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arrancxr · 2 years

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You hate the Shinigami side for the most part, yes? Are there any that you hate in particular?

Oooooh, this is a good question! owo

From a story standpoint, most of my dislike for the Shinigami side is directed at the system more than the individual people, honestly. I feel like a LOT of their problems are tied to how their society operates, not the people caught up in it. Most of them, especially the ones who aren't at the very top of the ranks, seem pretty decent! However, from the way they approach the conflict with Hollows to the way they treat the people in their own realm, they're awful.

Turning to a meta standpoint, I would have liked the Shinigami a lot better, I think, if they hadn't been cast as the ultimate good guys. It's not fair to expect anything too deep from a shounen manga, I know, but probably the number one thing that bothers me about the Shinigami side is that they're given an author-granted privilege to do whatever they please and still be the designated "good".

Like, Szayel and Mayuri are pretty equal in terms of moral atrocities and general nastiness. And yet while Szayel's sadistic mad science is portrayed as disturbing and evil, to the point where the horrific death he gets is treated like something he deserved, Mayuri... pretty much gets off scot-free. He's a Captain with active permission from the ruling government to more or less do whatever he wants, the people around him (who are supposed to be the good guys!!) never do much more than complain about the creepy shit he pulls, and the main manga ends with him still doing exactly what he wants, with no more punishment than a brief wound to his ego from losing Nemu.

And that's where it irks me. Shinigami are allowed, if not encouraged to be as cruel as they please when dealing with Hollows. We see them do things every bit as awful as the Arrancars' actions, but the narrative insists that, by the sole virtue of being Shinigami, it's somehow acceptable when they do it. The moment when Zommari questions the Shinigami's right to kill Hollows could have been interesting! It could have opened up a whole discussion about the fairness of the Shinigami system, both to the Hollows they're killing and the souls in the Rukongai they're (supposedly) protecting!

Instead, Byakuya shoots down the moral question with no further answer than "because I'm right," and it never comes up again. There's a recurring theme of Shinigami characters being narratively protected from any wrongdoing... when it's done to anyone else.

When Shinigami (or human, by protagonist extension) characters get hurt, it's a bad thing, and the perpetrator is immediately and inherently a villain. When other characters (most notably, Hollows) get hurt, so long as it was a Shinigami that did it, the action is almost always justified somehow, or at least reduced in "badness". The only real exception is when assigned "villain" characters are involved, and even then, that doesn't always make much of a difference.

For example— the Visored are the results of Aizen's inhumane experiments. They suffer for it, for a while, but in the end, they're accepted into the main cast as important characters and "good guys", and it's widely accepted that what Aizen did to them was fucked up and cruel. And yet, Wonderweiss, who's also a result of Aizen's experiments (and is debatably much worse off from them), is shown none of the same mercy. He's relevant for as long as it takes him to be a living fire extinguisher, and with the sentiment of "I can slaughter you without hesitation," is killed and forgotten.

I could go on for much longer here, but I think I've made my point... >.> Though, since you asked about specific Shinigami I dislike, I'll point out a few of those too.

Mayuri — Where do I even start? I'd probably like him a lot better if he didn't get away with so much (I do tend to enjoy awful anime men...), but his utter lack of consequences for anything, ever, just really puts me off. Since he gets a narrative pass for pretty much everything, he's not fun at all! >:(

Kenpachi — Similar to Mayuri, I'd probably be more fond of him if he was written differently. I'm generally a fan of overpowered characters (when they're well-written), but Kenpachi seems to exist solely to be Kubo's Ass Pull vessel whenever he writes himself into a corner and doesn't know how else to kill off whichever nonsensically impossible to beat villain he's set up this time.

Yamamoto — He's pretty much the face of what's wrong with the entire Shinigami system. On top of that, the "wise, ancient leader who's stuck in his ways and far too strict" trope doesn't appeal to me much. I just don't see anything to like about him...

Byakuya — Tbh, his fight with Zommari made me really not like him. His type of character can work, but the fact that Byakuya single-handedly shut down the most promising moment of maybe putting some actual thought into the Shinigami vs Hollows situation ruined him for me forever.

Those are the ones that I actively dislike the most! There are more who are on my ick list because they're just plain boring, but that's a different matter altogether.

#Meta

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cromcrux · 1 year

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I just finished watching Exception and I must say I really enjoyed it. It's a very fun mystery thriller with eye catching visuals and really interesting character designs.

It's a very tight made story with a small cast so it's easy to follow.

There are some scenes that aren't shot in ways that I really liked (there is a spinning scene that I understand the purpose of but feel could have been done better a different way). Some shots linger on rather bland or uninteresting scenery which is a shame because some of the design elements are fantastic and would have made for a much more interesting shot.

Dialogue is well done, the characters are consistent in their actions and behaviors, even if I don't necessarily like how they acted or reacted.

Mack has my favorite character design, but I'm a sucker for a broody, goal-driven punk.

Of the characters, I liked Lewis's design the least. I understand why he looks that way (they have all three masculine base body types: V, O, and square), but he is visually the least interesting to me. His personalities make up for it though.

I also love that they don't over explain the world or the characters. There is some delving into back stories, but just enough to make them feel real and always in dialogue between a character who is familiar and one who isn't (the three male characters clearly knew each other prior to the show).

No one over explains things. Each character has their own speciality and so only explains within their knowledge base.

Final spoiler free thought: I love the design of the ship. It's beautiful to me.

Spoilers going forward. Be warned.

The mystery is very well done. No one character is telegraphed as being suspicious but they also all have just enough not-known that it's difficult to clear any of them, excluding the doctor (though in the show they don't discount her potential involvement).

Patty, in my opinion, is foreshadowed very well. She is odd from the beginning and it seems like she isn't well known by the other crew members. It isn't striking at the beginning because we don't know if any of them are or are not familiar with each other.

I really like Lewis's monster design, I like that he has difficulty speaking due to the mangled shape of his mouth and throat. I find the arc of him adapting to his new body and regaining control of himself very interesting and I love the narrative beat of Mack switching from "it" to "him" immediately after he realizes his friend really might be in there somewhere. Making it clear that Mack was only using the pronoun "it" to mentally distance himself from the concept of it still being his friend Lewis. This being shown even more strongly later on when he is the first to be ruled out.

The autophilia by Patty is both a little creepy (because up until that point she really hadn't shown interest in much) and feels almost obvious. Of course the only person she could trust with such a dangerous mission would be herself, and there is real genuine care shown between the two different prints.

Overall the show left me thinking, which I enjoy. It brings up questions of personhood, was each print their own person? At what point is a copy no longer a copy? In world there were laws and policies about how to treat printed people, laws about who couldn't be reprinted and when exceptions can apply.

It brings up but does not answer: Is a copy still human if it's molecularly identical but not born in the traditional fashion? Are we just our memories and the body we inhabit is just the host?

I highly recommend this show. It's only eight episodes so it's not difficult to finish in a reasonable amount of time. If you watch or have watched it, please let me know what you think!

#exception #tv shows #netflix #show review #3d model #animation #spoilers #thriller #mystery #space

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antiloreolympus · 3 years

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10 Anti LO Asks

1. The trial happening right now bothers me because we get to see how Thanatos and Echo reacted to this, but Demeter and Persphone don’t know and I know why they don’t know yet. However you think that would tie some more stuff up together

It was Minthe, Thanatos and Thetis who whistle blew on Persphone. Meaning Thanatos would probably be called to trial and would have to face persphone and I would hope say something to her BUT I kinda doubt that’s gonna happen.

But the other thing to this Minthe is a plant who can’t testify. Are hades and Persphone hide the fact she’s a plant and pretend she’s missing or are they gonna say “yeah I still don’t have control over my powers but I’m queen now” HOWEVER I truly believe RS is just gonna not address these two plot points until way later.

FINALLY Eros and Psyche KNOW the last person Daphne was seen with was Apollo, did they chase after her after he got shot by the arrow? We don’t know. We don’t even know what they’re doing about Psyche. Did Eros and Psyche even see the Daphne tree? Are they going to try and sneak in to tell Persphone?

I know the plots gonna focus more on HxP secret marriage at the court trial rather than the actual consequences and the fact people are turning into greenery left and right. (It’s not Persohones Faullt Daphne is the way she is but RS needs to focus on other plot points I feel)

2. like, age gaps, height differences, and power imbalances dont always have to be bad, the issue to me is that the way rachel does it is hyper-focusing on how young, small, and child-like/unexperienced persephone is compared to the old, giant, and all powerful/mature hades is like ... yeah obvs people are going to find it creepy? how would they not?

3. i honestly cant stand the "theyre immortal gods the age gap doesnt matter!!" agreement because like??? ok??? then she could easily be 300 years old then? she shouldnt be so borderline underage then?? like the immortality aspect actually makes the age gap worse, not better??

4. i realize getting nitpicky over unimportant characters in lo having american names is a bit dumb, but it does speak to just how lazy rachel is and how little care she has for greece and its mythology. there are countless english names that are also greek, yet even that's asking too much of her. percy jackson isnt a perfect series, but even the characters (who are in america) have greek influence and meanings put into their names and characterization, something rachel doesn't even attempt to do.

5. ok but thats a good point, because rachel seems to be taking physical wounds to matter more over the mental ones, when thats not how trauma works. her writing on zeus is reflective of her writing minthe, where she confirmed she has a severe untreated mental illness and that's linked to her evilness, and thus what she should be punished for. meanwhile persephone own mental issues can be bastardized as a "yass queen" thing?? somehow?? its just bad writing all around.

6. i kinda wish lo fans would listen to their own logic and give the same leeway to the other characters. theyll scream from the rooftops that hades and persephone and hera can be awful people all they want because thats ~realistic~, meanwhile minthe and zeus and everyone else are held to such extremes they can never meet and are hated and despised for nothing in compared to hxp or hera. either hold your faves accountable or let off on hating characters who do the same as them.

7. i see a lot of lo fans excuse how everything drags as "thats how a slow burn works" and its like ... no? because most of that slow burn isnt even hxp, its rachel forcing in more plots we dont need, and when its hxp, you look at the timeline and how they act and its actually neck-breakingly fast? like if as much time had past in LO as irl time then yeah, four years is a slow burn, but its only been maybe a month in comic? so its not slow for them at all, but it's a drag for the readers.

8. See, the difference between Lo!Hades and Punderworld!Hades is that PW!Hades has so much personality, he and Persephone are literally bustling with life (even though one of them rules over a realm of dead XD) AND their interactions are so cute with their awkward attempts at flirting and failure at doing so. Persephone is still somewhat sweet and “pure” but she’s also a bit of a spitfire, she’s not easy to surrender, she has wants and dreams and that little differences makes her character likable!

We NEVER get to see anything like that with LO!Hades and Persephone, we don’t see them have these sweet interactions, these heart-fluttering moments, because there’s no base or foundation for those sorts of moments! It’s always these very out-of-character unrealistic scenes expected from a married couple, but they just met! It doesn’t feel natural, it feels forced and rushed and so slow at the same time.

Although Punderworld makes Demeter overbearing, i love her characterization i really do, waAAAY more than LO!Demeter, because we actually understand her reasons for her overprotective behavior and we get to see her in a more sympathetic light/manner in the newer chapters, we see her as more than “mean mom hates bf”

9. Daphne and Thanatos were adorable. Like, Daphne was a sweet, caring girl with genuine interest (and power/agency) and Thanatos was a shy, awkward guy who was just doing his best (and not pressuring her). They weren't perfect, but it was something! Why couldn't LO be about them?

10. What I find funny is that Minthe and Thetis have a more defined friendship than Persphone and other female characters.

Minthe and Thetis ARE TOXIC don’t get me wrong but both characters are aware of each other’s motives. Minthe knows not to trust Thetis fully and is straight with her on her opinion of Thetis. But the readers clearly know their relationship as well as the characters.

Persphone is in gray areas with most her female friends. The beginning of the story we are lead to believe Artemis and P are besties with the dress sharing and the way in P’s mind they’re holding hands with Hermès. But clearly now their relationship is a question mark and they’re both more detached than we thought. Artemis was just being nice to P letting her stay with her because they’re both in the TOGeM but they’re probably more like acquaintes at best.

Daphne and P we know they’re friends but P isn’t straight with her. Like Daphne is P’s only named friend, but did P think of her as the other overbearing nymphs? We don’t know because they’re all pink and some of them are dead. Despite being told they grew up together we don’t even know much about their relationship what do they like about each other? Does Daphne agree with Demeters parenting or P’s need to leave? When did Daphne get to move to Olympus? I feel like the plot just says “these two characters are friends “ but doesn’t elaborate much. Why did P let Daphne in her room at Hades mansion and not the other nymphs? P told Daphne that Apollo is dangerous, but it was a little too late. Also why didn’t P have her phone number when she got to Olympus? Wouldn’t she know to contact her on insta or something? P was like “omg I know no one except Hermès “ but that’s not true! Daphne! I could go more but I think we get the picture that Daphne’s plot point is having the readers be told Persphone has friends but she doesn’t but she does.

Were shown that P and Meg are getting along because P was nice to Meg, despite Meg being silently jealous of P, but what about Meg now? Is she ever gonna tell P that she’s jealous of P that she had a mad crush on Hades, even her journal? Or is that all gone now? Does Meg even matter any more or is she now here just to support HXP?

#anti lo #anti lore olympus #lore olympus critical #lo critical

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thefairyletters · 3 years

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✨ Spooky Recs✨

I read a lot of fanfictions... More than I am proud of. I thought I should recommend as I go before I lose sight of their existence among the sea of my favorites.

Since past few days I have been craving for some creepy, unnerving fanfics that will keep me restless and awake at night. I remembered my favorites and wanted to read more of the kind so I looked up, patiently going through each story that sounded compelling. I also revisited old stories for nostalgia's sake.

Of course, rare as they are, in Naruto fandom no less, it's even harder to find a horror and mystery fic that is well written, not dropped under 2 chapters, and really keeps your attention.

🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹🔹

Genre: Horror, Mystery, Comedy

I've rated 4 aspects of the work -

Writing – I don't judge writing based solely on the grammar and vocabulary. I also consider how the author expands upon a subject, if they are consistent with the facts, if they are able to keep the attention of the readers regardless of their creative writing skills.

Characters – If the characters are well-developed, in their given character, if OCs have any real significance to the story.

Plot – How gripping is the storyline, if the story sticks to its original plot, the structure of the story, plot holes.

Flow – Mother-of-slow-burn, slow-but-steady, steady, fast, I-am-speed

When the flowers cry : TCOOKIES777 || M || AO3/FFN || SasuSaku || Goth Horror || Post-Canon, set during Blank Period || Ongoing

When one of the greatest medical-nin in the world goes missing in what should have been a simple delivery to the Land of Spring’s Hidden Snow Village, the rest of Team 7 must reunite to find her. But even the most powerful team of shinobi will find themselves challenged in a battle against the supernatural. With Sasuke's return, vengeful ghosts of the past will test him and his love.

My thoughts : One of the best stories I've read in a while, and top tier SS stories. I read this in one sitting. I never listen to music while reading, preferring silence, but for this one, I suggest you do as the author says. Also, keep some tissues and food with you. This story is major in mystery and minor in horror but otherwise full of SS fluff.

Writing: 10/10

Characters: 10/10

Plot: 9/10

Flow: Steady, if a bit confusing (but that's why it's mystery)

Kyuro : silver_shot || T || AO3 || SasuSaku || Mystery || Post-Canon || Complete

“Oh,” says Naruto, “well, its sort of like that. Except in this village, the story has a way more darker ending – it basically goes like this: the girl and the guy plan to run away together. The guy steals a bunch of treasure, and stashes it away. But then, when he goes to get the girl at her village, he kills her and decides to run away with all that money. But then he is killed by the guards of the girls village and now they're both dead and the treasure is hidden away somewhere”. Sasuke stares blankly at the blond, “that story makes no sense”.

My thoughts : I know you must be thinking the same thing as Sasuke – "makes no sense". I did too, but it's a pretty cool short story. It lies on the funny, creepy side that slowly starts to lose its funny touch. SS makes stupid mistakes later on but it could be because they are MCs. The ending is very ambiguous. It's not my favorite mystery but it is something. Enjoyable read but not something I will pick again.

Writing: 8/10

Characters: 8/10

Plot: 8/10

Flow: Fast

Moon stuttering in the sky : xfrinz || T || AO3 || Gen || Mystery || Pre-Shippuden || One-shot

Kakashi is suspicious of many things about Haruno Sakura. Too many things about her don't make sense, with too many incongruous explanations.

My thoughts : Author of this story just summarised Pre-Shippuden in less than 4k words and made some tiny changes to it. Not much though. One of my favorite gen fics yet. Read it if you haven't yet. You'll feel more sad than thrilled tbh. But worth it.

Writing: 10/10

Characters: 10/10

Plot: 10/10

Flow: I-am-Speed

Breath mints : silver_shot || T || AO3 || SasuSaku || Comedy-Mystery || Post-Canon || Ongoing (maybe)

Their home no longer exists with the life it once had – in fact no settlement thrives anymore; they exist only in a snapshot that contradicts time itself. Families within their own homes sleep in a slumber that they cannot wake from. Those that were chatting on the street prior to the event simply drop their heads and remain unresponsive.

My thoughts : I picked it up for Mystery but I stayed for Comedy. But of course that's not to say supernatural elements in this story is not it, but it sure pales in comparison to effortless humor in this story. Lee and Kiba pair is something you don't see often but they get along too well here. Charactisation is on point as well. SS angst! + NS angst (but it's downplayed)

Writing: 10/10

Characters: 10/10

Plot: 9/10

Flow: Steady

The Curse : sincerelyLen || T || FFN || SasuSaku || Horror || Post-Canon || Ongoing

Team 7 is unexpectedly assigned an S-Ranked Mission involving an unsolved mystery of 10 years. An eerie adventure that will test their teamwork, strengths, and greatest fears. Do you believe in Curses?

My thoughts : My all-time favourite horror Naruto fanfiction. To me, this sets the standard of how mystery and horror elements should be handled. I have never been able to get this story out of my mind even it's been years. Perfect charactisation of Team 7 with Smart-yet-Stupid!Sakura, I-can-fight-aliens-and-reanimated-corpses-but-keep-ghosts-away-from-me!Naruto and I-dont-get-paid-enough-for-this!Sasuke. I especially love OCs here. They kinda reminds me of Pillars from KnY. You must read this story, loosely based on Zombie apocalypse + curse concept.

Writing: 10/10

Characters: 10/10

Plot: 10/10

Flow: Slow-but-Steady

Silent High : Istoria || T || FFN || Gen || Mystery || Post-Canon || Complete

A bit of the Silent Hill series mixed in with Naruto. Trapped in an illusion whose rules are unknown, they struggle to find answers before darkness consumes them.

