your co-star is the kind of guy that will say on, like, was it Jimmy Kimmel or Fallon? - he describes working with you like ‘riding a psychotic horse into a blazing stable.’ (Anthony laughs) And you’re like ‘Okay, cool. I’ll see you tomorrow at work then.’ (Anthony laughs)

Anthony: (after FWS clip plays and he laughs) “I can see that, I can see that. I told you, look, Sebastian is the most boring person on Earth. I’m - I literally think he sits in his living room and talks to his plant. There’s nothing; I’ve - I’ve sat outside of his room, or in the lobby, or outside the hotel, waiting for him to come out, so I can follow him and stalk him and see where he goes. I, I - I’ve never seen anything like it. He’s a hermit, so of course he would think I’m a psychotic horse; of course.” (interviewer laughs)

“I think what he does is he goes to, like, in that Bucharest scene in Civil War, there’s a big tray of plums, and he just spends the day picking them. He goes ‘This one?’”

Anthony: “Probably. Probably. He’s the only dude, when we were in Prague, he has a 106th birthday party for Bucky. That’s cool - but he, he didn’t invite anybody. So he had - he had a birthday party for himself by himself.”

“A cake, 106 candles, himself?”

Anthony: “Sebastian Stan everyone.” (claps, interviewer follows)

“On that note, Anthony, thank you so much.”

Anthony: “Thank you.”

“Have a great rest of your day. Cheers dude.”

Anthony: “Thank you. Have a good one.”

#anthony mackie #falcon and the winter soldier

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beneaththetangles · 3 years

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Reader’s Corner: Last Dungeon, Talentless Nana, and Oregairu

The World’s Finest Assassin Gets Reincarnated in Another World as an Aristocrat, Vol. 1

When a proficient assassin gets “taken care of” after he is no longer needed, a goddess gives him the opportunity to be reincarnated in another world, but with a task to complete. The hero who will defeat the Demon King who is projected to go crazy with power and destroy the world himself, and he needs to be killed once his job is done. To that end, the newly-reincarnated Lugh is born into a noble house that secretly conducts assassinations to eliminate problematic nobles in the country. From here, this is pretty standard isekai fare: Lugh makes use of powerful skills and knowledge of his previous life as he meets girls, invents items from Earth, and prepares for his eventual encounter with the hero. A few things help this novel out, though: For one thing, as far as the romance/harem aspects go, things are not dragged out much at all. Lugh is explicitly in love with one of the girls, and is made well aware how other girls feel about him, so overall the romance aspect is more pleasant than frustrating. There’s also a running theme of Lugh wanting to live for himself instead of blindly following orders from those above him like he did in his past life, and how that affects both his current assassin life and his greater mission. This leads to the possibility of keeping the hero (who we do not yet meet in this volume) from being corrupted without killing him, which definitely has potential. Overall, though, this is still a fairly “standard” isekai that is mainly for established fans of the genre, who are okay with something that is entertaining even if it isn’t particularly groundbreaking or amazing. ~ stardf29

The World’s Finest Assassin Gets Reincarnated in Another World as an Aristocrat, Vol. 1 is available from Yen Press, who provided a review copy for this article.

My Youth Romantic Comedy is Wrong, As I Expected, Vol. 10.5

After an increasingly seriousness tone, compounded for the last several volumes, 10.5 features the fluff of a date chapter involving Irohasu and Hikki and the special treat a chapter devoted to Zaimokuza. These initial stories, the earlier adapted into an OVA, reflect much of what makes the series special: outstanding and unique voices, the hilariously self-deprecating thoughts from Hikki, and the interplay between the characters. That last component is especially uproarious in the dating chapter, one of the rare instances in which the Oregairu anime doesn’t nearly do justice to the written volume. To be sure, this entire light is a special treat for Irohasu fans, with Watari himself stating in the afterword, “With Iroha on the cover, it’s been like, this volume has been all Irohasu! Irohasu 100 perfect!” But as expected of the author, even for a “.5 novel,” there’s more here than just romantic moments and humor. The third and most lengthy chapter reminds readers that the characters are all growing as they each, in their own ways, reach for that “something genuine.” So while volume 10.5 may be a respite from those coming immediately before, it’s not a throwaway, but rather a worthy addition to this popular and engaging series. ~ Twwk

My Youth Romantic Comedy is Wrong, As I Expected Vol. 10.5 is available from Yen Press.

