#that’s such a major part of who she is and the things she likes and wants and NEEDS to talk about

[lowgothree]

𝐀𝐍𝐘𝐓𝐇𝐈𝐍𝐆 𝐁𝐔𝐓 𝐘𝐎𝐔 ━━ ❛ 𝐅𝐑𝐈𝐄𝐍𝐃 𝐎𝐅 𝐀 𝐅𝐑𝐈𝐄𝐍𝐃 ❜

chapter no. 001!          

𝗈𝗈𝗈.               ⠀CONTENT : paige “with” another girl (for the plot). reader is so terribly down bad. also, i don’t proofread so if you see typos or grammar mistakes i’m sorry. and this chapter is kinda boring but it's necessary soo.

𝗈𝗈𝗈. ⠀      WORD COUNT : 1.5k

𝗈𝗈𝗈.   ⠀AUTHORS NOTE : yall seemed to like the prologue so i hope yall like this too!!

THEY’RE KISSING. and she’s enjoying it, by the looks of it. you can tell because she’s doing that thing where she pulls the other person closer like they could never be close enough. the thing she used to do to you. 

it’s almost comical that the first time you see paige again, she’s kissing some other girl with eyes like yours outside the diner where you and the girls were. she thinks she’s being sneaky (she’s not). she always thought she was sneaky, you remember that much. in fact, you somehow remember everything about the blonde except what her lips tasted like. so of course you’re a little jealous, feeling a bit out of the loop. that’s normal. right? and maybe definitely it’s stupid to mourn so deeply over a relationship that you ended but, whatever, you can’t help that you miss her.

there was nothing human about the feeling, it was more like a typhoon or a volcanic eruption, something so completely out of your control. it was purely sickening…but whenever you see the peroxide-blonde with someone new, you  find yourself apprehensively scanning their hair, their skin, the words that they would say –– always finding a hint of yourself within them. the delusional part of you wanted that to mean she still wanted you, but logic said that maybe she just started having a type. but then you’d think back to before…the paige before you never had a specific type. but since you? there’s an unmistakable one. but that’s not enough proof that she still feels for you. in fact, it’s nothing. it’s hard not to see yourself when you’re actively looking for it. you’d keep up with the torture by staring at paige kissing that girl through the window but then you feel a sharp kick to your shin from underneath the table. 

“stop staring, perv.” nika mutters, rolling her eyes lightly. although nika was one of the few people who knew about the dead relationship, she didn’t know that your feelings for paige still lingered. she only knew what paige told her, that the two of you were friends.

“i wasn’t ––”

“you were.”

okay –– maybe you were. you sigh silently to yourself, taking a sip of your milkshake. this is the first time you’re actually hanging out with your friends together rather than just one on one (which you only did because you didn’t want to see paige). the two of you agreed to be friends but that was clearly not going to happen. however, you felt bad for denying your friends every time they asked to spend time with you. so, you sucked up your pride. you could spend an hour in paige’s presence, it wouldn’t kill you. at least not literally.

angel, a redhead who shares a dorm with nika and a major with you, is sitting in between azzi and you. she’s eyeing you carefully, after all, the two of you are very close and she knows why you and paige broke up. she also knows that you still care about her. her gaze is simultaneously suffocating and protective.

“...are you okay?” she whispers only loud enough for you to hear. you simply nod, munching on your fries trying not to look out of the window again. in truth, your head was spinning. you haven’t seen paige face to face since the breakup. you were hoping you’d never have to again…

then she finally enters, walking up to the booth. every step she takes is just as confident as they always are. her hair is down, running across the length of her back. her eyes meet yours, they’re more familiar than your own name. her beauty is still unquestionable –– but you wouldn’t admit it. it would make looking away from her even more difficult. so instead you pretend not to look as she sits down at the booth right next to nika…right in front of you. she pokes nika’s side just to piss her off  before snatching a fry from angel’s plate and dipping it in her own milkshake. angel rolls her eyes but says nothing.

“that’s disgusting.” nika turns up her nose as paige bites it. 

“don’t knock it till you try it.” paige dramatically licks her fingers. nika makes a fist, gently hitting the table a few times with her knuckles. you chuckle at nika’s attitude.

“what are you giggling about? you used to like it too.” paige mutters, smiling lightly but her words send a pang to your chest. nobody else seems to catch the bitterness in her tone….but you do. her eyes look almost guilty when she sees the sharp intake of breath you take. but before she could say anything else, you look away. you avoid her eye contact like it’s deadly.

nika clears her throat, eventually sensing the tension, and turns her attention to azzi whose eyes are close and head is rested against the booth. “you okay?”

“mhm…just really tired.” she mutters, opening her eyes to sip her lemonade. 

you chuckle. “i bet you are, we stayed up all last night studying.”

“finals?” angel questions.

“yeah…” azzi mumbles.

“can we please not talk about that right now?” paige groans.

“says you, scholar athlete.” azzi mutters, rolling her eyes at the blonde.

“she’s too busy with that girl to focus on studying these days.” nika chuckles. angel looks over at you for a quick moment but you keep your gaze steady on your plate.

you nearly jump out of your skin trying to relax your tensing shoulders before someone notices. you ended things with her…she couldn’t even call you her girlfriend. so why did it hurt so much to even hear of someone else in your place? this wasn’t exactly the plan, you were meant to move on by now. but seeing her…again…all you can wonder is what she’s thinking about right now.

“who? cleo?” paige snorts. “we’re not talking about that either.”

cleo. cleo. the girl who just had her tongue down paige’s throat no less than ten minutes ago. you feel sick to your stomach at the mention but you hide it well, then you feel sicker when you think about how pathetic it is that you even felt this way to begin with. it’s just another indignity among many.

“why not?” nika mutters. “it’s more interesting than talking about studying.”

“true.” azzi adds.

paige looks over at you, her way of saying that she’s not going to talk about another girl in front of you. “where’s aubrey?” 

you appreciate the conversation shift even if you know it’s in vain. they want to know about this mystery girl and honestly, so do you.

“late.” nika mutters.

“i ordered her food for her.” angel smiles softly. 

“and she’s gonna wanna talk about the girl too.” azzi chuckles. angel’s leg shakes underneath the table, she’s clearly empathetic for you. she knows the girls don’t mean to hurt you but she also knows that it is hurting you. you wanted to relax her, make her feel less guilty for not saying anything even if she wasn’t participating in the conversation.

so you chuckle lightly, pretending to be completely fine and say, “can you please be still?”

“can you please be still?” you sigh softly, braiding her hair in its signature style. paige is sitting in front of you on the bed with her legs crossed. she has a game later, and she asked you to braid her hair for her. 

“you’re pretty.” paige mumbles as you finish up her first braid, still squirming at your touch. 

for a second you almost forget yourself, paige being damn near sickeningly sweet. she seems to notice how her words have temporarily struck you, pride swelling within her since she loves making you happy. 

you shrug it off and remember that her back is facing you, so you chuckle at her commenting on your appearance. “you can’t even see me.”

“i don’t have to. i’m thinking about how your face looks right now.” she turns back to look at you over her shoulder. “pretty.”

you bite back a smile, turning her head back so you can braid the other side. “you’re corny, you know that?”

“i’m enamored.”

“oh, someone learned a new word.” you snort, continuing braiding her hair, being as gentle as you can with her. (though it gets increasingly difficult when she won’t stop moving).

“shut up.” she mutters. “i’m super smart.”

you finish braiding her hair, tapping her side to let her know that you’re done and she can go look. she stands up from the bed, long legs taking her to the dresser which has a mirror over it, she eyes her braids carefully. “they’re a little crooked, babe.”

you roll your eyes. “cause you wouldn’t stop mo––”

she turns back your way, walking back to you. paige towers over you while you sit on the bed, she puts a hand under your chin and kisses you. “i’m joking. they’re perfect. thank you, baby.”

“anything for you…” you whisper back and your words make her smile. it’s wide and toothy –– the most beautiful thing you’ve ever seen.

#anything but you ✹ꯣ #paige bueckers x reader

[thisiscarlatrying]

modern!ellie hcs

notes/warnings: this is my first time doing something like this.. 😭😭 i hope u like it🙏 also, ellie and reader are dating and a lil of loser!ellie... that's just the way she is 😞

not proofread i think, i'll try to make it as good gramatically as i can but no promises 🙏🙏 (english is not my first language forgive me 😭😭)

| CONGO, SUDAN, PALESTINE | DAILY CLICK | DON'T BUY TLOU |

modern!ellie who cuts her own hair.. she REFUSES to go to a hair salon, she says it's a "waste of time and money"

modern!ellie who is kind of into fashion, i think she'd dress like this or like this...

also i just know she LOVES LOVES LOVES jorts, when spring starts that's ALL she'll wear

AND you guys just share clothes, you steal all her clothes and she steals yours

modern!ellie who wears a LITTLE bit of makeup, just mascara and chapstick. highlighter for special occasions

also her lips are so dry... 😭 she applies chapstick every five minutes and is constantly losing hers so you had to get her a one of those BIG vaseline things because she wouldn't stop stealing yours

modern!ellie who is a cat girl. you guys have like three cats together and they all look like the both of you

also their names are you guys' ship names until you ran out of name combinations and the names you had to choose were something like "sardine" or "chicken nugget"

modern!ellie who just loves kids cartoons like adventure time or the amazing world of gumball

modern!ellie who is CONSTANTLY daydreaming about being spidergirl and swinging around the city (spidergirl!ellie hcs coming soon... 🤭)

modern!ellie who plays minecraft and stardew valley for eight hours straight

modern!ellie who LOVES youtube and can't have a meal without watching a video

i KNOW she loves sinjin drowning. I DON'T MAKE THE RULES 🤷‍♀️

modern!ellie who has an INSANE vinyl collection.. it's all divorced dad music but she also owns a few of your favourite albums for when you come over<3

modern!ellie who is a barista. JUST HEAR ME OUT OKAY. while she's studying in college or something she works part time at a cafe... picture her with her little ponytail (like 17yo ellie) and her sleeves rolled up... UGHHH😭😭 she's so fine i can't.

talking about college... modern!ellie whose major is something nerdy like physics, astronomy or engineering... or maybe even architecture since she likes drawing so much

modern!ellie who was BEGGING you to move in with her until you finally agreed.. your apartment is the cutest thing ever, i feel like ellie's decorating style would be something like this:

modern!ellie who loves cuddling SOOOO MUCH. she's so touchy, she just IS.

modern!ellie whose burps make the entire building shake. it's actually insane and they smell so bad like.. you can smell the subway meatball sandwich she had for lunch earlier that day 😭😭

modern!ellie who constantly brags about you being her girlfriend, she never shuts up about you. and all of her instagram and tiktok posts would be about you (except from her outfit checks, of course)

modern!ellie who loves those cliche robbing movies, do you know what i'm talking about?? like those about robbing a bank or a museum and there's this incredibly unrealistic plan that comes out perfectly... THOSE kinds of movies. she eats them up EVERY. SINGLE. TIME.

modern!ellie who fights with people on the internet constantly 😭😭 she sees a comment on a tiktok video with an opinion different than hers? SHE'LL REPLY. and she's going to wait for HOURS for the other person to respond

modern!ellie who secretly loves laland. i said it.

modern!ellie who either sleeps for 12 hours straight or won't sleep for two days. there's no in between.

modern!ellie whose walk is so funny 😭😭 it's almost like she's jumping while she walks

modern!ellie who carries a picture of you absolutely EVERYWHERE

and your apartment is filled or pictures of both of you

modern!ellie who loves her friends. she makes those stupid tiktok slideshow trends about friends but posts them privately because she's embarrased about it 😢😢😢

modern!ellie who has a journal and writes every single thought that crosses her mind down. and when she doesn't have her journal with her she writes in her notes app

modern!ellie who secretly fucks with taylor swift's sad songs and cries to them

okay i think that's enough.. im getting a little too carried away 😭😭 lmk if you like them or if i should make a part two!!

#ellie williams #ellie headcanons #ellie williams headcanons #ellie williams hcs #ellie williams x reader #modern ellie #lesbian #wlw #tlou #tlou2

[erodasfishtacos]

Boredom & Blind Dates [pt I]

summary: yn is a good friend, who's willing to go on a blind date so that her friend can try to pull the man of her dreams. the new bigshot doctor at the hospital she's works. the dinner isnt as charming as she hoped

word count: 5k

warnings: angst

author's note: hii! this was based off a request. the rest will be posted on patreon and there’s already another part up :)

You can subscribe for $3 USD a month here

+

Victoria was a friend that YN had made in college when they were both studying completely opposite majors but happened to be roomed in the same two-bed dorm.

They clicked instantly and just like their majors, they were also exact opposite in their personalities too but it somehow just meshed perfectly together.

Victoria was a social butterfly who did not have a fear of being the center of attention, going after whoever she wanted (and typically pulling them), and her confidence was impressive.

Despite how smart Victoria was, she had a tendency to come off a bit ditzy, and has been called an air-head more than twice in YN’s presence.

The boys in more prestigious majors like law and medicine usually didn’t find her carefree attitude as appealing.

While Tori snagged the frat boys, YN steered clear of them which worked because they had never once had a crush on the same man.

After graduation, it only made sense to move in together because Seattle was a ridiculously overpriced city but their job wages were competitive.

Victoria was a nurse, she worked on a surgery recovery wing, and complained about her job constantly because of the crabby patients and long hours.

YN worked behind a desk all day, very rarely having to interact with anyone but if she did - it was all virtual from home.

She was the head accountant for a social media marketing company which was a pretty high position for the few years of experience she had.

YN had always been serious, more mature for her age, and always excelled above everyone else in her grade.

It hadn’t been a surprise when she was valedictorian or made summa cum laude in her undergraduate and masters degree with ease.

YN didn’t party, didn’t love socializing out in clubs but would go when Victoria pressured her enough to do so, and it was fine.

YN had been so involved in establishing her career, creating a successful life, and making a name for herself that she didn’t have time for the things Victoria did.

Dating app hookups, one night stands from the bar, and casual flings that only lasted a few weeks was how Tori rolled.

Typically, at least once a month, she was bawling to YN about the latest dickhead who treated her like she was disposable but kept going for the same type.

YN had empathy to an extent, always uncorked the wine and half-listened to her rants about chivalry being dead while she was still thinking about an account she needed to work on because the deadline was coming up.

YN liked to think she lived vicariously through Victoria’s stories which worked for her because then she didn’t have to experience those things herself.

+

YN had been sitting on the couch, laptop balanced on the wide arm as she scrolled through work emails while catching up on her guilty pleasure reality show.

It was nearly ten at night but she was waiting for a reply from a customer with a time difference, work could sometimes be a whole day and night ordeal.

There was no question that YN was uptight, rarely - if ever relaxed, and did not have much time for anything other than what put a hefty sum in her bank account every two weeks.

Victoria tumbled through the front door in a way that is uniquely her - like a hurricane.

Her keys jingling, her water bottle bumping and sloshing water as she drops her purse on the floor unceremoniously with a chapstick rolling out.

She tosses all of her items in a messy pile on the ground with her bag, kicking off her tennis shoes, and nearly prances into the living room.

YN blinks over at her, the excitement of her arrival was a routine now, she no longer gets annoyed that her best friend makes an entrance like that each time.

“Babe, guess what,” Victoria squeals as she sits down right next to her on the couch, still in her magenta colored scrubs and her mascara smudged near her eyes.

“What?” YN replies as she mindlessly clicks refresh in her email, wishing for this message with the information she needs to appear.

“Our new Chief of Medicine started today! He was the head of neurology at another hospital. A literal brain surgeon which, of course I’ve met others but he’s like…the best of the best. They write news articles about him, his studies in medical journals, he’s a big deal,” Victoria is still excited as she nearly bounces in her spot, shaking YN’s laptop.

YN puts a hand up to make sure her computer doesn’t topple, still nonplussed as she looks at her friend, “What does this have to do with you? Is it just because he’s famous in the medical world?”

“No, he’s fucking gorgeous too. I didn’t think you were allowed to be as smart as he is while looking like he just walked off a runway during Paris Fashion Week,” Tori giggles as her cheeks go a bit pink, “He’s the hottest doctor I’ve ever seen.”

“Tori,” YN sighs, clicking her refresh again - nothing, “Again, what is this information leading to?”

“Well I bumped into him today, literally, in the hallway. We spoke briefly, he was polite but serious, and I felt like he was flirting with me. I feel like I have a chance with him,” Her roommate tells her, that same confidence present as ever that she can pull this big shot doctor.

“Good luck with that. I’m sure he’s married with kids,” YN replies somewhat dismissively, unamused that this is how her friend spends her time.

“Nope,” Tori quips back happily, “I googled him. He just made the New York Times list as one of the most eligible bachelors in medicine. Single as they come.”

“I thought you didn’t want to date someone who also worked in medicine,” YN reminds her, clicking refresh once again to no results.

“He’s the exception. If I could settle down with a fuckin neurosurgeon, chief medical officer like come on that would be my biggest achievement,” Victoria pulls out her cell phone, tapping across the screen.

And YN just…cannot relate.

YN only fell in love once.

Where she could fantasize about a life with that person, marriage, kids, a house but it was all fantasy as they were never official in that way.

It was crushed and YN made a promise to herself that she wouldn’t let herself dream like that again.

“Do you want to see a picture?” Victoria asks as she looks for an image to show.

As a stroke of luck, YN’s work phone starts buzzing, and it’s the client she was waiting for to email her, “I’m sure he’s as attractive as you say, Tor. I have to take this.”

Her friend mumbles something about her being in a relationship with work which is honestly not that far off at this point.

However, it gives her an excuse to lock herself in her office for a few hours to avoid the ideas of love, Victoria’s fantasy world, and think about nothing but numbers and percentages.

+

The next few weeks blend together for YN.

Every few days she actually catches up on her work.

Every few days Victoria recounts her very purposefully crafted run-ins with the chief medical officer to shoot her shot.

Victoria has always been forward, asking bluntly for what she wants but with such a seemingly intimidating man, she finally has met her match.