My thoughts : One of the best mystery fanfictions I've read. I especially loved how this story handled Genjutsu in the best possible way it could without it turning into some cliche, ghost story. Though really, this story has shown what my greatest fear actually is. I will never be able to leave my back open to a wheelchair. This story has simple writing yet it gives you creeps with the twists and turns. A must read one because it is unlike any other in this list.

Writing: 9/10

Characters: 10/10

Plot: 10/10

Flow: Steady

Silence of the Damned : Daystar Clarion || T || FFN || Gen || Psychological Horror, Mystery(?) || Pre-Shippuden || One-Shot

When Naruto wakes up to a dead body in his bathroom, he begins a quick spiral into madness.

My thoughts : Listen to Halsey's Control while reading this. Quite chilling, deals with mental issues and morbid but in a fascinating way. It gives a new meaning to Dark!Naruto, but one that actually makes sense. I never saw the ending coming... I had something else in mind and I was convinced it would be, but nope. Here's a sequel to this One-Shot (Uzumaki's War) which I never picked up.

Writing: 10/10

Characters: 9/10

Plot: 9/10

Flow: Slow-but-steady

To the Victor : Letta || T || FFN || NaruSaku || Psychological Horror || Shippuden || One-Shot

Naruto loses the fight and Sakura is a trophy of war.

My thoughts : A very twisted NS, if you squint. It's not horror but it might as well be... it is still a disturbing story to see from the eyes of Sakura. Quite chilling to be in Sakura's shoes. But I love this because it is one shot and I loved the ending.

Writing: 9/10

Characters: 10/10

Plot: 8/10

Flow: Steady

Under the Skin : BukkakeNoJutsu || T || FFN || Team 8 || Body Horror || Pre-Shippuden || One-Shot

Your actions don't make you a monster. Your reasons do.

My thoughts : There's a reason why Shino is my favourite team 8 member. In my opinion, Shino is also one of the strongest Shinobi of his generation. His clan techniques are just that horrifying. This story is testament to that. He is so terrible.

Writing: 10/10

Characters: 10/10

Plot: 10/10

Flow: Slow-but-steady

Instant Message : Keelah || T || FFN || SasuSaku || Murder mystery || Modern AU || Incomplete

She gave him names to kill, in order not to be killed herself. But having blood on her hands was turning out to be much worse than dying. "…There's still round 2…3…4…" When does this game end? She asked. "Don't you see, Sakura?" He said, "It never does."

My thoughts : I read this story a long time ago and have read this twice. Personally, it has the most interesting concept of all stories in the list. It reminds me of Vocaloid series, "Bookmark of the end". Kind of. To those who are thinking of picking this up, go ahead! It's a great book and has one of the best suspense I've read in Fandom. BUT, it has been stopped in mother-of-all-cliffhangers and Author is MIA for 4 years now. But, all things considered, it remains to be one of the best stories I've read.

Writing: 10/10

Characters: 9/10

Plot: 10/10

Flow: Steady

Monomoth : Ohtze || M || FFN/AO3 || SasuSaku || Horror || AU || Incomplete

Everything ends, eventually. Eight years after the war, Sakura's unhinged and Sasuke's obsessed. The fields are filled with corpses.

My thoughts : I read this story right after "The Curse", my favourite. From what I remember, Sakura and Sasuke are both mentally deranged, in different ways. Lots of death and gore to stomach, so not for weak readers. There's no speak of fluff in this one. Zero, Zilch, Nada. I wouldn't call it your classic 'Horror', but it is very disturbing, so psychological horror is more like it. Don't eat food while reading this one. Did I mention how Sakura is mentally disturbed beyond help in this one? And Sasuke is obsessed. If these suit your tastes, go ahead.

Writing: 10/10

Characters: 9/10

Plot: 10/10

Flow: Slow

I hope you enjoy this list. Let me know your opinion in comments.

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immaturityofthomasastruc · 3 years

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IOTA Reviews: Furious Fu

Well, I'm surprised this is here so quickly, but here we are. The first episode of Season 4. While I was on the fence about reviewing it even though it isn't in English (though there’s one in Spanish with English subtitles), but it seems like there are people that want to see me do it anyway, so who am I to let them down? Hopefully, I won't be regretting my decision to go over every episode of this season later on.

Will Marinette's new position as Guardian lead to more storylines other than her suffering? Will the show actually resolve the whole Love Square debacle this season? Why am I asking you all these questions?

Let's dive right into the first (actually sixth because of course it is) episode of Miraculous Ladybug's fourth season, Furious Fu.

We start off with all of the Kwamis under Marinette's care asking to see Former Master by Default Fu, before Marinette reminds them, and by extension, the audience, that he erased his memory during the events of last season, making her the new Guardian. They continue to act like hyperactive children until Marinette finally caves in and carries them in her backpack, although not before they give us one of the most unintentionally creepy images in the entire show.

I apologize in advance for your nightmares tonight.

The only Kwami who stays is the Dog Kwami, Barkk, who looks like she's going to see if Marinette's parents have any wine in the kitchen once she leaves.

Marinette heads down to the train station, where she meets up with Fu and Marianne, a former confidant/old flame who he recently reunited with. It turns out that inbetween Seasons 3 and 4, not only has Fu been living in London with Marianne while taking up painting as a hobby, but they've actually gotten married. So yeah, while Marinette has to deal with the stress of protecting some of the most dangerous artifacts on the planet, Fu's just been chilling in London, oblivious to the fact that he forced a teenage girl to do his job for him. Nothing but the best from this show's wise and lovable “mentor”.

After heading back home, Marinette sees a strange man who has broken into her room and demands to know where she got the Miracle Box from.

This is Master Su-Han, the former Guardians before Fu accidentally killed them all. He's naturally not happy with the “improper” form of the Miracle Box (he's not the only one) and wants to know how Marinette got in in the first place. When she says she got it from Fu...

Yeah... while it isn't as obvious as “Animaestro” and “Felix”, you can kind of tell that this is a “turn the critics into enemies” episode. Even though the criticism towards Master Fu isn't as prevalent as the criticism those episodes were meant to call out, there have been some fans on Tumblr and Reddit who have criticized Fu's actions in the show, calling out his decision to make Marinette a guardian in particular. Likewise, Su-Han is meant to be a strawman to mirror the complaints, and show why they are ridiculous. Though ironically, Su-Han's dialogue and rules also unintentionally highlight how incompetent the Order of the Guardians was, but we'll get to it later.

But because the script says she has to, Marinette defends Fu's decision to make her Guardian. She even refers to Fu being the reason the Guardians were all killed in the first place as a “mistake”.

NO HE DIDN'T! How was what Fu did in any way a sacrifice? When he made Marinette the new Guardian “Miracle Queen”, All Fu really did was make the box float for a bit before it immediately landed back in Chloe's hands. If the box had magically floated over to Ladybug in the process, I'd see why Fu would have done it. It'd still be reckless, but it would be a good way to escape from Hawkmoth and Mayura's trap. Hell, the Kwamis had already refused to let Chloe transform when she had their Miraculous, so there was no real threat there. We don't even know if Hawkmoth knew how to transform with the other Miraculous. So again, I raise the question: How was Fu forcing Ladybug to take his job while he gets to paint in London a heroic sacrifice? How can you even frame that as anything but cowardly?

Su-Han notices a few of the Kwamis are missing, and takes notice of Plagg, who was shown to devastate Paris with a single tap to the ground, being missing in particular. He's even more horrified to see Marinette's earrings, because, get this, Guardians aren't allowed to wear Miraculous.

You're telling me that if someone gets their hands on a Miraculous and goes rogue, the Guardians are supposed to fight them with their bare hands? They don't even explain it by saying something like how the Guardians aren't supposed to be tempted by the power of the Miraculous, we're just supposed to accept that rule as fact. How are you supposed to fight someone with superpowers like illusions, shapeshifting, teleportation, and time travel on your own?

So Su-Han orders the Kwamis back into the Miracle Box (still don't get why they have to listen to him) and lists off some of the rules Marinette broke like he was a Ferengi reading the Rules of Acquisition. He does all of this while voicing several concerns fans have about Marinette being Guardian, but rather than being out of concern or compassion for her, it's condescension.

It's pretty easy to understand Su-Han's side of the story, and if the episode actually acknowledged it, I wouldn't mind. But no, everything he says is automatically supposed to be wrong, because when has anything with a different viewpoint portrayed as a good guy in this show?

Su-Han orders Ladybug to take him to see Cat Noir before demanding they both hand over their Miraculous, and we learn something interesting about the Order of the Guardians.

ARE YOU KIDDING ME!?

Of all the stupid Guardian rules Master Fuckup didn't blindly follow, it's the rule that Miraculous are ONLY SUPPOSED TO GO TO ADULTS!? Why the hell did he even recruit Marinette and Adrien in the first place if Miraculous for adults to use? What did he even see in them? All they did was help him once!

And again, we're supposed to see Su-Han as wrong for doing this. Why can't Ladybug simply tell Su-Han about Hawkmoth and ask for his help before she returns her Miraculous to him? That way, Hawkmoth is defeated, and Su-Han gets the Miraculous back. And it's not like Ladybug doesn't try to talk things out with Su-Han, so you can't say she didn't consider it. Oh wait, that would imply Su-Han is supposed to have a point in his claims.

Though to the show's credit, Su-Han's words do get to Ladybug, causing herself to doubt herself and her ability to stop Hawkmoth, but Cat Noir helps to reassure her, saying he'll only return his Miraculous only if she asks him to. It's a brief moment, but it's nice to see him place his faith in his partner in a platonic way.

Less nice to see is Cat Noir finding out that if Ladybug gives up her position as Guardian, she'll lose her memory like Fu. Except... Cat Noir was there when Miraculous Ladybug failed to restore Fu's memory, so why does he see this as new information? Did he only think it would happen to Fu? Did he lose some of his memory at the end of the last season?

This information is enough for Cat Noir to start a fight with Su-Han, with Ladybug abandoning any attempts at diplomacy by declaring that Cat Noir won't lose his Miraculous. It's a little frustrating to see them engage Su-Han, but again, this is meant to show Cat Noir trying to protect Ladybug so she doesn't lose her memory. This scene still does a good job showcasing the bond the two heroes have. It's far better than anything we got from the New York special.

Su-Han is trained in... Oh God... Mirakung-Fu, which somehow gives him the ability to predict Ladybug and Cat Noir's moves before they make them, comparing it to his rage “adaptating and always finding a way”. Translation: Astruc ripped off something else from Dragon Ball, Ultra Instinct. Ladybug distracts Su-Han and gets the Miracle Box, while Cat Noir gets his staff. After briefly trapping him under some rubble (which I guess doesn't kill him because of his “Mirakung-Fu”), the two heroes escape.

Meanwhile, Shadowmoth, the upgraded form of Hawkmoth that I'll talk about in his debut proper, senses Su-Han's negative emotions and sends out an Akuma after him. Su-Han sees Fu painting in the park, and steals his cane, thinking it's a Guardian's staff he can sue to track down the Miraculous. When the Akuma reaches him, Su-Han uses a technique to repel the Akuma completely. I like this idea. It makes sense that a monk would find a way to mask their emotions and achieve enough of a state of zen to ward off an Akuma. The Akuma instead reaches Fu, turning him into Furious Fu.

I like the design of this Akuma. While I personally thought it could have made for a more interesting fight if he was still short (like Yoda's fight scenes in the prequels), I think it's really clever to incorporate Fu's Hawaiian shirt into what looks like a Chinese gi. Furious Fu's powers are kind of like Evilustrator, only he has to draw down a Chinese character on a talisman before the power takes immediate effect, and lacks the weakness Evilustrator had with his tablet being easily breakable, with the corrupted object, a paintbrush on his ear, being harder to reach.

Ladybug and Cat Noir retreat to the unnamed stadium that the local school has gym class in for some reason, where they're confronted by Su-Han, who in turn, is confronted by Furious Fu. This leads to a three-way fight for the Miracle Box, which they all kick around like a soccer ball. Cat Noir even gets a goal. All around, pretty fun bit, though not for the Kwamis, I guess.

As soon as he sees Furious Fu get the Miracle Ball, Su-Han hides while Ladybug and Cat Noir get beat up by the Akuma. While he does get up eventually, he's still taken out by Furious Fu. Apparently, Su-Han's “Mirakung-Fu” is only useful against Miraculous holders, not supervillains created with the powers of a Miraculous. How the hell does that work? That's like being a trained soldier in the Marine Corps who's terrible at laser tag.

Ladybug uses her Lucky Charm (again, I'll talk about the suit change for its proper debut episode), and gets a pair of wire cutters. She uses them go get a soccer ball from a nearby container while Cat Noir keeps Furious Fu busy. Furious Fu, in turn, uses one of his talismans to predict Ladybug's plan, and manages to immobilize both heroes, but not before Ladybug traps the soccer ball underneath Cat Noir's arm before Furious Fu can use his Cataclysm against him.

How do they stop him? By having Marianne casually walk up to him and break the paintbrush while he's distracted. Honestly, that's a pretty funny payoff. Not “Puppeteer” or “Bakerix” funny, but it's still one of the funnier Akuma defeats I've seen. Another funny joke is Cat Noir using his Cataclysm on a soccer ball before he accidentally uses it on Ladybug and Marianne for their post-victory fist bump.

Later on, after Marinette sees Marianne and Fu off while the latter continues to avoid responsibility, Su-Han apologizes to her, and decides to trust her. He'll still take away the Miracle Box if she screws up, but it's a start to someone Marinette can at least consult Guardian to Guardian.

And honestly? I think this episode is a pretty good start to Season 4. It really feels like the writers are learning from their mistakes in Season 3.

Yes, Marinette is blamed by Su-Han, and while it is frustrating to turn Su-Han into a strawman, unlike other Season 3 episodes where Marinette is blamed, the blame itself is unwarranted, and by the end of the episode, it looks like Su-Han is willing to change, as he apologizes to Fu after he's de-evilized. That's a lot more than I can say for Astruc's other straw characters like Chloe and Felix. Sure, some of Su-Han's concerns are brushed off, but it's still a start.

From what little we saw of him, Cat Noir is also a lot better, really showing the character development promised towards the end of “Miracle Queen”. He's thankfully turned down the flirting, and I can only hope he keeps his promise as the season goes on. I hope we get an episode or two showing his perspective on Ladybug becoming Guardian, and how he feels less like her actual partner now. You know, something that can reinforce their bond as partners.

My biggest complaints from the episode really come from the way Fu is portrayed, and even then, it's only because of events that happen because of what he did last season and how much of a screw-up he is, despite the narrative trying to tell the audience he isn't. Then there's the revelation that Fu's cane has the ability to track down Miraculous. So... we're seriously learning this now? Why didn't Fu use it earlier to look for the two missing Miraculous? He literally has a Miraculous detector! But hopefully, the consequences of Fu's actions won't affect this season too much.

So yeah, I'm actually feeling pretty optimistic about this season so far. Maybe Season 4 won't be that bad after all.

Oh.

Oh no...

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lsobelevans · 3 years

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Horror tropes? In my Roswell, New mexico? It’s more likely than you think!

In this essay I will...

...be mentioning a few horror/thriller movies and while nothing explicitly gory or scary will be shown in this post, those movies definitely contain scenes and themes that can be disturbing/scary/triggering, do your researches if you’ve got doubts!

...be focusing on the Maria and Alex road-trip, from the moment the car breaks down to the last scene with Travis’ twin. I’m probably going to be led to briefly mention the other scenes that are intertwined with this arc (the echo date and the Planet 7 Kyle and Isobel scene, as well as the marlex car drive when I feel like it is relevant).

...be approaching specific themes that are used in the scenes that compose this little arc and also more general ones like sound, editing, cinematography and color.

... be reaching a lot. I do not think everything I will be mentioning is 100% thought-out and voluntary (although you never know). But I’m a firm believer that in filmmaking, yes even inside a CW show, the symbolism comes through subconsciously. So like, maybe they didn’t mean to use corn field as a mark for transition, but it doesn’t take away from the fact that this symbolism works with the story they’re telling and for the journey the characters are in that moment. Additionally, lighting, decor and costumes are always a choice, just like the camera doesn’t position itself randomly, someone’s behind and thinking of the composition of shots that, even if it’s in a basic way, has meaning.

... be starting chronologically but I’ll also make jumps backward and forward, grasping on themes when they come up. Ok, then, let’s dive in!

This episode references and uses a lot of the iconic mechanisms of the horror movie genre. Alex and Maria’s comfortable road trip atmosphere, open hearted conversation in the car, breaks at the same time as the car itself breaks. The camera, steady so far, the shots following a well known pattern of shot/counter-shot, becomes more unpredictable and shakier and suddenly we’re out of the car, and bam, large shot.

From the moment they’re out of the car, you won’t be able to see the horizon. Maria and Alex are stuck in a corn field, and they’re stuck in the frame.

Then poof, Travis appears out of nowhere, accompanied with a pang of music, frightening us and them. Well, more exactly, it cuts on a shot that we’ve seen before without Travis, now with Travis, which gives us the appearing out of nowhere effect.

Alex says it best.

Well now they’re stuck with a strange guy with an axe, and in a corn field 😬

Hey, have you seen he’s got an axe??? or do you need a close-up???

Okay, this scene ends there. So, let’s take a break and talk about cornfields. There’s many examples of horror movies making use of a field of corn as a location, famously Children of the Corn (1984), Dark Night of the Scarecrow (1995) Signs (2002), that last one also involving, you guessed it, aliens.

Screenshots from the Signs trailer.

Corn fields are strongly associated with rurality, especially rural America. More largely, they can represent renewal, fertility or abundance. In the contrary, they can be seen as a very ominous location due to their immensity, a labyrinth in which you can’t see very far away and from which you’ll have trouble coming out.

Although I’m pretty sure Maria’s chase in the cornfield is more of a reference to The Shining (1980) it reminded me of one of my favorite scenes from one of my favorite movies Tom à la ferme (2013), in which Tom is basically held hostage in rural Canada. The corn field chase is a turning point, the last of Tom's attempts to escape.

Cornfields apparently also often imply scarecrows, which are inherently scary in my opinion but we’ll talk about it more later.

The next scene takes place inside of Travis' cabin.

The lighting here is pretty low, the light coming from a few small sources, creating a lot of shadows. The main color is a greenish/yellow which can be associated with nature and earth, rurality, dirty, suffocating. If we look at it, the color scheme of the entire road trip is very much following this pattern of browns/yellows/greens because of the cornfield and the color of the characters costumes (the exception being Maria’s truck which is a bright red). In opposition, the scenes that are intertwined are either blue and orange for Max and Liz or a lot of pink/blues/purples for Isobel and Kyle in planet 7 (bi bi bi).

