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#they don't care about the subgenre
mermaidsirennikita · 2 years
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If in a plot twist Bton is actually poisoning traditionally published historical romance versus invigorating it lmao....................... Just my fucking luck.
#romance novel blogging#as someone who wants to be published... ideally in HR#it's been pretty concerning to see authors discuss how difficult it is rn in the subgenre#and how much of that is potentially linked with this desire to chase a bton audience#which is kinda antithetical to like... adventurous historical romance#and the vast majority of bton viewers only read quinn's books iF THAT#they don't care about the subgenre#which is fine lmao they don't have to but only publishing books that you can comp to bton#OR publishing books that aren't like bton but marketing them to that audience vs an audience that would enjoy them#is probably really negatively impacting growth atm and it bums me out#more as a writer than a reader#lol i also feel like there's this cyclical issue w new authors#where many who have bold new ideas are having a hard time getting their work out there so the subgenre stagnates#and in turn a lot of newer HR readers only wanna read super established well known authors#it feeds itself because like there seems to be a disinterest in exploration#and just the same few authors constantly recommended#but also... it's really hard to find new exciting different authors#and a lot of new authors especially in trad are mimicking quinn#which i get but i don't think it's working for anyone#idk i try not to panic over it bc let's be real indie/self publishing is probs gonna be the way for....#many romance writers in the future not just HR#but HR also seems to be kinda hard to market w indie because a lot of indie breakout successes#are successful bc of how WILD everyone thinks they are and HR has this decades-long rep of being v conventional#i mean the one good thing is that this shit always cycles in and out w subgenre popularity#nothing stays on top forever and things get rediscovered#but lol i wanna make money off this someday so.#....... sigh#maybe i'll pivot to PNR just in time for that to make a comeback lmao
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pynkhues · 2 years
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Have you seen blonde?... Spoiler alert it's atrocious.
I haven't, anon, and I'm not planning on watching it for the principal of the thing. I talked about why here, here and here if you're curious, but I'm not surprised it's atrocious.
I was talking to friends recently about this particular brand of antipodean machismo in film, and Andrew Dominik, who wrote and directed Blonde, is absolutely one of the first people I think of when I think of that. It's a very specific subgenre of cinema and it can be interesting occasionally when it's used to explore masculinity and male interiority, which Dominik has used it for in the past, but it never leaves any oxygen for women and usually features them as props for that masculinity to play out either violently or sexually.
Which, y'know, is it's own thing in movies about men, but the fact that this is a movie that's supposed to be about a woman and Dominik doesn't seem to have bothered to alter his perspective or approach is misogyny at it's most transparent, and I am just the Clue-flames-gif about it.
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corvidlvr51 · 4 months
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I don't really have any strong feeling about booktok one way or another, but I will never forgive it/ACOTAR for popularizing "fairy smut"
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lookninjas · 11 days
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@penroseparticle, this one's for you.
Pick a country (for occasionally loose definitions of "country") song from a bad description! You do not need to recognize the song from the description, although one of them is very very very very very obvious this time. Go by the vibes. Go for what makes you chuckle or sounds intriguing. Follow your heart.
At the end of the week, I will post a playlist with all the songs in order, from the song with the least amount of votes to the song with the most amount of votes. If you would like to hear the playlist but don't want to put a lot of effort into it, leave a comment or put it in the tags on your reblog and I'll tag you. If you really just need to know about a specific song and don't want to wait, shoot me an ask and I'll answer.
And please reblog! It's time to make your mutuals listen to some straight-up (maybe not that straight) country music for a change. Especially that one. You know the one.
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fateandloveentwined · 11 months
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wuxia, xianxia, and cultivation differences meta
translations: wuxia 武俠, xianxia 仙俠, and cultivation 修真/修仙 (xīuzhēn/xīuxiān)
think i've seen posts on this eons ago, and i'm pretty sure there are tons of these online, but since this has been written up already let's just have another one.
wuxia 武俠
wuxia and xianxia sound similar, but basically for wuxia it is about the pugilistic world (江湖 jiānghú). It is relatively more down-to-earth, and people practice martial arts ("kungfu") in their current life -- they do not do it to become xians (仙) and gods (神) however.
Like Thousand Autumns and Faraway Wanderers/Word of Honor, it has more historical background and ties to the current court and kingdoms, because people are living in the moment and concern themselves with worldly issues.
Martial arts may seem unrealistic, but in view of chinese fantasy it would be considered "real". It consists of fighting moves and internal energy, which they call qi or nèigōng (內功), and at times you see people flying around, climbing hills and jumping across rooftops which is qīnggōng (輕功).
xianxia 仙俠
A level up would be xianxia, where characters in the story cultivate to become xians (and gods, like in the heaven official's blessing). They don't really care about earthly issues here now, because their ambitions lie beyond the current world, and cultivation, getting stronger, and an immortal life are majorly all their goals.
You may not always see them working towards that purpose, such as in mdzs they are considered a lower-xianxia society (低魔), meaning people don't go through all the steps of cultivation and only stay at the stage before the "golden core" stage.
In xianxia, characters still learn basic fighting moves aka. martial arts, but to direct the internal energy they use línglì (灵力), zhēnqì (真气), and fǎlì (法力), all xianxia terms you commonly see. "neigong" is practically nonexistent in this genre. That's why people building up their "neigong" instead of "lingli" are likely never going to be able to cultivate.
cultivation 修真/修仙
A subgenre in the xianxia category would be cultivation. Characters actively go through the stages of cultivation, and likely for the MC, because they are the main character, they successfully become a xian and exit the world at the end of the novel.
There are many stages of cultivation, usually defined at the beginning of the novel in the synopsis, and a typical example of the different levels would be this:
练气,筑基,金丹,元婴,化神,炼虚,合体,大乘,渡劫
And with a cursory search, an English translation would be something like this, albeit not with all the cultivation ranks identified.
Qi condensation (练气), Foundation establishment (筑基), Core Formation (金丹), Nascent Soul (元婴), and the names after that vary too greatly with translation and fandom so I'll jump straight to Immortal Ascension
extra info: getting into the philosophy of it all
It'd be interesting to note that the word "xiá" (俠) permeates all these genres. This is something akin to the concept of "hero", but not at all also, and I'd love to speak more on this but this post has already gone way longer than I hoped it would be, so perhaps another day.