Her roommate deems the doctor as ‘playing hard to get’ but YN starts to wonder if she’s imagining the spark between them or if it’s truly there.

She talks about times where the doctor flat out ignores her in the hallway but brushes it off that he was extremely busy on a pressing issue.

But then there are times where he will pull her aside, gently by the wrist and ask her about how her day was going, and appear to be interested in her answers.

YN loved her friend but was wildly uninterested in these events, the only thing that kept her curiosity lingering was if she was actually going to snag the head of the biggest hospital in Seattle.

She doesn’t hear much for a week or two.

At least three months have passed since the doctor started.

And this finally appears to be a payoff when Victoria comes home with her usual hurricane routine of leaving a trail of her belongings as she comes through the front door.

“Oh my god, oh my god. Close your laptop and look at me!” Victoria announces dramatically as she rushes over to the couch, taking it upon herself to close the lid of YN’s work computer.

“Tori,” YN scolds with a grumble, she really didn’t appreciate it when her friend interrupted her work flow in the middle of her meticulously constructing a report.

“Hush,” She replies, brushing off her concerns, and patting YN’s thighs, “I need the absolute biggest, most massive favor from you ever. And I really need you to agree, I’ll owe you for eternity.”

This didn’t sound good.

YN blinks at her, expression still unamused as ever.

“Okay. I am going on a date with the chief,” Victoria squeals, high-pitched and loud, “But it’s a double-date, he was telling me he’s looking for a date for his friend. I offered you and he invited us all to dinner at The National.”

Fancy.

And YN tries to settle the itching annoyance at her friend offering her up without her approval but unfortunately it was a very Victoria-like thing to do.

Despite how uptight YN could be, she had a soft spot for her friend and would do anything within her to make her happy so instead of lecturing her about setting her up, YN agrees.

YN thinks about it as the days pass until the date, what’s stopping her from actually giving this a try?

The only information she received about her blind date was that he was also a doctor, orthopedics, and his name was Mitch.

YN dresses nicer than she had originally planned, in a form fitting black dress that shaped her chest phenomenally, making her smaller tits look full and lifted.

It also defined her backside well too, making it rounded and voluminous in a way that it normally didn’t look in her regular outfits.

YN hadn’t been with anyone in over a year, not even a casual hookup because she didn’t do those - she did commitment.

Maybe Mitch would be the one.

YN wasn’t one for magical thinking like her best friend but maybe this is what optimism was supposed to be like as opposed to her normal pessimist outlook.

Victoria dressed stunning as well, albeit a bit more revealing which was her go to, cut-outs along her ribs and the hem was nearly to her bum cheeks so she couldn’t bend over without revealing all of her bits and pieces.

YN was sure that the doctor she was pining after would take her home with her that night but she also knows Victoria is possibly looking at this to become serious.

It was all up in the air.

The National was a quiet restaurant, where business meetings were held and deals were made.

Everyone dressed in expensive outfits that made YN and Victoria’s seem a bit out of place but they blended in well enough.

Neither have been to the location before because it was reservation-only and you had to have enough of a name in Seattle to bother calling.

The fact that the chief was able to get them a table, at relatively short notice was flex in itself, showing off what clout he held in the community.

YN wasn’t impressed, per se, felt like it was a bit-show off but nevertheless it was a nice experience that she’d never likely have again after this night.

Victoria gives the hostess their name before they’re being guided towards the back of the restaurant, it lit dimly enough that it would be hard to see the menu.

As they arrive at the table, there’s two meticulous dressed men sit across from one another, both handsome in different ways.

However, one has a big smile and stands up whilst the other stays seated with a scowl that seems permanently etched on his face - light wrinkles to show for it.

The man who stands up reaches for YN’s hand, kissing the back of it, and introducing himself, “It’s a pleasure to meet you. I’ve been looking forward to it all week, darling. I’m Mitch.”

“YN,” She replies even though he already knows, allowing the kiss and giving him a polite smile back as he pulls out her chair for her.

Victoria walks around the table, somewhat awkward as her date doesn’t get up or offer to move her chair out, only a curt, “Hello, Victoria. You look nice.”

“Thanks,” Tori blushes easily, YN has to refrain from rolling her eyes at the interaction, she always fell for the rudest, douchey men on Earth.

This doctor was no different as he says back in his chair, shoulders broad, and back straight, head held high as he watches Mitch help YN in her seat.

“Thank you,” YN brushes her fingers against Mitch’s shoulder as he sits down, making eye contact with her date once again.

He had these sincere brown eyes, a shy smile, and his long hair was pulled back into a ponytail as he nods at her.

Mitch wasn’t her type, though she wasn’t picky, and was willing to give anyone a chance - he just wouldn’t be someone she would pick herself.

Maybe that’s a good thing.

“What’s good here?” YN asks Mitch as she opens her menu, it was a small list of entrees, most that YN had only seen on cooking shows or never even heard of.

“I haven’t been here. Styles here is a regular but that’s because he’s the big name ‘round here, well according to London Times - everywhere,” Mitch teases as he glances up at his friend.

Styles doesn’t even lift his lip in a half-smile, his eyes dart to YN before his friend, “The Steelhead Trout is good as is the Filet Migon.”

YN’s eyes trace back over the menu, heart seizing a bit as the numbers next to the entree - realizing that was the price was a bit of shell shock.

She knew that Mitch would pay for her but she felt guilty about ordering something that was well over a hundred and fifty dollars when she would never pay that for dinner herself.

“I think I’ll just get the thai salmon,” YN replies as she glances over, it was the cheapest option, not by much but still.

“There’s peanuts in the sauce,” The doctor tells her as he glances up from his own menu to look at YN.

YN brow furrows at him, lips turning down, and about to say something when he adds, “Victoria informed me that you have a severe peanut allergy and to choose a restaurant that could prepare your food properly.”

YN blinks to process before looking over to Victoria, “Thanks, Tor.”

“I’d rather not see freshman year thanksgiving happen again,” Victoria jokes but there is some real concern there from such a traumatic incident.

YN had accidentally come into contact with some type of nut that sent her into an anaphylactic shock.

They couldn’t find her epipen for a good two minutes until they did and were able to administer her medication until she could make it to the hospital.

Victoria had anxiety about food in their house for ages, paranoid about her own contact with the allergen, and always made sure everyone was aware of YN’s condition.

“I’ll get the filet then,” YN sighs, giving up on picking a cheap option as she closes her menu, and the waiter pours a red wine into her glass.

YN was not in the mood to drink, preferring to sip on her water instead as Victoria and Mitch emptied their first glass quickly.

Victoria’s date sipped more sophisticatedly on his, swirling it like a proper snob before taking a minuscule sip as if he was savoring it.

Mitch seemed very interested in YN, asking multiple questions about her work and personal life, he put an arm around the back of her chair which YN didn’t necessarily mind as they spoke.

From what YN could see, Victoria was not having as much luck with her date as their conversation appeared strained, her friend was doing ninety percent of the talking, and Harry was nodding with an expression of boredom.

After the soup and salads arrive, Mitch and Harry start to chat about something going on with the hospital protocols.

Victoria tries to add in, he doesn’t acknowledge her but Mitch does instead after an uncomfortable pause of silence between them.

YN stays quiet, unable to add anything, and after a moment, Mitch huffs out a laugh, “Enough work talk, we’re excluding YN.”

Harry raises his eyebrow at her, “Need to be the center of attention?”

“Hey,” Mitch frowns, rubbing at YN’s shoulder, “I didn’t mean for it to sound like that. I’m sorry if I just-“

“You’re fine,” YN waves her hand dismissively, giving her friend’s date a displeased glance that Harry returns the scowl just like he’d been doing all night.

Victoria is oblivious, as she tends to be, and is much too focused on keeping her date’s attention to worry about anything else.

“What do you do for work?” Harry asks her, randomly cutting off a story that Victoria was telling about a patient that eloped recently.

“I’m a head accountant for a social media marketing company. What about you?” YN returns the question with sickeningly sweet politeness.

She felt like Harry was a pompous prick, taking pride in his rankings, education, and had a better than attitude that YN really felt was unappealing.

To act like she didn’t know shit about him was the perfect way to irritate him apparently.

It works.

The way his teeth clench together as the wrinkle between his brow deepens further, he straightens his suit jacket before leaning forward to appear casual.

“I’m the Chief Medical Officer of The Hospital of Seattle, a neurosurgeon specializing in spinal cord injury as well as stroke and trauma, I own three outpatient medical practices, as well as instruct other neurosurgeons on new techniques and equipment,” Harry boasts, to be fair, it was extremely impressive.

There was no doubt that the man sitting across from her was extremely intelligent, she’s probably never been around anyone as smart as him but it didn’t excuse his attitude.

You can be intelligent and humble at the same time.

Apparently Doctor Styles did not get the memo.

“That’s nice,” YN replies as she takes a very small sip of wine, even though she was impressed, it didn’t reflect in her bored tone.

Harry scoffs, sitting back, and licking the front of his teeth.

His eyebrow was raised as he repeated in disbelief, “That’s nice? Nothing else, huh?”

Victoria’s eyes dart nervously between the two, she grips Harry’s bicep, “I think it’s the most impressive thing I’ve heard. Not to mention the medical journals you wrote for or the volunteer work.”

YN tucks her bottom lip between her teeth, tampering down a smile at getting a reaction out of her friend’s date, just as she had hoped.

“S’really not as impressive when the person needs to flaunt their accomplishments so extravagantly,” YN shrugs as she puts down her wine glass, nonchalant as ever, and acting as if she was being casual.

Tori delivers a kick to her shin underneath the table, along with a scolding look for her to drop the attitude with Harry because it was ruining their date.

YN pulls back because she did feel guilty at getting into it with this doctor who Tori was trying to pull and she wasn’t increasing the chances with the snide comments.

Harry is about to respond, his ringed fingers clenched on the table, and there were tattoos peeking out from the cuffs of his suit that were very undoctorlike, “You know what I think-?”

“Uhm,” Mitch coughs awkwardly to break up the tension that was getting thick and cloying between everyone at the table, “Victoria, where did you get your nursing degree from?”

The conversation breaks off, Victoria and Mitch start chatting as YN and Harry remain pretty much silent throughout the appetizers.

Victoria is forward, trying to touch her date when possible.

A brush of his hand here, a squeeze of his bulky bicep there.

Though Harry doesn’t shrug her off, he also doesn’t return the favor at all.

He is nearly statuesque, unmoving, and able to sit very still for long amounts of time.

Of course, maybe that is overly obvious because of how all over the place her friend was at all times, unable to sit still for more than a few minutes without needing to adjust the way she’s sitting or fiddle with something on the table.

YN wonders if this whole thing was set up for Mitch and Harry just settled for being on a date with Victoria to help his friend out.

The thought hurt her to think about because she wanted better for her friend.

YN enjoyed having a job that paid her well, more than most people her age were making but it didn’t define who she was.

Doctor Styles seemed to be his entire job as his personality.

How boring.

When Harry manages to get the topic back onto a work issue, YN cannot help but let out a yawn that she very half-heartedly tries to cover with her hand because she could only hear so much about a spinal surgery before she’s zoning out.

Victoria is hanging onto his every word, asking questions, and being overly interested in a lackluster story in his monotone, deep voice that could honestly lull her to sleep because of how bleak and morbid he sounded.

However, when she yawns, no one at the table notices but Harry.

His eyes have darted over to her a few times while he’s been talking, almost to gauge her level of interest, and when she yawns, he visibly huffs before continuing - his words a bit more harsh and a flutter of annoyance twisting into his cadence.

YN had neglected her date during this whole time, in full honesty.

Victoria and Mitch seemed to have a great conversation.

When YN talked to Mitch, he was nice enough and easy to have a conversation with but his boss across the table was distracting and apparently felt the need to constantly be the center of attention even though that’s what he called YN out for. 

It’s rude, YN knows it is when she excuses herself to the bathroom mid-story, placing her napkin on the table before swinging her purse over her shoulder, and navigating into the dimly-lit restaurant towards the back.

YN goes into one of the many stalls, a larger bathroom, and sits down.

She didn’t have to go to the bathroom but she had just needed a break because…

What the fuck.

What the actual fuck?

YN would be crawling out the bathroom window if Victoria wasn’t with her.

YN hears the door open and she just knows it’s Victoria.

She is definitely going to give YN a piece of her mind for her attitude at the table and she really can’t blame her because she was not being on her best behavior admittedly.

When YN pushes open the stall, already starting her speech, “Tor, I know you’re probably pissed but -”

However, YN stops mid-setence when she sees that it was not Victoria standing across from her.

No, instead it was Harry, leaning back against the sinks with his arms crossed and a scowl worse than anything that he had displayed at the table across his face.

“Already dating again?” He asks unhappily, the slight crack of his deep drawl gives away the jealously laying behind those words, “That’s pretty fuckin’ rich, innit?”

“Don’t you dare,” YN hisses back, defensive and straightening up, “You don’t have any room to talk.”

“I have plenty,” Harry grits out, his gaze unwavering, his hand twitching like he wants to reach out, “You fucked everything up, not me.”

The awful thing is that YN wants him too.

“That’s not true,” YN murmurs softer, trying to keep the feisty edge in her voice but struggling.

The emotions that she was attempting to hold in at the table were much harder to bottle up when they were standing face-to-face like this.

“You like Mitch?” Harry ignores her rebuttal, his knuckles were white where they were gripping the kitchen sink, “Think he’s nice? Boyfriend material?”

“It’s none of your fucking business,” YN snaps back, finding her bravado a bit more.

“Come here,” Harry orders, voice quiet but sharp, demanding, and it sends a chill down her spine.

“Harry-” YN begins to argue but finds herself walking forward, her heart pounding hard enough that it hurts and her hands were shaking as she clung the strap of her purse as a lifeline as her heels clicked against the tile.

“C’mon, dove,” His voice is sweeter, more goading until she’s close enough to touch.

Her lips parted in nerves, excitement, dread.

His hand reaches out to curl around the nape of her neck, fingers lightly pressing into the sides of her throat and though it was gentle, it was possessive - rooted in the jealousy of what was going on tonight with their dates.

Harry brings her towards him by the hold he has on her, until her hands are laid on his chest, and he’s leaning down as he tilts her head up.

He brushes their lips together, once, twice, and on the third time, YN pulls back and takes a few steps away from him.

“You can’t just do that,” YN huffs, grabbing a tissue from the counter and dabbing at the corners of her eyes to prevent the tears from falling and ruining her makeup, “I’m on a date. You’re on a date. It isn’t fair to either of them.”

Harry laughs unhappily, shaking his head as pushes away from the sink, heading towards the door but before he leaves, he bites back, “I don’t think you have room to be talking about fair. You obviously don’t fuckin’ understand the concept of it. Pull yourself together before you come back out.”

YN knows it immature, proves his point but gives him the middle finger before going back to dabbing at her eyes - fuck, she wishes she didn’t cry around him.

She wondered if it was worth sneaking out the window and facing the wrath of her friend later.

+

ahhhhhhh.

let me know your thoughts. this was difficult to write but im glad it turned out how i wanted it too! what do you predict?

😙😙😙

#harry styles writing #harry styles #harry styles masterlist #harry styles fluff #harry styles smut #harry styles angst #harry styles one shot #harry styles fanfiction #harry styles au #harry styles fanfic

[tyttamarzh]

Tallulah is Phil and Missa's daughter.

This will probably be very long, so if you want to read it, go grab some popcorn and get comfortable.

I have to talk about this because it's eating me up inside. I think I shouldn't give so much importance to comments coming from sewers like Twitter and much less Tiktok, but it makes me so sick (and I'm such a masochist that I even spend time looking for the shit they say to make me angrier and debate them xD).

I am very happy that it was finally made official, with papers certified by the federation, that Tallulah is the daughter of Philza and Missa, I think that was not entirely necessary for them, because they had assumed it for a long time (let's assume that Tallulah needed the pappers to end her W arc), although I suppose that more than anything it was done for those people who still cannot accept it or who deny the paternity of Phil and Missa (With Missa, although it bothers me, I can even understand it, he He hasn't been as present and many people don't know him, but god, it would be a crime to deny Tallulah's paternity to Phil, the man who has kept her alive and given everything for her throughout her life).

I'm glad that, although I have seen negative comments, the majority have been positive (even if it hurts them, it doesn't matter, it's official, screw them). Mainly, the negative comments have been from defenders of W and their arguments are so poor and weak that they are easily refuted. It is obvious that these people do not know Tallulah and have never met her, many do not even know how things turned out and say nonsense like that the current Llulah is an imposter, that it is not fair that they "rewrote" history and erased W (which It is false, Llulah's words make it clear that history was never changed, she simply moved on and that person remained in the past).

I refuted all those arguments on Twitter but screw Twitter, I hate the fucking character limit. So I'm going to expand (I have a lot of poison to get out of my skin). I have some points:

1- "That's not Tallulah" Of course it is her, those who witnessed her life and her growth during the year that passed, can realize that this was her natural evolution. She is the same girl who grew up overcoming her limitations, who suffered, who felt alone, who had abandonment problems, who everyone saw as a poor abandoned girl and who found comfort next to someone who has always loved her like a father and a brother who gave everything for her.

2- "They erased all her lore" No. Tallulah's lore is the one she built with Philza and Chayanne over the course of the year they lived together. Her relationship with W and her longing for him was only part of her story (although people made a lot of emphasis on that), but it was not the only thing that defined her, it never was and only people who never got to met her think that. They see her like an extension of that other person, as the only thing that kept him on the server, but did not see her as an individual character and definitely did not watch Phil's Vods and they never really knew her lore.

3-"How do they explain this in the lore?" Simple, there was someone in her life, someone who was her first father, but who spent very little time with her, who left a long time ago and who is currently no longer part of her life. She learned to let go of the past and focused in the family she has in the present, the family that loves her, that watched her grow up, that makes her happy and gives her security to believe in herself and that is the Death Family, Chayanne, Philza and Missa. Time passes, not all people stay, treasure those who are by your side and let go of what never brought you anything but pain.

