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teatoptony · 7 months

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For All the Mary Janes

summary; 'in every other universe, gwen stacy falls for spider-man. and in every other universe, it doesn’t end well'. what about the mary janes, then?

or, in which you're the mary jane to miles's spider-man

pairing(s); e-1610! Miles Morales x reader, e-42! Miles Morales x reader

warning(s); i didn’t have any specific gender or race for r in mind while writing, but rio calls r ‘mija’ once and i think that’s ab it

maybe some incorrect usage of Spanish? Spanish speakers who can respond to my weird questions pls hmu

maybe ooc but it’s been in my drafts so long i just wanted to get it out tbh

implied/mentioned parental issues with reader, not proofread, written (mostly) at ao3 hours

You and Miles were always joined at the hip. Your parents knew each other well, so your families were together a lot. Mr. and Mrs. Morales saw you like their own daughter, often joking that you and Miles would be engaged when you got older with the way he could never leave you alone.

At least, up till around two years ago.

You and Miles started to grow apart when you got into Visions Academy. He thought it was a stupid school full of stuck-up rich kids who only cared about making connections that would help them along further down the line. You thought it was a good school that had a good track record of producing students that had a lot of success in what they wanted to do.

Some things were said the day before your transfer.

Since then, the two of you rarely texted or called. Mrs. Morales would often come by for coffee with your mom, tell you about how her son was doing and gush over 'how much you've grown' from last Tuesday, but that was about the only way you knew the vague outline of what he was up to.

You'd admit you felt lonely for a while. After all, Miles had been your best friend ever since you could remember. But you also weren't going to go running to him after everything he'd said.

I mean, was it really that bad to want a good future?

Soon enough though, you felt like yourself again. You met new people, made new contacts, and actual friends. Because contrary to popular belief, the people there weren't all mini business men and heartless CEOs in the making. They were just kids, after all.

And then, Miles won the draw. Just a few weeks before the start of the new semester, your parents mentioned that he'd be going to your school from now on in passing.

You didn't think much of it at first. I mean, everyone has that one childhood friend that they fell apart with, right? For the first week or so, you didn't even see his face much. In fact, you didn't see him at all, not even a glimpse in the halls.

That was about to change drastically.

Short story shorter, you caught a glimpse of him walking on the side of the school with pigeons stuck to his hands. A month or two later, Spider-Man climbed through your dorm window, ripping off his mask and ranting about some villain of the week.

"I couldn't even catch the guy-"

"Miles?"

"...You're not Ganke."

The two of you made up that night. He apologized, admitting he was being unfair and was upset that you were leaving his school. It didn't exactly clear everything, but it was a start. The two of you caught each other up on everything they had missed. In the end, the sun was about to come up and the both of you realized you hadn't gotten a minute of sleep on a school night.

From then on, the two of you get closer again. He went to you for the occasional rant or patch up, and he actively sought you out in school now, relieved to see a familiar face in the halls. Gradually, you got close to the point you'd call him one of your best friends and vice versa after around a year of radio static.

Everything was great. He was cute, funny - in an awkward way, but hey, he made you laugh - he looked out for you, and when he talked to you he did this cute little thing where he would play with the strings of his hoodie which he somehow always managed to layer on with like two other jackets and—

Oh yeah, did we mention the crush you had on him?

Because there was one.

Big huge one, right here. Materialized out of thin air looks like.

Which should have been fine. You were perfectly capable of hiding a crush. I mean, come on, it's high school. You would've been eaten alive if you couldn't.

Normally, you would even be confident that you could make your crush like you back. I mean, why wouldn't he?

Two words. One person.

Gwen Stacy.

It was like he could never go even one conversation without mentioning her.

Slight exaggeration? Maybe. Maybe not.

"Oh yeah, that's cool! Y'know, Gwen told me one time that—"

"You got an A, I knew you could do it! I told you so. Did you know Gwen got A's in—"

"Oh hey, you got your hair cut! Reminds me of that time when me and Gwen—"

At first, it was bearable. Sure, she came up annoyingly often whenever you talked, but she had just left this dimension, never to be seen again. Of course he was gonna miss her.

You laughed at all his stories, listened to every one even though he told the same six or seven ones over and over again. You even grew to like Gwen, as if you'd known her for the short amount of time Miles did, too.

But then two months passed. Then six. Then a whole year. Before you knew it, a year and four months had passed since the departure of Gwen Stacy.

And he still. Wouldn't. Shut. Up.

You had tried to understand. You really did.

But you can only hear the same damn jokes so many times before you get a migraine.

Pick any story. You could list off every variation of how Miles would tell it off the top of your head.

Gwen Stacy became the daughter of one of your mom’s friends, so to speak. That one girl in the neighborhood you couldn’t help but envy.

And worst of all, it was like he wished you were her.

Whenever you did something, he would tell you how Gwen could do it better. He would ask you whether or not you thought Gwen would like certain trinkets he found around town, and kept a collection of them in one of his drawers so he could give them to her one day. He was even studying quantum physics instead of art so that he could make his own multiversal gateway - a safe one, so that he could unlock the multiverse, possibly for good.

It hurt when he zoned out while you were telling him about you, thinking about her; your day, what you wanted to study, how your parents were fighting a lot again lately and you were struggling because of it, how you'd joined a new band—

"A band, huh?" Miles suddenly perked up, finally looking up from his sketchbook. "Did I tell you Gwen's in a band? It's called the Mary Janes—"

"Miles would you please stop?"

A pause, both of you mildly surprised at how you'd snapped at him.

The two of you were at your dorm, seated side-by-side on the bed with your legs folded in front of you. It was Friday, the day before Mr. Morales’s pre signing-in party.

The boy looked at you, a questioning look on his face. "What's wrong?"

And that tilt with his head - he really didn't know, did he? You couldn't decide if that was better or worse.

"Miles, I know Gwen's in a band," He tried to say something, but you didn't let him speak before you continued. "I know she's a drummer, I know she does ballet, I know she had to shave half of her head because you couldn't control your powers - hell, the whole school knows that—"

"C’mon, don’t bring that up—"

"—I know every single story she told you while she was here, and I know every single detail of what you two did and how you did it. And I know she does everything I can do and she does it better. I’m tired of hearing it, Miles." His eyebrows furrowed, a slightly hurt look flashing across his face. "I’m sorry you miss her and I’m sorry she’s gone, but I just can’t be around you if all you’re gonna do is compare me to her."

A moment of silence settled in the air. You hoped Miles would understand. Surely, he’d see how tedious this was getting.

"All I’m asking is for you to tone it down."

Another beat passes without a word from the boy. He’s looking into your eyes, but it doesn’t seem like he’s all there. Like there’s a world past your irises that he’s seeing for the first time.

"I- I’m sorry, y/n, I can’t do that." Miles finally says, his gaze turning away from yours and to the sketch he’d been working on for the last hour. You glanced down at it as well, the bright blue eyes of the one and only Gwen Stacy meeting yours.

"You’re the only one I can talk to on this," he said quietly, softly closing the sketchbook and tapping a finger nervously on the cover.

"Ganke?"

"Ganke’s fine, he’s great, he’s just.. not someone I can go to for these things."

You took a deep breath, the guilt of having to tell him ‘no’ building up in your chest. You knew his relationship with his parents were complicated at the moment, and he didn’t really have friends outside of you and Ganke. But still.. it was like he wasn’t at all interested in what was going on in your life ever since your initial reconnection.

It wasn’t like you expected a complete 50:50 give-and-take in relationships, but honestly you felt like you were talking to a robot with very limited audio cues.

"Miles, you don’t listen to me anymore. The only time you actually respond to anything I say is when it’s something even remotely related to Gwen."

"That’s not true!" Miles protested. You watched as he tried to find something to argue his point, only to come up empty. His shoulders sagged a little.

"But you gotta understand, Gwen - I’m not gonna see her again, at least until I figure out.. everything." He said in a quiet voice. "I need to talk to someone. Can’t you understand?”

"I’m not trying to shut everything down, I’m just asking you to pay attention to me every once in a while." You sighed. "And if you’e not willing to do that… do you even think of me as a friend?"

Miles left your dorm not long after that little talk, sneaking out the same way he snuck in; through the window. You dug your nails into your palms, breathing in and out in a steady rhythm to push down any sadness you may have felt. It was the second time you and Miles had grown apart, this time maybe your fault a little more than his. It felt like it, anyway.

Still, you felt like you’d done the right thing.

You hoped so, anyway.

