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#they have a very big world but in a very specific context
mangokabuto · 2 days
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Proof of Usopp and Nami being Luffy’s vice/co captains? I would (genuinely!) love to see your thoughts and evidence, bc big agree
(Context:)
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Hello anonymous tumblr-using friend!
As someone with a lot of knowledge of & a great passion for real-life historical piracy, I have VERY STRONG OPINIONS about how the Strawhat crew would fit into an actual golden age crew structure. When I said "I have proof" I was jokingly referring to my knowledge of historical piracy and how the characters slot into those trends, not any sort of "in-anime/manga proof" of Usopp and Nami being ""co-captains"" with Luffy, so if that's what you're here for then sorry lol.
BUT if you want to learn a little about golden age western-world piracy, (and my "au" of sorts for how each crewmate would be recognized in that context,) stick around! :)
(extremely long explanation under cut LMFAO)
First off, as i said in my heated/j tags, "captain" did not usually mean what Oda makes it mean in OP's world. I am ABSOLUTELY CERTAIN Oda is just as passionate about & did plenty of research about historical piracy, and is clearly pulling a little from wakō history, but mostly from golden-age western piracy (specifically mostly the post-spanish succession period, to my estimation).
That being said. Why he puts so much emphases on Captains and First Mates is BEYOND me, because irl they were not as important.
The captain WAS important, don't get me wrong, but they weren't the sole reigning commander of a ship. They were more like a figurehead, most of the time. This is a sortof flimsy metaphor, but think of Captains like the modern-day king or queen of England; They're hyped up as the #1 leader, they're an important charismatic face for the group, and they technically have last-say on important matters, but they are beholden to two other groups (like the cabinet and the prime minister).
During the golden age of piracy, most crews were commanded by a group of three people. These three people were usually the Captain, the Quartermaster, and the Bosun. Each filled a different role on the ship, and all three were democratically elected by the crew. In all important matters, the three would discuss together how to proceed/solve the current problem, and though the Captain COULD overrule the other two at any time, that typically got him handily shoved overboard via mutiny. By technicality there was a heirarchy of power between the three stations, (with Captain usually being the top dog, then the Quartermaster, then the Bosun just above the rest of the crew,) but in practice they held equal sway in decisions that would effect the entire crew.
HOWEVER, outside of "big crew-wide decision-making moments" where you needed to assemble the three leaders, they didn't always have to coordinate. Depending on what situation the crew was currently in, one of them would be de-facto in charge of the crew, and the other two would step back unless the one currently in charge did something that needed to be challenged, like they made a bad decision or (in a more extreme case) broke the articles.
The Captain was in charge during times of battle. The captain's primary role was as a fighter, performer, and military commander! If the crew was attacked or about to attack someone else, the Captain would immediately take charge. (Now, real pirates weren't actually violent in practice as frequently as pop culture would have you believe, but that's a whole other topic. The reason "performer" is listed in the Captain's "jobs" is that part of their responsibility as a captain worth their salt was to scare enemies into surrendering without a fight through theatrics and reputation.)
The Bosun was in charge when the Boat was damaged or needed upkeep. The Bosun was not always the greatest carpenter or shipwright in their own right (in fact, in larger crews, they usually weren't either of those things), but they would be the one to get together with the shipwright and worksmen and assess damage, organize repair teams, and keep the boat running as well as possible. The crew followed their lead during repairs, and they were the go-to authority on any matters concerning the physical boat.
The Quartermaster was in charge the rest of the time. The way the Bosun is in charge of the physical boat, the Quartermaster was in charge of the crew. They were responsible for enforcing the articles, dealing out discipline, and the crew's general well-being outside of battle. In that same way that a bosun didn't have to be a shipwright, a quartermaster wasn't usually a doctor or cook, but they worked closely with them. Being in charge outside times of battle meant that the Quartermaster was also in charge of headings and navigation, and more often than not they were the ship's navigator, or head navigation/deck officer if their crew was large enough to have more than one nav. They also usually handled the crew's finances/pay and cargo. Is this starting to sound familiar yet.
So. After establishing the roles. I don't think I have to persuade you that while Luffy is most definitely the Strawhat Captain, Nami is our Quartermaster and Usopp is our Bosun. At the VERY LEAST this is true on the Merry Go.
You could possibly persuade me that Franky takes Usopp's place as Bosun once they get the Thousand Sunny, but I would be hard to convince. (I could be persuaded that Usopp loses his position as bosun on the Sunny, but Franky does not behave like a bosun as much as a head carpenter, and Usopp functions like his carpenter's mate. It's almost like, post-timeskip, they don't have a bosun anymore, and Zoro fills the newly empty position on the leadership trio?)
Now, these roles are not concrete, and they didn't always make up the "management trio" on a pirate ship. Some very small crews just didn't have enough people that they needed to single out their three favorite guys; they could just all vote on important decisions together. Sometimes the management trio included the surgeon or the first mate instead of the bosun. There were many crews where the Quartermaster was considered the top-dog highest authority instead of the Captain at all times. Even during the golden age pirate crews varied greatly, but the Captain/Quartermaster/Bosun trio was most common.
As for the ship hierarchy, there was a trend you could rely on no matter who the "three leaders" were. Everyone was generally considered of equal importance on a crew, (hence the elected offices and avenue for mutiny,) but there was a chain of command of sorts? Or at least people who would be shown greater respect and responsibility based on what they provided for the crew:
Captain and/or Quartermaster
Bosun and/or Surgeon/Doctor, and sometimes the First Mate
Everybody else, including captain's other mates.
Speaking of Captain's Mates... On larger crews, every important role on the ship had a "mate," or an apprentice chosen by the person in question to replace them if they should die, or otherwise be out-of-commission. Quartermaster's Mate. Bosun's Mate. Doctor/Surgeon's Mate. Carpenter's Mate. Etc. However, the Captain had MULTIPLE MATES, because his job was front-line combat focused. Ergo, he could easily die and need a replacement. Quickly. And his replacement could need a sudden replacement! So, depending on the size of the crew, the captain could have anywhere from two to eight mates, who were ranked by number. That's why the captain's highest-ranking mate is called the First Mate. Because there was usually a Second Mate. And then some more of em.
The First Mate's job is to be a good ass fighter, and back the Captain up on whatever they're currently doing. They hype the Captain up and enforce the Captain's decisions, no matter what that decision is. This is why they were usually not put in the management trio on most crews, cause you could imagine. The conflict of interest. (There's supposed to be three of them so that no one member has too much sway. Which could be sabotaged if two of the three are captain and captain's favorite soldier LMFAO)
I have no idea why, in the world of One Piece, all of the emphasis seems to be on Captains as the end-all-be-all leaders of their ship and the First Mate as the second in command. Especially when Oda clearly KNOWS about the other roles, since he's written characters that fall into them like perfect puzzle pieces!
...Well, okay, I have some idea. This is a shonen series for teens and being the captain/king/etc is wish fulfillment, and wouldn't be as cool for the projecting readers if you were part of a leading council with two other mooks. But. I can still be salty about it LMFAO <3
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youryurigoddess · 10 hours
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Maggie’s pendants and good omens
Yes, you’ve read it right. This post is going to deal with some literal good omens, not just title drop! But first things first, let’s take a closer look at the topic of this analysis.
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A toucan
The top necklace is a lovely design involving a crowned toucan — believed to be a messenger of gods able to travel between the spiritual and the physical world, often associated with rain and rainbow (a Christian symbol of divine love, grace, and mercy, a reminder of the covenant between God and humanity to spare the latter from future trials like the Flood) — encircled by a gold band (a symbol of infinity, eternal love and promise) spun by a small butterfly (a symbol of transformation, hope, and rebirth). All three symbols combined seem to deliver a divine message of hope for rebirth, possibly resurrection, and the eternal life. Very fitting in the context of the Second Coming.
The fact that toucans were revered by the native South Americans as rainbringers strengthens the symbolic meaning of another type of bird we can spot on Maggie’s clothes in the very first episode, as her character introduction — a swallow. Swallows flying low are also believed to be harbingers of rain and bad weather. If you see one close to Earth or a building, it means that there’s a storm — or a certain biblical tempest — on the horizon.
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In Ancient Greece and Rome swallows were representing Aphrodite, goddess of love. In Christianity they were considered to be of God and symbolized hope, awakening, and revival of life as messengers of spring and protectors from winter colds. Also helped Jesus on the Cross — according to a Christian legend, a group of swallows was supposed to take out the thorns from the Crown of Thorns and alleviate His Passion on the Cross. Humans banding together in the name of good have been a big theme in the series ever since The Them made an appearance, and from what we already know about the unpublished Good Omens sequel, we can assume that Jesus is going to take the spotlight in the upcoming season.
Maggie definitely attracts sudden inexplicable weather changes, like a thunderstorm with weirdly localized lightning strikes or a sudden downpour. And we’re still waiting for some vavooming (and the following happy ending) to happen in S3.
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A heart with an eye
Now, the more nuanced clue hidden in the bottom necklace. I know that some of us were trying to tackle the concept of Maggie’s eye in a heart pendant suggesting her Masonic connotations, but this symbol (or the Eye of Providence in general) isn’t strictly Masonic, it isn’t even limited only to Judeo-Christian art. And while it is used a lot in Christian iconography, we should focus on a very specific example of it already referenced in the show.
Buckle up, we’re making a parachute dive into S1.
It seems like our old friend, Agnes Nutter, still has our backs.
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Prophecy 4020:
Let the wheel of fate turne, let harts enjoin, there are othere fyres than mine; when the whirl wynd whirls, reach oute one to another.
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If you look closely at the bottom right corner of this frame, you will see that as an illustration for the above prophecy the production team chose a 1611 engraving titled The Minde should have a fixed Eye On Objects, that are plac’d on High first found in Gabriel Rollenhagen’s Nucleus emblematum selectissimorum.
In 1635 it was published in A Collection of Emblemes, Ancient and Moderne Quickened With Metrical Illustrations, both Morall and Divine, Etc by George Wither with the accompanying hymn:
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A Heart, which bore the figure of an Eye
Wide open to the Sunne; by some, was us'd,
When in an Emblem, they would signifie
A Minde, which on Celestiall Matters mus'd:
Implying, by the same, that there is nought
Which in this lower Orbe, our Eyes can see,
So fit an Object for a manly thought,
As those things, which in Heav'n above us be.
God, gave Mankinde (above all other Creatures)
A lovely Forme, and upward-looking Eye,
(Among the rest of his peculiar Features)
That he might lift his Countenance on high:
And (having view'd the Beauty, which appeares
Within the outward Sights circumference)
That he might elevate above the Sphæres,
The piercing Eye, of his Intelligence.
Then, higher, and still higher strive to raise
His Contemplations Eyes, till they ascend
To gaine a glimpse of those eternall Rayes,
To which all undepraved Spirits tend.
For, 'tis the proper nature of the Minde
(Till fleshly Thoughts corrupt it) to despise
Those Lusts whereto the Body stands inclin'd;
And labour alwayes, upward to arise.
Some, therefore, thought those Goblins which appeare
To haunt old Graves and Tombes, are Soules of such,
Who to these loathsome places doomed were,
Because, they doted on the Flesh too much.
But, sure we are, well-minded Men shall goe
To live above, when others bide below.
And hey, guess what 4020, i.e., the number of the prophecy, symbolizes in Strong’s Concordance? Periergazomai, a Greek word meaning “to waste one's labor about something” — to meddle, going beyond proper boundaries (where a person doesn't belong); to fixate on what others are doing, instead of doing what the person himself is supposed to do.
It appears only once in the Bible:
2 Thessalonians 3:11: We hear that some among you are idle and disruptive. They are not busy; they are busybodies. Such people we command and urge in the Lord Jesus Christ to settle down and earn the food they eat. And as for you, brothers and sisters, never tire of doing what is good.
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To make things slightly more interesting, in the Hebrew version of Strong’s Concordance 4020 has another meaning — migbaloth, meaning “twisted things, i.e. cords”. Which doesn’t make much sense until we read the actual passage:
Exodus 28:24 and two chains of pure gold, twisted like cords; and you shall attach the corded chains to the settings.
And compare it to the most recent post on the topic published directly by Word of God:
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What if all these clues didn’t apply to Maggie and Nina, but Aziraphale and Crowley instead? What if Maggie served as a messenger — consciously or not — just like the toucan, delivering the prophecy to those who need it most?
“When the tempest comes and darkness and great storms, and the dead will leave their graves and walk the Earth once more and there will be great lamentations for the end is near, don’t lose hope, hold hands and look up.”
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Basically what Aziraphale and Crowley already did when they performed the 25 Lazarii miracle, only with no interference from Gabriel this time around.
And, if both Strong’s Concordance and Maggie’s personal addition to her second pendant are to be believed, with a wedding band somehow involved in the process.
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whumpsday · 21 hours
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3 whumpy anime to check out this spring!
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Go Go Loser Ranger is a heroes vs. villains anime where the villains are the good guys and the heroes are downright evil. Having wiped out all the powerful monsters more than a decade ago, the heroes keep the weakest monsters captive, to parade around and torment on a weekly basis while the public believes otherwise. Because they're immortal when hit with most weapons, they'll always reform to be hurt over and over again, despite feeling all the pain.
Footsoldier D is one of those weak monsters, an immortal shapeshifter made of dust, called a "duster". After escaping the heroes' arena, he forms a plan to kill the heroes and steal the few weapons they have that can permanently kill dusters, freeing the rest of his kind. Given that he has the constitution of a porcelain doll, he can't use strength to fight: he has to rely on wits, stealth, shapeshifting (despite knowing very little about humans or the outside world), and a shaky alliance with a double-agent ranger who seems to be taking advantage of him for her own gain.
Whump tags: villain whumpee, hero whumper, immortal whumpee
Watch it on Hulu, Disney+, or any unofficial anime site.
And if you don't have time to check out a whole anime, the Go Go Loser Ranger opening theme video is also really good, with fantastic visuals symbolizing D's struggles!
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An Archdemon's Dilemma is a romantic comedy stuffed to the brim with popular whump tropes. Zagan is a demonic sorcerer who attends an auction for the possessions of another recently-killed sorcerer, when he sees that one of those "possessions" is an elf slave, Nephelia. Having had a destitute, harsh past himself, he feels a rush of sympathy and buys her way out, vowing to ensure her safety. However, Nephelia is terrified, believing she's about to be used as a sacrifice in a dark magic ritual. And unfortunately for both of them, Zagan is a socially awkward loser who sucks at communicating.
It's surreal seeing something that looks like it could be a caretaker-new-master whump fic as an actual, fully-realized anime. It definitely doesn't take itself too seriously despite the premise, leaning heavily on the "comedy" part of romantic comedy, and is mostly just a silly time with lots of whump-adjacent stuff thrown in. Fanfic-y to the point of "there's only one bed" being an actual line.
Whump tags: fantasy slavery (very pet-whump-esque in its tropes), caretaker new master
Watch it on Crunchyroll or any unofficial anime site.
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The Grimm Variations is an anthology of horror retellings of several Brothers Grimm fairy tales. With each episode being written and directed by different people, it varies wildly in quality, with episodes ranging from laughably bad to incredibly good, but I'm here to talk about episode 2: Little Red Riding Hood.
The Little Red Riding Hood takes place in a dystopian future where the upper and middle class use virtual reality technology to augment their reality. One man, Grey, is tired of this and craves the real: specifically, the feeling of real blood spraying him as he murders countless women, his wealth and connections protecting him from consequences. But when this serial killer makes the mistake of targeting a woman called Scarlet, he finds himself on the other side of the knife. This episode is a complete and utter gorefest with multiple onscreen torture scenes.
