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#jack the giant killer
enchantedbook · 10 months
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Jack the Giant Killer' "by Hugh Thomson, 1898
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Drifting | Barbara Moore – Vocal Shades And Tones | 1972
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Jack the Giant Killer | 1962
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thebeautifulbook · 6 months
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ALADDIN WONDER BOOK (Cincinnati: Thomson, 1881)
Contains Aladdin, or the Wonder Lamp; Sinbad the Sailor; Blue Beard; Jack the Giant Killer with 28 color illustrations
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theunfairfolk · 2 years
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jack, who climbed into the giants’ realm. jack who paid dearly for the treasures he reaped. lucky and ruthless, he escaped with his life. jack who came back different.
jack whose name we now all know. the boy, the fool, the giant killer. jack with a fortune to rival the gods. jack who had always been different.
some live in the bones, those corpses he left behind, big as mountains. strangers ask of the caves, the yellow-white walls, carrying stories of him, his wit, his cruelty.
the whispers that come will come the same; this is the house that jack built.
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twistedtummies2 · 1 month
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Top 7 Leprechauns Onscreen
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St. Patrick’s Day is one of the odder holidays on the calendar. Ostensibly, it is a celebration of Ireland itself; a tribute to its culture, history, and folklore alike. However, at least outside of Ireland - such as in the United States, where the filthy American swine writing this happens to come from - it seems to be treated more as just a day of partying. It’s an excuse to booze up, eat merrily, and wear lots and lots of green. That’s not bad in and of itself, but it emblematic of how commercialized things can get, I suppose; I have no idea how the date is celebrated in other places around the world, including Ireland, mind you.
Again, filthy American swine, that’s me. 😛
Nothing speaks to all this better than the treatment of arguably Ireland’s most famous figure of folklore and legend: the leprechaun. Leprechauns have become mascots for Ireland and St. Patrick’s Day as a whole; a lot of people probably don’t even recognize or know the actual legends behind these little fairy shoemakers and their crocks of gold. However, they have become just as popular and recognizable as other holiday icons, such as Santa Claus or the Easter Bunny. They are the fanciful embodiment of Ireland, in popular culture, and for better or worse, they are as popular as they are whimsical. Ever since I was a child, I was fascinated by stories about leprechauns; something about these little spritely creatures in their green coats, cobbling shoes and playing tricks, guarding heaps of treasure, just stuck in my imagination in a lot of ways. Part of this may be that I am actually a large part Irish myself, and I’ve looked into the legends and songs about these fair folk with great interest. Of course, with this fascination comes exposure to another medium: the screen. Leprechauns have appeared numerous times in films and on television, and it’s easy to say that these treatments have done just as much for their reputation and popularity as anything else. I thought it would be fun, this St. Patrick’s Day, to cover some of my favorite interpretations of these strange creatures from movies and TV. I’ve decided to make this a brief Top 7, partially because it’s hard to sort things out after that number…but also because, hey, if we’re celebrating and chatting about “the luck of the Irish,” might as well use the “lucky number seven” as our guideline, eh? So, without further ado…here are My Top 7 Screen Portrayals of Leprechauns!
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7. The Leprechauns’ Christmas Gold.
We’re starting off this countdown with a weird one, folks. If you haven’t heard of this somewhat obscure holiday feature, I wouldn’t blame you. This half-hour special was the creation of Rankin/Bass; a company most well-known for their various Christmas cartoons, such as Rudolph the Red-Nosed Reindeer, Frosty the Snowman, and The Year Without a Santa Claus. “The Leprechauns’ Christmas Gold” was one of their final holiday creations, released in 1981…and you can tell they were REALLY struggling to come up with new ideas for such things. The special is a bizarre hybrid of Christmas cartoon and St. Patrick’s Day celebration. Starring Art Carney as Blarney Kilakilarney (yes, really), the story focuses on the troubles a family of leprechauns face when a wicked banshee, known as Old Mag the Hag, tries to steal all their gold. Mag, you see, needs to have gold in her hands by Christmas morning, or else she will be destroyed, transformed into nothing but a puddle of tears. Mag is imprisoned in a magic pine tree for her evil ways, but a hundred years later, a young cabin boy named Dinty Doyle (played by Broadway-bred actor Ken Jennings) digs up the tree. Mag escapes, summoning a storm and leaving Dinty shipwrecked on the island where all the leprechauns live, and now he and the Little People must try to cooperate to defeat Mag and return home. The special isn’t that great, to be honest; it’s got lots of problems, and it’s obviously quite peculiar. However, I have a soft spot for it: I watch it almost every year. Something about it is fun and comforting, even if it isn’t necessarily the best of Rankin/Bass’ work, and it’s always stuck with me. It’s just my kind of weird and silly; if you think it sounds interesting, consider looking it up and giving it a watch yourself.