It was an hour before Jeff Morales’s technically-not-captain-yet-but-will-be-soon celebration. Your dad and yourself had come early to prepare everything and set up all the decorations. Your mom apparently ‘couldn’t make it’. It was the third time in the last two weeks she cancelled on plans that your dad was involved in.

You stacked red plastic cups on one of the tables, a cooler full of ice and two-litre soda bottles to your left. Miles’s parents had insisted they didn’t need any help, but your dad had insisted right on back that the two of you wanted to. You didn’t mind. You’d cleared your evening for the event anyway, so it’s not like you had anything better to do.

The one thing that made you kind of regret coming was your lack of a jacket. It’d been really sunny in the morning, so you’d figured it would be a warm night. A breeze picked up and sent a light chill through your body, causing you to just barely shiver.

"Mija," Mrs. Morales called, coming up from behind you and laying a hand on your shoulder. "You’re freezing."

"Oh, I’m fine, mama," you replied, smiling at her. She gave you a look that said ‘we both know that isn’t true’.

"Miles might have something in his room," she suggested, "I’m sure he wouldn’t mind if you borrowed one of his clothes."

You thanked her but refused, claiming it might get warmer once the guests started to arrive and the party was at full swing. She must have noticed something was off when she mentioned Miles, because she raised an eyebrow and shook her head lightly before asking,

"What did he do now?"

Either you’re really bad at hiding things from her or her motherly sixth-sense worked on you too. You hesitated, but decided it wouldn’t hurt to tell her. After all, Rio had always been like a mom to you.

"We had a fight - if you can even call it that, anyway, about a girl," you said, fiddling with a plastic cup. "We’re not on real good terms right now, I don’t think…"

Rio looked slightly surprised for a moment, then something seemed to click into place. She sighed and put her hands on your cheeks. "He’s a little bit slow," she said, giving you a sympathetic smile. "But he’ll get there. Eventually."

She then squished your face before immediately letting go, making you laugh. "Now go get yourself a jacket. I don’t want my only daughter to freeze to death."

You held your hands up in surrender as she pointed to the stairs, swiftly making your way down to the Moraleses’ flat. You had a spare key that Miles’s parents had given you a long while ago, when your parents used to have full on screaming matches in the middle of the living room every other day.

Within a couple minutes you’d grabbed one of the dozen coats, hoodies and jackets strewn about Miles’s closet, pulling the soft material over your shoulders as you took a glance around his room. Everything was about the same as you’d seen two or three weeks ago, save for a few new stickers laid about the desk.

There was an all-too-familiar sketchbook on the bed, one similar to what Miles had been scribbling in last night in your dorm, just in a different color. This one looked a bit more used, so you supposed he’d gotten it and packed it full of Gwen Stacy just after she left this reality. The thought put a bitter taste on your tongue.

A half an hour into the party, Miles still hadn’t showed up. He was supposed to be here at least twenty minutes ago, and you could tell his parents were getting both worried and annoyed. Rio asked around for her son as Jeff chatted with some colleagues. Suddenly, an auntie shoved a mic into Mrs. Morales’s hand, drawing everybody’s attention to her by clinking her glass. Jeff looked away in what could only be described as complete horror.

"Um, hi…"

You grinned as she continued with embarrassing stories about her husband, from little anecdotes from when they were dating to how he was almost 10lbs as a baby. It was then that Mr. Morales jumped in, quickly taking the mic away from her and giving his own speech.

"—And to my son…"

You grimaced as he raised his cup, looking around for someone who wasn’t there. The two of you met eyes instead, and you shook your head to tell him he hadn’t showed with an apologetic look. He turned to his wife, only for her to do the same. He cleared his throat before continuing.

"…The reason I do any of this in the first place. So.. I love you Miles."

Afterwards, the DJ put the records on again. People are talking, laughing, congratulating, creating a warm, buzzing atmosphere. You’re dragged away by a few little kids to play with them over by a small cluster of barrels, which they’ve decided is their ‘lair’. You play make believe with them for a little while as their parents stand a bit away with your own dad, occasionally glancing over at you to make sure the kids are behaving.

It’s then that Miles finally shows up, pushing the door open with two boxes in his arms. You follow him through your peripheral vision as he tries to avoid his parents, ultimately failing. You’re not sure what they’re saying, but it doesn’t seem to be going that well. He shows them the contents of his boxes, which doesn’t seem to impress them too much.

After a couple more words, Mr. Morales raises his voice, the DJ trying to divert people’s attention away by upping the volume but ultimately giving up.

"What do you got to tell me so bad?"

"You know what? Never mind."

Miles walked away, pulling his hood up as his dad yelled after him about him being grounded for two months. Must’ve been really bad, huh?

You waited for the music to come back on before you made your way to the exit, ruffling one of the little kids’ hair as he skittered away with his sister. You’re just going to check on him for a minute, just to see if he’s okay. You can do that… right? I mean sure, it might be awkward since things had ended like that last night, but still.

No one else was going to.

You let yourself into the flat once again, approaching Mile’s room with soft footsteps. You’re just outside the door when—

"Are these your drawings?"

You stop dead in your tracks. Your heart freezes right along with you. For a moment, you felt like a deer in headlights.

A feeling crawls its way under your skin, cold and slippery. You don’t know how you know, but you’re absolutely positive.

"Missed you too."

Gwen Stacy.

You’re on your way home, your hands rubbing up and down your arms to try to warm yourself up during the walk. You lived a little while away from Miles’s place, but it’s nothing you can’t walk.

You’d left the jacket on the Morales’ couch, turning on your heel and leaving the moment you heard her voice.

Damn it.

When had she gotten back? How had she gotten back? What was Miles’s reaction?

What were they doing now?

…Did you really want to know?

As your brain clouded over with questions, you took a wrong turn. Maybe two. Or three. Honestly, you didn’t know. Once you realized that this definitely wasn’t your neighborhood, you stopped yourself mid-step, looking around to see if anything was familiar at all.

Your eyes settled on a building, as there really wasn’t anything other than that around here other than some roads and bridges. One of the windows were glowing.

Then the whole structure began to rumble.

The ground beneath your feet started to turn… black…?

Wha—

You fell.

Not for too long, but you did.

You dropped around six feet onto hard concrete, twisting your ankle in the process. You cried out in pain and surprise.

"What the—?"

"Y/n?"

You looked up at that. You knew that voice.

Except, you didn’t.

The first thing you noticed is that this definitely was not the place you were in before. This place was more narrow, more dark. Light rain pattered on your skin as your hands supported your sitting position, wondering what the hell was going on.

The person who’d said your name was at the entrance to the alley you’d been.. teleported? to.

They took hesitant steps over to you, and, for some reason, you didn’t feel scared that this complete stranger had cornered you in a place you’d never even seen before.

Maybe the voice is what made you think it was alright.

Or maybe it was his face, which made your heart stop its primary function for the second time today.

"Miles?"

But he wasn’t Miles. At least.. not your Miles. This one was skinnier, just a little shorter. His accent had more of a Spanish touch to it and, most of all, his hair was braided into two sections that reached just below his shoulders.

No. He was very much not your Miles Morales.

Nevertheless, you knew he wouldn’t hurt you. There was something in his eyes — regret? Happiness? Sadness? Anger? Confusion? Probably all of the above.

He got closer, and closer, and closer. Once he reached where you were half-laying, he crouched down and tilted his umbrella until it sheltered your body more than his.

"…Are you hurt?" He asked, giving you a once-over. You just nodded, still putting all the pieces together.

Had you—

Did you—?

The boy in front of you studied your face for a little while, but then ultimately shook his head and shrugged off his jacket, handing it over to you.

"Come on. It’s cold outside."

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neil-gaiman · 4 months

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Hello, Mr. Gaiman.

I'm sorry if this this question is too silly.

In Sandman the Netflix show, episode 6 we see Lord Morpheus feeding birds (pigeons to be exact) with bread (!!!). Is it becouse he does not know it is bad for them? Was it put in the show on purpose, for some bigger, unknown reason, or by accident?

It seems odd to me, becouse in Good Omens season 2 Crowley knows that bread is bad for ducks (different kind, but still birds) so I'm wondering wether you learnt sometime between making Sandman season 1 and Good Omens season 2 that you shouldn't feed ducks bread?

Kind regards, and have a great day/night whenever you're reading this. Thank you!

Ah, in the comic of Sandman it ends with him giving the pigeons grain, but on the TV it went over to the Hob Gadling plot....

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zoe-oneesama · 7 months

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Can we see an episode with your akuma, Enchanted Florist? I would like to see what went down.