This isn't even my favorite episode of the series, it's like my 3rd favorite. But episode 2 is the one with the gruesome torture scene, so it's the one that goes in this post.
Little Red Riding Hood whump tags: whumper-turned-whumpee, torture, gore
Little Red Riding Hood warnings: sexual assault, eye gore, fingernail gore, violence against women, major character death
Watch it on Netflix or any unofficial anime site. Orrrr if you just wanna watch the big torture scene without any of the context, it's on Youtube.
that's all I have for now :)
(P.S: Dungeon Meshi, while not really whumpy as a whole, is also currently airing and very very good and I might write whump fanfic for it at some point in the near future. Netflix or any unofficial anime site.)
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mask131 · 4 months
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The truth about Medusa and her rape... Mythology breakdown time!
With the recent release of the Percy Jackson television series, Tumblr is bursting with mythological posts, and the apparition of Medusa the Gorgon has been the object of numerous talks throughout this website… Including more and more spreading of misinformation, and more debates about what is the “true” version of Medusa’s backstory.
Already let us make that clear: the idea that Medusa was actually “blessed” or “gifted” by Athena her petrifying gaze/snake-hair curse is to my knowledge not at all part of the Antique world. I still do not know exactly where this comes from, but I am aware of no Greek or Roman texts that talked about this – so it seems definitively a modern invention. After all, the figure of Medusa and her entire myth has been taken part, reinterpreted and modified by numerous modern women, feminist activist, feminist movements or artists engaged in the topic of women’s life and social conditions – most notably Medusa becoming the “symbol of raped women’ wrath and fury”. It is an interesting reading and a fascinating update of the ancient texts, and it is a worthy take on its own time and context – but today we are not talking about the posterity, reinvention and continuity of Medusa as a myth and a symbol. I want to clarify some points about the ACTUAL myth or legend of Medusa – the original tale, as told by the Greeks and then by the Romans.
Most specifically the question: Was Medusa raped?
Step 1: Yes, but no.
The backstory of Medusa you will find very often today, ranging from mythology manuals (vulgarization manuals of course) to Youtube videos, goes as such: Medusa was a priestess of Athena who got raped by Poseidon while in Athena’s temple, and as a result of this, Athena punished Medusa by turning her into the monstrous Gorgon.
Some will go even further claiming Athena’s “curse” wasn’t a punishment but a “gift” or blessing – and again, I don’t know where this comes from and nobody seems to be able to give me any reliable source for that, so… Let’s put this out of there.
Now this backstory – famous and popular enough to get into Riodan’s book series for example – is partially true. There are some elements here very wrong – and by wrong I do mean wrong.
The story of Medusa being raped and turned into a monster due to being raped does indeed exist, and it is the most famous and widespread of all the Medusa stories, the one people remembered for the longest time and wrote and illustrated the most about. Hence why Medusa became in the 20th century this very important cultural symbol tied to rape and the abuse of women and victim-blaming. HOWEVER – the origin of this story is Ovid’s Metamorphoses, from the first century CE or so. Ovid? A Roman poet writing for Roman people. “Metamorphoses”? One of the two fundamental works of Roman literature and one of the two main texts of Roman mythology, alongside Virgil’s Aeneid. This is a purely Roman story belonging to the Roman culture – and not the Greek one. The story of Medusa’s rape does not have Greek precedents to my knowledge, Ovid introduced the element of rape – which is no surprise given Ovid turned half of the romances of Greek mythology into rapes. Note that, on top of all this, Ovid wasn’t even writing for religious purposes, nor was his text an actual mythological effort – he wrote it with pure literary intentions at heart. It is just a piece of poetry and literature taking inspiration from the legends of the Greek world, not some sort of sacred text.
Second big point: The legend I summarized above? It isn’t even the story Ovid wrote, since there are a lot of elements that do not come from Ovid’s retelling of the story (book fourth of the Metamorphoses). For example Ovid never said Medusa was a priestess of Athena – all he said was that she was raped in the temple of Athena. I shouldn’t even be writing Athena since again, this is a Roman text: we are speaking of Minerva here, and of Neptune, not of Athena or Poseidon. Similarly, Minerva’s curse did not involve the petrifying gaze – rather all Ovid wrote about was that Minerva turned Medusa’s hair into snakes, to “punish” her because her hair were very beautiful, and it was what made her have many suitors (none of which she wanted to marry apparently), and it is also implied it is what made Neptune fall in love (or rather fall in lust) with her. I guess it is from this detail that the reading of “Athena’s curse was a gift” comes from – even though this story also clearly does victim-blaming of rape here.
But what is very fascinating is that… we are not definitively sure Neptune raped Medusa in Ovid’s retelling. For sure, the terms used by Ovid in his fourth book of Metamorphoses are clear: this was an action of violating, sexually assaulting, of soiling and corrupting, we are talking about rape. But Ovid refers several other times to Medusa in his other books, sometimes adding details the fourth-book stories does not have (the sixth book for examples evokes how Neptune turned into a bird to seduce Medusa, which is completely absent from the fourth book’s retelling of Medusa’ curse). And in all those other mentions, the terms to designate the relationship between Medusa and Neptune are more ambiguous, evoking seduction and romance rather than physical or sexual assault. (It does not help that Ovid has an habit of constantly confusing consensual and non-consensual sex in his poems, meaning that a rape in one book can turn into a romance in another, or reversal)
But the latter fact makes more sense when you recall that the rape element was invented and added by Ovid. Before, yes Poseidon and Medusa loved each other, but it was a pure romance, or at least a consensual one-night. Heck, if we go back to the oldest records of the love between Poseidon and Medusa, back in Hesiod’s Theogony, we have descriptions of the two of them laying together in a beautiful, flowery meadow – a stereotypical scene of pastoral romances – with no mention of any brutality or violence of any sort. As a result, it makes sense the original “romantic” story would still “leak” or cast a shadow over Ovid’s reinvented and slightly-confused tale.
Step 2: So… no rape?
Well, if we go by Greek texts, no, apparently Medusa was not raped in Greek mythology, and only became a rape victim through Ovid.
The Ancient Greek texts all record Poseidon and Medusa sleeping with each other and having children, but no mention of rape. And the whole “curse of Athena” thing is not present in the oldest records – no temple of Athena soiling, no angry Athena cursing a poor girl… “No curse?” you say “But then how did Medusa got turned into a Gorgon”? Answer: she did not. She was born like that.
As I said before, the oldest record of Medusa’s romance but also of her family comes from Hesiod’s Theogony (Hesiod being one of the two “founding authors” of Greek mythology, alongside Homer – Homer did wrote several times about Medusa, but only as a disembodied head and as a monster already dead, so we don’t have any information about her life). And what do we learn? That Medusa is part of a set of three sisters known as the Gorgons – because oh yes, Ovid did not mention Medusa’s sister now did he? How did Medusa’s sisters ALSO got snake-hair or petrifying-gaze if only Medusa was cursed for sleeping with Neptune? Ovid does not give us any answer because again, it is an “adaptational plot hole”, and the people that try to adapt Ovid’s story have to deal with the slight problem of Stheno and Euryale needing to share their sister’s curse despite seemingly not being involved in the whole Neptune business. Anyway, back to the Greek text.
So, you have those three Gorgon sisters, and Medusa is said to be mortal while her sisters are not. Why is it such a big deal? Because Medusa wasn’t originally some random human or priestess. Oh no! Who were the Gorgons’ parents? Phorcys and Keto/Ceto, aka two sea-gods. Not just two sea-gods – two sea-gods of the ancient, primordial generation of sea-gods, the one that predated Poseidon, and that were cousins to the Titans, the sea-gods born of Gaia mating with Pontos.
So the Gorgons were “divine” of nature – and this is why Medusa being a mortal was considered to be a MASSIVE problem and handicap for her, an abnormal thing for the daughter of two deities. But let’s dig a bit further… Who were Phorcys and Ceto? Long story short: in Greek mythology, they were considered to be sea-equivalents of Typhon and Gaia. They were the parents of many monsters and many sea-horrors: Keto/Ceto herself had her name attributed and equated with any very large creature (like whales) or any terrifying monster (like dragons) from the sea. The Gorgons themselves was a trio of monsters, but their sisters, that directly act as their double in the myth of Perseus? The Graiai – the monstrous trio of old women sharing one eye and one tooth. Hesiod also drops the fact that Ladon (the dragon that guarded the golden apples of the Hesperids), and Echidna (the snake-woman that mated with Typhon and became known as the “mother of monsters”) were also children of Phorcys and Ceto, while other authors will add other monster-related characters such as Scylla (of Charybdis and Scylla fame), the sirens, or Thoosa (the mother of Polyphemus the cyclop). Medusa herself is technically a “mother of monsters” since she birthed both Pegasus the flying horse and Chrysaor, a giant. So here is something very important to get: Medusa, and the Gorgons, were part of a family of monsters. Couple that with the absence of any mention of curses in these ancient texts, and everything is clear.
Originally Medusa was not a woman cursed to become a monster: she was born a monster, part of a group of monster siblings, birthed by monster-creating deities, and she belonged to the world of the “primordial abominations from the sea”, and the pre-Olympian threats, the remnants of the primordial chaos. It is no surprise that the Gorgons were said to live at the edge of the very known world, in the last patch of land before the end of the universe – in the most inhuman, primitive and liminal area possible. They were full-on monsters!
Now you might ask why Poseidon would sleep with a horrible monster, especially when you recall that the Greeks loved to depict the Gorgons as truly bizarre and grotesque. It wasn’t just snake-hair and petrifying gaze: they had boar tusks, and metallic claws, and bloated eyes, and a long tongue that constantly hanged down their bearded chin, and very large heads – some very old depictions even show her with a female centaur body! In fact, the ancient texts imply that it wasn’t so much the Gorgon’s gaze or eyes that had the power to turn people into stone – but that rather the Gorgon was just so hideous and so terrifying to look at people froze in terror – and then literally turned into stone out of fear and disgust. We are talking Lovecraftian level of eldritch horror here. So why would Poseidon, an Olympian god, sleep with one of these horrors? Well… If you know your Poseidon it wouldn’t surprise you too much because Poseidon had a thing for monsters. As a sort of “dark double” of Zeus, whereas Zeus fell in love with beautiful princesses and noble queens and birthed great gods and brave heroes, Poseidon was more about getting freaky with all sorts of unusual and bizarre goddesses, and giving birth to bandits and monsters. A good chunk of the villains of Greek mythology were born out of Poseidon’s loins: Polyphemus, Antaios, Orion, Charybdis, the Aloads… And even his most benevolent offspring has freaky stuff about it – Proteus the shapeshifter or Triton half-man half-fish… So yes, Poseidon sleeping with an abominable Gorgon is not so much out of character.
Step 3: The missing link
Now that we established what Medusa started out as, and what she ended up as… We need to evoke the evolution from point Hesiod to point Ovid, because while people summarized the Medusa debate as “Sea-born monster VS raped and punished woman”, there is a third element needed to understand this whole situation…
Yes Ovid did invent the rape. But he did not invent the idea that Medusa had been cursed by Athena.
The “gorgoneion” – the visual and artistic motif of the Gorgon’s head – was, as I said, a grotesque and monstrous face used to invoke fright into the enemies or to repel any vile influence or wicked spirit by the principle of “What’s the best way to repel bad stuff? Badder stuff”. Your Gorgon was your gargoyle, with all the hideous traits I described before – represented in front (unlike all the other side-portraits of gods and heroes), with the face being very large and flat, a big tongue out of a tusked-mouth, snake-hair, bulging crazy eyes, sometimes a beard or scales… Pure monster. But then… from the fifth century BCE to the second century BCE we see a slow evolution of the “gorgoneion” in art. Slowly the grotesque elements disappear, and the Gorgon’s face becomes… a regular, human face. Even more: it even becomes a pretty woman’s face! But with snakes instead of hair. As such, the idea that Medusa was a gorgeous woman who just had snakes and cursed-eyes DOES come from Ancient Greece – and existed well before Ovid wrote his rape story.
But what was the reason behind this change?
Well, we have to look at the Roman era again. Ovid’s tale of Medusa being cursed for her rape at the hands of Neptune had to rival with another record collected by a Greek author Apollodorus, or Pseudo-Apollodorus, in his Bibliotheca. In this collection of Greek myths, Apollodorus writes that indeed, Medusa was cursed by Athena to have her beautiful hair that seduced everybody be turned into snakes… But it wasn’t because of any rape or forbidden romance, no. It was just because Medusa was a very vain woman who liked to brag about her beauty and hair – and had the foolish idea of saying her hair looked better than Athena’s. (If you recall tales such as Arachne’s or the Judgement of Paris, you will know that despite Athena being wise and clever, one of her main flaws is her vanity).
“Wait a minute,” you are going to tell me, “The Bibliotheca was created in the second century CE! Well after Greece became part of the Roman Empire, and after Ovid’s Metamorphoses became a huge success! It isn’t a true Greek myth, it is just Ovid’s tale being projected here…” And people did agree for a time… Until it was discovered, in the scholias placed around the texts of Apollonios of Rhodes, that an author of the fifth century BCE named Pherecyde HAD recorded in his time a version of Medusa’s legend where she had been cursed into becoming an ugly monster as punishment for her vanity. We apparently do not have the original text of Pherecyde, but the many scholias referring to this lost piece are very clear about this. This means that the story that Apollodorus recorded isn’t a “novelty”, but rather the latest record of an older tradition going back to the fifth century BCE… THE SAME CENTURY THAT THE GORGONEION STARTED LOSING THEIR GROTESQUE, and that the face of Medusa started becoming more human in art.
[EDIT: I also forgot to add that this evolution of Medusa is also proved by strange literary elements, such as Pindar's mention in a poem of his (around 490 BCE) of "fair-cheeked Medusa". A description which seems strange given how Medusa used to be depicted as the epitome of ugliness... But that makes sense if the "cursed beauty" version of the myth had been going around at the time!]
And thus it is all connected and explained. Ovid did invent the rape yes – but he did not invent the idea of Athena cursing Medusa. It pre-existed as the most “recent” and dominating legend in Ancient Greece, having overshadowed by Ovid’s time the oldest Hesiodic records of Medusa being born a monster. So what Ovid did wasn’t completely create a new story out of nowhere, but twist the Greek traditions of Athena cursing Medusa and Medusa having a relationship with Poseidon, so that the two legends would form one and same story. And this explains in retrospect why Ovid focuses so much on describing Medusa’s beautiful hair, and why Ovid’s Minerva would think turning her hair into snake would be a “punishment fit for the crime”: these are leftovers of the Greek tale where Medusa was punished for her boasting and her vanity.
CONCLUSION
Here is the simplified chronology of how Medusa’s evolution went.
A) Primitive Greek myths, Hesiodic tradition: Born a monster out of a family of sea-monsters and monstrous immortals. Is a grotesque, gargoylesque, eldritch abomination. Athena has only an indirect conflict with her, due to being Perseus’ “fairy godmother”. Has a lovely romance with Poseidon.
B) Slow evolution throughout Classical Greece and further: Medusa becomes a beautiful, human-looking girl that was cursed to have snake for hair and petrifying eyes, instead of being a Lovecraftian horror people could not gaze upon. Her conflict with Athena becomes direct, as it is Athena that cursed her due to being offended by her vain boasting. Her punishment is for her vanity and arrogant comparison to the goddess.
C) Ovid comes in: Medusa’s romance with Poseidon becomes a rape, and she is now punished for having been raped inside Athena’s temple.