4- "They should have created another egg and replaced her" Why replaceher? It has no sense or reason. She is a character who built her own story with her family, a story that never really involved that other person other than with one or another sporadic mention, why eliminate a character that evolved by itself? Little by little she separated herself from what she was at the beginning and that bond that she had with that first father was practically non-existent. What would be the point of eliminating it or replace her with another new character?

5- "No matter what other parents and appearance give her, she will always belong to W because she still carries the name he gave her" No. She never belonged to him. She lived with that man for 2 days and apart from leaving him the promise of a reunion, she did not contribute anything else to her life. She formed her own path, her passion for music was not because of him, it was something she already had before, her love for nature, for animals, everything was built in the days she lived with Philza (even with uncle Bad). She suffered for her first father but she moved on, she matured, she discovered her link with death and her powers as a medium, she acquired her own personality and little by little she built the Tallulah she is now.

She never belonged to anyone but herself and she always fought to prove that, but people insisted on dumping trauma on her and reminding her that she was an abandoned child waiting for someone who at a certain point was nothing more than an idealized dream, because There was never a real relationship between them, they never lived together long enough. She little by little made her decisions and chose the people she wanted to be her parents (and it's not that she had few options, Quackity, Bad and even F wanted to adopt her at the time and asked them to, but she was not a girl who was looking for parents). She could choose and she chose Philza, the person who had always been there for her and later she chose Missa, someone who despite not knowing her very well gave her his love unconditionally and gave her security when she needed it. Then she was able to feel the warmth of being part of a complete family.

6- "They should change her name because W gave her that name! That impostor is not Tallulah!" Why? Her name is not anyone's intellectual property, at the time it was given to her, it belonged to her for better or worse and yes, in some way it will always be a tie to her past, but a past she has already left behind and managed to overcome by creating new memories and dreams.

To a certain extent I understand those who became attached to her because she reminded them of that other person, but if they couldn't see her as her own character, it means that they never cared enough to make the effort to get to know her.

It would shock us all if a character we liked suddenly changed drastically and left behind what like us in the first place. But if they had really watched her, they would have realized that the change was not sudden, it was gradual.

She found in Phil a protective and understanding father who always put her and her brother before anything else, who suffered with her her pain and outbursts of frustration due to the depression caused by the absence of her first father. She found in Missa a cute and loving father who always showers her with love and helps her to have confidence in herself. She doesn't lack anything with them. She has closed a cycle of pain in her life and now she can heal.

She chose the look that makes her feel finally free to be herself, whatever the external reasons that led to that, she finally has a future ahead of her unbound by the past and prefers to be more like the people she considers her family now. If you can't see what all of this really meant to Tallulah and her evolution, it's because you never cared to see even 20% of her story. Well, since the middle of last year she began her journey to break away from a name and be herself, fighting to be seen for who she was.

If those people decide to continue supporting someone despite his shit, that is their right, but the server and the admin were also within their right to decide to kick him out and want to distance themselves from a person they consider unpleasant.

7-There were comments of another type, mainly from people who are really very lost with the lore, people who consider her the daughter of Quackity, even confusing her with Tilín (saying that Q didn't know if she was the daughter of W or Luzu and that she should get a DNA test), when we all know that from the beginning she was W's daughter as a single father and that the only reason Quackity could have become Tallulah's father was if to marry W, but that never happened, W didn't come back and Quackity was never able to develop that relationship with Llulah, she considered him a possible father because she knew W loved him, but Q always being kidnapped or something, they never really related much. There are people who, even with a certificate, continue to insist that Tallulah should have been given to Quackity to raise with Luzu (she had a tender interaction with Luzu and people were already asking him to adopt her, saying that she was alone and had no parents, I seriously hate them!) I shouldn't take seriously people who obviously haven't seen Philza even once and I know that many of those people are hispanic and are limited by the language barrier but if they don't have the slightest idea They shouldn't give their opinion… Tallulah is not an object to be passed from hand to hand, she chose and in order to do so she had to go through a very long and painful arc.

8- I firmly believe that it is a great win to now have a certificate that endorses who the people she considers her parents are, but I insist, it was not necessary, because that has been known for a long time and I am sure that if it was created it was to close the mouth mouth to all those people who are not capable of accepting that.

Tallulah is the daughter of Philza and Missa (and no one else), she is part of the Death Family, that is her story, it is not a whim, a whim is continuing to link her to something she is no longer a part of or wanting to make her a part of a lore that never happened or wanting to give her other parents different from the ones she grew up with (Quackity already had Tilín, Richas and now Pepito, I don't think she needs more children and Tallulah doesn't need any more shitty drama in her life).

Tallulah is a beautiful being, both with her old look and with the new and as Missa says "She deserves only the beautiful things in the world"

Tallulah is Phil and Missa's daughter!!! Tallulah is Phil and Missa's daughter!!! Tallulah is Phil and Missa's daughter!!! And I can shout it a thousand times because it's true and she always was, but now it's certified by the government and no amount of complaining or tantrums can change that fact.

Sorry for my bad english. See you!! jajaja ando re agresiva, pero es que nadie se mete con mi familia xD

#tallulah the egg #death family #qsmp #philza #missa #missasinfonia #deathduo #chayanne the egg #It's official!!! #Tallulah is Phil and Missa's daughter #La niña de Philza y Missa #I'm angry #Fuck the death family detractors #we win!!! #En su cara #A llorar a su casa #She wants looks like her apa Missa :c #She have a design of his beanie similar to papa Phil #Lo siento quería desahogarme en inglés #gente hispana pueden ver la parte resumida en twitter o traducir en google xD

[strqyr]

thinking back to V5 when yang snapped at raven when she insulted tai—"don't you dare to talk about my family like that!"—, going on about how it was raven who was never there, who left them, and it's.

after raven left and summer disappeared, tai was there. he's the parent who stayed, was there for his daughters as much as he could be as a single father who still needed to work to provide for them, who read them bedtime stories, took them to the boba shop after school once a month that turned to almost two times a week by the time they were done at signal because how could he say no to his daughters?

his presence has been such a major part in ruby's and yang's lives that now that he's not there in vacuo, sitting in that familiar boba shop in a different location without him there, when the world might be ending soon, him not being there by their side is so noticeable for yang that she can't help but to wonder why? (and ain't that a reversal lol)

their dad has always been there and there are some things you should be there for like now, in vacuo and he's not and what could be more important than being there, with them, like he has always been?

#rwby #rwby beyond #rwby spoilers #yang xiao long #ruby rose #taiyang xiao long #the reunion is going to be so emotional #i'm going to start hoarding napkins now #just in case

[cluescorner]

Arlecchino's whole deal is unbelievable

Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".

*Kills Clervie and "Mother"*

Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.

*Is in jail for a while and becomes a Harbinger*

Arlecchino: Huh I wonder why I am-

Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-

Arlecchino: Ok.

Pierro: ...You're just cool with that?

Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.

*Runs the orphanage/spy recruitment initiative*

Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????

Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.

#arlecchino #genshin impact #pierro #WHY IS THE GAME FUCKING GLOSSING OVER THE FACT THAT SHE IS KHAENRI'AN?! #Not only that but she is the first Khaenri'an we've met (that we know of) who's from the Crimson Moon Dynasty #I'm so fucking confused #Did Celestia place a DIFFERENT curse on members of the Crimson Moon Dynasty?? Or is this stuff all of them can do??? #HELP #She also seems almost...uninterested in the fact that she's descended from Khaenri'ah. Which honestly I think is interesting. #I don't know if I like it yet but when every other Khaenri'ah character has one of their major traits being that they super fucking #care that they are Khaenri'an (whether that be Kaeya with his paranoia/destiny/duty or Dain with his guilt over his failure/desire to #prevent our sibling from fucking with anything too much or whatever the fuck is going on with Pierro) #having a character who is Khaenri'an but doesn't seem to particularly be invested in that part of themself is different #she cares more about the curse and its effects on her then she ever really cares about the Crimson Moon Dynasty or the cataclysm #IDK I think it's neat from a character writing angle. or at least it has the potential to be if the writers do a good job. #But from a 'I like maybe 3 things in this game and one of them is Khaenri'ah' perspective it SUCKSSSSS #That part of the plot is already suffering from chronic live-service storytelling disease where people just straight up don't tell you #shit that they logically SHOULD BE TELLING YOU because the game needs to save plot points to build hype around #so for one of like 4-ish (depending on how much we count Albedo) Khaenri'an major characters to give us literally 1 and 1/2 voicelines #kinda sucks ngl. but again it's also interesting and realistic for Arlecchino and from that angle I like it #she doesn't care about what fate says her place in the world is. she's gonna carve her own and being Khaenri'an isn't relevant to #the life and identity she has built for herself. she isn't the type to look for answers she doesn't need. she's practical and efficient. #at the very least it's better than when Albedo 'I want to find all the world's truths' Kreideprinz doesn't let the audience in on his stuff

[twelvemonkeyswere]

Brienne and Femininity (and Masculinity)

I’ve been musing how one of the most important topics in Brienne's storyline is femininity, and even though her story isn't finished, we can fairly see what some of her major themes are around this—particularly, how performing or failing at performing femininity affects her both internally and externally.

Often I see people pointing out that, in spite of all of Brienne’s traditionally masculine ways—her clothes, her skill set, her body shape, to name a few—she does not fully reject femininity. That she likes little cute animals and fairy tales and wears dresses, and is shy and blushes frequently. This is an important point because, very often, fantasy settings made the assumption that a woman can only be taken seriously if she goes beyond “her womanhood” and acts and thinks “like a man,” as opposed to other girls who are too busy mending or wanting romance. Brienne challenges those tendencies that GRRM saw in his contemporaries. Things have changed a lot since (hello The Locked Tomb, for example), but you can still see where he is working from, and how many of the aspects of Brienne's story still resonate with more modern audiences because, well, sexism hasn't stopped existing. It's also important because the larger asoiaf and got fandoms often refuse to see this side of her, reducing her to a walking sword or a cardboard cut out of a pushover.

Now, my main issue here is that I feel several interpretations of Brienne have now gone on the other direction, and focus so much on Brienne PERFORMING traditional femininity—wearing luxurious dresses, using make up, accepting lavishing gifts, or wondering if she can be desired, for example—that we've gone sometimes on the opposite direction. I feel like many times we’re afraid or do not know how to approach characterizing her as someone who rejects aspects of femininity without making her into another “not like other girls” stereotype.

My two cents on the matter is that if we focus too much in what Brienne can't but "wants" to perform, we forget that she is, in fact, gladly rejecting some common impositions of femininity in her society.

Beginning with swordplay at a young age, for example, she was very glad to ditch a more traditional education in order to learn how to fight the way we know men are taught in asoiaf/got. She is also explicitly more comfortable in men's clothes. We all like the scene where Jaime makes an effort to give her a dress and she appreciates it, but we don't even find out what happened to the dress, because, presumably, the dress itself is not THAT important, at least not as much as the fact Jaime gave her gifts as a form of appreciation. Dresses have been used in Brienne's past to mock her (the event with the bear being the most recent one), and the important part is that Jaime is the only one who has given her one without that ulterior motive. The point of the scene is that where everyone undermines and underestimates her, he is acting the opposite way. We’re seeing how the relationship between them has evolved and that he is doing his best to mend what has happened and what he has done. She is given a dress and a sword as symbols that someone else in the story is beginning to appreciate her for all she is.

Beyond that, we even get details on the old shield Brienne got at Harrenhal, but not a word about the dress. Brienne explicitly doesn't really like being in dresses, she prefers mail and breeches, and feels more at ease in them than anything else. This is not her hating dresses because she is above them. I can’t remember well but as far as we know it’s just her preference: I don’t recall her saying she hates dresses, just that she prefers trousers. She must have been wearing dresses her whole life! It’s not likely she is unused to them. But we do know the act of being given a dress is important in Brienne’s story. The problem is not that they can’t make dresses for her, the problem is that everyone who forces her to wear a dress wants to signal how lacking she is as a woman, trying to fit her in a box too small for her real shape and then mocking her because she doesn’t meet their standard. The problem is they want to make her uncomfortable and they want to humiliate her, because she dares to exist in a way that doesn’t conform to patriarchal ideals. And the problem is that she likes to wear trousers and mail. She likes to wear masculine clothes, and they want her to be very aware of how much they disapprove.

And we also hear a great deal about marrying and having children out of duty. There's a certain loss she feels there because she believes that, at that point, all those missed opportunities will never present themselves again. All her life, she grew up with a dichotomy that dictated that the chance of having a family or children was through duty or none at all, because she is her father’s heir and—they kept telling her—nobody would want an ugly, masculine, temperamental girl as a wife. They could only want her for the money she brought. The point of the story is that, once again, failing the standards of femininity has forced her into a mentality where she thinks she can’t be loved because nobody would like who and what she is. But even then, even with that thorn in her mind, she still feels relieved she didn't have to perform these particular duties. The only thing she’s sad about is that she thinks she's missed any chance at having a family at all and will never know what that might be like. She doesn’t actively want babies or even to be married. She is still young, and at least to me, she seems to view these things in hypothetical rather than explicit goals or wants. She thinks that, at 20, there is no opportunity for her to experience these things because of how her society works. It’s the lack of choice that she mourns, down the line. But she rejects that particularly role that femininity imposes on her now. She didn’t want it, and she is happy it didn’t go through. She literally fought an old man to prove how much she didn’t want those impositions.

All this is interesting to me because Brienne also sort of thinks of herself as her father's son as well as her father's daughter. It almost slips her mouth once or twice. She is aware, I think, that many times the differences between a son and a daughter boil down not really to gender but to the sort of duty they perform. And she wants to do the sorts of things sons do, too. Men regularly learned to fight and wore the clothes she liked best and used hard-earned skills in a way she wanted to use them. There are layers to this (we’ll get to that in a bit) but she is, I think, very aware of her masculinity, and, if left to her own devices, she seems comfortable in it. The problem is she is NOT left to her own devices.

Most of Brienne's self doubt comes from outside forces. As a woman, they underestimate her. As a woman, they think she is stupid. As a gender non-conforming woman, every jape uttered goes directly to her womanhood. As a woman, if she looks the way she does and dresses the way she does and fights the way she does, when she expresses any vulnerable emotion, any shred of “femininity,” she is mocked for it. She likes dancing and beautiful things and pretty boys but a woman as masculine as she is is not the sort of person who gets to express those preferences without judgment from those around her.

The point is Brienne’s world wants her miserable either way: being unable to be a woman the way they demand of her, because she is too much “like a man” for it, or being unable to be a man, because she is too much a woman for that. The point is she can’t win regardless of what she does. Because that’s how sexism works.

But Brienne’s story is, I think, one about choices. The thing is that the world makes it harder for her, but she shouldn't have to be one thing or the other. She shouldn’t have to be defined by one or the other. If she wants to fight in the mud and smell roses and wear chain-mail and talk to charming men, she should be able to choose all of those things. I think it’s easy to focus too much in what aspects of femininity Brienne likes or dislikes instead of looking at what the story is proposing, which is to look at what Brienne,as a person, likes or dislikes. What she wants. Her parallel story to Jaime is about how the world will always try to put folks in boxes, especially those who, for some reason or another, do not easily fit in those boxes. The question is not “what feminine/masculine parts of Brienne is she happy performing” but rather “what does Brienne want, and why does she feel like she cannot get it and doesn't dare ask.”

This is also what drives her to servitude. There’s a phrase out there that says that if you don’t think you can be liked, you try to become useful, so at least there’s a reason to keep you around. It’s heartbreaking to see how Brienne’s vision of herself has been so skewed by the emotional abuse, parental neglect, and bullying she’s experienced since a young age. She doesn’t think anyone will grow close to her, so at least she can be close to people by serving them. She wants to put her skills to use, she wants to find a place where she fits, where she can be more herself, but she isn’t sure what that looks like or how to find it. She’s still searching, and learning many things on the way.

And Brienne is still very young. We can see her confidence growing and her worldview challenged and she is beginning to see the realities of herself and of the world around her through various trials by fire. Misogyny makes her feel incomplete, but we know the things she trusts about herself while simultaneously seeing the way she constantly doubts others. How she can't never express all of herself without constant judgment or mockery.

I feel like yes, the fact Brienne doesn't reject all traditional femininity is really important to her themes, but by extension, it's as important that shedoes reject some of those traditional expressions of femininity. What she is truly rejecting is imposition, not femininity. What she truly needs to embrace is freedom, not masculinity. She's making her own vows, breaking her own promises, going through her own mistakes. She is learning the hard way. Agency in a world of limited choices is one of Brienne's main themes too. There are moral issues that go deep within her story as well as examinations of the effects of war and the struggle to find authenticity and connection in a community that refuses to acknowledge yours, a community drenched in pretense and lost in performance.

And I think it’s easy to get too caught up in her wanting to be a girlfriend or a mother or wearing a dress that we bypass the whole conversation around why that matters at all. I feel like Brienne's success isn't going to come from her fully embracing all her feminine traits or fully accepting all her masculine traits but from being able, down the line, to be exactly who she is.

#i was looking at my drafts and here are some scrambled ideas I had that I wanted to release so I've tried to make them more organized #brienne of tarth #asoiaf

[lqveharrington]

Handsome As Always | V.

summary: After three years of dating, you and Vox decide to tie the knot. But what happens when Vox lets his fears consume him?

pairing: Vox x Lucifer’s Daughter!Reader

includes: MAJOR FLUFF, insecure Vox, over-protective Lucifer, Charlie being herself, Valentino being his usual self (that’s pretty much it, let me know if I’m missing anything!)

a/n: this can be read as a part two of ‘you look beautiful’ but can also be read individually!

Ever since your father deemed it was all right to date Vox, you’ve watched your relationship grow in many ways. Vox gained upgrades to his technical self while you gained more recognition as the upcoming Queen of Hell. Your relationship became more well-known to the Pride Ring, and eventually, the news made its way down the other rings. However, there were things you believed never changed. Like Vox’s fears that were kept hidden from lowlife sinners and Overlords.