Regardless, it is interesting to note that wuxia has a greater emphasis on "xia" than xianxia. (some joke that cultivation doesn't have the word "xia" in it, and much of that is because characters have foregone heroism and focused on gaining powers and working towards ascension instead). As a result, wuxia is more confucianism-oriented, though not without its taoism and buddhism influences.
xianxia, on the other hand, is mainly derived from "dào" (道), from taoism, which is another lengthy concept if I ever get to it.
And some may have heard of the "farming" genre, 种田 (zhòngtián). This has to do with golden fingers (mary sues) in imperialistic china, earning a wealth of money, and all that. It has nothing to do with cultivation, alike they sound in english.
that's it for now, hmu if you wish to ask/discuss!
(and apologies for the pinyin translations, hope it's understandable still! formally writing pinyin they are supposed to be two separate words not one.)
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nkjemisin · 1 month
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Hello! I’ve been seeing a lot about your work on social media lately and would love to read your books. What series do you recommend I start with?
Thanks ☺️
That depends on your taste/interest. I don't really write the same kind of thing from series to series, because I get bored easily and often want to try new subgenres/styles/etc. So I'll just briefly list my series and you can pick the one that appeals the most.
There's the Inheritance Trilogy, (link goes to the first book) my first published novels. A secondary world that has enslaved its own gods deals with the repercussions of that, from the POVs of three mortals. There's an overarching plot arc for all three books -- and there are some side-stories for this trilogy, too -- but each has a different narrator and takes place at different times. First person past tense, if you care about that sort of thing. (I don't, but some people seem weirdly attached to/repulsed by particular persons/tenses, so I'm including that info here.)
Then there's the Dreamblood Duology, which were actually written before the Inheritance books but I couldn't get them published at first because publishing in the 2000s was hella racist, basically. (I know, it hasn't changed much... but that little bit of change was enough for me to break in.) These books are as close to traditional fantasy as I'm probably ever going to get, except that they take place in faux ancient Egypt instead of faux medieval Europe. The story follows priests of the dream goddess as they're forced to deal with a conspiracy that threatens to inflict horrors on their society. Third person past tense for both books.
Next up is the Broken Earth trilogy. That's my experimental one, with first, second, and third-person POVs, present tense, a completely non-Earth world, and some heavy themes. All three books form a single story spanning, oh, forty thousand years or so, but mostly they're centered on one incredibly angry middle-aged mother who is on a roaring rampage of revenge/revolution. Features earthbenders, anti-magic groomers, magic statue people, and the apocalypse (again). Lots of "dark" themes and horror moments (harm to children, systemic bigotry, people-eating bugs, more).
My most recent books are the Great Cities duology. Urban fantasy set in modern-day New York, third person multiple POV ensemble cast. Turns out cities come to life once they hit a certain point, and then they claim a human avatar to represent and protect them. New York turns out to have six. It's also got some very unwanted tourists in the form of Lovecraftian entities that are trying to destroy it, along with reality as we know it. I meant for these to be lighthearted and silly and I think they kind of are, but there are still some notable political elements in them. (I mean, it's set in modern-day New York, and I started them the year Trump got elected, so...) It's lighthearted for me, anyway.
So, pick your poison!
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apomaro-mellow · 5 months
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Every Baby Needs a Daddy 6
Part 5
Come for the sugar daddy fantasy stay for my everybody-loves-steve agenda
Eddie insisted on helping Steve with his suit the night of the soiree. Steve allowed him into his apartment for the first time, after some extensive cleaning. Eddie was already dressed in his suit, red, no shirt underneath. He took the garment bag from Eddie, kissed his lips, and then went to his bedroom. Eddie got a glimpse of his nest before the door was shut.
"Uhh? Baby?"
"No peeking", Steve said from behind the door.
"Babyyyy", Eddie whined, pressing his face to the wood.
Steve grinned to himself as he listened, getting dressed on his own anyway. "I don't want to be late. And if I let you 'help' that's exactly what will happen."
It wasn't just what Eddie would do. It was what Steve would let him get away with. It would be very easy to let Eddie in and then tumble in his nest. The thought of letting Eddie's scent mix in... Steve wondered if he could get away with sneaking a piece of his clothing away. But Eddie had promised him a fun night out and said he'd be meeting his bandmates as well.
He finished getting dressed and came out. Eddie stumbled, being nearly glued to the door. Steve almost made a joke about falling for him.
"You gonna be this attached to me all night?", he asked instead.
Eddie righted himself and stood up straight. "If I let you out of my sight, the wolves will descend on you Lil Red."
Steve put his hands on Eddie's chest and leaned in. "Good thing I've got a big, strong woodsman to keep me safe~"
Since it was a band event, Eddie had a personal driver this time. That meant he could sit in the backseat and play with Steve the whole way. Eddie's hand was firm on Steve's thigh while the other held his hip. He'd wanted to bury them in Steve's tresses but one firm tap and reprimand 'don't touch the hair' and here they were.
Eddie was nibbling on Steve's neck, wishing he could put something more permanent on him. Let others know who he belonged to. When they arrived, Steve took a moment to get himself together. Eddie thought he looked just as radiant now as he did with sex-tousled hair but he liked seeing his baby primp too.
Eddie led him, arm in arm, into a nightclub. The music was energetic but didn't really seem to fit with Eddie's usual metal scene. Steve had done some research on the band, listened to a few songs, learned the other members names too. So even through the blaring music, he was able to understand when Eddie brought them over to a reserved table where the rest of them awaited.
"So this is the guy?", Jeff asked.
"This must be the guy", Gareth nodded.
"Can't be anyone else but the guy", Grant raised his glass to Steve.
Steve smiled at Eddie. "You've been telling them about me?"
"You're a secret I don't wanna keep, babydoll", Eddie smiled back.
"DJ here is mixing a set around one of our albums", Jeff said. "Kind of a little promotion for us. And when we share the video, he'll get a bump too."
"I thought this was a little out of the box for your sound", Steve said.
"You listen to our music?", Eddie asked.
