#like instead of explaining why he thinks those traits are good

[linkspooky]

Megumi Will Start the Merger Theory

You heard me. I know this sounds wild and out of left field, but it's just a theory. A Jujutsu Kaisen theory. I fully acknowledge it might not happen, but please stick around long enough for me to argue why I think Megumi's character may go in this direction.

This one is for all the Megumi corruption arc truthers out there. I came up with this theory when it became clear that saving Megumi from Sukuna's grasp was going to be more difficult than just giving him a motivational speech, or punching Sukuna until their souls separated. Furthermore, I believe that Jujutsu Kaisen's manga won't end with the defeat of Sukuna. There will be one more curve ball thrown at us by Gege in the late game, and this is me trying to anticipate the pitch before the baseball hits me in the face. Underneath the cut I will speculate on the direction that Gege may take Megumi's arc, the relationship between Sukuna and Megumi, and Yuji's role in the finale.

What is a Corruption Arc?

Before digging in too deep I want to explain what I mean when I say I'm a Megumi corruption arc truther. A character arc is a story arc in regards to a character where a character changes from beginning to end. That's the most basic definition, arcs can be more complex, some arcs are actually inversions of the standard character arc where a character is defined by his lack of change.

However, those still need some element change, sometimes characters around them change to show contrast. For example, Eren is a stagnant character from beginning to end in Attack on Titan, but characters like Mikasa, Armin, Jean all grow up to show by comparison how little Eren has grown. Sometimes circumstances change around a character, and their lack of growth is a failure to adapt to those circumstances.

A character arc requires a change, but it's not necessarily a positive change. Often called negative character development, these characters regress instead of grow. This happens in many ways. One of the most basic examples of a character arc is a want / need arc. A want / need arc shows an emotional hole in the protagonist's life that needs repairing and how resolving the plot allows them to fill that hole. The protagonist usually knows what they need, but they know what they want, and often what they want won't actually fix them.

For example if I'm feeling sad I want to eat donuts to lift my mood, but what I need to do is learn healthier ways to work through my negative emotions. A character who keeps pursuing what they want, instead of realizing what they need won't grow, that's negative character development.

That's just one example though, Gege gave us a blueprint for a corruption arc in Hidden Inventory.

In Yu Yu Hakusho the character Sensui (directly cited by Gege as his inspiration for Geto in an interview) once was a spirit detective like the protagonist. No one describes him as corrupt from the beginning, in fact he's constantly described as more pure and upstanding than delinquent Yusuke Urameshi who likes getting into fights. He has a strong sense of justice, but rigid black and white views that come with it. Once he's confronted with evidence that directly contradicts his demons bad, humans good paradigm he cannot cope, and the narrative all but states Sensui's purity traditionally a good trait corrupted him because of his inability to adapt and his rigidity in in his beliefs.

Sensui goes through a corruption arc, albeit one offscreen and mainly referred to in backstory.

Geto's happens onscreen in its own story arc where he is one of two main characters. Much like Sensui he's presented to us as a sorcerer like Gojo, but unlike Gojo he believes sorcerers are obligated by duty to protect non-sorcerers who have no way of fighting against curses. You could argue that in some ways Geto and Gojo are the same type of jerk, but Geto's principles are clearly set up to contrast Gojo who at that age only was a sorcerer to flex his abilities. Geto's friendship often has him lecturing Gojo about respecting others, paying special attention to Gojo's feelings in ways that other characters don't, and also not being afraid to clash with Gojo over differences in morals.

If Geto is corrupt from the beginning there's no arc there, so he's clearly set up as being the moral fiber to contrast Gojo. We are literally presented with a scene where Gojo admits he could kill the non-sorcerers who hired a bounty hunter to assasinate Riko and feel nothing, and relies on Geto to make a moral judgement in his place, that society will already punish them and their slaughter is pointless.

The irony is that later, Geto will engage in pointless slaughter killing an entire town in retribution for their abuse of Nanako and Mimiko. When Gojo confronts him about his actions, Gojo cites the same reasoning that Geto provided him to stop him from killing the cult members.

That Geto's murder of innocent civilians is pointless, because it won't achieve anything - his world of sorcerers is out of reach. Geto's clearly positioned as Gojo's moral tether, because he cites Geto's statement of only killing when there's meaning to it right back at him.

This is also where the corruption part of his corruption arc comes in, a change has taken place here. Geto hypocritically contradicts his earlier words, not just engaging in meaningless slaughter but also punishing people with his own hands instead of letting the justice systems in place take care of the punishments. Two things he held Gojo back from doing, only to do himself post corruption arc.

You could cite many things as the reason for Geto's corruption arc, but the common theme shared with Sensui is resistance to change. Geto saw the world in two distinct categories strong / weak, the same way Sensui saw humans good / demons bad. When Geto is shown that weak people are capable of bonding together to oppress strong people (the cult) and that sorcerers despite having strength are on the losing end of their society (they are expected to risk their lives and toil endlessly for curses 99% of the population can't even see), he cannot cope.

He especially cannot cope with the reality that Rika's death showed him, that he is not strong as he once believed. All of this combined leads Geto to double down, still seeing strong and weak as separate categories but now blaming normal citizens for the inherent corruption inside the Jujutsu World. Notice how Gojo a character with positive development seeks to reform from inside the Jujutsu World instead.

Geto also still wants to think of himself in the strong category, rather than facing the feelings that Riko's death and his helplessness in that moment gave him, as well as Gojo pulling he instead decides to double down on the idea that he's in the strong category, that he's superior.

Geto even remarks jealousy at Gojo's godlike power for the first time, when before this he's always been the only person to treat Gojo as an equal - because Geto doubling down on his superiority complex begins imagining himself above others and therefore untouchable by trauma. It's also a grab for agency, because in this world sorcerers are rather agenciless, forced to be cogs in an unfair system. Geto incorrectly assumes agency = power. If he possessed Gojo's power he would be able to grab his agency back (which is simply incorrect because Gojo is one of the most agenciless characters in the manga, defined by his rigid role as the lynchpin of society).

Geto also doesn't mature. A mature adult lives in the world, and accepts that the world is imperfect. Geto is remarked as childish, first by Shoko when they are smoking together "sulking because no one understands you... sounds awfully childish if you ask me", and then by Yuta "You think you're a god? You sound like a kid!"

So we have, refusal to grow up, refusal to adapt to a complex world, resistance to grief, and grabbing for agency and power instead of fixing an issue inside himself - all of these combine to make the Jenga Tower that is Geto Suguru collapse.

The central question of Geto's arc, spoken by Gojo to Yaga is "Is it possible to save someone who doesn't want to be saved?"

If Geto refuses all help, refuses to admit that he's wrong, and does not want to change then what really can Gojo do in this situation? Was he right to give up? Did he give up too early, refusing to kill Geto but also spending ten years just ignoring the problem until Geto attacked in Jujutsu Kaisen Zero? Did it not matter what Gojo did because ultimately Geto's choices are his own?

There's no clear answer, because it's a question the author is asking the audience to ponder. It's also a question directly set up for Megumi to answer, because when Gojo is unable to do a thing for Geto we see his next action is to seek out Megumi. His words imply that he sees Megumi in Geto and advises him not to be left behind, he also clearly became a teacher in order to not let what happened between him and Geto repeat in the next generation.

In spit of Gojo's best intentions, he's not able to protect Megumi from any of Sukuna's designs toward him, or basically anything that happens in post Shibuya's. Simply raising Megumi to be strong, did not prevent him from suffering trauma in his youth on Geto's level.

There's even a deliberate parallel, they both witness the death of an innocent who they promised to protect (Tsumiki, Riko Amanai) and they both have had their body taken from them, Geto's corpse is turned into a literal puppet to help advance Kenjaku's plans, Sukuna steals Megumi's body in order to revive himself in the modern era. They're both even used as tools against Gojo, Kenjaku uses Geto's body to awaken memories in Gojo and complete the sealing. Sukuna uses Mahoraga to learn the world splitting slash that cuts through Gojo's defenses.

Megumi also has a set of values that society spits in the face of. Megumi wishes to selfishly protect his sister, and pick and choose who to save. Geto believes the strong are obligated to protect the weak. Geto sees weak people who are corrupt and not worthy of his protection and also the reality that sorcerers are the exploited class, Megumi is forced to kill Tsumiki with his own hands.

These are intentional narrative parallels to show the risk of Megumi may walk the same path as Geto, especially since Megumi is in many ways a pure child like Geto himself.

Dark Phoenix Arc

There's one more corruption arc I want to compare Megumi's too, to give some idea of where I expect Megumi's arc to lead.

The Dark Phoenix Saga commonly refers to the story in Uncanny X-Men #129 - 138 of Jean Grey’s corruption by the power of the Phoenix and the Hellfire Club. It was considered incredibly shocking for its time. One thing to note is while Jean Grey is famous nowadays, in early X-Men she was the weakest character and her role was basically limited to “The Woman” of the team.

Elevating the helpless damsel woman to the most powerful member of the team, if not the entire universe and then having her turn evil had never been done before. It was a jaw-dropping shock at the time. 

The reason I am citing the Dark Phoenix arc as an example, is because both Jean Grey and Megumi's character arc revolves around themes of agency, how it's stolen from them and how they reclaim it.

The basic summary of the Phoenix arc is that Jean Grey is initially given a massive power boost when she's possessed by the Phoenix. She stays behind on a crashing ship only to be saved by the Phoenix, a guardian, alien entity of immense power that was locked away in a crystal. Jean Grey returns as Phoenix with a massive power boost, but there's several ambiguous elements that compromise her agency. It's implied that Jean Grey always had a tremendous power that was in part sealed away by Professor Xavier using his telepathy (infringing on her agency) and that while the Phoenix gifted Jean Grey power, it's also an alien entity effecting her mind and body.

On top of that when she acquires the power, outside forces begin wanting to manipulate Jean in order to gain her power for their own ends.

A group called the Hellfire club begin to psychically tamper with her mind. They trap her in hallucination world where she is a woman of the 1800s, (not famously known for their agency) and in love with the leader of the Hellfire Club, even going so far as to give her false memories in order to convince her that this is reality.

The concept of agency and how it's constantly infringed upon, even by someone who's supposed to be on her side (Xavier) is central to this arc. Jean evetually escapes from the Hellfire club's manipulation, and reclaims her bodily autonomy but the story does not end there.

The subtle changes in Jean's behavior still continue, even after Jean has freed herself from the mind control. Is this the result of being given too much power at once? Is Jean losing control because she was never taught to properly handle her powers?

Jean Grey is also the character with the strongest potential in the main cast (much like Megumi) and also a character who's been prevented from using her powers to their full potential and even had her powers stolen and used by others (Much like Megumi).

It's heavily important that Jean's corruption into dark phoenix happens after freeing herself, and in response to the Hellfire club's machination to take all agency away from her. Jean instead makes a grab for power and agency by abusing her power as Dark Phoenix.

Jean even mentions that turning against her friends and trying to kill them as Dark Phoenix, will sever the last tie holding her back, will get of Jean Grey for good and cause her to fully embrace being Phoenix.

Jean has flipped entirely, overembracing the power and agency that has been stolen from her again and again, but really how could someone not desperately try to take back control of their lives after being mind controlled or having their mind violated multiple times (the phoenix itself, the hellfire club, even by Xavier).

How can someone never allowed to use her power, or given choices on how to use her power, not be corrupted when after being stepped on all of their lives the power of a god is dropped into their lap?

This is why I believe Megumi will be the one to initiate the merger, because his entire arc has been about having his power stolen away from him and what would Megumi do when given total power over the merger by Kenjaku?

Megumi Corruption Theory

The biggest piece of evidence for this theory is right here, Kenjaku specifically says to give Megumi Fushiguro the authority to start the merger.

There's a technical reason for this, Sukuna is currently in Megumi's body, and Sukuna himself was actually registered in Yuji's place because Yuji was built by Kenjaku to be a cage for Sukuna.

However, it can also be read as foreshadowing. If you believe like I do that the merger has to happen, then Sukuna can't be the one to initiate it. The simple reason why is that the main characters will have to be alive to fight against a merger, and Sukuna has set the condition that he'll start the merger after killing the main cast in order to motivate them to fight him with everything they have.

If Sukuna is going to start the merger after killing all the main characters, then he can't be the one to start the merger because the main characters have to be alive to witness the merger take place and fight against it somehow.

Therefore, logically if the merger is going to occur the only person who could possibly activate it is Megumi Fushiguro after reclaiming his body.

There's more foreshadowing then this one instance however, and a lot of it revolves around Sukuna and Megumi's unique relationship and Sukuna's role as a character.

As for why Megumi would possibly start out the merger, it's the same as Jean Grey, a character denied of agency suddenly has all the power in his hands, who wouldn't be corrupted? Especially Megumi, a character who's just been robbed of his sister and his mentor, and his purpose in life besides that (protecting Tsumiki)? Why wouldn't he lash out if suddenly given the power to? His friends are trying to save him yes, but Megumi is begging those save friends not to save him to end it all.