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6. Finian’s Rainbow.
This colorful 1968 feature - based on the play of the same name - is an early success of legendary filmmaker Francis Ford Coppola. It’s weird to think that only a few years after this movie was released he would go on to debut “The Godfather,” really. The film stars Fred Astaire as con-artist Finian McLonergan: an Irish immigrant to America, who plans to try and make his way in the world via a crock of gold he stole from a leprechaun. The leprechaun, Og - played by Tommy Steele - is slowly turning human, for the longer a leprechaun goes without their gold, the less of a leprechaun they really are. Finian buries the treasure near Fort Knox, of all places, where a series of magical misadventures take place, involving a racist Senator, quarreling farmers, and several musical numbers. The movie is mostly fun, somewhat farcical, and highly satirical…but there is one stumbling block I have to point out: the aforementioned racist Senator gets punished for his wicked ways at one point by being turned into an African American himself. No, the Senator is not played by an African American actor, so…yeah…you can probably guess the awkwardness that arises as a result of that. It’s an unfortunate element in an otherwise great picture, and the main reason I don’t feel I can rank this in the top five. If you think you’d have difficulty watching this movie due to that issue, I wouldn’t blame you…but if there’s one thing this film teaches, it’s the importance of an open mind and an understanding of how times change. That, and that leprechauns are just as nimble on the dance floor when they’re human height as they are when tiny.
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5. Wearing of the Grin.
This classic Looney Tunes cartoon is another favorite of mine around St. Patrick’s Day, and - being only about seven-and-a-half minutes in length - it’s an easy viewing for anybody. This short stars Porky Pig, who ends up lost in the middle of Ireland during a thunderstorm. The porcine traveler decides to take shelter inside an old castle, ignoring warning signs to “Beware of the Leprechauns!” This decision quickly comes back to bite Porky in his curly tail, when he ends up being victimized by a pair of leprechauns - O’Pat and O’Mike - who, believing he’s after their pot of gold, force Porky to wear The Green Shoes. This doesn’t seem so bad at first, but it turns out the shoes are alive, and as long as Porky wears them, he’ll be forced to dance an Irish jig non-stop. Porky manages to escape the fiendish footwear, but the shoes themselves give chase, determined to continue the punishment. It’s a typically silly, slapstick bit of goofiness, but there’s also a sense of atmosphere and danger to it you wouldn’t expect, and the visuals get more and more absurd the longer the short goes on, making it quite a feast for the eyes. It’s a hilarious and creative piece of Chuck-Jones-born buffoonery; exactly what a Looney Tunes fan would want for St. Patty’s.
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4. Luck of the Irish (2001).
I actually am aware of two films with this title. The first was a 1948 feature, which - by all accounts - has nothing to do with the one we’re talking about here. I sadly have not seen that movie yet (although I would very much like to), so if you’re familiar with it, let me know what you think. For now, let’s focus on our actual topic: this 2001 TV film was made for the Disney Channel. As most people may tell you, Disney Channel movies tend to be hit or miss; some of them are actually quite a good time, considering the low budgets many of them have to work with, while others are…frankly rather painful to sit through. This one, I feel, is in the former category, and it’s actually developed a bit of a cult following for good reason. The story focuses on a young lad named Kyle Johnson, who seems to always have good fortune thanks to a lucky gold coin he wears around his neck. When the coin is stolen, however, not only does Kyle find bad luck following him wherever he goes, but he starts to undergo some strange physical transformations: he starts to grow shorter, his hair turns red, his ears become pointed, etc. It’s ultimately revealed that Kyle is actually half-leprechaun, and the one who stole the coin is a wicked fairy-man by the name of Seamus McTiernen (played by, of all people, Timothy Omundsen). Seamus is trying to steal all the leprechauns’ gold from around the world to become King of the Leprechauns; it’s now up to Kyle to stop him…via a basketball game. OF COURSE! A CLASSIC MANEUVER! PATTON HIMSELF NE’ER HAD BETTER STRATEGY! (pauses) Yeah, like I said, this film is wacky. But it’s a good kind of wacky; if it sounds up your alley, give it a look-see.