Talentless Nana, Vol. 1

Let’s take a group of high school kids with super powers and place them in a separate high school where they learn to defeat enemies of humanity. Sound familiar? It sure feels very similar, after all, to the premise of My Hero Academia. Yet by the end of the first chapter, Talentless Nana has sets itself apart. The students of the series have super powers called talents, and are separated and trained to supposedly use their powers against the “enemies of humanity.” But that’s not the whole story. The first chapter ends with the titular Nana murdering one of the students in the name of protecting the world from these same “enemies of humanity.” According to her and the people who brought her to the school, the true enemies are the talented humans. She has a cell phone telling her predictions on how many deaths each student will cause from their misuse of powers. It’s a psychological manga that makes you question every character and their motives continuously, and also a fascinating tale of paranoia and misinformation. ~ MDMRN

Talentless Nana is currently simulpublished by Crunchyroll.

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, Vol. 1

This light novel has an anime adaptation airing this season, and since I enjoyed the first couple episodes, I became curious to check out the source material. I’m sorry to say, of that I’m not a fan. Lloyd moves from a strange village on the edge of civilization, where everyone is so OP that Lloyd is considered weak, and comes to a more normal municipality, where everyone but him can see that he’s totally OP; comical adventures ensue. On the bright side, this story is quite funny and has some interesting characters. Unfortunately, I had other issues with it. An extended scene near the beginning of the tale features the villagers heaping ridicule on Lloyd and describing all the ways he is “weak.” It’s supposed to be funny, but frankly, their criticism is so unreasonable and hurtful to Lloyd that it qualifies as abuse. Besides knowing the truth yet not dealing with this situation, the village chief, Alka, is also petty, cruel, capricious, deceitful, needlessly destructive, and OH YEAH SHE’S AN OVERPOWERED AUTHORITY FIGURE WHO’S MORE THAN 100 YEARS OLD AND SHE’S GROOMING A KID (Lloyd) SO SHE CAN GET IN BED WITH HIM. Sorry, but being a sexual predator just isn’t funny. It’s a pity that she keeps showing up to ruin scene after scene. I won’t be continuing with this series. ~ jeskaiangel

Suppose a Kid from the Last Dungeon Boonies Moved to a Starter Town, vol. 1 is published by Yen Press.

Skip Beat, Vol. 16

The boys take center stage in volume 16 as Reino’s actions bring a surprisingly physical reaction from Sho, while the fallout of his insertion once again in Kyoko’s life has implications for Ren. So while this volume remains as interesting as the rest, that has less to do with the intricacies of the idol (and now acting) world and more so with its introspective look at Ren and Sho. The latter continues to be humanized as the series forces us to consider the question, Has he changed? It certainly seems as much, though readers’ feelings may turn based not only on his repentant treatment of Kyoko, but also the seriousness with which he approaches his craft, focused on for the first time in these chapters. Meanwhile, Ren is an absolute mess, with his worry about and desire for Kyoko finally bubbling to the surface in the form of…a stomachache? An unexpected side of Ren, for sure, but one that adds additional layers to his characterization. ~ Twwk

Skip Beat Vol. 16 is available through Viz, who provided a review copy for this article.