How do you save someone who isn't prepared to be saved?

How is the story going to answer that question, if saving Megumi is a matter as simple as just beating up Sukuna and giving his body back to him?

Onto analyzing more foreshadowing, but first a brief tangent on the nature of foreshadowing in Jujutsu Kaisen. Every major twist in the manga is foreshadowed far in advance. Kenjaku beng the one to possess Geto's body - foreshadowed by Kenjaku killing Mechamaru when Geto was against killing young sorcerers, and the fact Geto was deliberately killed onscreen with no explanation provided to the audience on how he could possibly revive.

Sukuna calls the purpose of the bath to be near evil, to submerge Megumi's soul.

If saving Megumi is just a matter of ridding him of Sukuna's possession however, then how does that allow Megumi to reclaim his agency? What agency does a damsel in distress who just exists to be rescued have?

Megumi's entire arc has been defined by the potential power that everyone sees in him, and his inability to reach that power especailly since other characters (especially Sukuna) seek to steal that power for their own ends. In the culmination of this arc, Sukuna literally steals Megumi's body, and his bodily agency.

How does Megumi finally live up to that potential if Megumi's arc ends with him being saved by Yuji? How does this make Megumi grow or change in any way?

Sensui, who is once again Gege's model of a corruption arc is referred to as a pure angel that was inevitably grew scarred and defiled, by his close personal confidant Itsuki. Not only that, but sinking deep into despair made him grow stronger not weaker.

Itsuki is also, a demon who met and encountered Sensui and then took a deeply invested perosnal interest in watching Sensui be corrupted in real time.

Megumi also has a curse that took a sole interest in him because of his talent and potential, then had a hand in bringing him closer to evil in order to make him sink into despair. There's once again the symbolism of purity being corrupted.

This panel explicitly shows white lilies (symbols of purity) being torn apart and blackened to symbolize what Sukuna wishes to do to Megumi in order to further is own ends.

There's also the heavy budhist symbolism with Sukuna's role in the story, and the way he influences the rest of the cast, especially Gojo Satoru who is our stand-in for the Budha. If the goal of Jujutsu Society is to attain enlightenment (escape cursed energy probably the only thing that will end the miserable lives of sorcerers), then the merger represents the opposite, Kenjaku's goal of optimizing cursed energy by mixing humans, sorcerers and curses to give birth to a new being.

That's also a conflict that needs to be resolved, but Sukuna by pushing forward the optimizing of cursed energy and representing the peak of sorcery living only for sorcerery and his own strength represents a Mara.

Sukuna is comparable to the Celestial Demon Mara in budhist mythology, more on it in this thread. In budhist cosmology, Mara is the “personification of the forces antagonistic to enlightenment.”

If the ultimate goal of budhism is to escape the cycle entirely and stop being reborn in the sensuous realm, Maara instead tempts people to stay in this realm. it defines impernanence by suggesting we stay in this realm forever. It defies Dukha by saying we indulge in physical pleasures in this realm, that we should seek to satisfy ourselves even if budhism argues that life is primarily unsatisfactory.

We even see Sukuna literally tempt a budha-like figure into remaining in this earthly realm. After all aren’t we shown that Gojo achieved enlightenment at seventeen and let go of earthly emotions like the need to be angry and avenge Riko’s killer because the feeling of oneness with existence was too good in that moment.

A lot of people noticed what they thought was Gojo acting out of character in the fight with him and Sukuna, by enjoying the fight and choosing his selfish desire to love jujutsu and fight as a sorcerer over his responsibiltiy to protect children. Something which Nanami says in his dying hallucination that Gojo only ever lived for the pursuit of his selfish desire for Jujutsu in the first place.

Gojo in his last fight against Sukuna forgets about saving Megumi or at least makes it a lesser priority, because Sukuna tempts him to do what he's always wanted to go all out in a sorcery fight and have the freedom to use his powers to the best of his ability. Hoewever, even after using his full strength, Sukuna cuts down the notion that he is above humanity and drags him back to the earth - literally calling him unenlightened.

“This is goodbye. You were born in an era without me and hailed as the strongest yet you turned out to be painfully ordinary…”

Does Sukuna not represent this temptation for all characters? Sukuna represents the selfish ideal of sorcerers, using his powers for himself to satisfy his hedonistic desires and because of this he has the most agency in the story and the story at times even bends to his desires.

Characters even fight for Sukuna's recognition, Hajime, Jogo and Gojo are validated by that same recognition in theend.

Why wouldn't Gojo and more importantly Megumi who are characters with very little agency not jump at the chance to be more like Sukuna, especially if it brings Sukuna the freedom he possesses?

Itsuki refers to himself as Senseui's shadows, leading him to act on his darkest impulses and enjoying watching the corruption spread. Megumi is literally a character who's Jujutsu revolves around his shadow, and summoning powerful Shikigami from it in order to fight. A character with an incomplete domain expansion (another loose plot thread with Megumi that would be unresolved if Megumi were simply saved) which is his own creation, which might surpass Mahoraga the technique handed to him.

In addition to being a Mara, Sukuna is also literally called the "fallen / disgraced one". Itsuki calls Sensui a fallen agel, but in the context of Jujutsu Kaisen there's literally a character called Angel, who's only goal is to save Megumi's soul, and there is a satan figure in Sukuna who wants to corrupt him. Literally, there's an angel and devil on Megumi's shoulder.

How is stealing Megumi's body corruption though? Megumi's not being tempted into being selfish. He's not responsible for any of the sins that Sukuna commits in his body. There's no arc there, because Megumi doesn't reclaim his agency in response to having it stolen away, he doesn't decide to do the bad things himself - it's Sukuna who commits the wrongs.

Even More Setup for the End Game

Here's where I stop referencing Yu Yu Hakusho and only use foreshadowing in the comic itself. The first is the discussion of roles, and how Yuji needs to break away from them, as much as Megumi needs to fight for his agency back.

Part of the reason Sukuna jumped bodies is because Yuji wanted to be given an easy role like a character in a story - rather than thinking and deciding for himself. He thanks Megumi and Gojo for giving him a role seconds before the body swap happens. If Yuji is immediately punished for thinking that what he needs is to be a cog in the machine, to be given a role then methinks that's a bad thing.

However, Yuji has not broken away from that thinking in any significant way. Sukuna even mocks him for finally being given a role.

If Yuji's thinking hasn't changed then no story arc has taken place. If this conflict of Yuji wanting to conform to a cog or a role has persisted since Shibuya - then it's clearly important to his arc and is something that needs to be resolved. If Yuji just solves the problem by being stronger than Sukuna and beating him in a fight, how does that resolve Yuji's flaw of clinging to roles rather than thinking for himself? I ask once again, where's the change?

Saving Megumi like a damsel in distress is still a role someone else has assigned him.

How does the decision to save Megumi right now challenge Yuji's hero complex in any way, besides the fact that Megumi has sunk into despair and would rather just end it all. Is that much a conflict that really forces Yuji to think for himself - to go against the grain of society rather than blindly following others.

If Yuji gets to rescue Megumi like a damsel, that's giving him what he wants, without forcing him to realize what he needs. That's as much of an unfullfilling end to Yuji's arc as a ending where Megumi never reclaims his agency and stands on his own feet and just has to sit there and wait and be passively saved.

Most of all the question: "Is it possible to save someone who's not prepared to be saved?" goes unanswered.

Geto wasn't just depressed and suicidal, he was actively making harmful choices and represented a danger to others. He also had no intention of stopping the path that he was on.

There's a clear parallel between Megumi and Yuji's friendship, and Geto and Gojo's past fallout. However, if it's just a conflict of Yuji saving Megumi who's simply too suicidal and doesn't want to go on living, there's no conflict there. The audience will not see whether or not Gojo was still capable of saving Geto post his burning down the village, or if there was no walking back from that choice. The previous generation won't resolve or fix the mistakes of the past generation.

Yuji remains a hero, Megumi remains a victim, as I reiterate for the thousandth time there's no change.

Megumi starting the merger, or even defeating Sukuna himself (maybe with a completed domain expansion) and then starting the merger is a change. It's also foreshadowed, Mahoraga is the technique he inherited, the technique Sukuna stole (and Mahoraga won't work against him he's already defeated it), Megumi's domain expansion is his own creation, created in his deepest moment of personal growth.

The process of individuation also literally requires a character fully integrating their shadow. Sukuna possessing Megumi is not Megumi facing his shadow or his worst traits, because Sukuna is not Megumi's shadow, he doesn't reflect Megumi's flaws in anyway, he's literally just a parasite.

There's also the 1001 Toji parallels to Megumi that have gone unfulfilled. Toji specifically a character who was abused, then chose to continue the cycle of abuse, specifically because he wanted to prove himself stronger than the peak of sorcery. Especially after a lifetime of being belittled and abused by not having the potential of his Heavenly Restriction recognized.

And what do we have here, but a scene of Toji LITERALLY EMERGING FROM MEGUMI'S SHADOW, in order to enter Dagon's domain.

How is Toji referred to afterwards? As a puppet of carnage bearing his fangs at the strongest around.

An incredibly Sukuna like description, number one because Sukuna's entire existence is simply bearing his fangs at the strongest around, and number two Sukuna is referred to as pure destruction, like a calamity, something with overhwelming sense of self and no humanity.

Not only that, but when fighting Sukuna, Gojo makes an explicit reference to Toji comparing him to Sukuna as the last time he ever felt nervous or challenged by an enemy. Sukuna and Toji are being alligned as similiar characters, supremely selfish people who hoard their agency and strength. Toji also represents the worst of Megumi, a victim caught in a perpetual cycle of lashing out against the world, a bad future path he might take if he doesn't get over himself.

Sukuna is connected to Toji wo is connected to Gojo, and all three represent a path that Megumi has been nudged down his entire life, that he should just selfishly use his power with no regards to anyone else the same way they do.

As I said before in my comparison to Jean, why wouldn't someone who's been robbed of all agency for so long, not go too far in reclaiming it? What's stopping them now that the chains are finally off?

Megumi parallels Geto, who parallels Toji, who parallels Sukuna and why draw all these lines between these characters if it's not to represent a path that Megumi could take?

In other words...

#megumi fushiguro #jjk meta #jujutsu kaisen #ryomen sukuna #geto suguru #fushiguro megumi #gojo satoru #jujutsu kaisen meta #jujutsu kaisen theory #jujutsu kaisen spoilers

[inbarfink]

Okay, so here’s the thing about Zim and GIR…

When talking about the idea that Zim might have some affection towards GIR - a lot of people bring up the fact that, like, GIR is even still functioning in the first place. After all, why would the Famously Sadistic and Callous Invader Zim keep around an evil minion who messes up as often as GIR does? Rather than scrap him for parts or just throw him in the trash? ….Unless he had some sort of emotional attachment to that minion in the first place?

But that’s… I’m actually not sure that argument 100% works. Because there’s one important variable that argument discards. GIR isn’t just a regular ol’ robotic minion - he is a special top-secret model SIR Unit personally gifted to Zim by the Almighty Tallests.

Zim cannot fully discard GIR as a worthless garbage robot that’s nothing but a hindrance to his mission the same way that he can’t discard Earth as a worthless garbage planet with no value to the Irken Empire - because that would be confronting and admitting that he is not actually a great and respected Invader in the eyes of his Tallests.

But I still think there are some other evidence to the idea that Zim likes GIR. Because, I mean, Zim is incredibly lenient towards him.

Zim… feels bad for yelling at GIR and making him cry. 

Zim. Feels. Bad. For. Yelling. 

This alone is incredible evidence for Zim’s affection towards GIR.

And that is absolutely not something Zim will do for just any minion. Just look at how he treats his Computer, and not to mention all those poor saps from Hobo 13. 

The fact that in his deluded world, GIR is supposed to be a top-of-the-line personal gift from the Tallests certainly plays a part. But I also think that while these delusions might explain why he doesn’t throw GIR in the trash… Zim is very good at twisting reality and logic and his own ideology for the sake of justifying his own selfish desires. 

If he actually wanted to hurt GIR, he could’ve very easily rationalized it as ‘you are supposed to be the bestest most prided minion in my army of doom and a personal gift from the Almighty Tallest themselves therefore I will hold you to a higher standard and punish you accordingly’. But instead he is incredibly lenient with GIR and his constant screw-ups and obnoxious whims.

So my read of why Zim is actually fond of GIR in his own weird way is very much tied to, like, a Big Thing about how I read Zim’s character in general. Which is, Zim’s delusion, like Ogres, has layers. Like, there are some aspects of reality that just genuinely never penetrated his thick Irken skull - and there are some things he does realize on some level even as he tries as hard as he can to convince himself otherwise. 