The whole point of my self-insert akuma Enchanted Florist is that she's easily triggered. I was working retail when I made her so she's meant to be transformed over any and all inane problems that any person in the customer service field have to deal with, which is why she's a re-occuring villain, like Mr. Pigeon.

If I made an actual episode, or pictured a canon episode in my head, it would barely feature the main cast at all and would just become a montage of Dumb Things that Customers Do that just akumatizes her over and over and over again.

#definitely not plot driven lol #enchanted florist

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pigeonenjoyer · 2 years

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fat pigeon update his bully mr steal yo gurl may have actually stolen his girl. or at the very least she saw how much of a wuss he was in those fights and she just left him lmao. either way i never see them together anymore and today mr steal yo gurl got VERY bold and actually came up to the window ledge. he was too scared of people to come inside but he kept pecking at the window and fat pigeon did stand up for himself by standing on the window frame and pecking at the air to tell the bully to begone but he was shaking the whole time fhdjhfjshf fat pigeon you are so baby

#fat pigeon tag #fp you are bigger than him. you are in better condition than all the other birds i primed you to be the baddest bitch in the yard #ig no matter how tough he is physically he is still a soft boy 😔#i rarely see him chase other birds he's the one who is chased most of the time #the beta fat pigeon and the chad mr steal yo gurl #i can't accurately call fat pigeon a virgin bc i have seen him fuck his ex #i never see any babies happen as a result #maybe she left bc he's impotent lmao #my cringe fail pigeon #my pathetic little coo coo

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hotguycomiczine · 22 days

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[ START OF TRANSCRIPT ]

INTERVIEWER: So, Mr. Goodtimes... what exactly would you say is your greatest strength, in this wonderful world of vigilantes?

HOTGUY: Why, thank you for the question, [REDACTED]! Y'know, I'm just soaring through it all, just flying high above the clouds, breezing through foes, out-foxing the TCG— not that that's hard; they've got pretty bad equipment for an organization that's supposed to be government funded. Well, I guess that goes to show what happens when you try to interrupt the incredible Hotguy while he saves the citizens of sweet, sweet Hermitopia, right?

INTERVIEWER: Hm... that's a pretty surprising answer, Hotguy. And here I thought flyin' around was more your sidekick's job, not yours.

HOTGUY: What? Oh, oh! Well, you know Cuteguy, he's got— well, sure, he's the one that actually flies us around... sort of, at least. But me, though— well, [REDACTED], I guess you could say I'm more of a looker.

INTERVIEWER: ... I see. So are your dazzling good looks stunning the villains then?

HOTGUY: Well of course, we all know I'm the handsomest man around! Just look at this face! Cutting edge cheeks, I tell you, cutting edge. But no, actually, what I mean is— well, I'm an archer, so you've gotta see well, right? And me? I see loads. Just about everything there is to see, I'd imagine. Nothing can escape these ol' sharp eyes for long!

INTERVIEWER: I guess you could call it 20/20 vision then, ay?

HOTGUY: I'd call it more than that; 20/50, or— 50/20— oh, no, wait that's not— look, I don't do math, [REDACTED], numbers are just— ooh, they're tricky little things, aren't they? But ever since that water supply got contaminated, I've been seeing more and more, further and further, in way more detail. You ever seen a pigeon poop from three miles away?

INTERVIEWER: Can't say I have.

HOTGUY: I wouldn't recommend it.

INTERVIEWER: Ha! Okay, okay, I can see why that is— pun intended, of course. Well, I'll have to thank you for the interview good sir, it has been most enlightening.

HOTGUY: Not a problem at all! Always happy to answer some questions for the fans.

INTERVIEWER: Indeed, indeed.

[ END OF TRANSCRIPT ]

#hotguy comics zine #hermitcraft zine #gtws #hcsmp zine #hermitcraft fanzine #goodtimeswithscar #zine updates

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feyhunter78 · 10 months

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Pink Pastels Pt 18

Description: Miguel deals with Todd, and has a late night visitor—you.

Pt 19

The purr of car engines overhead, the slight rattling of the bridge, the coos of pigeons and the soft lapping of the waves fills Miguel's ears as he stares down at the waterlogged corpse at his feet.

“Lyla, how many people know about this?”

“About the mauled body of your new girlfriend's ex-boyfriend?” Lyla smirks, her heart shaped sunglasses low on her nose as she observes the scene.

Miguel sighs and pinches the bridge of his nose, “Lyla, please just answer my question.”

“Just a few displaced people along the river, the Swedish shipping vessel that reported the sighting, and the Coast Guard has the call record, but since you got lucky with the currents and since I made a few more urgent calls to the Coast Guard, they haven't set eyes on him yet.” She tells him, raising her eyebrows at him.

“Thank you.” He says as he zips up the body bag and tosses it over his shoulder.

“So, what are you going to do with him?” She asks, flickering in and out of his masked vision.

“Acid.”

“Acid? Lame.” Lyla huffs.

He snorts. “It's quick, efficient, and less likely to leave a trace.”

“Yeah, but wasn't he like a total dick to y/n?”

He grunts in response as he swings through the city until he finds the disposal grounds of Janson Inc, the manufacturing company you mentioned Todd works for.

“I mean, I thought you'd go way more psycho than you did.” She says, laughter on the horizon of her tone.

“Lyla” He warns, as he heaves the body bag containing Todd into the acid, watching with no small amount of satisfaction as the fabric, flesh, and bone dissolve.

“Ok, ok, I'm just saying, I think I know you pretty well and-”

“I want him forgotten, I want y/n to forget about him.”

Lyla says nothing for a moment, then sighs heavily. “Miguel…you know it doesn't work like that. You might have been able to easily replace this universe's version of you, but that doesn't mean you can just as easily replace Todd.”

Miguel turns from the acid, the surrounding area bathed in a sickly green glow. “I know.”

“And you know y/n's different from Ana, Xina, Dana, and even Tempest, she cares about you, about Gabi. She really cares about Gabi. She's not just going to jump you now that her ex-boyfriend is gone. She's going to weigh the consequences.”

A smirk tugs at his lips, and for a moment his mind supplies him with the memory of you begging for him, his name on your lips like a fervent plea as you fall apart on his thigh. Of the way your eyes linger on his lips, how you reached for him in the doorway of your apartment.

He grunts in response. He knows you, better than you know he does, better than Todd did, perhaps better than anyone else in the world. You'll weigh the consequences, but that doesn't mean he can't try to lighten the load.

“Okay, Mr. Stupid and Silent, don't believe me. It's your funeral.” Lyla huffs before her form flickers out, and he's left alone in the dark.

Miguel unlocks the door to his apartment and silently pads through the quiet space.

Gabi's asleep, he knows this. You're asleep, he knows this. He should also be asleep, but he's filled with a nameless emotion--an anxious energy raging against the edges of sleep that are threatening to creep in on him.

He sits at his desk, flipping through security feeds, ensuring there's no record of him. He's clean, there's no trace of him or Todd.

He was smart, made sure no one would see when he broke into Todd's apartment and knocked him out.

No one noticed as he carried Todd's unconscious body to an abandoned warehouse, and no one heard Todd's screams as he tore into him, leaving him a mangled mess that Miguel finally dangled him off the bridge.

He watched unflinching as Todd plummeted. The sound of Todd's body slamming into the water echoed off the banks, and Miguel waited until he sank to return to his apartment.

No one would ever know. He got away clean.

“Hey Boss? Y/N's here.” Lyla says, her words hitting him a millisecond before he hears your soft knocking on his door.

He bolts up, running a hand through his hair and checking his appearance in the hall mirror before he swings open the door to see you. Perfect, perfect you.

Your hair is loose, hanging free, and you're clad in fuzzy socks and an oversized sweatshirt.

Are you wearing pants under that? Shorts? Is this a seduction tactic? Because it's working.

“Hey, I'm sorry, I know it's late, but I just...” You wave your hands helplessly, your nails are pink, a pretty pearlescent pink.

He reaches out to catch one of your hands in one of his, squeezing it slightly. “Don't apologize, I’m more than willing to help, whatever it is.”

You give him an embarrassed smile. “Okay, so, it's a new apartment and I swear I keep hearing all these noises, and I know it’s childish but...would you come and take a look? Make sure there's nothing there?”

He's in love with you, fully, completely, unreservedly.

“Of course, y/n, I felt the same way when I moved in. The building is a bit older, there are lots of creaks and groans.”

He follows you to your apartment as he says this, and you look back at him in surprise. “You were scared?”

He chuckles sheepishly. “Actually, Gabi was, I just wanted to make you feel better.”

You smile and duck your head. “I appreciate the effort."

