Tumgik
#really excited. there's a lot of good artists and writers working on it!
fuckyeahgoodomens · 1 month
Text
The Assembly sees a cast of thirty-five interviewers who are autistic, neurodivergent or learning disabled, question an A-list celebrity for one extraordinary TV interview.
In this half-hour special, it's multi-award-winning actor and director, Michael Sheen, who is to face the grilling of a lifetime from the unique collective. No subject is out of bounds, no question is off the table.
On subjects as diverse as ex-girlfriends and on-screen kisses, to the OBE he gave back or his favourite motorway, how will the Good Omens star fare as The Assembly bring their unique approach to the celebrity interview?
The Assembly cast is a diverse cast ranging in age from eighteen to seventy-seven, amongst the group are musicians, artists, writers and students. Each will take their own approach in their attempt to get to the truth of Michael Sheen like nobody before has- whether that’s finding out his favourite sandwich filling or how he felt when his daughter was born.
The format is an adaptation of French show Les Rencontres Du Papotin, which saw the likes of Emmanuel Macron and Camille Cotin (Call My Agent) face the neurodivergent journalists of the Papotin. Gone was the flattery of the usual celeb fare – in its place, a mix of mischievous prodding, leftfield quizzing and profound exchanges. The superstars left completely off guard: actors asked about a driving ban or the death of a parent, the President asked if it’s really the behaviour of a role model to marry one’s teacher.
The show comes from Michelle Singer and Stu Richards' Rockerdale Studios, creators of mischievous content which seeks to put disabled agency at its heart. Stu is also known for co-creating and writing the BBC Three comedy, Jerk, and Rockerdale are most known for Channel 4’s Mission: Accessible.
Rockerdale Studios has worked closely with the BBC’s Creative Diversity Team, to ensure every element of the series works for and with autistic and neurodivergent voices.
The Assembly is a half-hour special to celebrate Autism Acceptance Week. Expect profound revelation, glorious chaos, and a lot of laughs.
The Assembly airs Friday 5 April, 10:40pm on BBC One and iPlayer
Interview with Michael Sheen
Tumblr media
What made you say yes to being a part of The Assembly?
I said yes to being a part of The Assembly because it was just such an extraordinary and interesting idea. Then reading about the original French series, it just sounded so extraordinary, different and potentially a very revealing way to approach the tried and tested interview process, but obviously it is a lot more than just being an interview. The interview part of it is just one aspect of the project and I think there is still a lot of confusion, ignorance and fear around people with any kind of difference. I think being able to be involved in a project like this could maybe break down some of those barriers.
How is this different from any other TV show you’ve been a part of?
It’s very much unfiltered and that’s really exciting and quite nerve wracking for that reason! So much on TV is sort of smoothed out and filtered and made safe and this, certainly in the making of it, felt very not that! All the better and more refreshing for it too. I know a lot of work is put into the research and preparation for a show like this, but in terms of the actual questions being asked and the experience that you have in all being together when you’re filming, it feels very unpredictable in a really good way and really lead by the people taking part, which is terrific.
How did you feel going into filming?
Well I didn’t really have anything to go on, so I was excited. Sometimes when I’m going to be interviewed, I know what the interview is going to be about, I have a vague idea of the questions that will come up, I know the sort of things that I need to get across about what I’m there to talk about. But with this, I really had no idea what I was going to be asked, so I had to be prepared for everything and anything, there was a kind of freedom in that I suppose. Because of the unfiltered nature of what was going to happen and not being able to anticipate what might be asked, it was a little nerve wracking yes, but I was mainly just very excited!
Did your experience differ from what you were expecting and if so how?
Well I didn’t know what to expect really, so it’s not that it wasn’t what I was expecting because you can’t expect anything! There's no way you can expect anything because you just don’t know what’s going to happen, and because it is so unfiltered and unpredictable in terms of what might happen, where things might go, how people might be feeling on the day. For all the difficult questions that got asked at times, it just felt very loving and joyful and that everyone was very happy and excited to be there even though people were nervous or had anxiety at different times. There was a genuine feeling of community and I felt very welcomed into that community and ready to play so to speak, and you have to be ready to play. I felt very safe and looked after and it was just really, very funny as well – there was lots of laughter and wonderful things that people asked, responded to and performed, I mean I wasn’t expecting all of that, that was just wonderful! So many moments that I’ll never forget.
How does this compare to any other interview you’ve experienced?
It’s so unfiltered! The closest thing I can say is The One Show, where you go on to talk about one thing and then they ask you about everything else that’s going on on the show, so you get a question about your favourite bus route, then they ask you about otters! There’s an extraordinary pinball effect of questions and that’s the closest I could describe, but The Assembly is that x100. It really is extraordinary and that’s very unlike any other interview I’ve done really, usually everything is meant to follow on logically and have a kind of smoothness and polish to it, and this is just really raw and unfiltered and uncensored and I love that, I thought that was wonderful.
What can viewers expect from the show?
I imagine it will be very funny and I think quite moving. I was quite moved at times by seeing how much people had to struggle to overcome certain things they were dealing with in order to ask questions at times. That was uplifting. I think it will be different, it will be thought provoking I hope, and challenging in certain ways; challenging certain kinds of myths and stereotypes I think and ultimately just really entertaining and fun and joyful. I can’t really remember what I said, so I don’t know what people will learn about me... but it’s not about me, it’s about that fantastic group of people, but I certainly got a huge amount out of it too and I hope an audience will as well.
404 notes · View notes
shmaba · 11 months
Text
I’m going to assume that at this point you’ve all seen Critical Role’s new show Candela Obscura and at least skimmed through the Quickstart Guide (you have done all that riiiight??) So I wanted to compile all the things I’ve done that have been shown so far. Its long so read below the line!
I’m going to try to avoid spoilers. So feel free to read without worry. I’m also going to try and avoid breaking any NDA like a good professional. So I will not be doing some deep dive behind the scenes thing. Only visuals that have already been publicly shared are going to be on here
Tumblr media
The very first thing I did on this show was the concepts for the main set. Everything is practical. Nothing is green screen or cg or whatever. Some people think it’s just good cg but nope that's all real. You could touch it! (don’t touch it, there are ghosts)
Tumblr media Tumblr media
There were multiple iterations on the design, each with their own vibe and statement piece. CR narrowed it down to what you see in the show: a sort of storage hall with an odd clock contraption behind the GM. I think I called this design version the “Abyssal Hall” or something like that (I gave the different versions names to better keep track of which design was being discussed)
The company Flip This Bitch built the physical set. They turned my silly little art into a real thing. So they did all the actual magic of making this set come together in the end! They deserve a lot of the credit for it looking so good in the end.
Also that little piece of art in the bottom left of the preshow is a section from the final concept art of the set.
Tumblr media Tumblr media
That contraption behind Matt is based on astrolabes and clocks. This isn’t really meant to be a literal astrolabe or a clock as we would use them in our world. Narratively this isn’t a device that measures either of the things that a traditional astrolabe or clock does. This is a special magickal tool that does a secret third thing.