So I think on some level, as much as he outwardly denies it, Zim is aware of how much he messed up things for the Irken Empire in ‘Impending Doom 1’ and how the Almighty Tallests really view him. This is basically how his thought process is described in the Pilot -

And it’s also supported with how Vasquez describes Zim’s similarities to Dib in some of the ‘Florpus’ interviews.

Dib is obviously painfully aware of the ways his father does not respect him - but for Zim to similarly want to prove his own amazingness to the Tallest, he has to be aware on some level that the Tallest don’t acknowledge that he’s amazing. And I think it also matches with his interactions with the various Tallests in the ‘The Trial’ Flashbacks. Because he wasn’t originally that feverishly devoted, eager to prove himself and deluded about being beloved by the Tallests as he is right now.

That’s a trait he has developed either in response to his spectacular failure in ‘Operation Impending Doom 1’ or just to Red and Purple - who already knew him beforehand and decided they can’t stand him - rising to power. He is aware on some level of how the Tallests perceive him, and while he cannot consciously acknowledge it, his behavior is him overcompensating for it.

And I think… Zim projects this aspect of himself on GIR. He sees himself in GIR. Not the self he wants to see, the hypercompetent and beloved Invader. But the self he keeps denying - a devoted and loyal minion who despite messing up sometimes (or rather, all the goddamn time), is always eager to please and driven to prove himself.

Which… is also not a fully accurate view of himself, but like I said, it’s Layers of self-delusion. But that’s subconsciously how he perceives his own relationship with the Tallests and how he perceives GIR’s relationship to himself. 

So Zim being so tolerant of GIR’s constant screw ups, never really seriously punishing him, always putting him in important positions in his schemes, always acquiesce to his stupid and annoying whims… that’s because he sees himself in GIR, and that’s how he would like the Tallests to treat him, that’s how he pretends the Tallests already treat him, and so that’s the treatment he gives GIR. He believes he deserves these infinite second chances and high-ranking roles in all of the Empire’s universe-conquering plans despite his constant failures and that’s what he keeps doing with GIR despite being just as frustrated with him as the Tallests are with Zim.

And the thing is, because of Zim’s Extreme Projection to the Max - he kinda got the entirely wrong idea about GIR. Zim is not exactly that eager-to-please loyal drone of the empire - but GIR is not that at all, not even remotely. While GIR might have some affection towards Zim, he doesn’t care at all about the mission - much less being ‘allowed’ to do Important Things Vital for the fate of the Zim’s latest scheme. He would much rather goof off and watch TV then be given any sort of responsibility.

Again, the cupcake scene is very illustrative. Zim thinks GIR is upset because he feels very bad about screwing up their mission and thus is immediately forgiving - but GIR was only sad because he ran out of Cupcake to eat.

With how distractible and chaotic and generally detached from reality GIR is, it’s… kinda hard to determine when he’s trying to obey Zim’s orders but failing and when he just never really gave much of a shit about them in the first place.

But he’s usually not even a little bit bothered or upset about the idea that his inaction has put his ‘master’ in mortal danger.

I guess the funny thing is, like, there are times where Zim needs an extra pair of arms or eyes on board - times where he needs the skills of… maybe not GIR but at least a hypothetical fully-functional SIR Unit. But there are many other occasions where GIR is nothing but a burden and annoyance to him and the thing is that they both would’ve been happier if GIR was just allowed to stay home to watch TV and eat babies but Zim keeps putting him in important positions because Zim likes GIR but he’s unable to understand what GIR is actually like beyond an image of all the projected insecurities he can't admit about himself.

And of course, as we all know, if GIR was actually driven to fulfill their mission - that turns out very bad for Zim very very quickly. 

#invader zim #iz #zim #zim iz #iz zim #gir #gir iz #iz gir #zim invader zim #gir invader zim #invader zim gir #invader zim zim #tallest red #almighty tallest #tallest purple #invader zim tallest #the almighty tallest #the tallest

[kneelingshadowsalome]

I loooove your Minotaur!Konig, mythological AUs are my favorite ❤️

Asterion is such a sweetheart with his love, but I can only imagine how he gets when he's jealous/protective. I see Asterion settling into domestic life as a husband and a sailor relatively easily because it's all he's ever wanted (more than what he wanted/thought possible if he's being honest), but all it takes is one man making aggressive advances on his wife and he's the dreaded Minotaur of Crete who cut through hundreds of soldiers to get through the palace and slaughter the king himself. All those feral, animalistic traits come rushing back tenfold when it comes to her, the center of his universe and the only goddess he'll ever worship. So it doesn't matter if it's a simple fisherman, a famed warrior, a prince from foreign lands, or the son of Zeus himself. Asterion had slit the throat of a demigod before; Theseus, a rival who he disposed of bitterly before he had even met his wife, the unfamiliar poisonous feel of envy trickling through the Minotaur's veins as Theseus mentioned a woman he'd come to the labyrinth with, a woman who would change his fate and make him different from the other heroes who had tried and failed to kill the Minotaur and escape that infamous maze. Yet the divine hero fell as easily as the others, and she ended up changing Asterion's fate instead, guiding him through the hell that had imprisoned him since he was a child, holding out her hand to him and bringing him out of the darkness of the Labrinyth and into the light. Asterion would kill a thousand heroes and kings for his love, become Death itself and burn down the world and the heavens alike just to keep her safe, keep her with him.

Anon you depicted him & his devotion so beautifully…

He has a lot to learn when it comes to society and living among people: the first time they were at the marketplace and she started to barter with some shopkeeper, he thought the bargaining male was insulting his woman. So he marched forward, grabbed him by his clothes and raised him to the chalked wall until she ran to him and explained the situation – amused while the poor shopkeeper almost pissed himself. She got a very good price after that!

And he will absolutely turn into a demigod, this chthonic warrior whenever he feels his beloved is under a threat or if someone tries to take her away from him. It’s not even about him being jealous (although he is that too): he just sees himself as the most able protector she could choose, and anyone who dares to challenge that will get stomped to the ground.

Clearly, she favors him between the furs as well, so it’s no use to try and snatch her away with perfumed beards, shallow promises or playful charms… She always runs her fingers through his hair, chest, head or thigh, looks at him with stars in her eyes. She obviously doesn’t need some shaved “hero” with an eloquent tongue when she has a bull like him.

Bulls don’t have time for philosophy and neither does she: his goddess prefers a strong man who can carry heavy loads and make her moan in bed. And whenever he does talk, he says what he thinks. It always makes her either gasp or smile so at least he doesn’t bore her to death like those oiled, fancy men… She likes his comments in bed, too, he can tell. To him, it’s nothing earth shatteringly special to wake her up in the middle of the night and announce that he’s hard. The thing between his legs was made for her pleasure after all, so why should he keep it to himself?

She always acts as if he has both done something wrong and extremely right because it always ends in her saying that perhaps he should fuck her then. Soon enough she's begging under him, clawing his back like a cat, sighing that she loves him.

He always tells her that he loves her back, as many times as he has to to make her shatter in his arms.

#minotaur!könig #könig fluff #long post #tw: long post

[aevyk-ing]

Watching the making of Wish

-Patting their backs for reusing animation as an homage. Like yeah, it’s nice, there’s work behind that, but it’s the way they say it, like: “We’ve worked hard! Trust us!” We know animation is hard and the problem with Wish was never the animation.

-I didn’t know Sabino was based on Roger from The Aristocats. I love Roger, he’s delightful. Poor Sabino just looks bland in comparison.

-They say Asha has her good and bad traits (which isn’t true) and is so brave to go against what she has believed her whole life. I've seen that done way better and with actually compelling characters.

-“She has to balance being a good friend and family member to speaking the truth and I think we can all relate to that” Well… nope. All those things can be different things. And both your friends and family should help you or at least listen to you.

-Saying that the “I want” song explains how the character is, like… duh.

-Well, yes, Ariana DeBose did great with what she was given.

-So Asha has freckles because some people of North Africa and Southern Spain have freckles… what? Any skin color can have freckles. And I can’t talk about North African people but Andalusian aren’t quite freckled (yes, that’s the name of Southern Spain). Also, I never saw her as mixed. She totally follows more of her mother’s culture. That’s why I don’t like her calling her father’s father saba. Her mother’s father would be her saba and her father’s father her abuelo.

-I love Bill Schwab’s designs, he’s a great artist. But he was only told Asha’s age, race and height. Which yeah, it’s important, but for designing a character you should think about their personality too, because that also translates into their features, hairstyle, clothes and mannerisms. We still don’t know anything about Asha. Is she shy? Likes comfy clothes? No, wait, she’s adorkable.

-They talk about Disney Princess gowns using elements from the current period where they were made (something quite interesting) but they just put the Modern twist in Asha’s hairstyle. Like, what were you afraid of?

-Maybe I’m reading too much into this, but Schwab’s just did his job with a model sheet and that was the ONLY reference they had for animating Asha for a while. Then one of them used his daughter as inspiration and then Ariana came with lots of ideas. They didn’t know how Asha moved for the longest time! Their lead character!

-They say Asha is pure energy, which is… somehow correct? Like she’s just awkward and making those weird moves and trying to be cute and funny. The movie is done and nobody knows yet who the heck is Asha as a character.

-Apparently, Asha has details of pumpkin seeds all over her clothes and she’s wearing periwinkle because of the idea of making her THE Fairy Godmother. I still think she looks better in orange.

-Seeing the voice acting outtakes was good. But now I wish the Bland Dwarfs looked more like the actors. All of them have interesting features that could have been implemented in the designs instead of making them clones of the Encanto family and the mother from Strange World.

-The first deleted scene is after Sabino retrieves his wish and he sings a song. I would have put it in the end as a farewell song with everyone joining it.

-"The Wish equation" is to have a true wish, be responsible of it and… finding support? Fight for it? Exclude fear? Accept change? What are we even talking about? A dream career?

-They say the FG gave Cinderella the dress but couldn’t make the Prince fall in love with her, so she was supporting her! Like… Cinderella just wanted to go to the ball. BAM, there you go, a new dress, WISH GRANTED. Cinderella’s wish wasn’t to make the Prince fall in love with her, she didn’t even know him yet!

-“Music happens when you’re too overwhelmed with emotion.” This clip plays AFTER a snippet of "Welcome to Rosas". I guess Asha was too overwhelmed with being late. That shouldn’t have been a song, she should have told us about Rosas in the book opening.

-They wanted it to be like a fairytale and then hired a pop composer. Like the director says she grew up with the Disney Renaissance Era. Which used Broadway music!

-They talked about this earlier but “This wish” was the song that helped them write the movie, just like "Let it go" made them rewrite Frozen. So you can tell they didn’t have much to work on, maybe an idea: “Hey, just do a fairytale about wishes for our anniversary.”

-The songwriter was so overwhelmed with the commission she had to reach a friend to help her.  Maybe because nobody actually knew what the movie was about? But hey, she’s the youngest to ever write a Disney OST.

-You know? The more I hear “This wish” the more I’m sure it’s the best song of the entire soundtrack.

-Hey, I know that guy in the archive! I’ve seen this clip before!

-I’m just hearing they didn’t know what the heck to do and dived into the archive for inspiration. I like the idea that they studied the greatest artists for some scenes, but sadly, all that is lost in the movie. They scenes are too short to appreciate the animation, but A+ for effort.

-They thought doing a fairytale illustration style was difficult to do… in 3D. Just don’t do it in 3D! Also, I don’t think it’s that difficult, Blue Eyed Samurai did something great.

-The composition is interesting and the backgrounds too, but the characters look quite bad.

-The illustration style led to the backgrounds (and everything) being in focus, which I think it also makes the movie look weird. Look at any old painting: the background is less detailed than the main focus (less brush strokes). They could have gone that direction. The backgrounds of Wish are too detailed a lot of the times and always in focus, so it’s distracting.

-BTW, most of this is: “We did this like in this movie, that like in that movie…” but, what’s original? What makes Wish its own movie?

-They talk about lines like lineart in animation, which we’ve seen it masterfully in Spiderman. But here is so subdued it doesn’t add anything.

-“Wouldn’t it be great to have a warmer climate than the one we’re used in fairytales?” Yeah, because there’s snow in Encanto and Hercules. Also, nothing tells us that’s a warmer climate. Google “Andalusia”, please. There’s flowers in bright colors everywhere, white houses, narrow streets and people, just a lot of loud and happy people. That’s Southern Spain for you all.

-At least with Frozen we CAN TELL it’s Norway. Here, there’s nothing that says SPAIN. Give us people eating serrano ham or tortillas, maybe put a bull around there, have them drink wine from botijos and play guitars!

-Again with the “this was based on this”. Rosas was inspired by The Sleeping Beauty: Germany and France. That’s a whole different architectural design! There’s no verticality as main focus in Mozarab architecture, is all about curves.

-“So it’s your fault.” Yeah, that doesn’t sound fun. I have the feeling you’re not telling a lot of things.

-You know, another Fantasia would have been great. Maybe one with all the Disney characters.

