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#me in two weeks' time
madsraa · 2 months
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I keep forgetting to post this painting here!
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solardrake · 7 months
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Delivering mail to the furthest corners of the server ✉✈
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ruby-cloud · 11 months
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  👁️
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horreurscopes · 2 years
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ELEKTRA: I am the shape you made me. Filth teaches filth.
(prints)(process video & high res)
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egophiliac · 7 months
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this is basically what happened, right?
(these guys are very lucky that everyone at NRC 1) has the combined intelligence of a sack of bricks, and 2) is easily distracted by shiny things.)
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#art#twisted wonderland#twisted wonderland spoilers#stage in playful land#stage in playfulland#these two are SO sleazy and i am utterly delighted by them#can't wait to find out their tragic backstory in approximately 3-4 weeks!#fortunately i have like a month to figure out how the heck to draw their hair (spoiler: i will never figure it out)#also. god. i love it whenever leona accidentally reveals his Mom Side.#he doesn't care about any of this but he WILL be tagging along to make sure no one else gets into trouble#once again he has to be the Responsible Adult and he hates it. the whimsical hat weighs heavy upon his head.#anyway this is me so excuse me while i now talk about diasomnia for three hours#but lilia being all 'kids gotta have some adventure in their lives!' is hilarious#specifically because you know silver would NEVER.#100% silver not only never snuck out but he always went to bed on time AND brushed his teeth AND flossed even when nobody made him.#lilia: aww but you should be enjoying your youth! >:c#silver: i am. i enjoy being respectful and disciplined and honoring you as my father.#lilia:#lilia: maybe i'm TOO good at raising kids#you know i was going to say none of his kids would be involved in this but i actually think malleus definitely would#he would not see it as a moral quandry though. he would just be excited to be invited along.#(the only reason he isn't there is because he was busy admiring a termite-infested beam somewhere and yuu didn't get a chance to ask him)#i mean MAYBE if lilia as his single authority figure told him no then he would have some reservations#but lilia's the one who's screaming HELL YEAH LET'S SNEAK OUT AND DEFY AUTHORITY while dabbing so moot point there#sebek would never and he would rat on everyone else. unless malleus is going in which case he's already there.#and i guess if everyone else is going silver probably would too#but he'd. y'know. feel conflicted about it.
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obsob · 1 year
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love is stored in the parallel play
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icantdothistodaybruh · 3 months
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some misc Barn & Wally doodles from the past week or so <3 i heart them
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odetokeons · 10 months
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it's david tennant's world and we're just living in it
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emgardner · 1 year
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two red-headed part-human druids who will do whatever it takes to protect their homes ??? sign me up
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killjoy-prince · 2 months
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House M.D. but it's when House says Wilson's name
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hay-bails · 10 months
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FUCK YEAH PIRATES!!!!!!!!!!
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simmingonthelow · 2 months
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A Dance of Remembrance
gif pictures and inspo below
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Inspo
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Thank you to @missatan for helping with my gif obsession 🥺💖
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ricky-mortis · 2 months
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So, I heard it was Holloweane Week?
It’s a bit late in the week but I wanted to draw something for it, and I liked this prompt.
The way I see it- their roles may have been swapped, but their dynamic? Exactly the same.
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cozylittleartblog · 1 month
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here comes the boy ~ hello boy ✨
cleaned up a couple of the vash doodles i did while learning to draw him :)
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essektheylyss · 5 days
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One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.
(Buckle in. This is a long one.)
In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.
As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.
Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.
This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.
I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.
But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.
So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.
But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.
But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.
It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.
He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)
So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.
But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.
(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)
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