Tumblr media
Also I did concepts for the GM screen. You don't really see it besides in the fancy-shmancy preshow. There were a number of more intricate designs for it but CR went with the simpler option since the only part that would be visible on stream is the top, so that's where I put the most detail.
I should also note that I did not design the logo! It’s pretty prominent on the GM screen but I was supplied an already existing logo for this.
Tumblr media
NEXT is the Taliesin enclosure set that you see in the trailer. This is actually meant to be like the lantern room on the top of a lighthouse, minus the big light beacon (You could say Taliesin is the beacon).
Also in the trailer you see a couple brief sketches I did for some world building concepts:
Tumblr media Tumblr media
Speaking of sketches there are a number of art pieces of mine in the Quickstart guide
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
A lot of my art is sketches. They’re all meant to be like notes and drawings from members of Candela as they travel and notate their findings. Most of the notes on these sketches are my actually my notes when I was doing world building concepts, but they replaced my handwriting with a font because my handwriting sucks lmao (also likely for ease of future localization).
Also the cover of the Quickstart guide uses line art of a part of that astrolabe clock set piece. This line art was part of the deliverables that was sent over to Flip This Bitch for construction. They’re just using pieces of those set concepts everywhere!
Tumblr media
As you can see I’ve done a lot of art for this project. I was part of this project when it was still early in development. It’s changed quite a bit from where we started. 
I wasn’t the only one that made all this art happen though. Other artists, writers, and designers got to add their own vision to this. It was very much a collaborative effort that took a long time to happen. It’s very exciting to see everyone’s hard work come to fruition and there is a lot more to come!
1K notes · View notes
grandline-fics · 4 months
Note
Ohhhh i really really really like your writing, it’s so very good!! Could i request some fluff with zoro? I was thinking about the reader being an artist, and he finds her sketchbook and is impressed by her art, and then he finds drawings of the crew and him. Or something like that, you can definitely change the idea. Thank you very much, i hope you have a good day/night!
DESCRIPTION: You’re an artist and he asks to see your sketchbook
WARNINGS:  none
CHARACTERS: Zoro
WORDS: 680
A/N: Thank you for the request! I've been feeling a bit of writer's block creeping up but hopefully you like what I came up with.
*REQUESTS ARE OPEN*
MASTERLIST
———————
Tumblr media
“You’re going to hurt your back if you keep hunching over like that.” Zoro told you as he looked over his shoulder to fix you with a meaningful look, amused to see you snap out of your trance to look up in surprise. It didn’t matter how many times he reminded you to sit up properly, you still ended up in this kind of position when you were intensely set on drawing in the sketchbook that was rarely far from your reach. He didn’t miss how your hand instinctively curled over the pages currently being worked on, protecting them from view but also using practiced care to avoid smudging the drawings. 
Zoro couldn’t help but note you were more protective of your sketchbook around him than you would be with the rest of the crew. Yes, you still would shield it initially from view but if asked you would reveal what you were currently working on. With him? You never showed it unless it was finished products on a canvas. Silently he wondered why he was different. Though he supposed he wasn’t one to ask outright compared to the likes of Luffy who was impulsive and excitable, Sanji, who gushed over the slightest thing, and even Robin who was naturally curious about art and anything intellectual. Compared to them, Zoro never felt the need to ask even when he did want to see your talent. “Can I see?” he asked.
You tensed in surprise and quickly let your gaze flicker to the sketchbook and back to his face. It wasn’t that you didn’t want him to see, it was just you weren’t sure how he would react. Hesitantly you pulled your hand away and let the pages be revealed to him. Zoro stepped closer and lifted the book into his hands, he’d seen how you held it enough times to know the proper way to treat it without ruining any of your hard work. Slowly he started at the beginning, taking in scenes you’d drawn from previous adventures on different islands. 
Some pages held detailed studies of plants and landscapes, each bringing out a memory for him, whether it of a vague feeling of relaxation or a stronger emotion as he recalled the hard won fights they’d engaged on. Most of the pages however he knew had been taken from some place on the Sunny, the focus being some, if not all of the crew. It didn’t take him long to notice that he seemed to feature more heavily than the others. He would be lying if he didn’t feel some sort of satisfaction at that. 
For the first time since you’d let him look at the very thing you were most precious about he lifted his gaze to see you were purposely looking away from him. “It’s not like you to be insecure, you’re talented. Why are you so nervous?” He asked, pretending to be oblivious. Part of him hoped you’d give him an answer he’d been hoping on. Zoro watched you lightly chew on your bottom lip as you tried to form an answer. Finally you cleared your throat.
“I’m not insecure about my skill…” You began simply, slowly building the nerve to look at the swordsman while also trying to stop the growing blush on your face. “It’s just I don’t want you to think I’m stalking you or anything, I know I’ve drawn you a lot.”
“You have?” Zoro couldn’t help the teasing tone creeping into his voice as he looked down at one page in particular that was a study of him training with his swords. “Hadn’t noticed.”
”Oh shut up!” You grumbled lightly, taking the sketchbook back into your hold. “It’s not my fault I can only draw things that interest me. It’s just how I am.” Quickly you clamped your mouth shut, the blush burning on your skin stronger now as Zoro grinned down at you, looking even more pleased with himself. He only wished he’d asked to see your sketchbook sooner had he known this was what he was going to get.
266 notes · View notes
writeouswriter · 5 months
Note
pls no anti ai art demagogy on my dash, thx
(X) in reference to this reblog I assume.
This is the wildest ask I’ve ever gotten.
“Please no love for the humanity of creation on my dash, please. Please no acknowledgement that art and the human experience behind those making it is inherently and fundamentally intertwined. Please no shoving the fact in my face that art is meant to connect rather than consume.
And please no pointing out the basic truth that most AI engines are built off the stolen work of others.”
Demagogy, noun: political activity or practices that seek support by appealing to the desires and prejudices of ordinary people rather than by using rational argument.
You come into MY house, you tell me what not to reblog on MY blog, and you what? Call me “irrational” and insult my understanding of the topic in the process?
Political activity, political activity... fuck off. Actors, writers, artists, those most affected by this ARE the ordinary people, and their concerns and fears surrounding this are perfectly rational.
And you know, nothing hits it home more for me than when I thought about my favourite show at the moment, the one that makes me lose my mind a thousand times over, I thought about everything in it that makes me tick, thought about both strong points and weak points, because it is flawed, god, is it flawed because people inherently are, and that’s the beauty, but mostly, I thought about the sheer amount of care/thought and depth put into it in a way I've never really seen before and in a medium/genre/whatever you'd absolutely never expect to find that thought put into, especially if taken completely at a surface level. Thought about the levels of metaphor and symbolism layered in beneath the silliness, thought about the callbacks and clever timing, thought about the behind the scenes arguments about what direction worked best for the narrative and the audience, arguments that took place because of how much they cared not just about telling a good story, but about telling one that really means something to them.