-This is now about the story of Disney, so yeah, padding. Also, way to use “At all costs” in the background. We don’t want to remember what you’ve done in the past, we just want you to tell a good story again.

-This should have been the beginning, the “wish upon a star” that put Wish in motion.

-It was going to be about the origin of the wishing star?

-“Return of Disney villain” Hahahahahahah…

-They didn’t know how bad Magnífico could be and made him do mean stuff like smashing Sabino’s guitar (they called it a guitar here).

-Also, apparently he was going to be shirtless in a scene. Like, you know, a Disney villain.

-We don’t watch him BECOME a villain, we watch a magic book CONTROL him!

-“With "This is the thanks I get" I was like, oh, yeah, we have a narcissist.”, so they didn’t know anything about Magnífico until the song was written! That’s why he doesn’t act like a narcissist much until that song and why the mirror ending felt rushed.

-“When Chris Pine came in I was like: that’s it, that’s the character.” Because they didn’t even had designed it? Like, that’s literally him!

-He did give it all to that song.

-Magnífico was an alchemist?

-“We didn’t want people to know he was evil right away.” Every poster and article: “Disney’s new villain, everybody!”.

-“Makes him more dangerous the quieter he is.” Magnífico in the end battle: eyes fully open, screaming, laughing.

-Oh, Star, here we go. He was going to be pure energy as well… just like Asha! Yeah, we were robbed. BTW, he’s not like Genie or Maui. Maui and Genie aren’t even the same!

-He could have been a fantastic creature as well. And all those designs look crazily fun. But also that’s the kind of exploration you do at the beginning of the production, not in the middle. Unless someone meddles…

-Someone went out to design different sparkles for Star but I could only see it being adorkable. Focused on the face so the sparkles weren’t even noticeable.

-“…they put their personality on it (Star)” Yeah, because none of these characters had any personality… nor have it now that the movie is done.

-People being made of stardust is one of the most beautiful scientific facts. “You are a star” is the worst song in the movie. No wonder it took so long to write.

-Nope, Doc was a leader. Dalia is just there… talking. Of course she’s a way to get the medal of  “we put a disabled character” but at least she has more personality than Asha.

-BTW, just saw the Story Artist wearing a pin with a Pride flag in the shape of a Mickey.

-“She’s just a young woman, going with her life.” “And succeeding.” Yeah, representation is good, but it’s better if you’re not talking about how good you are for doing it.

-Also, we have mixed-race representation, older people with dreams representation, etc. but hey, that girl has a crutch, we’re cool.

-“Animals in Disney have to be smarter than people.” Why? Just why? And also, Valentino is no way smarter than any of the other characters. So why say that?

-“(Alan Tudyk) He pretty much made the whole character.” Yeah, because it looks like nobody had any idea of how these characters were.

-“Inspiration can came from anywhere.” You just COPY-PASTED the ideas of others.

-“Everybody has seen me crying in the studio.” For a good or bad reason?

-Ending with a Walt quote proclaiming they always do their best job… huh…

-“It served the story better to have Amaya as a good person.” Yeah, nope. It made no sense for her to switch sides so easily.

-Sabino dying would have been such a strong way to start the story. Him stealing Asha’s diary… yep, not good.

-Reinforcing my theory that Disney wanted to move away from shapeshifters after the Nimona fiasco.

-Looks like they gave the chaotic energy Star was going to have to Valentino.

-Making any other animal talking surely was a mistake. What’s with the sassiness?

-Dalia wasn’t called like that?! BTW, the writers were so proud of her clutch not being mentioned but, in the deleted scene, it’s the first thing they do. Twice.

-“When you’re underestimated, they don’t see your power coming until it changes the world.” Whoa, just whoa. Disney writers, everybody.

-LOL, the deleted scene with the animals is so bad. But Magnífico was going to transform into a Beast, so… kinda interesting?

Here's the link, BTW.

And congratulations if you read this all. If you're interested, here are my own Wish rewrites: 1, 2.

#wish #disney wish #rambling

[warmerstranger]

❝ [𝙰 𝟿𝟿% 𝚌𝚘𝚖𝚙𝚊𝚝𝚒𝚋𝚒𝚕𝚒𝚝𝚢 𝚖𝚊𝚝𝚌𝚑!?] ❞

ft. The 7 Bros

°°``summary: when you showed the 99% result of a compatibility test between you and your boyfriend to him...

°°``drabbles (hehe I made each part to be exactly 100 words)

Marked as and included with: Fluff, luci kind of being a harshie judger>:/

Luci;

Thinks of it as a sad pathetic attempt of yours as he looks at you with a frown and a shake of his head.

“If you need some form of reassurance, you should admit so to me, am I clear?”

Honestly, his pride gets scratched a bit somehow seeing the 99% mark. It irks him the same as he would react with fortune telling. You don't need those things in assessing your relationship with him, he would make sure of it. Needless to say, he treats you to a date or gives you a long and passionate kiss that day.

Mammon;

He would go through a phase of a grandpa trying to read; squinting and tilting your phone from all sides as if doing that (in denial) would change the result.

“Hmph, of COURSE! This is the Great Mammon you're talking about—you shoulda k-known by now! What's with the one percent anyway...”

While Mammon made that statement in trembling voice, he still demands you to explain why it's not perfect. He won't just accept a result like that! Do prepare for him behaving more jittery and embarrassed all at once showing he is your 100% attentive boyfriend through the whole day.

Levi;

“So wha-what's this got to do with me!? With us?? I thought we.. it's obvious....”

The one most sulky instead, before he starts a rant about how you shouldn't trust about tests like that since he doesn't need to be shown of the example. He's making it a big deal when really, he's just worried if those tests might affect or... ruin the relationship you already have with him.

Levi also adds that if you're one of the love interests in a game, he would straight up chase your route without fail and have a happy ending on first try.

Asmo;

He would be all squealing and cooing about how he really is the one and only for you. There's just no downsides from having him as your boyfriend, plus he could also be your own personal beautician; helping you have the best glow-up and become almost the prettiest as him.

“We're literally match made in heaven! Here, look this way, honey. Give me your best smile and pose!”

He soon snaps a picture of you and him together. It will be one of many proofs—even better than the shallow test result—about the most beautiful fitting couple in the Devildom history.

Satan;

The one gets a bit invested about it, depending on what kind of test you took; detailed or resulting in just a simple little speculation. He would be disappointed if it's the latter and you're easily happy with it.

But, when it's the former, he will deep dive and (over)analysis, seeing how your traits would connect then overlap with his own personality fueling the combination chemistry of being a match which as if two souls resonate and becoming a part of a whole unity—

“I see..., it must have been very fulfilling to learn of this development, wouldn't you think?”

Beel;

Is happy for you :) because you're that excited about it, he nods and will listen quietly to you if you decide to converse about it. He might make it seem as if the test is more about you and doesn't involve himself at all, but...

“That is a good thing, will we get to eat together more of my favorites then?”

His mind strays off imagining about new foods that he or you find delicious will be enjoyed its taste between the company of you two. You'll soon be surprised about a growing clamorous rumble which sounds very near.

Belphie;

Similar to how his twin reacts, he isn't that impressed and will give you a hum of acknowledgement before burying his head in your lap again that's surrounded by a blanket and pillow since moments ago. You were hoping for him to give something more than a passive response, but you can't blame him since he's just cozy being like that. He turns to face you and mumbles with a smile, while caressing your face.

“Maybe it's a sign we will have higher chance of finding each other more often in our dreams now... Hm, that wouldn't be so bad.”

#obey me fluff #obey me x reader #obey me imagines #obey me lucifer x reader #obey me mammon x reader #obey me levi x reader #obey me asmo x reader #obey me satan x reader #obey me beel x reader #obey me belphie x reader #obey me x gender neutral reader #mammon x reader

[despazito]

I have conflicting feelings about so called "therapy talk" in animated shows nowadays.

I'm not sure if I like the term in general because i think it's dismissive of the concept as a whole, which I feel throws the baby out with the bathwater. Like to me at least the definition of therapy talk means being extremely emotionally mature, being able to successfully identify and communicate your feelings, and using empathy to do the same with others' feelings. which I think are all good qualities to have in a person, but detrimental to a fictional story if this trait is shared equally amongst the WHOLE cast and that's what bothers me about its overusage now.

People just don't have interpersonal conflict this way!! especially amongst kids or teens. Or at least it's extremely uncommon to have these types of kindcore interactions with others outside of a moderated clinical setting.

Emotional intelligence like that isn't a switch you can flick, characters may repress things or drop a facade to deliver some truths or philosophy to the protagonist but it has to dovetail in with the rest of their character. A character who showed no previous capacity for such maturity just feels unnatural to suddenly act very wise for a scene if it's played completely straight.

For instance, Patrick Star is great at playing this for comedy. His sudden rare bursts of extreme mature clarity are so opposite to the rest of his character that it loops all the way back into the comedic. But then imagine a character like Scrappy Doo busting out a lecture on externalizing his unresolved anger from past experiences without a shred of irony. Or Jesse Pinkman breaking his character of a wannabe gangster drug dealer to deliver a carefully worded clapback to walt about toxicity and gaslighting explaining the deepest mechanics of his personality. It would kind of suck, right? Which is why when Aaron Paul's character in Bojack gets a scene like that as Todd, it's very introspective but still delivered in Todd's voice because the writers know Todd and know the boundaries of what he can articulate.

Characters can gain introspection and learn to understand themselves over the course of a narrative, but it has to feel natural and have some precedent. It's a bit annoying when all the characters resolve emotional conflict like they've taken a class in anger management before.

And i think a lot of it is the writer idealizing relationships and interactions between their characters and a weird obsession with morality in fiction now. We need to be spoonfed why this character is bad or what is currently occurring in a lecture from another character lest someone get the wrong impression from the text, in many ways it comes across as unconfident writing.

In a perfect (or dystopian to some) world everyone can communicate impeccably with everyone’s feelings in mind and people will come away with the exact reading of a text the author implied. and sure it can be good escapism if that’s what you crave. but it just doesn’t make for very interesting stories!!

Some writers will try to hide therapy talk under several layers of meta irony, but honestly those can feel even lamer to me and dare I say lazier in execution. It's quite literally telling instead of showing the audience exactly how a character feels by having them sarcastically voice their internal feelings in the format of a mindfulness diary prompt instead of feeling confident enough in your audience to pick up on those themes themselves through subtler acting cues or interactions. It's the internal conflict equivalent of loudly breaking the fourth wall to shout that motorcycle slide was from Akira, instead of having faith in the viewer to catch a reference on their own.

This kind of self aware speaking about emotions definitely has its place, most notably in preschool programming because many of those shows are about teaching kids emotional intelligence and conflict resolution. But I am getting tired of this trope in other genres for older audiences, let things be messy and ambiguous! Your characters don't have to be perfect people! Let them have misunderstandings and make mistakes in relationships instead of speaking like licensed counselors!!

[mortal-kombatants]

Hi! Can I ask for Kuai Liang and Hanzo headcanons, where the reader feels insecure because think they might like someone with good fighting skills (and the reader is completely unaware of this), but they are so nice and cute on their own, that those two are already in love with them?

Good luck growing your blog!

Thanks for the ask and encouragement!!

Instead of going for the "nice and cute" thing, I didn't specify personality traits

Also, Hanzo's probably doesn't seem as romantic as Kuai Liang's does because I usually headcanon him as aroace, so writing him romantically was a challenge, but I tried my best.

Also, since this is a specific scenario, it's a little shorter, so sorry about that

GN!reader, no pronouns used

Kuai Liang/Sub-zero

He doesn't really try to hide the fact that he's in love with you. It's just that he's really bad at showing his own emotions; he does his best, but it usually doesn't end up being enough.

He does think that he shows his love for you well, despite the fact that he can be cold at times without meaning to be, which is what leads you to believe he doesn't care about you.

He spends more time training than with you, so you think that he would prefer someone he could spar with.

When you end up confronting him (because you'll have to do it first), he's immediately apologetic, which doesn't make you feel any better. Once he notices, he tries to explain.

He takes your hands and tells you exactly how he feels about you, just every thought he's ever had.

To your surprise, he didn't have anything bad to say — there wasn't anything even remotely critical.

He talks about all of his favorite things about you, from your appearance to your personality, which ends up just being him talking about you

He only stops talking because you make him. First you tried verbally, but he ignored you and kept going, so you kiss him, which does make him stop

"Do you understand now? I love you."

Hanzo Hasashi/Scorpion

This man is so clueless when it comes to emotions, both yours and his own. It took him what may have been months for him to realize he liked you.

Because of this, he doesn't immediately notice that you has become withdrawn. When he does notice, though, he talks with you about it as quickly as he could.

When you tell him about your insecurity, his first response was "Why?" Because him making an offhand comment about wanting a new sparring partner shouldn't have been able to make you think he didn't like you.

At your expression being more upset, he tries to reassure you.

He tells you how much he likes seeing you do your hobbies, even if he didn't share them. He likes seeing you happy while doing them, and he wouldn't rather have anything else.