Steve shrugged, playing it off. "I've dabbled." He leaned into Eddie's space to take a sip from the drink in his hand. "What about you? Do you dabble in this?"
"Not quite my scene, no. I'm an appreciator of most genres though."
"Can we finally break the silence on Eddie's jazz phase?", Gareth said.
"What's wrong with jazz?", Steve asked.
"Music was fine", Grant clarified, "He just got super pretentious about the different subgenres."
"He was insufferable", Gareth added.
"What about you guys, then?", Steve pointed the question to them. "Are you into this kind of music?"
"It's something to dance to", Jeff replied.
"That's exactly what I wanted to hear. Care to dance?", Steve asked.
Jeff gave a look to Eddie, asking permission. Amused, Steve also looked to Eddie for his response. Eddie's arm had been wrapped rather possessively around him for most of the night, so he could feel how antsy Steve was getting. Eddie gave his hip a pat.
"Go have fun."
Steve kissed his cheek and then went down to the dance floor with Jeff. He loved to move and he'd been itching to dance all night, but Eddie didn't seem like a dancer, at least not to this kind of music. And he wasn't about to just go out and dance with someone random in the club. Jeff was the perfect partner, knowing when to be close and when to give him space.
He felt a finger tap his shoulder and when he turned, Grant was there. Following the beat of the music, Steve gave him his attention. He was able to catch Eddie's eyes just once and saw the hunger in his eyes. When Gareth came to dance, he was a little more hesitant to touch Steve until Steve himself pulled Gareth's hands to him.
The way they all touched him was polite but there was an underlying desire. They were showing appreciation, but they weren't going to challenge the pseudo-claim Eddie had on him. He caught Eddie's gaze again and it was darker this time. He began to walk off the dance floor, ignoring a few calls from voices he didn't recognize.
Steve returned to Eddie and straddled his lap. "Sure I can't tempt you to dance?"
"There's not a thing you can't tempt me into, sweetheart. But you'll have to give me something dance-able. Liked seein' you have fun though. My boys take care of you?"
"Mhm, they were very gentlemanly." Steve's hand dipped under Eddie's suit jacket, needing skin to skin contact.
"Music to my ears", Eddie said against Steve's lips before meeting them. He growled against his mouth as he was able to detect the scents of his friends on him. Steve was pack. Steve was his.
Eddie practically dragged him out of the club and back into the car. The door was barely closed before Steve was in his lap again. He was writhing, probably very close to ruining the nice suit pants.
"Come with me", Eddie breathed.
"Yes, Daddy", Steve moaned into his ear.
"No I mean, on tour. Come with me on tour baby."
Steve paused in his humping to look in Eddie's eyes. "You want me along for the ride?"
Eddie nodded, eyes wide and big as if there was ever a chance that Steve would say no. But he also couldn't just say yes.
"For how long?"
Eddie licked his lips. "Two months."
"My job..."
"I'll take care of anything you need", Eddie said quickly.
"My apartment-"
"I'll handle it, baby. Just please say you'll come."
Steve's head tilted to the side. Robin's words echoed in his head. Wasn't this the scenario he'd been running from? An alpha having control over his life? If for even a moment, Eddie changed his mind about him, he'd be out a job and a home. Steve looked back down at him and that was his undoing.
"I'll need a new suitcase, and wardrobe, and-"
"Done, done, and whatever else you can think of, it's done." Eddie kissed him in elation, much sweeter than anything else they'd done all night.
-------------------------
Steve at least tried to sell the whole 'can I bounce for two months and come back later' at his job but obviously that didn't fly. It was fine. It wasn't really the work or even the miniscule paycheck he was attached to. It was simply the comfort of doing the same thing in the same place every day. He could fill out applications on the road and get the same job anywhere.
True to his word, Eddie took him out shopping just a couple of days later.
"I meant to tell you", Eddie said as they walked through the mall. He was dressed very casually in jeans and a t-shirt under a vest with the band's logo on the back. His hair was pulled back in a ponytail and he kept his shades on inside. "That lunch meeting with sushi? Went pretty good. Your advice worked."
"You sound surprised", Steve teased. He was wearing a green sweater and light jeans.
"Not surprised, beautiful. Just in awe." Eddie put an arm around him as he led him into the first store.
Just like at the tailor's Eddie let Steve loose, letting him pick and choose what he wanted. After the third store, Steve was looking at him hesitantly.
"You're really going to spoil me. Going to turn me into a brat and anything."
"What? You? My sweet angel babydoll? Never", Eddie smirked. "You're acting like no one's ever lavished you like this."
Steve shrugged. "Well, not like this but-", then he thought better of it. "Never mind."
"I don't think so, baby. I think I deserve at least one story of past-Steve. You got to google search my life story."
"How do you know I didn't ask Jeeves?"
Eddie put a hand to his heart, then took his hat off like a sign of respect. "RIP to a real one. But you're not gonna distract me, Stevie. I feel like you've been keeping something from me. Not something big, just something you don't think I should know."
Breaking his gaze from Eddie's, Steve spied a restaurant inside the mall. "Let's eat."
Eddie had them get a booth in the back, figuring Steve would want some modicum of privacy for this. He wasn't expecting a bombshell, but he figured it must mean something to Steve.
"So, when you met me, you probably thought I was this... downtrodden, poor omega with nowhere to go." That rainy night seemed so long ago.
"That's not what I thought at all", Eddie said with a shake of his head. "Honestly thought you were waiting for someone. Made no sense to me that you were all alone."
Steve smiled. "Well, I wasn't always alone. Not physically, at least. My parents are Layton and Francesca Harrington. They've got a hand in a lot of things but most of our money comes from apple orchards of all things."
"So you're the heir to a vast apple fortune", Eddie surmised.
"Was the heir to a vast fortune."
"Is there a story behind that?", Eddie asked, watching Steve pick at his food.
"Not an original one", Steve said with a chuckle. "They paraded the alpha sons of their associates. I was also paraded. I was offered a life where all I had to do was look nice and speak little and eventually bring up the next generation of whatever old money family my parents chose for me... It was suffocating."
Eddie's leg stuck out from under the table and rubbed against his. "You got your own place. And your own job. You got out. Why would you keep this from me though? Doesn't sound particularly scandalous."