Thought about the love, the time, the excitement and the flair and personality and background and intent of each and every person behind the team bleeding its way into the scripts, into the acting, into the heart of what makes it truly what it is, and how that love bleeds into the audience as well, how that love and human connection is what prompts people to write full page essays and analyses on it, draw fanart for it, create the most beautiful fics for it, that love is what prompts them to laugh and cry and vibrate at the speed of sound thinking about it, and what prompts thousands upon thousands to come together in their appreciation for and relation to it, rallying around it like a group of cavemen around a campfire when they had never before seen the flame.
And then.... then I thought about the idea of that same show being written by an AI and genuinely felt physically ill. Because no real care will have been put into that beyond "If it looks like a TV show, sounds like a TV show, it must be a TV show." And on the surface, maybe it’d look fine, I’m sure some people wouldn’t notice. But it’d not only be made without thought, but consumed without thought. And, sure, maybe that'll fill you up in the short term, but it's gonna leave you feeling hollow and sick eventually. Because stories are not a thing to be mass produced with a random assortment of the cheapest quality materials on a conveyor belt that shovels them directly into people's throats at the most efficient speed possible, stories are not a thing meant to just be consumed! They are a thing made with intent in every aspect, even when accidental because our lives shape it subconsciously, they are a thing made with love, a thing to be savoured! And yes, for that to happen, they will take a lot of time and hard work and dedication, all of which deserve fair compensation and respect, all of which cannot just be replaced by a sham amalgamation of these things, and they will be all the better for it.
And on some level, corporations know this, and they want you to blame their shortcomings on the writers, on the artists, they want you to look at things like the strikes and those rallying against AI and get mad that they’re keeping art from the common people, or forcing them to come to this, or they want you to think they’re simply trying to make art more accessible, all the while building their conveyor belts in the background with the blood of those they’re kicking down, taking away jobs and shoving the humanity out of the picture.
Art is made to communicate, and sometimes it’s frustrating when we can’t get that communication across, when the image we want to convey is out of our skill level, our capability, when our words get tangled up, jumbled together and we need a helping hand to find the right ones again, and on this level, maybe AI could be a useful supplemental tool, or a fun little thing to mess around with, if ethically sourced, if used for good, if taking into account and graciously acknowledging exactly how it’s being used as a tool, rather than trying to pass it off as something it’s not.
But is it political, is it irrational, to merely state that the human condition cannot be replaced?
——
The unfollow button is free, I don’t work for you.
112 notes · View notes
jonayariley · 7 months
Text
My Thoughts on Homestuck^2
I say this as someone who has been fairly critical of the Epilogues and Homestuck^2 - I think that HS2 (or Homestuck: Beyond Canon as it's properly called now) has the potential to be something positive again. I was really excited for HS2 at first (after not super loving the direction the Epilogues went in) but got really burned out on it. But I'll say a few things on why I think this can work:
Greater transparency in terms of what's going on with it. I think that James Roach and crew are in a position to be really up-front about what's going on and what's to come, and I think they've done that. James has always struck me as being a pretty even-keeled guy, and having worked with him in the past on both Friendsim 2 stuff and when he presents at SAHCon, yeah - definitely a solid choice in terms of organization and being willing to communicate.
I think there's a lot of room to bring the plot around. I'll admit I wasn't a huge fan of everything that was happening in HS2 (weird pacing, focus on Vriska stuff, weird cucking plotline, out of character stuff) - but I really think there's a way to judo throw that shit around into something good. My take has always been "meat and candy are two divergent, slightly-unreal timelines and there's something else going on here" and some of what I saw in the last couple upd8s seems to confirm this. Personally I think that could work well, and the theme of collapsing reality in on itself could work. The fact that the new upd8 starts off with some stuff I thought they'd forgotten about bodes well.
Writing so far is good - feels balanced, good character writing. It feels Homestuck-y but also it feels like its own thing, which I think is a good thing. Also, solid choices for writers - seeing @floralmarsupial on the list alone has me very excited about what's to come!
Art is good too! Very nice balance of styles and some really solid panel work! Nice use of limited motion in classic Homestuck style combined with a good combination of Act 6 bean style and sprite style.
So far, reactions seem to be pretty positive. In the past, some people were profoundly NOT NORMAL about HS2 - going so far as to harass and attack the folks working on it. I can't express how profoundly not okay this is! So far, I see folks being pretty positive about it overall, and I think that's good. The folks who don't like it are not liking it in a normal, not-harassing-the-crew way, which is good.
I trust the team involved - I've worked with several of the people involved on my own projects (Chumi, Kim, James) and I have a tremendous amount of respect for the other folks involved. Like, this is a solid core to build a team around. Kim doing art direction is a good thing.
On a related note, hearing that this is a truly independent thing with creative control in the hands of the current team is a big thing. I have good reason to believe that this is 100% genuine, and that the direction "Homestuck community involvement" is going in is a positive one. It's a process, but it seems to be moving in a positive direction.
Good community involvement, less adversarial feeling - James has been reaching out to the community at large in a way that feels much more open than HS2 was doing before. HS2 got to the point where it felt like it had this contentious relationship with the fandom where it wasn't just challenging readers within the context of the text, but challenging them as readers and fans of the work (if that makes sense).
There seems to be a real commitment to doing this thing in a way that isn't exploiting the artists, writers, and other creatives involved. To working with people in a fair and open way and allowing them to guide the creative vision of the work. And tbh that's one of the most positive signs I've seen from this whole process.
Remains to be seen how things shake out in the long term - especially with stuff like the upd8-to-upd8 pacing (something I felt like was really broken in HS2) and how some of the more contentious aspects are handled.
But I feel hopeful about this, and I would absolutely not have said that two or three years ago. Like, ngl - the whole thing with Jade/Rose/Kanaya hit me hard enough to make a whole divergent post-canon AU
(read Negotiated Consent and its sequels Ways of Being and This Sudden State of Mind, btw - I'm still quite happy with them)
but I've had time to think on this a lot and time to become significantly more involved in well-known Homestuck stuff (specifically Friendsim 2 and co-directing Stuck at Home Con) and, like... idk I feel like the annoyance got replaced with a kind of "I really wish things could be better" bittersweet feeling, because at the end of the day this whole thing is important to me, and there's a lot of folks in this fandom who aren't shit-ass individuals who harass creators, and I think the relationship between author(s) and work can be something good and positive.
So yeah, I would describe myself as "cautiously optimistic" about this whole situation. Homestuck is a work with a lot of baggage - both textually and in terms of fandom/creation history. I don't think that can just be wiped away, but also I do believe it can move in a better direction, and there's clearly still a lot of folks who would like to see that happen.
And yeah, I guess in my heart I'm still one of those people too.
88 notes · View notes
ostrichmonkey-games · 2 months
Note
Hi! I would like to try my hand at making my own ttrpg, but I have NO idea where to start, tbh.
Do you have any tips? Do you know of anywhere to discuss designing this stuff?
Hey that's super exciting! TTRPG design is a ton of fun and can be super rewarding!
So some general advice, based on what I've learned and also have heard from others.
Start small! Smaller than you think! Diving straight into the deep end with a big ol' fantasy heartbreaker is the road to never getting anything done. So scope out something that you know you can finish. Maybe that's a new class or playbook for a game you already like! Maybe it's an expansion or set of new subsystems! Maybe it's an adventure (though adventure writing can be it's own can of worms, but don't let that stop you hahaha)!