"I love you for you, and I don't expect you to change yourself for me. I would never want that from you."

#mortal kombat #hanzo hasashi #kuai liang #mk11 #sub zero #headcanons #quill writes #mk x reader #gn reader #sub-zero x reader #scorpion x reader #hanzo hasashi x reader #kuai liang x reader

[this-is-fox-speaking]

my own attempt at “redesigning” some hazbin characters

(extra notes: i decided that everyone wears red for the most part because that’s the uniform color for the hotel. that’s part of why i didn’t change certain things like husk’s or vaggie’s clothing colors. - i’m 17 with the only character design knowledge being my own personal ocs, so of course, take my criticisms with a grain of salt! - everything is a bit poorly edited in terms of recoloring because i did this on ibispaint for fun.)

here are all the (re)designs together. under the cut is more info about my thought process and side by sides.

1. Husk

- The only things I changed were his pupils, the colors, and his tail tip stripes.

- I used his pilot colors because I realized they have a much warmer feel to them instead of the final design which made him look all greyed out and dead. Good for an old man, I suppose, but not good for when the inner wing is colored almost the same way as his fur, his pants, etc. Having these colors so dead makes him blend into himself too well, but changing the inner wings did a lot, I think.

- Gave him heavier lines under his eyes like eye bags, to replace the heavy fading eye bags that were in his pilot design.

- Got rid of the hearts next to his eyebrows. It felt like a bit much.

- In terms of his actual design other than the colors, I’m not mad about it! I actually adore the new pants and such. It was just the colors I had an issue with.

2. Angel Dust

- God, he’s so ugly to me.

- He looks a lot like his pilot design, but for good reason. I realized that the pilot design also had more warm colors and not bright neon pink, so I used those colors instead. I really just.. changed all the colors.

- I hate his fucking gloves. I hate them a lot. So I replaced them with his usual short gloves, but gave them back the little white tips in the show design just to be fair. I have no idea why they decided to make the lower pair of gloves white, as it just looks like they aren’t wearing any gloves at all, alongside them having no pattern like the top gloves. It’s the weirdest design choice in the entirety of this design, to me.

- I made his extra eyes actually look like extra eyes instead of teeny tiny dots.

- Gave him his tit fluff back. Like, why’d they get rid of that? It’s apart of him, bro…

- Gave him pupils, cause he looks better with them than without them. I even gave him two different ones, just for fun!

3. Vaggie

- Like Husk, I don’t actually hate Vaggie’s design. It’s the only one I have zero complaints about, actually. But I decided to mix in some of her pilot colors and traits to give her some sort of soft look, to mix in the loving girlfriend Charlie knows but also the ex-exorcist that she still is.

- I recolored her stockings, her choker, her (arm things?), and made her bow rounder, to try and tie in the idea that she’s wearing a uniform but also still wearing these softer things to be more comfortable. Again, just attempting to make her look less aggressive.

- Gave her an eyepatch so the X over her eye would make a bit more sense, design wise. Because we don’t see any form of scarring under there, I don’t think? I could be wrong. Would also explain how everyone else notices the X.

- I don’t know what the light pink middle was about, so I changed it to black.

- Recolored her sleeve frills to be white and gave her the same white frills on the bottom of her skirt. Honestly, I just thought it looked nicer.

#edits #redesigns #hazbin hotel redesign #hazbin hotel redesigns #tw vivziepop #cw vivziepop #vivziepop critical

[mitch-the-silly]

GUYS LOOK AT MY ALASTOR REDESIGN!!!

I’m obsessed with this-

Now, I was determined that justice be brought to Alastor. So I did him right by giving his his black features AND I shifted the focus of his demon form the voodoo symbols to the glitching and the Wendigo aesthetic. I like to think that the eye on his speaker is an extension of his power, so when he goes crazy it’s the eye where all the tentacles and things of the sort come from.

I made him look more like a deer because it had to be done!!!

Now, here’s some lore for my Alastor:

His little microphone/staff is an extension of his power. So instead of Voodoo symbols needing to show up on the screen when he starts tweakin, he just needs the eye on his microphone. The eye summons the tentacles and such, and I took off the voodoo elements because

1). I’m not capacitated to be speaking on Voodoo

2.) I’m not drawing them symbols because my grandma taught me better than to mess with forces I don’t understand

3.) His true form leans closer to the appearance of a Wendigo, so I wanted to focus of that.

So Alastor, having died in the forest, it makes sense his demon for ends up being a Wendigo. He was a serial killer and had to stalk to kill his victims, very much like a Wendigo. If we stick to some of the legends that depict the Wendigo, one may argue that his murders were done due to being possessed by one. I’d like to say that for my Alastor, he was indeed a Wendigo victim.

As for the Alastor being a mama’s boy allegations (it’s canon, but I wanted to say it this way lol), he’s not beating them. One of the traits that I love the most about canon Alastor is his love for his mom! I think it’s a good trait in him that explains why he’s very disdainful towards men, but very tolerant towards women. I’d like to build upon that trait with his character.

As mentioned by Mimzy, Alastor was a huge dancer and a hard social drinker. I just know this man can handle his weight in alcohol if he so desired- I’m sure he was the life of the party when he had the chance to go out after work. Also, some part of me just knows he was a huge Louis Armstrong and Cab Calloway fan. Which brings me to say that my Alastor has a Cajun accent. YOU’RE WELCOME-

BUT ENOUGH ABOUT LIVING ALASTOR

Due to how nice Lucifer is, Alastor in hell is exactly what people mean when they say “the devil himself”. He’s as always merciless and charismatic; the perfect mix for an overlord. He ruled “peacefully” from the late 30’s to the early 50’s (when Vox appeared). Him and Vox got along quite well at first, but when Vox started leaning towards those pesky innovations, Alastor showed his disagreement and denied a spot in the Vees when Valentino joined the hierarchy of Hell.

#hazbin art #hazbin hotel alastor #hazbin alastor #alastor #hazbin niffty #hazbin charlie #hazbin husk #hazbin angel dust #hazbin vox #hazbin vaggie #hazbin lucifer #hazbin spoilers #hazbin hotel

[beastabyss666]

You know as a former member of Vivziepop's cult and yes its a cult not a fandom anymore I am disgusted by a majority of the people in it.

Like someone on the subreddit brought up it being kinda tasteless or fucked that they sold sexy Stella merch in bdsm gear when she's abused Stolas physically. The post was deleted quickly and judging by my experiences in the fandom people were stanning Viv or harassing OP and that has got me thinking.

Why is Stella in bdsm gear? Like Stolas and Blitzo are canonically into it yet you give the abuser that...

Like isn't a bit fucked that instead of choosing the canonical practicioners in your show you choose to put someone who uses pain not to pleasure but to slowly break and hurt someone.

We know Vivziepop has a merch rep so how did that get into production?

I also find it fucked that Vivziepop and crew are attempting to tackle an issue as serious as domestic abuse and do it so poorly by writing Stolas and Stella as bickering children next we see them. Then the staff has the utter gawl to sell merch in general of Stella and the fans buying it up.

Like I understand autograph signings slightly but that's the only merch Stella should have.

Vivziepop's cult loves to claim that they utterly depise Stella and deserves to suffer because she's an abuser so how dare people want nuance or not just a generically evil cartoon villain but the moment she is drawn in a sexy way they start throwing money at that.

Like I just want to know how these people if their friends ask about the character on the pin will explain "Oh this is Stella who's a sexy domestic abuser"

Then again am I surprised when Vivziepop makes merch of a rapist and most of the crew have some weird fascination with Valentino and not in the way that he's their best written villain way more like they are simping over him.

I think a lot of fandoms, especially nowadays, have a lot of genuinely bad people who really need help/therapy but see nothing wrong in what they do or just keep doing that, though they know it ain't okay. That's so frustrating when you can't feel comfortable even in an Internet community. But Viv's "fandom"(I mean exactly these two shows, although Zoophobia also had......not very pleasant people) is surely something........Where'd you find so many blatantly oblivious and blind brown nosers which keep pretending everything's good when there's already tons of red flags from Vivienne? Yeah, that's a rare case. I don't wanna interact with this fandom or even talk about it, tbh. I still watch the show cuz it's fun to see how it manages to be worse with every episode, though sometimes I don't make reviews as many other people do it faster and better and I just have nothing to say(I need to take my jaw from the floor). Regarding Stella - well, I don't know on what principles Viv or her team makes merch with the characters, but aren't all characters being sexualized anyway? They even have merch with Chaz, a guy who, like, died in the same episode. And they keep doing new merch with this jerk. And that's obviously because there are people who simp for him. I don't know if Stella's merch may be an insult to those who practice BDSM, I'm not into it, tbh, and I don't take these things seriously, but I find this just a bland sexualisation. Well, it's "sexy merch", but yeah, Stella's all character is based on being a mean aggressive yelling bitch, and this thing.......it must be a character trait, I guess? Or just a sweet treat for rule34 artists, like most of the stuff Viv does. Again, I don't take all of this seriously, this sexy merch was made to tease and please the simping fans, but there's certainly a part of irony in it. Like, people in this fandom hate Stella so much that they shit on people who simply want her to be a more complex character, and they're........still buying all this stuff. They........enjoy Stella being "hot dommy mommy" and still keep hating her? Ngl, only Viv's fanbase can do that, lol. I've seen this fandom from the start and I can say that many people here always had some weird obsession with Valentino. I even remember some person passive aggressively telling me that "he's just very charismatic and it's your problems if you can't see it". When there were, like........A musical clip and a comic where he just was being an abusive jerk. Yeah, that's a really weird fascination. Also, doesn't one of HH's crew, who is an animator or a director(don't remember correctly), has a rape fetish and has drawn an animatic on their beloved ship Angel/Val? Hella ironic that a show about serious portrayal of trauma and abuse has a crew member(or members) which legit.......find it hot or cute. That's sick af but I guess Viv doesn't care who she hires. Oh, that's definitely not a pit I would like to fall in. I'm not sure there's any hope on Hazbin portraying trauma or mental illnesses properly, but I'll still watch it anyway. Whenever it comes out....

#anti vivziepop #spindlehorse critical #vivziepop critical #anti helluva boss #helluva boss critical #helluva boss criticism #helluva boss salt #helluva boss critique #anti hazbin hotel

[thedeaddrawsblog]

Okay can we talk about something for a moment???

(Warning: Spoilers for the new Thundermans movie)

The Thundermans have a LOT of things they introduced into the series but never touched in again.

…

So I made a list of things I want them to revive or at least expand on-

- Billy and Nora (or even Chloe) getting their thunder sense. They only mentioned it in season 1 episode 13, and literally never talked about it again (from what I remember.) I want to see them expand on, use it in battle, and more importantly, I want to know if it’s just a Thunderman trait or if other heroes have that trait. Do villains have that trait? After all, they did reveal in the movie that superheroes and villains get their powers from a plant.

- speaking of the plant, is there multiple plants? Why was the thunderman family chose to keep it safe? How many generations ago did people get powers? Why those people? What created the plant?

- also I’m just saying it now, I need Max and Phoebe to hang out with Billy and Nora. Like we barely see them interacting. I’d literally do ANYTHING for an episode of Max and Nora hanging out, Phoebe and Billy hanging out, vise versa… I know there was like one episode in the series, but that’s only one and Max was being a dick.

- I NEED to see an episode of what it would be like if Max did take over the world. Like how he did it. Did he become a superhero to get a bunch of secrets and feed them to Dark Mayhem? Or maybe it’s just an alternative au when Phoebe failed to turn him, and said the original uncut scene instead, where she asked him if he’d rather be a hero or a villain. Obviously we wouldn’t be able to see them as teens, but maybe they could explain it in the beginning. Like maybe Colosso is telling a story. Like clue style.

- OH. SPEAKING OF CLUE, maybe a murder mystery episode??? I think that would be awesome. Kinda like the blue bean episode where max turned blue. But like. ✨murder✨

- So… I can’t be the only one that wants at least a little queer rep, right…? And I’m not the only one who thinks Max is a little… fruity… (as long as Jack Griffo is okay with it) give him a boyfriend or something PLEASE 😭

- Because Max and Phoebe are I think like… 25…. I’d like to see them attempt being adults. Key word: attempt. (basically I just to see them get an apartment and what not, and obviously the Thundermans are sad, and their siblings find it hard not having their older siblings in the house.

- And I think maybe even Chloe not knowing much about cousin Blobbin, their pop-pop, or grandma (I forgot what they called her) would be interesting as well.

- also what happened to Blobbin???

- anyway

- I’m just kinda writing stuff out

- I think they were already thinking about expanding on it, but since several of the Thundermans friends +Wong have powers, I’d like to see how they deal with keeping it a secret or if they somehow get the powers removed. Like maybe they use that ball thing they used to trap Dark Mayhems powers. OH. WHAT IF THEY ACCIDENTALLY GAVE THEM MAYHEMS POWERS IN THE PROCESS OF TRYING TO TAKE THEIR POWERS?!