"I don't know", Steve shook his head. "Maybe I didn't want you to think I was a gold digger, or maybe I didn't want you to think I had super high expectations, or-it just felt like I shouldn't tell you. I'm tired of carrying my parents around."
"They're really that loaded?"
"Didn't you hear me say 'old money'?"
"Is there some scorned ex-fiance I should be worried about?"
"Hmmmnope."
"You sure about that, sweetness?"
"I'm sure. None of them are looking for me. And none of them hold a candle to you."
Eddie could understand wanting to leave the past in the past. After eating, they continued their shopping spree. Eddie paused at a costume shop that showed a few of the outfits on mannequins in the window. Steve followed his line of sight and grinned.
"Gimme your card."
"Sure, what for?", Eddie asked as he handed it over to Steve.
"For a surprise. Go get a pretzel. I'll text you when I'm ready." He kissed Eddie's cheek and then went into the costume shop.
Whipped like cream, Eddie did in fact go get a pretzel, fantasizing about all the little outfits Steve could be buying right now. When they met up, he wasn't allowed to peek. So while he knew there must be a costume of some kind in Steve's wardrobe now, he was oblivious to the lingerie he'd bought as well.
Part 7
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ghostsferalgremlin · 1 year
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SIMON "GHOST" RILEY HEADCANONS
I had these headcanons in mind for a while now and i have no one to talk about cod so here we are.
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• I picture him having pretty wild hair, not because he doesn't cut them or anything, but because he cuts them himself.
Not trusting anyone can lead you to ask people not to touch you, Simon defenitely doesn't want people touching him behind his back, where he can't see them, so he prefers to cut his own hair.
• If he is in a relationshin he would definitely seat on the wc while you take a bath.
He would follow you like a little golden retriever and sit there, he doens't mean any harm by it, he doesn't even think about you in an horny way or anything else, he just wants company and loves to hear you speaking while you take care of yourself, so he just sit and casually answer here and there when you ask him something.
● I don't think Simon perceive Ghost as something totally diffrent from Simon.
Having trauma makes you unable to "work correctly" in a kind of way, and Simon can't have himself have a panic attack or anything else in the field. I think Ghost is simply the more collect and calm part of himself and he knows it, Ghost is simply the part he uses when heneed stability and what Ghost rappresent is literally someone who has everything under control, always.
● He drinks, but not that much.
As i said before, he doesn't trust people, and being drunk means that you have to depends on other people to take care of you. He trusts the 141 tf, but he refuses to being in any kind of way in someone's hands, he has to be in control, always, so he has a specific number of drinks he can drink we does, after that is a big no.
● His music taste? Immaculate.
Let's be real here: he is traumatize and he goes by Ghost. Man definitely listen to metal and every single subgenre of it, he loves it and it's the only way he is sure he can still feel emotions outside of anger and fear.
• Not really a man whos love language is physical touch.
He touches you, he does, but his love language is quality time. He loves spending time with his loved one, speaking, cooking, listening to some music or just watching a movie, he love having someone, who he is in love with, around and listening to their voice.
• We are edgy here and we don't wear colors.
Man's whole wardrobe is black, camo, black. He has some things here and there cause people keeps buying it for his bdays, especialky Johnny, but he never wears them. He just look at them and goes: nope.
• Sweet tooth.
God this man LOVES sweet things, chocolate, candies, drinks, he wants them all. Once he found Gaz's secret storage and literally wiped it all, the poor man is still crying about it.
• He doesn't wear his mask to cover his scars.
As i said, he perceive Ghost as the obly part of him that can remains calm enough to do his job. The mask is something that helps him with this, once the mask is on he is not just Simon anymore, he is Ghost and he has everything under control. The scar story? Is just because he doesn't want to explain the truth to anyone.
• He has nighmares and pretty much refuses to sleep until he just pass out.
He is tired, he really is, but he forces himself to stay awake to avoid waking up amd feeling like he is just a step away from death, breathing is impossible to him when he wakes up like that and it leaves him feeling vulnerable for hours. He just prefers to let his body take control when taying awake is too much, this means he wont wake up, mostly.
................
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fourswordsannotated · 7 months
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akira himekawa are unbelievably cool.
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soooo here's the thing. i was looking at akira himekawa's website on a whim and found a public blog, with posts that go all the way back to 2009. many hours of google translating later, and i've developed an even stronger admiration of these two women and their exceptional career as manga artists. they share so much in these posts about the creative process, their thoughts on social justice, their connections with nature, and their most major original story, gliding reki, which seems to have always been a passion project in the midst of commercial work.
from what i could gather, reki is unique in that they were determined to do it in full color. and they did it, because after reading about their career, it's clear to me that when these women set their mind to an idea, they make it happen. see also: they just recently produced and distributed their own art book, because no publishers were offering to do it in a way that pleased them.
their stated goals for reki were to make something more adult than their previous children's manga, taking place in a city, involving a lot of mechanical art, and featuring stronger romantic and self-described erotic subtext. good for them. before i get into the four swords-related stuff, i'm sharing what i could find on the internet about reki.
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more under the cut, because there's quite a bit to discuss :)
not much that i could find on the blog specifically references four swords, but they have many fascinating insights about nintendo, the zelda fandom, and the franchise as a whole. i can't know for certain because this information was surmised from translated text, but it seems as if their manga with chibi link made them feel a little stifled, which is why they took a long break before returning to do twilight princess. it's not lost on me that even a work like four swords, which they may regard as not their favorite or best, still has inspired and brought together so many passionate, creative, and diverse people. this is especially sweet because it seems as if they met each other, and formed their creative partnership, because of a shared fandom interest of their own.
honda and nagano have shared their thoughts and feelings on this blog for more than a decade, and they have a lot of thoughts and feelings. throughout their entire career they've made commentary on work-life balance, their experiences as women in a male-dominated field, and their desire to create original art while simultaneously enjoying some commercial work as well. they are passionate about social justice, particularly re: women and indigenous people, and offer insights on aspects of culture and history and the state of the world that really could resonate with anyone. and they really seem to appreciate fans of their work, and emphasize repeatedly the care and thought they put into their manga in the hopes it will inspire and bring catharsis to readers. they love animals (especially wolves), being outside in nature, being nerds about art they enjoy, a certain subgenre of romantic manga that appealed to and empowered female readers in the 90's and 2000's, and traveling around the world to partake in activities like horse riding and falconry.
