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#lists of mine
befickleforever · 5 months
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If you liked [inside no 9 episode] watch [film] : a guide. Part 1
(Some of these films go off vibes alone, whilst others are the films that directly inspired the episode. For example, we all know where the wicker man will be included)
If you liked ‘Simon Says’, consider:
- Misery (1990). After a serious car crash, novelist Paul Sheldon is rescued by former nurse Annie Wilkes, who claims to be his biggest fan.
- Sunset Boulevard (1950). An aging silent film queen refuses to accept that her stardom has ended. She hires a young screenwriter to help set up her movie comeback.
- Perfect Blue (1997). A young Japanese singer is encouraged by her agent to quit singing and pursue an acting career, beginning with a role in a murder mystery TV show.
- The King of Comedy (1982). Rupert Pupkin is a failure in life but a celebrity in his own mind, hosting an imaginary talk show in his mother's basement.
- The Human Centipede 2 (Full Sequence) (2011). Martin, a mentally disturbed loner that obsesses over the film The Human Centipede (First Sequence), kidnaps a group of people to create his own 'human centipede' to act out his perverse sexual fantasies.
If you liked ‘The Understudy’ consider:
- Sleuth (1972). This mystery finds Andrew Wyke, a wealthy author of detective novels and game aficionado, facing off against his wife's lover, Milo Tindle, a middle-class hair salon-owner.
- Richard III (1995). A murderous lust for the British throne sees Richard III descend into madness.
- Throne of Blood (1957). Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures.
- Theatre of Blood (1973). After an unsuccessful attempt at suicide, Lionheart sets out to murder all of his critics, each with a different style of death taken from a Shakespeare play.
If you liked ‘The Trial of Elizabeth Gadge’ consider:
- Witchhammer (1970). When a beggar is caught hiding her communion wafer, the hunt for witches begins.
- The Witch (2015). In 1630 New England, panic and despair envelops a farmer, his wife and their children when youngest son Samuel suddenly vanishes.
- Witchfinder General (1968). When Matthew Hopkins is appointed Witchfinder General by the Puritans under Cromwell, he is empowered to travel the countryside with his henchmen and collect a fee for each witch from whom he extracts a confession - a policy which is exploited to the full.
If you liked ‘The Harrowing’ consider:
- Carry on Screaming! (1966). An investigation into the disappearance of several young women leads two bumbling Victorian detectives to the home of Dr Watt and his vampish sister Valeria.
- A Girl Walks Home Alone at Night (2014). Residents of a worn-down Iranian city encounter a skateboarding vampire who preys on men who disrespect women.
If you liked ‘Mr King’ consider:
- The Wicker Man (1973). Sergeant Howie arrives on the small Scottish island of Summerisle to investigate the report of a missing child.
- In The Earth (2021). A scientist and park scout conduct a routine experiment while the world looks for a cure to a lethal virus and as the night progresses, they experience unexplainable things.
- Midsommar (2019). Dani's psychological trauma affects her relationship with Christian, her lover. However, when they visit their friend's ancestral commune in an effort to mend things, it changes their lives forever.
- The Blood on Satan’s Claw (1971). Ralph Gower and a local judge are on a quest to get a bunch of possessed kids with a strange fur on their skin under control after they end up killing the locals.
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homoqueerjewhobbit · 4 months
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Wow, this "gender free" fashion brand sure doesn't have any AMAB models.
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strrwbrrryjam · 4 months
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disclaimer: these are results from google. there were loads so i just picked at random from "most watched anime" lists
please reblog and put your answers in the tags <3
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s-aint-elmo · 4 months
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part 2 of my pining falin agenda aka I STAND WITH MARCILLE THAT DRESS WAS CUNT
part 1
(ID in alt text)
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kvothes · 7 months
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louise glück was an tremendous poet in her own life and also taught, advised, and nurtured uncountable other poets. her picking richard siken’s crush for the yale younger poets prize is a well known fact, but she selected a number of other poets for publication during her tenure as the contest judge that i think are worth knowing.
peter streckfus, cuckoo (2003)
richard siken, crush (2004)
jay hopler, green squall (2005)
jessica fisher, frail-craft (2006)
fady joudah, the earth in the attic (2007)
arda collins, it is daylight (2008)
ken chen, juvenilia (2009)
katherine larson, radial symmetry (2010)
poetry is a community! read her—and also read the poets she wanted to promote.
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yrsonpurpose · 4 months
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He grabbed my hair in a way that made me understand the difference between rugby and football. bonus ±
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maidenofcrows · 26 days
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Too many jokes about Kaz becoming Wylan’s father figure. Not enough jokes about Wylan and Jesper adopting Kaz. Not in a child-parent way, but more of a feral cat way.