- Okay this kinda goes into Phoebe and Max becoming adults, but I wanna know if they went to college or if they are going to college.

- also, Max talks about having Evilgram in one episode (maybe a couple), and I’m curious if he kinda just forgot about it or deleted it. He probably deleted it, but I think it would be cool seeing Max find Evilgram on his old phone and miss that phase of his life. Maybe that could even tie in with an evil Max episode.

- ALSO I WANT TO SEE MAX USING HIS GADGETS IN BATTLE. HE SPENT SO MUCH TIME MAKING THEM IT’S UNFAIR IF HE CANT USE THEM.

I’m probably missing a lot of small moments but honestly I’m just going back and rewatching some of the episodes and I’ve been kinda jumping around so i do t remember all of them-

Anyhow I think it’s awesome that the Thundermans are coming back to life (that is if the movie gets good reviews. PLEASE LIE AND SAY IT WAS GOOD EVEN THOUGH THE CGI WAS CRAP. THE PLOT WAS ACTUALLY GOOD.)

#the thundermans #the thundermans return #thoughts #max thunderman #phoebe thunderman #billy thunderman #nora thunderman #chloe thunderman #hank thunderman #Barbra thunderman #max thunderman is a twink you can’t convince me otherwise. #angst?

[linkspooky]

You need to make another one of those "metas written by comparing characters with another show you liked" post about Getou now that you experienced FGO Morgan/Aesc.

Time to compare two characters from two different shows I liked (in this case Jujutsu Kaisen and Fate Grand Order: Cosmos of the Lostbelt 6 Faerie Britian) to illustrate what makes a good corruption / fallen hero arc. Two of the best examples I can think of in recent memory are Geto Suguru, and Morgan le Fay of Faerie Britian. They both have tragic arcs which follow similar beats which I think will illustrate exactly why audiences find these characters so compelling.

Both of these characters have their stories told out of order, appearing as villains first before their backstory is revealed but for the sake of simplicity I'm going in chronological order, the heroes they started as all the way to the villains they ended up being.

Before beginning though, a brief lesson on tragedy. Aristotle's poetics argued tragedy runs on the principal of catharsis. The audience feels for the characters on stage, no matter how terrible their acts may be. He argued in favor of moral ambiguity in its heroes. The tragic hero must neither be a villan or virtuous man, but a "character between these two extremes, ... a man who is not eminently goo and just, yet whose misfortune is brought about not by vice of depravity, but by some error or frailty [Aristotle's Poetics.]

The protagonists of tragedies are still heroes, but their good qualities are twisted against them. A tumblr post I see going around from time to time makes the argument that if Othello (the protagonist of Othello) were in Hamlet the story would not be a tragedy because Otello would just stab his uncle and avenge his father. If Hamlet (the protagonist of Hamlet) were in Othello, the story would not be a tragedy because Hamlet who is a characteristic overthinker would probably not fall victim to Iago's manipulations and jump to conclusions the way Othello did. Both of these characters are heroic, Hamlet is a clever and scheming prince, Othello is a talented general a moor who's managed to rise up the ranks in a racist society. However, they are both put into stories where those heroic values are twisted against them by the narrative framework itself. So to make the protagonists of tragedies into villains who were evil all along, ruins the moral ambiguity and therefore the catharsis of a tragedy.

Geto Suguru and Morgan Le Fay are heroes, placed in a narrative framework that twists their own heroic traits against them in ways they can't endure. They fall because of frailty, not because they were inherently evil to begin with. They are antagonists who have the qualities of protagonists, and once were arguably protagonists of the story, which is probably why they have so many fans in the audience despite the fact that they are both of them mass murderers and tyrants.

Now with the long preamble let's look at the stories.

Both characters start as essentially protagonists, and they foil the protagonists they are fighting against during their villain phase. Geto Suguru is a heavy foil for Yuji (we'll talk about this later) and Morgan so heavily foils Castoria because they are both the chosen one.

I'm going to start with Morgan because Fate/Nasuverse lore is a pain to explain. To simplify her story, Morgan Le Fay is from an alternate universe version of Britian. In that Britian everything is ruled by faeries. These are trickster faeries who are total jerks and extremely murderous at times. They were supposed to forge excalibur, but they just didn't do it because they were lazy. This was very bad, so the universe sent a big huge guy to tell them to forge the sword. They were lazy though so instead of listening to him they murdered him in his sleep and he died a horrible death.

The faeries could no longer be forgiven for failing to craft excalibur which is a really important sword that needed to exist, so god or heaven or fate or whoever decided to punish them and sent Aesc who will later be known as Morgan le Fay.

There's some time travel shenanigans but I'm going to skip it because it's confusing. Basically Aesc's job is to wipe out all fairy life and bring an end to their alternate universe, but she decides to defy her destiny instead. The heavens or whoever keep conjuring calamities to wipe out the fairites to punish them for their sins, but instead Aesc fights against them and saves the fairies.

I had a duty to paradise, but I knew that duty would result in Britiain's destruction. This other me, though... She loved Britiain dearly, even the lostbelt version of it. I thought about it, and I realized I wanted the same thing she did. From then on I chose to live as her. (Witch! Witch! Witch! You were the only one to survive the calamity) Countless times, I stopped the calamities. Countless times, I mended clan disputes to end wars. I did not mind. It was not the fairies I loved. I only loved britain itself and the home I would make here. It would be my very own Britian - something that was forever beyond my reach in Proper Human History. I did everything I could to make it a reality. Eventually though, I realized the best way to do that was to keep the faeries safe.

However, because Aesc is not one of them the fairies are generally ungrateful for her saving them again and again. Aesc gathers comrades around her to help ward off these calamities and save people, but she's often attacked by the same fairies she's just saved.

She continues fighting the system of her world again and again, until she's betrayed for the last time in her attempt to save Britan. The final straw is when after years of hard work she's finally brokered a piece and made a king who rules over all the allied fairy tribes, only for his coronation to be ruined, the king to be assassinated along with the entire round table. The king was also her lover, Uther.

Aaah! Aaaah! Why? Why? Why? This was supposed to be the greatest day in fairy history... Everything was supposed to change for the better! BUt they killed Uther! They slaughtered my entire round table like they were trash! They asked the world of us! They thought the world of Uther! BUt now, they've poisoned him...THey were too afraid to even face him cowards. Uther talk to me, please say something! I never let failure stop me! I've kept trying all these thousands of years! Am I doomed to failure here, too! Is it still not enough? Am I not enough? Is it not... Can I not save Britain? Is there no Britain that can be mine! Peace, equality, I never should have tried for either! How dare they! I can never forgive them ever!

You see much like Geto Suguru which I'll later illustrate, Aesc is caught in a cycle where she must continually fight disasters for the faeries to save them only to be met with their continued disdain. Her own higher minded intentions to save the people are what damns her to this painful cycle. If she'd been less heroic, if she didn't care she wouldn't have suffered. She's sacrificing herself over and over again, but sacrificing yourself is in a way just suffering. No one actually wants to walk the thorny path of the martyr, you'll get your feet hurt from all the thorns.

The people who are now accustomed to being saved despite doing none of the work themselves, are by and by completely ungrateful for Aesc's sacrifice. Aesc is a hero, but she's not in a hero's story so she doesn't get any of the benefits of a hero really. She's working with higher minded and more idealistic goals in a deeply cynical world and punished for it. I remind you, she was just there to kill all the faeries and end the world but she tried to save them instead.

It's important to emphasize their good intentions, because a shallower character reading would suggest that they just came out of the womb wanting to murder people. However, they're driven to it because they tried to be good, because they tried to be a hero. They are like Hamlet, and like Othello in the wrong story. They're also sacrificing themselves going against the system of their world and trying to be better than it, only to get dragged down. Their resentment grows against the people they are trying to save, the selfish and weak people who don't seem all that grateful for their heroism. The ones who aren't making sacrifices, the ones who are just content being saved.

I finally understood. My enemy wasn't just the calamities, it was the faeries of Britain as well. They were pure and innocent in the truest sense, they enjoyed both good and evil things alike without losing either that purity or innocence. They are at their core, no different from the loathsome humans who drove me from britain. So I crushed every possible source of malice. Vested interests. Discrimmination. Oppression. Envy. Mockery. All of it. But it wasn't enough. A few fairies took a look at the foundation of peace so many had worked so hard to build ... and tore it apart, because they didn't like it, because they could.

This is what finally leads to Morgan's breaking point, to decide that actually... fairies don't deserve rights. Morgan decides that the fairies are unworthy of salvation and rather than being the hero the only way to accomplish her goals is to become the oppressor and tyrant.

I give up, if everything has failed if it has all come to nothing, then I can never believe in people's so called goodness or understand it. Even if I did, what would be the point? Everything I did, everything I worked for... was just a waste of time. After all the times they betrayed me I should ahve known better... but I still clung foolishly to a sliver of hope. ANd now, because I wasted my time caring about something so utterly absurd, I've failed yet again. If my intent was to keep britain alive, then I was a fool to think being its savior was the way to accomplish it. No more. I will find another way. A better way. ...That's it. I won't deliver the fairies to absolution; I won't deliver salvation. Enough of this faerie of paradise, enough of being Avalon le Fae, I should have ruled this land from the start.

However, as I said it's only Morgan's repeated attempts to be the hero and save the fairies that drove her to this conclusion. However, I'd be amiss to say that Morgan didn't have flaws or selfish qualities from the start. Morgan le Fay is created from the Morgan le Fay we created with from proper legend. I'm not going to explain the lore, but basically she's an alternate universe version, who received memories from the Morgan le Fay of our universe. She knows the story of Morgan le Fay who tried to steal King Arthur's kingdom out from under him.

Alternate Universe Morgan le Fay still had the same chip on her shoulder, and entitlement that our Morgan did. She wanted the kingdom, and wanted Britain for herself. Her desire to play savior might have come from that very same entitlement that she deserves britain. Similiarly, she was most likely hurt so badly from the lack of praise because she also deserves praise for her actions. She has a bit of a superiority complex that places her above the fairies and makes her believe she has the right to rule.

However, as I said Morgan didn't start out as a tyrant she did earnestly try to save the faeries despite harboring those more negative qualities and selfish intentions. She may have had a more self-serving variety of selflessness but it's more the fragility of her that causes her fall. She didn't fall because she was rotten to begin with, she was just not strong enough to withstand years and years of ungratefulness from the faeries and betrayal. She has all the makings of a proper hero, she decides to defy destiny to save the people of faerie britain when she was supposed to be their destroyer. However, because she's in a tragedy she falls due to her insecurities and flaws overwhelming her rather than rising to the occasion.

Her manga chapter and the FGO Lostbelt game prose itself uses the light in the distance as a metaphor for this. Morgan continues going forward on the faint light of hope that things will work out for her and that even as a tyrant she can save Britain. However, it's that same light that damns her. In tragedies heroic qualities become flipped into flaws. Morgan's most heroic quality is her determination, the willpower to endeavor for thousands of years to try to save Faerie Britain, but that determination makes her unchanging, causes her to make the same mistakes over and over again, and just makes her continually suffer like Sisyphus pushing his boulder up the hill.

But that light is just an insect trap - or at least that's how it is for the protagonist of the tragedy. Road to hell, and all that.

After reaching her breaking point Morgan decides she'll no longer try to save the fairies but rather only care about saving the kingdom itself. She goes from the kingdom's hero to its oppressive tyrant after seizing the throne for herself.

That's where we meet the villain we know today.

Now shifting gears to Geto Suguru, he is someone who starts out his story trying to be a hero. A little bit of context on the world of Jujutsu Kaisen, it takes place in an urban fantasy version of Japan where the jungian collective unconscious and the negative emotions of humanity create curses that kill and eat people. These curses need to be exorcised by a few special humans who are given superpowers known as jujutsu sorcerers.

There is an institution of sorcerers known as Jujutsu High, which raises sorcerers from a young age gifted with these powers to exorcise sorcerers. THese teenagers are often sent out on msisions. This is different from most stories of teenage heroes with superpower, because fighting curses is brutal and dangerous and most of these kids are going to die young. There's also no end in sight to the fight against curses, because no matter how many curses are exorcised humans will just keep making more.

Not only do they live in a cynical, and brutal world but most sorcerers are insanely selfish. Just to give an example of how immoral sorcerers are, one of the allies of the main characters is implied to molest her brother, and if she's not she still uses her like 12 year old brother as a child soldier. Nobody ever bothers to question this because the institution of sorcerers are inherently corrupt, it's an instituion that continually sends children off to their deaths and uses people as nothing more than cogs.

Caught within this unfair system and trapped in a cycle of exorcising curses that are just going to come back anyway is Geto Suguru, who is not only a model sorcerer he's presented as much more selfless than your average sorcerer. He's directly contrasted against Gojo Satoru who is kind of just a petty kid with a god complex.