Vox feared a total of three things as an Overlord and as your loving boyfriend. He feared your father, rejection, and losing you from his life in Hell. And throughout your three-year relationship, you were able to witness each fear creep up behind him at least once.

But there were times you didn’t realize they were happening or being kept from you.

“You promise to watch over my little girl?” Lucifer handed Vox a velvet box, watching the Technology Overlord nod with fervor. “You better. If not, I swear I will not hesitate to wipe you out of existence with the snap of my finger, do you understand?”

“Yes, sir.” Vox tucked the box away into his suit pocket, flattening the new creases made. “I understand. I promise I will cherish your daughter until the day Hell freezes over.”

“Good.” He gave a harsh pat to the back of the Overlord’s back, earning an awkward chuckle from him. The two stood in silence for a hot minute, waiting for something else to happen before you walked in with Charlie trailing behind you.

“Dad, Charlie said she didn’t take the necklace but… Vox?” You give him a quizzical look, snapping your earring on. You and Charlie glanced at one another before you spoke again, smoothing out your skirt. “What are you doing here so early? I wasn’t expecting you to be here for another thirty minutes.” You squint when your father scoots away from where he originally stood. “Nonetheless seeing you with my father.”

Vox pulled you into his arms, squeezing your waist. “I just thought I could come earlier. I don’t mind waiting a little longer if you need more time, gorgeous.”

“Cheeky picture box.”

“I’m a flat screen. Upgraded, remember?” He teased, tilting his head at the way you grinned up at him. “You love me.”

“I do.” You let him lift your chin and press a kiss to your lips, smiling softly.

Lucifer coughed, “Won’t you look at the time? Sweetheart, you have to get ready for your date if you want to leave with Vox anytime soon.”

You separate with a grin etched on your face despite the eye roll you gave your father, gaining a chuckle from your partner. “I’ll be back soon.”

The second you left the foyer, Charlie was shooting questions toward Vox, bouncing on her heels at her sister’s soon-to-be fiancé. “Did my dad give you the ring? Are you excited? Gosh, my heart is pounding for you two! Do you know how you’ll propose? Who else knows that you’re proposing tonight?”

“Yes, more nervous than excited, mine is too, nope, and just you guys and Alastor,” Vox answered all her questions with a lopsided smile, fiddling with his fingers.

“Nervous? What for?” Charlie sat on her hands to prevent more movement. “It’s not like she’ll reject you after rejecting a million other guys. She actually loves you. Those other guys just asked her ‘cause she was royalty.”

“Charlie!” Lucifer glared in his daughter’s direction, earning a quiet squeak from her. “She won’t reject you, Vox. She truly loves you. She would never leave you.”

The father-daughter duo watched Vox glitch at the newfound information, both cursing themselves for making the sinner a mess. Vox was fine until Lucifer and Charlie began talking about your past experiences. The fear seeped into him as he felt his fans kick on, becoming a glitching mess by the time Lucifer was able to speak again.

“Okay, uh— I’m not sure how to fix this.” He rested his hands on his cane, looking back at the stairs and the sinner glitching in front of him. “Listen, uh, my daughter isn’t one to date someone for three years and just leave. She really does love you. I mean, she gives you these lovesick looks whenever she sees you!” Lucifer sighed when the thought of his little girl getting married appeared, a soft smile etching on his lips.

Charlie clasped her hands together in excitement, “And I’m sure she wouldn’t say no either. You two are perfect for each other…”

“What now?” You stick your head in between hers and your father’s, resting on Charlie’s shoulder.

“Come here, let me look at you.” Lucifer pulled his eldest to the front of him, eyes beaming with pride. “You look amazing, honey.”

“Thank you.” You do a full turn before you feel an arm pull your waist to a chest, warmth filling your own. “Hi, handsome.”

“Are you ready to go, my love?” He pressed a kiss to the back of your head, missing the way Charlie and Lucifer glanced at one another.

“Of course.” You spun in his arms, linking your hands together.

You watched as Vox consistently dropped his fork, apologizing each time for the clattering noise. You purse your lips at his nth time for apologizing, the fork hitting against the table. Today was supposed to be a relaxing night for your anniversary, but something was bothering your other half. So in return, it bothered you.

“Hey, what’s wrong?” You set down your utensils and reach for his hand that wasn’t messing with the food on the plate. “You’ve been fidgeting since we left the manor.”

“Sorry, there’s just a lot going on in my mind.” He squeezes your hand and meets your eyes. His gaze relaxes within a second, giving you a soft grin. Vox sees it now, the look your father was talking about. He takes both your hands in his, “I love you.”

“I love you too, Vox.” You smile and rub his hand.

“I really do love you…” He feels himself heat up before clearing his throat, keeping his eyes locked with yours. “Gorgeous, these past three years with you have been unbelievably amazing. You’ve been this light sent from Heaven for me and I can’t thank you enough for being there for me. You make me feel like my fans constantly need to be on, and you’re always there for me even if you don’t want to be… I love you more than any words can describe it. So…” Vox kneeled on one knee and reached for the velvet box in his pocket, opening it to reveal the ring Lucifer used to propose to Lilith. Your name fell past his lips as tears fell down your face, “—Will you marry me?”

You let out a wet laugh, nodding at him. “Of course, I’ll marry you, you cheesy picture box.”

Vox slipped the ring on your fingers before pulling you up from your seat and lifting you to spin around with him. “I love you.”

You rest your hands on his chest as he stops spinning, “I love you so much more.” Your lips connected, the feeling of electricity stronger than ever between the two of you. “I’m never leaving your side.”

“No?” He held you close, hands clasping firmly around your waist. “I hoped you would never.”

“Never.” You press another kiss to his lips, messing with the ring on your finger. “Is this why you were talking to my dad?”

Vox nodded, eyes filled with love. “How else was I supposed to get parental consent to marry the eldest of the Morningstar family?”

“Oh, shut up.” You smile and kiss him, feeling his grin in the kiss.

When you got back from the restaurant, Charlie and Lucifer immediately zeroed in on your left hand. You flashed your hand toward them before getting tackled by a hug when they saw the engagement ring adorning your finger, noises of excitement coming from your family.

Lucifer shook Vox’s hand when he spotted the Overlord, “I told you she loves you.”

The next eight months were taken over by your wedding plans. From the venue to the flavor of cake, you and Vox were present for all decisions, making sure everything was up to both your tastes. However, Lucifer handled all the expenses and invitations, ensuring that his eldest had the best despite Vox being one of the richest Overlords in Hell. Charlie was with you when you picked out your wedding dress, assuring you that everything was beautiful.

It wasn’t until the day of the wedding that you and Vox became nervous. More so, Vox.

“You can’t tell me you’re too pussy to marry la princesa now, Voxy. It’s your wedding day.” Valentino blew smoke from where he stood in the dressing room, eyeing the television demon. “What are you even nervous about?”

“What if she realizes she can do so much better than me?” Vox drags his claws down his screen, pacing around the room. His dead heart rate picked up, the paper vows in his suit feeling heavy with each second. “I haven’t seen her since two days ago! She might’ve changed her mind—“

“Vox, I doubt your doll would change her mind about marrying you.” Valentino points his cigar at him, rolling his eyes when Vox glares in his direction at your nickname. “You’re rich, she loves you, you’ve got the wits and brains, she has beauty and power. I don’t get what’s wrong.”

“She’s more than just looks and status!” Vox adjusted his lapels, smoothing them out. “This is such a stupid tradition. Separating the groom and bride before the wedding? They can go to Hell.”

“They most likely are.”

Vox sucks in a breath, glancing at the time. “Fuck, okay. Where’s Alastor?”

“You think I would know where your best man is?” Valentino pushed off the dresser and made his way toward the door. “He’ll appear when he appears. Otherwise, have an amazing wedding. I’ll be seated with Vel.”

Vox let out a frustrated groan. He truly loves you, but the fear gnawing from the inside out was making this day so much more difficult than it needed to be. His eyes twitched as the clock ticked, not knowing where his best man was and how his soon-to-be wife was.

You, on the other hand, were also pacing your own dressing room, Charlie doing her best to calm you down before it was your turn to walk down the aisle.

“It’s going to be fine! You look amazing, the venue is perfect, and you don’t have to worry about safety, what’s left to scrutinize?”

“Does Vox love me?” You whip around and stare at your sister with a distraught look. “I mean, I love him. He’s wonderful, but what if he thinks I’m a pretentious royal who is just marrying him for fun just to leave?”

“That’s not what he’s thinking about.” She gripped your arms, slightly shaking you. “Right now, he’s waiting to marry the love of his life in death at the arbor. And we both know that you love him until double death.” You let out a small chuckle, resting your hands on your bouquet. “And as of now, I need to walk down the aisle as your maid of honor and then you need to walk down with Dad, okay?”

You nod, pressing a kiss to her cheek. “I’ll see you up there, Charlie.”

“You look beautiful, don’t ruin it!” She exclaimed as she stepped out of the room.

You smiled as she left, then met your father’s eyes as he stepped inside the room. “Hi, dad.”

“Oh, baby, you look… You’re all grown up.” Lucifer gave you a small smile and hugged you, keeping his tears in until later. “You’re making me seem like an old man.”

“Dad.” You laugh against his shoulder.

“Are you ready, my little princess?” He reached up and cupped your face, gaze filled with joy. You link your arm with his, nodding. “Then let’s get you married.”

And it truly was gorgeous. Since it was a royal wedding, there were many people in attendance, but your attention was solely on Vox. Both your fears and Vox’s fears faded away when you met each other’s gaze, the admiration radiating off the contact. And you never broke eye contact with him, even when you met up at the altar. When Lucifer started officiating, you kept close by Vox’s side, doing your best not to kiss him right then and there.

“You look beautiful,” Vox murmured in your direction, making your smile wider.

You glanced over to meet his eyes, “Thank you… You look handsome as always.”

You both chuckled at your words, knowing you said those exact same words to one another when he first met your father. Soon enough, vows were completed with few tears, and rings were passed over, the only thing left was the pronouncement.

“By the power invested by me, I now pronounce you husband and wife.” Lucifer clasped his hands together, a golden, red, and blue wisp swirling around the newlywed couple. “You may now kiss your bride.”

Vox pulled you in by the waist, bringing his screen close to your face. “I’ve been waiting two days to do this again.”

“Let’s give them a show then.” You wrap your arms around his neck as he pulls you back with a hand secure on your waist and meets your lips, the cheers from the audience making you smile into the kiss.

“Okay, kids. Break it up, I’m still here.” Lucifer coughed from where he stood, not making eye contact with his daughter. When you throw him a playful look, he smiles, finishing the ceremony. “It’s my honor and privilege to present to you for the first time Mr. and Mrs. Vox Morningstar!”

Vox raises his brow at you, “Your last name?”

“You don’t like yours, why not have mine?” You tease as you link your hand with his, walking down the aisle.

“I’ll have all of you if you want me.” He presses a kiss to your temple, the static from his lips gone. “I love you, beautiful.”

“I love you more, handsome.” You rest your head on his shoulder with the biggest grin adorning your face.

Yeah, his fears were irrational.

©lqveharrington - all rights reserved. do not copy, translate or share my work on other media platforms

#august’s works 🫧 #vox the tv demon #vox fanfiction #vox imagine #vox x reader #vox hazbin hotel #hazbin vox #hazbin hotel vox #vox smut #vox #hazbin lucifer #hazbin hotel lucifer #hazbin charlie #charlie morningstar #vox x valentino #hazbin hotel self insert #hazbin hotel angst #hazbin hotel fandom #hazbin x reader #hazbin hotel imagine #hazbin hotel fanfiction #hazbin hotel x reader #hazbin hotel #hazbin hotel x you #hazbin hotel x y/n #hazbin hotel the vees #hazbin hotel writing #hazbin hotel reader insert #hazbin hotel drabble #hazbin hotel headcanon

[mostlysignssomeportents]

Cigna’s nopeinator

I'm touring my new, nationally bestselling novel The Bezzle! Catch me THURSDAY (May 2) in WINNIPEG, then Calgary (May 3), Vancouver (May 4), Tartu, Estonia, and beyond!

Cigna – like all private health insurers – has two contradictory imperatives:

To keep its customers healthy; and

To make as much money for its shareholders as is possible.

Now, there's a hypothetical way to resolve these contradictions, a story much beloved by advocates of America's wasteful, cruel, inefficient private health industry: "If health is a "market," then a health insurer that fails to keep its customers healthy will lose those customers and thus make less for its shareholders." In this thought-experiment, Cigna will "find an equilibrium" between spending money to keep its customers healthy, thus retaining their business, and also "seeking efficiencies" to create a standard of care that's cost-effective.

But health care isn't a market. Most of us get our health-care through our employers, who offer small handful of options that nevertheless manage to be so complex in their particulars that they're impossible to directly compare, and somehow all end up not covering the things we need them for. Oh, and you can only change insurers once or twice per year, and doing so incurs savage switching costs, like losing access to your family doctor and specialists providers.

Cigna – like other health insurers – is "too big to care." It doesn't have to worry about losing your business, so it grows progressively less interested in even pretending to keep you healthy.

The most important way for an insurer to protect its profits at the expense of your health is to deny care that your doctor believes you need. Cigna has transformed itself into a care-denying assembly line.

Dr Debby Day is a Cigna whistleblower. Dr Day was a Cigna medical director, charged with reviewing denied cases, a job she held for 20 years. In 2022, she was forced out by Cigna. Writing for Propublica and The Capitol Forum, Patrick Rucker and David Armstrong tell her story, revealing the true "equilibrium" that Cigna has found:

https://www.propublica.org/article/cigna-medical-director-doctor-patient-preapproval-denials-insurance

Dr Day took her job seriously. Early in her career, she discovered a pattern of claims from doctors for an expensive therapy called intravenous immunoglobulin in cases where this made no medical sense. Dr Day reviewed the scientific literature on IVIG and developed a Cigna-wide policy for its use that saved the company millions of dollars.

This is how it's supposed to work: insurers (whether private or public) should permit all the medically necessary interventions and deny interventions that aren't supported by evidence, and they should determine the difference through internal reviewers who are treated as independent experts.

But as the competitive landscape for US healthcare dwindled – and as Cigna bought out more parts of its supply chain and merged with more of its major rivals – the company became uniquely focused on denying claims, irrespective of their medical merit.

In Dr Day's story, the turning point came when Cinga outsourced pre-approvals to registered nurses in the Philippines. Legally, a nurse can approve a claim, but only an MD can deny a claim. So Dr Day and her colleagues would have to sign off when a nurse deemed a procedure, therapy or drug to be medically unnecessary.

This is a complex determination to make, even under ideal circumstances, but Cigna's Filipino outsource partners were far from ideal. Dr Day found that nurses were "sloppy" – they'd confuse a mother with her newborn baby and deny care on that grounds, or confuse an injured hip with an injured neck and deny permission for an ultrasound. Dr Day reviewed a claim for a test that was denied because STI tests weren't "medically necessary" – but the patient's doctor had applied for a test to diagnose a toenail fungus, not an STI.

Even if the nurses' evaluations had been careful, Dr Day wanted to conduct her own, thorough investigation before overriding another doctor's judgment about the care that doctor's patient warranted. When a nurse recommended denying care "for a cancer patient or a sick baby," Dr Day would research medical guidelines, read studies and review the patient's record before signing off on the recommendation.

This was how the claims denial process is said to work, but it's not how it was supposed to work. Dr Day was markedly slower than her peers, who would "click and close" claims by pasting the nurses' own rationale for denying the claim into the relevant form, acting as a rubber-stamp rather than a skilled reviewer.

Dr Day knew she was slower than her peers. Cigna made sure of that, producing a "productivity dashboard" that scored doctors based on "handle time," which Cigna describes as the average time its doctors spend on different kinds of claims. But Dr Day and other Cigna sources say that this was a maximum, not an average – a way of disciplining doctors.

These were not long times. If a doctor asked Cigna not to discharge their patient from hospital care and a nurse denied that claim, the doctor reviewing that claim was supposed to spend not more than 4.5 minutes on their review. Other timelines were even more aggressive: many denials of prescription drugs were meant to be resolved in fever than two minutes.

Cigna told Propublica and The Capitol Forum that its productivity scores weren't based on a simple calculation about whether its MD reviewers were hitting these brutal processing time targets, describing the scores as a proprietary mix of factors that reflected a nuanced view of care. But when Propublica and The Capitol Forum created a crude algorithm to generate scores by comparing a doctor's performance relative to the company's targets, they found the results fit very neatly into the actual scores that Cigna assigned to its docs:

The newsrooms’ formula accurately reproduced the scores of 87% of the Cigna doctors listed; the scores of all but one of the rest fell within 1 to 2 percentage points of the number generated by this formula. When asked about this formula, Cigna said it may be inaccurate but didn’t elaborate.

As Dr Day slipped lower on the productivity chart, her bosses pressured her bring her score up (Day recorded her phone calls and saved her emails, and the reporters verified them). Among other things, Dr Day's boss made it clear that her annual bonus and stock options were contingent on her making quota.

Cigna denies all of this. They smeared Dr Day as a "disgruntled former employee" (as though that has any bearing on the truthfulness of her account), and declined to explain the discrepancies between Dr Day's accusations and Cigna's bland denials.

This isn't new for Cigna. Last year, Propublica and Capitol Forum revealed the existence of an algorithmic claims denial system that allowed its doctors to bulk-deny claims in as little as 1.2 seconds:

https://www.propublica.org/article/cigna-pxdx-medical-health-insurance-rejection-claims

Cigna insisted that this was a mischaracterization, saying the system existed to speed up the approval of claims, despite the first-hand accounts of Cigna's own doctors and the doctors whose care recommendations were blocked by the system. One Cigna doctor used this system to "review" and deny 60,000 claims in one month.

Beyond serving as an indictment of the US for-profit health industry, and of Cigna's business practices, this is also a cautionary tale about the idea that critical AI applications can be resolved with "humans in the loop."