Shadows of Spawn: Collected Edition

Shadows of Spawn was a manga adaptation of the American comic of the same name…kind of. Instead of Al Simmons, though, a Japanese-American street thug named Ken Kurosawa dies and goes to Hell. He is then brought back to life years later as a hell-spawn after making a deal with a devil named Malebolgia. So, same general concept, but instead of a former government assassin, Shadows features a common criminal / martial arts expert as the main character. Kurosawa sells his soul for the primary purpose of returning to Earth to protect his sister, and spends the remainder of the three-volume series trying to do just that from the shadows while battling and befriending fill-in characters that represent similar ones from the mainline Spawn comic series. The thing about Shadows of Spawn is that the plot starts slowly, but the cast grows quickly as it tries very rapidly to build an ensemble cast for a new (manga reading) audience while staying inside the existing foundation of Todd McFarlane’s Spawn universe. The saddest part of all is that by the time the series really hit its stride with storytelling (volume 3), the series was cancelled. It’s a shame, as concept definitely had potential. ~ MDMRN

Shadows of Spawn: Collected Edition was published by Image Comics, but is currently out of print.

#Manga #Light Novels #The World’s Finest Assassin Gets Reincarnated in Another World as an Aristocrat #Sekai Saikou no Ansatsusha Isekai Kizoku ni Tensei Suru #Yahari Ore no Seishun Love Comedy wa Machigatteiru.#My Teen Romantic Comedy SNAFU #My Youth Romantic Comedy Is Wrong As I Expected #Oregairu #Talentless Nana #Munou na Nana #Suppose a Kid From the Last Dungeon Boonies Moved to a Starter Town #Tatoeba Last Dungeon Mae no Mura no Shounen ga Joban no Machi de Kurasu Youna Monogatari #Skip Beat!#Shadows of Spawn #Otaku Reader's Corner #Author: stardf29 #Author: TWWK #Author: MDMRN #Author: Jeskai Angel

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arecomicsevengood · 3 years

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Seeds

Before I read it, I had this idea I could write a review of Ann Nocenti and David Aja’s The Seeds for the Comics Journal, but the book just sucked too much. It had basically nothing going for it, or even decipherable as an advancing plot. One thing wrong with it is there’s this sort of conspiracy element, or this “no one believes the news” anymore element of it, but Nocenti didn’t want it to be about “fake news.” Donald Trump has rewired the narrative, so now entire types of subject matter feed into this propaganda machine simply by being addressed. Nocenti’s best work does not shy from topicality, addressing the currents in the cultural air, but this time the modern world feels too hot to handle.

I ordered the Daredevil: Typhoid’s Kiss trade paperback, reprinting a bunch of Nocenti’s work with the Typhoid Mary character from the nineties. The longest story in there is a miniseries with art by John Van Fleet. It’s partly about post-Tarantino video-store employees turned filmmakers kidnapping Typhoid Mary to use her as the subject of a documentary about serial killers and violent media. It’s also about Typhoid Mary working as a private detective trying to track down a killer of prostitutes, who the police don’t care about, and are maybe the actual killers of themselves. Storywise, it’s a pretty cool attempt to address real-world issues of the day within a pulp context.

Van Fleet’s art is pretty boring and bad in a way that’s distinctly ahead of its time. While the miniseries itself probably wouldn’t exist without the precedent of Elektra: Assassin a decade before, (a spinoff about a female Daredevil villain created by the writer during their run on Daredevil where that character defined their run) all the photoreference that’s probably actually just photo backgrounds run through filters sets a precedent for the Alex Maleev/Matt Hollingsworth Daredevil stuff to come a decade later. And it’s frequently annoying on a page design/panel background level. Like in terms of how the panel borders sort of default to grid shapes so there ends up being things that “read” as panels but that don’t actually do anything for pacing. It’s just fitting the narrative into regimented design choices.

This maybe only happens the once. But the art is also just super-stiff throughout, with a very chunky line that eliminates any real nuance. There’s a bunch of characters, but a lot of them are indistinguishable from one another, and that’s because the linework is about as muddy as the color palette — It kinda seems like he’s working with models and photo reference but also doesn’t have that many models to work with so he’s having them play multiple roles, but also his work basically seems more like photoshop filters than actual drawing? There’s a bunch of stuff that I think sucks, basically. But you can also draw a direct line from what Van Fleet is doing in Typhoid to what Aja does in The Seeds. All these choices that are meant to be classy and dignifed, a move away from the excess of superhero comics. The covers of Typhoid are just portraits of the main character, interchangeable from one issue to the next, which was a move that again, was ahead of its time: This is what so many Marvel covers in the 2000s looked like, the Tim Bradstreet Punisher covers probably being the go-to example. It’s pretty dull but it’s nice they’re not super-sexualized.