The cabin is messy, supposedly reflecting the state of the owner’s mind. We get a nice close-up on meat + a knife and all of the creepy skins on the walls. Also, it’s noticeable that from this moment on, the camera is shakier, we experience different angles too.

We are given many visual clues that something is wrong.

I’m gonna pass on the sound of the sound of the cow parodying a werewolf + the vampire diaries inside joke.

Btw, if the fact that Travis names his cows -- that he skins for a living -- like human women isn’t enough for you to think mmmm. we are in danger. Well, don’t worry. The cw spells it out for you!!

We know Alex! We got contextual clues!

Right after this, Alex and Maria make another direct reference to being in a horror movie situation.

ALEX: This is why I don’t like horror films. The gay guy always dies first.

MARIA: ????

ALEX: Or... second. Okay, that’s fair. That look, that’s fair.

I think this bit is interesting, because not only does it denounce an horror movie cliché (the black person of the cast dies first, the queer person is second) but also in this situation I believe it can be see as kind of a callout on the fandom’s behavior that i’m not gonna spell out for you but yeah. Fellow queer people, don’t forget you’re not the only one who is sometimes badly/unfairly represented.

Moving on. In the next scene, Alex is searching the cabin for clues, and we are also given some about Travis.

Either he has a twin brother or he’s got a framed picture of himself on his wall. Oh, and he’s military.

Then Travis startles Alex and plays a little bit of banjo, which is a good excuse to stop and talk about music. The show uses a lot of diegetic music aka music that is present in the universe of the story, that the characters can also hear. It justify the use of said music and it ties the audio with the picture.

The banjo already is heard at the very beginning of the arc during a cut from the planet 7 scene to the road trip scene. We get a few notes that indicate a change of scenery and that helps smooth up the transition, and I’m pretty sure it was also supposed to be diegetic music coming from Maria’s radio. The banjo, like the corn field, is super linked with rurality and rural America (again!)

Another reference of the banjo in horror/thriller would be Deliverance (1972).

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I can’t not think of this movie when I hear banjo unfortunately.

The way Travis plays, aggressively bad, and while singing I Think We’re Alone Now, is supposed to make you think about that scene in The Umbrella Academy be quite unsettling, another point for isolation horror.

So sweet of Travis to attack Alex with a guitar, and then a smol knife, and not with the axe <3.

Then we’ve got a traveling zoom-in (or equivalent I’m not sure it isn’t a steady-cam here but the effect is the same) on Maria. This kind of effect can feel a little bit over-the-top and dramatic, in a old genre movie kind of way. It is usually used to bring the audience in, make it feel like you’re evolving in the same universe as the characters (here you’re walking toward Maria). In a scene where you should feel scared, it can be a mean to make you feel more engaged, as well as underlining Maria’s expression, her fear. In my opinion, this is also a way to tell you that from now on, Maria is the main character of this arc, the one that you will be following after the commercial break (that occurs right after) and making it more suspenseful.

The scene after the break is the start of the corn-field chase. Travis steps out of the cabin, the cuts are faster, many close-shots, some even out of focus, that accelerate the rhythm, and a long fade-in of a new song: a modern, electronic song (Kim Petra’s Close You Eyes) completely in opposition with the acoustic banjo and with the atmosphere of the scene, which makes it strange and makes you think oh, what a weird choice! (at least it did for me lol). The lyrics, however, go very well with the scene.

I feel it coming on You've got nowhere to run There's no way you'll make it out alive

Yep.

We find out right after that the music is in fact diegetic but for Isobel and Kyle, it’s another use of music to ease a transition between 2 scenes that are different in every possible way.

Now, the corn-field chase. As I mentioned before, I believe it’s a direct reference to The Shining’s ending chase scene where Jack Torrance chases his son Danny through a vegetal labyrinth with an axe.

From the shots to the lighting (from behind or on the side, making the characters look like silhouettes) both scenes are very similar. Also, Travis is styled like Jack Nicholson ¯\_(ツ)_/¯

Oh look, Michael’s here to save the day!

Oh well, guess not.

Yeah, in this scene, and like we’ve been shown before, Maria is going to be the one that saves everyone. The racist cliché of the black character dying first in a horror movie is reversed, Maria is the last one standing. The scarecrow (that looked conveniently a lot like Maria) is supposed to play in favor of the bad guy, it’s a scary element, creating confusion and unease, but here the character decides to basically take it into her own hands and bend the rules. This character says i’m not that archetype, and she’s going to be using the horror movie tools against itself.

Lastly, the final horror movie recurring theme that I’m going to talk about is the twin/the double.

Yes, twins is a spooky tool used in horror movie because their similarities make them unsettling, uncanny.

There’s also the idea that if one were to replace the other, you wouldn’t be able to tell. The impostor is a very scary concept that Roswell has also dealt with before.

I can’t be the only one that has been traumatized by that halloween special of the Simpsons where Bart has an evil twin...

It’s the last twist of the arc, there is a bad!Travis and a good!Travis. The bad one kept the other locked-up somewhere and had taken his place.

It’s particularly interesting for Roswell that has a history with twins/doppelgänger, and that since the original show. It is a clear instance of in-world foreshadowing here! (howdy)

My conclusion about all this is that the people who worked on 2x06 had a great time building the episode and it shows, while also making it enjoyable to watch and yeah, we love to see it!

#roswellmarchformeta2021 #rnmmarchformeta2021 #meta #or whatever this is ahah #tw violence #i'm so sorry i'm late for this ;___;#mine*

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silveryfairy · 3 years

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hey man if it's not too much trouble, could you give us a brief rundown of the Nocturnes? It's just, every morning I wake up and there's a new one, and I Care everyone in this establishment a lot though I don't really know them, thank you kindly have a nice day

let my preface this by saying: aayushi, i love you, and your enthusiasm and interest for the things i create never ceases to bring me joy. you are the kind of friend i think everyone should have and i say that completely genuinely outside of this bit.

i say that as an apology in advance for what i’m about to unleash upon you, because what you’re going to see is the product of my friend @himepapillon and i’s absolute BRAINROT and what comes of it when not only two people make an oc universe from scratch but what happens when we then have to explain that universe to other people

you are in no way required to retain this information as to be completely honest me and jeremie haven’t fully either and we’re the ones who MADE this shitshow. below is the shoddy family tree i lovingly crafted in ms paint

let us begin.

for starters, i’ll specify some things:

1. not every oc on this chart is mine, as it’s a collaboration between me and jeremie - the koenig family and bishop family belong to faer but the rest is all me baby! for the sake of your soul i will only be going into my half of this Mess

2. the universe this takes place in is a pretty wacky and silly one, just, like, Slightly removed from reality. these characters are all completely batshit insane and do things that no human being probably should. it’s all portrayed critically, as the general concept of this whole thing is “the goings-on of a bunch of unhinged corrupt rich people”. we kind of flip flop on how seriously stuff is played but if i had to slap a genre on this it’d be, like, black comedy drama. i know a lot of these concepts sound kinda fucked to write but that’s just because i’m trying to describe them in a SOMEWHAT concise way without going into Super Introspective mode

the nocturnes are an incredibly influential and rich family in the uk that tends to produce very influential and rich people. they’re also all a little bit insane. the main characters of this Saga are the sons of desmond and xanthes, the family’s resident Power Couple and biggest figureheads. they suck ass but that will become apparent the second i talk about their children.

from oldest to youngest, the nocturne boys are:

ichor nocturne, 25 - the eldest, ichor was disowned from the household when he was 18 for unruly behavior, sent to live alone on a farm so he couldn’t tarnish his family’s image any further. since then, you’d think the isolation has driven him a bit mad - he’s a very prolific cotton farmer and has been doing astonishingly well for himself, running his farm on his own with only his parents’ inheritance as help. ...that, and, of course, the blood of the people he executes to keep his crops growing - or so he believes. he moonlights as an executioner in the small town over, exterminating the ‘pests’ of the city. despite his newfound violence, he still routinely checks in on his siblings, finding ways to mysteriously end up at their door to pay visits. the older brother instinct still hasn’t left

icarus nocturne, 23 - the second eldest (only by technicality, as he is a twin), icarus is the family’s golden child! but not in terms of business or anything, oh no - icarus is a famous heartthrob teen (sorta) musician! he’s been in the limelight since he was a little boy, being an actor as a small child and getting into music as he grew. his general Look(tm), accompanied by infectiously happy rave music, is a trademark cutesy mask over his face with oversized clothing - meant to express as much energy as possible as he bounces about the stage. in reality, he lives a life as forced and controlled as possible by virtue of... living the fucked up life of a child star. but his parents have someone to take the fall - so, what of his twin?

achilles nocturne, 23 - icarus’ younger twin, which wouldn’t mean much... in any family but this one. achilles has had it drilled into his head since the beginning that he was a mistake next to icarus, to the point where legally, he does not exist. following icarus beginning his career, achilles was unpersoned completely - living in the family’s basement with the height of his education being for a very specific purpose... needing to be icarus’ body double on tours and for paparazzi - after all, they can’t have icarus’ purity tainted by all those clamboring fans! it’s a godawful situation. on the bright side, though, achilles has found a hobby where he can be himself: twitch streaming! yes really. under the name of 1upanonymous, hidden under a mask just like his brother, achilles at least has a fanbase that can love him for who he is! ...uh, kind of.

tomasine “tommy” nocturne, 16 - the youngest of the bunch, and it says a lot about his siblings’ capabilities that he’s the technical heir to the nocturnes’ various businesses and fortune. tommy is just a feral 16 year old that doesn’t give two shits about any fame or fortune, he just wants to party and drink and have fun like any other kid his age! he’s rebellious, loud, and charmingly annoying (to his brothers anyway), and has no real care for the gravity of his family’s situations beyond finding it annoying that they want him to be all PRIM and PROPER and BUSINESSY EEWWWWW. he’s just a funny loud little child trying to live his best life. loves his brothers fiercely

already a mess of people. and really, all you need to know about or really keep in mind are those four: the upcoming characters are largely just side ones we came up with because we thought it’d be funny to flesh out this fucked up family more. so let’s get into the anatra branch of the family - headed by jael nocturne, xanthes’ brother and the siblings’ uncle

jael anatra-nocturne, who i am not giving an age for my own sanity trying to decipher this fucking timeline - a crude and playful uncle, jael is someone the nocturne boys either love (icarus, tommy) or hate (achilles, ichor). constantly joking, as he expresses affection with loving insults - kind of a money-driven asshole, but a lovable one - he’s a career politician and met his current husband, joaquin, on the job. or, well... no longer current, because jael’s funny life of debauchery, toxic masculinity, and making fun of his nephews, came to an abrupt end when he was assassinated on live television. yipes!

joaquin anatra-nocturne, who also does not get an age - jael’s former secretary and current widow, joaquin is the local wine uncle. im not sure if that’s a classification but it is now, because he is one. an unapologetic gold-digger, he (publicly) took jael’s death frighteningly well, and is now living his best life with a revolving door of new boyfriends. his relationship with jael was a genuine and very loving one, and joaquin IS devastated by his death, but both of them just found the bit of pretending to be this loveless gold digger/politician couple very funny, and being as suspicious as possible around his husband’s death is exactly what jael would have wanted joaquin to do

taddeo anatra-nocturne, 14 - the youngest child of these two, a shy little boy with big Child In A Horror Movie energies. makes potions in the backyard and probably decorates his clothes with animal bones n stuff when he’s older. despite this he’s pretty harmless, nice and fiercely loyal - tommy especially thinks he’s fun and likes to hang out with him at family gatherings - just so long as you look past the creepy dolls he likes to talk to and fires he likes to set. especially close with jael and wants to be a miniature version of him, buuut still being a shy tween taddeo hasn’t been able to act on that much.

dailon anatra-nocturne, 20 - the adopted second child of jael and joaquin, dailon is a moody and unstable delinquent that was snatched up by them just as he was about to age out of foster care. while he has a chill ‘cool-older-even-though-he’s-younger-cousin’ demeanor, the tension when he’s around his parents - jael specifically - can be cut with a knife. dailon hates his dad: ‘someone who expresses affection with insults and jokes and likes seeing people pissed at him’ and ‘someone who’s volatile, short-tempered, and sullen after living in a foster home most his life’ are just as bad of a combination as you’d expect. dailon gets himself into a lot of trouble, and is an overall very self-centered prick, but we’ll get more on that in a bit.

HELL FAMILY...2!!! that’s the last of the families to cover, buuuut there are still some other names on that list - mostly connected to dailon. this is REAL “just going on in the background” shit that you also do not need to know whatsoever (except for mitzi she’s pretty important she’s just down here for organization purposes) - i just like to play god and make characters get into drama.

[tw: cheating, unhealthy relationships, stalking]

mitzi “moon” altberg, 23 - achilles must feel very far away by now, but we’re back to him for a second! mitzi is his ex-girlfriend he met online, a fan-to-employee-to-lover and one of the maybe two people outside of the family achilles has shown his real face to. however, achilles growing up deeply unstable - between his parents’ abuse, having spotlights on him and adoring fans both as icarus’ body double and as a streamer, and in general not really growing up to be any kind of well developed human being - made this relationship a complete disaster. he grew obsessive and controlling - and when she tried to ignore him, he broke his one rule (to never go outside without permission) to find the hotel she was staying at in real life and show up to confront her. the incident was completely covered up, both by the nocturnes and with their connections, and so mitzi was forced to stay silent. this entire thing is based on this song! as time heals wounds, though, mitzi will end up doing pretty well for herself and putting achilles behind her - even getting a new boyfriend, jared!

reynard fiala, 20 - dailon’s (ex-)boyfriend, who he’s enraveled in his own weird soap opera subplot with. reynard is a relatively chill person, with an interest in art and taxidermy - just as morbid as dailon’s brother, but in a more. Normal way. genuinely a sweetheart who does not deserve what happens to them: getting cheated on with dailon’s best friend. yipes^2! while it's earth shattering in the moment, all reynard will really want to do come some time to process is to move on and for him and dailon both to heal in peace... far away from eachother (which is easier said than done since taddeo thinks reynard is super cool and loves having him over, the awkwardness between them and his brother be damned)

jared summers, 21 - the most normal person here. a longterm best friend of dailon’s, and yes, the very same one i just mentioned. he’s not the sharpest knife in the drawer - what we in the industry would call a himbo if his dumbassery didn’t cause very real damage - who had been pining for dailon for years and him dating was no deterrent, and dailon, thinking the world revolves around him as he tends to do, accepted jared’s confession so they just kinda started dating on the side. jared has the moral backbone of a pool noodle, and even after it causes dailon’s relationship with reynard to fall apart, will need a wholeass intervention to be staged to make them both realize just how shitty they’re being. after that, though, jared will end that mess and be on his way to becoming a better person himself - with the help of a sweet girl he’s met online.

jared and mitzi dating in the future is the most contrived thing on the planet but just hear me out that it’ll be HILARIOUS for achilles to check in on his ex-girlfriend and find she’s dating his cousin’s best friend, who said cousin was apparently dating on the side. very small world, it is.

anyway, thank you if you’ve somehow stuck around to read this entire thing - this isn’t even getting into jeremie’s half of this whole ordeal, which includes some of these fellas’ friends and partners, as well as more crazy rich people nonsense. it’s been very fun to think about and i do love it all dearly, even if putting it all together it’s SUCH a mess.

we don’t intend to make anything Legit out of this, it’s honestly just a fun way to pass the time. it’s the adult equivalent of playing dollhouse. in our minds this is like a 20 season soap opera but actually explaining it to other people it’s just like this

but thank you again for letting me babble i hope it was somewhat entertaining! and again, godspeed if you managed to read this much XD

#nocturnes #ichor nocturne #icarus nocturne #achilles nocturne #tommy nocturne #jael anatra nocturne #joaquin anatra nocturne #taddeo anatra nocturne #dailon anatra nocturne #mitzi moon #jared summers #reynard fiala

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coreastories · 4 years

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The Conversation

Companion to CoreaNews: The Protocol of Touch

Follows the story thread of CoreaNews: Meet the Lady Seo-gyeong

Precedes The Request (coming soon)

A conversation between a queen and a prime minister-- the glimmer of the start of a beautiful friendship, after they address something important.

Note: I wanted a convo that would pass the Bechdel test. So no discussing a man. Haha. And I wanted PM Koo fleshed out rather than being this creepy pushy woman she was shown to be when she wasn't killing it as PM 😁

Follows the CoreaNews/CoreaFiction world where Lee Lim was defeated and the result is PM Koo's bossbitch tendencies are still there, following canon (i.e., what happened still happened) but isn’t corrupted by Lee Lim’s evil. She’s still PM, not all orange is the new black.

Koo Seo-ryeong grew up in the shadow of men. Well no, that was wrong. She grew up outwitting and outplaying people with power. Most of them happened to be men.

Her father was a wealthy idiot barely considered an adult when he impregnated her mother. The family wanted Seo-ryeong raised among them, but Seo-ryeong’s father barely looked at her, let alone acknowledged her existence. Seo-ryeong’s mother displayed backbone in the most important time of her life and kept Seo-ryeong in her own house, never mind that it was above a fish shop.

When Seo-ryeong turned sixteen, she wrote to her father, and asked for support for university.

She got no response.

Next, she demanded her school expenses for Seoul National University with a veiled threat, and got what she wanted.

She learned a lesson on how to sway people in power that day.

When she was twenty, her uncle didn’t want his brother’s bastard daughter anywhere near him, but Seo-ryeong needed the powerful bullet in her CV, so she turned herself into a drudge in that law firm until she knew all the clients' putrid secrets and the firm couldn’t function without her, and then she left for the prestigious fellowship in Cambridge and never looked back.

When she came back home, she used her father, uncle and all the connections she could squeeze from the firm’s clients to get a position in her MP’s constituency office. “Fish shop girl” was bandied around but soon stopped.

She ruled that office-- and the weakling, incompetent MP. She ruled them all the same way she’d maneuvered her father and uncle like puppets.

She soon replaced that MP. His constituency office became hers. And every row she went past to get closer and closer to the dais in the Royal Audience Hall meant she crushed men left and right, crushed them, because these men belittled her for being a woman, for being a fish shop owner’s daughter, for being a bastard. The name Koo might hold position but still held no clout.

Until the king made one comment. A single, off-handed comment. “The MP Koo might turn out better than the rest of you.”

She was. She knew she was. She’d been demonstrating she was. But no one saw it until the king said it, in that non-partisan, impassive way, as if he hadn’t seen it either.