the coolest part is, they're still updating the blog to this day :) in fact they seem to have recently returned to it, reflecting that twitter is not their preferred manner of sharing things online. they seem very familiar with and fond of older-school blogging culture.
there's a lot more i could say here about my findings, some of which do pertain to... certain ships 💜🖤 . but i don't want my genuine appreciation for these authors to be overshadowed by that kind of conversation. in addition to a link to the blog itself, i'm including a few translated posts of interests, which you can interpret and incorporate into your perception of the media however you please. at the end of the day, it's a really cool gift that these artists have chosen to share so much over such a long period of time. by making their personalities, beliefs, and insights more visible to fans of their work, i hope it brings new context to the stories we already love.
a modern-day insight:
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re: the zelda mangas. these are from several points throughout their career. please note that they have so many fond things to say about zelda as a franchise and their work on the mangas, especially regarding the way they've affected fans. i encourage you to look for yourself, on their blog and their other socials!
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re: gliding reki
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re: the creative process (and in the latter two, the fandom that seems to have inspired them!)
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re: their two goofyass adorable tiny dogs that they dress up in outfits while also loving wolves like a lot, they love wolves (both domesticated and wild), they really love wolves
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re: wolf day (every day is wolf day,)
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re: indigenous rights
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re: painting serious works on commission vs their manga. i can't know for sure exactly what it means, but it really does kinda hit
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re: a fan and manga artist in training bringing them art and a note
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and a moment from a twilight princess manga interview i found very sweet :)
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okay. you've made it to the end. i know you're wondering. here you go. please remember that this is and always has been a public blog, and these posts are actually from 2009 and 2010. also please remember that the point of this post is not to cause or fuel fandom discourse, but to appreciate these authors and the things that they choose to express.
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(also, this is the column they were referring to in image 1. it's FASCINATING. give it a read if you'd like!)
the dots are there. you're welcome to connect them.
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thank you for your beautiful work and insights, honda and nagano. please never change.
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bitchliteraria1906 · 22 days
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Teenage Max headcanons!
-Has back acne.
-Punk, 100%. Just search "Punk cc Max", a lot of people who know way more about punk culture than me have explained it already.
-That one kid who is considered a troublemaker and a nuisance but also gets good grades without trying, which annoys the hell out of the teachers. His favorite subject is history and he dumps dark political and historical facts in conversations to see people's reactions.
-Besides continuing gymnastics and tap dancing, he also reads a lot (mostly mystery books) and plays a lot of videogames (he claims he enjoys shooting games but he actually prefers stuff like Animal crossing).
-His parents don't alllow him to have a dog, so he feeds strays and plays with them and basically treats them as if they were his own dogs.
-Still has Mr. Honeynuts, obviously.
-Doesn't become a counselor, but helps around the camp whenever he can, especially with the younger campers. David makes a big deal out of it and gets all emotional about it, much to Max's irritation.
-Unlabaled, but on the ace spectrum. I could see aroaceflux and bi too. Idk, I don’t really have a firm headcanon for him when it comes to sexuality.
-Has scars from camp adventures and school fights. Nothing too bad, but it's there and he isn't ashamed at all, he thinks he looks cool.
-Mostly listens to subgenres of rock (mostly punk rock and indie rock), emo-ish things and rap. But he also gets the cheesy pop and country songs David listens to stuck in his head, and he absolutely hates it.
-Doesn't care that much about his looks but will paint his nails black.
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mermaidsirennikita · 2 years
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Tell us more about Bridgerton is ruining HR publishing. Also, do you think this extends to the show in that it really isn't paving the way for more HR adaptations?
Lol, I was mostly being facetious because it's actually publishing's reaction to Bridgerton.
And I mean, it doesn't extend to the show--it is the show.
I think I should make this clear. I think the Bridgerton books are pleasant historical romances that serve a specific audience that prefers lighthearted, romcom-y, sexually tame books about largely upper class leads. There are two I really like, but for ME as a reader, they're largely mid. I can say that and also say that they're quite successful. Do I think they were the most successful series in historical romance? Nope. I think they sold very well, obviously, but I don't think they had a gigantic influence on the genre prior to the TV show... Because lighthearted, tamer authors existed before Quinn, and they existed well after. Imo, the idea that the Bridgerton books were influential on HR on the level of like... Judith McNaught or Johanna Lindsey... is a myth the people behind the show kinda push. Julia Quinn has never tried that.
As for the rest:
--The show doesn't pave the way for HR adaptations because a) the female audience will never be trusted and b) the show really doesn't sell itself as historical romance, and isn't one. The fandom doesn't largely give a fuck about HR, which isn't their fault lmao why would they with the way that it's been sold.
--However, trad publishing doesn't currently know how to market without comps. When you're trying to get an agent these days, it's basically obligatory that you go in with comps. "My manuscript is 'The Count of Monte Cristo meets Bridgerton' etc. Your agent will also probably need a comp to sell your MS to a publisher. If you're writing historical romance right now, publishers are often looking for "X meets Bridgerton". This means that you've got a lot of people sending in a similar type of MS: fluffy, contemporary-ish, safe.
--Which also coincides with a preexisting contemporary dominance in romance. Historical romance has not been on top for quite a while. Paranormal romance dropped off some time ago. Contemporary romance is the top dog, and historical romance writers are probably chasing that.
--(This obviously applies less so to authors that were successful before Bridgerton--this issue affects people trying to break into historical romance.)
--The thing is that when you're trying to chase Bridgerton, you're trying to chase something that fundamentally? Doesn't really relate to what has worked for HR for so long, and it certainly doesn't relate to any kind of new edge. Bridgerton sells itself as inclusive, but it's casting people of color in roles that were white in the books, clumsily writing in race, and denying queer people a seat at the table. So, where does that leave historical romance authors who could do something new: writing stories about people of color who are living lives they would in the past, and writing stories about queer people?
--And lmao don't even try to break in with a more erotic or kinky historical romance, because if you're comping to Bridgerton... that show ain't either of those things.