While the choices arguably suit the subject matter in Typhoid, which is at least partly about movies, in The Seeds, the story doesn’t really make any sense because the visuals seem so steeped in unreality. The premise is that a tabloid has photographed an alien, proving aliens are real. There is really nothing within the context of the story that explains why the news outlet would have enough gravitas to be convincing and have this be an actual news story. And the book is drawn in Photoshop, which is itself a photo-editing software, so the “reality” of the book is defined by the very medium that people recognize as why images can’t be trusted. This contributes a level of irony that could maybe be worked with if the book itself wasn’t so ugly and dull. The whole thing looks like some Banksy bullshit. Outside of word balloons, text appears in the large all-caps typeface of image macros. I don’t have scans of The Seeds because I gave my copy away on account of there not being any reason to keep it around.

The book is beyond dated at the time of its release. Partly this is due to the speed the cultural conversation has been moving for the past five years. It’s been a difficult time period to work on a work of fiction about the news, certainly, and not only has the comic been a long time in the making, the writer has also been away from making comics for decades now. If the authors had been able to make this as a serialized monthly comic, it might’ve stumbled into timeliness, or the predictive, but as it is, the reading experience feels like a bunch of different, disparate ideas that do not really cohere into a narrative. Leaving aside how the book seems to emerge from a general cultural gestalt of the the 1990s, when The X-Files and Weekly World News were objects of discussion, every major plot point or news story chosen for thematic resonance is approximately fifteen years old. I believe 2005 was when I started to hear about colony collapse disorder. This bee metaphor has been lapped by a Honey Nut Cheerios campaign at this point. (A few years back, boxes of cereal came with seeds of wildflowers you/children could plant.)

Darin Morgan’s episode of The X-Files revival “The Mengele Effect” ably addresses all the issues with how cynicism and conspiracy theories feel different now, all the issues that Nocenti seems terrified of and hopes the audience doesn’t think of when reading her humorless X-Files throwback comic. That episode’s great. Much of The Seeds seems like it was better done in the decidedly not-great Transmetropolitian. There’s something so dated and sad about this comic’s idea of a cool journalist protagonist: People barely smoke cigarettes anymore! I know no one wants to draw people vaping, but the imagery this book wishes meant “cool, urban, woman” reads as nostalgic affectation in 2021. That so much of the commercial landscapes of our cities has been replaced by vape shops was one of the biggest clues we were already living in a dystopia three years ago.

Nocenti, when she was working regularly, got to be a pretty effective writer for having a monthly deadline wherein she could speak on the issues of the day as they were happening. In the absence of a regular gig, this rare chance to speak her mind gets hampered by how much there is to talk about, and how complicated it all is. If it’s too complicated to address in an ongoing superhero comic, a one-off graphic novel with vaguely commercial ambitions turns out to be a worse space for it. It’s so much sadder than anything in this dream-of-the-nineties comic that the authors were given the grace to make something only under the conditions that doom it to failure. Real people made this work of fiction, and I don’t know what the fuck they’re even talking about, and that’s a more complicated narrative than the journalists in this comic who… stumble upon a story and then need to take to back because it’s too important or something? I don’t understand what this comic is about. It’s clearly gesturing at being about a bunch of different things, but what they get from being in juxtaposition with one another, I don’t know.