She seethed but she grabbed her chance to get into the fray of the petty wars of the parliamentary parties.

She got the backing of the Jinsun Party and they were too happy to use her to spite their opposition in the Gom Party. Jinsun was a bunch of old elitists and royalists who despised her fish shop background but one comment from the king was enough.

She won the election. They hadn't expected that. Hadn’t expected her to squirm from their grasp using the power they think they bestowed on her.

She stood face to face with the king and drew measure of this man, the first she might not be able to crush. Nor have any need to. She quite despised herself for forcing a flirtatious laugh in his presence, and then simultaneously respected and hated him for not responding.

Thus was the pattern of their acquaintance: she did all she could to push past his walls, but those walls remained unassailable while she became more and more… pathetically desperate.

In her third year as Prime Minister, she married a man not unlike her father, her uncle, that first MP, and the members of the Jinsun Party. She would need his money for re-election after all. He was just another rung in the ladder she climbed.

She continued to meet the king every week and he continued to be impassive, never letting down his guard around her, bantering, but never flirting. And always standing so tall, never sinking to the level of the power players around.

Sometimes she wondered if she tested him because she wanted him to so she could lump him with the men she knew.

She divorced her husband within the year. She revealed his corruption and sent him to jail to spite his family and his cronies in the party.

She had nothing but contempt for the man.

She was now in a position of power. So she was surrounded by other people in power, ones who either feared or despised her. She even began to look forward to her clashes with Lady Noh--which were real clashes rather than ego baiting.

She was beginning to tire of it. Ten years of her life fighting these men, crushing them. Repeat.

She wanted to keep doing what she was doing. She liked being able to steer the country in the direction she wanted. To do that, she needed power. The kind of power that didn’t come with this constant battle with dunces, and instead came with prestige and permanence.

Only an idiot wouldn’t try to pursue the king. She was in position. She knew her assets. She knew men.

Or so she thought. In her blind and frantic thirst for power, she forgot the kind of men she knew. Which was far from the kind of man the king was.

So she lost him. And here was the woman who now held the power she wanted. A woman with barely styled hair and a face barely touched with makeup.

Seo-ryeong didn’t know what to make of that face. She knew that face. Grew up with that face since she was sixteen. Learned to tolerate and then love that face since she was eighteen, when “Luna” legally became Koo Seo-gyeong, became her sister, the bright little urchin who only laughed when Seo-ryeong bullied her, not backing down and not retaliating.

Seo-gyeong was what Seo-ryeong wanted to be, but by the time Seo-gyeong pushed her way into her heart, Seo-ryeong’s heart had already been too occupied, too closed, too obsessed with her goal to spite her father, her uncle, all the men who never saw her as anything but a drudge.

And now Seo-gyeong’s face was the face of the queen.

Seo-ryeong had taken that in stride, didn’t show the least bit of shock when she first saw the queen at the wedding. This wasn’t her sister. This was a different person altogether.

And strangers were always interesting.

They both ignored the lowered buzz of hubbub around them. This was the NanoStem Institute, and you’d think they’d invite only people with brains, but even the best people lost their wit when confronted with royalty. Witness her own pathetic actions with the king. She wished she could forget it. When would she forget it?

Seo-ryeong rose from her chair when it was clear the queen was approaching her. What was she doing? She wasn't supposed to be at that table.

“Hello, Prime Minister.”

“Your Majesty.” She put on her practiced smile. “How are you, ma’am?”

“I’m good. May I join you?”

“Of course.”

They both pretended to care about their other companions for a few minutes. Seo-ryeong watched her. The queen had this annoying habit of tucking her chin in a small bow as if everyone at the table were her betters instead of the opposite.

It irritated her. It brought her back to her own days when everyone around her were her betters.

Watching as she did, she soon sensed the queen’s impatience and discomfort with people fawning over her. The signals were tiny, but Seo-ryeong recognized them.

Save her, unnie. You know you want to.

Cursing Seo-gyeong in her head, Seo-ryeong cleared her throat loudly. As the most senior person at the table, next only to the queen, the idiots quieted at her subtle stare and busied themselves with something else.

“Thank you,” the queen said softly. “That was becoming brutal. And this table is full of the worst.”

Seo-ryeong had a mad desire to laugh. The queen was right.

“Except you, of course.”

That addition made Seo-ryeong snort delicately behind her serviette.

“I’ve wanted to speak to you for awhile now,” the queen continued. “I never got the chance.”

“I’m always at your service, Your Majesty. I’m only a phone call away.” It was true. If the palace called, she’d come running. Well, flying. That was why she wanted to be in the palace herself. Her days of being summoned and being the gopher person were over and she was in the position to summon, too. If only no one else could summon her.

“Oh no, I can’t do that. You’re the Prime Minister. I really am a fan.”

“I’m honored to have such a young and beautiful fan.”

The queen had just spooned a bit of yakgwa into her mouth, and she paused for two seconds with the spoon still in her mouth. Then she turned to Seo-ryeong and smiled.

“Has it been better since you’re no longer with your party?” She lowered her voice further. “The king told me your party was the worst, too."

“Well, parliamentary parties are unavoidable. But yes, it’s been better.”

The queen seemed to be genuinely happy about that. “Tell me about yourself, please. Have you always wanted to be Prime Minister?”

No, I wanted to be queen and you know that. “Why do you ask, Your Majesty?”

“I’ve always wanted to be a cop. So I became one.”

A cop. Who was she? Why was she a cop like Seo-gyeong, and yet had no records like Seo-gyeong? And she was no longer a cop. She was a queen, for heaven’s sake.

Seo-ryeong found herself saying, “At first, I wanted to leave the country and serve in the International Criminal Court, but then I realized I might as well be Prime Minister here first and be someone by the time I joined the ICC. I didn’t want to be invisible again.”

The queen was nodding, her lips forming a silent ahh.

“Did you like being a cop? Were you treated well?” It was something she would have asked Seo-gyeong.

“Yes, yes. I suppose I was lucky. I even had a newbie to boss around before I left.”

There was something in her tone that prompted Seo-ryeong to ask, “Are you happy you left?”

“In some ways, yes. In all the ways that count.”

The serene confidence in that answer stunned Seo-ryeong. She had never felt that same serene confidence before.

“But you must know how it is.” “I do?”

“Yes. Running for re-election takes guts and sacrifice-- you could have gone to the ICC-- I’m sure they would have been happy to have you-- but you went after re-election instead because it matters for you in all the ways that count.”

Seo-ryeong sat there and felt like the queen had slapped her.

In all honesty she ran for re-election just to prove she could, and to prove she could win.

When would she stop needing to prove things?

Why was this woman, an eerie copy of her sister, assuming benevolence from her?

Her position required everything but benevolence. Her position required the grit and ruthlessness that would work to the country’s advantage but also ensure she remained in power.

And in one of those flashes of wisdom, Seo-ryeong realized it was the one thing she lacked. The one thing Seo-gyeong had and which she’d crushed in herself through the years of outplaying and outsmarting and crushing men. She’d had no benevolence left. Even her most altruistic campaigns and projects were rooted in currying the favor of the people of Corea.

The king had said something about benevolence to her, something about needing more than benevolence to make history, something about being the country's history.

Like she wasn’t? Her term would end but wasn’t she also contributing to the country’s history?

She remembered that night too well, too darkly, because she had seethed at his rejection, at his cavalier disregard of her, and it had only fanned the flames of her desire to crush him next.

Now he was out of reach, and her fury for him had turned to almost-dead embers. Now here was his queen so casually laying Koo Seo-ryeong bare. It hadn’t even been half an hour since she’d sat down.

It had taken one comment from the king to start her rise to power.

It had taken one comment from the queen now to shake her footing on that power.

“Do you like Lady Noh?”

Seo-Ryeong blinked, took a drink of water, and pretended as if she hadn’t just had the scare of her life. It was terrifying, wasn't it, to suddenly realize your motivations had been anything but, only a mad desire for...for spite and…

Calm down, unnie.

She composed herself. Perhaps Seo-gyeong and all her doubles--however many there turned out to be--were always meant to rub Seo-ryeong raw like this. And this time she couldn’t just get away like she'd left Seo-gyeong at home to stay at the university.

“I don’t know her well enough to like her, Your Majesty. She did school me when I first came to the palace.”

“Oh she did that to me, too. She’s always hiding talismans in my clothes.” The queen brought one out and showed it to her just at the edge of the table, out of sight of the others. “She says they’re talismans for success. I don’t need it that much, do I, not for the Institute’s opening?”

No, you don’t, do you? And if those were talismans for success, then I’m Princess Diana.

“Do you want it? You might need it more than I do.”

Seo-ryeong laughed outright. “No, ma’am. I don’t need that talisman.”

“Right. I suppose you don’t. You’re already successful.”

“That talisman is for the conception of children.”

The queen didn’t seem too surprised with that and only made an expressionless face. An expression Seo-ryeong knew only too well.

She’d always seen it in the king’s face.

“I suppose I could have endured worse than this.” The queen put the talisman back in her jacket pocket. Then she looked at the Prime Minister with a hard glint in her eye. “I saw you push her.”

“I beg your pardon?”

“In the security footage. Around October. You wanted to get to the king’s study and Lady Noh blocked your way and you pushed her.”

Seo-ryeong could only blink at her. Why was the queen looking at security footage from months ago? Did she have nothing to do in the palace?

Then she almost clapped a hand to her mouth because she had said that aloud.

She clenched her hand on her skirt. If this woman wasn’t the queen, Seo-ryeong would have said worse.

The queen was amused. She knew it was a breach of protocol, and she knew Seo-ryeong was embarrassed about it. “I don’t know. I was just curious about those dates. Don’t do it again.”

Seo-ryeong blinked at her some more.

“I want to stay here. I want to work here. There are things you and I can do. I think you’ll do it so well and you can teach me so much. So I might need to invite you to the palace. And you can certainly invite yourself over. But don’t ever push Lady Noh again. If she says the king or I or both of us aren’t home, believe her.”

Seo-ryeong was stunned. If she were queen, she’d guard the palace against all women. She grasped at something she could parry. “Why wouldn’t you stay here? Where else would you go?”

The queen just smiled at her, a smile that reached those eyes, making them shine. People had said the queen had speaking eyes. Seo-ryeong had scoffed. But she was seeing those eyes now. “Exactly. Where else should I be?”

The emotion and conviction in that answer reached Seo-ryeong in some deep part of her heart that also twinged when she spent too much time with Seo-gyeong.

She should call Seo-gyeong.

The program started and she and the queen paid attention. There were speeches both dull and interesting, a slideshow presentation that was more like a well-cut film, and then the ribbon cutting. And then it was done and the pathetic members of the media stood milling around the dais pretending they weren’t waiting for the queen to stand and give them photos.

The queen turned to her. “Shall we?”

At this point, Seo-ryeong was curious enough to take on whatever this strange person threw in her court. She knew the inner workings of the palace enough to know she wouldn’t be curious for long. They’d tell her what she needed to know when she needed to know.

She stood with the queen and walked to the dais, letting the queen walk two steps ahead. She’d avoided appearances with the queen for this reason. But to her surprise, following precedence for this strange woman didn’t grate on her as she’d thought it would.

As they stood there and the woman did that annoying chin tuck again, she said, “Thank you for the compliment of the invitation to the palace, Your Majesty.”

They smiled at the cameras. Flash exploded in multiple bursts and she soon couldn’t see much.

But she felt small hands come around her.

“I think you’d do perfectly at the ICC. But don’t leave just yet. You’re awesome and you’re needed here.”

Seo-ryeong found her arm going around the smaller woman’s shoulders--protocol be damned-- and she smiled. Really smiled.

__________________________________________

A/N: You know I’ve always loved that Tae-eul saw Seo-ryeong for her awesomeness. I really loved that.

No melodrama jealousy, only that fun-cute jealousy for Gon’s phantom dates at that riverside picnic spot. Lol. But for a real flesh-and-bone woman Corea actually shipped with Gon, Tae-eul only saw her achievements.

And as for Koo Seo-ryeong, there’s something really sad about her being pretty high up in the land but still needing, wanting to be queen. I always saw it as more than greed. She saw it as the pinnacle of accomplishment, since no one seems to see what she already accomplished.

She had fans, sure. I think Corea also loved her enough to elect her. But to her peers, she was actually being called out that her party had placed her in power in a meeting that was about the country, not the party. FFS.

It’s like they don’t see her. Years and years of that probably made inroads into her pride and self-esteem.

And during that meeting after the neck kiss, I really hated how misogynistic the lot of them were. There was not a single rational person in that party-- this is after they’ve seen PM Koo during the Japan skirmish, too.

No acknowledgment. To them, the PM just became this one-dimensional social climber/fish shop daughter who wanted to be queen and was currently sulking because someone else was going to be queen. KES just used the whole lot of them to try to underline that we should hate PM Koo, too. Badly done.

Anyway, Lee Lim being out of the picture means PM Koo doesn’t get corrupted by Lee Lim. So I don’t see why she became a corrupt assemblywoman, and that was also with a sweet adopted sister like Seo-gyeong to keep her grounded too! It didn’t make sense. I thought having a sister meant PM Koo wouldn’t be so full of herself lol, since her mother wouldn’t be spoiling her? But then next we saw her she was in prison! Wat asdjhfalkdjfhlajh

So in my head, PM Koo stays in Corea, still being a bossbitch PM and chewing incompetent asses, and then she meets this new queen who has the face of her sister.

And this queen saw her push an old lady-- which is admittedly evil-- but ALSO saw her for what she was-- someone awesome, someone who could teach the queen, someone they needed.

She was.

#CoreaFiction #the king eternal monarch #the king: eternal monarch #jeong tae eul #koo seo ryeong #lee gon #TKEM #TKEM fan fic

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travllingbunny · 4 years

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The 100: 7x02 The Garden

I love this episode. Mostly for the beautiful and emotionally complex Octavia-centric flashback story, for all the exciting revelations about the nature of the Anomaly and time dilation and the overall story of this season (all the exposition was done in a surprisingly natural way and never bothered me), and the way the two timelines were interwoven. It says a lot that I wasn’t even bothered by the lack of Clarke or Bellamy - or the fact that this episode featured only 6 characters (plus some extras in suits), one of which was a deranged minor character we’ve never seen before. Episodes focused on a small number of characters and plots often feel more coherent.

Comparisons between The Garden and Eden are obvious, the two even have basically the same title, and many similarities and contrasts, so I rewatched Eden yesterday, and I’ll be writing a post about that episode soon, too. I rewatched the entire show just before season 7 started, but season 5 is the only one I’ve never written reviews of, so this seems like the right occasion. it will also be interesting to rewatch Red Queen after this.

One of the things that I noticed rewatching season 5 is how well the cinematography has been used in seasons 5, 6 and 7 and how it differentiates different worlds. The ruined Earth in season 5 was mostly in sepia, yellow and grey tones, looking like a gloomy desert - except for Eden, which had normal colors. Sanctum has bright colors - it’s beautiful, but a little too colorful, almost psychedelic, dangerous. Skyring in this episode mostly seen in soft light and blueish-green colors - a peaceful paradise.

Or is that a prison? A solitary/house arrest? I love this duality - it can be both. The most beautiful place can be a prison that drives you insane, if you’re all alone.

One garden, two serpents

Isolation is a theme we’ve seen on The 100 with many characters: Clarke was in a solitary for a year, distracting herself with drawings, then alone roaming around for 3 months, then forced to spend 6 years on a deserted planet, but she was only completely alone for the first 2 months, when she was fighting with nature and lack of food and water as much as with loneliness, and she was talking to Bellamy every day - who couldn’t even hear her - and hoping to see him again. Murphy was alone for 3 months in a fully stacked bunker on Becca’s island, but comfort is no help when you’re all alone, only have one and the same videos to watch and music to listen to, and you don’t know if you’re getting out. Octavia was the Girl Under the Floor for 16 years, and she had her mother and brother, but no one else; then she was locked up for a year; and after all the fighting, including the 6 years in the bunker with 1200 people she ruled over (which was maybe the time when she was more lonely than ever!), she ended up spending 10 years of her life on a planet with a family of two people - again - and no one else, and - just as when she was a child - with little hope that she will ever have a chance to meet anyone else. And here we see the effects of a prolonged isolation from everyone else, with poor Orlando (that’s what he’s called in the end credits), the prisoner who dug out dead bodies and used a creepy doll just to have an illusion of friends.

Unlike Clarke in 5x01, Octavia did not have to struggle with loneliness or fight to survive, but the paradise in which she had accidentally ended up in was also a prison of sorts, since she could not get out of it and was likely to spend all her life there, without ever seeing her brother or any other people, except for Diyoza and Hope. Like Clarke, Octavia found a family, and a child to take care of, but unlike Clarke, Octavia did not become a little girl’s adoptive or substitute mother.

The title evokes Diyoza’s line from 5x13: “One garden, two serpents. Eden never stood a chance.” Instead, they got to have their paradise here, until Octavia’s attempt to send her brother a message brought the Disciples from Bardo there to capture them. I’m not sure if that was a bad or a good thing - since that was probably their only way out of Skyring.

(There’s also a literal garden in the episode, and this was the first time we saw Octavia farm the land since 4x09, when she learned how to do it on Ilian’s farm. That was the last time Octavia tried to escape her darkness by having an idyllic farm life and a relationship, at least for a few days before the end of the world comes, but her past came back in the form of those people who recognized and attacked her - and she realized she wasn’t cut out for peace and rode into Polis looking for a war. She wasn’t ready at the time to give up violence. In season 5, she insisted that “Farmers won’t save the world, warriors will” - which Monty proved wrong. And now, Octavia has become a farmer.)

But Octavia’s paradise was forced on her, and it was clear that she and Diyoza didn’t really feel the same about living the rest of their lives on Skyring. The difference is, Diyoza doesn’t have anyone else in the world she cares about - everyone she once cared about has been dead for centuries. and she has given up on trying to change the world. She obviously wanted to do it once, when she was fighting “the fascist government who tried to take my home” and blowing up buildings, but she’s now tired of the violence, after being a terrorist/rebel, then a prisoner of a big corporation, again a rebel fighting against that corporation to save prisoners from being left to die just because they were deemed expendable, then she led another war - which ended with her baby-daddy destroying the Earth, and now she’s tired of the violence and wants to have a different life in peace with her daughter, who she didn’t even want to teach fighting of any kind. She’s also content to live without ever reuniting with the rest of the human race. Maybe partly because she was quite hurt to learn that she was supposedly in history books as one of the worst people ever. (Which she really shouldn’t have taken seriously - since it was Russell who said it, so these “history books” can only be Sanctum history books, written by Russell or his family members or other Primes. They left Earth around the time when Diyoza was just arrested, so it’s unlikely they even knew what history books said about her in the next few years - and even if those history books said so, they would be history books written under the same government Diyoza was fighting against.)