[As a final note, I want to insist upon the fact that the story of Medusa being raped is not less "worthy" than any other version of the myth. Due to its enormous popularity, how it shaped the figure of Medusa throughout the centuries, and how it still survives today and echoes current-day problems, to try to deny the valid place of this story in the world of myths and legends would be foolish. HOWEVER it is important to place back things in their context, to recognize that it is not the ONLY tale of Medusa, that it was NOT part of Greek mythology, but rather of Roman legends - and let us all always remember this time Poseidon slept with a Lovecraftian horror because my guy is kinky.]
EDIT:
For illustration, I will place here visuals showing how the Ancient art evolved alongside Medusa's story.
Before the 5th century BCE: Medusa is a full-on monster
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From the 5th century to the 2nd century BCE: A slow evolution as Medusa goes from a full-on monster to a human turned into a monster. As a result the two depictions of the grotesque and beautiful gorgoneion coexist.
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Post 2nd century BCE: Medusa is now a human with snake hair, and just that
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avelera · 4 months
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PSA: You should question news articles that make you not want to vote
Hey Tumblr friends, but especially young Americans in this, the year of our Lord 2024.
Unfortunately, it is an election year.
Unfortunately, a US election year becomes everyone's problem, and yes everyone else, we are very very sorry that you have to deal with our nonsense.
But in all seriousness, the level of propaganda that's going to be flung around on all sides is going to reach peak levels this year for the English-speaking internet in particular. There's going to be a lot of influence operations, on all sides, and yes including on sides you agree with but they are still influence operations.
Source: I am speaking as a cybersecurity professional who also did a great deal of work in election security.
So, here's what I am going to ask you to do. What I am going to beg you to do: be careful of any article that makes you think there's no point in voting.
That's it. I'm not going to tell you who to vote for, or how to think, or that you should trust or distrust every article out there. I don't care about that. I care about whether or not it makes you think you shouldn't vote.
A lot of influence operations are about making you feel like there's no point. That both sides are just as bad as the other. The the election is falsified. That you can "protest" by not voting (false: you will simply not be counted and your voice will be ignored). All sorts of reasons not to vote.
No matter what you do, what you believe, or who you trust, you really really have to vote this year, and every year, and you need to not listen to articles that say there's no point because among those articles are in fact active foreign influence campaigns trying to promote one side or the other for their own reasons, I am deadly serious right now.
(More context, sources, and examples sources below the cut.)
In 2016, Russian influence operations were focused on tearing down Hillary in order to specifically depress voter turnout among young men of color in the belief that this would help Trump get elected.
From the article: "“Buried literally in the middle of the indictment is a paragraph that should jar every American committed to the long fight for voting rights,” Anders wrote in a statement. “The Russians allegedly masqueraded as African-American and American Muslim activists to urge minority voters to abstain from voting in the 2016 election or to vote for a third-party candidate.”
This is the flavor of influence campaign that has been proven, that does exist, and is the sort of thing that does numbers here on Tumblr.
Things like the situation in Gaza, for example, are incredibly fraught situations. Articles don't even need to lie about facts on the ground there to make people feel hopeless and angry. Again, I am not telling you who to trust or not trust when it comes to news sources. But if an article about this event, for examples, makes you think or even outright tells you, "There's no point to voting, both sides are awful, I just shouldn't bother." You need to pause and at least consider that this might be an influence operation. You need to think critically. You need to check sources. You need to think about the world you want to live in, to vote for, and who might not want that world to happen for any variety of reasons.
Protesting by failing to vote isn't a real thing.
Old politicians ignoring young voters because they famously do not bother to vote is absolutely 100% a real thing. It is why so many policies that are popular with young people are low priority for politicians: they are not afraid of losing the young vote because no one plans on having it in the first place when it's never there in big enough numbers to matter.
So please, please, read what you want. Believe what you want. Follow your heart and your brain and whatever other organ you want to think with. I'm not here to tell you who is right, wrong, trustworthy, good, or bad. I'm just here to tell you that despite all of that, whatever you read, you must vote in your elections, no matter where you are in the world and you must not listen to voices that tell you not to as a protest.
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rashomonss · 11 months
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The brothers and the Human Realm
a/n: so ik ‘jealous much’ won the poll but it’s still not done yet so have this instead!
context: a part of me still finds lessons 40-43 funny because the brothers have never really been to the human world that much, and they don’t really know how certain things work. Take the slow cooker and ice cream truck for example. So these are little headcanons I have for when all of y’all are together in the beginning of their stay in the human realm.
enjoy <3 , also these are in no specific order
you all are hopeless…
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Solomon and MC would so fuck with the brothers while being in the human realm.
For example they’d take Lucifer to the shadiest mexican restaurant possible then after they finished eating they would tell the waiters it was Lucifer’s birthday and watch the Avatar of Pride sit there with a big ass sombrero on his head as they sang happy birthday to him.
MC later took a picture and sent it to Diavolo who then made it his lock screen.
Satan and Belphie tried to electrocute Lucifer by throwing a toaster in the bathroom while he was in the middle of a shower. This happened after the fact you told them not to put water on the toaster because it could electrocute someone. 
Beel ate an entire bottle of ibuprofen liquid gels because he thought they were hard gummies.
Beel also ate the food and cake shaped wax candle melts you had bought for Asmo as a gift
Beel lastly ate your whole brand new container of melatonin and it knocked him out for 15 hours straight. Needless to say Lucifer was very concerned for his wellbeing, and Belphie soon questioned if you had anymore.
Belphie and his brothers were never taught stranger danger, because who in their right mind would be a danger to them in the Devildom?
So after you had explained to him what an ice cream truck was he vowed to go to one with you.
However when a creepy old man in a white van offers him candy he believes it to be the same as the ice cream truck so he gets in the van.
When the brothers relay this information to you, you begin to lose your shit explaining how that was not in fact an ice cream truck he got into but instead a kidnapper van.
The brothers don’t know how to eat certain human world foods.
Such as a banana, watermelon, mango, pineapple, kiwi, avocado, cherry, dragon fruit, papaya, onion, etc.
So when you first buy one from the grocery store and leave it out before cutting it they automatically think it’s some weird shaped human food and bite into it eating the skin or seeds and all.
After they tell you about the weird but delicious taste of it you ask if they cut it or spit out the seeds before eating it, and when they reply with a puzzled look and a no your heart drops.
Thank god they’re demons. You then proceed to buy the same thing again this time cutting it up in front of them so they know what parts to eat of certain things.
Expanding on the cherry part, did y’all’s parents ever tell you not to swallow watermelon or cherry seeds because if you did a cherry tree or whole watermelon would then grow in your stomach??
I know mine and some of my friends parents would tell us that when I was younger to make sure we didn’t swallow any seeds.
If they didn’t then oh well, anyway…
Continuing with Solomon being an ass, he would so tell something like that to the brothers. If he happened to see Beel swallow a cherry whole he would then proceeded to tell Lucifer not to let him do that.
And when the oldest asks why Solomon would then go onto explain that if he swallows cherry pit then a cherry tree will then grow inside his stomach.
Of course this freaked out Lucifer so for the next hour he tried getting Beel to spit out all the cherries he ate.
You would have to organize their fridge and pantry in the new house because they don’t know which human world foods need to be refrigerated or not.
After you arrive at the house you spent a good three hours explaining to them not everything can go in the pantry because some of it will spoil after you open it.
Then you proceed to gag when you pulled out an expired chunky milk container from the pantry.
They find the concept of drive thru or fast food places astonishing. The fact that you can just order wait in a line for a few minutes in your car then get your food is crazy. They do however all panic though when you get to the front and they don’t know what to order off the menu.
Car washes are also something they found themselves favoring. You would turn up the music as you slowly pulled in and joked by telling the brothers you were going on a ride of sorts.
Which in turn shocked you when they did believed you as the car wash stared. Each of them were staring out the windows with starry eyes as different colors of soap were thrown on your car.
You laughed to yourself as they all admired the way the soap blended together, Asmo and Mammon found themselves taking pictures of the whole thing. While Belphie was telling Beel how this looked like a starry sky.
And Levi went on to tell Satan how this reminded him of an anime scene. Lucifer also found himself sitting quietly in the passenger seat enjoying it too. (Lucifer is a certified passenger princess, fight me on that)
Each brother questioned you on how this was possible and you replied with smile. After the car wash was over and you drove through the dryers they all asked if you could do that again, to which you replied smiling “maybe some other time”.
Lucifer watered the fake succulents and plants you put around the house for two weeks straight until you said something.
They love watching true crime documentary’s to the point you’d have to physically pull them away from the tv.
It happened one afternoon while a few of them were relaxing in the living room and you were looking for a channel to watch.
Deciding there was nothing interesting on you put on an old true crime documentary and began watching it. As the brothers heard the story of the crime from the tv they each became immersed in it.
Telling you things such as “how could humans do that to each other?” or “wow humans are more brutal than we thought” or even adding in their own comments on how they could have made the crime worse.
It became a guessing game between all of them to figure out who killed who during each episode you watched.
Much to everyone dismayed Satan was the one who won every time.
Meanwhile while they were all immersed in the tv you noticed Lucifer standing behind you, arms crossed also watching tv. You told him to sit down and watch with all of you but he denied, claiming he wasn’t really interested in stuff like this anyway.
Yet he never moved from that same spot each episode.
Each of the brothers have made something explode in the microwave.
Lucifer stained it red when he went to reheat pasta, but he put it in for to long and it exploded. Mammon overfilled his ramen thus causing it to leak then explode.
Satan and Levi also happened to be reheating takeout at the same time, but both of the containers were styrofoam and exploded. Levi got annoyed and Satan threw the microwave at Lucifer.
Asmo put some skincare product in there because he found something online about a certain hack, and it exploded causing the microwave to smell like burnt strawberries.
Beel put too much food in the microwave causing it to all melt together then explode.
Belphie put a coffee in there to reheat and it exploded, but he was too lazy to clean it up so he just left it. Lucifer was then next to use the microwave and got coffee all over him.
You made all seven of them watch the entire twilight series as a joke but ironically they all actually enjoyed it.
Satan even went out and bought the books, and finished all of them in about 2 hours
Bonus
Solomon distracted Diavolo for 3 hours straight by making him watch 5 minute craft videos.
Diavolo then proceeded to break things to try these said crafts which caused Barbatos to have a meltdown.
Barbatos destroyed an entire sidewalk because he saw two rats run across it into the sewer.
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evilwizard · 2 months
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I do want to say, my views on AI “art” have changed somewhat. It was wrong of me to claim that it’s not wrong to use it in shitposts… there definitely is some degree of something problematic there.
Personally I feel like it’s one of those problems that’s best solved via lawmaking—specifically, AI generations shouldn’t be copywrite-able, and AI companies should be fined for art theft and “plagiarism”… even though it’s not directly plagiarism in the current legal sense. We definitely need ethical philosophers and lawmakers to spend some time defining exactly what is going on here.
But for civilians, using AI art is bad in the same nebulous sense that buying clothes from H&M or ordering stuff on Amazon is bad… it’s a very spread out, far away kind of badness, which makes it hard to quantify. And there’s no denying that in certain contexts, when applied in certain ways (with actual editing and artistic skill), AI can be a really interesting tool for artists and writers. Which again runs into the copywrite-ability thing. How much distance must be placed between the artist and the AI-generated inspiration in order to allow the artist to say “this work is fully mine?”
I can’t claim to know the answers to these issues. But I will say two things:
Ignoring AI shit isn’t going to make it go away. Our tumblr philosophy is wildly unpopular in the real world and most other places on the internet, and those who do start using AI are unfortunately gonna have a big leg up on those who don’t, especially as it gets better and better at avoiding human detection.
Treating AI as a fundamental, ontological evil is going to prevent us from having these deep conversations which are necessary for us—as a part of society—to figure out the ways to censure AI that are actually helpful to artists. We need strong unions making permanent deals now, we need laws in place that regulate AI use and the replacement of humans, and we need to get this technology out of the hands of huge megacorporations who want nothing more than to profit off our suffering.
I’ve seen the research. I knew AI was going to big years ago, and right now I know that it’s just going to get bigger. Nearly every job is in danger. We need to interact with this issue—sooner rather than later—or we risk losing all of our futures. And unfortunately, just as with many other things under capitalism, for the time being I think we have to allow some concessions. The issue is not 100% black or white. Certainly a dark, stormy grey of some sort.
But please don’t attack middle-aged cat-owners playing around with AI filters. Start a dialogue about the spectrum of morality present in every use of AI—from the good (recognizing cancer cells years in advance, finding awesome new metamaterials) to the bad (megacorporations replacing workers and stealing from artists) to the kinda ambiguous (shitposts, app filter that makes your dog look like a 16th century British royal for some reason).
And if you disagree with me, please don’t be hateful about it. I fully recognize that my current views might be wrong. I’m not a paragon of moral philosophy or anything. I’m just doing my best to live my life in a way that improves the world instead of detracting from it. That’s all any of us can do, in my opinion.
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c-is-for-circinate · 8 months
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It feels like there's this narrative that fandom keeps wanting to explore, with Steve Harrington, about this very specific type of martyrdom where self-sacrifice is an expression of a lack of self-worth. And, like, yes, write the narrative that's meaningful to you, and yes ok Steve does admittedly get beaten up a lot, but -- legitimately I do not think this narrative is actually Steve's story.
Like, without gendering things too much, there is something in the Steve fanon that I keep seeing that's so reflective of the specific kind of sacrifice and societal pressures exerted on girls, specifically -- this story of 'you make yourself worthy and worthwhile by carving pieces out of yourself', of believing that you must always give and never receive to justify the space you take up in the world. Yes, boys can experience this same pressure (and obviously trans and nb people of all genders run into it as well! sometimes a lot!), but especially in the mid-1980s cultural context where Stranger Things takes place, it's just...really not likely to be a dominant narrative for Steve to be operating under? It doesn't even really match the Steve we see on screen -- who is happy to make sacrifices for the sake of others, yeah, when needed, but who's not particularly kind or giving unless somebody asks first.
And Steve does get hurt a lot on other people's behalf! And this is a problem! It's just a completely different problem than the one fandom keeps writing.
Steve, and I'm going to say this forever, is a story about toxic masculinity, which the show may or may not even know it's writing. The archetypes influencing Steve's character as it shows up on the screen (and the stories and messages that Steve would actually be surrounded by in his actual life) are not deconstructions of suffering heroes who never should have had to fight in the first place and were destroyed by it. That's the Buffy the Vampire Slayer story. Steve's not Buffy. Steve's cultural context is Indiana Jones.
Steve is The Guy! And part of being The Guy is that you're expected to take the hits -- not because Steve is less important than the women-and-children he's supposed to protect, but because, the story says, he will get less hurt. Why should Steve get in between Billy and Lucas? Because Steve is an eighteen-year-old athlete and Lucas is in middle school, and of the two of them, Steve actually stands a chance. (And yes, Steve got badly hurt there, and Max had to save him -- but if Lucas, if Max had taken that beating they would not have been running through those tunnels later.) Was somebody else better-qualified to dive down to the uncertain bottom of a cold lake in the middle of the night? Steve doesn't list his credentials there as a way of justifying some ideal of martyrdom; he is literally the most likely person on the boat not to drown.
And make no mistake: when Steve's pulled into the Upside-Down, he survives the bats long enough for backup to get there. Realistic or not, he's apparently tough enough that he's physically capable of hiking barefoot through hell without much slowing down. Steve is the tank for the same reason as any tank: because he literally has been shown to have the most hit points in the group. You cannot honestly engage with Steve in this context without dealing with the fact that he's right.
AND THIS IS A PROBLEM! This is still a problem! But it's not the same problem that fandom seems to expect. It's not an expression of caretaking or the need for self-sacrifice; it's not an issue with Steve valuing himself less. It's an issue of toxic masculinity so ingrained that Steve doesn't even recognize he's suffering from it, because one of the tenets of toxic masculinity is that Big Strong Guys don't suffer. It's just a concussion, it's fine, he'll walk it off. It's not that Steve thinks he deserves to get hurt, or even that he's less deserving of safety than the others. It's that absolutely nothing in his cultural context allows him to admit that he can be hurt in a significant way.