If you want to go bigger, maybe look at hacking a system or engine you like! I'm a huge fan of LUMEN as a fun to pick up and experiment with engine. Also, the LUMEN SRD (system reference document) is a very nice set of "how to do LUMEN games", which is very helpful. There's also other open systems/engines/SRDs like 24XX, Caltrop Core, and Breathless that could be great to look into. Powered by the Apocalypse and Forged in the Dark are both fantastic engines/systems to design in, but are also much harder to really get the hang of (and while Blades in the Dark does provide an SRD, it's a good rules reference, but not a great "how to" reference).
If at the end of all that, you decide on making your own bespoke system, go for it! See what happens! Try and figure out the focus on what you want your system to do (generalist games are always harder to make, imo), and then really dig into that. But I think starting with SRDs/hacks/expansions is going to be a way better start than trying to do everything from scratch.
Make something and don't worry about ever sharing it! This is also just general artistic/creative advice, but the first things you make prooooobably won't be your best and that's okay! I have loads of early design material and scraps that will never see the light of day, but working on them I learned a lot! If you do want to share things, it's fine to just share it with friends, you don't need to worry about publishing or any of that. Just remember to stay focused and work towards finishing something, because then you can start on the next thing. And the next thing after that! TTRPG design is a skill that takes practice. You can try focusing on one design idea in one project, and then work on a different design idea on the next to build up your skill set.
Play, read, and run a lot of different games! It's like with writing, the more you read, the better a writer you can start to become. You learn a lot about ttrpg design by interacting with ttrpgs. If you don't have regular groups to play/run things with, then try and read a lot of different games of all different systems and styles! All that you're absorbing is going to give you fuel for your own designs, and sometimes you learn something really cool from unexpected places (like, I could not have imagined the impact that learning about a lot of OSR design stuff would have on my own design, even though I don't consider myself a strictly OSR designer).
Don't worry about what other people are making! This is just the "two cakes meme", but even if you find out someone is working on something similar, it is always worthwhile to pursue your own vision.
This is getting long, so I'll wrap up that section and move on to the second question.
I think there's a pretty solid community of TTRPG designers here on tumblr these days, so you can try getting discussions going here! I also do a lot in various discord groups. I personally really like Plus One EXP which is very friendly to newcomers and has pretty active design discussions (I also publish some stuff in print through Plus One, full disclosure).
Tumblr media
If you're looking for more spaces, asking around there probably wouldn't hurt either.
I'm also always super down to discuss TTRPG design at like, the drop of a hat. So feel free to shout in my inbox anytime!
Best of luck on your journey, and can't wait to see what you do!
38 notes · View notes
nodirectionhome-ao3 · 2 months
Text
WIP Tag
Thanks for the tag @kay-elle-cee, @alittlebitofeverything23, and @isahorcrux !!! This is such a fun one. :)
List the titles your top five priorities for WIP updates (link your fics for new readers!)
An upcoming scene, event, or detail in each fic that you're looking forward to writing
Bonus: make a poll for your followers to vote on which top 5 WIP they are most excited to see an update on!
Then tag 10 writer friends
Titles
Kindly Stopped for Me: Chapter 33. Lily lives AU, where Lily falls into a coma on Halloween 1981 and wakes up at the end of GoF. Lots of angst and family feels.
The Joker and The Queen: Chapter 3. A Jily fake-dating fic. Shenanigans abound. An "Idiots in Love" kind of story.
James Lives AU (Title TBA): Outline & Chapter 1. Basically a James version of Kindly Stopped for Me. James survives Halloween 1981 in a way that I will not spoil for you, and wakes up later on when Harry is a teenager.
Forever is the Sweetest Con: Short multi-chapter. Jily as con artists who fall in love while trying to con each other.
Fragile Little Flame: A post-war Hinny fic! Most likely a one-shot, but we'll see what happens.
(I’m not including the KSFM Missing Moments that I’m working on in this, since I don’t post them on AO3, but just know that I haven’t forgotten them!!!)
Upcoming Scenes, Events, Details
I've been making some minor changes to my outline for KSFM, so the exact numbers may change, but looking at it from a birds-eye view—Chapters 35 and 39 are two of the angstiest chapters in the entire fic😅 So...in preparation for that...I'm giving you all a slight break from the heaviness of this fic with chapters 33 and 34. I'm hoping it won't feel like a crazy tone switch after the previous two chapters, but I'm excited! Chapter 33 is a bit of a transition chapter (setting up some important things!) so maybe won't be the most exciting thing to read. But it will include Lily watching Harry in a Gryffindor Quidditch match for the first time and the gang celebrating Sirius’s 36th birthday!🎂🎂🎂 So hopefully you all will enjoy that!! And then Chapter 34 will be a Harry POV and will feature some good old-fashioned teenage romance drama😅
Chapter 3 of The Joker and The Queen has taken soooo long to write because it's something I sort of have to be in the right mindset for. (I still don't have a full outline for it because I posted the first chapter impulsively before I really thought about the plot very much lol) But I'm hoping it will be worth the wait!! The chapter will feature Lily meeting Fleamont and Euphemia (and possibly some Potter extended family members too) for the first time. I've never written James's parents before, so I'm excited!
Oh man, oh man. What can I say about the James lives au?? I'm currently drafting multiple vague outline ideas as I work through the timeline that I want it to take place in. But, despite what I've said previously, I'm finding myself starting to lean towards setting it in the OotP universe after all. (but no promises yet!) I'm staying kind of vague about the plot of this since it's still very much under consideration, but I'll just say that Peter's betrayal and its ramifications will be a major focus. The betrayal will happen slightly differently than it does in canon (as some of you have already guessed!), and I expect it to be devastating😈
Forever is the Sweetest Con is a fic that has been percolating in my brain for a WHILE now. I haven't officially outlined it yet, but I already made the banner so it's officially happening! It will be canon divergent, and I'm excited to explore the cat-and-mouse dynamic that I envision when I think about this one.
Fragile Little Flame is a fic inspired by Taylor Swift's "I Know Places" and is also one that I already have a banner and title for, but no outline. It'll be a post-war Hinny fic (I've been wanting to return to writing them!) and will take place in the 19 years between the end of DH and the epilogue. I haven't really thought about the plot in detail yet, but it probably won't be epilogue-compliant. Harry will (probably) be a Quidditch player rather than an Auror, and the fic will explore Harry and Ginny recovering from the war and rebuilding their relationship amongst the chaos of both grief and fame.