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3. The Magical Legend of the Leprechauns.
While not received well at the time of its release, this 1999 TV miniseries has since gained a cult following and much more acclaim. Personally, I love it. The story is essentially an adaptation of Shakespeare’s “Romeo & Juliet,” but with an Irish flair. The tale begins when an American entrepreneur, Jack Woods, goes to Ireland for a vacation in the countryside. He soon finds out that his holiday home is frequently visited by the Little People. It turns out the leprechauns are engaged in a feud with the fairies (or the pixies, rather, since leprechauns typically are a sort of fairy). This becomes a problem when the fairy princess, Jessica, falls in love with a young leprechaun named Mickey. Chaos ensues as a result of the tryst between these star-crossed lovers, causing the feud to escalate into an all-out war. At the same time, Jack has to deal with some troublesome affairs of the heart all his own, as he becomes infatuated with a lady named Kathleen. Eventually, the two love stories collide, only heightening the stakes. The miniseries combines many elements of Irish folklore and myth together in its runtime, and treats these elements faithfully while at the same time making various changes to the concepts for its own purposes. It also features a great cast, including some rather surprising performers, such as Whoopi Goldberg. While not as well-known as some of the other items on this list, it’s well-worth checking out.
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2. Lucky Charms.
Well, you can’t talk about leprechauns without bringing up this classic cereal and its mascot, can you? I remember loving Lucky Charms as a kid…which is funny because, the last time I tasted it as an adult, the flavor…ah…left much to be desired, to put it in the least offensive terms. Looking back, I think the primary reason I loved this cereal so much came from the TV commercials, starring Lucky the Leprechaun. The advertisements for this children’s breakfast staple have a long and interesting history behind them on their own terms, but the basic formula has always remained the same: Lucky is an eccentric little leprechaun, whose greatest treasure is not a crock of gold, but instead a bowl full of Lucky Charms. In the universe of the commercials, the marshmallows in the cereal actually give him different magical abilities he can use to his advantage, as he tricks and escapes his ever-persistent pursuers, who yearn to steal his delicious(?) frosted oats. Unlike many leprechauns in fables and folklore, Lucky - while occasionally and suitably mischievous - isn’t a malicious character in any way; if anything, he’s just trying to escape from those darn kids that never leave him alone! He’s friendly, playful, and sometimes can even be a hero…as far as the thirty-second-to-a-minute-long commercials he’s in will allow, anyway. It’s no surprise this cereal was and remains so popular; the idea of the great chase is an indelible concept, the magic and whimsy of the visuals and storytelling always allow for creative fun, and the charm of a leprechaun character was certainly a lucky break for advertisers. (pauses) Yeah, that was a bit forced, I’m sorry. Bottom line, it’s telling that, even to this day, if you say “leprechaun,” more people will say something about Lucky Charms than arguably anything else.
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1. Darby O’Gill and the Little People.