AI pitchmen claim that even unreliable AI can be fixed by adding a "human in the loop" that reviews the AI's judgments:

https://pluralistic.net/2024/04/23/maximal-plausibility/#reverse-centaurs

In this world, the AI is an assistant to the human. For example, a radiologist might have an AI double-check their assessments of chest X-rays, and revisit those X-rays where the AI's assessment didn't match their own. This robot-assisted-human configuration is called a "centaur."

In reality, "human in the loop" is almost always a reverse-centaur. If the hospital buys an AI, fires half its radiologists and orders the remainder to review the AI's superhuman assessments of chest X-rays, that's not an AI assisted radiologist, that's a radiologist-assisted AI. Accuracy goes down, but so do costs. That's the bet that AI investors are making.

Many AI applications turn out not to even be "AI" – they're just low-waged workers in an overseas call-center pretending to be an algorithm (some Indian techies joke that AI stands for "absent Indians"). That was the case with Amazon's Grab and Go stores where, supposedly, AI-enabled cameras counted up all the things you put in your shopping basket and automatically billed you for them. In reality, the cameras were connected to Indian call-centers where low-waged workers made those assessments:

https://pluralistic.net/2024/01/29/pay-no-attention/#to-the-little-man-behind-the-curtain

This Potemkin AI represents an intermediate step between outsourcing and AI. Over the past three decades, the growth of cheap telecommunications and logistics systems let corporations outsource customer service to low-waged offshore workers. The corporations used the excuse that these subcontractors were far from the firm and its customers to deny them any agency, giving them rigid scripts and procedures to follow.

This was a very usefully dysfunctional system. As a customer with a complaint, you would call the customer service line, wait for a long time on hold, spend an interminable time working through a proscribed claims-handling process with a rep who was prohibited from diverging from that process. That process nearly always ended with you being told that nothing could be done.

At that point, a large number of customers would have given up on getting a refund, exchange or credit. The money paid out to the few customers who were stubborn or angry enough to karen their way to a supervisor and get something out of the company amounted to pennies, relative to the sums the company reaped by ripping off the rest.

The Amazon Grab and Go workers were humans in robot suits, but these customer service reps were robots in human suits. The software told them what to say, and they said it, and all they were allowed to say was what appeared on their screens. They were reverse centaurs, serving as the human faces of the intransigent robots programmed by monopolists that were too big to care.

AI is the final stage of this progression: robots without the human suits. The AI turns its "human in the loop" into a "moral crumple zone," which Madeleine Clare Elish describes as "a component that bears the brunt of the moral and legal responsibilities when the overall system malfunctions":

https://estsjournal.org/index.php/ests/article/view/260

The Filipino nurses in the Cigna system are an avoidable expense. As Cigna's own dabbling in algorithmic claim-denial shows, they can be jettisoned in favor of a system that uses productivity dashboards and other bossware to push doctors to robosign hundreds or thousands of denials per day, on the pretense that these denials were "reviewed" by a licensed physician.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/29/what-part-of-no/#dont-you-understand

#pluralistic #cigna #computer says no #bossware #moral crumple zones #medicare for all #m4a #whistleblowers #dr debby day #Madeleine Clare Elish #automation #ai #outsourcing #human in the loop #humans in the loop

[heazueken]

Can I believe You? - Part 1

*ೃ༄ summary: Nanami leaves behind the Jujutsu world fresh out of high school and reader resents him fir abandoning not only you but Haibara too. warning(s): body horror, violence, graphic violence, major character death, angst...lots of angst, mdni pairing(s): nanami kento/reader wc; 4.1k a/n: got the courage to post this hear too but you can find this on my ao3 too! there is a lot of angst in this...just a warning

______________________________________________

“Did I ever tell you that you’re my type, Y/N?” Haibara says your name cheerfully when you set your lunch tray down on the table. A laugh escapes you, finding joy in how brash and unapologetically blunt Haibara was. It was one of the many things you had admired about him.

“And why is that, Haibara?” Geto, Gojo, and Shoko side eyed you two, their ears perking to listen in on the conversation. A blush washes over you, the attention being all on you now and you nervously poke and prod at the food in front of you. Nanami pays no mind, Shoko had decided that he better spend his time massaging her shoulder than listen to you and Haibara blabber on.

“Because, you eat well, you’re strong and you’re super pretty!” You laugh, so innocent, so plain. Haibara felt like such a normal person that he seemed to stick out like a sore thumb as a classmate learning jujutsu. You admired him for his stubbornness to prove people wrong and always study hard, put his own life before your own.

“Well then, if I’m your type, how come you haven’t asked me out on a date?” He smiles and lets you eat a little more before he answers, folding his arms over the cafeteria table.

“I don’t ask out girls who aren’t interested in me back.”

“How do you know I’m not interested in you?”

You watch his eyes flicker to the side at Nanami, then back at you. A silent discussion between the two of you occurs and your cheeks flush in realization. You curse at Haibara has he immediately falls into a fit of giggles, you throw your rice at him, Gojo hears the commotion and helps you empty your plate on him while Shoko laughs, Geto sits there quietly watching and Nanami is scolding the two of you to stop.

“Geto hasn’t been looking so good,” Haibara mentions to you and Nanami. He’s sitting on the stairs in the school hallway and lays his head in his head, sighing. 

“I tried to cheer him up, I’m not sure it worked, though.”

You put a comforting hand on Haibara’s arm, rubbing your thumb over his uniform.

“You tried. That’s the best anyone can do. I’m sure you helped a little.” Haibara gave you a weak, genuine smile and you knew you gave him a little comfort in that moment.

You heard about what happened from Nanami. The mission going terribly wrong, the Star Plasma Vessel - who you learned to be a girl Rika - dead. Assassinated by a man who had threatened their lives, left the both of them on the verge of death, thankfully Gojo was able to use his reverse cursed technique. Geto was left with the sight of watching Rika die right in front of him, pool of blood forming beneath the girl after Geto had offered to take her back home, offered to let her live the life she had deserved. Of course the trauma of that would send anyone into a spiral, you knew of that, and yet, it seemed like no one else could understand why he had been in such a funk. You remember Gojo taking you aside to talk about it, mentioning that he had asked him if anything was wrong, that he looked thin and wasn’t eating. 

“And he…it’s like he forced himself to look at me and I could see that fake smile when he told me he was fine. That it’s the fatigue the heat brings him,” He shrugs his shoulders passively.

“Why didn’t you push him to tell you more?” You demand, trying to meet eyes with Gojo but with the sunglasses it was impossible. You couldn’t see the look in them but you saw his eyebrows slowly come together, creasing the skin.

“Because, I want to believe that he’s actually okay. I want to believe that he’s telling me the truth.”

You and Gojo both know he wasn’t.

“Satoru, he told you what had happened. How could anyone walk away from that without having felt some guilt?”

Gojo didn’t look at you, ashamed, he knew you were telling the truth but he had refused to see it.

“Because we’re the strongest.” He said simply. You couldn’t argue with him.

You saw Geto when you were heading back to your room. He looked sluggish, his feet dragged behind him and his head hung low.

“Suguru,” you said quietly, softly stepping towards him. He raised his head then and you saw what Gojo had described. His lips curled into a smile that did not look like the one you knew so well. This was not the Geto you had befriended so early in the school year. This was someone playing a part, someone who was hiding something, hiding a deep pain that he was keeping from the rest of his classmates. His eyes looked glassy, like he wasn’t even looking at you truly.

“Y/N,” he responds gently. “What’s up?”

Words fell silent against your tongue and you couldn’t seem to form what you wanted to say.

“I….what happened?”

He shrugged. There was a long silence between the both of you.

“One moment I'm standing there with her and the next she’s a bloody heap at my feet.”

The smile still remained on his face and your blood ran cold. The mission had failed. You already knew that but it had explained why you had heard about the Start Religious Group celebrating the death of the vessel. You could not come up with anything to say, you stared at Geto and your hands raised to cover your mouth in shock.

“Suguru-“

“I’ll be fine, Y/N,” he began walking again, the sound of his feet dragging on the floorboards was the only thing that could be heard down the long hallway. You watched him until he disappeared into his dorm before you could finally find the words. Not that they would have given him any comfort anyway.

I’m sorry.

You hadn’t want to use your technique, not when you knew it would harm Haibara and Nanami. But when you saw the curse thrash Nanami into a building did you feel the smoke ooze out of your palms in a desperation that hindered you still. Your eyes widened and your fist clamped around the naginata staff, your eyes caught where Nanami’s body slumped, his weapon laid next to him as you saw blood trickle from his mouth. A rage increased inside you and you readied your weapon, feeling the poisonous vapor enshroud the weapon before you. You had to use it now.

Before you could leap and attack you saw Haibara. Only a flash of him when he ran to Nanami’s side. He lifted him, shaking him and though you couldn’t hear, you could see him frantically yelling for him to wake up. Haibara had one eye shut, blood pooled from his head and over it, his hands were covered in his own blood and you watched him smear it across Nanami’s face as he desperately shook him to consciousness.

The curse roared, its tentacles reached and flashed across the area towards you, but you were quicker. Your blade sliced the tentacle off and the smoke secreting from the weapon soaked itself into the skin of the curse and it quickly began to bubble. The skin grew blisters, they turned plump and pink and the curse took a moment to stare at its large stump before screeching in pain when the blisters burst, puss oozed and more vapor poured out of them. The monster began thrashing, the remaining tentacles swung and destroyed the buildings around it. It screamed obscenities and you rushed forward, slicing another limb off. Your feet were quick, running along another one, letting your blade glide across its green skin and let more spores awake in its path. You glance just for a second to see Nanami finally getting up, pushing Haibara away in an attempt to run and help you fight. You kept the curse further away because your technique was considered a curse, even if humans came into contact with it it would cover their bodies in horrible blisters and eat away at you from the inside. You had learned to channel it through your weapons to make the smoke more precise and less dangerous. But you had to release a puff of the poisonous smoke from your hand to keep the away from your friends.

Nanami screams your name, this monster wasn’t a grade 2 like they thought.

It grabbed you with one of its untouched tentacles, throwing you down to the ground. Your weapon falls from your grasp and before you can register what had happened you hear a sound of bones breaking, skin squelching and what sounded like someone releasing a pail of water across the floor. It was blood.

Haibara stands in front of you. You look up at him, his back to you and you see it. The curse had stabbed right through his body, the limb poking out of his back. Your mouth opens into a silent scream and you can only watch as he vomits blood and more blood and more until his body immediately goes limp.

You don’t remember much. The world seemed to be spinning. You were pulled aside by someone, people in suits and sorcerers more powerful than you finally arrived and you watched them massacre the curse. Your eyes trail to where Haibara had been left lying there, forgotten in the heat of the fight. A flame ignited in you and you fought against the strong arms of what you assumed was another sorcerer holding you back.

“Let me go, let me go!” You screamed. “Haibara! We have to-“

“We can’t! Not yet!” The sorcerer responded, grip becoming tighter on you.

“Get the fuck off me!” Your voice strained. “We have to save him! Let me fucking go!” You thrashed, kicking dirt up with your feet in an effort to get to Haibara. You felt defeated when you couldn’t even wiggle one arm from the person's grasp. 

You saw people with medical masks and long white coats run to his body, placing him on a stretcher and frantically talking to one another as they ran to the vehicle waiting for them. You see Shoko, scrambling outside the car, her face also covered with a mask. She turns to you, catching your gaze and you hold onto it, your eyes begging for some answer. 

Will he be okay?

She shook her head.

You don’t remember how or when you had calmed down but the next moment you were in a car with Nanami beside you. You look over to him and he was staring blankly, blood, Haibara’s blood now dried on his face. He wouldn’t look at you - couldn't look at you.

Everything felt numb.

“That was a first grade case.” The severity of the situation hit you like a damn train in that moment. Your vision became blurry and uneven, your hands grappled to the handlebars of where he lay and the tears dripped onto the shroud. There were dark tear stains riddled across the blue of the fabric and the moment Geto finally, finally pulled it over to cover Haibara’s pale, bloodied face did you crouch and sob with all your might. The tears streamed down your face, falling to your knees and letting your hair trap around your face like blinders, your ears thumped with blood rushing loudly. A sinking feeling fell inside your stomach as you struggled to breathe but more sobs broke out instead. Your stomach began to turn, the world becoming quiet and muffled around you and you didn’t notice Nanami crouching next to you, not until you felt his hand on your shoulder.

Don’t comfort me. What’s done is done. Your comfort can’t bring him back. Don’t comfort me. I don’t deserve it.

The tears dried your throat and you began to retch, they were empty gags but the tears refused to stop even when your body begged for them to. You couldn’t shy away from Nanami’s touch and the way his palm tried to soothe over your back. Your crying didn’t subside until you had passed out.

Haibara was dead and it was your fault.

“Y/N,” Nanami said softly. “It’s okay.” He’s crying too but you don’t see it, can’t hear him when you’re unconscious on the floor.

Everything is black. You’re in a void and all you can see is Haibara's broken, bloodied body on the ground. Several of them littered around your feet, you look around and it’s endless, the bodies, the blood soaking into his uniform and pooling around your feet. Your stomach churns at the sight before you, watching the blood go up and up, rising over the toes of your shoes. You try to scream, but no sound comes out. All you can smell is blood and all you can see his Haibara. Tears stream down your face.

I’m sorry! I’m sorry!

You feel a set of hands on your shoulders, gripping you. You blink your eyes open and the bodies are gone. Except one. Haibara’s standing in front of you, grasping you so tight you think he’ll shatter the bones in your shoulders.

“Y/N,” he doesn’t look right. His face is contorted, blood is pooling out of his mouth and onto the ground. His eye is an empty socket with a cascade of blood running down the expanse of his cheek.

“Why didn’t you save me?” He asks with an eerie frown. You gasp and find your voice.

“They wouldn’t let me get to you! I tried to-“

“You weren’t strong enough. I died because you failed.” He would never say these things. Never. And yet it felt like that truth. Still, you shook your head.

“I did my best! It was a grade 1 curse! I tried to save you! I tried to save Nanami! You-“

“You failed,” He said, every word he spoke blood only poured out, staining his teeth red. “You weren’t strong enough.”

Haibara was dead and it was because you weren’t strong enough to save him.

You awoke in your bed with a gasp, sitting up immediately. Tears stained your cheeks already when the memories came flooding back to you.

“Y/N!” It was Nanami. He had been sitting down beside your bed, you guessed he had fallen asleep judging by the small rim of red around his eyes. Or maybe he had been crying just as much as you have. He reached for you, his hand grabbing yours and the other one going around your shoulder to support you. The room began to spin and little black stars riddled around your field of vision as your head thumped like a drum. 

“Careful, you sprained a few ribs.” He gently said. You looked at Nanami, his face has a look of concern, your heart warmed at the realization that he had stuck by next to you for however long you were unconscious.

“H-how long was I out?” 

Nanami pulled away, letting you lean back against your beds headboard.

“Couple of hours at least. You were talking in your sleep.”

The dream came flooding back to you and you held Nanami’s gaze for a beat, wondering what to say. What had you said?

“I’m sorry…” You leaned back, the ache of your bruised body finally making itself known. “What…what do we do now?” Your hand rubs gently over the bruises riddled over your ribs.

Nanami sat with the question for a bit. Sitting back in the chair beside you and rubbing his fingertips across the wrapped cloth on his arm, blood starting to creep its way to the surface. He’ll have to change his bandages soon.

“We recover and go back to work.”

Your stomach sank, something felt different. The vessel incident, now Haibara…everything seemed to be too much. Like their entire world was crashing down with them.

You’re weak. That’s why. More people are going to die because of your lack of skill. Blood is on your hands because you weren’t strong enough to protect Haibara. 

“Hey,” Nanami said, putting his good hand on your shoulder. You blinked at him, taken out of your egregious stupor. Your eyes met with his brown ones and your heart beat a little faster.

“It’ll be…alright. I think. As long as we have each other, right?”

You always had Nanami and Haibara at your side. Now with him gone your only option was to support Nanami and he support you. You two needed each other now. It was the right thing to do. You nod.

You would become stronger for Haibara.

It got easier, as time went on. Nanami had stayed by your side and you stayed by his as the two of you recovered. 2 months flew by and you two were sitting in your dorm together, still bandaged up but you both were able to eat more. You looked down at your rice, sifting your chopsticks through it.

“I miss him.” You say. Nanami doesn’t need to ask who you’re speaking about and he pushes his hair to the side to get a good look at you.

“Me too.” He reaches over, he smiles, it’s sad and it carries a silent apology with it. He squeezes your wrist in comfort.

“He wouldn’t want us to be sad. He’d want you well fed and healed. Now eat.” You brought the rice to your mouth, eyes still skimming across Nanami’s face as he elegantly finished his food. You noticed he’d grown more, was starting to look more like a man. In just 2 months his jaw had seemed more sharp, his shoulders bigger, hands larger and warm when they touched your healing skin. His hair had also grown…longer.

“When are you going to cut that hair off, hm?”

He turned to you. “What? Is it an eyesore?”

You wrinkle your nose, “Yes, and it’s lame. You look like - what do they call it? A scene kid.” He rolls his eyes as you giggle. 

“Finish your damn food already.”

You always had a crush on him. Even now, when he smiled at you - which you rarely saw him do - did the butterflies release inside you, a laugh released from you and there was a sharp pain in your side - sending you into a coughing fit, you groaned because damn, those bruised ribs fucking hurt. Nanami patted your back, trying to comfort you but it only caused more pain to ache throughout your body. You shove him away, a fit of giggles and coughing and groaning filling the room and you think for a moment how much you had admired Nanami for sticking by you throughout all of this. He had suffered a great loss, too.

Nanami Kento was the strongest man you had known.

Nanami Kento was a coward. 

You hadn’t suspected a thing. Although, he had been starting to keep to himself a lot more as the years passed. It wasn’t particularly out of character for him so of course you were ignorant to the plans he had been setting up ever since Haibara died. Freshly graduated, pride still riddled across your face as you strutted through the halls, chest pumped up and high on the fact that you were Number 1 on the honor roll list. You wanted to share the happiness with your best friend, perhaps get some drinks with him. The thought of it makes your face go hot. You open the shoji door to one of the classrooms that Nanami frequented with you, a smile big and bright on your face.

