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#sukis backstory
dont-leafmealone · 3 months
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Sgdhs the new atla trailer looks so GOOD. I have some minor concerns about the clip of Azula shooting a bow, but it's only two seconds without context, so who knows what's going on there. She canonically knows how to use weapons (she fights with a knife in Day of Black Sun, after all), so I can't criticize it too harshly until I see what it's actually all about.
I thought the acting was good, the action all looked REALLY good, one thing I didn't like is the dialogue in the trailer seems cheesy, but it is a trailer so you KNOW they picked the marketable "power of friendship" lines. The main thing I'm worried about is characterization and plot, which I won't really know until the show actually comes out.
Not a fan of live action remakes (or remakes in general), and i don't expect it to be a perfect adaptation by any means (I already have some criticisms that I feel CAN be made at this point on the costuming, casting and some of the plot decisions released thus far) and i don't think a remake was *necessary,* so I don't blame the people who don't want to watch it at all. That being said, I'm pretty excited to see just what they do with the new backstory and lore, and will continue to reserve judgement until the actual show comes out! I'm sure there'll be things I dislike at that point, but there's plenty of that in the original show and extended canon already, so what else is new?
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ourdykeofsorrows · 2 months
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30 mins in and I already DO NOT like the live action atla tv show :(
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hoperays-song · 1 year
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Brain Dump Chaos Style World Building PT.2
Rosita actually has a degree in mechanical engineering.
Marcus has a masters in Business Management.
After Sing 1, Eddie went back to school for Stage and Production Management and is planning on working at the Theatre when he graduates.
Suki actually was a student in Ryan’s mom’s dance class when she was little, so the two have actually know each other for almost all of Ryan’s life.
Nana Noodleman started her career off by playing Annie on Broadway when she was just 10.
Suki graduated high school a year early.
Buster’s favourite board game is Monopoly (or was until he played against Ash and realized everyone else just let him win for years).
Meena loves pottery and has been taking classes since she was a kid.
Gunter taught ballroom dancing back in Germany when he lived there for a few years but now in the states he teaches all styles.
Rosita is super competitive and played volleyball in high school and college.
Gunter is an only child but always wanted a big family so he was thrilled when he met everyone at the Moon Theatre.
Ash once painted her quills red when she was younger.
Marcus is a middle child but never really got along with his siblings.
Barry grew up in the foster care system and met Stan because he was his neighbor for years.
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kamipyre · 3 months
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so technically in my rules i say that suki's blog is single verse, but the truth is more like...it's got two major timelines that i usually write in when it comes to post timeskip!suki aka two possible paths she can end up on...here's a shitty diagram i made bc i didn't feel like writing to better illustrate ( click here for better resolution!! ):
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ironwilledfuckup · 9 months
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happy birthday to the only atla comic with good politics
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moonlaneshrine · 2 years
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Backstory
Suki did not use to need glasses. She lost her perfect Saluki vision in an accident protecting Porsha.
"In a fury, I saw him make a swipe at her and without thinking, I ran. The pain was bad, I could only see red but it was better than the weeks I spent bandaged up and could see nothing at all. He paid for the surgery, at least, though I'd need glasses for the rest of my life" she said removing them to rub her eyes, "I was fourteen."
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ressariot · 1 year
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Ohhhhhh, I'm being devastated by Trigun Maximum manga.
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boomerang109 · 1 year
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so i’ve maybe been avoiding looking at wwda cause i lost my atla hyperfixation and convinced myself it was a terrible fic but i just reread it and to all the readers who have complimented it, i mean the writings bad, but like i see what you mean, there’s like a real vision here? and like i still have a bunch of chapters largely pre-written (but also not enough to post cause they’re missing huge chunks since i write non-chronologically lol) but my next chapter is literally just missing one scene until i can post so i’m hopefully going to give y’all a chapter soon. literally 10 months after last time when it had taken me 355 days. so like i’m making no promises of speed cause clearly i am not a reliable poster. but even without my hyperfixation, i still love the themes i was trying to write and like. i’m gonna try to use some of my free time on it?