Octavia, on the other hand, still has other people she cares about in the world, most of all her brother. Not only did she leave a time when she knew Bellamy and others are likely to be in danger from the Primes - and she had no way of knowing they had learned the truth about the Primes by themselves - but they parted on bad terms and with unresolved issues and with no catharsis, and Bellamy would probably be left thinking she really died when he left her on Alpha - instead of learning that she did resolve her issues and find peace. She didn’t know that her attempts to get back the way she came, through the lake, would never work - if she had succeeded, she would have probably ended up on Bardo instead. Ironically, only when she made peace with the fact she couldn’t go back and sent a letter in a bottle, it ended up alerting the Disciples - but it all eventually resulted in Octavia ending up back on Sanctum in the same place she left (whether she escaped and came back from Bardo or through some other planet?), and got the chance to tell Bellamy in person that she understands him now.

There’s some ambiguity about Octavia’s relationships with Diyoza and Hope - at times it seems that Octavia is Hope’s co-parent: she lives with them and is closely involved in raising Hope, after all - not exactly like an aunt who just occasionally visits and plays with the kid. All three of them are shown as a close family unit. However, Octavia does not see herself as Hope’s mother - nor does Hope see her that way. She is “Aunty O”. Hope has a mother, and not an absent or inattentive one, but someone like Diyoza, fully focused on raising her daughter. Octavia and Diyoza may be seen as sisters - with “Aunty O” and Octavia telling Bellamy in the letter that she loves her like she loves him even though she’s a ‘pain in the ass’. Or they could look like “an old married couple”, as Diyoza called them back in season 6 when they were finishing each other sentences.

(But if we’re supposed to think that Octavia’s and Diyoza’s close relationship never got sexual in any way, in spite of the fact they lived together for 10 years without any other adults around and with almost no hope they would ever see another adult, then I guess one or both of them is really extremely heterosexual, real 0 on Kinsey’s scale. If we’re supposed to think that. Technically, we don’t know for sure.)

Anyway, this ambiguity of whether Octavia was a co-parent to Hope or not has caused some debate on Twitter about what degree of responsibility Octavia exactly had towards Hope and whether she was allowed to leave her. But even if Octavia is seen as a co-parent, I don’t subscribe to the idea that every adult, especially a woman, who comes into the situation of taking care of a child must immediately forget about all other relationships, concerns and desire and subjugate their entire life to taking care of that child. Especially when it also means that the child will be isolated from the world at large. I didn’t think it was healthy when Bellamy’s whole life revolved around protecting Octavia, either, or when Clarke, after escaping Polis in season 5, thought for a moment that her and Madi living all alone, as they did during those 6 years, would be an OK future for either of them.

Octavia may not have thought the whole time dilation through (yes, it’s quite likely Hope would be old or die before she returned from Sanctum with the other people, since she’d need time to find Bellamy and others, explain things to them and back them go back, but she still had hope (no pun intended) that both she and Hope could have more of life than and was still fighting to make contact with her people on the other side. Diyoza may have been right about the time dilation, but how did she imagine Hope’s life was going to be in the future? Yes, if Octavia left, Hope would end up alone after Diyoza died. But if Octavia stayed, Hope would still be left all alone after Diyoza and Octavia died, and never got a chance to meet anyone else, have any other kind of life, be a part of the human race.

One may argue Diyoza was being selfish, trying to keep Octavia there, and she certainly did take away Octavia’s choice and forced her to stay. Though, in her defense, she thought she was saving her life - but it was still was one of those “I’m making choices for you because I know what’s best for you”. And it wasn’t her whole motivation - it was mostly about wanting to keep Octavia there as a part of their family unit. Octavia called her out on the fact that it wasn’t all about Hope, it was about their relationship, too. Which certainly seemed emotionally intense, with Diyoza being hurt and sort of jealous at the thought that Octavia would leave her and Hope and that she may love her less than she loves her brother.

The episode played a lot with the parallels between Octavia and Bellamy, with O using what she had learned from Bellamy to take care of young Hope the same way. And the parallel between Octavia and Hope as “Girls Under the Floor” were even more obvious, even before Hope literally had to go under the floor to hide from the Disciples. That would put Diyoza in Aurora’s role and Octavia in Bellamy’s. It’s not a perfect parallel, as Bellamy didn’t have any other strong attachments to anyone or any other family while Aurora was alive. But, while Aurora seemed to have no other vision for the future except focusing fully on hiding Octavia, Bellamy tried to give his sister an opportunity to meet other people and live a life - by taking her to the dance - and Octavia was similarly the one who wished to bring other people to Skyring and was giving Hope the hope (!) she would meet them.

The Three Stooges and the Anomaly

(Thanks @jeanie205 for that moniker LOL) The one thing that brings down this episode (I’m taking away half the point from it) is the very unlikely degree of plot-induced incompetence that the trio of Hope, Echo and Gabriel displayed throughout this episode - so they could get stuck on Skyring, maybe for 5 years:

Hope knew the bridge was under the lake - she should have known the note could get washed up!

How come Hope didn’t know there was more than one door to the cabin? Or if Orlando built the other door, or someone else who was there while she was away, how come none of the trio noticed that other door?

Even the windows looked big enough for someone to come in. Why didn’t at least one of them stand guard in the cabin? Or at least somewhere close where they could see what’s happening in the cabin? Why were they both sitting somewhere outside? They weren’t even close to the door. Did they think Orlando could only come into the cabin from one direction?

Why didn’t Gabriel take the memory viewer with him when he ran out? Come on, dude, that’s one of the most important things you have there, and you know there is a deranged guy outside, and you just leave it there?

Still, I enjoyed this part of the story, too, especially with all the new info we got - which got me speculating the whole week - see my theories here.

Gabriel is so adorable as an old man scientist in a young body and even the fact he is more interested in the Anomaly than in any living human is kind of endearing. We also got a glimpse of the nerdy young doctor who was once crushing on Becca before going to the mission and meeting Josephine.

Echo is finally starting to justify her main character billing this season, getting an actual storyline rather than tagging along around Bellamy, and she is already a much more enjoyable character. She hasn’t actually changed much yet - but she’s now put in the position as an audience surrogate, wondering what the heck is going and asking question like “Where is Bellamy?” while Hope and Gabriel spout exposition (they do it so well though that you don’t even mind it). It helps a lot that she’s not around any of the Spacekru, so we don’t have to deal with the forced “we’re all close family due to the 6 years off-screen, which we spent in utter boredom and without any actual dangers we’d have to deal with” dynamic. Instead, now a character she’s interacting with (Hope) and Echo’s own hallucinations are constantly calling her out on her past actions, which helps fix the issue that season 5 created - the impression that Echo is the one character who doesn’t have to deal with the consequences of her past actions, with her past being simply waved away with “they spent 6 years with her and she’s now one of the good guys” (Although, while I like Hope calling Echo out, Hope got it wrong - Echo didn’t kick Octavia over the cliff after stabbing her, Octavia tripped and fell. But that’s not the first time in the show the writers Octavia has misremembered an event.)

This will be the second time Echo is stuck somewhere in a peaceful place with just a few people for 6 5 years. How much of this will be off-screen? It certainly helps that we’ve already seen her interact with Hope and Gabriel in two episodes, and the dynamic between Hope and Echo is developing, with Echo starting to comfort Hope when Hope showed vulnerability behind her fast-talking snarky exterior.

Echo still doesn’t seem ready to “face her demons”, since her reaction to her own hallucination telling her she’s still just a killer and asking her who she is if she doesn’t have someone (Bellamy) to follow, was to ignore it and try to kill people and now swear she’ll kill everyone she needs to in order to get to Bellamy. But I assume this is just the beginning of her long overdue character development.

Was there significance to Echo plucking the flower and then looking at the sky? Was it simply her starting to appreciate the beauty of the planet? t It reminds me of how Clarke was touching the flowers in Eden in 5x01.

Other observations:

Technically, I guess this episode was really Hope-centric, since she was the only character in both timelines.

I’m not sure what exactly the scientific explanation is for Octavia’s arm healing the moment she got to Skyring. How does the whole temporal flare thing work?

"What is it about Bellamy that makes otherwise sensible women willing to die for him?” - I see what they did there. I bet this is a hint about what the focus of a lot of this season is. Hope meant Echo and Octavia, but we know that Clarke’s storyline will also soon become about looking for Bellamy “her missing people”, “her family”, “people she loves”. On the other hand, I’m not sure how much it makes sense for Hope to ask that - she must have heard Octavia’s stories about Bellamy, so she’d know what it is about him that’s so special - his devotion to those he loves and how ready he is to do anything for them. But maybe Hope felt some of that same jealousy Diyoza did, or her mom’s jealousy rubbed off on her, because Octavia kept trying to get back to her brother.

It’s interesting that Octavia named “Bellamy, Clarke and Madi” as the main people she wanted to bring here. She didn’t mention Raven or Miller (as she would if she was talking about the Delinquents as a family going back to season 1, or even her mentor Indra, or friend Niylah. Just Bellamy and Clarke and Madi - as a part of her family she wants to bring. There’s no reason why she’d see Madi as her family but not Indra, so this definitely seems like Clarke and Madi are seen as Bellamy’s family and a package deal in Octavia’s eyes. (And that’s before she even witnessed what happened in 6x10.) Not that surprising considering Octavia’s “another traitor who you love” comment from 5x08 and her dislike of Echo. Ironically, almost killed all three of them as Blodreina, which is maybe also a sign of how much she’s disconnecting from that role - even though she hasn’t gone through her 6x09 Face Your Demons hallucination yet.

It turns out Octavia was older than Bellamy in 6x09-6x13. The green box was probably her peaceful life on Skyring that she did not remember. But the red box was the unfinished business with her past. It seems that she was changed psychologically by her time on Skyring even without remembering it.

Hope is now the third child raised on stories about the Delinquents. Little Hope liked Murphy, just like Jordan did during his “rebellious phase”. Madi, however, was an Octavia fan.

I guess Orlando saw Hope’s name written on the door, since it doesn’t seem they ever met before. But where did the creepy doll come from?

If prisoners all end up insane as he did - and they probably do, after such long periods of complete isolation - that’s a really messed up way of making people into “true believers”, by breaking them completely. A solitary confinement that’s years long? Cruel.

The Bardo symbol (Phoenix) was seen in the bucket and bottle Octavia was using, which proves that the Bardo people had already been on the planet before Octavia and Diyoza ended up on it.

If Orlando had no one else to dig out, I guess they always make sure to bring the prisoners back after they’ve served their sentence. But they probably killed Dev. I hope we get the story about Dev and Hope in flashbacks. Seeing what his facial expression was at the time of death, that guy certainly didn’t die a natural death.

The Becca cameo was cool, and this was a whole new face of Becca, kind of cheeky and funny. But her comment that time dilation is “sexy as hell”... um, OK, Yeah, how lucky you get to “get to the future faster” and possibly die before getting a chance to ever reunite with anyone else you know? To be fair, she did not expect all the others in the mission to die and leave poor Colin on his own.

Gabriel “had to be sure she (Josephine) was really gone”. But maybe a part of him deep inside hoped she wasn’t..

So the Anomaly was already there when Colin Benson crashed on the planet. Hmm... that seems to go against my theory that the Anomaly Stones were made by humans at some point during the previous 230 years, but I’m still not giving up on it. Eligius 3 must have travelled longer to Skyring, if it is so far away from Earth and Sanctum, I don’t think that “Beta” meant that Skyring was the second stop of Eligius 3 - maybe the planets were graded by how good conditions they had for human life. Which would put Sanctum and Skyring at the top, but Sanctum was closer. And with all sorts of time shenanigans going around, maybe there’s some way that the Anomaly Stones could have been placed there by humans. I just can’t believe that it was really some alien race millions of years ago, especially with the Anomaly symbols looking like Greek letters, many of those used in physics or math, the gender symbols, and the infinity symbol is there, too.

This was one of the rare episodes of The 100 where no one died. Though we did learn about some people’s past deaths.

Rating: 9/10

#the 100 #the 100 7x02 #the garden #the 100 season 7 #octavia blake #charmaine diyoza #hope diyoza #gabriel santiago #octavia x diyoza #echo kom azgeda #bellamy blake #madi griffin

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linkspooky · 4 years

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Top 10 Danganronpa characters

Normally my motto is “No Heroes, Only Villains.” In general I tend to dislike main characters because a lot of authors take short cuts to have the main character feel important, and end up bending the story around them. Whereas while villains are darker characters overall, because the narrative always frames their actions as bad they are usually far more complex characters with deeper, darker, struggles driving them udnerneath the surface.

The one exception to my rule is Uchikoshi’s Zero Escape series, and Kodaka’s Dangan Ronpa series where I usually end up stanning the protagonist. Due to the fact that the objective of Dangan Ronpa is to inflict as much despair on the protagonist as possible, I can kind of see why this series is the one exception to my rule.

1. Mukuro Ikusaba - “I’m so sorry, Junko. I never really understood what despair was. But it’s going to be all right now. I finally understand. So… I’ll make sure I make you happy, Junko. I’ll make sure I fill you with despair. I’ll save Makoto… I’ll make sure the others don’t die. I’ll let them escape from this place…”

Most of the entries on this list are going to be characters I think have a solid narrative in their game/source material, rather than just picking characters I like. For example I like Tanaka, Mikan, a lot of the characters that fill up the killing game cast are faves however I want to judge them for their arc as a whole. Ikusaba Mukuro is my one exception because she is my absolute favorite character in Dangan Ronpa and she’s one of the most wasted narrative potentials. This likely comes as a result of Dangan Ronpa the original being the worst written game of the three, which lets a lot of its characters including Mukuro go to waste.

Mukuro is a child soldier who’s been trained her entire life. She’s also a victim of sibling abuse, from her only genuine family and the one who loves her. What complicates this is Mukuro is also a bad person, she’s a terrorist who works for despair not because she believes it, but instead to make her sister happy. Mukuro’s lived her entire life to make her sister happy, and her sister loves nothing more than misery despair. You can see where the conflict arises.

Narita’s rendition of Mukuro makes her one of the best characters in Dangan Ronpa. She’s a heartless murderer, but that’s because she has no one in her life except Junko. Of course life is worthless to her she’s never even been shown how to live. When Mukuro is introduced to ideas like love, she’s actually terrified. She’s so scared of other people she considers just talking to people to be worse than taking a shotgun blast to the face. Mukuro’s just so bad at being herself it’s easier to be the doll that Junko plays with. Which is why her turning from despair to hope because of the connections she made with Class 78, and Makoto still believing in her even after she chose to betray them and start the killing game is one of the coolest narrative ideas in Dangan Ronpa. Too bad it only happens in a Ryoga Narita short story.

2. Matsuda Yauske - “Who are you going to report me to? The National Japanese Ugly People Association? That kind of organization would be guilty of discrimination just by existing.”

Matsuda is also a character that could have had greater importance to the series as a whole, but I do think Dangan Ronpa Zero enough to tell his story. Matsuda is an almost perfect protagonist of a tragedy, his heroic qualities are what drag him underneath the surface of the water and cause him to drown. He’s just a kid who wants to protect his childhood friend no matter what the cost. After losing his mother, he made a promise that the two of them were going to spend the rest of their lives taking care of each other and Matsuda does his best to fulfill his end of that promise.

Oh, also that childhood friend is a terrorist trying to destroy the school he is currently attending, and also killing several innocent people and forcing him to hide the bodies. Matsuda is deep down a very good person, but he hides it under his apathetic attitude and his harsh tongue. It shows that good people are perfectly capable of doing bad things. Matsuda knows exactly how wrong his actions are, but he takes them anyway out of desperation. We see him agonize over what he has to do, and then never forgive himself when he does. The rapid deterioration of his mental state because he a doctor, is hurting people, and even hurting the one he loves by protecting her is so compelling. Junko’s claws are already dug so deep into his skin, but he doesn’t want to escape because even with her arms wrapped around her neck at least Junko is still holding onto him.

Matsuda’s a character whose both selfless to an unhealthy extent, and also self-motivated. Junko points this out (helpfully) and his complexity comes from the fact he’s not either or, but both at once. Yes, he’s trying to fix what happened to his mother by fixing Junko’s brain. Yes, he wants to protect Junko because that gives him a place to belong. However, at the same time he is doing all of this because he does genuinely love Junko, and that’s his despair. You can tell despite Ryoko being a Junko who does not care about despair, who is happy go lucky and completely dependant on him like he wants, she chafes him. He can’t stand Ryoko deep down, because he knows Ryoko is not Junko. Matsuda defines him entirely by his use to others and he fell in love with the girl who only knows how to use and manipulate others. It’s a match made in hell.

3. Enoshima Junko - Hope is harmony. A just heart, moving toward the light. That is all. Despair is hope’s polar opposite. It is messy and confusing.

The most hardworking character in any story is the villain. Junko defines Danganronpa, Junko practically is Dangan Ronpa. That being said while her appearances in the main games are fun to read, she really shines as a fave of mine in Dangan Ronpa Zero. This is the few times we get a peek at what’s going on inside of Junko’s head instead of having to view from what she decides to show us on the outside.

Junko’s so fascinating because she’s just too smart for the world around her. Her brain’s not broken, it works a little bit too well. She sees no point in making relationships because everybody around her acts so predictably they might as well be playing roles on a stage. Everyone is reading off of a script without even knowing it.

You get the sense that Junko this amazingly talented girl, idolized, worshipped, loved by all, always in the center of the spotlight, just wants any life that’s not hers. Despite having been handed everything she can’t enjoy a single part of life. She has a very “I’m taking my ball and going home attitude” towards hope, if Junko can’t see the appeal of hope, if she can’t enjoy her school life then no one should be able to.

There’s something viscerally pleasing to read in her desire to break the world around her. If everybody is reading from a script then burn the script. If everyone fits too easily into a box then she should destroy all the boxes. Junko herself is more of a personified Jungian Shadow, meant to drudge up the worst parts of society from the bottom of the ocean and make it float and burn on the surface of the water like long buried oil. However, I also find her character to be unique and compelling, not because she’s a psychopath but rather because she isn’t. Junko is capable of loving people, but she’s so bored that you’re guranteed to be worse off if she likes you, because you’re going to be disected while still alive just to prove you’re a living person and not a doll.

4. Saihara Shuichi - “The only time I can use my detective talent is after someone dies… A detective…can’t save anyone. I’m only useful after it’s already too late.”