“Nanami, I-“

Nanami was not there. In his place was Gojo Satoru, leaning against one of the student desks. He adorned his iconic sunglasses, laying further down on the bridge of his nose so you could see a glimpse of his pure sapphire blue eyes. Your smile quickly fades and your shoulders lower. A stone sinks inside your stomach.

“Gojo, what-“

“He left.”

You immediately ask, “Who?” The air became suffocating when Gojo pushed himself off the desk and walked closer to you. His footsteps echo across the room and he looks at you with an empathetic look and you know his answer. It feels as though a curse has wrapped its spindly fingers around your throat when Gojo finally answers.

“Nanami. He left this morning. Told Yaga that he was leaving jujutsu high.”

No. No, that’s not right. That can’t be right. The feeling on your throat felt tighter, pins and needles pinched the inside of your esophagus and your eyes began to burn, tears threatening to resurface. What used to be such a drafty, cold room began hot, too hot. There was no storm and yet you heard thunder and lightning, it felt like the walls around you were crumbling down. A tear threatened at your waterline and you blinked, letting it fall down your cheek. Your stomach squeezed and it made you stumble slightly.

“Y/N-,” Gojo grabbed your shoulders, supporting you against his side.

“Hey, I’m sorry.” You couldn’t focus on the sound of his voice, only mumbling to him so he’d know you at least still acknowledged he was there. He had an arm around your shoulder and grabbed onto your wrist with his other hand, holding you steady to guide you to one of the desks. You slumped onto the seat, your mind running through all the things Nanami had said to you. Promising that he’d stay by your side. That you would stay by his. Your throat began to burn again. Your hand tightened into a fist.

No, you could not. Not in front of Gojo. Not even in front of yourself could you cry anymore. It didn’t do anything - only caused a headache, made you feel sick to your stomach, had you on the floor heaving and gasping, hoping for it to end. It only showed the weakness you had shown when you had seen Haibara dead beneath the shroud. Gaining control of your emotions, releasing them through weapons, training your body until you were throwing up and your muscles ached was the only way you knew how to express the feelings that you held close to yourself. You had to get ahold of yourself. You slammed your fist on the desk in front of you and Gojo cocked his head in curiosity. 

“Where did he go?” You finally ask, hiding your face in the palm of your hand. Gojo was silent for a moment, you glanced at him. He had pushed his glasses all the way up the bridge of his nose so you could not meet his eyes. You could tell by the way he shuffled on his feet and his hands slid into his pockets that he was almost anxious to answer you.

“He, uh, went into business, I guess? Salaryman.”

A salaryman. Pathetic. Rather than protect people from curses and carry on Haibara’s legacy he decided to leave that behind to pursue a life of money and long hours in a stuffy cubicle. Standing around with other men in suits who only spoke of politics and how much wealth they had. He’d rather dedicate his life to a big company. Just like that, he ran off like a fucking coward. The sadness that had settled inside you boiled into a fiery anger, your hands clenching and immediately getting up. The chairs legs scrapped across the floor in a loud and screeching sound and you pushed it back into place with a force that was so great you were almost worried you’d break the wood beneath your grip.

“Y/N, I’m sorry about him. I tried to tell him that you would appreciate to be told but he didn’t want to.”

“Didn’t want to?” Your anger burned your skin, “He didn’t want to tell me that he was abandoning the school, abandoning the people out in the world that need saving.” You took a deep breath, “Abandoning me?” Abandoning Haibara.

He was running away like a coward. Hatred seeped into your anger and spread like the disease ridden smoke that oozed from your weapons. Gojo didn’t say a word because there was nothing else to say, so of course he stood there with his mouth a straight line, shoulders still and hands at his side now.

“Goodbye, Satoru. Thank you for telling me.” You couldn’t direct your anger at Gojo, he didn’t deserve it. You needed the training room, you needed to feel the weight of your weapon under your grasp and the blisters that awakened from the strain of the wood staff, to feel sweat trickle down your forehead and the satisfying ache of your muscles.

Nanami had been the strongest, sweetest man you had known and he had turned into a coward. Perhaps you and Haibara never mattered to him. You hoped to never see him again for the heartbreak would be too great.

#jjk #pepper writes #nanami kento #jjk nanami #jujustu kaisen #nanami x reader #nanami fanfic #i hope you guys like this ooffffff

[atthebell]

i think one thing that's always been interesting to me is that people really believe/take for granted that the federation's goal is the islanders' happiness, when we really don't have any way of knowing if that's the truth. cucurucho says it a lot, claiming to care about islanders' happiness above all else, and it's been scattered throughout some federation lore (as well as being hinted at with the reset cinematics), but that doesn't mean it's actually true-- it could still be a smokescreen of what they really want. which, imo, is not happiness.

if it's all one big experiment, supposedly one of many, the idea that this one is the one that involves seeing what happens when islanders are happy is not a provable thing still, nor is it clear what that actually means to the federation. does happiness mean the islanders are content to remain on the island? does happiness mean building relationships and connecting with others? does happiness mean self-fulfillment (something deeply immeasurable)? it's not clear what it means to the federation, nor if that is their true goal. it could be that that has nothing to do with their goal, and is a complete misdirect. it could be that cucurucho's prime directive is the islanders' happiness (not that it's very good at that), but that's meant as a tactic to stymie islander curiosity/resistance. it could be any number of things.

and i think viewing it from a more meta lens of "we cannot tell what is or is not the truth; not only are all character povs biased but so is the larger narrative presented to us." i think comparing this framework to something like the good place is helpful, in that when you assume that what you're presented with is the truth and don't look at the setting critically, you will miss the fact that things presented to you as fact by any kind of source (including the framework of the medium itself or the established setting) are suspect and should be examined further.

i can even put it in a smaller way; there are ways within a limited character pov to present things as directly happening when they are not, and these are ways that mcrp creators have utilized. playing out an event that did not actually happen, canonical hallucinations, dream sequences that are not explained as such, physical representations of metaphorical experiences, etc. etc. are ALL things that mcrp creators of done. tricking your audience is an incredibly interesting and at times vital part of mcrp. so if just one creator within their own pov can do it, why can't the whole narrative? why can't you be convinced you're in a different genre, why can't you be convinced that the physical location your characters are placed in is someplace that isn't?

all this to say, i think a major issue in terms of analyzing media like this is allowing yourself to go along with assumptions without thinking about why you're falling so easily into them as truth. making all of your lore assumptions based off the notion that it is objective fact that the federation cares about and has the goal of islanders' happiness means you are going to miss details and fixate on others without looking at the full scope of possibilities. which i think was a serious issue during the height of investigation/mystery stuff-- people fell into the trap of "i KNOW this to be true" without considering the man behind the curtain. sure, cellbit found documents indicating that the federation was founded on isla quesadilla-- considering who sent him on the trail of said documents, who's to say that that's the truth?

i think bagi is a particularly interesting investigator when it comes to this kind of thing-- she's VERY good at holding onto a lot of different possibilites in her mind, even going so far as to act on a lot of them at once, and that means she doesn't take anything for granted. having all of the data in front of you, without attempting to skew it to a theory you already have in mind (which i admit is very difficult to do! humans are biased and are geared towards pattern recognition), is an important skill when it comes to any kind of data analysis or investigation.

anyway idk where i was going with this i just started thinking about like. what is involved in good theorizing and how focusing on something you believe to be fact can lead you in the wrong direction, and i think the idea of the islander's happiness as the federation's main goal is one of those very fraught assumptions people get caught up in.

#bell.txt #qsmp analysis

[mezzy303]

The new one piece chapter has me spiraling sdjkfshf so here's a theory that crossed my mind and is becoming more plausible the more I think about it

Spoilers (obviously) under the cut

The tl;dr is: What if the world of One Piece has always had rising sea levels/sinking land? What if these natural events happen in an 800 year cycle? What if there was way more land (like the real world) before the formation of the World Govt?

I'm not gonna get into the details of why that is bc that is a different mind boggling discussion and it isn't really important here. But if there's always been that threat, it would explain so much about the Void Century and the True History.

As many people have already pointed out, the threat of the world sinking into the ocean explains why Noah was needed. It's a giant ship half the size of Fishmen Island that was meant to be raised to the surface, likely for the inevitable future where there's virtually no land above water. It could be that threat never happened at the end of the Void Century so Noah wasn't needed, but what if it did happen? This would suggest a huge event happened that caused sea levels to rise 800 years ago.

This ties into my next point, that the Great Kingdom was part of land that is now underwater. We've already seen that there's underwater ruins from Jinbe's cover story where Wadatsumi was throwing ruins onto an island, one such ruin being a poneglyph, meaning that kingdom (maybe the land that island was once part of) was either part of the Great Kingdom itself or allied with it. So it wouldn't be a stretch to consider that the Great Kingdom is also currently below the ocean. It would also have made it easier for the World Govt to completely erase the Kingdom from existence, since it was already underwater and inaccessible to most people other than Fishmen. I can't recall if any ruins that are Void Century old have been canonically shown, which would mean either they've been completely destroyed with nothing left, or the areas have been continuously lived in and renovated, or they're in the ocean and the majority of structures currently on land is younger than the Void Century AKA people moved to higher lands when sea levels rose. It could be all the above too! If the Great Kingdom was at risk of sinking, then Noah might have been meant to carry their displaced citizens.

If those during the Void Century knew sea levels would soon rise, it might have been the reason for all the turmoil that started the Great War. Conflicts over limited resources, about who will live and who will die, general fear and anxiety, things like that. The 20 kingdoms that eventually formed the World Govt might have been suspicious about how the Great Kingdom was using their resources and went to war with them. Maybe they were threatened by how much power the Great Kingdom had as they prepared for the natural disaster (ie. the ancient weapons and Noah; from what we know from Egghead, technology was incredibly advanced at the time). Maybe it was just all boiled down to wanting control over a terrifying situation.

If the land sinking into the ocean is a natural phenomenon, then Joy Boy's apology to the Fishmen and mentioning of his return would mean that the event would happen again. Maybe it happens in an 800 year cycle, which explains why Joy Boy (and those sea kings in the Fishmen Arc) knew that Noah was still needed and how he knew exactly when he'd return. It also explains why Rayleigh warned that if he told Robin about the Void Century when the Strawhats first arrived at Sabaody, she "wouldn't be able to do anything about it as she was then." I think I've always assumed this had to do with the formation of the World Govt and how to dismantle it, but it might actually be about how the world is sinking and through following the poneglyphs, one would find the way to save those in danger of being displaced. The Ohara scholars had discovered this, and now Vegapunk is continuing their legacy by making this info public.

And as I'm writing this, I'm realizing that if sea levels rise/land sinks in an 800 year cycle, this might be the "true history" of the world, or at least part of it considering Joy Boy's story made the Roger's Pirates laugh. But it certainly is important and relevant as the wikia site describes! But why would the World Govt try to hide this? I'm not entirely sure. Maybe for the sake of having control over information and thus having power over the world, but there could be so many other reasons. There's hints throughout the story that suggest they're still preparing for a world with almost no land though, such as the Tequila Wolf bridge that's supposed to connect islands together, and the fact that the founding monarchs moved their families to Mary Geoise on the Red Line. Law also stated in Punk Hazard that the Govt has been researching growth hormones to turn humans into giant soldiers, and they've been doing this for centuries. It's possible that the research was really for the capability to walk through parts of the ocean when there's no longer any land above water.

Anyway my brain is fried thinking about all these things lol. There's so many other factors to consider but I'll save that for a later time when I get more sleep sjdkfhsdk

#i hope this all makes sense in the morning LOL #i feel like that always sunny meme #one piece #one piece spoilers #one piece 1113 #joy boy

[meteorstricken]

"But why didn't Jill go to Origin?"

In order to understand this, you need to keep FFXVI's themes of duty and atonement in mind. The reason Dion felt compelled to show back up and offer his aid as Bahamut was because it was his means of atoning for what transpired in Twinside, and it was very much framed as a *suicide mission*. He had promised Joshua his aid once matters with Annabella and Olivier were resolved, but with how poorly that all worked out, he clearly comes to view laying down his life as his duty.

However, Jill had already accomplished this part of her arc. She returned to Mt. Drustanus and killed Imreann--the one who coerced her into acting as a killing machine for a time, much like Ultima coerced Dion to lay waste to Twinside. Joshua, Dion, and Clive are the three characters who've been uniquely manipulated by Ultima. Jill was never possessed or puppeteered or primed out of control by Ultima--again, for her, that villain was Imreann.

As for Clive and Joshua, there's plainly a unique matter of duty. They're built up as the only two characters who've acquired the power (Clive) and will (Joshua) necessary to take down a god, and so they must. It has to be them, at the least.

Meanwhile, Jill has made peace with herself by the time Origin pops. Jill has done her duty and atoned. Had she gone to Origin, she might have gotten a few cool lines and a couple of hits in, and then Ultima would have very likely killed her, as he seems to have with Dion.

And for what? To help protect Clive and/or Joshua once more? Wouldn't we be having a sad conversation about yet another female character made to give her life for a man then? Isn't it a good thing that Shiva's Dominant didn't fall into that benighted "women in fridges" trope? Is it not enough, given the ambiguity of the ending, that the major female character is the *only one* who definitely survived?

I think it's wonderful that Jill is such a beloved character and that fans want to see more of her, but I think we need to keep in mind that our desire to see more of a character than we did doesn't automatically translate into evidence of their having been poorly treated.

(PS: You want to see a real case of a fridged character? Look no further than Benedikta. The only thing that makes it somewhat forgivable in this case is that I can point to male characters who eventually suffered the same, but the fact that she went first, was revealed to have a complicated past in retrospect only, and was primarily framed as a "shrieking harpy" raises a critical eyebrow for me.)

#ffxvi #I might understand this grievance better if Jill had plainly insisted on coming and everyone else was like--'Lol no. Sit down little lady.' #But that's not what happened. #Jill just doesn't have the unfufilled character arc the others do. It would be redundant at best & tragic at worst if she'd gone. #The fact that you have come to love a character so greatly based on the source material alone... #...and not through community chatter and the addition of headcanons is evidence that maybe she was in fact well written.

[achaotichuman]

I will say this once, and only once because I am hardly losing sleep over Elain in the slightest.

Throwing around the idea that everyone who disagrees with the theory Elain would make a good High lady is not a direct output of internalized misogyny. In fact, not caring about Elain at all, is not an output of misogyny either.

The idea that people only dislike her, or otherwise do not pay her as much notice as other characters is because of misogyny, is completely false at best, and a half-assed attempt at morally upping people at worst.

I am sorry, but on my desk alone I can count 12 books with female main characters who are incredibly feminine and do not end up a warrior with a sword in their hands. So, to accuse me of disliking or discrediting Elain because I have internalized misogyny, is an insult, no matter how you try to spin it.

Quite frankly, I do not like being accused of being a misogynist over a fictional character, so let me go over this once and only once.

Elain is not a main character as of yet. She is a side character and so is Lucien at the moment. Sure, it's pretty damn obvious both are being set up to have their own book, but for now other than the bonus chapter we see very, very little of Elain. And when we do, she makes no major impact to the reader other than to people who ship Elucien. I highlight the word reader, because obviously with the whole stabbing of Hybern she made a pretty big impact to the story itself.

Which I will remind she would have never been able to do if she had died in the Hybern Camps, which she got herself into and had to be rescued to get out, but I digress.

Lucien has more impact in the story than Elain, Nesta had more impact throughout the entire series than Elain. When we go back to the human lands in Acowar, we see more of Nesta. We are talking Nesta.

So, already, Elain is not the biggest character in the series, in fact she tends to cause more discord and harm than good. Whether she is aware of it or not.

In the first book this is because she is another mouth that Feyre has to feed. And appears as completely unaware of the hard work Feyre is putting in to hunt. Which already starts the reader off as underestimating her. Whether or not she was doing more behind the scenes is ignored by Feyre and the bias she has, therefore this is the only impression we get of Elain.

This was retconned later, but I am not going to ignore it since we are talking about impressions here and not about the legitimacy of the statement "Elain can't grasp things". This is what Feyre says first up in the book, which is where the reader is being given their first impressions and laying out their first thoughts of the characters.

Later on, Elain is still a very minor character. Nesta was the one who went to the wall to try and retrieve Feyre, not Elain.

In the next books, Elain does not want to be in the Faery lands, with good reason. She is very much to the side trying to handle her own trauma, the only time we see her come out of her shell a little bit is when she is Seering. Which the IC doesn't even use her for in Silver Flames, they get Nesta to do it. Nesta talks to the Cauldron, not Elain. Nesta scrys not Elain. Elain only scrys once if my memory does me justice, and it is hidden from the rest of the characters other than Feyre.

Like it not, (I know I don't like it, but I recognize it) The Night Court is the Court of interest within the Acotar series and Elain appearing as not a part of it, or as different from it, is reason for the reader to not pay her interest because they are focusing on what is happening in the Night Court. Its Elain being put to the side again, because at this point, she is a side character.

She was the one who was lured into the camps of Hybern by the Cauldron, which created a frustrating problem for the IC and Feyre, who are the MCs at this point.

She is probably going to be the next MC in the series, but up until now, unless you do ship Elucien or otherwise care about what happens to Lucien. There is not a massive need to care about Elain, leading to people either not caring about her, or not liking her.

Of course this isn't a reason to be anti of her, I'm pro Tamlin and he is somehow the most hated character in the series. But like being Pro Tamlin doesn't mean you're an abuse apologist, not really caring about Elain is not being a misogynist.

Why do I not care about Elain? Because simply put, she's a side character who I've never seen be very driven for anything in a way that wholly affected the plot, and no matter what your headcanons for her are, they are your headcanons, not mine. She is never focused on, and not in a 'we don't care about her because she's feminine' way, in a 'she simply has no relevancy yet' way.

And no, I don't care about her potential, because she isn't my favorite character. That's okay. I don't need her to be my favorite character to not be a misogynist. And no, I don't need to acknowledge her potential to not be a misogynist either.