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ittsybittsybunny · 2 months
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ATLA Live Action Series Review:
The Good
Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!
Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.
Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!
Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.
Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.
Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!
Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.
Is the show perfect, no - but I wouldn't mind a season 2.
The Bad
Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?
Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.
Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.
Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.
Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.
Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.
Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.
Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.
Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.
Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.
Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.
The Ugly
Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.
Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!
The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.
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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.
Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.
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bythepen98 · 11 months
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@zutaramonth Day 3: After all these years ||
I just love the idea of them learning to dance together and being so very cute and awkward about it at first 🥺💕.
Brief backstory:
Although they were busy preparing for the war, they still needed time to have fun and de-stress so a small feast with music and dancing seemed like a good idea. Zuko and Katara were pushed to spend time together by the rest of the Gaang because they've had enough of the weird distance between the two, brought by brewing feelings that both weren't sure about acknowledging yet. At this point, they've already resolved most of their issues and were on track to becoming really good friends until the 'complication' happened.
Feelings can be ass sometimes fr.
Somehow, what started as a one time, peer pressured, clumsy bonding attempt between two hyperaware-of-each-other teenagers ended up lasting longer than expected. Excuses would be made to continue dancing together because once the initial awkwardness has passed, they found that it was actually quite relaxing (especially for two usually hot headed people) just going through the motions and communicating with looks and gentle touches what they had zero courage to say out loud. Both were also restless and couldn't always spend their hours training so dancing felt like fair game. A very pleasant and completely platonic way of passing the time with a good friend, or at least that's what they told themselves.
Then the war ended, feelings were finally acknowledged and returned now that there was enough time to reflect and actually do something about it and time continued to pass. No matter the changes and busy schedules that came with adulthood and bearing the responsibilities of ruling/helping rule a nation, some things remained constant. Though they never broadcasted it, the Gaang knew that Katara and Zuko would sometimes be found at night just swaying in each other's arms while they quietly talked about their day. It became a tradition - their way to bond and reconnect after a busy day. It was also muscle memory at this point and something they would naturally drift to doing when the opportunity arose. If they weren't training, lounging and drinking tea or walking arm in arm along the courtyard for a stroll, they'd be dancing.
Ofc the dances varied. Most of the time it was simple, intimate, and didn't require much energy. It was during festivals and other special events where they'd let loose and swap partners with their friends. They definitely would've taught each other's traditional dances too. Most of the time they stuck to couple dances though.
The two would then make it to their golden years surrounded by friends and family. In this au, Aang, Sokka and Suki are definitely still alive and kicking and they, together with Toph, would reminisc about the good old days and pat themselves in the back for helping get Zuko and Katara together. They would've gotten together eventually anyway but the Gaang just sped up the process and the credit for starting the whole dancing tradition goes to them. Aang isn't afraid to admit that he and whoever he married in this au also partake in said tradition; Sokka and Suki would do so every now and then but they much prefer exchanging swords as their love language; Toph is indifferent and much prefers just sitting back and letting them enjoy themselves.
This is way over due but I'm glad I was able to finish it. Will sadly be the only prompt I'll be able to do for zutara month bc life threw a wrench and made me too busy, though I'm still interested in making the other prompts at a later date. /N
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cashmoneyyysstuff · 3 months
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I don’t know if This is the place where people make requests but I was thinking Katsuki and y/n have been friends since childhood but as they grow up Katsuki takes the hero path and y/n chooses the villain path it’s like the 2nd year of UA Katsuki knows y/n is a villain and keeps it a secret she’s also in the class. I don’t know how much I’m aloud to ask but hiiii and if this gets picked thank you
ouuuu this is such an interesting request ! i luv me some angst once in a while ! this is also probably the angstiest fic ive written rn lmfaoo ! i tried to honour your request as best i could and i hope you like it ! (also yall keep enabling my katsuki friends to lovers addiction its not me its yall sooo🤥..) also here, reader’s family is part of a crime syndicate sorta like the chie hassaikai !
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fem reader, blood n injuries, kinda angsty but i cant bring myself to fully write angst so take the bittersweetness <33 katsuki claims he hates reader but he doesn’t, reader has a sorta traumatic backstory but if u squint HARD, reader feels guilty, slight miscommunication trope, lemme know if i missed something !