Gojo uses his powers selfishly, he only fights because he's really powerful and killing curses is a way to test and use his abilities. (This is literally stated as canon by Nanami don't fight me on this I'm simplifying his motivations because this is not a Gojo meta look at the entire fight with Sukuna saving Megumi was a secondary concern he wanted to fight a strong opponent). Whether people are saved by his actions are a secondary concern.

Geto on the other hand goes against the grain for most of Jujutsu Society, and believes that they as stronger people have a duty to use their strength to protect the weak. This idea of noblesse oblige is way way different from the attitudes of most sorcerers, who as I said usually turn into petty little people with god complexes.

Not to say Geto doesn't have a god complex, but we'll get to that later. Geto is explicitly contrasted against Gojo who's the only other powerful sorcerer and his best friend, but doesn't think they have an obligation to use their powers to help anyone.

Right away we have two things in common with Morgan le Fay, number one they hold themselves to a higher minded ideal that of using their powers to act as a hero and protect the people underneath them. Number two, this is a choice they make to be better than the people around them. Morgan's destiny is to destroy the faeries and she tries to save them. Sorcerers usually just keep their heads down and do their jobs, they're not heroes, they don't save people they kill curses. In fact, the sorcerers who are selfish assholes (Mei Mei) are wildly succesful, the ones who try to help other people like Nanami die young.

They sacrifice themselves for others. Geto pursuing his higher minded ideal is faced with the same kind of tragedy that Morgan is, where his attempts to save a teenage girl named Riko not only blatantly fail, they fail because of Toji a person who cannot use cursed energy. Everyone they tried to protect died, and they're shown first hand not only does the world not really care about their idealism, but they're not really powerful enough to change this world in any way.

Morgan's lover Uther and all of her allies is ruthlessly slaughtered, by the same faeries she was trying to save after she brokered peace. Geto tries to save a little girl, and he not only watches her die, but he sees an entire crowd of normal people, the people he is fighting to save applause for her death. They all applaud her death because they're a part of a cult that believes that the girl was an affront to their god, but she was mostly just a normal teenager. He witnesses first hand that normal people do not care for the fate of Jujutsu Sorcerers whatsoever.

If Geto were more selfish he would be rewarded. If he didn't attempt to save people, if he just only cared about exorcising curses like Gojo did he'd probably become more powerful and he wouldn't succumb to despair the way he had. Geto exists in a narrative where selfishness is rewarded, and his selfless, heroic traits are continually punished.

This traumatic event makes him aware similarly to the brutal cycle he is caught up in. Morgan le Fay can't save the faeries, because faeries are jerks who can't change. Geto will just continually exorcise curses over and over again. Not only is humanity just going to keep producing more curses, but humans are vastly indifferent to the sacrifices that sorcerers (who are mostly children) keep making to try and save them.

Geto's choice to protect people is the cause of his suffering, because sacrifice is inherently taking on suffering for the sake of someone else - therefore sacrifice is suffering.

This too, leads to Geto's eventual breaking point where he lets his resentment for the same people he's trying to save corrupt him. An incident where just after seeing his dear friend die because of a curse, he's brought to a village of people. The whole village put two little girls in a cage, who were capable of seeing curses and blamed them as the scapegoat for a curse reflecting his village. Geto sees a flash of what happened to Riko again, a crowd full of normal people who don't have to fight curses applauding for the sacrifice of a little girl who was innocent. It's the macrocosm, all of society forcing a few sorcerers to die exorcising curses for them, shown on the microcosm, one village scapegoating two little girls who did nothing wrong.

That's what leads Geto to snap and massacre the whole village. He's now turned against the masses he wants to protect. He then decides that instead of protecting the masses, he's going to kill them and build a world of only sorcerers. He's no longer trying to save them, like Morgan le Fay he's turned to the hero and the Tyrant.

They both even utter similiar words.

I will never save the faeries! I will never forgive the faeries! I don't like monkeys. That's the truth I chose.

Monkeys is by the way, the word Geto uses to refer to normal people who cannot fight curses or even see them. People who don't have superpowers.

One more time I want to emphasize Geto did not come out of the womb wanting genocide. Hamlet didn't start out the play stabbing people. He does have his flaws, just like Morgan by assuming the role of the hero he sees himself in a separate, superior category to the people he wants to protect. There's a line I like in a youtube analysis for for Yuji that applies to Geto as well.

(Other people exist to be saved, which gives Yuji a role in the world) In a way Yuji thinks other people exist to validate his own existence.

Geto begins the story not seeing other people as people. They exist in a category separate from himself. Part of the reason that his failures hit him so hard, is because they disprove this idea of superiority he has for himself. He's shown his god complex is just a complex and he's as flawed and capable of failure as any mortal.

It's an inability to recognize that failure, learn from it, and reconcile it with themselves that causes both Morgan le Fay and Geto to spiral. They are the hero, they are trying to be just, they should reap the just rewards for being a hero. Geto even says as such in a moment of rare jealousy for Gojo, that Gojo is someone who also has godlike power and if Geto had that same power he could change the world the way he wants. He could create his more just world.

Morgan and Geto are characters who begin their narratives with superior complexes and senses of entitlement, selfishly selfess heroes and those negative qualities eventually lead them to fail. Geto thought being a sorcerer made him superior, he just also thought that with that superiority came a responsibility to protect others. Morgan le Fay thought she was the rightful king of Britain, she also thought that divine right to be king also came with an obligation to protect Britain. However, they're not meant to be seen as people who all along wanted to oppress and hurt others.

The key word with tragedy is catharsis, we are supposed to feel for the protagonists of tragedies. We're supposed to see our own traits reflected in them. It's their human qualities to drive them to tragedy.

After all, you reader on tumblr would probably not be able to be a perfectly selfless hero. If you saved someone and then they immediately tried to kill you, you would probably just be a little bitter about it. If you were like Geto and you were working tirelessly to exorcise curses, and all you got was your friends dying, I don't think you'd be like "This is okay :D". If anything, going mad in their extreme circumstances seems like a reasonable response, because could we as the audience do any better in their situations?

Of course the last similarity between Geto and Morgan (besides the fact they both adopt daughters they raise up to be little psychos but this post is getting too long already) is the fact that they both heavily foil the heroes of the story they occupy. They see themselves as villain, they play the role of villain, but they're really just heroes of another story.

Paradise or god or fate or whatever in Faerie britain eventually conjures up another chosen one. This chosen one Altria or as the fandom calls her Castoria is far less heroic. IN fact unlike Morgan who embraces the role of savior she would rather do anything she could to avoid Britain.

This is because for similiar reasons as Morgan, the faeries have basically abused her and tormented her all her life. Yet they still expect her to selflessly step up as their chosen one and save the day from the evil oppressive tyrant Morgan.

You have one protagonist who embraces their heroic quest, and even goes above and beyond by ignoring her destiny to wipe out the faeries and saving them instead. You have another who continually runs away from the heroic quest, and honestly doesn't seem to care that much about saving faeries.

Morgan is actually openly sympathetic to Castoria, and even offers to ally with her a couple of times because she bears the same burden as chosen one. This is another example of how Morgan doesn't quite fit the role of either hero or villain, the ambiguity who makes tragedy.

However, while Morgan does everything to defy fate, Castoria just kind of keeps marching along every step of Joseph Campbell's the heroes journey until she ends up defeating Morgan. Well she doesn't truly defeat her, but Morgan meets her tragic end and gets stabbed a whole bunch of times.

There's a similiar foiling between Geto, and the series protagonist Yuji who both start out the story believing that as sorcerers they have a duty to save others. There are several in story comparisons and direct parallels between the two.

Yuji attempts to save others with his power as a sorcerer over and over again, and is met with the same continual failure that Geto has. Yuji is the only real sorcerer in his generation that cares about saving strangers with his powers. Nobara wants money to live in Tokyo, Megumi only cares about protecting Yuji and his sister, Yuta only cares about his friends, Maki only wants revenge against her clan. Like Maki blatantly says whether people get saved or not by her actions is none of her business.

His own attempts to save people not only fail badly, but he watches people die. He watches a lot of people die in a situation where he is powerless to stop them.

He's met with the same tragedy of Geto but he doesn't succumb to it. The same for Castoria she doesn't decide to be a Tyrant the way that Morgan le Fay did. I would argue this isn't because of any inherent goodness that Castoria or Yuji have but rather because both of them are able to let go of their egoes. Yuji kind of believes the same thing Geto does, that other people exist to be saved by him. He's broken when he realizes that he's not a savior after all...but he's able to continue in a way that Geto isn't.

Yuji lets go of his ego entirely and believes that he's just a cog in the machine and he doesn't need to be some big hero or be rewarded at the end of his hero's journey.

Geto and Morgan le Fay both long for a role in the grand scheme of things. They are still employing narrative thinking, they need to play a story role to validate their existences. It's just that they flipped their role, they tried being the heroes but it didn't work so they're the villains now.

Geto is similiarly rebuffed by Yuta who is his eventual killer by saying that he doesn't actually care about saving the world or if Geto is right that sorcerers are superior to humans, he's only fighting for his friends.

I would say for both castoria and yuji it's not a matter of being inherently good people, but rather of being better at enduring than their counterparts are. Morgan le Fay and Geto try to take the world's suffering on their shoulders, and it breaks them because they're not heroes they're just normal people. Yuji, Castoria and to the same extent Yuta kind of learn to let go of their great heroic aspirations but because of that they're able to take on suffering better. They're trying to live in reality not a grand heroic fantasy.

To bring the example back to FGO, for Castoria and for Morgan the light of hope that led them down their heroic journeys mean two different things. For Morgan that light is an insect trap. Her flying towards that light just causes her to keep suffering through her sisyphian task. Castoria has a much more realistic point of view, she's not trying to get a happy ending or even save people, that light is the hope that at the end of her journey her actions will have meant something. It's more about the journey itself and the people she met along the way, then some big grand reward at the end.

Morgan le Fay and Geto both fail because they are fragile, because they are human. That's the most important takeaway of this long rambling post. They may be selfish, they may be entitled but they're flawed in human ways. After all, who doesn't want a happy ending?

#jjk meta #fgo meta #morgan le fay #fgo morgan #camelot #fgo lostbelt #geto suguru #suguru geto #idk what else to tag this #for the three people who are going to read this post #i hope you like this comun #the things i do for love

[wolfnesta]

I’ve sort of stopped posting rant peices because meh I feel like everything that’s needed to be said has been said but I just kind of caught myself analyzing SJM’s writing after my reread of the Ballad of Songbirds and Snakes and it led me to a comparison that somewhat allowed me to pin point why I just couldn’t really get into Feyre’s character. This is not anti Feyre before people get carried away but I do suggest you ignore this post if you’re a diehard fan even if it’s mostly an SJM critique.

For context during my first read of acotar I was a hardcore Hunger Games fan (the books because I loathe the movies). I’m talking obsessed since even before Mockingjay, the book, came out. And so Feyre somewhat gave me Katniss vibes with the whole bow and arrow/hunting theme but I say somewhat because the whole theme was ditched after the first few pages of acotar. Which isn’t a problem I mean they’re two different characters, two different stories, two different genres. (Note: absolutely no one can compare to Katniss. Additionally, Sarah can’t compare to Suzanne. But that’s just me) So the reason I still chose to do this comparison is because it sort of helped me understand why I could obsess over one character but reject the other when they hold similar traits. I think the best way I could describe it is from the beginning Suzanne Collins created a distinction between the protagonist and the situation which is so important because this allows the reader to understand details of characters surrounding Katniss and her demise while also understanding the responses she has to them as her own character. Maybe a bit confusing so let me give an example. It is explained why certain characters play a hand in Katniss’s demise like her mother, the tributes, her mentors etc very clearly, as in, we can grasp all the tragedies of their own while also understanding Katniss’s response to them separate than the readers eg. Katniss never being able to forgive her mother’s neglect at the same time that the reader understands the mother had untreated depression, the Careers trying to kill her with malicious intent but also understanding they’re basically puppets of the Capitol, Haymitch being a detoriating alcoholic she finds culpable for the lack of District winners but also knowing it’s his only way to cope with his ptsd. Anything about those characters after that is character development from what was already clearly established, more examples: the reveal of Finnick Odair’s promiscuity then learning he was being sold for sex, realizing Johanna’s lack of self preservation is because everyone she loved was murdered, and basically the whole entire book for President Snow’s character in The Balllad of Songbirds and Snakes which wasn’t even a redemption story it was just— 🤌

Whereas Sarah decides to bring up things at random when readers are suppose to have already made up their minds about Feyre’s demise. Cue in Tamlin going from having decent qualities to sudden complete douche, Nesta’s spiteful comments to suddenly she’ll save her, Lucien being a friend to suddenly he’s in debted to her, heck even —no especially Rhys’s ‘did bad things but turns out they were all for the greater good’ characterization throughout the books and everything he does is fine because of it. Because SJM uses Feyre as a way to make the readers believe how bad/good so and so is vs Suzanne who uses Katniss to provide to readers how Katniss believe’s so and so is. Then the way Sarah throws vague cryptic things to make characters seem traumatized which I’d go as far as to say is cringe borderline disrespectful the way they seem to be presented just for ‘aesthetic’ purposes instead of the very real things those topics entail (I’m looking at you Nesta’s SA plus others) but that’s another topic, I’m derailing.