To try and accuse people of being misogynistic to support your claim of Elain being a High Lady is a blunt sword at best. And it all comes down to one argument, why do you not like Elain?

Because as of right now, she has no drive, because she has no reason to have any drive, because at the moment she is a side character. I simply cannot stress that enough.

It does not matter, if she is one day going to be a main character, she is currently a side character who drives no plot and has no call to action.

Of course, the A Court of Thorns and Roses series is a fantasy romance, and Elain's story will be for the most part non-violent. Which I enjoy a lot more than warrior stories.

I do not read fantasy most of the time. I have read like four-five fantasy series in my life. I mostly read historical fiction, regency fiction, mysteries and retellings of fairytale tropes. Elucien's book will be filled with high society and navigating the political world rather than the battlefield. I will probably enjoy it more than Nesta or Feyre's journey.

That does not mean I need to care about her or think her to be a good ruler. Because I am more than happy to read a story of Lucien and Elain travelling the world in a way that Nesta and Feyre always wanted to and never did. In fact, I think it would be a better fit for both of them to find a life outside of Prythian, and outside of the box they were both shoved into. Because regardless of how you see it, Elain and Lucien were both forced into the places they are now.

But sure, I'm the misogynist for not wanting another journey to becoming a ruler despite being in your early twenties and never being prepared for it, story.

I am not trying to pick a fight with Eluciens. But I am trying to get the point across at how it is a fairly half-assed accusation to throw at someone over a fictional character.

Do I think that everyone has some level of internalized misogyny because of the society we live in? Absolutely. But to act as though it is pure misogyny coming out when we discuss Elain is just plain insult throwing. And I put it in the same box as people who say people who support Lucien and Tamlin are abuse apologists. Because it's an assumption you are making about a person's morals and thinking with no real basis.

No matter if you ship, Elain and Lucien or Elain and Azriel, or Elain and Gwyn or Elain and Eris, or whoever else in the acotar world. I believe trying to question another personal's morals over a fictional relationship, or character in general, is rude, inconsiderate and invasive.

I will repeat, I am not trying to pick a fight, I am terrified of fighting. But that doesn't mean I won't defend myself. Overall, this was not meant at all to question whether or not Elain will be High lady, and if I see discussion about that, I will assume you did not read my full argument and will be ignoring you.

So, to recap. Elain is a side character, and her not being your favorite character does not make you a misogynist. People not acknowledging, disliking, or otherwise 'sleeping on' Elain, does not make them a misogynist. That is a crazy accusation. We are already in a highly toxic fandom that throws around labels and sticks them to people who disagree with them over characters. Let's not add to that.

I think if you can't make a critical analysis without sticking a label to someone than you haven't made an analysis.

Let's be honest, all the 'arguing' is supposed to be a debate, not a real argument. Unless the person you are arguing with is being deliberately disrespectful, then there is no reason to insult someone's person. Debates can get heated while still being respectful.

Calling someone an abuse apologist, telling someone they have internalized misogyny when you've never met them in person, or otherwise trying to degrade someone else's argument by insulting them, is childish. I am not going to allow any arguments against this whatsoever, because this shouldn't be up for debate.

Hating on a character because they are feminine is misogynistic. Obviously. But not caring for a character because they are a side character or have caused more problems than done good is simply not liking a character.

And let's be honest for a second, some people just don't like characters because they just simply aren't interested, and that is okay. You are not morally right, and they are not morally wrong.

This was a very long-winded rant, all to say, stop insulting people who have done nothing other than no agreed with a statement you made about a character. It's just not a nice thing to do at all.

And no, this was not a list of reasons of why you shouldn't care about Elain, this is MY reasoning for not caring about Elain in the present time.

You can argue that Elain did make some impression on the reader in x scene in x book at x time. But it didn't an impression on me, which led me to not caring about her. It's fruitless to argue that point with me unless we are engaging in a debate about Elain as a character.

And this was not meant to be a comment on Elain as a character, nor on what I think her story will be. This is a direct comment on the idea of people being misogynistic for not liking Elain. It's an insane comment to make.

I will repeat for the hundredth time, some people don't care for Elain because she is a side character. Some people don't like her because of the kind of impact she made on them. And some people just don't like her vibes. All of which are not rooted in misogyny. Her story has not been told, at all, we don't need to care about her yet.

Okay bye.

#acotar #elain archeron #acotar rant #kind of #more like fandom rant #since this a pretty popular idea #yall ignore that i forgot to put the read more thing at first

[writingonleaves]

were you sent by someone who wanted me dead? (did you sleep with a gun underneath our bed?) - jeremy swayman

pairing: jeremy swayman x original female character

warnings: swearing, pretty angsty. hopeful ish ending because i can't do sad endings, very personal but i think many can relate in their own way, cliche ish, barely proofread

inspired by + title: "the smallest man who ever lived" by taylor swift

word count: 5.6k

author's note: i'd argue almost every piece any author writes is personal, because it has their life interspersed through the words. but this one really is, because a majority of this is the exact same words i wrote years ago after a break-up. heard the bridge to this song and immediately knew i had to write something inspired by it. also trying a new format of sorts (maybe a bit meta??), so i hope you enjoy and lmk what you think!!

~*~*~

When Noelle Betsko walked away from Jeremy Swayman, holding back tears until the call dropped, she knew it was going to be a tough time for the foreseeable future. 

It didn’t matter that the pandemic had forced them apart. She knew she would still feel him for months to come.

She did the only thing she knows how to do when trying to deal with things. The one thing she always resorts to as an aspiring novelist. Sometimes on her laptop when the words were spilling out too quickly for her brain to catch up, tears littering the keyboard. Usually in her old beat-up journal, scribbling in the cursive that Jeremy claimed he always loved (“It makes your handwriting unique”) with the pens he had gifted her just a few months prior. 

At the age of 21, Noelle got her heart broken for the first time. At the age of 26, she’s about to publish her first poetry collection of sorts, all of the poems modeled after journal entries written throughout her life. So not really poetry, though her mother would say otherwise. 

She swallows as she thumbs through the middle part of the first known and binded copy of “miscellaneous.” There are only eight entries in the whole collection that are taken verbatim from her past writing. These are the eight.

May 13, 2020 (three days post-breakup, crying in my childhood bedroom)

I don’t even recognize who I was and who you were in those writings before these pages filled with love and hope and happiness. I can’t even summon up those feelings anymore that I knew existed at one point. Those feelings of complete bliss and love for someone so deep you can’t explain it. 

I’m mad at myself for not being able to conjure those feelings, because at one point, I did love you. How could something that was part of my daily life for over two years just disappear so quickly? 

But now, I’m not mad at myself. I’m mad, but I don’t know where to direct that anger to. I feel a bit empty sometimes, but then frustrated the next. Sometimes I get sad, but not so much compared to the other feelings. I spent enough time being sad during our relationship.

When we broke up, on an annoyingly beautiful Tuesday in May — over the damn phone, mind you, which whatever, it’s COVID. Fine — You told me you felt like you had been putting more effort into us. 

At the time, I didn’t react, but I’ve been thinking about how angry that statement made me. Makes me, actually. I was always very open with how much I gave to that relationship. How much it meant to me. How much it affected me. But I understand that with some people, sharing everything too much equates to things not meaning anything anymore. But you out of all people should’ve known that I mean everything I say.

I felt like I gave so much. I know I gave so much. When I told you I loved you, I always meant it. Every single time. When I told you I missed you, I always meant it. I wished you were right next to me at that moment. I mentally gave so much, because to me, I wanted to. You were always on my mind, always high up on my list of priorities. I never took us for granted.

I’ve been questioning if that was the same for you. Did you start becoming complacent?

The second thing you said that day that hasn’t left my head is that you knew me pretty well. And initially, I remember not thinking much of it. So I don’t doubt that; you always knew right when I was about to cry, even over the phone. You often knew when I was mad or upset, but when I look back now, you never pushed. Which is a good thing, to an extent. But it was a bad thing sometimes too. I knew you often wanted to give me space, but sometimes I didn’t want space. I wanted you to push. To try to understand. Maybe that’s unfair of me; it probably is. I should just say I want to talk about it more, right? 

But if you genuinely knew me, you would’ve known.

After two years, seven months and 12 days,  I still feel like I didn’t know you. Did I ever know you at all?

When people talked shit about you, I always defended you. And I still would defend you now. But lately, I've questioned what I’m even defending. All those good qualities that I thought you had, were they even real? Of course, I know some of them were, to a certain extent. But as I look back on us, there’s a lot of doubt about whether I even knew the person I called my boyfriend for so long. I know there was a point where you cared about me, but I can’t remember when. 

I often felt like I was letting you know so much about my life, but you didn’t do the same. I get that sometimes a person just wants to forget about the bad and focus on the good with a person you like for awhile. I get that. But once that was happening every damn time? That should’ve been a red flag. 

June 7, 2020 (twenty eight days post break-up, outside my childhood room on the deck) 

I don’t understand how you can give so much to something or someone and have it not be recognized or appreciated or enough. If I wasn’t enough for you, how will I be enough for anyone?

I hope one day you’ll truly understand how much this hurt. Not just the breakup, but feeling like I was always being pulled in a direction I didn’t always want to be pulled in. Feeling I was stuck between a rock and a hard place and never ever being able to win. I hate that I settled so much in the last year. Because I should’ve demanded more, even though deep down I knew you were never going to be able to give it to me.

I think back to our past daily texts, and I just don’t get it. At one point, we both meant the things we said to each other. 

Yet we still hurt each other. 

This fucking hurts.

You’ve hurt me so much, but most of it wasn’t intentional, which I think is somewhat even worse. Because I’m not totally mad at you for causing the pain. You never did anything outright to cause me pain, but I still feel like you did. 

Unintentional pain almost stings more than intentional. 

When I asked you out that night after we were both on an emotional high, I took a chance. For once in my life, I took the leap, knowing that I could get humiliated or hurt or just straight up shot down. 

Where did it all go wrong? Or, more realistically, how did we think that we could go through the wrong when it was there at the start?

I’m trying not to blame myself too much. Trying not to tell myself that I should’ve known better. 

All those times, especially at the start, when I would ask you if you genuinely liked me, you always thought I was just trying to be annoying. But you never understood that I genuinely thought that way. My self confidence from the start was lacking, and you didn’t try to understand that, because I come across to everyone as confident and self-assured. 

It hurt, when you would brush things off like that. I felt like you didn’t care.

And then, it got to the point where I stopped asking that question. Part of that is because I did become more confident and you did show that you cared, and part of that was because I knew it would piss you off.

The amount of things I was scared to talk about with you because I knew it would piss you off? I don’t wish that feeling on anybody.

I shouldn’t have been scared. I shouldn’t have been uncomfortable. But I was. And if you did notice like sometimes you claimed to, why didn’t you make it more comfortable for me? Was that too much to ask for? 

So larger than life that at the end, you faded into just the smallest man who ever lived. Fuck you.

Was it too much to ask for when I just wanted to know why you were upset? You didn’t have to ever tell me the full story (lord knows there were times I didn’t), but was it too much to ask for something? You told me once that I’m the person you’ve told the most to. How? You barely told me anything. And when I wanted to talk to you, whether it was about growing up in Alaska or why you were in a bad mood last night, you always brushed it off. Always. 

So I don’t feel so bad about feeling like I gave more effort. I gave so much of myself to you. If you really cared about me like you claimed you did, why couldn’t you show even just 1% of that care back? Or just meet me in the middle?

I could’ve tried harder to meet you in the middle, I’ll admit that. But you didn’t even give me a map or a clue how to. 

I felt so fucking left in the dark. I felt left in the dark about my own fucking relationship, something that I should be completely sure about. If you really love someone and care about them, how can you leave them in the dark? How could you not even see that I was struggling to find a flashlight?

You did care about me. I know that. To some extent and at some point in time, you did care about me. But caring about someone and their well-being isn’t always enough.

Why couldn’t you have worked with me? When I was extending my hand out, why didn’t you reach for it? How can someone just be so blind? I mean, I’m practically always spelling it out for you. 

Maybe I am being selfish. But fuck, I just wanted to be happy. At some point, you made me happy. When did I start making you feel like I wasn’t enough? Why wasn’t I enough for you?

It’s useless, in a way, to keep going about this. Because I know I deserve better. And we’ll both find people who are better for us. We just couldn’t be that person to each other.

I fucking loved you.

I wish it ended differently.

July 8, 2020 (fifty nine days post-breakup, in front of the lake)

I really really fucking miss you. 

I do. 

I miss being able to text you that i love you and not necessarily expecting a response until the next morning. I miss knowing that as soon as you wake up, you’ll text me back and assure me that yeah, you love me too. 

I’m left feeling bittersweet as I look back on memories that are just splashes and not definite strokes on the canvas that used to be us.

I miss having you as a friend. 

I’ve been having more urges lately to want to text you. And it isn’t even anything important. Just moments I experience throughout the day.

Do you get the urge to do the same?

July 19, 2020 (seventy days post-breakup, still in the same damn house)

It’s hard. It really is. And it kinda just hits you at random parts of the day. Sometimes I wake up from a dream that you were in and have to remind myself that it didn’t happen. 

Sometimes it physically aches when I realize that you won’t ever help me put on my jacket again, or complain that my hair is in your face when we’re lying on the couch watching Brooklyn Nine Nine, or groan when I drag you up to dance with me (which you never improved on, no matter how many times I tried to teach you basic rhythm). I can’t view our song the same way anymore, and I don’t know if I’ll ever be able to. 

The other day, I read some simple thing on Twitter. I don’t even remember what it was, but I do remember that for a split second, I could see your smile in my mind. But it wasn’t just any smile. It was the smile you gave me when you took me ice skating that first time. I remember asking you what you were smiling at, and you said that you just were taking in this moment. I don’t know if you took a mental picture that day, but I know I did. That day seems so long ago now. 

In almost anything I do, you somehow pop into my mind or into the conversation. And it’s not even in a harmful way either. It’s because you were part of my life for so long. I see a dog on the street, and it reminds me of how you always stopped to pet every single one we’s see I write something in my messy handwriting, and I remember how you always used to complain that you couldn’t read the notes I’d occasionally leave around your place when you went away. I went to the doctor’s the other day, and they said I was 5 feet and 3 inches, which is just definitely not true, and I almost reached for my phone to text you, because you would’ve cackled and insisted that no, I’m 5 feet 2 inches and it wouldn’t even matter because I’ll always be shorter than you. It’s simple and minute things that make me miss you that much more.

I still can’t listen to some songs the same way anymore, but I can at least listen to them now, which is a feat in itself. I was unpacking from college and found the teddy bear you sent me the first extended time we had to be apart and had to immediately put that out of my sight. From those boxes also came photos that I had decorated my dorm room with, and to be honest, I’m glad now that I let you keep our best one. I deal with all my emotions, besides writing, by making Spotify playlists, and I made a new one earlier this week. I think it’s helping. It’s a slow process, this whole moving on thing, but it’s one that I’m trying to be grateful for, because like most things in life, you just don’t truly know until you go through it.

Sometimes, I find myself wondering how you are and how you’re healing. But, even though we’ve both changed since the day we met, if there’s one thing I know, it’s that you’re incredibly strong and stubborn. I hope that you’re finding some growth in this process too. 

October 17, 2020 (one hundred fifty seven days post-break up, apartment in orono)

It’s been almost 5 months, and you still cross my mind everyday. 

Why wasn’t I enough for you? Why didn’t you fucking tell me what you were thinking? Why was I the one who had to approach you just because I was just so done with the silent treatment?

But I’m not mad at you. Not anymore. The mad phase passed ages ago. 

Closure is a fake word. Even a breakup as mutual and smooth as ours was still left me with so many questions that will probably never be answered. 

Any breakup fucks you up to some extent. I knew it was going to mess me up even back when we were together. But not like this. Never like this. 

But like anything in life, I guess you can never really prepare for what you think you might feel, because most of the time, you discover a whole new side of you that you never thought existed. 

I don’t miss you. I don’t. I don’t feel that love in any way anymore. 

But I did once.

You did too, right?

November 15, 2020 (one hundred eighty six days post break-up, fogler library)

I hate Halloween. 

Though, it did bring me to you three years ago. I’m pretty sure I fell in love with you right then and there. 

Three years later, you texted me on Halloween, five months after our breakup. The universe really, really wanted to fuck with me. 

It was a tough night for you. I knew that. Because I know how you are after losing a game you should’ve won. But that didn’t mean that I owed you anything and had to respond. 

We agreed on no contact if we ever wanted to stay friends. Clearly, friends is out of the picture now, but come on. A vulnerable text after a bad night because you know I would feel bad for you?

Fuck, you know how much I would hate that. You had to have known. 

Just because we’re not dating anymore doesn’t mean that everything about you just disappears. I still know your tendencies. I still know exactly how my head burrows into your chest during a hug. I still know the actions I used to do that would be followed by you attacking me with a hug. I still could point you out in a crowd. 

I looked for you in every crowd for years. 

That stuff doesn’t just go away, no matter how much I want it to. But fuck. Fuck. Why did you text me? 

I don’t regret how I handled it. I probably would’ve responded months ago. But just like you, I’ve grown these last couple of months. 

It was comforting, for a split second, to know that maybe, just maybe, these past couple of months have been hard for you too. It makes me feel human. It makes me feel like I’m not crazy.

I’m glad you texted me. You gave me another level of closure I hadn’t known that I needed until then. 

But fuck, dude. You know me better than that. You should know me better than that. 

I hate Halloween.

November 26, 2020 (one hundred ninety seven days, at the coffee shop i brought you to when you came home with me two years ago)

I don’t regret loving you, but I hate you for what you did to me. 

Or maybe not. 

I hate knowing that even though we haven’t been in a relationship in a bit, it feels like sometimes, you’re on my mind the exact same amount when we were dating. I hate knowing that I gave so much of myself and my love to you, and it always felt unrecognized. 

Fuck, will it ever stop hurting? Will I ever be able to have to stop myself from thinking about you? Will it ever stop?

Fuck. Fuck. Fuck. 