Apologies if you've already been tagged! But here's a no-pressure tag to: @suzyq31 @nena-96 @uncertainwallflower @turanga4 @takearisk-ao3 @annasghosts @practicecourts
30 notes · View notes
nomsfaultau · 25 days
Note
thank you so much for writing mandatory family reunion. i just reread it for the eighth time. i think im going to dedicate my life to life to reading your other sbi fics until you update again. also; do you have any tips for committing to fics and not leaving them half-finished?
ahhhh that’s so sweet glad you enjoyed! As for writing fics, having it be your special interest really helps. But for more general advice on finishing:
-Don’t stick to just one story. Which seems counter intuitive! But inevitably you’re going to hit a snag in one story. So instead of stopping writing at all, switch projects. Writing involves a whole bunch of thinking, and stuff needs time to percolate in the back of your head. But having a small project to work on in the mean time keeps you engaged in the writing process, gives you practice, makes you feel like you’re making progress, and allows time to work out the other story. I personally have 1-2 main projects, Fault and MFR, and then rotate a couple back burner stories that I work on whenever I get inspiration and fully expect to have very slow progress and possibly never finish. Short stories, one shots, hell even just writing little one off scenes that don’t go anywhere. It’s a way to keep writing fun and thus you’re more likely to continue working on the stuff you’re trying to complete. Don’t feel bad if there’s breaks between working on your main project. Writing involves a lot of thinking and it takes time to do that.
-Devoting time to do that thinking also significantly helps. When you’re falling asleep can be a good time to rotate stories in your head. Could also be if you’re walking from place to place, or brushing your teeth, or other little gaps in the day. Even if you’re not physically writing, it’s still part of the process and can make it easier when you actually sit down to write because you know what scene you’re most excited to work on. Also, talking over your story idea with a friend is a great way to stay motivated if you can get over the mortifying ordeal of being known. You can bounce ideas off them, and other people’s investment in a project can be a great motivator to finish. Like legit a single ao3 comment once stopped me from my plan to abandon a fic. Reminding yourself why you (and other people) like the story makes it easier to want to continue.
-Keeping a rough outline of what you envision for the story can give you a road map to how close to done you are and where to go next. Just like you can hop between projects, I find jumping around the plot time line to write what scene I’m most interested in atm keeps me going instead of writing everything in order. Though, all writers have different degrees of plot planning, so that depends on your style.
-Art! I’m an artist, and while writing definitely fuels what I draw, I find doodling cool scenes I want to write really inspires me to keep going. This sorta falls under the same category of continuing to think about the story and motivating you to finish. -I found keeping a writing journal has improved how I view my writing. Basically, I’ll jot down a bullet point list of scenes worked on that week/month. Writing is a very slow process, so seeing a timeline of actual progression on a story makes it feel like I’m actually getting more out of my head and onto paper. I also jot down what ideas for scenes I came up with since that’s also part of writing, and might include a chill no stakes writing goal for that period, like work on X or Y project, or a particular scene. Sometimes my goal is just ‘write at least one sentence’. I give it lots of leeway, and accept that the muse may just be somewhere else that week. And if the goal isn’t met, no sweat! Life can get busy at times and it’s more important that you aren’t beating yourself up if it’s been awhile since you last touched a project. Forcing yourself to write a scene that isn’t ready won’t result in a good scene or an happy writer. Switch projects, give yourself time to think about it, take care of yourself, etc.
And, legitimately, don’t be afraid to abandon a piece. Maybe you’ll come back to it, maybe you won’t. It can feel disheartening to feel like you can’t seem to finish a project, but unfinished pieces also do a lot for you: they hone your craft, allow you a creative outlet, give you scenes that could potentially be reworked for later pieces, and most importantly were hopefully fun to write! Story crafting is a hobby that should bring you joy, not frustration and shame.
Like, I have stories that will never see the light of day and are just so I can have fun and poke it with a stick occasionally. I’m 100% confident in saying that every author will have tenfold the number of unfinished wips compared to complete works. That’s just part of the creative process: exploring different worlds to find the one you want to write.
Perhaps a fic might never get finished, but in the wise words of Technoblade: “if you enjoy it, it’s not time wasted, no?”
(Now, I think he was talking about murdering people, but the point still stands.)
24 notes · View notes
doraambrose · 3 months
Note
fav comic writer & artist?
Hello! Thanks for the awesome question!
I'm not sure I have a FAVORITE writer, but here are some I do like:
Shawn Martinbrough took over for RHATO Rebirth for the last couple issues and us writing Redhood: the Hill, and I did really like his writing for RHATO, much better than Scott Lobdell
Gretchen felker-Martin wrote Jason's issue for Titans Beast world tour: gotham and it was hands down the best jason characterization I've ever seen since under the redhood despite him being a furry in it lol. She might be my new favorite actually
Geoff Johns wrote Batman: three jokers and I gotta be honest, for all its flaws (including some jason and Barbara), it'd probably one of my favorite series. The mix of the art, the exploration of chronic pain and trauma because of the joker, ugh so good.
Of course, I've got to give props to Judd Winnick for lost days and under the red hood. How jason was before he was retconned into being a sloppy stupid hothead, he was clever, cunning, sneaky, SMART.
An honorable mention is for suicide squad get joker, but definitely not my favorite
As for artists, me! (Just kidding) that's also hard to pick just one favorite, but I LOVE these artists
Dexter soy has such a unique way of doing comic art, but I just love it. He makes jason look his age and not, you know, a 50 year old Vietnam War vet. And I love the way Artemis was drawn as a strong, tall amazon woman with muscles and not, you know, skinny feminine woman like old style comics.
Tumblr media
I also just LOVE Alex maleev for his work in suicide squad get joker. The people are drawn well, the color palette, it's all so visually appealing. And again, jason isn't 50. It seems like a lot of comic artists forget that most members of the batfamily are in their 20s
Tumblr media
Tumblr media
Jason Fabok gets a mention for his art in batman three jokers. It was beautiful. Same reasons too. I'm also a sucker for line art
Tumblr media Tumblr media
Finally, one of my most favorite artists isn't even a jason todd artist but I wish he was. Bruno Redondo does a lot of the art for the newer Nightwing comics and I LOVE IT. The color scheme is so visually stunning, everyone is drawn so well, it's beautiful.
Tumblr media Tumblr media Tumblr media Tumblr media
And call me a narcissist but I gotta add some of my own art in here lmao but thanks for the ask!!! This is very exciting for me and I love talking about jason todd as he is someone I've studied and read everything about for the last few years
Tumblr media
I've reached my image limit so I might start posting my own art as well
40 notes · View notes
https-furina · 4 months
Text
Tumblr media
2023 is coming to an end and while this blog has yet to hit one year old, it’s gathered its fair share of mutuals. it’s only fair to give you all some thanks and appreciation before the year closes. if you’re not here i apologise sincerely, i’ll make sure you are on next year’s list.