There's still so much tension that can be gotten out of this situation, I swear. There's so much that can be explored in writing! Hell, the show itself is deconstructing some of this trope, believe it or not, by giving us a Steve who absolutely can take all the hits thrown his direction but still doesn't know what the fuck he's doing with his life. It turns out that doing his job as The Guy is only mildly helpful in horror movie situations (mostly by buying time for smarter, squishier people to do the damage from behind him), and somewhere a little worse than useless in everyday life.
But Steve does not go out of his way to self-sacrifice, he really doesn't. He just does his job. He's The Guy. Of course he's not going to let a kid or a girl or some scared skinny nerd who just learned about monsters yesterday take the hits. Of course Steve's got this.
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violetsiren90 · 2 months
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Make Me
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Pairing: dom!Hoseok/sub/brat!f!Reader
Genre: Oneshot; hard smut; platonic(?) fluff; BDSM lifestyle; friends to fwb to?; canon-compliant (idolAU)
Summary: You've been friends with Hobi for years, and he's your comfort zone - but when he gets wind of a dark secret you drunkenly let slip, things between you take a sudden extreme change.
Warnings: 18+ (minors, dni); hardcore BDSM themes/relationships; full consent and safe-words ❤; Hobi is a hard dom (and such a good one); MC is a brat (mostly); dominance and submission; elements of primal play if you squint; mentions of wet dreams and sexual fantasies; sexual degradation (deg-play use of the word "b*tch"); mentions of MC's hair and hair pulling in a domination context; rough physical contact in a sexual context (manhandling); mentions of drinking; kink-outing; Jimin is a menace but also the absolute best; Hobi in the studio 👀; wrestling (sexual context); spanking (sexual context); p*ssy-stepping; p*ssy slapping; sexual frustration; some initial shame and embarrassment (reader needs to work some things out); reader tries to run away from herself a bit; temporary ghosting; working through new desires and feelings; dirty dancing; ALL the communication; establishment of sexual roles/partnership; talk about birth control and protection; Hobi curses a LOT during domination scenes; leash/collar play; oral sex (male receiving); throat fucking; Hobi slaps Reader's tongue with his c*ck; cum swallowing; aftercare; restraint play (sex swing, heehee 😈); manual clitoral stimulation; teasing; unprotected vaginal sex (reader is on birth control & previously consents); female orgasm from vaginal penetration; very brief implication of a possible brush with subspace.
Word Count: ~16,000 (Double its originally intended length, oops 🙈)
Author's note: HOLY HECK IT'S FINALLY HERE. When I say I had the time of my life writing this...like, wow. I was already under Hobi's spell, but now I am OFFICIALLY down in the worst way. This fic and it's premise were completely out of my comfort zone, but I couldn't be happier that I ventured into this world, because the research alone has given me so much respect for the BDSM community, and specifically the dom/sub relationship. I hope I did as much justice to that very special dynamic as possible between these two characters (with whom I have deeply fallen in love). If you read this, I hope so very much that you enjoy it!
If no one has told you yet today, you are loved and worthy of love! 🧜‍♀️💜
Acknowledgements: The biggest of thanks to @orchidyoonkook who not only beta-read this fic multiple times, and is practically the voice of this Jimin, but also gave me so much wonderful insight into the BDSM communicty from that big sexy brain of hers (which contains an incredible amount of knowledge about so many things, let me tell you!). But most of all, she gave me the encouragement I needed to get this out of my imagination and onto the page, even when I was doubting myself the most. Yoons, I love you! Couldn't have done it without you. 💕
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"What?" Hoseok's wide grin stretches further as he regards your flustered face with giddy anticipation.
     You groan into your hands, willing the cushions of your friend's leather couch to swallow you like quicksand.
     "Fucking Jimin - I'll kill him!" you whine, pressing your fingers to your temples, and keeping your eyes glued to the hardwood of the studio floor.
     The rapper laughs as he swivels his baseball cap to sit backwards on his fluffy brown mop of hair. 
     "Come on! Tell me!" he insists, sprawling back in his rolling chair, the tips of his fingers touching deviously together as he regards you with twinkling eyes. 
You sneak a glance at him before sighing defeatedly, which only earns another chortle of laughter from across the room.
     Park fucking Jimin. You really were going to kill him. Too many bottles of soju the week prior saw you blacking out at the BTS member's pad, the one he shared with your mutual friend, Jung Hoseok. You woke up the next day, memories of the night before obscure concepts of debauchery merely alluded to by the taste of bile and the dull cranial throb of dehydration. When Jimin rather gleefully handed you, along with an iced americano, one of the booze-fueled revelations you had let slip, you begged and pleaded with him to erase the memory from his brain...or at the very least to take it to his grave. He made no such promises. And now, you are facing the man of the hour - the subject of your divulgement - who had apparently been informed that you harbored certain strong opinions in his regard. Humiliating.
     You flick mildly irritated eyes back up to your friend who waggles his brows in a way that makes you want to crack a smile and sock him at the same time.
     "Before I say anything, I want to know exactly what he told you," you demand, crossing your arms defensively, no cracked smile to be found.
     He rolls his eyes up to the corner of the ceiling in recollection.
     "He just said that you had gotten wasted and admitted something kinky...about me." 
     At the last two words he drops his voice dramatically low and pins you with a grin that is sickeningly predatory. Your pulse begins to hammer and you have to remind yourself that you are, in fact, capable of speech. 
Fuck, you think to yourself, it's happening. 
You can feel sweat starting to bead at your hairline. Maybe if you get it out there, just say it aloud, it will lose its power. Maybe the spell will be broken. Maybe he will laugh and you will laugh and you'll order lunch and keep irritating him while he's supposed to be working on a track. You're both adults, right? You whoosh out a breath. 
     Hobi is still looking at you, his bottom lip pushing up and the corners of his mouth tugging down in one of his little inverted smirks while his right leg bounces a little up and down.
It is just Hobi, after all, you tell yourself. Just Hobi. You are roundly aware that it may be a lie, but it seems to allow you just enough courage to jump.
     "Okay, okay!" you practically shout, and he giggles and stomps his feet, which admittedly makes revealing this particular chestnut a bit easier.
     "I told him…
“What?”
“I said..."
     "What?"
     "Oh, Christ! Fine!" And the rest comes out like water from a fire hose. "One time I came to drop off Jimin's charger and you were in dance practice and you were watching the guys and you had this look on your face - like you were pissed or something - and it was so unlike you and I got turned on and ended up having a fucking wet dream that you were stepping on my mother-fucking pussy, okay?! Are you satisfied now?!"
     You heave a sigh and throw yourself back against the cushions, hands over your face. How you just mustered the courage to form those actual words you haven't even the faintest notion - but it was going to be you or Jimin, and it might as well be you. After your heart has begun to return to its resting rate and you've heaved a few deep breaths you steel yourself against the certain impending onslaught of Hobi's laughter and general mockery...which doesn't come. 
You peek through your fingers to see that your friend has shifted in his chair, facing a bit away from you toward the inside of the room, leaning forward, his hands gripping the ends of the chair's armrests. His face looks a little troubled, or pensive, you can't tell which. You sit up and really look at him, suddenly worried. 
Did you just fuck things irrevocably up? 
That was an incredibly bizarre and intimate thing to admit. 
Shit.
     "Hobi?" you squeak, barely over a whisper, as you regard him.
     He tilts his head suddenly to look at you, quick like a bird, and when those dark eagle-eyes regard you in return, you feel like a small, helpless creature scurrying across the tundra. Nowhere to hide. A bead of sweat escapes its perch and slips down from your temple. As he utters his question of response, the air suddenly becomes as thick as the tropics.
     "Is that something that you'd want, Y/n? To be treated like that? To be...put in your place? Put down?"
     You don't answer him. You can't.
Your words, your breath, your coherent thoughts are stuck, inert, useless as your chest begins to rapidly rise and fall in heavy swells. Your eyes are locked on his face as if by magnetic force. He stands, his baggy Louis Vuitton tee falling over his gray sweats. He shoves his hands in the pockets and takes a step toward where you sit. His posture is relaxed. His gaze is anything but.
    "Is it?"
    You want to say you don't know. That you'd never considered it again. Never once recalled the image of it - of him - standing over you as the sole of his shoe punished your throbbing sex.
     "Fuck..." you breathe, and when he doesn't take his eyes from your squirming form, you relent. "...y-yeah."
     He takes another step toward you, slowly. He's crowding you now, as he looks down, and the proximity is almost more than you can bear.
     "You see," he remarks musingly, "I thought you were gonna say something funny - something ridiculous," he tilts his head to one side, the faintest hint of a smirk on his lips, "But that's not funny, Y/n. No, that's not funny at all. Because, as it turns out..."
     He leans down, his breath fanning over your face as he speaks. Mint and espresso. You shiver and close your eyes.
     "...that's something I can do."
...what? He can...h-he can....
     "Hoseok..." you whisper shakily, because it's all you can manage.
     You hear him laugh darkly and you don't look at him.
     "Hoseok?" he mimics, "Not, Hobi, huh? Hoseok when you're like this, is it?" 
     "When I'm like...what?" You practically whimper in complaint, eyes still pressed shut as your last line of defense.
     But any manner of defense is in vain as he answers your query, the words dripping from his lips slowly like honey, sickly like venom - 
     "When you're a filthy, pathetic little slut."
     A whine escapes you at the complete and utter shock of his words. Suddenly you clamp your thighs together – whether to provide friction or obscurity to your quickly dampening cunt you are unsure. When he takes your jaw between his fingers and roughly jerks your chin upwards, your eyes flutter frantically open. 
     "Is this what you want?" he hisses, "For me to have my way with you like a needy whore?"
Fuck, is this happening? This is really happening. Your mind reels, but that's alright - it stopped doing the thinking when he got up out of that chair. Something primal in you had taken over, something that's been starving for so long – something that yearns to feed.
     You do your best to nod with your chin in his grip. He swallows thickly, his eyes darting to your lips, and then back up to yours. His pupils are blown, his eyes almost wholly black as they trace over your face. Suddenly his hand slips from your chin to the nape of your neck where his hand tangles in your hair and his head drops to the side, his gaze softening.
     "I need you to say it, Y/n, are you sure you want to do this?" he asks, his voice so, so low but without the edge that sends ice through your veins. 
His voice. He's asking you as someone who cares about you, cares what you want – your friend. 
Do you want this? No...you don't want it. You need it.
     "Y-yes! Yes, Hobi - I want this," you find yourself stumbling over the words to get them out.
     So quickly and so assured. Have you ever been this certain of anything in your life? His fingers dance against the nape of your neck and you sigh as his eyes travel all over your body.
You want to hide. You want to strip down. You want to run and you want him to chase you. You want him to punish you when he catches you. You are sick with want.  
     "A safe word, baby, we need a safe word," he nudges your racing mind back into the current moment with his saccharine words.
     You blink, your mind running up against the sudden pet name – one that he has never uttered in a tone like this before – as it scrambles for something obvious and yet not ridiculous. Something simple maybe...a flower...?
     "Foxglove," you say, and he raises his brows with a grin.
     "Foxglove it is," he acquiesces. "So if you ever want me to stop, ever – okay? You say that. Foxglove." 
     You nod.
     "Say it for me," he whispers, and you shiver again. Fuck.
     "Foxglove." It's slow and thick leaving your mouth.
     "Good girl," he purrs. Butterflies erupt in your rib-cage and your eyelids flutter. "How hard do you want it?" He asks, "How rough?"
     You scramble to find your voice.
     "Pretty rough, I think," you posit, a bit unsure of what that means.
     He hums in response, his brows knitting in thought. You were going to have to give him something to go on, you could see that.
     "I..." you stammer, "I want you to...to punish me. I want you to...to hurt me a little."
     He raises a brow - looks at you, just stares as if considering. Then suddenly you know what to say.
     "See...I'm not a good girl," you insist tilting your head back a bit haughtily, a bit defiantly. Being a good girl had gotten you butterflies, but that's not what you wanted right now. That's not what every cell of your body was screaming for.
  He's grinning wickedly again - his other hand is slipping out of his pocket and the one in your hair is gripping at the roots.
     "Hm. You're not are you?" he asks, his voice as dark and cold as the Pacific once again.
     "No, Hobi," you whisper. 
And suddenly your world is tilted on its axis as he tightens his fingers against your scalp and yanks your head back, sending a searing pain shooting through your skin as he stoops to hiss in your ear.
     "That's Hoseok, you pretty little bitch."
     You let out a whimper so needy it's nearly a sob. Your heartbeat is pounding between your legs. He lets go of your hair as roughly as he grabbed it and goes to lock the door and your stomach flips - you are totally and completely at his mercy. It's a little bit terrifying and absolutely exhilarating.
When he comes to loom over you again, you decide just exactly where you stand in all this. You know exactly what you want.
You glare up at him. He narrows his eyes.
     "You gonna listen, hm?"
It's not a question, you know it's not - it's a command. But you have one, just one, of your own...
     "Make me."
     His eyes go wide and wild.
     "So that's how it's gonna be?"
     The words are heavy and dark, but you think his mouth twitches up at the corner when you arch a recalcitrant brow in response.
     He hums and licks his lips, and you're on the verge of saying something about getting on with it when his hand darts out and fists a chunk of your hair, yanking it back with a force that makes your head spin. He's glaring down at you with eyes so hard and menacing that your rebuttal dies on your tongue. The hand at your nape squeezes and the pressure that seers your scalp is exquisite, spilling a moan from your lips as your arousal becomes more than you are capable of repressing.
     "Don't you challenge me, brat," he rumbles from low in his chest as his hand twists against your head and lowers your back to press against the black leather.
     You whine in protest, and your palms fly up to shove at him, but his reflexes are like lightning as he snatches your wrists away to pin them above you. Your head spins, eyes losing focus as your whole body flushes with warmth in the wake of his domineering aggression. 
     You wriggle in his hold, relishing in how his grip tightens and the cold steel in his eyes glints as you resist him.
     A knee slides between your legs as he leans over you menacingly, close enough for the padlock charm around his neck to lightly tap your raised chin. Good girl, it seems to whisper in Hoseok's voice, stay put.
     Yeah, fuck that.
     You snatch the necklace up between your teeth and yank it to the side where it bites sharply into the corner of your mouth.
     The sudden motion catches him off guard and he falters, crashing down on top of you with a noise of surprise and losing control of your hands.
     You scramble against him, rolling both of you to the floor with a thud.
     Your heart is hammering in your chest.
     You hear him grunt, his strong hands grappling with your thrashing form, and you catch just a glimpse of his shining eyes and white clenched teeth as he flips you over onto your stomach, hands in a vice grip at the small of your back and your cheek pressing into the cold, hard laminate.
     You start to move again but he pushes his weight into the slender fingers splayed over your spine with a low rumble in the back of his throat and you still with a groan.
     You're pressed so deliciously firmly to the floor. You can feel arousal soaking your panties as your nerves alight everywhere he has wrested control of you. You can hear him pant, proof of his efforts, and the image of his provoked expression from seconds previous flashes through your mind.
He seemed so cool and collected before. So unbothered. To think that his blood is up and because of you? You let out a trembling breath.
     "Fuck," he hisses lowly, then bends to bring his lips to the shell of your ear.
They're soft as they drag over your skin there, feather light. Your whole body shakes, and you feel his mouth pause.
     "I don't know who the hell you think you are," he whispers cruelly, "But you were right about one thing...you're not a good girl. You're a disobedient little harlot who needs to be taught the rules of this house." 