In interviews in advance of the release of The Seeds, Nocenti talked about how this was the first time she got to make a comic that didn’t have to have fight scenes or conflict in it. But reading Typhoid it’s clear how conflict ties the story’s disparate threads together. But also while reading Typhoid I kept on thinking about how visually, the Steve Lightle shit that preceded it is so much cooler! Here he is, bifurcating a page so two narrative threads can be told with different approaches to stoytelling:

People sometimes talk about how crazy it is that Nocenti started her Daredevil run immediately following up the Miller/Mazzucchelli Born Again run with a fill-in drawn by Barry Windsor-Smith. But I don’t think anyone has pointed out that, since these Typhoid Mary team-up comics appeared in Marvel Comics Presents, she’s basically following up Barry Windsor-Smith’s Weapon X, and Steve Lightle is totally capable of doing that! Even if these comics are kinda whatever narratively, Nocenti comes up with dense enough narratives to give him shit to do. She’s a good writer within the context of the harsh strictures of early nineties mainstream comics. Which I know seems like a harsh diss! But being a writer that makes work that consistently gives a comics artist something interesting to do is a difficult job that many people are just not interested in doing for various reasons, so it should be recognized when it’s attempted and accomplished.

It’s also interesting that the whole visual approach where both Steve Lightle and Barry Windsor-Smith shine is dependent on flat color. The changes in storytelling made to accommodate the shifts in visual language in full-color mainstream comics didn’t really benefit anyone, and now needs to be outsmarted. In The Seeds, we’ve got this pretty dull reading experience that superficially in its two-color print job and nine-panel grid, looks like it might be influenced by Mazzucchelli’s work in Rubber Blanket and City Of Glass. And we’ve got a black and white Barry Windsor-Smith comic coming out from Fantagraphics in a few weeks that I really hope blows it out of the water.

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claraxbarton · 5 years

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MCU Bucky Barnes

So here’s the thing.

I’m a costume designer by trade, and one thing that I actually really love about Captain America: The Winter Soldier (okay, among the things I love) is the costume design and the rhetorical value given to the clothes and, well, costumes in this movie.

For example - when Sam and Steve have their heart to heart on the bridge that ends with Sam saying “but he doesn’t even know you” and Steve saying “he will” before going to steal his old uniform - the one Bucky last saw him in when he was Bucky. There are some other great costume points in this movie, actually a LOT of them (costumes, not wigs, don’t at me because I KNOW).

But one thing that has always stood out to me, and not in a good way, is the “I’m with you til the end of the line” flashback.

Now, here’s the thing, it’s not JUST about the clothes. We’re in MCU verse, so it’s MCU canon - obviously, the Steve and Bucky duo is drastically different in Marvel comics canon so - and Bucky starts this scene by saying his folks wanted to give Steve a ride to the cemetery.

Which is super cool and nice. So one, we know Bucky’s dad is still alive - and his mom, but two, we know they have a car.

So this is supposed to be when Steve is around 16? So it’s... 1936 (according to MCU wiki it totally is)

So cars.

Crazy popular ever since they started having closed bodies and all that. BUT, were they crazy popular in CITIES in 1936? Especially in the middle of the Great Depression?

There’s some evidence that actually no, that car ownership in a city like NYC was something like 1 car per every 43 people. Then again, looking at the NYC.gov 2015 Mobility Report we see that the population of NYC in 1936 is something like 7.2 million, and the number of registered vehicles in 764,000... or roughly one per every 9.4-ish persons. Which is a pretty drastically different number. This doesn't, of course, account for taxis or fleet cars being registered - so the number might seem inflated. I still think it’s probably something closer to 1 car per every 20 than every 43 but... I’m too lazy to dig that much deeper at the moment. Plus I'm sick, which is fueling this in the first place.

So, anyway you slice it, Bucky’s family was in 11%, 5% or 2.33% of New Yorkers who own cars in 1936. Which says something, I think, about Bucky Barnes that we don’t always - ever? - think of in fandom.

I’m not going to say that Bucky Barnes was loaded. Maybe his family owned a garage or a grocery store or a delivery service or a funeral home...?? or something. So, the vehicle could be occupational as opposed to private usage - but either way it’s a statement. Bucky’s family has money and/or Bucky’s family has steady employment.