˖⁺‧₊˚♡˚₊‧⁺˖ mika — @mikacynth
hi mika !! i’ll start with you. i know we haven’t interacted much since you went to university (i hope you’re doing super well !! please take care of yourself) but i wanted to thank you for being one of my first mutuals on this hell site. you were super friendly and you always randomly drop cursed genshin memes in the server <3
˖⁺‧₊˚♡˚₊‧⁺˖ mae — @maehemthemisfit
mae, i don’t know where life has taken you but i miss you a lot. it was so fun trying to figure out dango anon and you made me laugh countless times, i just hope you’re doing well <3
˖⁺‧₊˚♡˚₊‧⁺˖ bell — @blue-b3rries
ew it’s bell (i’m JOKING) hi sweetheart !! you literally never fail to make me laugh in the network server and you always come out with really random things. it’s okay, maybe next christmas we’ll get you a dictionary /lh i love you !! /p <3
˖⁺‧₊˚♡˚₊‧⁺˖ inky — @lemeowade
inky !! my favourite artist ever !! we don’t actually interact too much on tumblr now (i do like a lot of the stuff you rb tho) because we talk a lot on discord now. it’s nice to have someone that checks in occasionally and i absolutely love when you show your art !! it’s clear you’re making progress with it and finding your style and i love it so much. you’re gonna do fab things sweetheart <3
˖⁺‧₊˚♡˚₊‧⁺˖ amai — @amaiaqt
one of my favourite writers ever and a fellow cyno simp !! i miss you a lot and it shows because i always get excited to see you in my inbox. i hope life is treating you well and that we get to see you more in the new year <3
˖⁺‧₊˚♡˚₊‧⁺˖ general — @watatsumiis
hi general !! i’m sorry we didn’t interact as much anymore but you’re so sweet and fun to talk to !! i love your writing and i have the best time reading your tags on people’s art because i’m like “damn. that’s so me” and also you always reblog the best art?? it’s wild you keep my dash alive <3
˖⁺‧₊˚♡˚₊‧⁺˖ aly — @soleillunne
who are you? anyways hi wife !! i send you appreciation letters whenever things get tough so i’ll dull it down here a little. thank you for being probably my closest mutual, talking to me daily and always sending tiktoks to each other. if you dare think about leaving me, i’ll find you. in every lifetime <3
˖⁺‧₊˚♡˚₊‧⁺˖ ari — @n3r0-1417
another person that i’m super sorry we don’t interact as much anymore ): you literally never failed to make me laugh and you 100% have permission to kill me at any time, just don’t tell aly. i hope we can interact more in the new year and i hope it treats you well too, you deserve it <3
˖⁺‧₊˚♡˚₊‧⁺˖ yui — @ilyuu
yui !! wow i’m really failing on interacting with some of you but whenever you’re on my dash it’s pure chaos?? even with no context i can’t lie it’s funny. i picture it like when the scooby doo gang are running and you see all the different shots and stuff. anyways, 2024 better treat you good !! <3
˖⁺‧₊˚♡˚₊‧⁺˖ kiri — @kirimoochi
the last time we interacted you wasn’t doing so hot on some fronts and i really hope things have improved for you, sweetheart. you deserve the world and whilst i love your alhaitham & kazuha works, i know a lot of them came from your heart and i hope you’re healing. i pray the new year is kind to you and that things are going better <3
˖⁺‧₊˚♡˚₊‧⁺˖ bori — @bboricha
hi bori !! we’ve only interacted a few times because i find it sooo funny when you randomly appear on my dash talking about leon kennedy (because honestly, same) but i hope there’s chances we interact more in 2024 !! fun fact, i followed you for your 5swirl stuff and 1k special (i actually remember what content made me follow you hahahelpme) but i stayed because… relatable. here’s to more interactions !! <3
˖⁺‧₊˚♡˚₊‧⁺˖ yume — @yaminohimeyume
oh boy.. hi yume !! you know i could sit here for hours appreciating you right? whenever i log into genshin i check to see if you’re online so i can say hi !! i love helping you with bosses, domains or even exploration but even when we just talk and i don’t join you, it’s nice to have a conversation with someone. you’ve provided me with plenty of distractions this year but in 2024 our goal is to build your characters HAHA i love you !! /p <3
˖⁺‧₊˚♡˚₊‧⁺˖ aya — @miuzki
my neuvillette !! i miss you so much, i hope you’ve been doing well and not overworking at all. i know you haven’t really been in touch with genshin towards the end of this year but you’re always welcome in my messages, yknow? i love your writing so much (i still re-read that comfort piece you wrote for me all the time…) please take care of yourself and i hope you have an amazing new year <3
˖⁺‧₊˚♡˚₊‧⁺˖ yukari — @ryuryuryuyurboat
is that.. is that my favourite child?! hi ryuu !! i don’t exactly remember how we met. you kinda just appeared in my life one day but it felt like i’d known you forever. you’re an absolute joy to know and you constantly bring a smile to my face !! i’ll c6r5 morrigan first though. have a fantastic new year (and you will not be getting rid of me) <3
˖⁺‧₊˚♡˚₊‧⁺˖ lili — @lillonvia
oh my gosh !! my chihuahua !! every time we talk i have the best time ever i can’t even lie like that one time we randomly started reciting the lyrics to california girls and how you started playing on eu server for me. it’s a little crazy with the timezone difference but you’re the amber to my collei and you deal with me torturing you with my genshin va knowledge (did you know cyno is izumi from horimiya?) i love youuuu /p <3
˖⁺‧₊˚♡˚₊‧⁺˖ dumbi — @dumbificat
well well well, if it isn't the cutest mf to ever exist >///< it's my co.. parent-in-law? i don't remember because i just remembering rizzing you (oops.) but hey dumbi !! i'll be fr i was always a little nervous/scared to interact with you but i really wanted to and then you joined the network and i minorly lost my mind.. thank you so much for all the smiles and laughter you've brought in these past few months and also for your writing that i am very happily married to. oh and all the fun i get to have helping you explore on eu <3 thank you for letting me join you sometimes. i really hope we get to interact more in 2024 and here's to hoping the new year treats you well!! i love youuuu /p <3
˖⁺‧₊˚♡˚₊‧⁺˖ heia — @heiayen
heia. my child. my sweet, funky bean. i love you /p but also. fuck you for how much you make me absolutely lose my shit when it's late for us and i have to be quiet so instead i'm wheezing in bed until i'm crying. chaos hours are the best and you are genuinely such a sweetheart to be friends with. i hope we get to interact more in 2024 (you have no choice) and that it treats you well !! but also, 0.5 stars to the ayaka uber but 10 stars to the network's ooc reporter. mwah! i love you (again) /p (you still need to read to me in some blankets ehehe) <3
˖⁺‧₊˚♡˚₊‧⁺˖ coco — @hwaitham
hi hi coco !! we haven't interacted that much (and i'm typing very formal for this post it feels out of character for me) but i've loved your works for sooooo long !! and you and haitham are so cute i just wanna. AAAA you deserve the world and i genuinely hope everything you ever want comes true in 2024 because you just deserve it. if it doesn't, i'll start barking up some trees ehehe. i love you!! /p i hope we get to interact more in 2024 <3
˖⁺‧₊˚♡˚₊‧⁺˖ raine — @to-kazuha
oh, it's you /j hi sweetheart <3 2023 has been very all over the place for us but here we are, ending (and starting) another year together !! even if you don't think so, your writing is amazing and i can't wait to see you grow and get more comfortable with it (practise makes perfect!) and also how can i forget that you're my personal miko main.. life would have been a very sad experience if you hadn't came to me on anon in my old blog <3
˖⁺‧₊˚♡˚₊‧⁺˖ clara — @umgatochamadopercyval
clara !! you're a very recent mutual so i can't say i have a lot to write (we'll be changing this in 2024 !!) but you are an absolute gem to know. your asks never fail to make me smile and now even your messages !! you're a sweetheart and you deserve a lot of good things. i hope 2024 brings more sagau isekai to my dms and a lot of joy to you. never stop being you !! <3
˖⁺‧₊˚♡˚₊‧⁺˖ yza — @yzashaven
hi yza !! we've not been able to interact for a while ): but i'd like to appreciate you for all the times you've came to my inbox with angst, i love you so much for it /p and i still have an angst draft with your name on it because of an idea you came into my inbox with !! your writing is so good and i really hope we get to interact more next year. happy holidays sweetheart !! <3
˖⁺‧₊˚♡˚₊‧⁺˖ honorary mentions — @jingyuansbird, @honeykaes, @nervocat & @bunicate
happy holidays & happy new year to the four of you !! i would love to appreciate you all but i can only go as far as praising the absolute hell out of all of your works !! you're all fantastic writers that i love to pieces and i hope that the new year treats you all well !! here's to more interactions so i can write you all paragraphs next year (cries) <3
signed with love, serafina.