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"how long are you gonna keep doing this ?"
you're rolling up your bloody sleeves when you hear the question you'd been expecting fall from your best friends lips.
"what do you mean ?" you're playing dumb, you know it. and unfortunately, katsuki knows it too.
he narrows his eyes at you, you ignore him "don't give me that shit." he all but growls at you "how many more times are you gonna come to me all fucked up like this ?" you'd expected him to be louder, but you blame that on the fact it’s so late. angrier isn't the term you're looking for, you've known him long enough to know he's trying to hold back his anger. for you. you feel your stomach twisting at the thought.
"as long as you'll have me" you jest, smiling at him. you never took anything seriously. from the time you were kids until now, katsuki hates that about you. "you'll keep taking care of me, won't you suki ?"
you're spoiled, you think everything is a fuckin' joke. katsuki hates that about you.
he huffs, grabbing your outstrechted bruised and bloodied arm "i won't if you keep wakin' me up so late. we've got school tomorrow, you dumbass." his actions are softer than his words, like they always are. he cleans at your injuries with the med kit he has stashed away in his room for emergencies, emergencies being you. you snort and katsuki can barely cover the smirk growing on his face at the sound.
"you're such a goody two shoes." you sigh playfully, but your tone is more loving than playful like you'd hoped.
you'd been hiding your lifestyle from kastuki until you no longer could. coming to him one night heavily injured because you thought he was the only one you could come to, a decision you regret to this day, even as you sit here in his bedroom again.
you'd never meant to get him involved in your mess. katsuki, who's future was so promising. katsuki, who since the ripe age of 5 with starry eyes and bandaged cheeks proclaimed he would be the best. katsuki, who had wanted you to be together when that moment came.
but you had to ruin it. and you're sure that even as he sits there with you and cleans up your wounds, a part of him hates you for it. you don't blame him, how could you ?
you ruined everything. you always do—
you feel a finger flick against your forehead and when you focus again katsuki's eyes bore into yours.
"don't go zoning out on me, idiot. don't go falling asleep on me either. 'f i can't sleep, neither can you." you huff out a laugh at his petulant demand. you hum as he bandages your arm up carefully. " i think i can do that." you sigh.
"i wasn't asking." he retorts, looking up at you seriously "don't go knocking out on me."
you're left speechless at his words. because despite what he says, you know what he means. you've known katsuki for too long not to.
it’s stupid that such a simple sentence has you blinking rapidly, sniffling away the tears forming in your lash line. katsuki sighs. even when you tried acting tough, you’ve always been such a crybaby.
neither of you say a word as he finishes bandaging up your wounds. he insists on rewrapping up your hand and your heart squeezes because you know he’s stalling and it would be time for you to go soon.
it’s for the better, you think. despite your heart tying itself in knots, you won’t allow katsuki to get caught up in them.
he finishes and no words are exchanged. he stares at you, pleading for something you’re not quite sure about, or at least that’s what you tell yourself (you’ve known him way too long not to know what he wants). you avoid his gaze, your eyes growing misty again when you hear him sigh in defeat before he gets up from his bed and leaves the room.
while you’re throwing your jacket on and tugging your dirty boots back on (katsuki was a stickler about keeping his room clean) you can’t help but look around his room. it makes you giggle how he hadn’t really changed that much at all.
he’s thrown out most of his action figures but it seems he just couldn’t separate himself from the all might one’s. he’s still got the all might poster, his pride and joy that he never stopped showing off when you were kids. and then you see something on the shelf where he keeps all his manga.
katsuki walks back into the room and his shoulders visibly sag when he sees you ready to go. you don’t see it though, you’re focused on something on his shelf, he raises a brow.
before he can ask you anything though, you turn to him with a sly little grin, the grin he knows you have when you’re about to say some dumb shit. he hates that about you.
you’ve got a small rubber band looking thing pinched around your finger and katsuki feels his stomach drop.