You hold the door open for him, then stand in your lit kitchen, your arms wrapped around yourself. Your bare thighs are exposed by the rising fabric of your sweatshirt, and he averts his eyes.

He strangles his desire to sink to his knees and grip the soft flesh of your thighs, to wrench them apart and bury his face between them. To watch you come apart on his tongue as the sounds of your pleas and moans fill the air.

“I feel like I heard something near the balcony. You say, tearing him from his thoughts.

“I’ll go check.” He tells you, making his way towards your balcony, his senses on high alert even though he knows there's nothing.

It's an older building, Gabi was scared when they first moved in, that much is true. But there's nothing to be scared of, he's ensured that. In fact, this building, this block might be the safest in all of Nueva York.

Miguel throws open your balcony door and makes a show of checking every inch. He's rewarded by your soft laugh.

“All clear?” You take a half step forward, a smile playing at your lips, the lingering traces of sleep still gracing your expression.

“All clear. Anywhere else you want me to check?”

You nod towards your bedroom. “I swear I heard shuffling in my bathroom.”

He waits at your door, looking back at you. “Through here?”

You breeze past him and sit cross-legged on the edge of your bed. “The door on the left.”

He pushes the door open and flicks on the light. He's seen this room already, through your necklace, but standing there, on your plush, pastel purple bath mat, looking into your mirror, the mirror he's admired your bare body in, sends him into a tailspin.

“You see anything?” You call softly.

He shakes his head. “Nothing, no monsters lurking in between your towels.

“I didn't think there were monsters." You mumble, padding over to him, your scent hitting him like a freight train.

Has it always been this strong, or was it because he's in your home and everything around him screams y/n?

He inhales deeply, his fingers curling around the edge of your sink, his eyes closed as he fights to calm himself.

“Miguel? Are you okay?” You ask, placing a hand on his bicep.

He pulls you forward, pressing your back against the sink, his arms on either side caging you in.

You look up at him with an adorable expression of surprise, as if you hadn't seen his agility when he was disguised as Spiderman. “Miguel?”

He steels himself, even as he feels the plaster of your sink give beneath his fingers. He'll fix that later.

“Pancakes or French Toast?”

“I'm sorry?” You ask stunned.

“For breakfast, cariño, which would you prefer?” He forces the words out, prays they're smooth and unassuming.

You smile up at him, and he feels his stomach flip. It's a childish thing, for a small smile to affect him this way.

“Oh, pancakes please, and I can help you cook if you need.”

You're so sweet.

“No, no, mi vida, I'm cooking. All you need to do is keep me company.”

Your eyes follow the movement of his lips, and his nostrils flare when he smells the arousal wafting off you.

“Are you sure? I really don't mind.” You insist, palms resting against his chest.

He leans down and presses a fleeting kiss to your forehead. “I'm sure, now goodnight y/n.”

Then he leaves you there and heads back to his apartment, his head spinning, your scent still lingering around him.

Taglist: @miggyoharaswife, @badbishsblog, @imisshim2much, @wanderlustingcastaway, @lynn-9703, @sleepyamaya, @erensbbg, @sweetea85, @ilovemiguelohara, @natthernandez, @stxrrielle, @ihateuguys, @jenniferdixon05207, @blep-23, @luvisaaxoxo, @minimari415, @emerald-09, @violet-19999, @kenchosaikuo, @groovycass, @youcantseem3, @lovefks, @nightshxdex, @dusstory, @aesniri, @munsonssecretblog, @kirke-is-my-name, @starbearieee, @chatoicboy, @act1839, @needsleep3000, @totally-not-georgia, @witchy-lizard, @cxmeiloorun7, @justrandomlolidk, @chimpkinnuggies, @alicefallsintotherabbithole, @loser-alert, @wwwellacom, @ryantryan6969, @lollipopin, @youcantseem3, @a-cult-leader, @verexi, @purpleskiesandroses, @they2luv1naia, @sophiaj650, @idolautism, @rheannajrs, @merakiq, @rexs-wife, @sukaretto-n, @twilight-loveer, @f1shb0nez, @callsign-blue, @marcelineormars

#meg's writing #miguel's pastels #miguel o'hara x reader #miguel o'hara x you #miguel o'hara x y/n #miguel ohara x reader #miguel ohara x you #miguel ohara x y/n #spiderman 2099 x reader #miguel o'hara imagine

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she-posts-nerdy-stuff · 5 months

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Symbols I would be making sure were present (or adding) if I were producing the Six of Crows TV show

(Btw I’ve been writing my own script for a bit of fun since the cancellation news so if anyone wants to see that I’ll tag you, and the save S&B petition is also on my page if anyone wants the link)

EDIT: Sorry I should’ve put this I forgot; SA reference warning for the second point, nothing explicit but in talking about Inej’s experiences and the experiences of women in Greek mythology 🖤

FLOWERS. I want geraniums on the Exchange balcony from chapter 2 and I want reference to the geraniums at 19 Burstradt, I want Matthias the big brooding yellow tulip contrasted with the red tulips laid on his chest and in the water after his death, I want crocuses at the Hoede manor, I want jurda blossoms in Jesper’s flashbacks and maybe Kaz’s too (and probably crocuses in his), I want geraniums hidden all over the caravan and circus tent in Inej’s flashbacks, I want wild flowers in Wylan’s hands on the way to St Hilde’s that get discarded in the lobby, I want wisteria growing outside St Hilde’s, I want blue tulips painted on the floor tiles at St Hilde’s, I want white roses all over Nina’s room in Ketterdam and I want to hear the comment about how all the flowers at the White Rose are perfumed by hand, I want a cascade of geraniums falling all over Kaz and Inej as they tumble of Goedmed Bridge, I want lavish flower arrangements at the Menagerie accented by peacock feathers, I COULD TALK ABOUT THE FLOWER SYMBOLISM IN THESE BOOKS FOR YEARS I WANT IT NOTICED LET’S GO

BIRDS. I want crows, I want pigeons, I want nightingales (that one’s my personal addition but oh boy do I have reasons; Nightingales are a symbol of immortality in literature and could be painted on the tiles at St Hilde behind the wisteria for all the same symbolic reasons the wisteria’s there; in Greek mythology Philomela prayed to the gods to escape her Tereus, who had raped her and intended to kill her, and they turned her into a nightingale, representing freedom and imprisonment at the same time because she’d lost who she was so this wasn’t true freedom DO YOU UNDERSTAND HOW BADLY I NEED A NIGHTINGALE TO CROSS THE SCREEN WHILST INEJ CONTEMPLATES HAVING COMMITTED MURDER AND HER PERSONAL MORAL AND RELIGIOUS IMPLICATIONS OF THAT!!?? I’m going crazy), I want more emphasis on the bird cage in Heleen’s office because in its three seconds of screen time in season one I was SOLD on how genius it was, I want peacocks EVERYWHERE, I want to be so committed to the birds vibe that we can start throwing in a whole load of new birds for other symbolism!! Let’s have owl symbolism around Wylan and Jesper, let’s have heavy emphasis on Nina as the little red bird, let’s talk about the nightingale again because I’m obsessed

KOMEDIE BRUTE. I have talked before about how I think the costumes each character wears are symbolic and directly linked to their arc but it was a long time ago and I updated it a few times based on replies so if anyone wants a full updated version of my thoughts on that lemme know, I also wrote a thing about how I think Mr Crimson could possibly be an omen of death so again if anyone’s interested let me know - I’ll either tag you or write a post fully involving all my Komedie Brute thoughts. I want Nina as the lost bride, Wylan and Inej in matching grey imp costumes, Kaz in the madman’s mask, Jesper and Matthias as Mr Crimson, all of them as Mr Crimson with a black tear in their masks, silver coins thrown all over the staves, costume shops on Ketterdam streets. I want Jackal masks and Drüskelle “costumes” in plain view on market stalls and in shop windows, and as an add on to that I want references to Nina’s fake Kefta being Kerch-made and uncomfortable to wear.

PURPLE. I want purple stadwatch uniforms, I want purple kruge notes, I want purple decor in the Geldrenner, I want purple silks in Inej’s flashbacks.

TREES. I want so many reminders that trees are sacred to Fjerdans!!!!!!!!!!!!!!!!!!!!!!! This has already been done really well in the show but I would want to maintain it; I want to see Matthias praying when Wylan fells the tree before the Ice Court heist, I want his indignation over the relevance of the sacred ash tree, I want to see the look on Nina’s face when she realises Brum has walked her all the way around the sacred ash instead of crossing underneath it (at the time she thinks it’s because she’s pretending to be a prostitute but later we understand it’s because she’s Grisha and I know we couldn’t have had Nina’s internal thoughts in this scene even though I wish we could have but we can still have hints!!!)