      You whimper pathetically as he presses into you even more intensely, restricting the expansion of your lungs.
     "Now," he says nosing at your exposed neck as he begins to pull away, "how about we teach you a lesson or two, hm?"
     You feel his weight leave your back, and see his figure rock back on his heels out of the corner of your eye. You are just on the verge of retaliating again when you let out a yelp at the sudden shock of your hips being yanked upward by the back belt loop of your denim shorts. Hoseok lets go of your hands and they fly forward to brace yourself as your ass raises into the air and your knees move toward your chest.
     And all at once you know what's coming and you feel your pussy clench in the mere anticipation of -
     Smack!
     You let out a wanton wail as the sharp crack of his hand against your right glute jolts through your body like a lightning strike and ends with a slam at your swollen clit.
     Again - harder! Your mind screams. So you press out a whinging moan of complaint.
     SMACK!
     It has the desired effect.
     CRACK!
     Your jaw is slack, but no sound escapes as he punishes you. It hurts. Fuck, it hurts. As if he's attempting to brand your ass with the shape of his hand. But holy hell is it making you drip. Every slap jolts your body and brings the tiniest friction to where you're neediest. Where you've never been needier in your life.
     Please punish my pussy....
     You try to mumble the words but all you can do is drool onto the floor as he deals out pleasure and pain from above.
     And then he stops. You feel hands deftly and swiftly rolling you to lie on your back.
You blink up through bleary eyes, drawing a hand across your mouth to wipe the spit away. Your shoulders are sore.
     He's leaning over you, a hand still on your hip, eyes scanning your face.
     "What? Did you say something? You need to speak up."
     His tone is still biting but his eyes seem to hold a genuine question. Concern.
     Warmth floods your chest as it registers that he wants to be able to hear you if you need him to. If you want to stop. But the light has never been so goddamned green.
     "Want..." you murmur, "...more, Hoseok."
     He curses, his Adam's apple bobbing in his throat as he leans forward to take your jaw in his hand again. He rakes his gaze over your soft, swollen features, unfocused eyes, and heaving chest.
     "Look at you so fucked out and all I did was smack that gorgeous ass." 
     He licks his lips, shaking his head in seeming disbelief as he releases your chin with a little shove. He leans back, dragging his hands over your bare thighs.
    "More, hm?" he hums. 
     You nod eagerly.
     He purses his lips and considers you through narrowed eyes, and you sense that if you want him to give you what you so desperately desire, you're going to have to show him you can take it - and take orders. You lay still, hands twitching at your sides as you look up at him through wide eyes. 
     He continues to run his fingertips up and down your legs as he breathes out a long relenting sigh.
     "Alright," he relents, "You took your punishment well, so you should be rewarded, I suppose."
     You clamp your bottom lip between your teeth, your heart rate rising again at the prospect.
     He tilts forward, looming over you again as he asks the question you've been dying to answer since you woke up breathless all those weeks ago.
     "What does my little brat want me to do to her? Let's see if she can use her words."
     You blink up at him, unsure if you have permission to speak...or how to put your request into words that won't make you want to immediately melt through the floorboards.
     "Cat got your tongue?" Hoseok sneers, pretty, heart-shaped lips curling up at one side.
     His hat discarded in your tussle, wavy brown tresses hang down over his brow and his eyes sparkle darkly through them. His features are so beautiful - their loveliness thrown into sharp relief by the flinty pitilessness of their expression.
     You're tempted to continue simply soaking him in, if not for the pounding ache in your core demanding that you find your voice.
     "I...I want..." your lips tremble as you will yourself to tell him what you need.
     Perhaps he senses that you require a little encouragement, because his eyes harden and he digs the edges of his nails into the flesh of your knees, causing you to yelp and moan and then...
     "I want you to step on my pussy! Please..." You press out your request with the last of the breath in your lungs.         
     Hoseok's eyes flutter shut at the last word of your plea.
     "Say that again," he commands in a husky whisper, and even without further specification, somehow, you know.     
     "Please..." You groan, letting your legs drop open demurely.
     His eyes are still closed, but he can feel the action with his hands, which have now slipped just inside your knees to your inner thighs. He inhales deeply through his nose, before exhaling with a shuddering breath. When his lids languidly raise again the piercing onyx of what they have unveiled is pinning you to the floor with more deadly force than even his hands ever could. Your pulse pounds in your cunt, your head still swimming from your previous position as he pushes himself up to stand. 
     As you blink up at Hoseok towering over you, standing between your splayed thighs with his midnight gaze boring into the damp denim covering your heat, something inside you long ajar quietly but firmly clicks into place. 
     "Tell me, brat" he seethes, eyes roving your trembling form stretched out beneath him, "Who makes the rules in this house?"
     "Hoseok-ssi," you whimper, so needy the ache is beginning to hurt.
     Every cell of your body is awake with a desperate anticipation that only he can satisfy...or deny.
     You have never felt more alive.
     And then something happens and your brain shuts off entirely. 
Everything vanishes: the studio, the traffic outside the western window, the city of Seoul and South Korea and the whole goddamned planet rolling around in the Milky Way. Nothing exists except the tip of Hoseok's Air Jordan ghosting over the swell of your crotch. 
     Your mouth waters as his foot slowly slides forward, then goes completely dry as you feel it settle with the sole aligned directly with your slit. His eyes flick up to your face, but you can't hold his gaze for more than a millisecond as he begins to apply pressure to your mound.
     Your eyes roll back in your skull, head lolling as your neck goes slack, lips parted in a silent scream as the man above you presses down with a low hum over your sex. The seam of your shorts is biting deliciously into the tender flesh of your clit, sending shockwaves through your core like a live wire, and when he rolls his foot in a circular motion you think you see god. 
You do scream then, but it's nothing more than a strangled sound in your throat as your fantasies materialize and he leans his weight into his stance, punishing the soft fat of your cunt with the sole of his shoe.
     You're going to cum. He's barely touched you and you're going to cum. He seems to see it in the twisted ecstasy of your features as his lids hood his eyes and filth begins to spill from his lips.
     "Do you like that, brat?" he taunts, "That's what you get when you're a good little girl for Hoseok -  you get your pretty wet cun-"  
     Click jangle clack - boom boom boom! 
     Hobi springs away from you, hopping back on one foot with wide eyes as a succession of rapid knocks follow the stilted motions of the locked door handle. You scramble up from the floor, heart pounding and breath coming fast as you toss yourself into the corner of the couch. 
     Boom, boom, boom!
     "Hyung, are you naked or something?" comes a familiar if muffled voice from the other side of the wall.
     You fumble for your phone and Hoseok runs a hand through his hair and takes a deep breath before pulling open the door.
     The man belonging to the impatient knocks and muffled accusations stumbles headlong into the studio, the locked entrance against which he had pressed his ear and most of his weight having been pulled out from under him.
"Jimi...nie...?" Hobi greets his bandmate and his eyes track the other's toppling form with surprise and a hint of agitation. 
     Yoongi ambles in casually behind him, sipping a dewy americano through a straw, a beanie sitting atop his ashy locks gnomishly.
     Jimin nimbly pushes himself to a stand from where he had crashed against Hobi's desk, not a strand of his coiffed platinum blond hair askew as he spins around face to the dance captain. But before he can get out a greeting or an excuse for his manner of entrance he freezes as he spots you in the corner.
His eyes flick to Hobi's hat on the floor, then to the pink flush on the apples of his friend's cheeks. When Jimin's eyes slide back over to where you are curled into your nook, eyeing him warily over the tiny shield of your phone, his plush lips slowly spread into a sickeningly devious smile.
     Hobi scoops his hat up off the floor and tugs in back on before taking a seat, carefully, you notice - thighs pressed together and leaning forward - in his rolling chair. The implication of his posture has you sweating into your shirt.
You need to get it the fuck together.
     "If I would have known you were here I'd have brought you a kimbap," Jimin says, wicked grin still plastered on his face as he holds up a plastic convenience store bag.
     You blink. 
     "Oh, uh, that's okay..." you bluster, waving your hand. "I'm not hungry anyway." 
     It's true. You just lost your appetite for the foreseeable future, stomach a raging sea of nerves as Jimin places the bag on the desk.
     Yoongi shuffles over to sit at the other end of the couch, raising his free hand and drawing his mouth into a straight line in greeting. You manage your own tight-lipped grin and flash him a peace sign, hoping you did it quickly enough that the tremor in your hand went unnoticed.
     "To what do I owe this visit from my bros?" Hobi asks from where he's turned toward his computer screen to save the neglected file. 
His voice is cheerful, but you can hear the strain - how it's pitched just half a tone too high - and Jimin's eyes are still on you.
     "I dragged Yoongi hyung out for some fresh air. I took him to lunch and grabbed you a snack on the way back."
     "Yah, you took me to lunch? Then why did I pay?" Yoongi grumbles from beside you, his bare features pinched into a grumpy pout that makes him look particularly feline.
     "Because you love me," Jimin coos at him and the older musician's mouth quirks up into a smile he can't seem to repress. 
     "What are you working on, Hoba? Which track?" Yoongi murmurs around the straw between his lips, blinking patiently as Hobi seems to shake himself, pulling his hat off to run a hand through his hair before readjusting it on his head and swiveling back toward his computer screen.
     He hits play on the track and Yoongi leaves the couch to join the other two.
     This is all so normal, so typical of the guys - the affectionate repartee and chat about ongoing projects. And on an average day, you'd have joined right in. 
But today is not an average day. 
No.
Five minutes ago, you were spread-eagle on the floor six inches from where Jimin stands, with Hoseok's shoe on your bits.
     You have to get out of here.
     "I'm, uh, I'm gonna head out, boys," you muster, making a beeline for the door as soon as the inertia of your decision gives you the courage to peel yourself from the corner of the couch.
     "You're leaving?" Jimin's voice quips in a saccharine whine, with the slightest edge that makes you avoid his eyes as you slip out with a parting wave.
You do catch Hoseok's expression, whose head snaps up at your parting movements. His brows furrow and his lips part, looking as if he wants to say something, but he doesn't.
     And then you're gone.
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    Your smart watch trills as your heart rate enters cardio territory. Your chest is heaving, breath coming heavy as the pliant cushion of your couch gives way to the crown of your head pressing back into it, eyes pinched shut and hand shoved down your pants. 
The bullet vibrator you have pressed to your clit is doing everything it should, and you feel it coming - your orgasm. 6:12pm on a Tuesday and it's already your third self-love session of the day. 
You tense your thighs, urging the building pressure in your core to boil over, and quickly. You groan and grit your teeth as your administering hand starts to shake. You writhe and whimper for a moment. And then it's over.
     You stare up at the ceiling of your apartment, breathlessly huffing out a despondent sigh as the empty ache in your chest returns. It has become your loathsomely devoted companion in every waking moment over the last ten days, filling you with an unshakable restlessness and sickly discontent.
     Nothing can slake it. Not reality TV. Not Cabernet Sauvignon. Not overtime hours. Not ASMR wood-soup videos. Not yoga. Not Ben and Jerry's. Not midnight runs on your NordicTrack. Not fucking yourself to climax on every single goddamned toy you own. 
     The little monster you roused the weekend before last in Hope World hasn't returned to sleep. No. She is wide awake. And she seems to grow more ravenous with each passing day. 
At first you tried to ignore her, but she kept you up into the long, bleak hours of the night. And so, in a fuzzy, staticky haze some time after midnight a number of days ago you typed some words into a search engine that would probably have your assigned FBI agent doing a spit-take.
     The thing is, you'd never seen "50 Shades of Grey", you'd never been interested. It wasn't as if you were a prude - hardly! You have always enjoyed sex, both intimate and recreational. In fact, it has always been one of your favored methods of blowing off steam, and you knew quite well how to please yourself and how to guide partners in doing the same.
     You have never had problems in taking what you wanted in life, in taking charge and ensuring that things play out your way – it's what makes you so good at your job, and valued by your peers who know that they can rely on you to take the reins and rise to the occasion.
     So when you suddenly stumbled unprepared into the world of BDSM, your visceral reaction to the concept of submission left you wondering...why?
Why, why, why? 
Why does this do it for you? Why did your very linear, stable existence have to be completely disrupted by this discovery? And most urgently of all, why, for the love of everything sacred, did all the porn in the whole wide world fail to accomplish even a fraction of the effect of Jung Hoseok's size 9 sneaker? It's all too overwhelming to process.
     You let out a frustrated whine as you pull your sticky, cramped hand, still clutching the little purple bullet, from the confines of your pants. Your phone buzzes on the coffee table and you can see the notification is from Jimin. You've been ignoring his calls and pleading texts to meet up, or just pick up. You can't face him. Not after ghosting Hobi.
     You feel a pang twist in your stomach as you haul yourself toward the shower, hoping the hot water will wash away the guilt you feel for ignoring Hoseok outright. He texted you almost immediately after you left the studio, asking if you were alright. You let him know that you were, with just one word: yeah.
     You had typed and retyped that response. "Yeah, thanks" seemed too weird. Like, thanks for what? Almost making you cum with the tip of his shoe? No. "Yeah, sorry" felt pathetic. What were you apologizing for? It seemed to imply...regret? Or fault. Neither of which would have come from a genuine place. And beyond a simple affirmation, you certainly didn't have words. So, "yeah" it was. He tried to call you later that evening, but you didn't pick up. You were already way up in your head by then. It had been radio silence since.
     You toss a coconut steamer onto the wet shower tiles and sigh, catching a glimpse of your face in the bathroom mirror as you slide the glass door shut.
     "Coward," you mutter as you close your eyes and slip under the cleansing stream.
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     You're wrapped up in a blanket cocoon and sipping a cup of sleepy-time tea, trying to distract yourself from the messy tangle of emotions waging war across your various chakras with season two of Single's Inferno, when a knock on the door startles you out of your simmering reverie. You heave yourself off the carpeted floor of your living room and scoot toward the door like a fleecy Jabba the Hutt to peek through the peephole.
     Your vision is obscured as another eye looks back at you from the other side of the concave glass. You jump back, dropping your blanket shroud in a pile around your feet and let out a yelp of alarm. You slam a hand over the peep hole as giggles erupt on the other side.
     "Yah! I know you're in there - so let me in!"
     Your entire body sags against the door in relief as you recognize the voice of the would-be intruder. You swing the door open to grant him exasperated entrance.
     "Park Jimin, you just took ten years off my life! Creep," you bluster, gathering the blanket up around your body as you retreat back into your apartment. 
You plop down again in front of the TV, knowing that Jimin came to either talk you into going out or to just talk, and either way, you are truly not in the mood. Your friend snickers behind you, sauntering into your kitchen. He returns with a beer, bringing the frosty green bottle to his lips before sinking into an armchair and regarding you with an expression that waivers between amusement, pity, and disgust.
     "You look awful," he remarks, taking another swig as his gaze roves your unkempt appearance.
     Your features twist into a frown, eyes never leaving the television.
     "You don't get to barge into my apartment, steal my booze, then insult me, Park," you snip, burrowing further down into the fluffy mass encasing your body.
     Jimin raises a brow, a small smile still playing on his lips as he follows your eyes to the television where YouTuber Dex and professional model Lim Minsu flirtatiously splash about in a ridiculously opulent indoor swimming pool.
     "Fuck, Dex is hot," Jimin mutters.
     "For some reason he reminds me of Jungkook," you smirk, glancing over at him for the first time since he arrived.
     He grimaces theatrically.
     "I don't see it."
     The contestant on the screen flashes his Paradise companion a blinding smile and raises a tattooed arm to cut through the water, content to show off his stroke precision as his date watches on. The resolve on Jimin's face falters .
     "Yeah, well...Dex is hotter."
     You scoff.