"you still have this ? " you twirl the braided friendship bracelet you’d made for him when you were kids around your thumb and index finger, giggling when you see katsuki’s expression morph from curiosity to embarrassment. faster than you could blink, he’s already stomping over to you. he wobbles around a little on his bed to reach over your shoulder to snatch the bracelet back.
“don’t go snooping through my stuff !” his fingers are inches away from the bracelet when you switch it over to your other hand. a struggle breaks out where you push and shove at each other. you end up underneath him with him trying to open up your hand tightly clutching onto your bracelet.
“s’not snooping—if it’s just sitting out in the open !” you giggle. he finally manages to snatch his bracelet out of your death grip with a huff and a pinch at your thigh. you don’t miss the way he inspects it carefully before deciding it was unharmed and placing it right back where you’d found it. your heart squeezes despite yourself.
“either way, don’t go puttin’ yer dirty paws on my stuff. you’ll get your germs on them.” he snickers childishly. you’re just as if not more childish because you blow a raspberry at him. katsuki squishes your cheeks out with his hand in response.
you realize you feel a little too comfy, then realize you’re laying in katsuki’s bed and suddenly spring up to try and leave but a hand pushes at your chest, stopping you from doing so. “where the hell do you think you’re goin’, huh ?”
“home ?”
“don’t think so.” he utters simply, pushing you down onto his bed harshly “you’re not going anywhere.”
“katsu—“
“shut up. none of that bullshit you spout all the time” he leans down until your noses almost brush against each other, you inhaling sharply and katsuki grips the sheets next to your head “ if you get yourself in trouble again, i’m the one you’re gonna come bother and i’m trynna sleep. you’re staying.”
the asshole knows exactly what to say to make you feel bad, even if he doesn’t mean to. so you swallow the lump in your throat and concede “okay, fine” you nod “but i gotta leave super early, so don’t be surprised to see me gone when you wake up.”
“s’less trouble for me if you are.” he quips. he’s mean, he’s always been mean. yet his eyes tell a different story. there he goes again with those pleading eyes. the ones that make you want to spill your entire heart and more, to give your life and soul to him. you turn your face away from him.
“stop that.” he whispers, nosing at your neck, your heartbeat picks up and his does too.
“stop what ?” you're playing dumb, you know it. and unfortunately, katsuki knows it too.
“stop trying to act all hard. you know i won’t fall for that shit. those other extra’s might, but i won’t.” he’s awfully quiet. it almost gives you whiplash how he’d went from wrestling you to doing..whatever this was. you don’t mind, despite yourself. “known you too fuckin’ long, unfortunately.”
“yeah” you choke out “yeah, unfortunately.” you feel tears burning in your eyes but you refuse to let them fall, that’d be unfair. you’re not allowed to be upset over something you’d caused.
“for fucks sake’s, yn” katsuki goes from gripping his sheets to gripping your wrists, you close your eyes. “ just—fuckin’—“
“i’m sorry.” you whimper, he pauses.
“i’m sorry, i shouldn’t have come tonight, or any other night” you sniffle “i should’ve—you should’ve forgotten about me.”
you’re babbling, you always do when you get in your own head. when you refuse to tell him what’s bothering you, determined to do everything yourself, katsuki hates that about you. though it’s something he can’t really get too angry at you for, cus he does it too.
you’re babbling and you’re crying like you always do because you’re a crybaby despite acting like you’re not, and katsuki hates that about you. that’s why he sighs and flips you both over so you’re laying on top of him. immediately despite your better judgment, despite claiming he should’ve forgotten you, you cling to him like he’ll disappear if you don’t.
you’re clingy. you’ve always clung to him. you’re annoying, spoiled and bratty. you make dumb jokes and you never take anything seriously and you cry easily and katsuki tells himself he hates all of that about you.
because it’s easier to say than admit he’s hopelessly in love with you.
he doesn’t care about waking up late to treat your wounds, he’d stay up all night even if it meant fucking up his sleep schedule just to take care of you. he’d give everything he has just to hear you giggle at your own stupid jokes and he’d offer up every limited edition all might figure he has just to stay here and bicker with you over nothing. he’d always comfort you cus you cry easily and he wants to breathe the same air you do constantly, he’d swallow you whole and keep you safe right next to his heart if he could.
you’re clingy, annoying, spoiled and bratty and all of the above but katsuki would do absolutely anything for you.
so he comforts you as you lay crying into his chest. apologizing about something he has no idea about. he’ll ask and he knows you won’t answer him, but he doesn’t care. as long as you’re here.
you fall asleep soon after and you’re still clutching onto him. he reciprocates by holding onto you just as tightly, hoping it keeps you safe as you dream. it’s a stupid thought, he thinks. but it seems you’ve gone and wiped your germs onto his heart.