Welcome to the I-Like-Dangan-Ronpa protagonists list. Shuichi is my favorite protagonist for a main sereis game, because he’s really the only one who has a strong arc through all six chapters. Makoto is the original danganronpa protagonist, but he’s much more interesting when he’s deconstructed by the other characters around him.

Shuichi’s so interesting as a protagonist because he doesn’t always keep on hoping. In fact he gets scared, he runs away, he lies in his bed for days doing absolutely nothing. Shuichi is just as sensitive of a boy as Makoto is, but that emotinoal sensitivity is a flaw because it makes him fragile. Makoto would never give into despair, but Shuichi does which makes him all the more strong for pulling out of it.

He’s timid, easily gets pushed around by others, what makes Shuichi so appealing is because he’s a terrible main character. The game even highlights this in the protaognist swap, Kaede was too strong, and Shuichi too weak to be a lead. There’s even hatemail in the game that’s like Shuichi sucks bring Kaede back and it’s hilarious. He has none of the strength of normal main characters. In fact he’s a walking bundle of nerves and weaknesses. Despite being a detective he’s not even as great as investigating as Kirigiri, and definitely not as cool. Yet, Shuichi struggles so much for every single step in the way. Most of the Dangan Ronpa games end with We’ll keep on hoping, which is a fine message but also pretty generic. DRV3 has the strongest themes of the series and it ends with Shuichi saying I don’t give a damn about hope, I’m going back to my real life. Which is all the stronger because you find out that Shuichi isn’t special, nor was he even that great of a person, he’s just kind of an creepy anti-social kid that sucked. His improvement feels so great because we’ve seen him accept that past self, but at the same time leave it behind.

5. Akamatsu Kaede “..And that's why we need to expose the mastermind and end this dumb killing game! So we can smile with everyone else!”

Kaede is also another comnentary on Makoto, but instead of passive she’s active. I’ve always called her an aggressive optimist. Makoto will just be very tolerant of other people, be patient with them, listen to them, whereas Kaede wants to be friends and she will beat your tragic backstory out of you if she needs to.

This is once again a case of a great Dangan Ronpa character going to waste, but the protagonist switch gave us Shuichi so while I’m disappointed I can still live with the choice. What I love about Kaede and Shuichi as dual protagonists is how well they compliment one another. Kaede is friendly and social but she’s not necessarily nice or empathic. Shuichi is nice and empathic, but he’s anti-social and too timid to go out and make friends. I like deconstructions of empathy because Shuichi is kind of too empathic, he’s always so concerned with how others feel he lets his own heart get trampled over. Kaede’s the exact opposite, she’ll trample over other people trying to make them happy because she’s just too headstrong.

She’s a version of Makoto where her relentless optimism, her ability to make friends, both of these things are flaws because Kaede doesn’t really understand other people’s struggles the same way Shuichi does. Which is why both of them shine the best when they’re together because as a duo they really don’t get along that much underneath the surface. Kaede is all about trusting everyone, but in the end she takes everything into her own hands. Shuichi acts like he wants everyone to rely on him but at the same time his self esteem is so low that he wants someone else to come and take the responsibility away from him. Which is why their relationship which seems to be perfectly complementary on the surface falls apart. Another thing I love about the two of them is most of the Dangan Ronpa guy/girl investigation duos are basically the girl just giving hints and being perfectly helpful to the guy the entire time, whereas Shuichi and Kaede both lie to each other while pretending they’re each other’s most trusted person.

It’s a really great arc even if I wish Kaede had lived to see the consequences of the two of them falling apart and failing to trust each other rather than dying.

6. Hinata Hajime / Izuru Kamukura “I’m not interested.”

Hinata Hajime is a boring rehash of Naegi Makoto whose only major difference is being slightly more anxious for the first five chapters, and then he becomes one of the most amazing characters in Dangan Ronpa. If you reread SDR2 knowing the Izuru Twist, Hinata’s character becomes a lot more distinct.

The best way I’ve ever heard Hinata described is “Like Makoto, but not genuine about it.” Makoto is just a friendly guy who really likes everyone and really wants to help everyone, he’s kind of simple. Whereas, Hinata wants to be that person really desperately but he can’t. Because Hinata wants to be important. When he helps someone he wants to be relied on. When he makes a friend, he wants them to be an important friend. He wants to be selfless, but he can’t stop thinking about himself for one minute because he’s an anxious mess.

DR3 is bad, but one of the few things it got right was Reserve Course Hinata’s genuine attitude. He seems angry and confrontational, but that’s only because he hates the idea of other people looking down on him. He’s always worried about what other people think of him, so being so confrontational helps him be avoidant. Nobody looks too close if he pretends to have a strong personality.

Hinata is just someone so intensely disatisfied with himself he decided to get a surgery to take his brain out of his head and let him become someone else. Except Hinata can’t escape himself because Koameda is walking around as a walking callout post for him. This is what you look like. This is how you act. This is what you became in your desperation to become special, Komaeda just doesn’t hide it.

7. Fukawa Toko “My theory is that happy people can only write happy, shallow novels.“

Everybody told me to wait until UDG before I judged anything about Toko, but she was one of the few Non-Junko characters that I loved from the first game. What I like about Toko is how ugly, and miserable she is at all times. Toko’s like so unlikable that people generally get along with her split-personality better than her, because even though Jack is a serial killer she’s less difficult to deal with.

Toko’s actually pretty low empathy. She doesn’t feel that much guilt over Jack being a serial killer. She doesn’t see herself in people suffering in front of her, even when they’re literal children who turned to murder because their parents were abusing them so badly she’s like nope, nope, nothing to see here. However that’s the appeal, Toko’s literally had the empathy beaten out of her. The reason she doesn’t feel those things is because she can’t.

Toko’s so obviously broken, she’s a bundle of inferiority complexes and trauma just trying desperately to hide herself together. She’s an obvious victim of bullying, and yet she’ll bully people the second they get close to her. She’s not soft, or nice at all, and will say things to hurt you. Toko responds to ugliness with ugliness. She responds to hatred with hatred. She’s cinderella but she wasn’t able to remain kind when her wicked stepmothers abused her, os she became a serial killer instead. There’s something so raw about a girl cut apart with scissors desperately trying to piece herself back together.

8. Shingetsu Nagisa "D-Don't be stupid! That's not true! I'll be a kid until I die! I would rather die right now than become an adult! Don't you believe me?"

I love all the kids from Ultra Despair girls, but once again Nagisa is my favorite because he has the most developed arc out of all of them. Nagisa is continually acting burdened by everyone around him. He’s always way in over his head, up to his neck in blood and has no idea what to do. He’s also the only one who seems to be consciously aware that they’re doing something bad and trying to justify it to himself.

Nagisa is always overburdening himself, but much like Matsuda he does this because it’s the only way he knows how to function. If he wasn’t useful to everyone around him he would be thrown out. Nagisa continually pushes himself into unhealthier and unhealthier situations.

And the best part about his arc is we get to see him crumble. He has this narrative where everyone always has expectations for him, and being told that nobody expects anything from him is his breaking point. He’s begging people to use him. He descends into a screaming fit and you realize this is a kid who has been used his entire life and thinks being loved is having someone who needs you.

9. “I am not like you. I believe in power. No matter how many I make into victims, even if it means my death, I shall destroy despair. That is my resolve!”

It’s hard to describe why I like Munakata. His confrontation with Makoto is one of my favorite scenes in the series, but out of context Dangan Ronpa dialogue always sounds so ridiculous. Munakata, no we need to kill the concept of despair, we need to kill everyone whose ever even felt sadness. If you disregard how the hope vs despair conflict kind of got ridiculous in DR3, there’s a lot of interesting parts about Munakata’s character.

He’s like a version of Makoto’s character who grew up into someone really unpleasant. He’s trying so hard to be the symbol of hope that Makoto just kind of is on accident. He’s one of the few characters who is a strict idealist that I like, because it shows how much Munakata cares about ideas over justice or hope over people to the point where he ends up being the reason that the people he loved dies.

I like Munakata because he’s a bad person even though he’s fighting for objectively good reasons. He’s such a strict utilitarian he always uses people and has to be in control. He’s terrible to his own close friends. You get the sense that he never really knew either of them. That’s why it’s fun to see him destroy everything with his own hands, and realize after the fact that even when he was nothing left to fight for he has to keep going. Kodaka originally said he was going to die, but he realized making him live at the end with no reason to live was the better option and I agree it was the best possible conclusion to his character.

10. “Because you know I...things like murder, these kinds of abnormal crimes, from the bottom of my heart... LOVE THEM MORE THAN ANYTHING.”

Takumi is a big weirdo and I love him. He’s a unique vigilante killer who kills other serial killers not because of any sense of justice, but rather because he thinks they’re all way too lame and he wants to find a really cool killer that lives up to his standards. Takumi is all about the spectacle of killing.

His brain is so weird that to him the feeling of watching his classmates cut apart with a knife is similiar to the feeling of falling in love. He’s a copycat killer but only because the killers he meet are so incompetent and unmotivated that he has to show them how to do it better.

You get the sense that some part of Takumi is dead inside, because when he’s not killing people he’s lounging around acting like a NEET. He likes murder because the knowledge that death is so close is the only thing that makes him truly feel alive and life worth living to him. Ironically, he’s searching for a way to live in his grim fascination with death. There’s just so many tropes turned on their head and inverted for Takumi to the point where black becomes white and white becomes black that it makes his whole story so fun.

#kaibutsushidousha #spooky speaks #mukuro ikusaba #matsuda yasuke #junko enoshima #shuichi saihara #kaede akamatsu #hinata hajime #fukawa toko #nagisa shingetsu #munakata kyosuke #takumi hijirihara

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tarajenkins · 5 years

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Given what you've said of Vauthry, about how we're never given any chance to even try and redeem him, help him become a better person, I'd like to ask: how would you go about "saving" him? When he transforms into that Lucifer/Archangel Michael-looking guy, he seems permanently lost, but how would you write out a redemption narrative for him?

I love this ask, I hate the answer I have to give. But it’s gonna be a long response anyway, because context and because you already know I don’t know when to shut up about characters, lmao.

SO I HOPE YOU LOVE HEARING ME RAMBLE UNDER THIS CUT (but I won’t blame you if you don’t)

I don’t think the in-game narrative allows Vauthry any chance at redemption in the current time, even if he had the agency to take it. I don’t think we ever saw what he actually could have been. I think what we saw in Shadowbringers was the Lightwarden he’d been carrying finally “awakening”, as Innocence’s Triple Triad card put it. Or, as the X-Files put it in their eighth ep: “We are not who we are”.

Even if that Lightwarden could be driven out of him (I know an “Aethertech” who would do anything to make that possible cough), I don’t know if he’d regain clarity he may never have had to start. I’d love to think that he did, a long time ago. The Minstreling Wanderer tells us he can’t say whether or not Vauthry was a monster as a child, when you unlock Crown Of The Immaculate EX.

I believe the Lightwarden’s influence was driving a lot of his brutal acts of “justice”, because that is kinda their whole thing. As for the man inside the monster? I have a hunch he was desperate to not be seen as unnatural, and was trying to make sense out of what was happening to him in a way that would not make him a hybrid abomination. Because if he wasn’t a God, if he wasn’t this divine thing he was told he was – then what was he? The way he worded it, “this is why I was born…as man and Sin Eater both…” – it makes me feel he had, at some point in his life, at least once, ASKED why he was born as he was. That he had perceived it was wrong. He needed it to be right. And that was just fuel to the corruption fire.

The talk of godhood actually seemed to be a recent phenomenon, as no other NPC mentions a thing about it – they refer to him as “Lord Vauthry”, and speak of him in mortal terms, apart from his miraculous ability to keep the Sin Eaters at bay. He freely boasted of being a God to the Crystal Exarch, yet we’re to believe he didn’t say a word to his own people, all this time? Or that no one, in turn, would mention to us “Yyyyeah, about this guy….” Mayor Punchable Face may have told him he was a God, but it doesn’t sound like Vauthry bought into it enough to spread the good word for at least twenty years.

Also consider he called his transformation into Innocence a “trial”. Why would a god need to be tested? And by whom?

By the time we see him in-game, it seemed he was in a rapid decline of sanity, or at least the ability to keep up appearances, and whatever was left of him was fervently clinging to the only purpose he was ever apparently given – which is exactly what that Lightwarden (and Emet-Selch) would want.

He was really cynical about the rest of humanity. Given his father, I can see where he’d get that from. Not that daddy told him people suck, it’s that Vauthry probably learned that by his father’s example. Maybe by the rest of Eulmore, too, but I got the impression he was kept seriously isolated from society before his inauguration. He seems to prefer being alone – he only leaves that room when he moves the Sin Eaters against Lakeland. He gives no indication he knows how to socialize, period. You either come to him, or you don’t see him. (He may be keenly aware humes don’t typically reach at least fifteen feet tall. Seriously, look at Cruelty’s size compared to player characters, now look how Cruelty makes a comfy couch for him.)

Cynical, and yet, he wanted to see the people of Eulmore’s “dreams fulfilled, their wishes granted”. Just so long as he was the one responsible, and he was the one recognized for it. He needed their acceptance.

ANYHOO. On to stuff I still have zero idea what to make of.

I should preface the rest of this infodump with the fact I found the Eulmore arc to be the weakest of the expansion, between Vauthry and Ran'jit. Most of the MSQ was given nuance. Eulmore was given a Saturday Morning Cartoon sledge. A -lot- of questions, with no answers, unless Squeenix decides to be generous in a fifty-buck lore book later. (something I hated Warcraft for. I should not have to pony up for a book to understand the main story quest chain in a game.) So, here are some of the questions I’ve got:

- FOOL! THAT WILL NEVER WORK!

They don’t really explain why Emet-Selch thought corrupting an infant was a good plan, as the Sin Eaters seemed guaranteed a win on The First, if only by outlasting the survivors of the Flood. Impatience, maybe? Why not give it to the mayor? That dickpickle would’ve said yes. Maybe we’ll get more answers with the Eden raid. IT’D BE NICE *COUGH*

- The meol thing.

It’s using Sin Eater’s non-existant flesh to make a bread, and through that bit of Sin Eater, Vauthry could control whoever ate it. The fanbase loves the “soylent green is people” angle, but it’s done pretty haphazardly, when you think about it like that? Sin Eaters have no lasting corporeal body. They are Light, mixed with a bit of the lingering essence of whatever they originally were – and what they originally were did not have to be humanoid. They dissolve into sparklies in the air upon death – and arguably, they would not have to die to contribute sparklies to somehow mix into food. Forgiven Cruelty lost a whole wing to Thancred when Thancred first took Ryne from Eulmore, and it seemed to have grown back just fine by the time we see Cruelty again. Killing Sin Eaters also would be entirely counterproductive to a nation that devoted themselves to NOT killing them. Also – we are shown the Afflicted, people who are falling to corruption from a SIn Eater attack they’d survived. How is it people who eat meol don’t become corrupted themselves?

Where did the idea for meol even begin? Vauthry’s father was ousted by the people as mayor before Emet-Selch said hey there, friend, you have a punchable face, let’s make a deal – and Vauthry only took control of Eulmore 20 years ago. He looks a LOT older than 20, or even 40. So his father must’ve rode his child’s coattails before then. Did Mayor Punchable Face think that was a wise countermeasure against future insurrection? In any case, Vauthry did not exert that control until the WoL and allies were coming to kill the Lightwarden of Kholusia (him), so it did not seem to be a priority of his. Alphinaud confirmed the people were of a free mind until they were made to fight the WoL and allies. (and dialogue stressed it was very noticeable when someone was not of a free mind.) Squeenix: *throws meol into purse* I have to go plotholes came up

- The “Perverted Paradise”. (I at least giggle every time Alphinaud says this.)

Vauthry is presented as the pinnacle of vice, yet the game does not really show this well – in some cases, not at all.

Gluttony: He isn’t shown to indulge in drink, let alone overindulge. Apart from the meol scene at the end, which was related to controlling the Eater-corrupted citizenry, not gluttony, he was not shown to have so much as a snack. There’s food in his chamber, all of it untouched. But! In the Shadowbringers trailer, Squeenix thought the best example to showcase Eulmore’s decadence was – three thicc'qotes. Having pleasant conversation ‘round a table. Eating fresh fruit.

Not the creepy-ass old patron who thinks that since his pretty servant can’t sing anymore, she should be “Ascended” as a kindness, although it was implied she could have recovered her health, just not her voice. Not the guy who tossed his servant from a balcony because reasons and wanted us to bring him back. Not even the noblewoman trying to have her servant killed because her lecherous husband put designs on the poor girl.

Three thicc'qotes. Having pleasant conversation ‘round a table. Eating fresh fruit.

We get it, Square, we’re supposed to see he’s fat and think that is bad. Moving on.

Lust: He doesn’t visit the adult nightclub downstairs (the adult nightclub that is shown practically empty and behind closed doors, the lewdness of it all – I clutch my pearls.) He doesn’t creep on your player character like Magnai did in Stormblood – he doesn’t creep on anyone. He doesn’t want you to be his steed. No interest is shown in the Sin Eaters apart from them fighting for him, as much as some people in the fanbase theorize he is fucking them. (They probably think that Spirited Away is about the sex industry and My Neighbor Totoro is about dead girls, too.) This game is pretty blatant when they intend that sort of thing, see: Yotsuyu, Sastasha, any number of things in Ishgard or Ul'dah. I’ve found nothing here, except the German translation for “Consort Of Sin: Forgiven Obscenity” is “Purified Fornication: Playmate Of The Redeemer”. Since this is not implied in any other translation, I put my trust in Koji Fox and the fact Obscenity’s job seems to be Official Nose Petter to Forgiven Cruelty.

Greed: I am not going to hold his rings and his robes against him, as Urianger has just as much bling (more, actually), The wealthy are made to give up ALL their fortune to be permitted to stay in Eulmore – but that wealth is then used to provide everything for free to those who live there, and the free citizenry are apparently given funds for private use to boot. If they intended to show that Vauthry was using all that for hookers and blow for himself, it did not convey well.

Wrath: If one has broken the rules of the city (or has thrown shade that takes him a full two minutes to catch), Vauthry definitely has this in spades, with a temper tantrum a lot like Philia’s Fierce Beating attack. But again, the writers don’t really show the extent of the wrath they are trying to tell . Because if you don’t break the rules? Nothing happens, apparently. Trouble seems to have to be brought forward to him, he doesn’t go looking for it. It didn’t feel any different to me than the Grand Companies, yet this is the one that finally makes Alphinaud do the *GAAAAASP*.

The populace does not seem afraid of Vauthry. In fact, they feel free to pop ‘round to have a word if they think something needs doing. Chai-Nuzz did not seem distressed by his wife’s suggestion she would have a word with Vauthry to soothe the “hard feelings” stirred up in the quest “Emergent Splendor”.