I’ve been there. I’ve read the fics where Bucky works at the docks to put Steve through art school and get him his medicine. I love those fics. I love that head canon.

But I... don’t think it’s realistic in light of some evidence showing us that, actually, Bucky wasn’t doing too badly for himself.

Let’s now actually look at CLOTHING. Here’s the whole scene via youtube, if you want to follow along with what is about to get RIDICULOUS.

Actually, before I dive in, who is the costumer for this movie? And should I be like... reading into all this as much as I am?

Judianna Makovsky - fellow New Jersey..Ian?ite?no clue - 3 time Oscar nominee and designer of 5 MCU films and a lot of other big budget movies, including quite a few period pieces dealing with issues of race and class (The Legend of Bagger Vance, Seabiscuit, The Little Princess.. and also like Harry Potter and The Quick and the The Dead.) So, should I have some faith in Judianna Makovsky’s designs? I’m gonna go with yeah, yeah I should.

So, back to the movie. The scene.

This is post funeral. We’re in 1936. As a general rule, the dress, colors and style of mourning wear was pretty much formalized in the early Victorian era. There was a great - read PHENOMENAL - exhibit at the MET a few years back on Mourning-wear and I’m still reeling from how lovely everything was - but the gist of it is this: you wore black when someone died. If you were a lady, and especially if you were a rich lady, you then went through a few different colors (dull black to SHINY black to purple/mauve and gray and white and then back to color within six months to one year). By the 1930s only the really rich were sticking to the actual rules of mourning - or like, really old people. And, of course, really old rich people. Really old rich WHITE people. Because it needs to be said: these are WHITE customs. I'm not saying people of other ethnicities didn’t follow them, but these are basically British Victorian practices that were assimilated into American culture.

I’m not going to go off on a huge sidebar about American fashion following in French dressmaking and British tailoring, but I need to say at least that much. Everyone who was anyone knew you got your dresses made in France or in the French style and you got your suits made in England - Savile Row in specific. I am NOT implying Bucky’s got himself an English suit, fyi. I just... have to be thorough.

BACK TO THE SCENE:

We’ve got our boy Steve. STEVE. Who just buried Sarah Rogers and what is he wearing...?

For starters, he’s wearing a windbreaker, check out the 1933 ad below, he’s the guy almost giving us the Fonz finger gesture, or maybe guy in the fedora on the end.

This thing isn’t falling apart at the seams, but it’s a very nondescript not really gray, not really blue - maybe was at one point. It also doesn’t FIT Steve. It also, in the ad above, would cost about $165.40 in today’s money.

My guess? It’s Bucky’s old windbreaker. Because it’s not cheap and because it’s just a bit too big on Steve.

He’s also wearing a shirt that is maybe tan? And a brown tie and maybe - MAYBE black trousers. And if those trousers are black, it’s the only black thing he’s wearing. Not even a black tie, or a black arm band (which I’m pretty sure - but also pretty aggressively atheist so I don’t know - the Catholic Church would have provided for chief mourners and pall bearers right?). We also have our depressing as all shit Depression surroundings to clue us in: Steve Rogers ain’t loaded. Steve Rogers is poor as dirt. Side note: boys. Hiding a key under the ONE FUCKING BRICK on a walkway is not like... a smart idea???

So we can guess a few things here, we can guess that Steve and Sarah were really struggling - this checks out with the rest of MCU canon (wearing newspapers stuffed in his shoes, even when he had nothing he had Bucky, etc.) - and that all money probably went towards Steve’s numerous ailments, food and then the TB medication or treatment, as it was, that was available to Sarah.

We can maybe guess that Steve and Sarah weren’t very religious -but I don’t feel qualified to impart anything except my own agenda here so I’m not taking that stance. But like, real talk, not even an arm band??

But, well, let’s move on to the point of this whole long ass thing anyway?