“you drive me fuckin’ crazy.” he whispers into the air. you’re still wrapped up snuggly in his embrace and his black sheets. in his room where you’d spent the majority of your childhood together. until you came to him with a snotty nose and big wet eyes and told him you weren’t allowed to come play at his house anymore.
fate must think it’s so fucking funny, because despite you not coming over anymore you’d ended up going to the same school every year afterwards, even now ending up in the same class. and with you sneaking into his room almost every night to have him clean up your injuries.
he knows you’ll be gone in the morning, somehow untangling yourself from his snake like grip. with tired eyes and some treat from that coffee shop you know he likes, your stupid way of apologizing to him. katsuki wants to tell you you don’t have to do that because he’d forgive any crime you commit. he’ll turn a blind eye to whatever you do even though he’s studying to do the exact opposite because it’s you and he loves you. but you’ll get in your own head and start assuming stuff. so he accepts your chocolate covered croissants and splits both with you.
you must’ve hit your head extra hard during your late night excursion to think katsuki would ever forget about you. you’re stupid that’s for sure, and katsuki wants to say he hates that about you. but that’d make him stupid too.
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justthoughts1310 · 2 months
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If you have not watched Netflix's live action ATLA yet, let me stop you right now. It is not good and it's score on rotten tomatoes is honestly too high.
However, it's far better than the 2010 Live Action movie.
I'm on episode 6 now, and as I watch, I've been trying to find the words that best describe the series.
I've struggled, but the first thing I've noticed is how all of the actors seem to walk their parts and miss the meaning and motivations of their characters all together. The only one who comes close to embodying their character is Iroh, and the only one who looks like they came from straight out of the avatar universe is the Bounty Hunter.
However, now that I'm in episode 6, I've found the word.
The series is Rushed. It's rushed. It feels that they are trying to pack as much avatar lore into the storyline as possible and they don't care what storylines or arcs they have to mangle in order to do it. It's like a really badly written fanficition or a bad spark notes recap of the OG show. I feel comfortable saying that because I've read the Kiyoshi novels (which are like fanfics) and they are EXCELLENT.
You notice this when the show starts. Aang can fly unassisted. Let me repeat. He can fly unassisted. Only two Airbenders in all of Avatar history can fly unassisted, and one hasn't even been born yet during the time Aang was trying to stop the 100 year war. This boy can fly, but we're 6 episodes in and he has not water bent once. If he hadn't turned into Kiyoshi, I wouldn't believe that he's actually the avatar.
As to not provide any spoilers, they've taken multiple storylines and mashed them together. For example, the spirt of wisdom that we meet in the library in the arc where Appa goes missing. Yeah, we meet the guy in the forest with the Panda Bear Forest spirit and then we meet Kah shortly after. As if that's not all terrible, then we are introduced to the Mother of Faces.
The mother of freaking faces! If you don't know who she is, she is not in the show. She is introduced in the graphic novel trilogy "The Search" when Zuko and Azula try to find their long lost mother.
It is my feeling that if you want to revisit a beloved show that you should work to make it better. Deepen it. Add color to it and help the audience better understand the characters insights. Take your time with it.
Netflix tries to do a little of this by providing some additional backstories, but it does this by running rough shot through literally everything else.
It even changes the characters relational dynamics with one another. For example you know how even though Sokka is the oldest, Katara very much has adopted the place of their mother? Yeah... throw that notion right out the window. Now, instead of Katara being the practical one who keeps everything on track, she's painted as the rash kid who needs to grow up and Sokka is the father figure.