SEALS AND STAMPS. I want to see a blue wax seal with a peacock feather pattern, a black seal with a crow, a pale green stamp for the bank, a purple stamp for government correspondence, I want a stack of letters with unbroken red seals with a laurel wreath crest hidden under Wylan’s mattress.

RELIGIOUS SYMBOLS. Ok there’s loads we could say here but specifically I want “rich as saints in crowns of gold” contrasted with “if it was worth anything Heleen would have taken it. But this is just a simple token of faith that my mother stitched”, I want the imagery of Ghezen contrasting the imagery of the Saints contrasting the imagery of Djel, and I so so badly want “Djel is the god of life, not death”

#someone save this show and then hire meeeeee #I have too many ideas #save shadow and bone #save six of crows #grishaverse #six of crows #crooked kingdom #leigh bardugo #inej ghafa #kaz brekker #nina zenik #jesper fahey #matthias helvar #wylan van eck #kanej #wesper #helnik

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immaturityofthomasastruc · 6 months

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IOTA Reviews: Collusion and Revolution

Well, the final confrontation with Lila was a bust, but maybe Chloe's swan song will be bett----HAHAHAHAHAHA! Sorry, I couldn't even finish that sentence without laughing.

Let's get into the twenty-second and twenty-third episodes of Miraculous Ladybug's fifth season: Collusion and Revolution

“Collusion” starts off with... oh, for God's sake... Gabriel monologuing to Emilie's body for the umpteenth time, only now, we see just how bad his Cataclysm wound has gotten, now making his entire hand black.

Marinette and Adrien wake up and we get a pretty cute scene of them talking on the phone while getting ready for their respective days. Afterwards, Gabriel talks with Adrien about being sent to London, and is somehow aware that Adrien hasn't told Marinette yet. Even when Gabriel tries to use his ring to keep Adrien under his control, Adrien still shows signs of resistance.

Later at school, Chloe walks up to insult Marinette and Adrien as usual, but Marinette has a little rebuttal of her own.

Marinette: Be mean while you still can, Chloe. I'm gonna let you in on a secret. Remember your friend Lila who used to hurt everyone with her lies? See her anywhere in this classroom? No, because I put a stop to her nastiness and I'll do the same with you!

Yeah, and you were only able to do so because one of Lila's minions decided they didn't like being evil, and had no plan of your own prior to that.

It's revealed that not only is Lila (I'm not calling her Cerise to make things easier for myself) still in contact with Chloe through their Alliance rings, she also somehow got her own supervillain lair. How did she set up here, much less find the resources to do so? You guessed it, never explained!

And yeah, let's just get this out of the way. I hate what they're doing with Lila here. For reasons I'll get to in a later review, it's clear that there had to be some changes made so Lila remains a key player, even after the events of “Confrontation”, so they decided to make Lila manipulate Chloe as part of her plans. For a pair of episodes that are meant to show Chloe at her absolute worst, it devalues her status as a villain if she's just going to be used as a glorified attack dog for bigger threats like Lila. Remember, we've seen Chloe come up with her own plans before (Mr. Pigeon, Dark Cupid, Darkblade, Kung Food, Antibug, Despair Bear, Zombizou, Frightningale, Queen Wasp, Queen Banana, Gabriel Agreste, Penalteam, Determination, Derision), and we know she's not a complete idiot. She doesn't need Lila to hold her hand and tell her what to do to get what she wants. I get that it's supposed to be ironic that Chloe, for all her bluster, is ultimately a pawn in a larger scheme, but it just doesn't gel with the whole “irredeemable monster” stuff the show has been going with whenever Chloe has been on screen for the past two seasons. You could easily take Lila out of these episodes and not much would really change.

During class, Chloe makes a scene by blasting some music and dancing on her desk, and we get what has to be the most unrealistic thing this entire show has done for the past five seasons: Assuming kids still care about school when the year is almost over.

Rose: Chloe, quit it! We wanna hear the lesson, we care!

When Ms. Bustier tries to send Chloe to the principal's office, Chloe calls Ms. Mendeleiev (who is the new principal after Mr. Damocles resigned), and essentially forces her to change the rules to music is allowed. After Chloe taunts Ivan, just as Marinette tries to stop Ivan from hurting her, she uses the opportunity to frame Marinette for hitting her. Oh, sorry. I mean Lila uses the opportunity to tell Chloe to frame Marinette for hitting her.

In the principal's office, Ms. Bustier tries to reason with Chloe by showing her the present she got her all the way back in Season 2's “Zombizou”.

Ms. Bustier: Chloe, do you remember this gift you gave me on my birthday? To me, that is proof that you're a fragile teenager who doesn't know love and is simply looking for attention. And... we all tried to help you. So, please, whatever it is you want, ask yourself if it's worth all the suffering you're causing.

Chloe: Did you hear that? A homeroom teacher using a student's feelings to blackmail her. This is inappropriate, utterly inappropriate! My father, the mayor, would never tolerate this in a school.

Remember kids, FUCK showing compassion to your enemies! Everyone knows Gandhi was a loser anyway.

The negative emotions attract an Akuma to Ms. Bustier, but she manages to resist Monarch's influence for now. Monarch transforms back into Gabriel, who has a meeting with Tomoe and Andre to discuss the state of Paris' law enforcement.

Tomoe: Your policemen mostly get paid for doing nothing. It seems that Ladybug and Cat Noir are the ones who have been enforcing the law in Paris the last few months, wouldn't you agree?

Because I guess Ladybug and Cat Noir have also been stopping drug rings off-screen or something.

Chloe storms into the office, and even though Lila has no idea what's going on, she tells Chloe to record the conversation. Once again, Lila has to tell Chloe just how to be mean and selfish while she chews out Andre, and that if she was the mayor, she'd ban superheroes, right before Chloe learns Adrien is going to London next year.

After a scene that's only there to remind the audience that Adrien hasn't told Marinette about London yet, we see Gabriel talking with Andre about replacing Paris' police force with robots... even though this should really be more a discussion for the commissioner. I guess the writers didn't have enough money for a commissioner model because they had to allocate resources for Ms. Bustier's baby bump.

Andre: Seriously, Gabriel, what's this whole police robot idea all about?

Gabriel: Have I ever offered a single bad idea to you, Andre? We've always helped each other, haven't we?

Andre: Remember when we were young and penniless? When Emilie, you and I would make the world right from our little attic room? You made me my very first suit so I'd feel confident and Audrey, whom I'd fallen in love with, would finally notice me? Don't you think we were much happier back then? That our lives were more beautiful, more fair?

Gabriel: Come on, you have everything to be happy, Andre. Your wife, your daughter, Paris City Hall...

Andre: A woman who barely respects me, a selfish, heartless daughter, and a City Hall that I never wanted. I only got into politics like dad to impress Audrey, you know that.

Gabriel: I have no idea what you're talking about.

Andre: Look at me, Gabe. All my life I've lied, I've cheated and I've abused my power. I used to be a dreamer, an artist, I wanted to make movies! Now I've become a tyrant in servitude to my family and friends...

Aw, poor baby. Did someone condition their daughter to develop an entitlement complex while refusing to divorce your abusive wife?

I'm sorry, but I don't feel bad for Andre at all here. While I'm happy to see that the show is trying to teach kids that male mental health is important too, it doesn't really earn him a lot of sympathy considering a lot of this is his own fault. Sure, we don't know what Audrey was like when they were younger, and she could have gotten worse as time went on, but considering how rich he is coupled with the fact that Audrey spends most of her time in New York, he doesn't really have much of an excuse to not divorce her. As for Chloe, he has even less of an excuse, since he was responsible for her upbringing. He spoiled her rotten, he refused to properly discipline her, and he failed to teach her the slightest bit of humility. I'm willing to accept that Chloe is a lost cause by the show's standards, but I can't accept the fact that Andre had nothing to do with how she turned out. He's as much of a failure as a parent as Gabriel is.

As Lila somehow finds where the two are talking so she can overhear their conversation, Gabriel secretly records Andre, altering what he says to make him look bad. While I can't exactly describe it through text, this clip from The Simpsons should summarize it.

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Ms. Bustier sees the video of Andre, and this time, she fails to resist an Akuma, turning into Wonder Woman—I mean, Miss Sans-Culotte.

