i had a friend who was raped as a teenager and had a really strict mum who did not let her go out so she was really lonely. when she turned 18 she started going clubbing and since we live in a city with a big fetish scene, she started going to the kinky venue. since she was young, naive and very pretty, she was immediately roped in by older men who did bondage shootings with her and everything. she started working in the club. to me, she was clearly groomed, but she works in a fetish shop now and is fully immersed in the scene
i have a friend who answered a job ad for a secretary when she was abroad and she and her friend ran out of money but when they arrived there it was a brothel. they both prostituted themselves for several months. they were only 18. she still talks highly of that brothel, how clean and safe it was, and wants prostitution to be legal
i read the gut wrenching biography of a thai woman who ran away from home, whose parents refused her education and treated her brother very preferably while openly hating her, and entered prostitution in sex tourist destination pattaya at only 13. she was paid by men in their 50s first for her virginity, then to piss on her. she exited at 19 and developed psychosis. she defends sex buyers, hates feminists and wants prostitution to be legal
do you see where im going with this? brainwashing is real. despite the obvious facts, the grooming, the system that pushed and pulled them, the men taking advantage of them; they defend it. so yeah, we shouldnt dismiss firsthand testimony and personal experience, but always take it with a grain of salt, always contextualise, always see it as one part of a bigger picture. liberals dont do that and have duped too many people into not doing it either. „if thats her choice its none of our business“ fuck you!
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putting my parasocial and rpf goggles on again im sorry but. do you ever just realize how insane the dynamics in smosh are and how most of it reads out like a sitcom or a fanfic someone made up in their mind.
imagine starting a youtube channel with your childhood best friend, being able to turn it it into a company, falling out along the way, not being in contact with each other for half a decade until one random december and being able to buy back back said company with said best friend and getting to do the thing you guys did at the start.
imagine auditioning for a youtube channel you really look up to and meeting a former disney star who tells you they’ll see you at work immediately after auditioning, being best friends with them along the way, falling in love and getting to announce (or joke about) your marriage with said former disney star in the same youtube channel.
imagine befriending your coworker for a kids sketch comedy show, being best friends, moving on from said show, auditioning for a youtube channel as an actor and later as an on-screen personality, being roommates with said best friend and getting them to audition in the same youtube channel you’re working at so you could work with each other again.
imagine auditioning for a youtube channel that you don’t really know about, meeting someone for the first time in the first video you appear in for said channel, them constantly telling you that you’re killing it and doing a good job, immediately having good comedic chemistry with them on your first video, and then finding out along the way that said person is basically you but just a couple of years older and is practically your soulmate. how do you explain this to someone who just watches reddit stories
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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
and frame and control the focus:
honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
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