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#lover easter eggs
miss-americanbi · 9 months
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soul-crushing thought of the evening: what if aziraphale’s favorite color is yellow because that’s the color of crowley’s eyes
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monstermag · 7 days
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We're One!!
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That's right Monster Lovers. It's been a whole year since we birthed this magazine.
Of course we're sharing this special occasion with you! By releasing the Spring Edition from its formatting dungeon just like we promised. Available to download now!
Our only wish this year is for you to get those download numbers up by liking and reposing Monster Magazine. Tell your irl friends about us. They probably like monster too, who doesn't?
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Download
Keep your 3000 ocular appendages open for the opening of the summer submissions.
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3 Songs, 10 minutes all together… 3+10 = 13!
Released 13 days before October 31st…
Taylor Swift your brain is EXCELLENT but terrifying and i love it🫶🏼
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daisyswift3 · 11 months
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I think Taylor often uses summer as a metaphor for coming out like daylight which makes sense since it’s a very sunny season and winter would then be the opposite of this. And it makes sense why folklore (spring/summer) and evermore (fall/winter) would directly follow lover if the failed coming out theories are correct. It was her way of processing these emotions.
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I think this is what the transition from august to illicit affairs is supposed to represent. The vibrant sunset and rainbow colors (lover era) drain away and turn into gray (folklore era)—“you showed me colors you know I can’t see with anyone else.” The sunset visuals during august also indicate that summer and daylight are indeed the same thing metaphorically since the sun is going away as she sings “so much for summer love.” She was so close to claiming her sunshine, both the concept and person, but it slipped away from her 💔
I think it’s very poetic that there’s an alternative ending on folklore. Hoax is one possible ending, “my eclipsed sun…this has frozen my ground” and she could’ve stayed frozen in that winter but the lakes offers a bit of hope, “A red rose grew up out of ice frozen ground” which indicates spring and summer have returned 🌹☀️ Similarly in the song evermore she decides to go back inside her warm cabin instead of staying out in the cold which she said represents finding hope again (48:00 of this vid). And to tie it all together she chose a cardigan, her “wool to brave the seasons,” as the main motif of folklore since this person kept her warm during that perilous winter.
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pinkorchidsinspring · 6 months
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New Photo of Taylor Back Stage(VMA’s)
(Could it possibly be much more than that?)
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IMMEDIATELY gave me Deja vu
To Lover era
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Looking through this exact pose with a glass, brought me this gem: (also from the lover era)
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And her lovely many poses specifically in front of the MEN part of the background:
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Clearly this was purposely done since other award winners didn’t care enough to make the picture specifically fit that area:
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Wether or not this photo from the VMAs backstage was “leaked” doesn’t concern me, what concerns me is that Taylor posed for the photo back stage, knowing that it would be out to the public a few months later at max.
I know it’s a reach but it almost seems like she’s trying to get us to remember the very reason we have hope.
The lover era.
By posing exactly like that she’s reminding us of a very specific moment in her career for her sexuality. Assuming she knew about her lovely beard-to-be (Tomato Ketchup), she was making sure that we wouldn’t lose hope in the fact that she will be out to the public eventually. I’d like to say in the near future because of her constant hinting at Karma being an album, and her soft launch of her and karlie’s friendship again.
Anyways that’s my two cents, take it or leave it. :)
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swiftlcver13 · 6 months
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THIS WENT VIRAL ON TWITTER SO WHY NOT POST IT HERE
My Tears Ricochet is about her stolen lullabies and each line of the first chorus was taken from a song from each stolen album!!
“i didn’t have it in myself to go with grace”- Red (State of Grace) “you’re the hero flying around saving face”- Speak Now (Superman) “and if I'm dead to you, why are you at the wake?”- rep (LWYMMD/old Taylor is dead) “cursing my name”- Fearless (The Way I Loved You) “wishing I stayed”- 1989 (All You Had to Do Was Stay) “look at how my tears ricochet”- Debut (Teardrops on my Guitar)
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tolerateit · 2 days
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sorry if this is how you're learning that 😥😥😥😥
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There is an old folk song that is sung in Exandria.  It goes by a lot of titles--In Marquet it’s commonly known as The Liar’s Love, while natives of Xhorhas would know it as The Fey Groom, and the elves of Syngorn’s version has a title that translates to “The Sacrifice of Truth for Love.”
This is one bard’s rendition of the song in Common, as accompanied by ukulele.
(Best with headphones! With credit for the original idea to @ihaveatypeanditstrickstergods and the original characters to @quiddie and Sam Riegel. Album art generated by Craiyon.)