     "Yeah, no. Kook-ah is definitely hotter."
     "For the love of god, just don't tell him that, okay?" Jimin pleads, "That kid is insufferable enough these days."
     "You love him."
     He hides a smile behind another sip of Hite.
     "Why did you ghost Hobi hyung?"
     Jimin blinks innocent eyes at you, as if he hasn't just dumped the last week and a half of silent agony over your head like a bucket of ice water. But the chill is momentary, because the next second your body feels like an oven. You stammer.
     "I-I...ghost him? I didn't ghost anyone...I'm busy...I..." you trail off weakly as your friend's unimpressed and knowing gaze bores into your soul.
     You sigh and scrub your hands over your face.
     "Because I'm a big chicken, okay?" You murmur into your palms.
     You don't know why, but you feel like crying. When you pull your hands away from your face, Jimin must see it because suddenly he's on the couch wrapping you in the kind of hug that reminds you why he's your ride-or-die, and in the safety of his embrace the tears begin to fall. Days of being alone with yourself and your conflicted feelings pour from your ducts and onto the front of Jimin's bright yellow flannel. He coos words of reassurance, admonishing your tears, as he strokes your hair.
     "Talk to me, you silly goose," he hums with an endeared chuckle. 
     You sniff and hiccup as you pull away, wiping your puffy eyes.
     "I don't even know what to say, Minnie...I don't know what's wrong with me..."
     Jimin smiles and grabs a few tissues from the box on the coffee table, dabbing them against your nose.
     "Well, first of all, nothing is wrong with you. But second of all, tell me what is bothering you."
     You heave a dramatic sigh.
     "If I tell you, you have to swear - and I mean swear - that you will not make fun of me or tell anyone else. And I mean not Taehyung, not Yoongi, not anyone, you hear me?" 
     He smirks, but nods in assent. You narrow your eyes at him.
     "Say it. Out loud." You demand warily.
     Jimin rolls his eyes and throws up his hands.
     "Yah! Okay! I won't tell anyone," he quips mockingly.
     You sigh again and draw your knees up to your chest, wrapping your arms around them. If this gets too hard to talk about with eye-contact at least you'll have a place to hide your bashful face.
      "I..." you start softly, not sure where to begin except the beginning, "Re-remember that thing I told you when we got plastered a little while back...about...Hobi?"
     Jimin's lips quirk at the corners as he nods.
     "Well...the thing is...wait!" You cut yourself off, suddenly gripped by a notion that has you prematurely flustered and indignant. "What did he tell you?"
     Jimin shakes his head, a small smile still playing on his full lips.
     "Nothing," he responds, looking you dead in the eye in a way that has you almost believing he's telling the truth. 
     "No, really," you press.
     Jimin leans back against the arm of the couch from where he faces you, running a hand through his hair and drawing his legs up to criss-cross in front of him.
     "Jagi, this is Hobi hyung we're talking about. You think he would do that? He has too much respect for you. He would never. Not to anyone. Not even me."
     Your chest floods with relief, affection, and regret. Fuck. Of course he wouldn't. He was too mature of a person for that. Too considerate. Too lovely. And you hadn't even had the gumption to speak to him for the last ten days beyond a mono-syllabic SMS. Jimin watches your expression do emotional acrobatics.
     "So..." he offers encouragingly, "something...happened....between you guys, right? That day Yoongi hyung and I showed up? We...uh...interrupted something, didn't we?" He can't help a devilish smile, eyes twinkling as he carefully phrases his query.
     You bury your face into your knees and squeak out an affirmation. Jimin lets out a bright laugh and you immediately raise your burning face in a scowl.
     "Hey! You said you wouldn't-" 
     He waves his hands in apology as he attempts to gain his composure.
     "Mianhae, mianhae! I'm not laughing at you!" He insists, leaning forward to grab your swatting hands by the wrists.
     "Sounds kind of like you are!" You huff, yanking your arms from his grasp.
     "So..." Jimin hums, tilting his head to track your gaze as you try again to hide your face, "If he's down, and you're down...what's the problem? Why did you run and hide? Did your feelings change?"
     You slowly raise your eyes to his, searching them as you decide just how much you're willing to tell him right now. You chew on your bottom lip as you realize you need to get it out. All of it. You drop your legs to mirror Jimin's posture, lowering your defenses with your millionth-and-first sigh of the evening.
     "Okay...well..." you muse, fiddling with the blanket still draped over your lap. "You know how I told you that stuff that I...dreamt...about Hobi?"
     Jimin nods.
     "Well...something did kind of happen...and well..." you trail off as Jimin raises his brows expectantly.
     "Oh, fuck it!" you bluster, exhausted by your own attempts at delicacy. "He dominated me and I liked it. I really really liked it, okay? And it freaked. me. the fuck. out. Like...I've neeeeever felt that way before about fooling around. It wasn't just fun, or, like, pleasurable...it was...almost..." you search for the words as Jimin stares at you raptly. "...Freeing? Like, a relief. Like, a 'where has this shit been all my life' moment."
     Jimin hums and nods, interlacing his fingers and leaning his chin against his knuckles.
     "Like...I don't know...I'm a very independent person. And capable. And, yeah, things have been crazy stressful at work, and I have a lot on my plate...but I handle it, you know? In fact, I don't just handle it, I kind of...enjoy the pressure of leadership and responsibility? It drives me. I've always been like that, in every area of my life..." 
     Jimin smiles and lets out a sound of recognition.
     "So the one who wears the crown is wondering why it feels so good to be...subjected?" He waggles his brows. You roll your eyes.
     "Grow up, dude."
     "Am I right, though? I'm right."
     You find yourself chewing your bottom lip again.
     "Essentially. I like power. I like control. What is this sudden obsession with losing it? It's...scary. And confusing."
     Jimin smiles. 
     "You know, it's actually not that uncommon, from what I understand," he states, reaching for his abandoned beer on the coffee table.
     You quirk an eyebrow.
    "I mean, everyone is different, and this is a journey you're going to have to take for yourself to get the answers, but from what I know about the BDSM community, it's not unusual for people who are in positions of power to crave a bit of a...reprieve."
     "Really?"
     "Yeah," he nods, reclining back again against the arm of the couch, "The bedroom is a good place to let your walls down. Maybe the only place, for some people. And with a trusted partner it can even be healing to play a different role than you do in other parts of your life."
     It's your turn to smirk.
     "You talk as if you know," you prod playfully, shoving your toes into his shin. He smiles that wicked smile of his and you laugh.
     "What I'm trying to say is, maybe it's not just about the...dynamics. Maybe it's also that it's Hobi hyung. He knows you. You know him, too. You trust each other. Maybe you could get to know each other in a new way. Be something for each other that you both need." He takes the last sip of his beer and twirls the bottle in his hands, gazing at you with a gentle thoughtfulness.
     You nod slowly, digesting his newly offered perspective.
     "So," you muse, raising your eyes to him again, "You think he needs it too?" 
     Jimin shrugs. 
     "Only he could tell you that for sure. But I do know this, he's awfully good at being bossy, and doesn't get a lot of opportunity to run the show - outside of dance practice, that is."
     Chuckling nervously at the thought, you try your best to conceal the spark that has crackled to life from the burning coals inside you at the mention of his natural command of authority. 
     "Hey," Jimin posits with a grin, "Maybe if he's spanking you he'll go a little easier on us when we screw up the choreo..."
     "EXCUSE ME THE FU-WHAT?!" You shriek, snatching up a throw pillow to beat him mercilessly as he falls in raucous laughter to the floor.
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     Turning to glance over your shoulder at your reflection in the mirror, you smooth your hands over the back of the svelte black bodycon number you've donned for the evening. You're a vision in monochrome, having paired your LBD with sleek stilettos and dark smokey eyes with heavy lashes.
     Your phone buzzes, indicating that your ride share is close by. Butterflies flutter in your belly as you reach for the finishing touch to your outfit: a velvety black choker with a sliver o-ring studded in colorless topaz. It's just fashionable enough to still look like a necklace, but it gives you a bit of a thrill to know that it's not. To know what's tucked inside your purse to accompany it. To wonder if, going unnoticed by most, it will catch a certain pair of dark eyes.
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     The drive across town to reach the Jihope residence never felt so long. You try your best to calm your nerves over the last few blocks of distance - it’s just a party, after all, and kind of a silly one at that. 
During Jimin's last visit, he mentioned that he and Hobi would be throwing a Black Day party for all of their single friends the following weekend, and after dodging his attempts at socialization so religiously of late, you felt you owed it to him to attend.     
     Black Day had never been something your group of friends had ever observed before, but it was incredibly chic to do so this year, for whatever reason. And of course, all the organizing duo of the soiree needed was the slightest excuse for Jimin to party and Hobi to host.
     Upon arriving at the building, you can already hear the music pumping from the top floor, and the chatter of guests spilling out onto the terrace. You present your ID to the security guard at the front gate, and are escorted to a private elevator that whisks you up to the penthouse. Being quite successful and comfortable yourself, you still find yourself surprised when reminded of the sheer net worth of your humble, down-to-earth Bangtan pals. Hobi is worth the most, and while he is an excellent investor and a generous philanthropist, he also likes to show out, and in style.
     You take a deep breath as you buzz the bell.
     The door swings open to reveal a handsome young man in a black t-shirt tucked into baggy dark-wash jeans, his fluffy brown hair parted in the middle and his ears glinting with rows of silver hoops. His round eyes scrunch into little moons and he flashes an adorable toothy grin, endearingly lopsided where it stretches deeper against the little orbital piercing at the right side of his bottom lip.
“Noona!" he growls, pulling you into a bear hug. "Where have you been? The last two times we went to noraebang there was no one to sing Through the Night with me!"   
     "Ah...hah...", you nervously chuckle, pulling away from his embrace as you search your brain for an excuse other than business.
     "I'll sing with you, Googie!"  
     You turn to see your salvation from further explanation in the form of a giggling young woman bouncing up to clutch Jungkook's arm and steady herself as she sways on her platform heels. She smells like soju and fruity perfume.
     You smirk and thank her, patting her hand where it clutches your friend's tattooed forearm before she's dragging him away down the hall.
     "Make sure she stays hydrated!" You call after him with a shake of your head, making your way through the throng of guests to the bar area. 
     The furnishings of the residence are a study in classy postmodern minimalism, punctuated with abstract urban art – though you notice that some of the Kaws pieces are missing, likely stored away for safekeeping from rowdy party-goers. 
     The sleek chrome and granite full-service bar is stocked with liquor and beer, and a commissioned mixologist is crafting darkly colored cocktails. A buffet-style spread offers the traditional jjajangmyeon and an assortment of other delicious eats.
     The spacious dining area is littered with small tables draped in black linens, each bearing centerpieces of hellebore, leather leaf, black carnations, and eucalyptus. The living room has been converted to a dance floor, complete with a glittering disco ball. House music booms through the built-in speaker system as guests in groups and pairs move to the beat.
     You glance over a drink menu of themed cocktails as a voice sounds from over your shoulder. 
     "I recommend the Down With Love."
     Turning, you flash the speaker a grin.
     "Alright, but is it giving Judy or Barbara?"
     Taehyung raises a disparaging brow.
     "It's a gimlet. Judy, obviously."
     You chuckle, putting in your order for the suggested beverage.
     "You look good," he remarks, gesturing at you with the unlit cigarette tucked between his first two fingers, his other hand slipped into his pocket as he leans against the wall.
     He doesn't look bad himself, you think, in his black satin top and flared Merlot trousers.
     "Thanks," you smile as the bartender hands over an inky concoction garnished with a grapefruit slice twisted into the shape of a heart and run through with a toothpick.
     You eye it skeptically.
     "How do they make it black?"
     "Activated charcoal. C'mon."
     Tae links your arm through his and weaves through the bustle to a table of familiar faces. Yoongi raises a whiskey tumbler in greeting and you clink your glass with his, sliding into a chair next to Taehyung and reaching over to give Namjoon's arm an affectionate squeeze. It seems that all the members have turned up, save Seokjin, who's been a taken man three years strong.
     You fall into easy conversation with the boys, and just when your difference of opinion with Namjoon over Lee Bul's latest installation piece is developing into a full-blown debate, Jimin slides up to the table and spills onto Taehyung's lap.
     "None of you are dancing!" He whines breathlessly, poking Tae's cheek as the other man smiles shyly.
     "Jungkook is," Yoongi rebuts, taking another bite of jjajangmyeon.
     He's not wrong, though to your amusement, the maknae appears to be getting danced on more than anything else.
    "Where's Hobi hyung?" Tae queries, prodding gently at Jimin's full cheek in return.
     Jimin's eyes dart to you, a smirk spreading slowly across his lips as his gaze rakes up from your heels to the choker around your neck.
     "Good question," he hums, rising to take your hand and pull you up from your seat. "Let's go find him."
     Jimin heads for the French doors at the far end of space that lead onto the terrace. They're propped open, and cool evening air floods the apartment, keeping the atmosphere from suffocating under the warmth of body heat and the scent of rich food.
     "Jimin!" You hiss, as you approach the rooftop patio, "What are you doing? This is the opposite of subtle!"
    He laughs merrily.
     "You're so cute when you're flustered!"
     You don't have any more time to grumble as you emerge under the darkening sky, just beginning to speckle with stars barely visible against the glow of string lights wrapped around the cozy outdoor enclosure. There's a small electric fire pit surrounded by plush patio furniture, and live greenery all around.
     The energy is much more relaxed than within, but even so, you feel your pulse quicken as Jimin guides you toward a small group at the corner of the terrace. You recognize a few of the men and women gathered as industry producers, but none of that really matters because all your brain can register is him.
     And holy shit does he look good.
     He's arresting sophistication and effortless elegance. A silk charcoal dress shirt, sleeves rolled up to the elbow, ripples along the lines of his torso - save where the top three buttons have been neglected to expose the smooth planes of his toned chest. His lean, athletic legs seem even longer than usual in fitted black slacks, his pretty wrists and fingers sparkling with jewelry where his thumbs are slipped into his pockets. His hair has been slicked back from his face, and his eyes are just barely obscured by a pair of lightly tinted wire-rimmed aviators. That brilliant, warm heart-shaped smile cuts through all the sharp darkness of his garb, and your breath catches in your chest when Jimin calls out to him.
     "Hyung!"
     As Hoseok's eyes meet yours the grin stretched across his face falters, but he quickly regains composure.
     "Eyyy," he greets you, striding forward and wrapping his arm around your shoulders to pull you into a side hug. Of course he smells as incredible as he looks.
     "Hi, Hobi," you murmur a bit shyly, returning his embrace.
     "Hyung," Jimin pouts cutely, "Save us! She was putting our guests to sleep talking to Namjoon-ah about art theory."
     "Hey," Hobi chides in a warning tone, cocking his head to the side to glance down at you. "Don't enable the poor guy – he needs to get laid."
     "Well nobody is going to approach him if she's hanging around looking like that." Jimin gestures casually, a mischievous twinkle glinting for a moment his eye.
     Hobi's arm slips off your shoulders to grasp your hand as he steps back. He's never been good at keeping his feelings from his face, and the look trained on his features as he appraises you has you thinking you made the right decision when you put on that dress.
     "How about we keep you out of trouble and on the dance floor, hm?" Hobi says with a sly smile, raising your hand and tilting forward in a posture of invitation.
     You roll your eyes playfully, unable to bite back a smile of your own as you motion for Hobi to lead the way, careful to avoid Jimin's eyes as you let the rapper guide you back into the thrumming pulse of the festivities.
      He gently pulls you onto the dance floor and tugs you into him, keeping a hold on your right hand as he slips the other just below the curve of your waist. You settle into an easy step to the lively beat. Hobi's eyes search your face as you tilt it up to him, running a hand up his chest to adjust the collar of his shirt with a sigh. You fiddle with the soft fabric between your fingers.   