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heavenlyyshecomes · 5 months
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"Publishers for Palestine is a global collective of publishers, and others who work in publishing around the world, who stand for justice, freedom of expression, and the power of the written word.
Join us for an international #ReadPalestine week, starting Wednesday, November 29, on the International Day of Solidarity with the Palestinian People. During this week, we encourage people around the world to read fiction and poetry by Palestinian and Palestinian diaspora authors, as well as nonfiction about Palestinian history, politics, arts, culture, and life, as well as books about organizing, resistance, and solidarity for a Free Palestine. 
To encourage the spread of #ReadPalestine, signatories of the Publishers for Palestine letter of solidarity have organized a Free Palestine Reading List. Participating publishers are offering one of their e-book titles for free download from November 29 to December 5; all titles are available through this website. There are currently more than thirty books on the list in nine languages, including a half-dozen award winners, with more coming in.
We also encourage readers to post on social media about their favorite Palestine books, to quote from their favorite authors, and to make learning more about Palestine an act of solidarity, using the hashtags #ReadPalestine, #LirelaPalestine, #اقرأ_فلسطين, and more. Participating indie bookstores and libraries are invited to join us by creating Read Palestine displays, social media posts, and other forms of creative solidarity."
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bbbbbbbbatman · 11 months
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JL sets up a betting pool to see who can get Superman to say "fuck" first. Everybody gets so intense about this, but no matter what they do, they cannot get him to say anything worse than hell. Bruce is so tired of this, so at a meeting one day he just takes off his cowl and reveals his identity with zero build up or warning and Superman just lets out the loudest "What the fuck?"
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nostalgicfun · 3 months
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"Get well Soon" Teddy! 💛
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on-leatheredwings · 23 days
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yandere subversion tropes i like to think about
yandere that pushes reader to the edge, so reader snaps and kidnaps/imprisons them
yandere who stalks and surveils, not knowing the reader is highly aware of the fact and enjoys the attention
reader is a former yandere who resists their new yandere's advances at first, out of fear of rejection. once they feel it's safe to be emotionally vulnerable, the reader turns out to be much, much worse than their yandere
the yandere is the protagonist of the narrative, not the reader
reader already has a partner, so the yandere is initially jealous. but right before yandere manages to dispose of your partner, they end up falling for them as well (polyam ending)
yandere who's actually quite bad at stalking/sneaking around, so the secret spy!reader encourages them to do better by offering pointers
reader has been yandere's yandere all along, and is glad they finally got their yandere to notice them. reader pretends to be oblivious the whole time
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befickleforever · 5 months
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If you liked [inside no 9 episode] watch [film] : a guide. Part 2
If you liked ‘Wuthering Heist’, consider:
- Mon Oncle (1958). Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs.
- A Night in the Show (1915). A man tries to find a seat for a show, while another man harasses both patrons and performers.
- Carry on Spying (1964). The dastardly organisation STENCH (Society for the Total Extinction of Non-Conforming Humans) is in possession of the secret Formula X, and its clear that the British secret service must do something.
- The Lavender Hill Mob (1951). Henry Holland is a fussy supervisor who oversees gold bullion deliveries to the bank in which he works. Secretly, he is plotting to steal a load of bullion and retire early, but he cannot figure out a way to smuggle it out of the country.
If you liked ‘Last Night of the Proms’, consider:
- Eat the Rich (1987). Terrorists and a rude waiter attack a politician and take over an exclusive London club.
- The Last Supper (1995). A group of students meet every Sunday and invite a guest to discuss various topics. When one of them ends up killing a guest because of his views, they decide to rid society of such people.
- The Cook, the Thief, His Wife & Her Lover (1987). A gang leader's wife starts an affair with a bookseller who regularly visits her husband's restaurant. However, things complicate when she, her lover, a thief and a cook come together.
- In The Loop (2009). During an interview, British Cabinet Minister Simon Foster delivers an off-the-cuff remark Profane political spin doctor Malcolm Tucker tries to cover up Foster's faux pas, but the ill-conceived comment is picked up by a warmongering American official.
If you liked ‘The Riddle of the Sphinx’ consider:
- Pygmalion (1938). When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet.
- The Game (1997). Nicholas Van Orton is a successful banker who keeps mostly to himself. When his estranged brother Conrad returns on his birthday with an odd gift - participation in a personalized, real-life game - Nicholas reluctantly accepts.