Lyrics below the cut.
Refrain: This sordid scene, my love, we're in, oh, We're in for a scar And yet tonight by morning light I'll fall for you once more.
Verse 1: There once was a fey who chanced one day From lands so wild and strange For stories told worth more than gold Exandria's face would change.
Among the clouds a city bright And there its beating heart Did kindle love within his own For her he'd craft his art.
Verse 2: A vision clear did guide his dear With this its one refrain Her city’d rise beyond the skies And loose its mortal chain
Beneath the streets his love did seek Her dream at any cost, But fortune claimed its pound of flesh, A friend too soon was lost.
Verse 3: The fey saw true that if they knew, Her legacy’d be blight And so he lied to deftly hide Her deeds from public sight.
And though his heart was ever hers, Her work, for now, meant more She’d fix them soon when she was done So he walked out the door.
Verse 4: And soon an hour of arcane pow’r Was finally at hand For on that night, with her Leywright She’d make them understand
But one thing more stood in her way Her masterpiece abjured She struck it down, and with that spell Calamity ensured.
Verse 5: And with her sin the fiends poured in With death and fire and hate, But one last spell at ruin’s knell Might change Exandria’s fate.
His healing words would keep her hale, Her spellwork holding fast, And at the heart they’d both go down Her work complete at last.
Refrain: This sordid scene, my love, we're in, oh, We're in for a scar And yet tonight by morning light I'll fall with you once more.
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daemon-in-my-head · 15 days
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If the hivemind has decided I am the Monster Lover dude now, I shall oblige.
Shared Monster real estate leases and committing Monster tax fraud together. Gortash has several drafts of the real estate leases in his desk somewhere burried beneath incredibly boring documents where Durge won't find them.
He in fact signed with E. G., but he replaced the dots with hearts, and that's not professional, so he kept trying again. There is no presentable draft yet, and his efforts continue but, the secretary is slowly getting worried about his boss already 'misplacing' 20 drafts. One day, he's sure, he may be able to present it to his monstrous spouse.
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tswiftupdatess · 5 months
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New puzzle piece!
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you showed me colors you know i can’t see with anyone else.
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larrytaylor28 · 1 month
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The font for "Lover" on the album cover also spells "Seven"
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hecates-corner · 4 months
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more Aphrodite and her mortal lover por favor? *hopeful eyes*
Of COURSE! Me encanta escribir esta historia.
How about a nice little POV switch, hm?
She is as lovely the poets paint her. As the bards sing her to be.
My lady is warm as sun-blessed honey, swift-running and golden as the very voice she beholds. Even in her mortal form, the very one that drew me in like a frail moth to a flickering flame, her eyes shine blue as the cresting sea: now light, and now dark. The bubbles of the tide are painted into the hue, white flecks that could very well be misplaced stars in the sky of broad daylight.
Her olive skin glints like bronze, the corn color of her hair flowing down it as a stream tumbles down gentle rocks of a cliff. Her hands, small and smooth, with lightly visible veins, twist and fly through the air as we dance with one another. The rosy dawn cannot hold a candle to the flush on her high cheeks, as plush and pink as the roses that grow where I would come to lay.
We run, through a field of rustling grain, wind whistling as it blows through each strand. The bright sky begins to rumble, a horde of swelling clouds growing dark, moving in towards us. We know of the drops, of the cold tears that will fall when those cotton clumps swarm our once-vast, shrinking skies.
She turns, enough to tilt her teasing form towards me, and extends a hand. It curls out, her graceful wrist like the neck of a sweet swan, bending just so to lay her paled palm flat. An invitation.
When I take it, she laughs, laughs, and it is of falling feathers, snow white and soft. It is the unfurling petals of a waking blossom, and the scent of apples in the breeze. She is perfect, though I did not think a word to exist.
My Aphrodite guides me, out bare feet leaping and landing upon soft earth, the soil that will soon be damp with water from the domain of my love's familiar, lord of cloud. Was he chasing us, pursuing us then? I could not say, for I thought of no one but her. Though I did not think so. We were small and unimportant to such a great gaze, especially then. To us, the world was not ours, nor were we owned. We simply were.
She led me gently over a hollow log, dark and soft with impending rot, and we were there.
Together we tumbled backwards, as she tugged me into her embrace and we landed upon the spongey moss that cushioned our fall. I laughed, then, louder than before. Giggles that shook us both, holding fast and clutching one another gently, for we knew neither of us would escape.