47 notes · View notes
yuurivoice · 22 days
Note
how are you doing lately yuuri? (everyones been asking about content so i just wanted to ask something that wasnt related to it. obviously no ill will towards them ❤❤)
I'm pretty great actually!
My 2024 didn't really kick off until the middle of March tbh, but now that I'm really rolling I'm feeling good about things.
Creatively I'm charged up and full of ideas. Every time I go to the well, my cup is full. That's the best case scenario for any artist, so I'm very happy. The bigger projects will take time but I am actively chipping away at them rather than letting them stew in my brain.
Am still head over heels for Aerith after playing FFVII Rebirth, and put some solid hours into Dragon's Dogma 2, so I've been a real gamer boy so far in 2024 lol
Cats good. House good. Life good.
Nothing really new going on. Had an appointment to get my passport, that was cool and my picture turned out pretty decent so I'm not mad at that.
I'll be seeing Nothing More and Hozier in concert this month, and Motionless in White next month. Excited about that for sure.
Life is definitely very content-centric right now but it doesn't feel like work and things are going well in terms of numbers. It's an ebb and flow usually but when both of those align it feels particularly rewarding!
I've streamlined and refined some of my processes when it comes to scripts, planning, etc. and that feels good after years of just sorta vomiting on the page and hoping everyone involved can figure it out lol
Had some really wonderful portfolio submissions when I called for them on Patreon! I have many people I need to reach out to and I feel really optimistic about some of the writers that reached out. Having some wonderful scripts to use when I need to get ahead of schedule and focus my own writing on the narrative projects is really going to take some pressure off of me. Script submissions have been helpful sometimes, but now that I have a bit more brain capacity I can take extra steps to really get hands on and work with select writers 1:1. Script submissions will still be a thing, and if you haven't submitted your portfolio and think you've got the sauce...go hit my business email!
In terms of art I just need to expand options when it comes to merch, one off thumbnails, etc. to help with the flow of things. With multiple major series coming, I'd like to be able to keep Jackie on those and not have to interrupt the flow by throwing a new thing at her every other week and end up messing with the schedule because I can't stop having ideas lol
So! A lot of great stuff going on. I'm feeling great and am looking forward to smashing the rest of this year!
37 notes · View notes
amevello-blue · 4 months
Note
Now that we're entering into 2024, I'm asking some artists and writers that I follow:
1) What is the one piece you're most proud of from this past year?
2) What are some pieces that you would have liked more people to see? If you can include links, I'd love to go check them out!
3) What were your top three favorite pieces (art, comics, fics, etc) that someone else has made this past year?
(As always, no pressure to respond! Feel free to just ignore, or let me know if you'd rather I not send you these kinds of asks in the future.)
OOH OKAY UH
Ghost in the Shell! Probably obvious. I'm very proud of it, though. It's been a lot of work and I'm really excited to start posting Part 2.
Mystic Forest is always one that I want people to check out. The Great Skittle Heist of 2105 is another that I really love!
Oh gosh. Uh!! 2 Arms Left by @intotheelliwoods has changed my brain chemistry permanently. The Last Ronin Becomes a Discord Admin by @melonpalooza has also done this to me. Not Quite Kintsugi, but Close by @tervaneula is a comfort fic I like to read, the amount of cozy in it is SO good. The Eldest Brother by @debb987 has shaken me, and the AU of TEB, A Different Eldest Brother, by @alicat54cwriting I'm still not over. I am completely feral about Dannie. I'm literally writing a character analysis essay about him. Also Empathy is Learned by the same author, I love the turtles being feral little creatures... Little Scraps of Wisdom by @spectralsleuth is another comfort fic <3 (This is way more than three but 🤷I love fics what can ya do.) I'm thinking of more but I need to stop this is getting so long hgkdjfhg
I should've probably included the art pieces I really loved too but they are.... significantly harder to find hgkdjgf
32 notes · View notes
skidar · 1 year
Text
Please do not complain to the great folks behind Glaze that this is ‘too little too late.’
Glaze is a free software in development that coats artwork BEFORE you upload it and scrambles the image from AI ripping technology so that it can’t be effectively used in their slurry machines to generate ai shit.
I get that it’s easier to complain and that actual laws would help but are we really going to wait for our reps to give a shit (ha) and put down a group of individuals who actually care and are trying their damndest to protect themselves and others from theft FOR FREE?
Is Glaze perfect? Of course not, it’s in BETA they are still working on it but they are excited to share how its working so far so yay!
Does it stop art thief short cuts? Not yet but neither is anything else we’ve tried. Thieves scrub out watermarks, screencap and repost from private accounts and patreons all the time. Plus a lot of artists have been posting their works for years and the theft machine has already been trained on the works they have had up for decades. That doesn’t make it hopeless, just an annoying hurdle. Give them some TIME.
Point is, these people are actually trying to help, and they have been on the front lines of this fight from day one.
So lets not kick back and mope about how everything sucks and blah blah blah and actually have a little bit of HOPE in something for once.
No one gets anywhere by giving up in advance and ridiculing those who are still fighting.
Support the great folks behind Glaze. Download the software. Glaze your pieces if you can before uploading and don’t stop creating your art. The world needs your real human art.