Miss Sans-Culotte has a okay design. I like how it's meant to have a more patriotic theme with the color scheme, and the fact that it's based off some of the people in the French Revolution, aptly named the Sans-Culotte, is a nice way to teach kids about history. The problems I have are the golden armor, which goes against the fact that was previously mentioned in this very episode that the Sans-Culotte wore more simple clothing. That, and the guillotine blade for a weapon, which gives off some uncomfortable implications. The Miraculous power this time involves the Pig Miraculous' Gift, which somehow allows her to transform anyone her blade touches into balloons... even though the Pig never had that ability, and we saw what it really did just earlier this season (Jubilation).

Right when it seems like Adrien is about to tell Marinette about London, the two learn about Miss Sans-Culotte, and split up to transform into Cat Noir and Ladybug respectively. Meanwhile, Chloe hears the news about Andre before getting a call from Gabriel, who offers to “give her Andre's power”. Even though Chloe always uses her dad's power to get what she wants, she literally has to be told to accept the offer from Lila because she didn't think of the political ramifications. You see what I mean about Lila adding nothing to this episode? It'd be like if Thanos kept in contact with someone who had to tell him how to get the Infinity Stones at every step. As for Gabriel, I'll talk about his plan next episode.

Ladybug and Cat Noir confront Miss Sans-Culotte, demanding to know what she's doing.

Ladybug: Terror isn't a solution!

Cat Noir: There are elections to make your voice heard.

Miss Sans-Culotte: Or a revolution when everyone is corrupt. Nothing can stop freedom!

Because it's not like the video of Andre confessing to abusing his power, tampered or not, is an open and shut impeachment case, right?

Ladybug summons her Lucky Charm and gets a crown. After focusing on Miss Sans-Culotte and City Hall, she gets an idea.

Ladybug: Mayor Bourgeois is acting like the king of Paris, and maybe he should be removed from office after all.

Cat Noir: Are you saying we should give this villain free reign?

Ladybug: I don't know... I feel like that's what the Lucky Charm means. You're right, it's not up to us to decide who gets to be the mayor and who doesn't. An akumatized villain just needs to be deakumatized.

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Yeah, remember how Ladybug said it was too risky to forge a temporary alliance with Matagi Gozen in order to stop the person who stole almost every Miraculous she had last season? Well now, she's saying they should essentially let this Akuma force the sitting Mayor of Paris out of power, which is all kinds of illegal. Now this might just be because I'm not French, and don't understand how politics work over there, but here in America, the last time some people stormed a major government establishment to protest a fair election, they were seen as fucking lunatics.

Zoe tries to reason with Miss Sans-Culotte, but she's still in favor of using that guillotine blade in ways that don't involve balloons. They try to reason with her and convince her to reason with Andre... right as Andre is about to resign himself, so this whole conflict was pointless. Still glad to know Ladybug and Cat Noir are now willing to let Akumas use their powers to get what they want when that was almost always seen as taboo.

Miss Sans-Culotte once again rejects the Akuma with ease, Ladybug uses Miraculous Ladybug to fix the damage... only to be cornered by several police robots, and ones that look really stupid at that.

Remember, Gabriel and Tomoe wanted taxpayers to pay for these.

Yeah, somehow, the Lucky Charm was actually meant for Chloe, because, well...

Cat Noir: A crown for the queen of brats, of course!

What, did calling her the literal Antichrist not do well with test audiences?

Yeah, this makes no goddamn sense. Why was the Lucky Charm prioritizing Chloe of all people instead of the Akuma as usual? What was Ladybug even supposed to do here? Yeah, she really should have stopped Miss Sans-Culotte, but was she expected to know about the police robots or something?

Chloe tells the press that Ladybug and Cat Noir helped an Akuma force the current mayor out of office. This is all part of Gabriel and Tomoe's plan, but once again, she's not wrong. The two still helped a dangerous supervillain force a major political shift, and the resulting power vacuum that allowed Chloe to rise to power is really their fault. After Cat Noir uses his Cataclysm to free himself and Ladybug from the nets the robots used to trap them with, we get the start of a running gag where Chloe struggles to say the word “democratic”, because remember, she's blonde, and therefore stupid. This happens several times across both episodes, and none of them are actually funny.

The episode ends with Chloe unlawfully taking control of Paris as the new mayor, which is totally different from Miss Sans-Culotte unlawfully forcing Andre to resign. The last time I saw double standards this blatant, I was watching RWBY.

THE BIGGEST IDIOT OF THE EPISODE IS... CHLOE

If there's one thing I love about my irredeemable villains, it's that they're so stupid, it's impossible to take them seriously. Not only did Chloe need Lila to hold her hand through every major decision she made throughout this episode (and by extension, the next), she failed to understand her dad's political career falling apart and needed to be told to take an opportunity to own an army of advanced robots, and couldn't even say the word “democratic”, which isn't that hard of a word to say even if you're borderline illiterate.

“Revolution” starts off with Chloe essentially declaring martial law in Paris for the time being. Once again, Cat Noir says the sane thing for once and suggests they go and beat up Chloe themselves. Well, I say that, but somehow, Cat Noir contradicts himself in his very next line.

Cat Noir: We can't let Chloe make up the rules.

Ladybug: If she were akumatized, it'd be easy. Find the object, break it, de-evilize her.

Cat Noir: But there is no object, and we can't attack someone who isn't akumatized, or we'd look like the supervillains.

I think you forgot something, guys...

THE ENTIRE FUCKING REASON SHE'S MAKING THE RULES IN THE FIRST PLACE IS BECAUSE YOU HELPED A SUPERVILLAIN IN THE LAST EPISODE! HOW DID YOU FORGET THIS VITAL INFORMATION?!

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What the hell is with the sudden change of pace? They were willing to let Miss Sans-Culotte have her way by making Andre resign, so why can't they stop Chloe when she's already taken over Paris by force? I don't think you'd really look like supervillains if you stopped a tyrant instead of a democratically elected mayor. All you need to do is stop Chloe from controlling the robots, and you're golden.

In fact, where the hell is the rest of the Parisian government during all this, much less the French government? Why aren't they doing anything about this? We don't even get a throwaway line that explains it like Chloe bribed some politicians to keep quiet about the whole thing. Instead, despite an obvious violation of democratic rights, nobody outside of Paris is even bothering to stop this.

After a brief scene where some citizens are interviewed about Chloe, we see Adrien once again angsting about going to London. Like what Lila did with Chloe last episode, Plagg has to outright tell Adrien to talk to Marinette about this, because I guess this show has a really low opinion on the intelligence of people with blond hair. Also, good to know that even though Chloe is currently ruling over the city with an iron fist, she's still allowing air traffic to flow normally. Good thing too, as it's almost tourist season. Adrien tries to tell Marinette through a call, but she talks to him about Chloe, and how they can protest her regime.

Meanwhile, at City Hall, Chloe has already gone mad with power, as she orders her new box robots around, while Gabriel calls her to praise her for how she's been doing. Afterwards, Gabriel transforms into Monarch and absorbs the powers from a few Kwamis before Voyaging to City Hall. Chloe orders her robots to arrest Monarch, unaware than Tomoe is the one actually controlling them, only for Monarch to offer a deal... which Lila once again has to tell Chloe to listen to even though Chloe has worked with him in the past. Monarch offers to akumatize Chloe in a way that makes it look like she's not working for him. She accepts, and becomes Queen Mayor.

Queen Mayor's design is pretty simple, but I guess it works for the plan. It's just Chloe in an admittedly nice-looking jacket. Not sure if she can actually take it off like her other clothes or not, though. As for the Miraculous powers, Monarch transfers five of them to her robots, the Turtle Miraculous' Shelter, the Horse Miraculous' Voyage, the Ox Miraculous' Resistance, the Bee Miraculous' Venom, and the Rooster Miraculous' Sublimation, which gives her an unclear power. Given what she subjects her victims to later on, I guess it's the torture chamber she creates? I also don't get how the robots are capable of using the Miraculous powers when earlier episodes established you needed to have multiple Alliance rings to use them (Transmission, Pretension).

But now's as good a time as any to discuss Gabriel and Tomoe's plan, and why is makes absolutely no sense. In case you got confused, here's a quick summary: Tomoe created an army of robots designed to replace the police, and when Andre refused to use them, Gabriel recorded a private conversation so he could edit it, then transform into Monarch to akumatize someone and hope Ladybug and Cat Noir would let her force Andre to resign, then talk to Chloe about taking over as mayor, hope she says yes while Ladybug and Cat Noir do nothing to stop her, then pretend to give her control over Tomoe's robots before akumatizing Chloe so she can actually control the robots, all while praying that Chloe doesn't find out the truth, much the government doesn't get involved with this.