Happy birthday. I hope you enjoy it.

June 12, 2021 (three hundred ninety five days post-break up, in boston, visiting a friend)

Tonight, when a friend asked me about you and how I felt about how we ended, I was able to articulate my thoughts clearly. I’m really proud of myself for getting to a point where I can take the lessons I learned the few months after we broke up and acknowledge them in a succinct way without breaking down into tears. Just watery eyes and the occasional voice crack 

I’m also proud that I can say that when we were dating, I lost a bit of myself. For months, it was really hard to admit out loud.

I’m proud of how far I’ve come. Sometimes, I wish I could call or text you about it, because I think you’d be proud too. And I know I’d be proud of you. I am, to be honest. I do break resolve once in awhile and check on you through various avenues.

I still haven’t seen you in person since the last time COVID made us say goodbye. Maybe I never will again. But day by day, I’m starting to accept that and be okay with it. I’m accepting that memories that used to be so painted in my mind are blurry or almost completely erased now. But that’s okay. Honestly, it’s probably for the best. 

I wonder, when you think about it, if you think about different moments that I do. That’s the thing when something ends. You have to be okay with letting go of those moments and realizing that just because you forget them, doesn’t mean they weren’t important. 

I don’t think I miss you. I hesitate in saying that. Because I’ve moved on and handled the aftermath of it better than I think both of us ever thought I could. When you hung up the phone for the last time, I proved to myself again that I’m stronger than I give myself credit for. I think we all are. But we don’t realize it until we’re thrown into a situation that we think we’ll never be able to overcome. 

But we do. Whether it’s because we’re forced to because there’s no other option, it doesn’t matter. Because we get through. We move on. 

I hope you're moving on. 

And then it goes into other topics, graduating during a pandemic specifically and losing what’s supposed to be your last year of no responsibilities before adulthood. There are other poems in here that reference a past relationship, but not as much as these eight. 

If there’s one thing that Noelle did change, it was taking out the details. Jeremy may have hurt her, but he doesn’t deserve someone possibly making a connection between these poems and their shared background. She’s not a famous author by any means, but she wanted to be careful.

Not that she makes that part of her life publicly known. People don’t need to know that her brother was Jeremy’s captain for two years at Maine and that’s how they met. 

Noelle grew up going to rinks. She hasn’t gone to one since they broke up. 

But also, what the fuck? It’s been five years since she’s dated the guy. She really is over it by now, even if his rise to stardom in the Bruins flittering on her social media feeds still sometimes has her swallowing a bit before she can continue with her day. 

Brooklyn is far enough from Boston. But sometimes it feels like it’s right outside her door. 

She’s proud of her first published work. She really is. People believed in her and after numerous notes swapped back and forth with her editor, she did it. She always knew she wanted to work in publishing. She never knew she herself would publish anything.

And here she is now, two weeks after the book release, in Boston, about to do a q&a and a signing. Apparently, “miscellaneous” has been on top of numerous lists and it’s flying off the shelves. Noelle can’t really believe it and tries not to think about it too much, trusting her agent with all of that. 

She’s happy to talk about her work and process though. That she can handle. And she’s grateful for all the love.

After a signing at a local bookstore, she decides to walk the 20 minutes home in the Boston fall. It’s a bit brisk, but she doesn’t mind and she just wanders, belly filled with delicious sushi she inhaled for dinner with an old friend.

Of course it happens the one time during her walk when she doesn’t avoid eye contact with someone. The song playing in her earbuds fade out of her focus and she almost stumbles. 

Jeremy’s eyes were always Noelle’s favorite thing about him. She thought she would’ve forgotten what they looked like by now. But clearly she hasn’t. 

Her eyes quickly cast to the person next to him. It’s definitely a girl. They’re a bit too far away for Noelle to pick out details. But it’s enough. He’s walking on the side closest to the street. It’s a Friday Night in a bustling part of the city. 

It hurts. She wishes it didn’t.

Even from far away, she sees his eyes blink in recognition. Noelle puts her head back down and walks faster. 

(She cries in the shower when she gets back to the hotel. She had debated feeling super sorry for herself and going to the hotel bar but refrained)

She has a few free days in Boston before flying back to New York. When she wakes up the next morning, she debates on going home early. But no, she won’t let a three second glance at someone ruin her time here. She used to occasionally come here during her college days. She loves this city. 

The city may be Jeremy’s, but she can make space for herself here too. 

She takes her time at a cafe, people watching and eating some breakfast. As she takes her coffee to-go, she looks out the window at the bookstore she was in the night before for the signing. She almost drops her coffee. 

Jeremy walks into the book store. 

Now, Noelle is debating her options. What she should do is continue with her day and walk in the opposite direction. But she’s always been too nosy for her own good. And maybe a bit self destructive. She decides to leave the cafe and cross the street immediately, so impatient to where she’s almost tapping her foot as the pedestrian signal stays red. 

As a writer, she’s no stranger to movie moments. The scenes written in books or movies where the timing is too accurate to be real. The situation too good to be true. But after a car speeds through an orange and she can finally walk, she stops in her tracks instead, feet glued down to the sidewalk.

Because Jeremy is right in front of her on the other side of the street. Her book in his hand. And he’s looking right at her. 

The first feeling she can recognize in herself is anger. Anger at the way their relationship panned out. Anger at the way they ended. Anger at the radio silence the years following. Anger at him for everything. Angry at herself for everything. 

The second feeling is, weirdly, shame, which she’s embarrassed by. There’s nothing to be ashamed of. But she feels it anyways. 

The third, and perhaps the most prominent, is emptiness. Five fucking years later, and she’s brought back to the emptiness she felt immediately after they broke up. The emptiness that the person you loved isn’t yours anymore — who maybe wasn’t ever yours to begin with. 

Before she can run, he’s already crossed the street to her. He looks naturally different as someone who you haven’t seen in five years would. But he also heartbreakingly looks the same. 

“We should get out of people’s way,” Noelle manages to chokes out. 

Jeremy laughs a bit. Her heart lurches. “Yeah.” He starts walking and she follows him wordlessly. This is his city after all. 

He leads them to a bench under a tree with beautiful fall foliage. She puts at least a foot between them as they both sit down, staring out at the people passing. She can’t take the silence. 

“I see you bought my book.”

“I did,” he replies evenly. “Congratulations. I always knew you would do it.”

She squeezes her eyes shut. Maybe if she squeezes hard enough she’ll forget when she originally pitched Jeremy the bare bones idea of the exact same book that’s currently in his hand. “Thank you. Congratulations to you too. On everything.”

“You’ve been watching?”

She shakes her head. “No. But, you know Seth and…yeah. It comes up during family calls sometimes.”

“Why didn’t you say hi last night?”

She looks pointedly at a couple walking their dog. “You seemed busy.”

“She wasn’t-that-it doesn’t mean anything.”

“Oh. Because that makes me feel so much better,” she spits out, before taking a deep breath. “Whatever. It doesn’t matter. We broke up ages ago.”

“I’m sorry,” she gives him a look and is slightly proud of how he seems to shrink into himself a bit. “I-I know it’s five years too late. I know I didn’t handle it as well as I should’ve. But for what it’s worth, I’m sorry.”

The thing is, Noelle always thought that maybe hearing an apology someday would make her feel better. But now that’s heard it, she’s not sure she does. 

She swallows. “I appreciate that.”

“I’ve already read it, you know.”

“Read what?”

Jeremy runs a hand through his hair. “Your book. One of my teammate’s girlfriend recommended it and I asked to borrow it. It’s fantastic,” He looks down at the book in his hand. It’s like the cover is taunting her. “I wanted my own copy.”

“Oh.” 

“Thank you.”

“For what?”

“For letting me off the hook with the poems I know were about me,” he scoffs, shaking his head at himself. “You could’ve written way worse.”

She can’t help but let out a chuckle. “I thought I was pretty mean.”

“Your definition of ‘pretty mean’ is tame compared to a lot of people,” he says, mindlessly flipping through the pages of the book. “You were always the kindest person, even when you shouldn’t have been..” 

He puts his hand out in her direction, the hand with the book in it. She furrows her eyebrows. “What-”

“Could I get a signed copy?”

“Jeremy. What do you want from me?”

He sighs, taking his hand back. “A chance to apologize?”

“You’ve already done that.”

“Not in the way I want to and what you deserve.”

She lets out a sigh, turning to face him fully. “I don’t know if that would be worth my time or yours. I know the book just came out, but that was five years ago. I’m over it. Forgive and forget, right?”

“But do you?” Jeremy counters back. “Clearly, you don’t forget, which I deserve. But forgive?” 

“We’re just going in circles now.”

“No we’re not,” he says firmly. “You’re just shutting me down because you don’t want to talk about it. I’ve had five years to prepare what I would say to you if I saw you again. You’re telling me you haven’t?”

“Of course I have,” Noelle tips her head back. “But also, what’s the point?”

“The point, is that I still love you.”

“Fuck you,” she says in a strained voice. “You can’t just-you can’t just throw that shit out there. Fuck you.”

He bites his lip, and to her annoyance, he laughs. But she listens more carefully, and it sounds very self deprecating. “I deserved that.”

“Yeah,” Noelle looks down at her feet. “So…what? You still love me?”

“I do.”

“And what are you going to do about that?”

“What are you going to let me do?”

“I live in Brooklyn.”

“I know,” she whips her head up. Jeremy looks sheepish, which she didn’t even think was something he knew how to do. “Seth mentioned it when we caught up a bit ago. I also still follow you on Instagram.”

She tries again. “It’s been five years.”

“And I’m here sitting with you and still feel the exact same way I did back then. Even more, to be honest.” He eyes her pointedly. “Any more excuses?”

Her voice softens. “You really hurt me.”

“I know. And I’m so sorry, Noelle.”

“I hurt you too.”

He shrugs. “We were young and stupid.”

“And we’re still not?” Noelle says with a snort before swallowing. “I’m not the same person you fell in love with.”

“I’m sure I’m not either. But I don’t know if there’s a world where I don’t love every version of you.”

“Even after reading the book?”

“Especially after reading the book,” he sighs. “Noelle, I know this is unfair of me. All of this. And I’m sorry it’s taken me this long to reach out. But I always intended to. And then you’re here? And I see you twice in two days? I’d be an idiot to not try. More of an idiot than I am, anyways.”

“Try for what?”

“A second chance? To be friends? Whatever you want.” He suddenly deflates. “Even if you don’t want anything to do with me. At least I’ll know.”

“Why did you never text me?”

“I thought about it a lot,” he admits. “I tried once, actually, after the high of a really good win. But it didn’t go through. I got the message.”

“The message?”

“You blocked me, right?”

Oh. “Yeah,” she lies. “I did.” She reaches into her bag for a pen and gestures for the book, which he gives to her, a curious gleam in his eyes. “I’m in Boston for two more days, including today.”

He takes the hint immediately. Eagerly. “I have a game tonight, but I’m free tomorrow.”

“Who are you guys playing?”

“Toronto. And I’m starting. Should be a good one.”

She hums non-committedly, scribbling on the inside of the front cover. She hands it back to him with a small, close-lipped smile. She nods at him to read the message.

to my first fan, 

i still love you too. 

xxx-xxx-xxxx

yours, 

noelle

He looks up, eyes shining but a bit confused. 

“I never blocked you. I just changed my number.”

“Oh.”

“And even if I still love you, I’m still mad at you.”

“I know. I’d be more surprised if you didn’t.”

She stands up, adjusting the bag on her shoulder and putting her sunglasses on. “Text me?”

His mouth splits wide into a grin. “Yeah. Yeah, of course.”

She backs away with one last attempt at a smile before turning down the street.

#k writes #hockey fanfiction #nhl #nhl fanfiction #nhl fanfic #nhl writing #hockey blurb #hockey writing #boston bruins #jeremy swayman #jeremy swayman blurb #jeremy swayman writing #jeremy swayman fic #jeremy swayman fanfiction #jeremy swayman x ofc #jeremy swayman x oc #jeremy swayman x reader

[icedroppedinparasolcider]

Momoi Airi is a Trans Woman

This is headcanon at the end of the day and there's nothing wrong with disagreeing, but the way she's written regarding her sense of identity as an idol, the choice of phrasing they use when she talks about herself in reference to others (namely Shizuku), and the connections her visual motifs provide to concepts and other characters tied to or commonly seen as trans just makes it incredibly hard for me to view her otherwise.

A lot of what I have to say is very personal to me; I'm a trans woman myself, and Airi's writing and experiences connect with me and my own transition journey in a way I haven't really seen anywhere else in media (I'm not a very prolific media consumer). So it's entirely possible a lot of this is just me projecting onto a character I care a lot about. But while I've adored Airi before this revelation, I didn't reach the level of attachment I have for her until the realisation of just how well she's written through the lens of a trans girl. Specifically one who's, for the most part, entirely socially transitioned but keeping the fact she is trans secret.

When Airi was little, she was, as she herself describes, very boyish. She'd get into physical fights with boys around the neighbourhood or at school, she'd come home most days covered in dirt and mud from playing with her majority boy friend group of the time. She was intensely defensive of her little sister, most of her fights being with possibly bigger-than-her boys because they were mean to her sister. It formed a reputation for Airi, a reputation that followed her as she began to deviate from these patterns and pivot her interests and activities hard and fast thanks to starting to watch idols on TV. She was enamoured with them, would rewatch recordings of their performances and interviews over and over so she could emulate it and be more like them. She'd stop getting into fights, stop playing with her rougher friends; everything started changing dramatically thanks to her being introduced to a new "type" of woman: an idol. Something Airi wanted to become, and was willing to change everything about her to be.

These changes weren't socially easy for her, though, with backlash coming from these old friends and classmates because of how girly she was trying to become. The idea of being a tomboy was something Airi started to consider a bad thing, a gross thing. During her Colourful Festival side-story, To You Who Yearns To Be an Idol, amidst a conversation with her younger self Airi calls the little girl a tomboy, something that makes the younger Airi immediately deflate and shy away from the conversation. It upset her to be called that, especially by an idol, something she wants to become. Which leads to the younger Airi talking about how she's been treated by her peers for changing the way she dresses and not playing the same way she used to, for changing the way she talks, with her being talked to like she's doing something horrible and wrong for simply chasing a dream of who she wants to be. And in this conversation, Airi says a particular line that changed everything for me:

This is said in response to Little Airi's repeating of what the boys in her class call her as she wears cuter, girly clothes. That she's some big, mean monster who shouldn't wear things like that, who could never become an idol. Effectively telling her that she could never be a girl because of the way she used to behave. She started as someone rough, someone harsh and dirty, that's not something she should—not something she could—change. Something we see in present day that she's largely internalised through her struggles with what it means to be an idol, her struggles with calling herself an idol.

For Airi, being an Idol and being a Girl have become synonymous with each other. Her ability to be an idol, to draw that attention, have a smile that sparkles on stage and in front of the camera, spread hope and joy to other people; this part of her identity has grown beyond her job, it's who she is as an individual. Being Momoi Airi, the second year Miyajo student, is inseparable from Momoi Airi, the ex-QT member and now member of MORE MORE JUMP! And if she can't be the image of an idol that exists in her head, that she's always viewed idols to be, that Haruka and Shizuku manage to embody, that Minori is becoming, then can Airi even really call herself as much of a person, of a woman, as them?

Airi's been in this constant uphill battle where she believes she doesn't sparkle as much as the other idols around her, so she puts more effort into learning how to make herself sparkle, but manages to convince herself that because she struggles with this, she's less of an idol than those very peers. It's in large part what Ice Drop is about, Airi's difficulty finding satisfaction with her work as an idol because it doesn't shape up to her own expectations and beliefs of what an idol "should be", because it doesn't match what she sees other idols she looks up to, like Shizuku, doing. Something also portrayed during Airi's conversation with Shizuku in Chasing the Radiance Beyond the Blue Sky, where she outright tells Shizuku that because she doesn't have the same physical appeal she has to fight harder and use different strategies to get any attention as an idol. And if Shizuku is the "perfect idol", and Airi will never be able to achieve that, can she even call herself an idol?

If she can't call herself an idol, does she even deserve to call herself a girl? Or are the harsh words of her grade school classmates right about whether she should be wearing the cutesy clothes?

A large part of Airi's struggle with this, why it's even a spiral in the first place, ties into her nature as a Solid Heart student as well as why I see so much of myself and my transfemme journey in Airi's story. It doesn't matter how many people tell you that you're enough and that you've done what you set out to do, not if every thought in your head is telling you they're wrong. According to everyone I know, I pass really well as a girl. My voice is naturally feminine, even without masking it very hard, I've basically never been misgendered since growing my hair out by strangers looking at me, I've even been told by close friends that they'll forget I'm trans because I'm just "one of the girls" to so many of them. And I appreciate all of it, so much; I'm very lucky to have had such a smooth social transition. But none of that changes who I see in the mirror, who I hear when I talk, what I feel when I wake up in the morning forced to acknowledge my body. I'll never be a "real girl", not until I fix these things, and it's entirely possible that it's impossible to truly get rid of this feeling.

That's what Airi feels regarding her identity as an idol. Everyone in the world could tell her how good an idol she is, how much hope she spread as Happy Everyday, how beautiful and bright her smile is. But that will never replace or fully mask the doubt in the back of her head about whether she's really an idol, because nothing that she used to do aligns with what she's always seen idols to be, so much of what she does today is so different from the reality of her dreams. She's not that idol, so is she even an idol at all? I'm not that girl, so am I even a girl at all? Obviously I am, and obviously she is, but it's a feeling of doubt that never goes away.

Airi needs to constantly be an idol, or she's not an idol at all. And, at least to me, this has come to mean to Airi that if she's not an idol, she's not a girl. Because all of the work she put into being cute and girly was to be an idol. If she can't accomplish that, does she even deserve to be a girl at all? Or is she just a fraud wearing a mask trying to make people laugh on TV?

#pjsk #project sekai #airi momoi #character analysis #transgender #i have so much more to say #but it's getting late and this feels like a good stopping point #i'll probably add more when she invades my brain again #momoi airi......