--I speak as someone who reads a lot of new historical romance releases... A lot of what I've seen in traditional publishing lately has been like... even straighter and whiter than usual, and DEFINITELY a lot tamer. Sex? What sex? Lmao, I've even seen authors who've had sex in their books in the past wipe it out of new releases.
--(This doesn't apply to indie or self publishing.)
--And I don't think readers are responding. What it's reinforcing is a preexisting idea that historical romance is a) entirely white b) entirely straight c) less sexy than contemporary. None of these ideas are totally off for the general subgenre, tbh, but there are writers who could move it in a different direction if they just got a chance.
--The sex issue, to be fair, is affecting a lot of romance right now. To be fair.
--As a result of this and.... other things, a lot of new historical romance readers are recommending the same few older, super successful authors over and over. Lisa Kleypas might be selling some more of her backlist, but it doesn't help the people who could push the subgenre forward.
--And tbh? I don't think historical romance should court contemporary readers or romcom readers, by and large. They're welcome, but I don't know that every contemporary reader is going to like HR (and that's okay!). Imo, dark romance readers seem to have a greater affinity for older historical romance (which makes sense--the dubcon, the high stakes, the eroticism, the d/s undertones sooooo rife in older HR) along with PNR readers (again: high stakes, alpha males, a kind of animalistic eroticism in older books similar to PNR).
--To be frank, I think that if HR is going to like... ever be on top again in traditional publishing, the books need to get a lot sexier, a lot more progressive, and a lot wilder. "Miss Bittlesworth is gossiping about how her best friend had her hand held by Lord Crumpet" is not going to get TikTok goin'. "Amelia, the secret bastard debutante who's engaged in an affair with the man who bought her virginity at auction and now they're having sex on a seance table"? Might.
--And like... yeah... Does HR have a long history of dubious consent and alpha males and other controversial issues? Sure. Do I think that some level of intentional controversy is what the genre needs right now? Yeah. Pearl-clutching over shit Johanna Lindsey wrote in the 80s is one thing. Intentional subversiveness (see: Scarlett Peckham, among others) is another. The reality is that traditionally published HR has a weird future ahead if it doesn't push the envelope, so better to ruffle some feathers and sell some books than worry about people being offended by a bit of edginess.
--Basically: the vast majority of Bridgerton viewers don't care about reading historical romance; a lot of people who would like wild historical romance are not being marketed to; and traditional publishers in romance in general are afraid of really courting interesting, subversive, exciting books. In part because, due to capitalism, the idea is always "get bigger" which means courting people who are never going to be interested in any kind of romance, let alone historical romance.
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punkeropercyjackson · 14 days
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I love weirdo protagonists who have real problems.Hiccup Haddock was born disabled and lost a limb in the first movie and even if he's cis(he isn't),Berk's emasculation of him counts as trans.phobia because it was specifically based on saying he's 'not a real man' because his body isn't 'manly enough' and his personality wasn't either.Stephanie Brown was born poor to an abusive dad and a drug addict mom and grew up with almost no friends despite how nice she is and that led to her letting older men exploit her because all she wanted was love and Duke Thomas is a black kid who grew up getting kicked out of schools and in and out of foster homes because his parents went insane and his actual birth dad is a deadbeat jackass.Kat Elliot is a 13 year old black girl orphan who's wards were abusive so she had to run away after being victim blamed for self-defense and fend for herself.Percy Jackson is the embodiment of audhd people who have never been able to mask and never stopped getting treated like shit for it no matter how many times they prove how cool and smart they are and she had a combo/split of Stephanie and Duke's parental situations.Miles Morales is a 15 year old afrolatino who's really lonely in his civillian life and even his superside and he got a whole speech about how he shouldn't and DOSEN'T DESERVE to exist all because he's not normal and that's shit that happens irl even if not in that exact context
I don't care about Danny Phantom and his high school incelcore bullshit with fan content by people who think he 'deserved' the fat black girl he rejected for a skinny white goth gf.I don't care about Princess Ariel having one bad interaction with her dad and reconciling with him a few days later because she proved she's a real normal straight girl by marrying Prince Midric and might have cute quirky white girl autism.I ESPECIALLY don't care about Harry Potter and the generations of people the franchise liberalized to the point they made a whole subgenre of the racist dead gay wizards from the 70s.I don't want geeks.I want freaks
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olderthannetfic · 5 months
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I think a lot of the lack of femslash criticisms also miss the fact that fandom emerges from canon and will reflect, for better or worse, what is already in that canon. So if we have a majority male cast, with the main character being male and the rival being male and the mentor-figure being male and the villains being largely male... I mean, just in terms of numbers and which relationships have the most emotional energy, fandom largely will have majority m/m. And genre fiction, which fandom tends to gravitate towards, is heavily biased towards male characters.
(And even when male side characters get a lot of shipping... usually they're fitting other common popular fandom tropes or they're essentially more fanon than an actual thing people ship-ship. You probably aren't going to be shipping the Female Love Interest™ with another side female character except in a Pair The Spares or background ship sort of way, but Those Two Guys are probably gonna get shipped and typically they're going to be dudes. And even those kinds of het or slash ships can come across as deceivingly popular when they actually aren't, because they're more like popular fanon so they pop up a lot in fics but only in the background rather than the main focus, and those are same ships I often see being brought up as "if you can ship two background men then why aren't you shipping this femslash ship!" wank alongside anomalies like Klux)
Even the Among Us fandom which has the gender-ambiguous characters often interpreted as male. Yes, from what I can tell m/m is way more popular but in terms of genre and setting which will influence how people write for it, it's mostly male characters. It's essentially The Thing In Space and The Thing had a male cast while Alien is notable for being an exception by having a female protagonist in that kind of space setting, and even then, it was still majority male characters in terms of raw numbers, all of which will influence fanfic writers and artists. Plus from what I've read there's often some kind of gender fuckery going on with the Imposter so m/m might even been entirely accurate for a lot of those fics. So while there are perhaps valid criticisms about the lack of female characters in those genres in general that fandom then reflects, it's unreasonable to suggest it's just fandom hating women. Plus everything we've already covered around how it's also related to what a majority queer women (and trans-people-who-were-AFAB) with potentially complicated feelings about female bodies find hot and fun.