If you liked ‘Séance time’, consider:
- Ghostwatch (1992). The BBC gives over a whole evening to an 'investigation into the supernatural'
- Talk to Me (2023). When a group of friends discover how to conjure spirits with an embalmed hand, they become hooked on the new thrill and high-stakes party game - until one of them goes too far and unleashes terrifying supernatural forces.
- Hereditary (2018). When the matriarch of the Graham family passes away, her daughter and grandchildren begin to unravel cryptic and increasingly terrifying secrets about their ancestry, trying to outrun the sinister fate they have inherited.
- Ghost Stories (2017). Professor Phillip Goodman devotes his life to exposing phony psychics and fraudulent supernatural shenanigans. His skepticism soon gets put to the test when he receives news of three chilling and inexplicable cases.
- Borley Rectory (2017). In 1937, leading paranormal investigator Harry Price is given an opportunity to investigate the most haunted house in England, the infamous Borley Rectory, where he hopes to discover the truth behind the hauntings that have plagued the property.
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crowley-anthony · 4 months
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laura’s endless list of favourites ● ships ➼ tenth doctor & rose tyler “How long are you going to stay with me?" "Forever."
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fkapommel · 2 months
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That Anne Hathaway Twelfth Night photo where she's being kissed and he's being stabbed and she's kissing and stabbing has done more for the TLT fanart community than the invention of color
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inhonoredglory · 9 months
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Defining Ineffable Love (or, Aziracrow Learn the Rules of Romance)
(In response to this ask about ineffables and asexuality)
One of the major threads this season was Aziraphale and Crowley asking themselves what exactly is their relationship. Not what it is in terms of how much they love each other. (That's a given.) But what it is in terms of the human implications of their love.
Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms. –David Tennant (source)
For 6000 years, they’ve never put a name on their relationship. They didn’t, because they’re inhuman, genderless, sexless beings and they didn’t grow up (as it were) with labels. And even when they did learn them, they couldn’t say it was love, because admitting that was a death sentence.
All of Aziraphale’s heart eyes and pining could live comfortably in his mind if he never admitted what that said about him as an angel (trauma compartmentalization). Crowley tries desperately to be cruel and nasty to add white noise around the blatant reality of his constant loyalty to Aziraphale. If you don’t put a word to it, it’s not real and they can’t punish you.
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After the Not-pocalypse, for all rights and purposes, Aziraphale and Crowley chose humanity as their identity. We see Aziraphale “playing house” in various human roles (as a landlord, a private eye, a magician).
We even see Crowley intentionally taking on human behavior to handle emotional issues: “Just breathe, that’s what humans do.” They’re slowly and intentionally enculturating themselves into the world they want to belong––earth.
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Yet it’s setting up Maggie and Nina that makes Aziraphale and Crowley start thinking about their relationship as a human construct.
Because fundamentally, Aziraphale and Crowley are not human. Like Neil Gaiman tells us constantly, they can’t be defined in human terms when it comes to gender and sexuality. They can shift and move through each and any of those markers at will, purely for the pleasure of the thing: “angels are sexless unless they really want to make an effort.”
IMO that makes them originally asexual, in the sense they were created without the need for sex. And it makes them fundamentally transgender and genderfluid, because while on earth, their sexless, eldritch spiritual bodies take on human, gendered forms and clothing. What gender (and sexuality) they identify with while on earth varies through the eras. Crowley definitely has a fluid gender identity, while Aziraphale appears to have settled on gay man (aka THE southern pansy) for his internal typology (although all of these identities are subject to change).
In the midst of all this fluidity, it’s no wonder Aziraphale and Crowley haven’t thought of their relationship in human terms before. There’s just so much different in them and their bodies than what they see in humanity. And there are no books and songs that show the kind of love they have, in the malleable, sexless bodies they have, with the background they have; it’s all ineffable.
Aziraphale and Crowley didn’t start out thinking they were in a romantic relationship. Whatever feelings they had were long repressed, redefined, and shuttled away. But they did love each other, without question. And it was that love which scared them, because it was bigger than anything they saw among humans, a love that was beautiful and blasphemous and unfathomable.
Kinda like what David Duchovny said about Mulder and Scully in The X-Files, “I don’t know if they’re in love. In a way, their relationship is deeper than that, because they cannot live without each other.”
Now take this profound, ineffable love and drop it into the little boxes and labels human culture has created for itself.
Full disclosure: I’m an asexual demiromantic person in a queerplatonic relationship, so I’ve done a fair bit of research on what romance is and how the rituals of romance are, in many ways, social inventions that vary from culture to culture. There’s love and then there’s romance, and they don’t always overlap. So my interpretation of Aziraphale and Crowley comes through this lens and the fact that Neil Gaiman has affirmed the validity of an ace-spec reading on our ineffables.