Now, Zuko is kind of the beloved child even though he's been banished and Azula is seen as a nuisance to her father. Like what??????
It's actually ironic that the show removes Sokka's misogynistic nature because the show is kind of misogynistic in and of itself.
It's 6 episodes in and has already stripped three female characters of their core tenants.
1. Azula is a prodigy. She's the pride of the fire nation. Not anymore.
2. Katara is a motherly figure who is the mother of the group. She cares for everybody and keeps them on track. Not anymore.
3. Suki is a fierce and independent warrior who is not impressed by Sokka's misogyny. Now, she's a creepy woman who follows him around the entire time he's on the island until he asks to be trained by her.
When we heard that the OG creators and Netflix went different ways because of creative differences, we should have known right then and there that the live action was going to be trash.
Also, I'm going to put it out there. Considering the fact that this should be a block buster series, Netflix did not spend anywhere enough money on it, because the graphics are so cheesy and Appa looks terrible.
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alphajasperdimitri · 2 months
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Ngl the Netflix Avatar: The Last Airbender show was kind of a mixed bag of great and iffy kinda like a delicious food but it’s missing something almost perfect, but still I loved the show so far.
What i didnt like:
*The gaang/ trio doing adventures alone by themselves
*The blended/ mixed episodes
*Pacing
*King Bumi’s new personality, his issues, and how his true identity was revealed very early.
*Sokka and Suki’s fast chemistry, (well I kinda like their love story a little, it was sweet, but i think their rushing it).
*Also Sokka kissing both Suki and Yue kinda feels like hes cheating on Suki, they already had a good time and now Yue?
*The Secret tunnel scene which only happened on book 2, ofc I was happy the first minute they showed it but this was Aang and Katara’s moment, they changed that into love between families or siblings but it’s about love between 2 couples Oma and Shu, wish they just did that on season 2.
*Aang didn’t talk to Hei bai or explain about the forest will grow back in time and just buried the seed.
*Kyoshi teaching Aang a lesson by traumatizing him with her merciless past, (thats not how you teach an innocent child).
*Zuko didn’t saved Zhao at the final episode, (in the original he saved him, because he still has that kindness and compassion in him just deeply hidden)
*Aang didn’t really learn how to waterbend, there was this scene were Aang and Katara were playing with water splashing each other I thought after that scene it was skipped to Aang finally progressing on his practice but he learned nothing at all, (well atleast he learned how to contact the spirit world with his past lives and loved ones). Probably at season 2 he masters it already but is skipped.
*About Katara’s necklace, Pakku didnt talk about that and the past.
*Gordon Cormier/Aang and Kiawentiio’s/ Katara’s acting skills.
What I really liked:
*Cgi, visual effects, the animals 10/10
*Martial arts
*Costumes
*New lessons
*Some of the backstories including the introduction.
*How they interpreted Koh the face stealer.
*Aang’s conversation with Zuko after getting captured by Zhao.
*Zuko’s backstory and the 41st division.
*June and Iroh
*Why Ozai can be evil, “yall remember Evil is made not born” he probably had a tough time when he was little, he just doesnt know what he’s doing is not discipline its abuse. Just like what Iroh said it’s in the fire nation’s bloodline on sometimes being harsh and world dominating.
*Azula’s obsession with perfection and her dad’s approval, I liked how hardworking she was until she reached her classic blue flame, she had to go through alot of pain too.
* Dallas Liu’s acting skills as Zuko is amazing, I could literally feel his emotional state, anger and rage.
*Yue’s spiritual abilities.
*Aang meeting Gyatso at the Spirit world broke me.
*Iroh’s backstory along with Zuko broke me.
Let’s just say atleast it’s better than that movie that never existed.
7/10 Imma say its perfectly balanced.
Also forgive me if my english is bad.
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forevermore05 · 24 days
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Let's say you're one of the writer's way back when Atla was first starting. Bryke has stepped back and let the writers do their thing. What are some things you would keep or remove completely? What are things you would have done differently? What would you have liked to explore more of with the story and the characters?