But go to the magical girl genre and it's majority femslash, just like how even on ao3 any buddy-cop show with a male and female lead will primarily be het. And when there is a female relationship given the most focus, or when it's canon, the fandom will obviously be majority femslash even on ao3. And I get that it's frustrating when the genres you enjoy have a dearth of women in them or shittily written women, and I agree that we should do better with that, but it's not fandom's responsibility to do so (and it's not like there isn't an entire subgenre of fix-it fics that aren't "what if this female character was written well"). It feels kinda mean to say it, but if you want femslash right now you might want to look in different genres where the protagonist and the most significant characters related to them are all women, and one without a canon male love interest (or a really boring, blank slate one no one cares about).
--
I don't watch Xena for the dudes, definitely. Haha.
Re the Among Us thing, someone said a lot of the fic was clearly inspired by streamers anyway, so that's where the genders are coming from.
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msmargaretmurry · 8 days
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this poll has me thinking so much about what kinds of hockey players i tend to love the most because like, there are so many genres and subgenres of hockey player and a lot of the time the genres overlap and i would never expect someone to be able to fit all of that into one poll but it is INTERESTING the roles guys get assigned. i voted face of the franchise bc in the moment i was like, yeah i love the narrative richness of the intersection of public image and pressure/responsibility and unknowable internality. but i don't think that's WHY i like players bc there are so many faces of franchises that i so deeply don't care about 😂
like. i feel like people On Here would classify me as a matthew gal or a dylan gal which is definitely not incorrect, but also only a fraction of my hockey feelings even make it onto tumblr at all so i ALSO consider myself an ebs gal and a nicke gal and a leon gal and a mike green gal and a dsp gal and a matt hendricks gal and a braden holtby gal and a joel ward gal ... i don't really really consider myself a quinn or brady or brock or petey gal even tho they are all extremely special guys to me because the vibe is different in the way i love them. they are still my guys but i am not a them-gal. you know? thatcher and william and andre and sasha barkov and casey fitz and charlie mac and matty gryz are guys i keep in my pocket. i have a whole lineup of guys i loved in juniors/college who played 0–5 nhl games and are now career ahlers or overseas somewhere. like i am also in my heart a john h.ayden gal and a riley b.arber gal. y'all cannot fathom what i was going thru when brien d.iffley and pat h.arper and josh n.icholls won an EIHL thing together this spring 😭 how does one even begin to categorize these players into a genre. my affections are based so much on a player with the right vibes catching me at the exact right moment for me to latch on like a cat chomping down on one of those fishing line toys with a fake mouse on the end.
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sabbracadabras · 2 months
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Posting about my metal subgenre guys under the read more because I feel bad for posting art of them with basically no context (yay)
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So, I’d like to think that most music genres have some sort of soul, just based on humans and their connection and love for music. My characters are basically a physical manifestation of that; corporeal representations of the music genre they represent. They’ll exist as long as people out there actually give a shit about the music, and considering how passionate metalheads are about their music, they won’t go away any time soon.
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Since they aren't human, they don't need to do stuff like eat or sleep, but they can choose to do so.
The horns and tails that the extreme metal subgenres have are just for show and are only there to make them more distinctive in design. They aren’t demons or anything. I just like goat horns.
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“How do they integrate into human society?” It’s not like they’re out of their element or anything. They behave like the fans of their music do. The only thing that would really impact that is their eclectic fashion sense/extra body parts, but I think it’d be funny if humans didn’t care about that sorta thing after a while, so it’s just not a huge issue in-universe.
"So what subgenres have you personified? What are their names?" Everyone tends to classify metal subgenres differently and there's so many depending on who you ask, so I'm only using 12 of them. Sorry if your favorite subgenre isn't on here! I just want my life to be easy.
Heavy Metal (basically whatever you think of when you think about English heavy metal bands from the 70s-early 80s.): Graham
Hair Metal: Roxanne
Doom Metal: Björn
Thrash Metal: Rocky
Death Metal: Cris
Black Metal: Orcus (Sven)
Power Metal: Hannes
Folk Metal: Vesa
Prog Metal: Jean
Symphonic Metal: Annette
Industrial Metal: Johann
Nu metal: Wes
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"What are their ages?" I guess they're the same age as the subgenre they represent. Mentally and physically, though, they're like...20 somethings. Their ages don't really matter, but if you're worried about that kind of stuff they're all adults, so it's whatever.
I don't have any huge thing planned for them at the moment. They're just silly guys that I like to draw. I do plan on going back and tagging all the art featuring them as "posers" since that's what I call their universe. I'll probably go back and tag each character too if I'm not lazy.
Thanks for reading!
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antebunny · 4 months
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So there's a subgenre of fics in the Harry Potter fandom wherein a person conceived while one of their parents is under the influence of a love potion will become aroace at birth. The origin, afaik, are two insidiously awful decisions of JKR combining: 1) she reinvented date rape drugs/roofies aka love potions, without realizing it I guess, and 2) she said that Voldemort was asexual, because she's never seen a marginalized identity she didn't spit on.
Since Merope Gaunt (Voldemort's mother) used a love potion on Tom Riddle Sr. (Voldemort's dad) I guess people got the idea that what if love potions caused asexuality? And asexuality + aromanticism, of course, meant evil. Here's an excerpt from one of those fics in which Bill Weasley explains being aro/ace to Hermione:
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"No. I just dated because that was what you did. I never really felt anything for them. A few kisses, plenty of hand-holding. I made out in a few broom closets, and had one very uncomfortable make-out session up the top of the Astronomy Tower that I eventually ended by pretending I heard Filch coming past on a patrol. I even tried making out with a guy once in case that was it–nothing. I never told mum about that, of course. Good wizards don't shame their families like that."
"There's nothing wrong with being gay, you know."
He shrugged. "It doesn't apply to me anyway. I'm not gay. I wasn't anything, and I was trying to accept that and be content with it. It was good enough. Until I met Fleur." His eyes lit up with joy as he spoke about her.