Pride: He has great pride in his ability to keep the SIn eaters under control, but doesn’t really display any vanity in himself. No portraits, statues, etc. When Alphinaud interfered with Kai-Shirr’s punishment, Alphinaud was told he’d be permitted to stay in the city if he made a painting – not a portrait of Vauthry, but of the city itself.

Sloth: We get it, Square, he’s fat and he sits down, moving the FUCK on. No actually, hold up, to be honest? As tired and :| as he looked all the time, he struck me as depressed. What guy in Paradise looks that haggard?

NOW moving on.

Envy: If my theory holds, probably plenty of unresolved envy for folks who are not “half Sin Eater”. Otherwise, I can’t think of an example here.

- “Ascension” (Sure thing, Jan)

This is only made reference to in the Weeping Warbler quest chain. “As all know, the sin eaters exist to devour the sinful. But also do they serve to gather the souls of the innocent, and shepherd them unto celestial paradise.”

Sin eaters ate a meal that represents the sins of a household you fool oh wait this is The First

The thing I don’t get here is - why are there obviously limitations on who can be ascended, and when? If the idea is strictly to feed the Sin Eaters, or make meol, or just be an asshole, why is this the only time we hear of it?

It’s like if there are no more mortals, Vauthry wouldn’t have that reassurance he is doing good anymore. Either that, or since he’s never worked in retail, he doesn’t know how to push features.

But I’m betting on the former.

- LASTLY: the hypocrisy of the writer’s narrative (and the fanbase).

Tesleen was our first and horrifying sample of what Sin Eater corruption can do to a human. No matter how strong her will may have been, she was just lost to it. She scratches madly at her face when she uses one of her attacks in Holminster Switch, as though trying to stop herself, or punish herself. But she can’t help it. And we know this.

Titania was a tragedy, had to be stopped. But, a TRAGEDY. Whatever was left of the benevolent ruler was corrupted. There was never a moment where our heroes went “dis binch just evil, they gotta go down”. ( I had many choice words for Titania when I wiped enough times to them, but no actual game dialogue really says it. )

We, the Warrior Of Light, came this close to becoming a Warden ourselves. Somehow it was stalled (convenience!), but there was never a question corruption = bad and out of our control.

Vauthry, on the other hand, is treated as though he is in full control of his faculties, although the corruption before birth makes that questionable at best and he pretty clearly is not? Even as he did that Exorcist neck-twist, no one was like “oh fuck, the Sin Eaters got to another one, damn that poor man”. (Which would seem a logical conclusion to me, I hate we have like zero real say in our characters’ reactions) Not even a “ahaha okay no seriously what the fuck is going on guys”. Nope. Their reaction was “EVIL”. Trying to help somehow was never on the table. Watching him die slowly at our feet was.

We saw the Echo of the real circumstance of his birth. It had to come from the Sin Eater that corrupted him, because he wasn’t out of the womb to see that scene play out. Or Emet-Selch. Either way, we saw it, yet at no time afterward do we try to bring the truth out. We just let everyone believe he was evil by choice, and not another casualty of this mess.

And remember earlier, how I said Alphinaud confirmed the free citizenry were not under Vauthry’s control until the fight? Remember the noblewoman whose husband went after their bonded servant, and so she tried to get the girl murdered?

Yeah, we catch up to that noblewoman who tried to murder her servant. She feels really bad about that now. And what is an option we get to tell her ex-bonded servant when she wonders how she could possibly trust the woman who tried to kill her?

“Vauthry’s society brought out the worst in people…”

Fffffffuck you Square lmao

TL;DR:

In private RP land? In private RP land, where we can back the fuck up in the timeline at will? You are damn skippy that Lightwarden got purged before it took complete hold. (an Aethertech did it with SCIENCE.) And Vauthry is cynical and scarred and bitter and broken and betrayed, but he’s not evil. If anything, he’s actually pretty relatably human. And he’s actually pretty damn glad his father’s shitty legacy is over.

#FFXIV #Vauthry #LONG ASS POST #Shadowbringers #I am so sorry Unna

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flowerfan2 · 5 years

Text

Affinity - Ch. 5 (10.05)

McDanno, A03

A continuous story of season 10 episode codas. Steve may describe their relationship as a dysfunctional marriage, but at some point, will he and Danny take a closer look at what it really could be?

Chapter 5

You’re taking Charlie trick-or-treating near your house tonight, right?

Danny tugs his phone out of his pocket, squints at the text, and writes back.

Yeah, my neighborhood has the best decorations. And Ms. Tanaka on the corner gives out whole candy bars. Why?

Danny pokes his head into Charlie’s bedroom to check on his son’s progress while he waits for Steve to respond. Charlie is still deciding between the Superman costume that Rachel bought for him, and a vampire ghost contraption that he insisted on creating with an old sheet and magic markers about twenty minutes ago.

Probably nothing. But we caught a case with a guy who broke out of a basement cell. Potentially very dangerous and unstable. Nowhere near your place, though.

Sure, I buy that.

No, really. Ask Max if you want.

“Danno, I’m ready now!” Charlie announces. Danny assures him that the blood drops and fangs drawn on the sheet draped over his head look extremely scary, and they head outside, plastic pumpkin in hand.

Danny can catch up with Steve later. He’s not falling for his escaped basement monster joke. For now he’s going to ignore Steve, and focus on Charlie.

That’s been his approach all week, ever since Steve kissed him.

Not just with Charlie, of course. Danny has, in no particular order, focused on (1) badgering Tani about her mermaid costume; (2) taking Quinn out to lunch to try to get himself to stop thinking of her as the enemy; (3) hassling Grace about midterms that she should be paying more attention to; (4) making sure that if he was paired up with Steve on a case they had another member of the team with them; and (5) also Charlie, who had a very important Lego club meeting on Wednesday after school.

All of this was designed to help him put things in perspective. That perspective being that whatever Steve was up to last week after Danny hit his head was just about being a good friend and partner – work partner – not anything else.

Danny’s not sure it’s working.

That night last week, feeling Steve press a kiss to his cheek, Danny had felt something blossom in his chest that was far, far too dangerous to think about. He can’t go down this road, not now, and really, not ever. Not unless he wants to risk what he has with Steve.

But what if…? his treacherous brain keeps asking. What if it wouldn’t ruin what he has with Steve? What if this is something Steve wants?

Steve had clearly thought Danny was asleep. Does it mean that Steve has romantic feelings for him, but doesn’t want Danny to know? Or does it mean there’s nothing to know?

Danny wishes he had been brave enough to tilt his head, to catch Steve’s warm lips with his own. To see if Steve would have continued the kiss, lean close with just the right amount of pressure. Slowly open up for Danny, letting him in, trading soft kisses and flickers of tongue until their hands started to wander, bodies pressed close…

Danny closes down this train of thought abruptly. Unfortunately it’s a train that keeps coming around, like it’s circling a Christmas tree, insisting on chugging itself into Danny’s mind over and over and over. But he cannot be having these thoughts about Steve. His best friend. His male best friend, who has shown no interest whatsoever in any male partners for the ten years Danny has known him (except you, a voice in his head whispers… maybe he’s shown an interest in you).

The whole situation makes him dizzy, and not just from the blood rushing to his nether regions. So Danny tries as hard as he can to focus on non-Steve things. End of story.

It should be easy enough not to think about his partner tonight, since he’s keeping busy trick-or-treating with Charlie. Except nothing about Steve is ever easy.

His phone vibrates again, twice in a row, and Danny sighs. It’s not as if he can ignore Steve’s texts. Steve is his boss, after all (and right there, right there, is another reason nothing can happen between them. As if Steve had any respect for the rules, which he doesn’t, but Danny does. Usually.)

Can you believe Max is visiting with his son? Wanna talk to him?

Danny, you there?

Danny gives up and calls Steve, trailing behind Charlie as they walk to another house, this one with cute little pumpkins on stakes lighting their driveway.

“What is it? I’m out with Charlie, can it wait?”

“Hey, you didn’t tell me you were going as Oscar the Grouch. Thought Charlie was too old for Sesame Street?”

“Ha ha, very funny.”

“I thought so.” Steve’s voice turns serious. “But really, there is a very angry guy roaming the streets tonight. Worse than you before your coffee.”

Danny pauses, putting a hand on Charlie’s shoulder and looking around for anything out of the ordinary. He doesn’t see any costumed kids older than about middle school age, and the parents tagging along don’t look like they’re hyped up on anything but sugar.

“It’s quiet here. Not even any obnoxious teenagers.”

“Okay, just keep an eye out and let me know if you see anything out of the ordinary.”

It’s a funny thing to say on Halloween, but Danny gets it. The case may be bothering Steve more than he’s letting on. “You need me to come in? I can drop Charlie at Rachel’s-”

“No, Danno,” Charlie whines, appearing in front of him with a pleading look on his face. “Stay with me, you promised.”

“You’re fine, Danny. Everyone else is here. Have fun with Charlie.”

They hang up, although Danny feels a little pang. <i>Everyone else is here.</i> Even Max. At least Quinn isn’t wearing some kind of sexy soldier costume tonight, if she sticks with what she bought while she and Danny were having lunch earlier in the week. Although Steve will probably appreciate the Top Gun outfit just as much.

Danny sighs and trots to catch up to Charlie. They hit a few more houses, but before long, Charlie is flagging. He looks up at Danny with bright eyes, and Danny crouches down next to him.

“I don’t feel so good, Danno.”

Danny feels his son’s forehead. It’s a little warm, and Charlie’s eyes are bright. “It’s time to head home anyway, bud. You already got more candy than I ever did.” He takes Charlie’s plastic pumpkin from him and nods appreciatively. “Tons more.”

“More than Grace ever got?”

Danny grins, and slings an arm around Charlie’s thin shoulders. “Definitely more than Grace.”

Back at home Danny takes Charlie’s temperature. He’s barely got a fever, but he’s thoroughly wiped out from all the excitement. He doesn’t even protest when Danny gives him some Tylenol and puts him to bed.

It’s only afterwards, sitting on his couch checking over Charlie’s candy, that Danny remembers Kamekona’s party. He had planned to head over there with Charlie for a little while after trick-or-treating. He sends Kame a quick text with his apologies. Just something else he’s missing tonight.

Danny helps himself to a mini-Snickers and clicks on the television. He tells himself that the team probably isn’t going to make it back to the party either, not with the cases that sprung up tonight. Maybe he and Steve can stop by later in the week to meet Flippa’s mom while she’s visiting.

Danny channel surfs idly, getting up to hand out candy every time the doorbell rings. The pace of trick-or-treaters eventually slows, and Danny gets sucked into a show about a werewolf, a vampire, and a ghost who are roommates. It reminds him of the basement escapee Steve warned him about, and he takes a minute to do another check on his windows and doors. Even though Tani texted him that the guy was found, you can never be too safe.

He’s on his way back to the couch when the doorbell rings again. It’s Steve, wearing a creepy mask and making a hooting noise that is probably supposed to be scary.

“Come on in, you dope.”

“How’d you know it was me?”

Danny doesn’t dignify this with an answer. “Want some candy?” He holds out the plastic pumpkin to Steve, who takes it on his way to the couch.

“Thanks. Got any more beer?”

Danny retrieves two cold beers from the kitchen and joins Steve, who is methodically picking through Charlie’s take and setting aside all of the Butterfingers. Steve knows Charlie doesn’t like them. The two of them had debated the merits of various candy bars a few weeks ago when Steve got him going by suggesting to Charlie that he hand out bags of pretzels instead of candy. Charlie was not in favor.

“Why aren’t you at Kamekona’s?” Danny finally asks, when they are settled in front of the television, the next episode of the ridiculous roommates show starting up.

Steve barely finishes chewing his latest Butterfinger and frowns at Danny. “I heard Charlie was sick. Figured I’d better keep you company.”

“That was very thoughtful of you,” Danny says, as Steve returns his gaze to the television.

“Besides, just because our guy didn’t turn out to be a monster, it is Halloween,” Steve says. “You never know what might happen.”

Danny swallows hard, and tries not to read anything into Steve’s comment. Charlie is sleeping in the next room, after all. And Halloween isn’t exactly a romantic holiday.

But then Steve stretches and slings his arm over the back of the couch, practically around Danny’s shoulders, and slides a little closer to him. Danny smiles and leans into Steve’s warmth. He almost forgot Steve’s love for scary date movies. Maybe something is happening tonight after all.

#H50 #Hawaii Five-0 #h50 fic #10.05 #Steve McGarrett #Danny Williams #Affinity #My fic

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yeah-oh-shit · 4 years

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so im still trying to figure out wtf dracula was all about and if there is a deeper meaning at all. i compiled a list of all my observations - especially places where it might relate to sherlock, things that seem odd/out of place, important thematic moments, anything that is unexplained. idk if i will come back to this to try to piece it together more, but i needed to get it all down so i could look at it in its wholeness. in case you are interested, here is my commentary, any “points of interest,” i found, below the cut.

episode 1:

vampirism is a contagion, sister agatha asks harker if he had “sexual intercourse” with dracula right away - aids

flies everywhere, on windows, the camera lens, one flies into harker’s eye

why did dracula let himself become such an old man? no one good to eat? (i’ve been telling everyone for years that you are what you eat)

story told by harker w/sister agatha interviewing him, almost leading him on

harker’s written account is unreliable

woman in disguise - mina (reminds me of mary)

rainbow lighting

spiral candles match spiral bedpost

sister agatha mentions a “point of interest”

dracula calls jonathan johnny (john mirror?)

inconsistencies: picture of mina changes from right to left, harker says no one calls him johnny (but mina later shows that she does - johnny blue eyes)

THERE IS NO BABY

dates - 12th, 19th, and 29th (!!)

scene very similar to the fall - “you are me,” dracula tries to get harker on his side but harker refuses

dracula says he will “destroy everyone and everything you love” in england

harker is found by sailors and said to be a drowned man walking/talking after he falls from castle dracula

lots of queer coding and it’s during the parts where dracula is shown as the most monstrous and coercive

sister agatha taunts dracula, calls him a beast (rules of the beast), he is indeed shown as beastly

dracula licks a knife in a suggestive way (moriarty)

inviting dracula in leads to death

harker doesn’t remember what happened to him (doesn’t know he is dead)

harker doesn’t know what mina’s face looks like

mina says a line much like mary’s (“i decide who you are”)

sister agatha mentions having a detective acquaintance in london (!!)

dracula is an old man for most of the episode, doesn’t come off as flirty or sexy to me, just seems coercive, controlling, and creepy. we barely get any time w/harker and dracula together, doesn’t seem like they have much chemistry

jonathan in and out of dream, weakened, coerced

he keeps going deeper into the castle and eventually discovers dracula’s undead and even dracula’s crypt itself but can’t find the person who wrote him a note

castle is a maze but jonathan discovers the map (hiding behind a portrait, deduces this in a way that makes pretty much no sense)

sun is equated to lover’s face

dracula never seems to lie, just says things in a truthful way that is obfuscated (except for when he knocks the mirror over and claims to being clumsy)

dracula wants to go to england bc he thinks the most cultured and rich people live there (aristocratic bullshit) but it is reinforced so many times that somehow him being choosy has helped him to live a long time .. confusing

episode 2:

starts w/dracula and agatha talking in his castle. dracula talks about how a story has to be interesting from the beginning, the contract between author and reader, “quality of time”

“there’s a game in progress” “a knight is menacing a queen” “whose knight, whose queen?” “Who’s black, who’s white”

ship in a bottle

whole episode takes place on a big ship

sokolov (anderson) is captain (steering the ship)

mind palace/dreaming (sr. agatha and dracula) in castle but actually in room 9 on ship

mr balaur (dragon - dracula) brought all these people together

7 passengers on the ship (unusual, stated multiple times, i don’t think we are ever told significance?)

one sick - captain is only one allowed in

piotr isn’t who he says he is

dracula kills dorabella (very flirty with her) talks about mirrors showing the truth - “one can always find a mirror if one tries” “mirrors are a deeper and more dangerous magic than most people understand. mirrors can give us space to imagine or worse, show us the truth”

“this marriage is a necessary evil”

confirmed gay couple (lord ruthven and adisa) - lord ruthven talks about sleeping with his wife in front of adisa constantly (cruel), adisa is disguised as a servant, adisa seems to really love ruthven

many people jump ship when everyone starts dying

lord ruthven is both very gay and very mean - and into dracula

dracula and agatha play chess

“the purpose of an alias seems to have alluded you” (mr. balaur means dragon means dracula, a disguise is “always a self portrait”)

dracula says he is choosy (so does agatha) but also recognizes that he is an addict (agatha’s word) - claims to be choosy and to be like everything in same breath

dracula called a beast, acts very animal around blood - can’t control himself

agatha loses time during chess, notices dracula is winning now, is also drinking blood out of a glass

he tells her to “forget about the chess and concentrate on the game”

dracula frames agatha, almost kills her via hanging (despite trying to “savor” her)

sister agatha claims she is a vampire and then tries to prove dracula is one

lord ruthven wants to be “partners” with dracula

somehow dracula appears out of nowhere in the cabin of dr. sharma

vampire’s kiss is an opiate - makes people dream

emphasis on the fact that the daughter can see (eyes!), her father has a scar over his right eye

dracula flirts with everyone

no one suspects dracula even though its really obvious it is him?? he is being hella suspicious?

daughter (who sees dracula killing) doesn’t tell anyone, later kills herself by drinking a potion to avoid becoming infected

sister agatha is infected/dying, losing fingernails (like harker)

dracula will die without his soil

captain sokolov stays behind in ship w/agatha, piotr and cook escape

agatha discovers extra soil in dracula’s bed, realizes the fire didn’t kill him

dracula attacks sokolov but somehow he doesn’t die and can’t walk even though his wound is in his neck but still is able to DRAG himself?

dracula explains fear of cross as fear of oppression that he has inherited from eating peasants (but he is very choosy with his diet?)

ship sinks, sister agatha dies (implied, which is confusing bc harker also goes into the sea and doesn’t die.. maybe it has to do with the fact that she doesn’t have any soil? but neither did harker? vampire lore seems convoluted and confusing) dracula finds his soil (in the water)

dracula wakes up, goes ashore, its modern day and helicopters, a spot light, police cars, and modern day sister agatha greet him

episode 3:

weird vibe generally.. almost reminds me of tfp w/lighting and how it feels so off from the rest

dracula shows us that what he sees in the mirror is who he truly is (at least that is what is implied) an old ugly man

dracula is weird and kinda cute when he is amazed by modern times

we learn that agatha apparently died even though she was just in water and harker survived and was a “drowned man walking and talking” ?