I hope in the future we can get some good anti ai protection for writers too <3
203 notes · View notes
milfygerard · 1 month
Note
Do you think Gerard's comics are good? I haven't read all of them. I felt like the story doesn't really wrap up well and make sense good in the Killjoy comics or Umbrella Academy but maybe comics are just like that. Maybe they were imitating other writers I don't know about and I'm missing context. What are your thoughts
anon i am so deeply biased towards gerards comics but YES i do think theyre good! I think lots of the critiques are fair but i also think it leads to the fandom kind of underrating him as a comic author at times and dismissing the work out of hand. I especially see this for umbrella academy and to answer your other question yes i do think some of it is a matter of missing context! TUA was never...really made to be a popular and commercial comic? The satire and style are very inside baseball, mostly about x men, as well as later leaning more into a silver age style of both writing and illustration (which is why im soooo obsessed w hotel oblivion guys its so goood its so good i swear)
When it comes to other comic runs, I'd say killjoys comics tend to be the messiest but they are also deeply meaningful to me wnd natuonal anthem is so fucking gorgeous and interesting (controversial but im a natam ending defender even if i think the comic itself couldve used another issue or 2 to push the character writing more). I think gerard has one of the better doom patrol runs, Including milk wars i'd put it up there at maybe 3rd or 4th depending on how much i let personal bias into the equation. However doom patrol is also very Like That just as like a superhero group and can be kind of impenetrable if you arent down for genuinely bizarre and sometimes seemingly nonsensical writing, its kind of apart of the teams DNA as the "worlds strangest heroes". Milk wars is soso good and maybe one of my favorite Comic Things gerard has made/been involved with but its also best with looots of comic context bc its playing w both doom patrol history and the context of where DC as a company was during the time of its release. Its still relevant in many ways but probably feels impenetrable if you arent already into comics at least a bit.
Gerards style def isnt for everyone (and they do sometimes get bored and cheese the ending a bit though i defs tend to like them more than other ppl do) but i do think theyre extremely good at what rhey do and im soooo excited for paranoid gardens especially bc 1. gerard has always taken an extremely empathetic and nuanced and honest approach to writing about mental health and mental illnesses bith real and semi fictionalized and 2. the artist on board is an industry mainstay and has made some fucking incredible work! I didnt love the first issue cover dropped and was worried i wouldnt click w the artstyle but after properly checking out chris westons style im really excited!!!! gerard time
22 notes · View notes
eemamminy-art · 5 months
Text
I've been sitting on a fic that I finally finished after slowly picking at it for the last two years.
I feel like people don't really talk about this anxiety around sharing things-- I mean, there is always that anxiety of like, is it good, will people like it, stuff like that, but I guess for me the anxiety's a little different. Don't get me wrong I do have the other anxiety too, I'm very self critical and I do not have confidence in my writing in the same way that I (occasionally) have confidence in my art.
But the thing that's got me in a chokehold is well, that fanfic is complicated for me.
I barely read any fic at all. I barely write either, but I think a lot of writers will only put out a couple of things in a year anyway, but they're at least reading things during that time.
I've never been much for reading. Well, maybe when I was very young and just learning to read, but at some point it became really difficult for me. I don't have any official diagnosis and I always got good grades so there was never any cause to look into it, but reading has always been such an ordeal for me. I'll read a page and get so distracted in outside noises or my own thoughts that I have no idea what I just read. I have to concentrate really deeply for anything to sink in, create a voice in my head to read it to me, and even that sometimes doesn't work and I'm really slow. I use a screen reader and that does help but it still takes immense concentration for me.
Then there's just well, my pickiness. If it's boring or out of character, well that just makes it all the more difficult to focus. Too long and the screen reader's voice begins to drone and I tune it out and my thoughts wander away even as I scan the words going by. If it's not tagged well and I run into my trigger (which is often not tagged for at all) then I not only feel like I wasted my time but also am upset and lingering on the trigger for sometimes hours, sometimes days.
So then, what to do when I post a fic? What justification is there for anyone to bother with mine when I won't bother with theirs? Whether my reasons are good enough or not, whether it's easier for them to read than it is for me, whether you say fandom is give and take or not, I feel like I'm not upholding my end of the deal. You read mine, I read yours. Except I don't, other than maybe a handful of things each year.
And I know it's a problem. I know it makes people feel slighted. It's the same way I feel slighted when I try to engage with other artists and they don't give me the time of day or share my art in return, and then I begin to resent them for the rejection. I'm certain the same thing happens to me with fanfic, that I have all these reasons for why I rarely read fic, and then when I read the 2 or 3 fics that I can manage each year, it's a slap in the face to those who weren't among those rare few.
So I feel held back by it. I'm so bad at responding to ao3 comments too because I feel guilt about it, about not participating in the way everyone else does. So I was excited to finally think of an ending to this fic only to just... do nothing with it.
I have to wonder if anyone else experiences this? Or something similar? Or knows at all what I mean?
35 notes · View notes
Text
Man. I’m honestly sad about Hazbin Hotel being the way it is. Maybe, maybe it will surprise me and somehow the last 2 episodes will make the first 6 more engaging or enjoyable but like…(general vent/overall impression so far below)
Lord, it’s so clear that they had SOOOO MUUUUCH they want to get through, and for whatever reason they don’t seem to believe in their work and their story enough to let it take it’s time.
I think if they had just let the first 8 episodes be about the general main cast, maybe with each episode focusing on the improvement and work towards redemption for each hotel resident, we would have a LOT better groundwork for building up to all the intense things and lore they want to include later.
But we’re seeing either full character arcs being speed run or we’re having big twists or revelations nearly every episode and it’s just…I WANT to feel moved by this show. I WANT!!! To like the show!!! I really want to!
Because there are moments that show depth, that could have been really really interesting if we knew more about the characters, if we got to see more of how the characters interact with each other, if we got to see them take the TIME to build up to and resolve their conflicts.
But how it stands, we get at least one, if not two new characters shoved into every episode. They show up create chaos or sing a song about something important to them that we just learned about, and then they leave.
I WANT to get to know these characters! I want to see a flashback or something where Camilla and her daughters were trying to hide from the Angels, and Camilla has to fight back to protect them.
I want to see how the hotel residents ACTUALLY bonded during learning to fight with each other.
I want to learn more about Alastor from literally ANYTHING other than an exposition dump.
Sorry, again if you find these characters to be emotionally deep or they are important to you, nothing I say should take that away.
This is a lot more vent-y than usual, but I guess I’m just sad and disappointed b/c it seems like the writers and creators behind Hazbin don’t believe in their own story and their own characters. This is just how it comes off to me, and it’s just a bummer man.
This was the same feeling I had when the Pilot came out, but the Pilot at least had charm. And while I was ultimately disappointed by its writing, it was clear it was the product of a bunch of people, and bunch of artists, coming together to create something.
And even if the Pilot still needed a lot of work and improvement, you could tell that the people making it really believed in the story and characters and were excited to make it!
I didn’t really want to see the Pilot picked up when it came out in 2019, because while I admired the passion of the creators, animators, voice actors, and composers, I wasn’t sure if I personally believed in the story.
Then it got picked up, and I thought “Okay then. I’m not gonna assume the worst. There must be more to this than I initially thought. I don’t know how I’ll feel about the series, but I want to give it a chance. I hope it’s well done, I hope it’s good”
It’s come out now, and so far, to me, it’s just bad. There are still those little moments of creativity, but they are few and far between, and a lot of the time when I watch the show I’m just waiting for the next song, because that’s usually the one part of the show that is at least catchy.
I guess my only reflection I have for this moment is just. Supreme disappointment.
Sorry again for the post that’s less a review and more a vent/rant post. I think at the end of the day if I DO write any actual reviews of the episode, they will largely be me talking about things I WISH we could have seen in the show, but didn’t get to.
34 notes · View notes