     "I'm sorry, Hobi," you murmur, just loudly enough for him to hear.
     When he just smiles a bit sadly you feel your heart squeeze and you drop your head to his chest. You will yourself not to cry as he slows his movements, slipping a knuckle beneath your chin to raise your gaze to his own.     
     "Hajima," he protests, "Let's talk later. Right now, how about we just have some fun? I missed you."
     His expression is sweet and earnest and you feel like your chest might not have room for anything more than your complete and utter affection for this man. 
     "I missed you too," you admit with a little grin, pressing yourself against him just a bit more firmly and gazing up at him through widened eyes. He blinks for a moment, and then suddenly, there it is again, blooming across his lips - that blinding gorgeous smile, and that heady, infectious laugh.
     In one quick motion, he spins you around to face away from him as the music drops to a deep, throbbing EDM number, his fingertips grazing your hips and his lips ghosting the shell of your ear.
     "You did, huh?" he purrs. "Alright, then...show me how much." 
     You suck in a breath because you don't ever think you'll be ready for how quickly he can turn that dark, deep voice in his chest into something that makes you feel like you're astral-projecting. Your first instinct is to push him away, make him take it from you...but this moment isn't for that. After your exit last time around, you’re determined to make him so incredibly certain that you want him. That you need him. 
     You lean back into him and, whispering a silent prayer of gratitude to the goddess of stilettos, press your ass firmly into his groin. You feel the air leave his lips in a hiss against your neck, and his hands slide to squeeze your hips and tug your body even deeper into his. You grind back against him as your body undulates with the hypnotic rhythm of the beat, but it's not long before he's taken over guiding the motion of your hips to match the rolls of his own. 
     Your eyelids flutter. You've never been this close to him. Sure, in the studio, things had gotten hot and heavy - but you had only been in his hands. He had only touched you to move you, still you, punish you. Now you are flush against his body, and everywhere you touch as he rocks you in tortuous waves against him tastes like the first sumptuous bite of a forbidden fruit. 
You can feel him beginning to swell against the plush of your ass, but even that isn't what has a familiar ache throbbing at the apex of your thighs – it's the effortlessness with which he wrests control of your body, your mind...your very being down to its most primal core.
     Hoseok's hand skids up your side and slips over your collarbones.
     "I like this necklace," he mumbles into your hair.
     You turn in his arms, slipping your fingers around the back of his neck as you raise your lips to his ear.
     "I'm disappointed in you, Hoseok," you tut, "It's not a necklace, you know." 
     He doesn't respond, but focuses on bringing his leg to slot between yours, hiking your dress up enough to tease your mound with brushes over the front of his thigh. You swallow a moan.
He's toying with you, but you won't give in. Not so easily. Not yet.
     "I guess you could call it a choker..." you rasp, trying to keep the tremor from your voice as your face presses into the side of his jaw, "That is more descriptive of its actual purpose, I suppose."
     For one millisecond in the fabric of time and space you feel his pace falter as the words spill from your lips - then he runs his hand up your back, slipping two fingers under the tight strip of velvet surrounding your throat.
     For the first time since you started dancing, you look at him. Crystalline beads of sweat have broken out on his brow, and his mouth is set in a stern line, his eyes hooded and dark as tugs his fingers back to command a view of your gaze.
     "Are you telling me," he grits out lowly, digging his fingers into the flesh of your hip so bruisingly you gasp, "...that you showed up to my party wearing a fucking collar?" 
     You don't answer him - instead you let a wicked smile slip over your lips, refusing defiantly to drop his piercing stare. He has stopped moving you against him, stopped moving entirely. His hands are firm but still where they hold you as his eyes bore down.
     "Are you out here trying to finish what we started?"
     You tilt your head back, narrowing your eyes seductively.
     "What do you think?"
     You watch a thousand and one thoughts race through Hoseok's mind as his eyes drop to your neck again and he swallows thickly.
     "Oh, fuck it," he hisses, turning and catching your hand to pull you impatiently through the crowd. 
     You barely have time to wonder what he's thinking or where you're headed when, at the opening to the hall, he spins to grasp your waist and tuck you into a small alcove. He does it so quickly and with such force that you nearly topple the potted plant on the stand beside you.
     He pushes himself against you, the tip of his nose brushing yours, and his firm body pressing you to the wall. He holds your wrists in his hands, pinning them to either side of your body. You let out a tiny whimper.
     His peppermint breath fans over your cheeks.
     "I was going to wait," he whispers loud enough for you to hear him clearly over the music from the room behind you. "I was going to ask you...to stay. After..." he traces his nose along the ridge of your cheekbone as he squeezes your wrists tightly, his nails nipping into your skin. "But you come here with the audacity to tease me like that? Out there, in front of everyone like a desperate little slut?" 
     His mouth is hovering over your ear as he speaks, sending shivers cascading down your spine.
     "I'm not a patient man," he mutters darkly, and you feel your pussy throb.
     You struggle slightly against his grasp, and he growls lowly. Turning into him, you press your mouth against his throat, letting your teeth graze his skin as you respond.
     "Then don't be."
     It's all the permission he needs. He snatches you away from the wall, dragging you down the hall toward the master bedroom at the far end. Your heartbeat hammers in your chest as you gaze at the dark mahogany door growing closer and closer with every stumbled step you take to match his hurried pace.
     He turns to glance over his shoulder, and you follow the action as he grips the handle, turns it, and...
     "What the..." Hoseok mutters, rattling the handle forcefully before raising his fist to pound against the door. "YAH! UNLOCK THIS DOOR!" He booms. 
     You hear muted voices and sounds of scurried movement from within. He bangs again and again until the door swishes open to reveal a flushed and flustered Jungkook, still fumbling with the button of his jeans.
     "Hyung! S-sorry, hyung, I was just...we were..."
     "OUT." Hoseok demands icily, pushing the door inward on its hinges to reveal the peppy, strawberry-scented young woman from before hurrying forward to tuck herself behind Jungkook as she draws a hand across her smeared lipstick. 
You bite back a grin as you watch them scuttle down the hall before Hoseok shuts and locks the door behind you.
     "That kid...seriously," he grumbles. "He knows my room is off limits."
     You chuckle, despite his lack of amusement, and he takes your hand again, drawing you toward a small couch at the far side of the large room. You take in your surroundings as you cross the space - similarly furnished to the rest of the apartment. The furniture is sleek and modern, Kaws sculptures and collectible figurines occupy tables and shelves. There are a few live plants, including one hanging from a large hook in the ceiling near a massive, raised canopy bed.
     He draws you to sit beside him, a crease still pinched between his brows, likely from having to evict the irksome intruders. You laugh softly and run a thumb over his forehead.
     "They're gone!" you chuckle, "Don't let it bother you so much. You'll get wrinkles." You tease, and his face softens.
     He catches your hand in both of his as it lowers. He sighs.
     "I needed a bit of water thrown in my face anyway," he smirks, and you glance down bashfully. "Before anything really happens, I think we should have…a conversation." 
     You nod in agreement.
     "Can I start?" you interject and he nods in return.
     You huff out a long breath.
     "I want to apologize for how I reacted...last time."
     He smiles wryly.
     "It was all very new and sudden to me, and...I don't know...I freaked out."
     Hobi squeezes your hand.
     "You have no reason to be sorry about that. I should have never initiated like that somewhere that wasn't really private. I just got caught up..." he shakes his head.
     "No! Me too! I'm glad it happened. I..." you trail off, feeling your face heat. "Oh, fuck, I don't know how to say this..."
     He claims he's not a patient man, but he waits, watching with tender eyes as you choose your words.
     "I haven't been able to stop thinking about it...like..." you take a deep breath as you gather the courage for vulnerable transparency.
     You remember what Jimin said. It's Hobi. You are safe with Hobi.
     "It was like nothing I've ever felt before. Like a release...more than sexual, you know? Like, freedom. Like, I felt so alive."
     He smiles, nodding his head in understanding.
     "I..." you continue, still nervous but with mounting confidence as he makes you feel heard, "I would like to...explore this part of myself, this new world," you gesture, "And...well, I would love for you to be the one to guide me."
     You raise your gaze to his. His eyes are shimmering. He slowly raises a hand and brushes his fingers over your cheek.
     "It would be my honor," he murmurs earnestly.
     A smile blooms across your face and your chest fills with warmth. You raise your hand, curling your fingers into his where they rest against your jaw. He drops your hands, still holding on, to his knee.
     "Can I ask how much you know about the community?" he queries, tracing his thumb softly over your knuckles.
     "A lot more now than I did a couple of weeks ago!" you respond with a laugh. "I know that I'm a sub, but one that likes to...fight back a little bit?"
     Hobi smirks, pocketing his tongue in his cheek. His eyes glint.
     "A brat," he answers. 
     "...Yeah."
     "Want me to work for it."
     Your mouth quirks up in a grin.
     "The harder the challenge the bigger the payoff," he hums, glancing thoughtfully down at your joined hands.
     "I think," he says after a pause, "Since you're new to all this, we should start slow. I already know some things you enjoy, and vice versa. But part of this kind of thing is about testing your limits. You're going to come across things you don't like, too. I need you to be able to tell me. Without a second thought. Seriously."
     He looks at you intently.
     You smile.
     "I trust you enough to know that you’d stop if that’s what I wanted. I may enjoy being dominated but I do still know what I want. And with you...I..." You tug at his hand, "I know I could say what I...need.”
     He huffs out a little breath, his brows drawing together as he regards you in reverence.
     "You know you can be that way with me too, right? Needy?" You ask softly. "I want...to take care of you, that way. Maybe we can...take care of each other." 
     You're not looking at him. You can't. It's all incredibly intimate and strange. When he doesn't respond, you begin to wonder if you said something you shouldn't have. And then your doubts vanish as quickly as they had appeared when you feel his arm slip around your shoulders as he pulls you into his chest, tucking your head beneath his chin.
     Your heart sings.
     After a long, quiet moment, Hobi pulls back to look at you. 
     "Should we set some rules for ourselves?" he asks.
     You purse your lips and nod. Admittedly, you had come with a few in mind.
     "I think...we shouldn't kiss. Well, not on the mouth. It's...I don't know. I think it might make things confusing."
     Hobi looks thoughtful, nodding slowly.
     "Which brings me to my other thought," you chew your lip. "I think this should just be about sex. We're friends, and I want to keep that aspect of our relationship strong and uncompromised."
     He smiles. 
     "Makes sense to me. But..." he says with a raise of his brows, "If we do start seeing other people, I think we should tell each other. Especially if they're going to be people we're fooling around with."
     You give an enthusiastic hum of assent.
“I don’t have a partner at the moment,” you shake your head, glancing up at him.
“Me neither.”
He clears his throat and shifts his stance.
“When we’re…together,” he gestures in the space between you. “What about protection?”
You blink thoughtfully.
“I’m on birth control.”
He nods.
“Okay…would you want me to wear a condom?”
You feel heat creep up your neck as you meet his gaze with a shake of your head.
“Not unless you wanted you.”
He stares at you for a long moment before chuckling and shaking his own head.
“Ay, you’re gonna be the death of me, you know that?”
You smile and pull your bottom lip between your teeth.
     "Oh! And we already have a safeword!” you remind him with a grin.
     "We do," he acknowledges, his eyes dropping to the glinting metallic ring adorning your throat.
     Your smile falters and your heartbeat quickens…and when he looks back up at you it's like whiplash as he sets you reeling again with a dark, hungry gaze.
     "If that thing isn't a necklace," he rasps, reaching his fingers up to touch the cold silver, "How about we put it to its proper use, hm?" 
     You shiver, pressing your thighs together as your heartbeat drops to your clit.
     "Yeah..." you whisper, your breath already starting to come quicker as you reach for your bag and fumble with trembling fingers with the clasp. 
     Hoseok's brow knits as he watches you open the purse, reaching in to produce a length of light chain about three feet long with a velvet strap on one and a claw clasp on the other. You double it up and dangle it from your hand, your heart thrumming in your chest as you raise your eyes to his.
     "You can put it on me," you purr, "...But you'll have to take it from me first."
     Click.
     That ineffable thing, that invisible force he wields that arrests you has slipped back into place. You can feel it, pouring off him in devastating waves...and you're already starting to drown.
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     It didn't take him long to wrestle the leash from your grasp. Now you're on your knees before him, hands at your sides as he leans forward to affix the chain to the o-ring at your neck. You're breathing hard from your struggle. He stands to his full height, wrapping the links around his hand until the line is taught. He clicks his tongue condescendingly.
    "What am I going to do with you now, hm?" he murmurs, tugging at the chain briefly so that you lurch slightly forward. You whine complaintively.
     "Quiet," he hisses in warning. 
     You bite your lip. You need to obey now. Your panties are soaked and you can feel the turgid swell of your clit with every slight motion of your body. If you are good for him, then maybe you will be rewarded. Being a good girl should earn something. Right now, you will take anything.
     Hoseok glowers down at you, tilting his head to the side as his eyes trail over your features, coming to rest on your pouted lips. He wets his own.
     "You like to run that mouth of yours...how about we see what else it can do?"
     Holy fucking shit. You feel saliva begin to pool under your tongue, your eyes flicking down to the bulge at the front of his slacks. You start to raise your hands toward his belt but he yanks sharply upward on the chain, the metal ring biting into the underside of your jaw, ripping a mewl of discomfort and impatience from your lips.
     He lets out a long sigh, shaking his head as his lips curve into a cruel smile.
     "So eager that she can't even wait for permission?"
     You whimper again, biting your lip as he laughs darkly above you.
     "My little whore wants something, doesn't she?"
     You give a silent nod, letting your tongue slip out to wet your lips and watch his eyes darken as his pupils swallow his deep brown irises.
     "Mmm..." He hums in consideration, bringing his free hand to cradle your chin. "I've told you before, sweet thing, if you want something, you have to ask for it."
     Your eyes blink languidly as you look up at him. Your head is swimming as you sway on your knees, the dizzy helplessness of being spun between degradation and endearment hanging over you like a heavy trance. His fingers tighten around your jaw.
     "Come on..." he coaxes in a chilly whisper, "Use that pretty mouth to ask Hoseok."
     You swallow thickly.
    "Wan..." you start softly, but his grip on your jaw sharpens.
     "Speak up, I can't hear you," he commands reproachfully.
     Heat swells up from your neck and sweat begins to tickle your hairline. You know what you want, you've been thinking about little else since he was pressed against you on the dance floor...but the thought of giving your filthy, aching desires shape has every inch of your body trembling.
    "Wan...want..." you struggle over his fingers pressing harshly into your cheeks. 
     He tuts, and the look on his stony features suddenly warns you that if you don't overcome your nerves...
     "Wan' your cock!" you choke out desperately.
     Hoseok's lids dip slowly and his lips part, as if your words have been injected into his veins, and you think you could fucking cum at the sight. His eyes flutter open again and he gazes down. You fight for patience and composure with each maddening second of silence that passes. You can feel your pussy clench and your hands follow suit. Hoseok catches the motion. A sickening grin spreads over his lips.
     "Want this cock, hm?" he hums, releasing your chin from his grasp to palm over the clothed swell inches from your lips.
     You whimper pathetically, letting your eyes slip shut. Fuck you want him. You want your mouth around him. You want to choke on him. You want the thick, sticky milk of his release on your tongue.
     "So tell me, brat," he hisses, wrapping another loop of chain around his palm so that he holds you on a mere few inches of leash. "How do you want my cock?"
     Any shame has been dispelled from your being in the presence of your burning desire, and you raise heavy, lustful eyes to his dark ones.
     "Wanna suck it off."