Mortals fear gods will come to them in forms of doves, of oxen or bulls, in showers of light. Some fear gods will leave them the same ways. I did not feel weary of either. My dearest was many things, but I knew her, for how little we had been acquainted.
The skies rumbled again, vibrating deep within the earth. The sound of the rain began to approach earshot, incessant white noise of the showering pull. It smelled of rain.
A fig tree loomed over us, shielding the remaining sun and the imminent rain from our skins, and casting the gentle comfort of its matronly power over us.
I pressed my face into her neck, her soft locks like myrtles crushed beneath my cheek. She let me nuzzle my nose into the underside of her jaw, feeling out the sweet concavity of the bone. I kissed the space there, where tongue tissue connected with the muscle inside of her mouth.
She hummed, contentedly. "My dear," she spoke, so smoothly and with such ease that it would have brought tears to my eyes at the loveliness. "If we do not return to your home soon, we will be caught in the haze of the storm."
I chuckled. "You do not think I hope for such?"
She was quiet, but even I could feel the grin spread on her lips. She need not say a word, just the buzz of the laugh in her throat was enough for me.
The clouds consumed the sky, and drops dripped from their vastness, dropping down and rolling like sips of water down thirsty throats. The chilly tears landed sweetly upon us, one by one, dissonantly. I tipped my chin up to watch her blink a drop from her dark lashes.
"Do you truly look like this?" I asked.
She was curious. Not surprised, simply curious.
"The way you see me?" She closed her eyes, in place of where a head shake would be. "No."
"No?"
She laughed, a songbird's throaty call. "I appear differently to every mortal. But I know how they see me." Aphrodite cast me a knowing glance. "Blonde, and blue eyed? That is your peak of beauty?"
I flushed. "Like the ocean, and the sand over which it drapes."
She snorted. "Like the children of Zeus."
My hand flew up and swatted her shoulder gently, her body rocking harder with larger giggles. "Oh, please, my lady. Do not scorn me."
"I do not, love." My Aphrodite laughed. "I simply wonder what beauty is to you."
"You are beauty to me," I replied, much too quickly to have been untrue. "In whatever form you may take."
She paused, but there was no word to speak, no comment to mutter. She simply was, and so I was, too. Silence enveloped us, the comfortable and easy quiet that cupped us so gently.
At last, she spoke.
"I do have a true form." Aphrodite said.
I waited. "You do?"
"Yes." She spoke, simply.
Perhaps I could have said a million things: show me, or what shape does your hair hold? Or asked if she even had hair.
But I did not. I did not say any of those, or anything close.
"Good." I said, because it was the only thing I needed to say.
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anatrik · 11 months
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Took me waaay too long to realise ‘you know I adore you. I’m crazier for you than I was at 16, lost in a film scene’ is a reference to when she LITERALLY WROTE A SONG CALLED CRAZIER for the Hannah Montana soundtrack and was dating another beautiful blue eyed golden retriever boy.
Quintessential swiftie behaviours🤦🏾‍♀️ counting holes in fences and missing obvious in your face easter eggs.
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chickawah23 · 10 months
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This is wild. Taylor is wild. How did she make a cloud shaped like the Lover scene lol. She’s out here controlling the weather now.
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Lover balloon in Cincinnati
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pinkorchidsinspring · 11 months
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Pearls
If you haven’t been living under a rock you’ve probably noticed how obsessed with pearls society has been lately, now that aside I wanted to bring up this post I saw earlier, and tie in some very recent things we’ve seen from Karlie and Taylor: (go heart their post again for me <3) Here’s a screenshot of what I’m referring too:
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Not only do we have all this dropping pearls imagery, but we have Karlie wearing this to the met gala not too long ago:
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Also this month from karlie this bracelet that couldn’t be seen from this angle in any posts before this one, posted 4 days after the first:
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Unsurprisingly I don’t think Taylor could say no to this necklace, (although I do understand it was sentimental towards Phoebe because she’s gonna miss her on tour): (once again go check out their posts they’re so good)
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Looks suspiciously like it was designed to look a little pearlescent, huh?
The charm itself is called the ‘Give You the Moon Charm’
Which brings me up to the relatively hidden moon lyrics we’ve gotten since lover:
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Seldom, but still there and the moon is obviously out at midnight. Aka the time this whole 10th album revolves around.
What is it they always say? It’s always darkest before the dawn? Or Til’ dawn should I say?
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I’m not saying she’s coming out, we all know there’s so many things that she would have to overcome in order to be able to do that smoothly. I’m just saying, what happens when the dawn comes?
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