Gabriel and Tomoe did all of this instead of just, you know, akumatizing Chloe like usual. If the plan was to akumatize her all along while making it look like she's not akumatized, why didn't Gabriel just do that from the start as soon as Andre resigned and Miss Sans-Culotte rejected her Akuma? Also, why the hell is Chloe so crucial to the plan anyway? Yeah, they plan to throw her under the bus once they win, but wouldn't it make more sense if Tomoe, the one whose company made the robots, was the one who took over as Mayor?

It feels like the show is trying to recreate the plan from “Miracle Queen” where Chloe teams up with Monarch, but that plan at least made sense, as Chloe was crucial because of her connection to Ladybug. Here, it just feels like the writers needed an excuse to actually make Chloe a threat, but just like when Felix gave Gabriel all of the other Miraculous last season, it's forced. I'm not really seeing Chloe as a threat when she needed Gabriel to hand her the keys to an army of robots, and I don't care if that's the point. If the show wants us to take Chloe seriously as a villain, it needs her actions to speak for themselves instead of turning her into a glorified attack dog for Gabriel, Tomoe, and even Lila to an extent.

But here's my biggest problem with this plan. Consider the fact that Gabriel put Chloe in a major political position, presumably in order to bank on the fact that Ladybug and Cat Noir wouldn't use their powers to beat up a civilian. Gabriel then transformed into Monarch and akumatized Chloe into a form that would make it look like nobody would even tell she was akumatized in the first place. So let me ask this: If Gabriel's plan involves making it look like Chloe isn't akumatized, how is this going to actually attract Ladybug and Cat Noir so you can get their Miraculous?!

Yeah, Ladybug and Cat Noir eventually decide to fight Chloe anyway, but they don't learn she's akumatized until she blurts it out, and that's well into their fight. The plan is to turn the local government against Ladybug and Cat Noir and discredit in a way that prevents them from taking action against an obvious threat, but that just doesn't gel with Monarch's goal of getting their Miraculous. Did Gabriel and Tomoe assume that Ladybug and Cat Noir would just have no qualms with presumably beating up a civilian? If so, why even bother hiding the fact that Chloe was akumatized? This is a problem the plan faces no matter who the mayor is. Hell, if anything, it would be better if Chloe was akumatized from the start, as no matter how long she hides it for, she still has control over an army of robots armed with Miraculous powers, which wouldn't decrease the threat she poses in the slightest. This isn't even the first time an Akuma has hijacked the position of mayor (Rogercop), so it's even less excusable!

The next day, the students stage a protest at their school to get Ms. Bustier her job back, where Chloe (I'm calling her that instead because nobody else calls her Queen Mayor) questions why they're using their right to protest. She also plans to tell Marinette that Adrien is moving to London (something Gabriel told her earlier), but once again, Lila tells her not to. Also, you want to know how stupid the whole “Chloe can't say the word 'democracy' right” gag is? In the same scene where she struggles to say the D-word, Chloe uses the words “Libertarian”, “negative”, and “influence” correctly. It's hard to really buy Chloe as this illiterate moron while you still have her use words like this.

We get what can barely be considered a montage of Chloe abusing her power, but it's only like, three scenes before the plot kicks back in. We get a scene of Chloe screwing around in a private one-on-one class, an admittedly funny bit where she had a golden statue of herself commissioned to rest on the Arc de Triomphe, and then a scene where she shows Andre the ice cream man just how unfair her rule is.

Chloe: Did you pay the permit fee to sell your ice cream?!

Ice Cream Man Andre: I don't need a permit to sell love in Paris!

Chloe: Well, now you do! Otherwise, you'll end up in detention!

I mean, she reasonably calls out Andre for not having a permit to sell ice cream. How... evil of her?

Marinette goes back to her place, only to learn Chloe abducted her parents and placed them in “detention”, before doing the same to her thanks to one of her robots using a combination of Venom and Voyage. We do get an admittedly decent scene of Chloe threatening to tell Marinette about Adrien moving if Adrien doesn't become her deputy mayor, only for Adrien to vow to tell Marinette himself... even though he kept trying to tell her earlier in the episode, so this moment feels a little hollow. But hey, it's not like the finale will make this scene seem even worse in retrospect, right?

Adrien is sent to detention, a torture chamber where footage of Chloe mentally conditions the prisoners into believing that they're ridiculous or that they can always count on her, all while the prisoners are told to find a chair in an endless maze. Again, another decent visual I'll give the episode credit for. After Adrien, Marinette, and Alya escape detention, the former two transform into Cat Noir and Ladybug respectively and get ready to finally do something about Chloe.

Ladybug summons her Lucky Charm, a bikini bottom, and gets ready to stop Chloe alongside Cat Noir. Okay, Chloe has an army of robots on her side alongside the public's favor, so they'll need to come up with a really clever plan in order to—they're just going in guns blazing even though that's a terrible plan in a situation like this. Unsurprisingly, the two heroes immediately get trapped by a combination of Shelter and Resistance, nullifying the Lucky Charm and Cataclysm. Only now do they figure out Monarch is behind this, even though both of them saw the robots use Venom and Voyage to send them to detention, yet when Chloe actually says it, Ladybug is still shocked by this.

As Ladybug and Cat Noir start to detransform, they encourage the public to take action once they lose their Miraculous, even though Monarch will have won by then. As they do this, somehow, they stop detransforming until they manage to recharge their Miraculous by the power of because the plot says so. How did they do this?

Gabriel: I am an adult! Not transforming back is a power belonging to grown-ups!

Nooroo: I guess they must have grown up, Master.

Yes. Seriously. Even though there's been nothing else to signify that Ladybug and Cat Noir have matured this season, they now have the full power of their Miraculous at their disposal because now, they're adults. If you have to tell the audience that your characters have developed, then you've done a poor job at writing character development. Ms. Bustier takes the sash containing Chloe's Akuma while Cat Noir uses multiple Cataclysms to destroy the rest of her robots.

Ladybug de-evilizes the Akuma, oddly enough, doesn't use Miraculous Ladybug to fix the damage, doesn't give Chloe a useless Magical Charm because Andre says he's going to “correct his own errors”, and after being convinced by her students, Ms. Bustier decides to run for mayor.

We then cut to a private jet where Audrey is chewing her daughter out for failing, even though she supported her earlier when she was mayor. Yeah, you know how it seemed like Andre was finally going to properly discipline his daughter. Dream on! Instead, he just decided to send her away with Audrey, someone who he knows is a terrible person, and lets her deal with Chloe in a way that heavily implies she's going to put Chloe through hell when she isn't at school.

Audrey: Because of you, we've lost face! You've ruined our name and our reputation! You had all the powers in your hands and you foolishly lost them! Bourgeois do not raise losers. You think you're going to London on vacation? Dream on! I'm going to take control of your life again, starting with your education.

This is seriously meant to be an appropriate punishment for Chloe while Andre gets absolutely no consequences for being responsible for his daughter turning out the way she did. I have only one thing to ask.

WHAT THE FUCK, ASTRUC?!

How the fuck did anyone involved with this show think any of this was okay?! How did Andre think this was okay when in the previous episode, he pointed out how awful Audrey was?! Why the fuckare both Andre and Audrey, the two people who helped make Chloe the person she is, getting away scot-free while Chloe gets condemned for everything?! Why the fuck are we supposed to be happy Audrey is diciplining Chloe when we know she's worse than she is?! WHO THE FUCK THOUGHT THIS WOULD BE OKAY TO GREENLIGHT?!

I can either interpret this scene in two ways.

The first way is that, like he's said for a few years now, Astruc still doesn't see this as child abuse, and that Chloe is being punished like any other misbehaving child is.

THIS IS WHAT THOMAS ASTRUC ACTUALLY BELIEVES.

The second way, and I consider this to be the worse option, is that Astruc's team is fully aware that this now qualifies as child abuse, and that Chloe deserves this treatment. Put aside the fact that a common mentality of abusive parents is that they believe they're helping their children by “toughing them up”, this is still a demented way to punish any character, no matter how bad they are.

“But IOTA! Chloe needs to be punished for what she did!” Yeah, she does, but not like this. Hell, you don't need to do a lot to change the ending and avoid the harmful implications. Just have Andre be the one to move out of Paris with Chloe with the intent to send her to boarding school. Also, rather than say he's “going to take control of Chloe's life again”, have him explain that while he still loves Chloe, he isn't mayor anymore, so she can't use his name to get out of trouble, meaning that like it or not, Chloe will have to grow out of her bratty attitude or else she'll get in even more trouble. That way, we see Andre actually taking responsibility for how bad of a parent he was, Chloe realizes her old tricks won't work anymore while the door is open for a redemption should you choose to bring her back next season, and most importantly, there's no implications of child abuse here.