OOOH good question
I would definitely be giving South Asia, Hinduism, and Buddhism their honour back but making Desi main characters not caricatures. I will pay my respects to those religions by using them properly and not discarding them when you don't truly understand their meaning. And better representation will all the cultures.
Likewise, I would make a 4th (or maybe more) book, so we can see the healing of the 4 nations and flesh out the Gaang and other characters properly. I feel like ending it on book 3 was too sudden, and I hate the comic, so I don't even recognize those, since it is so OOC.
I would make Zuatara canon through some slow burn. I would not pair Aang up with anyone, since he is too young but keep him having a crush on Katara for the Chakra arc (which stays true and respect to Hinduism) but to provide a lesson on heartbreak and moving on. Same with Toph, such a cute little baby.
I will REMOVE those nonconsenual kisses entirely. Basically out with Kataang.
I want to see more of the evil politics of the Fire Nation before Aang defeats Ozai and how Zuko deals with it. In contrast, to how Zuko handles politics being Fire Lord.
I WANT more Suki and her backstory. I also want to see her and Ty Lee fight side by side. It would be so cool.
I would actually have Zuko and Katara speak to Azula after the Agni Kai.
I would keep Sokka's sexism arc.
Not only that, but I would love to explore Yue even more and her take on the NWT
I also want to go in depth with Mai, I want to give her some depth.
Have Aang's character understand the Mahabharat scripture before making a choice. (Maybe kill Ozai)
I want to see a healing arc for Azula
I also want Uncle Iroh to face some repercussion of being an activity member of war. I love Uncle Iroh, and I want to write the consequences and him accepting humbly due to his development.
Book 4 and (leading to adulthood) head canons for the Gaang
Katara: Helps the SWT and NWT, then goes on to become ambassador for the SWT in the Fire Nation
Zuko: Fire lord
Aang: Helping all the Nations to heal
Toph: I think she would totally be the creator of the pro-bender, you cannot change my mind, I think she would also become a teacher
Suki: Girlbossing as a Kyoshi Warriors and being known as one of the best
Sokka: Become Chief of SWT and a skilled engineer
I want Katara and Zuko to find his mother together (so we can get good development)
I feel like I have more, but I will add more if I think of any.
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kamipyre · 2 years
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also!! in her cinders verse in the black knight route where she goes to seoul to help out her co-worker-turned-boss, suki knows exactly three ppl in seoul:
a. lee hyuk. former co-worker, now her boss. expect he’s like, obsessed with a case that was technically closed about five years ago and while she gets it, she really does, would it hurt for him to actually remember to eat and sleep?? that’s starting to scare her...but then again, she suppose grief does that to ppl. not exactly sociable as he zones out a lot so getting social interaction out of him is not an option.
b. im jae-hwan. apparently detective lee ( a. ) is his mentor?? they’re nice tho which has suki a little weirded out bc ppl?? actually being nice just because they can?? well that wasn’t a thing in the lapd, but they don’t seem to have any bad intentions...also they get her pink paper and food. and they can speak english which is a relief even if she is in the process of learning korean ( which jae hwan is also helping her with ).
c. the pigeon man! actually his name is myungdae and he’s a lit professor specializing in greek and roman mythology. he always seems kinda sad the same way detective lee is but the pigeon man was nice enough to give her seeds to the feed the pigeons in the park! he also speaks english and helps her from time to time with learning korean. but he’s also always strangely alert whenever she’s talking about her boss ( see point a. )....but he does always give her solid suggestions on foods she should get for detective lee!! not that she thinks detective lee would care about who is she’s getting her food recommendations from :/
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theskysungqueen · 2 months
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to make things brief cause I suck at organizing what I have to say, the live action was definitely Something™.
Cast: 10/10 kinda biased personally but yall can't take this from me
Gordon as Aang and Dallas as Zuko were the standouts imo. Gordon needs some direction on line delivery and the angstier scenes but overall he's very charming and I'm so proud of him for getting so much exposure!