jack (another john mirror?) is in love with lucy, there are a lot of scenes in a club ?, lucy gets engaged to a texan named quincy (who was apparently a main character in the original book and is an asshole in this). all these characters kind of suck

jonathan harker keeps calling jack, we are supposed to think he saved the jonathan harker foundation’s phone number in his phone as just “jonathan harker”? seems weird

jonathan harker foundation was started by mina, supported by agatha’s family

lots of allusions to jonathan harker foundation getting money from a “bad” source - too much money to just be about science

mercenaries - one has a tattoo like assassin in sherlock

there is a moving clock on the floor of dracula’s cell/cage

dracula asks why he has a toilet when he is a vampire and we never get an answer

dracula’s cage looks like silence of the lambs (like A LOT)

blood is LIVES, dracula helps zoe get a sample of his blood by cutting his wrist with his fingernail - tells her “you have everything you need to know” when she takes his blood (dracula tells zoe, she drinks his blood)

“women don’t have rights, no one has rights” “dracula has rights” ???

zoe starts hallucinating/communicating w/agatha

zoe is agatha’s great niece apparently

dracula does a weird deduction thing about people from smelling or tasting their blood

dracula can’t drink zoe’s blood bc she has cancer and he can’t drink blood of the dying (which seems weird but ok)

renfield (mark) is dracula’s lawyer and seems to become obsessed with him

dracula identifies as a “warlord”

renfield is helping dracula w/“world domination”

dracula is on dating apps, renfield tries to find him people to eat, but he seems dissatisfied

dracula works out (like mycroft)

dracula (d) texts lucy uses vampire emoji

lots of gay/bi/purple lighting

dracula becomes obsessed w/lucy bc she is not afraid of him (or anything) and seems “almost in love with death”

lucy is shown as shallow and obsessed with her looks, but also seems to not like always being seen/watched bc she is beautiful

dracula and lucy are meeting up and she is letting him drink her blood

they meet up and he talks about liking having her “consent” because no one has ever given it before, but also says that it doesn’t really matter and that he doesn’t love her and will never love her

lucy likes the dreams dracula gives her - no one can see her

9 graves of undead

dracula tells lucy not to be cremated because its painful

“boofer lady”- beautiful lady - undead child follows lucy home

renfield sits in a car during their meeting and eats a fly

dracula kills lucy so she can become a vampire, she can’t move but the mirror shows that she is still alive?

we see dracula’s old man face in the mirror multiple times

lucy is burned, and for some reason keeps seeing herself as beautiful in mirrors

agatha (in zoe’s head) talks about the money coming from a bad place again but says she “can’t see it” because zoe doesn’t like to think about it

lucy, jack, zoe, and dracula all meet in dracula’s house

lucy flirts w/jack and he seems disgusted, they force her to take a selfie and see herself as she really is

lucy freaks the fuck out about being ugly and burned and seems to be more obsessed with her beauty after dying which is weird because she seemed to be almost bitter about it when she was alive (didn’t care about or fear anything)

dracula says she will always be burned (why? jonathan survived being drowned, etc. dracula survived fire?) and that he doesn’t care

jack says he will always want to kiss her (even though he was just freaked out by her like 20 seconds ago) kisses her and kills her (at her request)

dracula seems unfazed? even though she was his “greatest bride” ?

zoe has been taken over by agatha? and realizes what the one thing is that dracula fears (the thing that ties together the sun, cross, and needing an invitation - apparently the soil thing doesn’t matter anymore..)

“only one thing in this world you are truly afraid of” - she knows, he doesn’t

he cannot bear to look in a mirror, won’t stand revealed in the sun, needs an invitation to come in - not real things, he has internalized the legends

zoe/agatha says that he was a warrior and so was his entire family (all his relatives, father, brothers, sons, were war heroes who died on the battlefield but not him)

he is the warlord who “skulks in the shadows and steals the lives of others” and is “unwelcome everywhere” “sleeps in a box of dirt but dreams of a warriors grave”

he fears death the most - the cross represents going willingly to death to him, somehow the sun represents this too? (possibly he is afraid to seeing himself/the truth, same as the mirror)

it is never explained how the invitation thing is tied in.. assuming its because he feels “unwelcome everywhere” ?

she pulls the curtain and he doesn’t burn in the sun, shows him it was his fear of death and his shame all along

can’t conquer death until you face it without fear - “the game is over, you lose, you will live forever in shame”

dracula steps into sun, faces his shame

he faces his fear of death by drinking agatha’s blood, thus dying by suicide (which we were already told vampires can’t do)

gross fiery sex scene with agatha and dracula, he gives her a dream so she will have a nice death

“after all this time did you think I’d let it hurt?” ???

they are in a burning sun and are naked together in a circle, we see dracula’s butt again

it ends with the sun

#bbc dracula #wtf #bbc dracula spoilers #sherlock connections? maybe? IDK #basically a plot summery w/annotations bc i don't know what else to do rn

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codenamesazanka · 5 years

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I think i fell into the trap of villains being more interesting than the heroes in bnha. I find tomura more entertaining. The kids in 1-a aside from bakugou and maybe todoroki are too nice? What are they’re flaws?

Hiya! Thanks for this cool question! I’m sorry, but you’ll be getting a looong essay from me!

And yeah, same!! Though I don’t think its that the UA kids are boing/too nice/flawed. When I first started watching MHA, I was on the lookout for a favorite character to stan. Uraraka, Iida, Eraserhead, even Snipe(???)… I actually didn’t care for Shigaraki Tomura at first, tho I did like his creepy vibe. When I finally did take notice, it was a delight trying to figure him out because he’s so contradictory and still mysterious. Making sense of it all/using all of the pieces to discover a characterization that made sense, was just fun and rewarding.

IDK exactly what changed to make me like him, but I think it was that I got interested in the worldbuilding, how exactly quirks and heroes and villains exist. Villains are a really cool perspective to look at the society from, and who better to use as an example than hand man?

…Which is also the main flaw I perceive about MHA.

(Everything here is my opinion! I’m a huge sci-fi/fantasy fan so that’s the angle I’m most interested in, and also I read the non-villain arcs like once and that information has largely been crowded out by the ever-expanding and all-consuming thoughts of the League of Villains, so I will get somethings wrong)

IMO, Worldbuilding is a bit weird, in that it’s not enough to establish the norms - which is hard enough - but often you must also establish the taboos. Figuring out how things function includes examining the dysfunctions. Sometimes you create a world only to tear it down.

But that’s the heart of speculative fiction - imagining different ways of living, different ways the world could be, taking aspects from our world and dissecting it. “Fantasy — the fantastic, the imagination that I love so dearly and that I’ve used to try to construct my own work — is everything that helps to expose more clearly and more powerfully the reality that surrounds us,” Julio Cortazár said. The classic sci-fi stories of exploration and invasion, othering, transhumanism - all are already issues irl: colonialism, discrimination, disability. The lives and conflicts in those stories can exist because of the lives and conflicts of real people as sources to build upon.

@dabistits has said this much more eloquently and comprehensively than I ever could, so go read her meta!!

It’s obvious Horikoshi has put a lot of thought into figuring out his world, with all sorts of details to flesh it out - he writes into it issues like the accommodation of bodies that deviate from the supposed norm; what if people had innate differences, some of which are seen as dangerous; discrimination; self-determination and the right to bear arms affecting the social contract. You can say, ‘Nal, you’re looking too deep into this, it’s a comic for 8-year-olds’, and it’s true! But the first words the begin the story are ‘People are not born equal’; I’m taking it as invitation to examine that.

So we have a world with its many dysfunctions and flawed systems. Everything that happens hinges pretty much on quirks. I think a great way to explore that is using plot and characterization. It’s not characters being plopped into the world; the world produces the characters. Development occurs as a response to trying to live under these conditions, trying to grow and push the boundaries, or accept and pass it on.

But I feel like Horikoshi haven’t done this with the UA kids?

These students are in the contained environment of school and not really interacting with the people they are to protect and serve, and their goal is to get stronger and more powerful but that’s kinda indistinguishable from any other shonen manga and not Hero-specific. Instead of just ‘use my quirk to punch a bad guy and save the day’, I wanna see situations where the kids learn that they cannot use physical methods, I wanna see the moral dilemma of arresting a person who punched out someone discriminating against them, I wanna see them having to accept failure and death as part of the job, dealing with the compassion fatigue. The Hero-specific things. Also, we don’t get to enter the headspace and background of the rest of Class 1A. It’s not the kid’s flaws.

So the questions Horikoshi brings up about society isn’t actually usually answered by the heroes (some of the exceptions are, as you point out, anon, Todoroki and Bakugou). They’re answered and navigated by the Villains. The Villains are the ‘failed’ products of the world, their grief and discontent is due to being unable to function in this specific society. Their motivations are specific to Hero-society and quirks. And I love that! I love that we get a better sense of the setting and society through their stories - Twice is the one who gets to show us the effect of All Might’s retirement, Spinner introduced us to mutant discrimination, Detnerat gave us some important info about the economy and quirk-usage rights.

The Heroes don’t get that? Not really? At the beginning of the manga, we do, though! Todoroki and his family, Shinsou and his quirk, Tenya and his brother. But after that, iirc, an issue is brought up, then usually quickly resolved. Kouta hates heroes? Midoriya becomes his hero and Kouta has a change of heart. The media rightfully rips into UA for the camp fiasco and the public agrees? The AFO and All Might fight overshadows that. Aoyama and Midoriya share a moment over quirk-incompatibility, but nothing more than that.

It’s not that I just side with the Villains completely. I love Vigilantes, and I love the characters that try to do good. Vigilantes explores the dysfunctions and idiosyncrasies. Doing good despite breaking the rules; the desire to use your quirk but having to suppress this innate part of yourself; questioning the Hero system but keeping the ideals.

Koichi, the main character, is very sweet, ‘too nice’ as you might describe, very mild-mannered, his adventures limited mostly to the streets of his neighborhood. He is not flashy like Shigaraki, but I like him a lot. His growth is in response to him learning to be a citizen of his world - what it means to do good, having to interact with the community and its people, finding a niche to make use of his quirk. Making a lasting effect on the every day of the streets. The ‘trigger drug’ storyline works really well because it’s both giving us some insights about how official investigation works and the legal definition of ‘Villain’ (Tsukauchi), the use of social media and Pop’s influence to detect the villains, the biological mechanism of quirks and things people use to enhance it, along with Knuckleduster’s history and developing the relationship between the vigilante trio.

So yeah! I feel like the full potential of the story Horikoshi wants to tell - this world that’s still dealing with the consequences of quirks appearing, the law enforcement system that arose from having to govern millions of individual with a million different abilities and needs, all of who has to learn how ‘great power comes with great responsibilities’ applies to them, and villain created by these circumstances, who is fated to be in a century-old battle that came to be because of the advent of the extraordinary, a wild fantastical full circle - hasn’t been shown through the UA kids and heroes. Instead, it comes across better from the Villains, and that’s why imo I find them more interesting.

#so sorry for the late reply!#thank you for asking!#this was a really fun one to think about #nalslastworkingbraincell #Anonymous #got kinda messy tho towards the end sorry!!#worldbuilding #kohei horikoshi #mha #bnha #heroaca #Villains #writing

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kwispayne · 4 years

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The Top 10 Films Of 2019

Sadly my keep up with film this year wasn't as active as I would have liked it to have been. But I did see a lot of great films. Maybe none that will be in my century list, but there was some great moments throughout. Hopefully I can keep up better this year, but here is my opinion on what I did see

So here is some rules

1.Technically some of these movies have been released in 2018, but some where only released at film festivals or had overseas release. I usually go by the rules of if it was released in cinemas, Netflix or DVD in 2019.

2. This is a personal list. So some opinions are biased and selfish.

3. I haven’t seen every film from this year sadly. So any recommendations or even your top 10 lists would be helpful. I always want to watch more and I have an odd fetish for lists and stuff, so if you have any send me links and stuff.

10. Dragged Across Concrete (S. Craig Zahler)

S. Craig Zahler's films in the past few years have only just keep getting better and better. Also how this guy was able to give careers back to Vince Vaughan & Mel Gibson is a feat if extraordinary skill too. Dragged Across Concrete is a complex story, with a lot of interesting twists and turns, but one of the best skills that Zahler has as a film maker is his ability to set up scenes. He never spoonfeeds his audience, and gives the characters dialogue and scenes that are very lifelike. While this may be his least bloodiest affair, it does have some rather upsetting moments in it which leave a bigger lasting impact than a bloody gore fest.

9. Once Upon A Time In Hollywood (Quentin Tarantino)

I was a tiny bit let down by Tarantino's last film The Hateful 8. Overall it wasn't the worst, but there was a lot of padding. But, this film has a lot of padding too. But it's padding which I deem necessary. In fact, this level of padding I haven't seen Tarantino do since Jackie Brown. But overall, the film, even though it is slightly based on true events, constantly has the audience guessing what is going to happen, leading to an incredibly leftfield and satisfying climax. The dialogue throughout is at times Tarantino by numbers, but at times he does verge away from what we are used to, which I've got to admit, is an impressive feat by Tarantino so late into his career. Also, big props to Leonardo DiCaprio who deserves an award for his performance in this film.

8. Fyre: The Greatest Party That Never Happened (Chris Smith)

The movie which launched a thousand memes. Back in the day, documentaries used to fill my lists, but that has died down, because they've been so saturated since the rise of Netflix & Amazon. But, I'm glad to say that this is the example of one that has slipped through the cracks, mainly because the story of this documentary is so insane. A failed music festival that was doomed from day one, spearheaded by a rapper with a lot of hubris and a pied piper entrepreneur. In many ways this movie very much is the perfect parable of today's obsession with capitalism. It's all glitz with no results. Netflix, you've done it again.

7. Lords Of Chaos (Jonas Åkerlund)

Being a fan of metal, the story of this film has been among the metal lore for the past few years. Now...do I believe everything the movie is portraying...no, but the movie does claim that it is based on lies too. But at the heart of it all, I think Åkerlund did get a great theme going. That at the end of the day, the guys involved in this whole affair were just kids. This is a controversial choice I know, but I genuinely loved the choice of shots in the movie, the aesthetics used and I thought out the dialogue throughout was very strong and acted well. So as a film, it's great. As a piece of metal history...not so much.

6. Fighting With My Family (Stephen Merchant)

After being blown away by Florence Pugh in Lady Macbeth, I was surprised to hear that her next project was a comedy film about wrestling. But then I saw that Stephen Merchant was directing and writing it, and my mind was put to rest. Personally I think The Office & Extras are 2 of the best TV shows ever made, so I knew that Stephen could pull of a big Hollywood comedy. But...this has such great British charm in it, that whenever I wasn't laughing I was nearly in tears with the drama. The screen play in this film is fantastic, but Stephen has always been a brilliant writer. The cast in the film is fantastic, but Florence Pugh just blows everyone out of the water. I will talk about her more later.

5. Vice (Adam McKay)

After being shocked by The Big Short, Adam McKay again proves that he has a certain style which was only veily shown in his earlier comedy films. The comedy of this film comes from the twist of what we usually except with films of this calibre, but behind the veneer of Cheney himself, this very much adds to the tone of the film. The obvious elephant in the room is Christian Bale's performance and the changes he made to become the character, which are insane as always, but the actual performance and manner of Cheney is perfectly modeled and may be one of his greatest performances, although I hope for his benefit he just sticks to a fat suit and make up next time he needs to play an older large man. Now this movie isn't the most factually accurate from what I gather, but if it is...wow...McKay has given life to an absolute monster.

4. Midsommar (Ari Aster)

Ari Aster has now made 2 of the best modern horror films. Hopefully he can make it a hat trick. This film blew me away. The psychedelic cult aspect of this movie was dripping from the screen, but it was done is such a bright and vibrant way so it seems to be safe, but it's actually very dangerous. A fantastic cast also drives the film, but Florence Pugh shows up again to prove that she may be the greatest actor that we currently have working at the moment. Jack Reynor is also fantastic in the film and I really hope he gets more work because he is fantastic (he's gorgeous too). Warning to anyone about to watch this film...it gets very freaky.

3. Avengers Endgame (Anthony & Joe Russo)

Ok...again this is mainly just for my own satisfaction. I have been following the Marvel films for a long time, and some of them have actually been able to get their way into my top 10 lists, but this one is different. This movie never would have worked if the studio didn't take their time. And the arc that they have told over the past few years with specific characters in general has come full circle, and the pay off is glorious. Now when it comes to the actual plot of the film and the time travel stuff...yes it is a bit silly, but the concept itself is silly too, so I take it with a pinch of salt, and I only focus on the story we are given. The best performance though comes from Robert Downey Jr., who I believe deserves some sort of award not for this film but for all the Marvel movies he took part in. The build up to Josh Brolin's Thanos is also a fantastic performance. And the climax of this film is one of the most grandiose and epic closers of any superhero movie that we have ever seen.

2. Us (Jordan Peele)

I felt that Get Out was a movie where the concept was brilliant, but the actual execution was lacking. I still enjoyed it, but it was one of those films where people enjoyed it a lot more than I did. But when I saw the trailer for Us, I became very excited, because the trailer made it seem overly creepy to the point where I didn't understand what was going on. So I went in knowing nothing and coming out completely blown away. To think that Jordan Peele directed this, the same guy that made me laugh from his sketches on Key & Peele has directed an incredibly smart, funny and interesting horror film. I feel like I'm in the Twilight Zone (obvious joke alert). But this movie would be nothing without the stellar performance from Luptia Nyong'o. This lady deserves a lot of awards and recognition for this role, and I hope she works with the horror genre again, because he is a fantastic scream queen.

1. The Favourite (Yorgos Lanthimos)

Yorgos Lanthimos' films have been an interest of while. With his directorial debut Dogtooth, I was blown away. It was so unique that no one could follow this incredibly odd turgid and absurdist style. He then came back with The Lobster, which I found the idea of more enjoyable than that actual execution of the film itself. And he got closer with The Killing Of A Sacred Deer, but it didn't fully stick to landing. But this is his biggest film. A weird one to chose foe a style of his calibre. A period piece focusing on feminism. How could he keep his style without it distracting the audience too much with the story. But thankfully he found the perfect marriage between the 2. Now, his style did get watered down a bit, but thankfully his absurdist approach hasn't fully evaporated, with some very odd but brilliant use of shots. Acting wise, the film has a fantastic cast, and obvious props should be given to Olivia Coleman who won her Oscar for this role, but Emma Stone & Rachel Weisz also give fantastic performances too, and should be recognized too. I'm glad to see Lanthimos making his acclaimed masterpiece, and am looking forward to his next artistic endeavor.

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