But believe it or not, things were even worse for these episodes initially. As detailed in the Season 5 scripts, there was originally a scene in “Collusion” where Andre used his powers as mayor to divorce Audrey and steal custody of Zoe while leaving her to deal with Chloe herself, officially joining Jagged Stone in the Rich Deadbeat Dads Club.

And Astruc wasn't even aware it was taken out, not being told this until he found out on Twitter.

Because somehow, he considered Andre walking out on his family and leaving his biological daughter in the hands of an abusive bitch crucial to the story.

And do you want to know the worst part? No matter how you view this scene, either way, it's portrayed as Chloe getting punished, but the next scene plays Gabriel abusing Adrien straight, ordering him to pack his things as he'll be heading to London that night. The show literally can't make up its mind on whether child abuse is bad or not. Why is it okay for Chloe to be mistreated by her parents while we're supposed to sympathize with Adrien? No matter who the victim is, CHILD ABUSE IS STILL CHILD ABUSE.

I don't care how bad Chloe is, child abuse is NEVER justifiable, and it's disgusting that the show seems to take that stance, whether they intended to or not.

Let's just get the last few minutes out of the way so I can end this. Adrien is forced to pack for London, Nathalie does nothing to stop Gabriel from doing this, Lila steals one of Tomoe's computers, Gabriel tells Tomoe about keeping Adrien and Kagami safe in London while they execute “Operation: Perfect Alliance”, Marinette and Adrien have their first kiss for the third time in five seasons, Chloe calls Marinette to tell her about Adrien, but Marinette tells her to piss off, and Chloe ends the episode crying because Astruc thinks she deserves to suffer. THERE. I'M DONE.

THE BIGGEST IDIOT OF THE EPISODE IS... GABRIEL

Gabriel joins Marinette in earning the Biggest Idiot Award for the third time this season. He had no reason to include Chloe in his stupid plan, he was essentially banking on Ladybug and Cat Noir choosing to do nothing, and tried to create a scenario were Ladybug and Cat Noir wouldn't be able to lose their Miraculous. At least you could argue that Ladybug and Cat Noir needed to stay on the down low at first. Gabriel doesn't get that excuse.

These episodes sucked, but I honestly thought they were slightly better than the last two.

Yeah, all joking aside, I thought these episodes had more positives to them than “Revelation” and “Confrontation”. Where those two episodes were insulting and confusing respectively, these two episodes were the kind of bad I've come to expect from the show. There's plotholes, bad morals, and characters acting like idiots, but it's par for the course. I was far from a fan of these two episodes, but other than the ending of “Revolution”, I was nowhere near as angry I was with “Revelation” and “Confrontation”.

Surprisingly, I was more upset rewatching “Collusion” than I did “Revolution”. Yeah, “Revolution” was bad, but at least Chloe was supposed to be a bad example of how lead a city, unlike what Andre and Ms. Bustier were doing. Those characters both taught bad morals, intentional or not, and just like Ladybug and Cat Noir, were never called out for unintentionally leading to Chloe's rise to power. With Andre, we were supposed to just be expected to be okay with all the times he abused his power as mayor while cheering when he quit with no negative repercussions, and with Ms. Bustier, we were supposed to be okay with her attempting to stage a violent coup against Andre, the character the episode is already trying to make us sympathize with.

Between these two characters, along with Sabrina and Felix, the show really loves operating on the “There's Always a Bigger Fish” rule. It doesn't matter how many bad things you do, if someone else is pulling the strings, you won't get in trouble at all... unless you're Chloe, so, in that case, BURN IN HELL. Like I mentioned earlier, you can acknowledge someone only did bad things because they were pressured to while saying they should at least be held accountable for their actions in some way that doesn't involve kicking them out of the country.

The moral of when it's okay to use violence was pretty confusing, and not just because this is a superhero show where almost every problem is solved by fighting it. Ladybug tries to convince Miss Sans-Culotte that political conflicts shouldn't be solved with violence, but even if she didn't convince her to change her mind, Andre was already ready to resign as mayor, and Miss Sans-Culotte still angrily demanded he resign in a way that sounded like a violent threat. There's also the fact that despite saying that violence isn't always the answer, the conflict that was sort of resolved with no violence ended up making things worse as Chloe was able to seize power once Andre resigned.

Also, it's pretty funny how absolutely nobody ever tried to reason with Chloe after she became mayor, not even Ms. Bustier. In that case, violence was obviously the answer, but the show never really tells us what makes Miss Sans-Culotte better than Chloe. You can't teach an anti-violence moral in one episode and then lead into an episode where violence solves the problem instead of diplomacy. And I'm not one of those saints who believes that every conflict should be handled nonviolently. Sometimes, people won't listen to words, but will at least hear you out if you use your fists. I'd personally argue the conflict of “Revolution” would have worked if had this kind of lesson. Just have Ladybug and Cat Noir tried to solve things with Chloe diplomatically during the first act, only to realize that Chloe won't budge, so they have no choice but to take her out of power themselves. It'd make a hell of a lot more sense than having Marinette and Adrien do nothing while Chloe makes everyone's life miserable because the writers need to pad the runtime.

I already mentioned this, but for an episode that tries to show how awful Chloe is, she barely does anything on her own. She needs Lila to tell her to go along with Gabriel's plan, she needs Gabriel and Tomoe to pretend to give her an army of robots, and she needs Monarch to akumatize her to make the robots even more dangerous. If you need another character to do something to make Chloe a threat, why should we only see Chloe as the threat? These two episodes keep going back and forth on whether Chloe is the worst or not. When they're not showing her taking control of Paris on her own like should be doing, the writers take the time to remind the audience that Lila and Gabriel are pulling Chloe around by telling her what to do, all while they each muse about how this is all going according to keikaku. If you want to make Chloe a threat and have her live up to her reputation as a terrible human being, she should actually have agency and should be cunning enough to be a dangerous villain in her own right.

Unlike with “Confrontation”, which gave more focus to side characters for some reason, “Revolution” actually focused on the main characters and their conflict with Chloe, like we should have gotten with Lila. Yeah, Ladybug and Cat Noir wait far too long to stop her, but unlike with Lila last episode, they at least had a semblance of a reason for hesitating to beat up a civilian. Either way, it felt like an obstacle that Ladybug and Cat Noir actually overcame together instead of someone else helping them out at the last second. Yeah, the Miraculous boost was a glorified deus ex machina, but it was at least a thing established in the show since Season 3.

Even the stuff with Chloe actually felt like stuff she would do, unlike in Season 4, which tried to give her an interest in bananas and soccer for the sake of giving her screentime as a villain (Queen Banana, Penalteam). When Chloe had free reign of the city, she actually did stuff on her own that was clever, like the detention setup. We really needed more of this Chloe for the past two seasons if the writers wanted to make her work as a villain, yet they waited until the end of the fifth season to actually do something interesting, and that was after she was told what to do for most of the episode.

And then there's how the conflict was resolved. It's really hard to buy Ladybug and Cat Noir “growing up” and unlocking the full power of their Miraculous, because just like when it was first established in Season 3, it's such a vague term, and only leaves you asking more questions. Neither Marinette or Adrien really had a big moment of personal growth this episode. Yeah, Adrien wanted to tell Marinette about London, but he had been trying to do that since Chloe first took over as mayor. While it's a decent piece of character development after keeping it secret for the past few episodes, it doesn't really do a lot to justify Adrien “growing up”.

Then again, at least Adrien actually got a moment to show his growth compared to Marinette. All she did before she “grew up” was tell the citizens of Paris to keep fighting, but it was such a vague speech and doesn't really scream becoming an adult. If she was going to sacrifice her identity or do something dangerous in order to stop Chloe, that could have worked. Instead, what I can assume was her big moment came after she defeated Chloe, the call at the end, and even then, it was just her telling Chloe how much she sucks, something she's never been afraid to say since the show started. Once again, if you need to tell the audience your show has character development, you're not good at writing character development.

Overall, while these episodes were both really bad, I still think they're at least more tolerable than the previous two.

And with that, I am officially done with the poorly written Chloe episodes. Sure, I still have three more episodes until I finish Season 5, but least this means Astruc will hopefully stop using her in the show, or at least ranting about her on Twitter. Maybe I'll make a character analysis post about her or talk about her during the overview post, but for now...

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