I have a theory that every person, particularly Disney fans, has that one live-action Disney movie that they love which most other people seem to forget about. For me, that movie is “Darby O’Gill and the Little People.” The film focuses on the many misadventures of an old Irish storyteller, the titular Darby O’Gill. The grand old timer is a sort of “frienemy” to the King of the Leprechauns himself, Brian Connors. When Darby is in danger of losing his job, King Brian decides to help…by kidnapping Darby and forcing him to stay forever in his underground palace. (It’s the thought that counts, I guess.) Darby soon turns the tables on the King, though, and instead ends up kidnapping HIM, and refuses to let him go back to his kingdom until Brian grants him three wishes. (Keep your Aladdin jokes to yourself, please.) Top it off with Darby’s daughter falling in love with a young farmhand (played by Sean Connery, of all people), hijinks with the town bully, and the creepy appearances of a mysterious Banshee, and it’s wily shenanigans all around. The film is totally over-the-top, and absolutely plays up to Irish stereotypes more than anything else, but that’s honestly part of the fun: it’s got a campy sense of humor about itself, but it also has a lot of real magic, heart, and even a sense of prevailing danger. It feels like an old Irish fairy legend brought to life, which is fitting since the Disney team actually took inspiration from a bunch of old Irish fairy legends in crafting the script. There’s even an episode of the old Disneyland TV show, which acts as a sort of “mockumentary,” showing Walt meeting Darby and the Little People and learning all the folklore about Brian and his fellow imps. (That’s pretty cool, too, by the way; check it out if you can find it.) The film is probably most well-known for its special effects, most of which are still REALLY impressive, even to this day; heck, even if you know how they were done, you still find it hard to see through them or believe they could work the way they do in the final product. If you haven’t seen this film, I do highly recommend it…BUT, a word of caution: do NOT watch the version on Disney+. For some baffling reason, the Disney+ version redubs some of the actors and has a few minor edits, which really don’t do the movie any favors. If you want to watch this film, buy the DVD, or see if you can find a better copy elsewhere online. You won’t regret it; I certainly never have. I watch this film (and the Disneyland episode accompanying it) every St. Patrick’s Day, and that’s a tradition I never plan to cease. When I think of leprechauns, Irish myths, and all the trappings that come with those things, this film is the first thing that comes to mind. For these reasons above all else, King Brian and his friends in this movie take top marks on this list.
HONORABLE MENTIONS INCLUDE…
The Wee Men/Leprechaun’s Gold. (Two cartoons by Noveltoon that are based on classic leprechaun myths.)
Rupert and the Leprechauns. (An episode of the UK animated series “Rupert;” quite cute.)
Jack the Giant Killer. (This movie features a leprechaun called “Imp” as a major character. You can thank Rifftrax for my knowledge of this one. XD )
Leprechaun (1993). (I actually am not a big fan of this movie, or the series it spawned, but it felt physically wrong not to acknowledge Warwick Davis here.)
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raurquiz · 27 days
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#HappyBirthday @ewan.macgregor #ewanmcgregor
#Actor #ObiWanKenobi #starwars #ThePhantomMenace #attackoftheclones #RevengeoftheSith #Trainspotting #velvetgoldmine #eyeofthebeholder #moulinrouge #blackhawkdown #downwithlove #bigfish #robots #theisland #misspotter #AngelsandDemons #theghostwriter #JacktheGiantKiller #BeautyandtheBeast #thebirthdaycake #pinocchio #fargo #halston @starwars @disneyplusla @streammaxla
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captnbas · 3 months
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folkbruary #4
Jack the Giant Killer
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ahalal-uralma · 6 months
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Jack the Giant Killer (1962)
Part III / Princess Elaine’s Villain Transformation
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thefugitivesaint · 2 years
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Robert Anning Bell (1862-1933), ''Jack the Giant-Killer; Beauty & The Beast'', 1894 Source
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likehandlingroses · 2 years
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OUAT Rewatch 2x13 - Tiny
Sometimes you have to leave home to find the people you truly belong with. Your real family.
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marvelousmop · 10 months
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Ranking the Songs of Jack the Giant Killer (1962)
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Jack the Giant Killer isn't a musical... or at least it shouldn't be. If you haven't heard of it (and I'd assume you haven't), it's one of those fantasy adventure movies with lots of stop-motion puppets like "Jason and the Argonauts" and "The 7th Voyage of Sinbad"... unfortunately, Columbia Pictures saw this similarity and weren't too pleased, threatening to sue the filmmakers.
Their solution to avoid getting sued? Make it a Musical!
No new footage was filmed and boy can you tell. If you saw the musical version without knowing the history, you could probably guess that some of these songs were added in post.
Fortunately, nowadays you can see the non-musical version quite easily (in fact it's up on some of those movie youtube channels and freebie streaming services - it's an alright adventure flick with really good set design and some interesting visuals), but I'm not interested in that. I wanted to see the musical. So I did, and now I just want to talk about the songs, from best to worst.