Ian as Sokka was great, I just wish he was allowed to be more...messy? like Sokka pretends to be chill and all that but he's actually dramatic so I hope that gets improved in the next season if there is one
speaking of improvement, Kiawentiio as Katara brought out a softer side to the character but sadly diminished her spark and passion. I like that Katara now actually feels like a younger sister, it makes sense within the context of the story that Sokka and Gran Gran would shelter her after what happened, but as someone said, her anger is so central to her character and I just wish that got shown more. It's more of a script and direction problem tbh, if you look at Kia's interviews she has the sass and feistiness Katara needs
Lizzy as Azula is great, the writing is a bit clunky though so she did the best she could with it. Can't really comment on Mai and Ty Lee yet because they're kinda just there but it's a nice setup
Maria as Suki? perfection show stopping never the same she is a queen and I love the tidbit of Suki backstory which she never really had in the og show. I love her being such a loser around her crush we love to see girlfailures girlfailing. I wish the writers didn't make them KISS though 😭 slowburn ftw
the adults were great
Writing: 6.5/10
There were genuinely good moments and I love the concept of mixing up certain plot points to condense the story
But they just suffered from too much Telling instead of Showing WRITERS PLEASE LISTEN TO THE CRITICISM YOU HAVE TIME TO IMPROVE PLEASE
Omashu, mechanist, and Jet plot mixing as a concept was fine, but it dragged on and my friends and I got bored of it. I like it in theory but if it was going to take THAT long couldn't they have just separated one of those storylines for a different episode?
I appreciate that they tried to develop the water siblings' relationship by making them the stars of the Secret Tunnels, but I would've changed the way they "conquered" the problem (really? badgermoles respond to love? cute in theory but like why). If anyone's watched Barbie: A Fairy Secret there's a part where Barbie and her frenemy accuse each other of why their friendship failed, and it helps them make up and breaks the curse put on them. So that's what I would've done, force them in a life or death situation in which they have to say the unsaid things, maybe hug it out and boom
The way they handled Koh and the Spirit World was a Mess™ but the effects were decent
Zhao meeting horrible ends in every incarnation is so deserved
Yue having more agency was a welcome change AND I LOVE THAT SHE WATERBENDS. Then waterbends even when the moon is gone. It's such a nice visual nod to the fact that she has the moon spirit within her
That said, the show could definitely use more visual storytelling, less weird dialogue. Like it's so strangely common for shows or adaptations these days to exposition dump. Like they did not have to make Yue say that the ocean spirit was angry, literally just show me the dead moon fish and I'll get the idea. Then Iroh says "That's Wrath" that's just redundant now isn't it
I like that they saved Katara bringing Aang out of the Avatar State until last even if it could've been done better
HOW DARE THEY MAKE ME LIKE HAHN HE WAS A JERK IN THE SHOW BUT THEY MADE HIM A GENUINELY GOOD CHARACTER. Yes to brown men not being portrayed as jerks but also in the original it was a nice contrast to how far Sokka had come because Hahn reflected who he used to be. But live action Hahn </3
I like that they showed the deaths and blood. I wanted a live action that was both lighthearted but more realistic when it came to the injuries and death, and that'd kind of what I got
Other thoughts + overall
You can tell they put so much heart into this show, watching the bts, the bending boot camp with the correct martial arts, the easter eggs, the nods to the comics, the beautiful adaptations of Cabbage Merchant and Secret Tunnel nomads, there's so much passion behind the show it's a shame it suffered in its writing
which is why if they read reviews and criticism from the bigger name fans (TheAvatarist, HelloFutureMe, etc.) it would really help them improve for future seasons! The cast is stunning already and they have great chemistry (hopefully gets improved too!)
The live action is just a different angle to the show. And I'm saying this as an Avatar fan–the original wasn't perfect, either. I had some problems w it but the overall show was genuinely so good and heartfelt, those problems weren't glaring enough to put me off (unlike The Dragon Prince, sorry). The live action definitely wasn't perfect, but it tried to give us a new look into Avatar. Again, no adaptation will ever be a 1:1 remake and none should be. Where's the fun in that? But while the show is so full of heart and with actual fans working behind the scenes, I doubt if they listen to any criticism that they can't pull this off better next season.
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