Which brings me back to my thesis: That only now are Aziraphale and Crowley thinking of themselves as a romantic couple, precisely because they are interfacing with humans and taking on their social rules.
I like this one asexual person’s description of their experience, which feels very much like our ineffables (from a very good article, I def recommend):
If there is a border between friendship and romance, then in my internal landscape, it goes right through a misty forest where no one has ever bothered to place signs.... Neither of us had intended to start anything even vaguely romantic, but the activities we did and the intense kind of immediate connection we had was coded as romantic in our culture.
That’s what Crowley realizes when Nina confronts him about his relationship to Aziraphale.
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“It looks like that from here.” What Crowley and Aziraphale share is beyond definition, but Nina cannot imagine the anything beyond the human labels she was taught. The tragedy of an everlasting love is that it can only be conveyed properly to other humans if it is cast in such small human words––partner, boyfriend, husband.
Because when Crowley denied those human roles for Aziraphale, Nina slid down the path of thinking Aziraphale was just his “bit on the side,” because there were no labels left she could imagine for them. If you don’t put a word to it, it’s not real.
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That’s the purpose of labels, to culturally validate a person's identity. Labels, of course, DO NOT create reality; people's experiences are always real, in all their varied ineffability. But labels allow a space for culture (ie other humans and political and legal society) to recognize formally your lived reality.
So Crowley started really thinking about him and Aziraphale, about the ineffable love between them and realized that in human terms, those would be the things he’d call Aziraphale, because those were the words that gave Aziraphale that place of importance in his life.
But with that realization comes all the human trappings and behavioral patterns around those words (the candlelit dinners, dramatic rescues, drinks at the Ritz, etc.) which Crowley had never thought of before, and yet… maybe romance is what he and Aziraphale have been doing all along.
That’s why this season centered so much around Aziraphale and Crowley using cultural artifacts (film and literature) to understand romance, because romance is so deeply socially-defined.
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Aziraphale himself has been leaning hard into the romantic social cues (he’s more well-read in the cultural trappings of romance than Crowley is), especially post-Blitz. But when he watches Maggie and Nina dancing, he works up the courage to do something with Crowley that’s even more explicitly loaded as “traditionally romantic” than anything he’s done up to that point.
Because while risking their lives for each other and defying everything for each other is love in its purest form, dancing (specifically in Jane Austen’s world) is a public performance coded for potential marriage partners. It's an intimate ritual of the entire body. (And in British slang, dancing has been used as a euphemism for sex.)
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Crowley's "We don't dance" is really telling, because it shows Crowley’s awareness of the unknowable devotion between them vs the human roles Aziraphale is asking him to fill, specifically its physical aspects. Aziraphale is asking to make their relationship more public, more physically explicit, more coded as romantic in a setting specifically intended to couple individuals.
While Maggie and Nina inspired Aziraphale to progress their relationship into a publicly physical direction, Maggie and Nina inspired Crowley to think of the emotional implications of their human roles: the commitment, security, and monogamy of a husband, a partner, an us.
That’s what he decides after Maggie and Nina confront him in the end. “You never say what you’re really thinking.” He wants to codify his relationship so they each become responsible to one another. Aziraphale has always been his soulmate, the one he could always rely on. But he wants to place a word and a role to their love that will bring with it Aziraphale’s commitment and dedication to him.
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And that's another reason why Crowley kisses Aziraphale, because he knows Aziraphale was willing to make their relationship physical, and he wants that, too. To consummate this bond in the way humans do.
But Crowley doesn’t really know how to kiss; he’s not as worldly as he makes out to be. (It’s Aziraphale who owns the gun, and Crowley who’s never fired one.) He uses the kiss as a tool to get across to Aziraphale what he wants for them, in the physical language Aziraphale has been using, because "one fabulous kiss and we're good," right?
But it doesn’t work, because real life and real emotions don’t work like that; life and love don’t follow a script, despite the novels and plays and songs.
Aziraphale and Crowley spent this entire season trying to figure out what their relationship is and what they wanted out of it, trying to make sense of the unfathomable thing they share and the human implications of it, and not quite landing on the same page.
Part 2 of this Analysis, covering a correction in Crowley’s statement (“You don’t dance”) and the further implications of dancing/sex.
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yrsonpurpose · 5 months
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Please stay gorgeous and strong and unbelievable. I miss you I miss you I miss you I love you. I’m calling you as soon as I send this, but I know you like to have these things written down. A ✿ / ❀
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