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"Look, the point is with her allure from being part-Veela, I love her. Like I can never love anyone else. I don't want to lose that. You don't understand what it's like to go through life feeling nothing for anyone else. I've dated people I said I cared for, but I wouldn't have died for them. Well, out of logical choice I might risk my life, but not from love. But I would die for Fleur. Do you understand? She makes me a better person. I would do anything to make her happy. I'm not alone in the world anymore."
She nodded slowly. "I see." It wasn't so much him manipulating Fleur, as him permitting her to manipulate him. Into feeling. "I didn't realise it could be that bad." She still thought he should confess, but it didn't sound like he was hurting Fleur–he really did love her.
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I read this fic years ago, and at the time I genuinely had not thought about my sexuality at all. I would've never called myself aro or ace. Still, reading this felt like being repeatedly punched in the face. I kept on waiting for Hermione to say something similar to what she said after Bill made a homophobic comment. After all, she went out of her way the first time, didn't she. Instead, what I got was essentially:
Bill: I don't usually feel romantic or sexual attraction. So there's something wrong with me.
Hermione: Yeah lmao. But there's nothing wrong with being gay!
I've been (reading) on Ao3 since 2016, and in all that time I've seen plenty of subtle racism, sexism, etc. But I've never seen anything as plainly stated as this. To this day I have yet to hear any aro/ace people describe the experience of being aro/ace in any of the following ways: "How could I forgive myself if we brought a child into the world to suffer the emptiness I lived with my whole existence[?]" /"You should be unable to love." / "You don't understand what it's like to go through life feeling nothing for anyone else."
I could not understand why Bill described it as "emptiness" or "feeling nothing." I still cannot find a single aro/ace person who would describe themselves as empty. The most I have ever heard is: "I wish I was normal" (meaning I wish I fit in, I wish to be accepted by other people). Historically, many aro/ace people married and had kids, conforming to societal norms, and I am sure many believed there was something wrong with them or hoped to grow out of it. I was one of them. On a very personal note, I suspect that my father is too. I am certain that he's never heard the terms asexual or aromantic in his life. But if you think I'll ever discuss his sexuality with him, you're out of your damn mind.
Now, I know it's really easy to find this fic from these quotes. I chose to include them anyways because I think it's important to show how blatant it was. My Tumblr blog isn't exactly a platform, but for the five people reading this: please, please do not go after the author. I truly believe that they had no ill-intent. In the comments of this fic, a few people bring up variations of "it sounds like Bill is just aro/ace" and the author is consistently understanding. Here are some of the author's comment on that fic:
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I very much understand what you're saying. It's a tricky thing for me to address, however. For the core idea I'm playing with is basically the evilness of "love potions". And part of that is exploring JKR's idea that Voldemort, being unable to love due to his mother using a love potion on his father, was a *monster* because of that. Perhaps that doesn't come across very clearly (there's a little bit more of it in the prequel), that it's one of the assumptions I'm trying to undermine. ("Love potions are funny/romantic", "Voldemort is a monster because he could not love", "Harry's power was that he could love - he's not a monster like Voldemort", "There's nothing wrong with selling love potions to teens/adults because it's not 'real' love".)
I feel like I'm already poking at the inherent problem of framing "people who cannot love" as "monsters/psychopaths" by showing Bill and Harry's struggles with self acceptance, and Bill finding a way to love (though do note he'd been making peace with the idea he wasn't attracted to anyone, prior to meeting Fleur). I really don't like the canonical take on love-redeems/love-is-the-best-power/the-loveless-are-monsters, so I'm messing with it a bit. Exploring other people than Voldemort, ones we admire, who are also dealing with being unable to love. Does that make sense? Now, that doesn't mean I'm doing a perfect job at it, but I'm trying my best to explore that theme around the edges of my Dramione story.
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The author's intention was to show how other characters, made aro/ace via love potion like Voldemort, were not evil or sociopaths. I don't know why all the characters were so aro/acephobic, but sometimes fics get away from you and you don't address everything you wanted to. I don't know why the aro/ace characters had so much internalized shame and hatred when the term bachelor has been in use for centuries, but we fanfic authors love writing self-esteem issues and I would be a hypocrite to say otherwise. I don't know why the author never tagged acephobia or internalized acephobia, but no one HAS to tag anything.
I don't know if the author ended up writing that fic where Harry comes to accept his aro/asexuality. It's totally understable if they didn't; I have failed to write many fics that I really did want to write. Sometimes it's just like that. I really, truly believe that the author had the best of intentions and is not aro/acephobic, just severely misled on what that experience is like.
My beef is not with this author. I used their words to highlight a reoccurring and popular sentiment that I hate. My real beef is that this fic is popular. This is an entire subgenre of Harry Potter fics. I actually decided to write this post because some random person on the internet said, a few days ago, something along the lines of: "Remember when JKR invented a date rape drug that turned people into sociopaths? Yeah…" (And also because I was up until 3 am last night writing a dumb trash angst one-shot about it).
I'd wager that the vast, vast majority of people who write or read those fics don't feel the same way. But the condescension is baked into the very premise of that trope. "Oh poor you, it must be so hard, so lonely going through life without ever loving another person. You must feel so empty inside."
It's actually people who say similar things that make me feel isolated. Most of the time I feel free, like I've cracked this secret code, like I'm able to see things clearly that people so hung up over sex and romance can't. Other times I feel so left out I wish I was "normal." Mostly, being aro/ace is lonely, annoying, exhausting, and liberating.
It wasn't until last year that a friend told me that some people actually do have trouble speaking to someone they've never met before, just because they find that someone attractive. I thought that only happened in stories. But I don't want to get nervous meeting new people based on their looks, I don't want to treat people differently based on how much I want to have sex with them. I wish my friends in high school had never pressured me to come out as bisexual. I wish all the other similarly liberal, queer communities I've found since didn't insist on associating sex and dating with emotional comfort. I wish I could magically stop my parents from expecting me to ever get married and have kids.
But I can't.
Anyways, that's it for today. I'm not sure what the point of writing this was. I really don't want anyone to get hurt or attacked because of it. This is not a callout, or a hate brigade, or any sort of call-to-action. I don't want people to get up-in-arms about this. I'm just tired. I suppose I just wanted to put my feelings out there, and well, this is my Tumblr.
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