[Disclaimer: there is no official soundtrack, most of these song titles are just conjecture on my end.]
1) A Spectacle!
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This song has been stuck in my head for days. It is a very ill-fitting ice capade-esque song underscoring an action scene where Jack fights a bunch of monsters... it's also a duet with the main villain (Pendragon) and his henchman, which only serves to make it more bizarre. If you had to listen to any song from this soundtrack, listen to this one, there's a reason it's the only song I could find on youtube without uploading the unlisted clip myself.
2) You Can Do It!
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Picture this: you're near the end of the movie. You think Jack has won, but Pendragon has a trick up his sleeve... in a flash, he raises his red cape, and his form shifts into that of a mighty dragon! Swiftly, he descends upon Jack's ship, ready to take the fight into his own hands in a climactic final battle... and then this song plays. This goofy motivational song better suited for the middle of a musical than the final song.
It has also been stuck in my head for days.
One other confusing thing is that I'm not sure who's meant to be singing this song. Like, it's the same nasally male singing voice used by both Pendragon's henchman (though it can't be him since he has no reason to cheer Jack on) and the Leprechaun (though this song doesn't use the same rhyme scheme the Leprechaun uses, and all his words are accompanied by a jingle which is absent here, so it can't be him either). Maybe it's God?
3) Title Card Song & Coronation Song
These two songs play near the beginning of the movie, with the former also getting a reprise for the end credits. I'm lumping them both together because I couldn't remember what they sound like if you held a gun to my head, though, for the Coronation song, it's quite amusing that they have to hide most of the crowd because it would be very visible that they aren't singing.
4) Just Ask Me
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Quite a boring love song with generic and slightly repetitive lyrics, but what makes this song stand out to me is the editing going on in this scene. You see, the lyrics are barely close to anything the characters are saying, so the editors have to pull out all the stops to make it fit the scene - footage is slowed down, sped up, looped (and it's all very visible thanks to the various background elements) and in the end the woman is still clearly saying something very different to the lyrics. It's honestly like a proto-youtube poop.
5) We Have Failed, Master
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This is where we get into the real good stuff. A keen listener may pick up on the fact that, despite their attempt to make "We have failed, master, we have failed!" into a chorus and the slight rhytmic patter of the henchman's lines, this is very clearly just a normal dialogue scene that has been recklessly converted into a song. Granted, you see this stuff in operas all the time, but it's very bizarre to see in something that's trying to sound like a Rankin Bass musical.
6) To Us
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If you thought the last one was bad, this one is barely trying to sound like a song. There's no clever editing, no rhythm, no chorus, not even a cheeky attempt to add more lyrics while a character is facing away from the camera, it's just a dialogue scene!
Thank you for sticking with me through my inane opinions, and I hope you enjoyed this tour through probably the most bizarrely constructed musical. Credit to this Twitter post for inadvertently informing me of this... masterpiece.
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enchantedbook · 2 years
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'Jack finds three Ladies tied up by the hair of their heads' Illustration from the "Jack the Giant Killer" by Hugh Thomson, 1898
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rotomartsblog · 9 months
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OCs based off fairytales
[Reblog with a bit of info if you’re curious]
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thebeautifulbook · 1 year
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OLD FAIRY TALES TOLD ANEW written and illustrated by T.E.Donnison (London/Paris/New York: Raphael Tuck, 1900)
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theunfairfolk · 2 years
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i might not be the most law abiding guy but “giant slayer” is a bit of a reach, don’t you think? i cut down a beanstalk- while running for my life, mind you! and it sprouted up in my garden, which totally gives me jurisdiction to uproot it- why was he chasing me in the first place? …you’re missing the point, ok? the ground killed him. i’m just a witness!
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gawrkin · 17 days
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King Arthur's Son from Jack the Giant Killer
The folk story of Jack the Giant Killer is one of those rare fairy tale stories that's also an Arthurian story - being that its setting during Arthur's reign. Other stories of this type include Tom Thumb and Child Rowland. These stories are generally post-Malory. (unfortunately)
Apparently, according to some scholars the story of "the giant slaying Jack" arose because of the popularity of Arthur himself as the "Slayer of Giants" was so numerous, people were getting bored with it. Jack himself and his story comes off as hodgepodge of various motifs that you find elsewhere in other stories.