Then we go to Mr. Barnes, looking dapper AF. Also, hey, check out this ad from 1933 featuring... pretty much exactly what Bucky is wearing down to the god-damn two-tone shoes:

If you’re curious, yeah $24.98 in 1936 is $475.44. I'm not suggesting Bucky Barnes went out and bought a brand new suit for Steve’s mother’s funeral - for one thing, this ad is from 1933. BUT, that suit fits Bucky. Quite well, and it’s in good shape. He’s also sporting that super stylish mid-late 30s into 40s deeply angled collar shirt - as is our dude up in the ad - and so we know these clothes are at least new-ish. We also can see that the suit is definitely of the mid-30s moving into the boxy silhouette of the later 30s and early 40s and NOT the look of the 20s and early 30s, which has an almost bell-bottom fullness to the legs instead of our straight-leg here (though we can debate nuance if you want to hit up my DMs.)

I should note, Bucky’s shirt is not bright and pristine white - it’s kind of grayish? And I can’t tell if that’s supposed to be an old-timey sepia thing or an indication that Bucky can’t afford to... bleach a white shirt? So that’s an odd choice for sure because we’re still in an age when a crisp, white collar shirt means something (Hey, if you want to hear me go on about the democratization of men’s fashion via shirt collars and 19th century Victorian suits, let me know because I am READY).

All this is to say: I don’t think Bucky Barnes is a poor dock worker. I think Bucky Barnes of MCU canon. Okay, so the MCU wiki on Bucky/The Winter Soldier is an actual mess (because it tells us that Sarah died in 1936 and that’s FINE but I’m not going back to change my math because I’m SICK so just... I went back and changed it. She died in 1936. Fine. The damn wiki also says that “a year later, during their art class, Barnes and Rogers found out that the United States of America had joined World War II. Which, like, I’m sick, but there are a few years between 1936 and December 8 1941... just... I’m no rocket doctor but...

ANYWAY. Bucky is a three time YMCA welterweight boxing champion by this “year later”/ 1941-1942. He and Steve are also in an ART CLASS together. Bucky also trained Steve in boxing at Goldie’s gym before the two of them went to enlist - Steve rejected and Bucky, again quoting MCU wiki, “drafted” (which I'm gonna take to mean he didn’t try to enlist when Steve got rejected, they went home and Bucky got called up later but... hey, who knows?!).

So, I can’t easily find the prices of gym memberships in NYC in the 1930s right now because I don’t feel like wading through all of the articles complaining about Equinox pricing in 2019. But I do know that part of Roosevelt’s WPA (Works Progress Administration) building projects included building more public gyms - as well as libraries, auditoriums, pools, parks etc. Check out your local public buildings - if they are WPA projects they will have a cool plaque like my local NJ library does! All that is to say, there were free or very cheap PUBLIC options where Bucky could have trained Steve.

Bucky trained Steve in a private gym. Do I like to think that this is the same gym Steve and America’s ass are working out in in The Avengers? Yes, Yes I do. Do I like to think that Steve likes to box because it reminds him of Bucky? Yes, yes I do.

But moving on: it’s another sign of wealth.

So is this “art class.” Whether we are in 1937 or 1941 - we’re still in the Depression. Steve still has all of his health issues and presumably accompanying “medication” (wanna talk 1930s medicine? Again, slide into my DMs or shoot me an ask). So Steve either has a side job making enough to cover all of that, rent? and enrollment in an art class.

OR maybe Steve is teaching the art class and Bucky is his model for life drawing instruction (yeah, it’s a fic bunny I’m sharing with the world).

OR maybe... Bucky is paying the rent and other things or Steve is living with Bucky and can afford the class and meds... somehow or...

OR I'm not saying that Steve is Bucky’s kept man because Steve Rogers would punch anyone who dared to say such a thing.

All I’m saying is, Bucky Barnes was not a poor dude. Bucky Barnes... had some money.

And also I’m about to be late for my doctor’s appointment so I gotta run.

At me with your thoughts!

#Bucky barnes #James Buchanan barnes #winter soldier #Steve rogers #captain america #marvel #mcu #meta #head-canon #costume design #character thoughts

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