Which is why I will definitely always say that from the very beginning of acotar the whole Elain and Nesta constituting Feyre’s wicked family trope fell extremely flat to me. Like I was completely unbothered— I couldn’t even bring myself to dislike them because it felt almost too obvious the way they were written plus the lack of explanation as to why?? There is this disconnection because sjm doesn’t clearly explain their behavior until way later which results in just a weird retcon type situation. Not only that but she goes on to build from it giving the sisters more importance in the series.

But whatever, that’s just my opinion. Which I’m sure has been said before in different terms.

Yet still I enjoyed Feyre book 1, although, as I made myself complete the series it seems by acosf she’s almost entirely different except for her self sacrificing qualities that tend to remain in all MC’s. I mean I really don’t think Feyre book 1 or maybe even book 2 would’ve let Rhys get away with that horrid pregnancy trope thing going on but 🤷🏻‍♀️ I’m not the owner of any of these characters so. In the end she’s an okay character to me, she’s a determined, loving person, but I just wouldn’t consider her a fave of mine.

#sjm critical #anti feyre #I want to like feyre I do but I couldn’t bring myself to love and obsess over her like my dumb ass does #tagging anti because some of her fans are insufferable

[cat3ch1sm]

HI EVE

So umm I wanna start writing hxh stuff but I'm scared it'll be really ooc :(( I watched the whole anime, restarting it and I'm reading the Manga too so I know the personalities of the characters well but I'm still not confident I can portray it right... it would be super embarrassing if I post my first story/ headcanon and the comments i get are "they wouldnt say that" "they wouldnt do that" "that wouldnt happen" 😭the way you write characters sound so like them and I rlly wanna make hcs and stories like you so pls spill your secrets 🙏🙏 if it helps, the characters I think I'll be most writing for are the main 4, kalluto and alluka (they're so underrated!!) mb hisoka andddd silva & kikyo? (I kinda wanna make some cute scenarios w them like they go on a date or smthing 🥺 idk why) but ofc, I would love to learn how to write for the majority of the hxh characters. But ummm it's okay if u don't have any advice, I'll just cry infront of my blank Google docs page 😔😔 (I'm jk, have a good day!!)

🐢~ OMG HI IM SO SORRY THIS IS SO LATE I FEEL AWFUL :(( @xl3vviii i love uu thanks for your request and patience 💚💚 i will try my best to explain my process in a general way so it’s easy to write for any character you’d like! i really hope this helps you<333

🍀~ and i totally feel you on the not wanting mean comments thing😭😭 broo ive been fortunate enough to not really receive those kind of comments but i did once and WOW was i embarrassed and changed it immediately😭😭 and the crying in front of a blank google doc page?? you are so real for that 😭😭😭

🌲~ another note to my followers in general: i want to sincerely apologize for my absence. my devices i usually post on all decided to conveniently stop working so that really sucked but my phone is back again!! im really grateful for you all and your patience, and i want to thank you guys so much for 3.5k! i have no intentions of leaving and i hope i can write lots more for you guys. hopefully i don’t ever need to be gone that long again! i love u all so muchh and thank you a million times 💚💚

𝐡𝐨𝐰 𝐢 𝐰𝐫𝐢𝐭𝐞 𝐜𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬!

a/n~ so sorry if this sucks cause ive never given a tutorial for my writing but i will DO MY BEST

so you said you wanted to write cute scenarios of dates for the hxh main four+ hisoka, silva , and kikyo! first thing i usually consider when i get requests especially, or just when i have an idea, is: would this character even do this? like if someone asks me, “hey, can you write headcanons for illumi zoldyck with a soft/sweet/kind s/o?” that would be possible (though maybe a little far-fetched canonically). it’s fine to stretch those boundaries a bit for fanfiction, i think. but if that request had instead been like “can you write reader x soft/sweet/kind illumi?” that would’ve been a hard no. don’t alter characters’ natural personalities because then it’s not the same character. what sometimes helps me is, especially if i haven’t watched or read any media of the character im writing for in a while, is looking up the character’s wiki on the FANDOM site and reading through their personality traits as well as their key moments because it helps me to determine what the character would do in the story and how they might react to some things. feel free to also go back and look at clips of the anime or pages of the manga; i find it helps as well!

so for what you want to write specifically, cute dating scenarios, i think that most of the characters you’ve chosen are a good fit. the main four are good for a prompt like that, and the zoldyck children you’ve chosen can be fitting as well. but as for hisoka, kikyo, and silva, that kind of prompt might not fit so well because obviously these characters can’t be seen as sweet or kind or loving. has hisoka ever expressed any interest in wooing someone properly or is he someone who operates on lust? did kikyo and silva court each other and go on little dates or was their marriage probably arranged/forced/only useful for selfish purposes? do their personalities even allow for sentiments like dates? would they even consider that? before writing something ask yourself if you can really see the character doing that clearly in your mind.

i think it’s a great thing that you’ve watched and read the respective canon content of your characters, and it’s good to refer to it if you ever find yourself struggling to characterize someone accurately. however, it is fanfiction, so don’t feel like you need to be super rigid. write whatever you’d like, honestly. but here’s a really common thing i notice when people write fanfiction: they take one aspect of the character and run the shit into the ground. a prime example of this is hobie brown from across the spiderverse and his “i don’t believe in consistency” line. like Jesus Christ. well-written fictional characters, like the ones of hxh, are often as versatile as real people are. make sure the character doesn’t feel like some one-dimensional version of themselves, and please don’t write for the character only based on one aspect of their personality. for example, hisoka is rather unpredictable, so that’s something you’d probably want to incorporate into writings for him. but for characters like most of the zoldycks, you’re going to want to tread a little lighter since they aren’t the main characters and thus we don’t see a whole lot of them. in situations like this, you might have to focus on just what you can see of them. so again, just ask yourself if you can see the character really doing what you’re writing them to do. would they act that way in an actual episode of the anime or volume of the manga? if you’re unsure or the answer is no, try going a different route.

it is also okay to make mistakes. practicing a lot will eventually get you to where you want to be. i still find myself slipping up in my writings and getting carried away (so read over your writings before you publish them)!! my dms are open if you ever would like me personally to review a piece and offer maybe more specific advice!

i hope this helped you, dear💚 again feel free to dm me if you have any more questions. thank you for your support 💚

#cat3ch1sm #anime #hxh headcanons #hxh memes #hunter x hunter #hisoka x reader #illumi x reader #killua x reader #gon freecss headcanons #illumi hxh #gon hxh #killua hxh #writing tips #writers on tumblr #x reader #hxh x reader

[justatalkingface]

The Dabi Benchmark of Insanity: A Helpful Guide

What is it? Why won't I shut up about it whenever I talk about villains?

Yeah; this is largely a reference post, for the people who haven't seen this term before... which makes sense, since I made it the fuck up awhile ago and then never really clarified it again, even though I kept using it. I do that a lot whenever I feel the need, but I think this is the only term I've kept using consistently, and I usually explain what I mean in those posts when I make something up, so the DBI is a bit of an anomaly in that sense. I like to think it's self explanatory, really, so it probably doesn't need explanation, but... eh. I talk a lot. One more post won't hurt.

Fundamentally, the DBI is the idea that there's a... limit to how crazy a character can be and still be sympathetic; after a certain point, it doesn't matter how bad their backstory was, no one is going to like the guy eating babies. Authors can (and often do) try to make a truly fucked up character sympathetic anyways, but once they pass that point the response generally isn't sympathy but, 'JFC, can this guy shut up about how we should all like The Masked Baby-Eater already? That guy's an asshole'.

I say 'crazy' for a reason, BTW. The sheer factual amount of evil deeds a character does only has a limited effect on how readers will consider them; how the character is presented, and how they act as they do these deeds effect that reception as well. An easy example is how in something like Gundam, a character who does something objectively horrible (kill someone, start a war, etc etc), but because of how they're developed, and way they act as they do it, we will still sympathize with them. Meanwhile, if there's a school story, a character who is just rude and cruel can be absolutely loathed, by everyone, even if what they did can't possibly be compared to the Gundam character.

It's not that you can't make a good character if you go beyond this point, it's the opposite really: there's plenty of good, memorable characters who are festering shitholes devoid of positive character traits, but we're not expected to find them sympathetic, just really cool or iconic in some way. Making them sympathetic imposes limits on how out there that character can be.

I call it the 'Dabi' benchmark because I feel like Dabi is the perfect example of an edge case, a person who is horrific and broken, but you can still just feel for him why he's like this. It's core to his fundamental design as a character, from his traumatic backstory, to how he's broken and scarred and barely held together by his sheer will, so that while he's an objectively terrible person, cruel, sadistic, who kills easily and wants only to destroy, the reason he's like that is something intrinsically understandable and thus easy to sympathize with.

(Of course, the problem with Dabi is that, as MHA went on, Hori kept changing Endeavour to try and make him sympathetic, while at times intentionally making Dabi seem more at fault for his situation to mitigate Endeavour's blame, which damaged Dabi's characterization on a fundamental level and makes him less sympathetic... but that's not Dabi's fault, that's inconsistent writing)

At the same time, though, I must repeat that he is a terrible human being who does horrible things, and which puts him at that very edge of sympathy, only being accepted by people by how good his backstory is, how fucked up yet human is motivations ultimately are. If his actions had pushed beyond that point, if, for example, instead of just killing people he cold bloodedly tortured them for no real reason, his reception would have been less positive than it was.

In short? The farther a character goes past the Dabi Benchmark of Insanity, that is to say, the more a character is crazier than Dabi, the more people are going to look at you like you're crazy when you try to make them seem sympathetic to the audience.

#the dabi benchmark of insanity #that feeling when you have to explain your alien homebrew logic to normal people #reference post

[anatheyma]

btd/tpof characters don't seem to have official birthdays so i wanna share my zodiac sign hcs

(i'm not an expert in astrology this is just for fun)

strade: sagittarius

this is a bit awkward to explain since i'm a sagittarius myself. i don't relate to him, but he definitely has to be a fire sign and this one seemed the most fitting out of the three. first of all sagittarians are considered lively, passionate, outgoing and charming - traits that i think fit strade's description. he's carefree and fun-loving i guess you could say, but also intelligent in a way, or at least has a good technical information. gato has mentioned that strade has a fear of being limited or locked up which goes well with the thing sagittarians have with their freedom.

lawrence: capricorn

now that is a capricorn man if i've ever seen one. they're described as critical, sensitive and cautious, struggling with letting people in. capricorns are happy being on their own and fall in love slowly, they have to take time to understand you at first. it's clear that lawrence doesn't trust people easily. to me it seems like he wants to be in control of things, too. on surface level, those antlers remind me of the symbolized mythological creature of capricornus and regardless of his love for plants, i associate lawrence with snowy forests instead of green. (capricorns are born december 22 - january 19)

ren: libra

i'm not only saying this because i tend to be head over heels for libras okay let me tell you something; libras are often extroverted and sweet. they avoid conflict which is why they tend to be people-pleasers and we know ren is one. even when he's older in tpof, you can kind of call him out for not making his own decisions, but instead relying on the chat's suggestions and opinions. maybe he struggles with making them himself... and what's the biggest libra stereotype again? yeah, exactly that. librans are ruled by venus, the goddess of love, so they adore beautiful things. of course he'd want to dress you up all pretty for the live streams <3

mason: taurus

i admit i haven't actually diven that deep into this character yet, but right off the bat he strikes me as an earth sign. taureans love to relax in serene, bucolic environments, which i guess you could call his cabin in the woods. they're also built for endurance and tasks requiring concentration and determination, traits that i assume must be helpful when hunting. mason comes off as resourceful and tough, just like taureans.

celia: virgo

my beloved celia... like virgos, she's hardworking and intelligent, but also uptight and easily frustrated. understandably so, imagine being married to a man when you could run away with me 🙄 anyway, they're also perfectionists at heart and she'd probably enjoy training you with diligent and consistent practice, you're her little mouse after all. oh, and virgo rules the digestive system. hand over those donuts, ma'am!

derek: leo

bet you thought i'd say scorpio because of his tattoo? nah, he has leo energy. he's confident - even arrogant - and fits the leo description of both luxury-loving and drama-loving. leos love to lead, be admired and receive praise and respect of others. i imagine derek's like that due to possible daddy issues. sorry to come for him like that. my opinion might be completely based due to growing up with a couple of brats from upper middle class families who happened to be leos.

#boyfriend to death #the price of flesh #strade #lawrence oleander #ren hana #mason heiral #celia lede #derek goffard