What caught my attention with this story, is that the largest episode of Jack's story involves Jack meeting up with a nameless son of King Arthur and adventuring with him.
So, the story of Jack begins with a simple introduction and description of Jack and his first enemy, Cormoran:
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For the first three sections of the story, Jack goes around killing giants and making a name for himself (including a famous moment where he tricks a giant into commiting suicide).
For this post, we're skipping over to the part where King Arthur's son is introduced:
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Lol. When I was reading this part, I couldn't help but imagine this Prince is actually Sir Loholt, who is sometimes Arthur's Legit son with Guinevere. It actually makes a lot of sense with Lanzelet's description of him:
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So yeah, for me he's Prince Loholt. :) Continuing on:
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Yup. He's an Arthurian male character, alright. Too nice, not enough braincells.
Also, its kind of heartwarming to know Arthur and Guinevere would have a son who's so kind and generous, he wouldn't think twice to give up his riches if it meant helping someone.
So next up, Jack suggests that they sleep over at a giant's place. This is the other interesting about Jack the Giant Killer: He personally knows this giant and depending on the version, he claims this giant is actually his uncle. Other stories claim the giant is an idiot and Jack's just smooth talking him, but I think its way more interesting if the Giant IS Jack's relative. In Early Arthurian Lore, a number of giant-slayers, including Arthur, Kay and Gawain, all have giantish attributes (Kay's famous superpowers), have giants for relatives (Guinevere, in Welsh myth, is the daughter of Gogfran the giant) or are giants themselves.
Prince: Oh, so that means you're a giant, too? Jack: I guess? Prince: Cool. My Mother, the Queen, is a giantess as well. We're kinsmen! Jack: ... Prince: Also, my uncle can grow really big.
So Jack goes up to the giant's castle and knocks on the door:
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So Jack and the Prince spend the night in the giant's castle while the giant himself is locked away. The next day, the Prince continues his journey while Jack promises to catch up after he deals with the giant. What's interesting here is that this giant isn't slain like the others. He survives, unlike Jack's other foes - which kinda puts more points to my theory that this really is Jack's uncle and Jack is a half-breed giant of sorts.
The giant wants to reward Jack:
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These magic items are your classic fairy tale archetypal tools that have their inspiration found in earlier myths: You have your bog-standard cuts-through-anything magic sword (like Excalibur), the slippers are the "Seven-League boots" (Based on Hermes' winged sandals) and you have an item that confers invisibility (It comes in many forms: Hade's helm, Siegfried's cloak and even Arthur himself has an Invisibility cloak too)
Jack getting these items is a way to give your hero superpowers without utilizing... unsavory methods. That he's able to use these items despite belonging to - and presumably used by - a giant is never questioned.
Moving on, we get to meet the "Possessed Lady" Loholt the Prince was after this whole time:
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Well that was rude. So naturally, the Prince despairs until Jack does something about it:
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Methinks that this lady is actually a murderous sorceress and isn't actually possessed.
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This is romcom material.
Lady: Um, what is wrong with him? Jack: *Puts on his Cap* ...Camelot, apparently...
So once again, its up to Jack to save the day.
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Are you sure this Lady is possessed? Also, she's scolding Satan - definitely wife material Queen material.
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And so, Satan was killed (lol), the Lady was restored to her former good looks (even though she was already described as beautiful), she and the Prince get married and Jack gets to be one of the Knights of the Round Table.
And that's the end of this section of Jack the Giant Killer's story and end of this post. Jack's story goes on for a few more episodes of giant-slaying before ending on your typical "...and they lived happily ever. The End."
I wonder what the usual cast's (Arthur, Guinevere, Merlin, Lancelot, Gawain, etc.) reaction to this story would be.
It's notable that (at least in the version I'm reading) this section with "King Arthur's Son " is longer than other stories. Moreover, no giants are actually killed in it. The "uncle" giant was merely hood-winked and Jack uncharacteristically spares him. The story is mostly about helping King Arthur's son woo a demonically possessed Lady.
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