     You can see his chest beginning to rise and fall with more effort as he pulls you by the leash, in tortuously slow deliberation, until your lips are ghosting over the zipper of his slacks. He glares down at you, the corner of his mouth curling up in a sneer as he holds you in place.
     "BEG."
     A violent tremor of arousal jolts through your abdomen and you gasp.
    "P-please..." you stammer dumbly against the soft, dark cotton.
     "Again."
     "Please..."
     "Please, what?" 
     "Please..." you breath shakily, "Will you fuck my mouth?"
     You feel him twitch under the vibration of your supplicating words. 
     "Alright," he relents in a rasp, "But keep those hands at your sides, understand?”
You nod.
“Unless,” he tugs at the chain again,”You need to stop. Then you grab my leg and squeeze.”
“Okay.”
“What are you going to do, baby? If you need me to stop?”
“Squeeze your leg.”
“That’s right,” he hums and the repeated instruction.
     You chew on your lip as he pulls off his belt and slips open the button, giving a tug at your collar. As you look up at his hooded eyes, you know exactly what to do.
     You nose at the seam, trying for one moment to ignore the throbbing bulge against your cheek as you find the zipper with your teeth and drag it slowly downward, your eyes never breaking his burning gaze. 
     "Good girl," he hisses, pushing his pants down his hips to reveal a pair of tight, black boxer briefs, a sizable strain pulling at the flexible fabric where he's hard beneath them.
He hooks two thumbs into the elastic and tugs down, his fully erect cock springing free to bob against the side of your face. A sticky streak of precum smears across your cheek as you seek his head with your lips, barely having time to register the smooth tip, or the pretty, pulsating veins as you rush to swallow him whole.
    Hoseok lets out a long, deep groan as you suckle greedily around him. Allowing your spit to slick his shaft you pull back, keeping just the crown between your lips as you worry your tongue along his dripping slit.
     He's rock hard and heavy on your tongue as you lean in to take him farther down your throat, bunching your hands into your dress at the aching urge to cup and stroke the velvet skin of his scrotum.
     "Fuck," he grits out from between clenched teeth, "That's right..."
     You bob lower and lower on his shaft, seeking to take as much of him as you are able. When you feel his tip brush the back of your throat, you moan around him. His free hand flies into your hair, and suddenly he's yanking you off of him. You cough and splutter at the sudden motion and he tugs the chain so that you raise watery eyes to him. He releases your hair to absently stroke himself as he lightly pants over you.
     "Asked me to fuck that throat. Think you can take it?"
     You nod as you attempt to wipe drool pooling on your chin into your shoulder.
     "Words," he pushes, snapping the chain around his wrist.
     "Yeah," you mock, matching his tone, a spark of defiance reigniting inside you.
     Hoseok lets out a hollow laugh.
     "So confident. We'll see about that."
     He slips two fingers of his free hand into the strap of your collar and tugs you back toward his cock. You open wide, extending your tongue to catch the head and pull him between your lips.
You move to swallow him again, but he halts you.
     "Keep still," he mutters coldly, and the fingers at your collar hold you tightly in place as he slowly slides his hips forward in a thrust that has him inching toward your soft palate.
Your eyes water, but you have never been more determined to fight your gag reflex as he pulls back and pushes in again, deeper, his cock tapping again at the back of your throat.
     "Goddamn, you really can take it," he groans in a shaky voice. "Such a good little slut for Hoseok. Such a pretty, filthy little mouth."
     Your nostrils flare as you draw air through your nose, and you swallow, the muscle of your throat contracting tightly around him. At this he seems to break, suddenly pulling back his hips to snap them forward as he sets a rough, self-indulgent pace.
     Your eyes water, spilling over from the brutal stretch and sting, but you dig your fingers into your thighs, determined to take him as long as you possibly can.
     You start to feel light-headed, and just when you think you're going to have to tap out for air, Hoseok's pulling you off of him and wrenching your face upwards to run his wild eyes over it.
    You gasp for breath a moment, and then you're opening your mouth to him again, blinking up through bleary eyes in a silent, hungry plea. He shakes his head slowly as he gazes down at you, chest heaving.
     "Shit, look at you..."
     You're a site. Tears and mascara streak your cheeks, saliva and precum slick your chin and neck, your parted lips swollen. Hoseok's fingers twist where they're still hooked into the collar. 
     "You still want it, don't you? My god..." he smears the tip of his cock along your bottom lip.
Your eager tongue wriggles forward to brush over him again. He swallows, and with a growl he slaps his cock down harshly over it. You let out a little sob as your soaking, aching cunt clenches around nothing. 
     "Alright," he mutters in a husky whisper, "Gonna fucking ruin that tight little throat. Gonna fill it the fuck up. Blow my load all over that nasty little tongue. And you want that, don't you? Wanna be Hoseok's pretty little cumslut, hm?" 
     You nod, and then remember the rules.
     "Yes," you croak, and open wide for him again.
     He grits his teeth and tugs at the collar to pull you slowly over him again with a shudder. You've proven more than capable and it's not long before he's chasing release at a punishing pace. It's sloppy and desperate - the hollow, wet sounds as he fucks your face a pornographic symphony. 
Suddenly you think you can feel his cock twitch and jerk as it hammers into your mouth, and when he grows so incredibly hard, you know he's about to reach his peak.
     You lock eyes with him through your tears, watching his features strain to maintain their composure. Without warning he grabs the back of your head and slams into you, arching over as he cries out.
     And he cums.
     Thick ropes spurt down your throat as he quivers and throbs.
     The moment he's spent his last drop of release he fists into your hair and roughly pulls you back, letting his softening cock fall free. You gasp for breath, coughing as you choke down the last remnants of his seed. Lips trembling, your eyes search his face for what you so desperately need...and you find it.
     His lids are heavy over his eyes, mere glistening slips of midnight visible as they gleam down at you; his beautiful lips are parted as he pants, the honey planes of chest glistening with sweat where his shirt fails to obscure it.
     He's breathless and sated and glorious, and you bask under the intensity of his gaze. He releases his hold on your collar and lets the leash clatter to the ground, bringing his hands to your face. He cups your cheeks, brushing his thumbs over the streaks of tears.
     "So, fucking good for me," he mutters shakily, his brow drawn, "Such a pretty, perfect little brat." 
     Your eyes slip shut under his words of praise. You could move mountains if he asked you to, you were certain. In this moment, in this space, anything for this man. Everything.   
     You feel his hands leave your face as he moves to help you stand, before tugging his briefs back into place. 
The heat of the moment past, you become acutely aware of the stinging soreness in your knees as you struggle to your feet – and the sticky ache of persistent hunger throbbing between your thighs. You teeter on your heels as blood rushes to your lower legs.
Smiling, he reaches out and pulls you to him gently by the waist, swiping a thumb over your chin.
     "You were a good girl, baby. So, so good," He coos in a husky whisper. "You remember what good girls get, hm?" He's still calling the shots and demanding answers, but his eyes are soft as they regard you.
     "A reward?" you answer hopefully.
     He hums in assent.
     "That's right, baby. That's right," He brushes at the smeared makeup under your eye. "But let's get that messy little face cleaned up first." 
     After unfastening your collar he sits you down on the bed, bringing makeup wipes to gently dab away the proof of your efforts, and offers you a bottle of cool water. He comes to sit beside you, eyes tracking you attentively as you drink.
     "Want Hoseok to take care of that needy little pussy?" he asks, with a smirk.
     "Fuck yes," you breath as you lower the bottle from your mouth.
     He arches a brow, and you purse your lips in an attempt not to grin.
     "Please," you add in correction.
     "Mmm," he acknowledges thoughtfully, turning to gaze over his shoulder at the spider plant hanging from the ceiling a few feet past the other side of the bed.
     "Does my little girl want to try something new?" he asks, his eyes still on the suspended planter.
     You feel your pulse quicken and stomach twist in anticipation.
     "Yes, Hoseok, I trust you," you respond without reserve.
     He flicks his eyes to your face, brows drawing together. He wets his lips and huffs out a breathy laugh.
     "You have no goddamned idea what you do to me when you say shit like that."
     You look away, smiling brightly as you preen under the heat and affection of his gaze.
     He reaches for your hand and guides you to rise to your feet.
     "Alright, ditch the dress," he orders, gesturing with a flick of his chin as he leans back on his hands and spreads his thighs in a posture of recline.
     You step back to give yourself space, already weak in the knees at the prospect of stripping for him. You steel your composure, a spark of boldness lighting in your belly. Taking a few steps away and turning from him, you look back over your shoulder to watch his face as you reach behind to slowly drag the zipper down your back. You make a slow, sensual show of peeling the garment from your body to reveal a lacy black balconette bra and matching thong. Stepping out of the dress and tossing it away, in nothing but your lingerie and stilettos, you stride back to stand patiently before him.
     He leans forward and runs his hands up the sides of your thighs until they reach your hips where they slide back to squeeze the meat of your ass.
You bring your hands gingerly to his shoulders. 
Tugging your body toward him, he draws himself to the edge of the mattress, pulling you between his thighs as he uses his sharp, white teeth to nip along the soft flesh of your belly. He sucks harshly at some places, leaving flushed little souvenirs of claim in his wake. You don't hold back the proof of your pleasure - repaying his ministrations with gasps and low moans as his hands and mouth explore you.
     Hoseok raises his face from your skin, his pupils wide as his gaze settles at your breasts. 
"Bra off," he commands, squeezing your ass again as you reach back to unfasten the clasp and pull the straps from your arms.
     He hisses and grits his teeth, raising greedy hands to knead at your supple flesh, before pulling them away to twist and slap at your nipples. 
You groan and throw your head back, relishing in the shocks of sensation – gushing, as if you could ruin your soaked panties any further. As you press your trembling thighs together he glances down at the last remaining vestige of your modesty, lips spreading into a wicked grin.
     "You know I can fucking smell it - how wet you are? My god, want you to wear it like a perfume, fuck..." He runs his right hand to rub against the dampness that has the lace clinging to your slit.
     The moan you let out is so needy it's practically a sob. Hoseok laughs low in his chest.
     Suddenly he’s standing and spinning you around, leading you to the end of the bed. He places your hands on the footboard and instructs you to bend over, sliding your hips back until your ass is on full display. He runs his hands over the bare flesh of your cheeks.
    "Now," he growls, "Can't fuck this ass until it's properly marked, can we?"
     You swallow and let out a whine. The blood is already rushing to your head in a familiar surge and in the split second of silence before impact, you know what's coming - the anticipation somehow even more intoxicating when you remember how it feels when he...
     Smack!
     You whimper, your fingers gripping the bed frame as he delivers blow after searing blow. When he has satisfied himself with the flushed tone streaking the globes of your ass, he gives it a final squeeze, commanding you to wait where you are.
     You hear him as he moves to the side of the bed to pull an object from beneath it. He seems to be grappling with something - the clink of metal and soft rustle of leather interrupting the sudden heavy hush. He returns to your side, taking your hands from the bed and bringing you to stand. As he leads you to the far side of the bed, you see it: hanging from the large hook in the ceiling that once bore the spider plant there is a large leather contraption. You've never seen one in real life, but you know what it is.
     "You have a sex swing?" you murmur in awe, momentarily forgetting yourself as you reach out to brush your fingers over the soft leather. There are buckle straps at different places and a metal bar running across the top. He lightly grips your waist, turning you to face him again. He dips his head forward and you inhale the cool mint of his breath.
     "Gonna put you in it," he murmurs, "You remember our word, right?"
     "Yes," you breathe.
“Say it.”
“Foxglove.”
He smirks.
     "Good girl. Panties off," he instructs.
     You couldn't be more eager to pull the sopping fabric down your legs and toss it aside, but when you reach to remove your shoes, he catches your wrist.
     "I didn't say you could take those off, did I?" he reprimands, and your pulse begins to hammer in your throat.
     He’s gonna fucking strap you to this thing in your goddamned heels.
     You comply with him as he helps you into the seat, fastening your wrists together to a strap that has them raised above your head. After securing your hands, he raises your legs, carefully stretching them so that your feet are on the outside of the wide set cables, hooking your heels to catch on the bar across the top to hold your legs, spread wide, in place. With each restriction he checks in, making sure you’re completely comfortable with his choices. 
When he finishes he comes to stand before you, heaving out a sigh through his nose as he trails a hand down the back of your thigh.
     "Look at you," he groans as his eyes rake over your body.
     You can feel your pussy leaking. Your heart pounds. The muscles in your legs strain a bit from the stretch and the bindings nip into your wrists and feet. You are completely exposed to him...and it is utter perfection. Like you were made to be at his mercy. You blink up at him through the fuzzy haze that keeps intensifying as you relinquish yourself deeper and deeper into his control.
     His eyes slip shut for a moment and he gives an almost imperceptible shake of his head before bringing his lips to graze against the back of your calf.
     "Hoseok..." you whisper, trembling. 
     His eyes open and lock with yours. You hold each other's gaze in silence. 
Nothing needs to be said - you both know. You both understand.
     He unbuttons his shirt and slips it off, and after discarding his briefs he is as naked as you are. With one hand he grips your leg, slipping two fingers of the other to slide through the swollen, sticky folds of your cunt. You cry out, your pelvis shuddering - so ripe to be touched that the contact sends a shock like an electric pulse through your being. 
     "What a pretty fucking pussy...so desperate for me," he mutters.
     You watch his beautiful fingers as they slip through your glistening lips and over your throbbing clit before he pulls his hand up. He lets it hover in the air for a moment before bringing it down with a harsh smack against your mound. 
A scream strangles in your throat as he repeats the motion again. Your whole body shakes with arousal. 
He clenches his jaw as he trails his fingers down to your aching hole, dipping in shallowly to gather your bountiful slick. He raises his fingers to his lips, tasting you as he watches you tremble beneath him. He withdraws them with a pop.
     "You know how much you like that? Getting this little cunt slapped?" His eyes trail down. "You're dripping down your fucking ass."
     Shuddering violently, you whimper, tugging impatiently at your restraints.
     "Yah," he warns, and you still. "Guess you're ready for me, huh? Just like that day..." He smirks condescendingly. "You're always ready, aren't you?" He hisses. "Need me so fucking badly...all of the time."
     You sob as your walls contract again and again. He takes his cock into his hand and slides it through your folds, teasing the tip over your clit.
     It's euphoric, but it's not enough. You sink your teeth into your bottom lip as you fight your own desperate need until the copper taste of blood seeps across your tongue. Somehow, it doesn't even hurt – you can't feel anything past the need for him to fill you. You feel his tip prod your entrance and you gasp.
     “Look at me," he rasps.
     Your eyes snap open. Your legs are shaking, vibrating the entire apparatus as he finally, slowly, sinks into your wet heat. The stretch of him is exquisite, and your eyes roll back in your head as he groans, steadily pulling back to push into you again.
“Shiiiiiitttt…” he hisses through his teeth, “Fucking made for me. Does my little brat like that? Hoseok’s cock stuffing that tight little cunt?”
“M-more…p-please…” you mewl, nearly unable to even form the words as his ridges drag deliciously along your taught walls.
     You're so incredibly worked up that already you can feel a climax building in your belly, and he's only just started to fuck you. Unable to touch him any other way, you squeeze around him tightly.
     He lets out a grunt, picking up his pace as he uses the mobility of the swing to pound you onto his cock. 
You cry out, your head rattling against the leather as stroke after stroke sends you hurtling toward your high. Your mouth hangs open, and your vision begins to blur at the edges, the position of your arms making it harder to breathe. It’s going put you over the edge. He catches your glazed stare.
     "Don't you fucking cum until I say," he grits out breathlessly, and you let out a wail, head falling back. 
     You can feel yourself barely holding on as he slams into you, teetering on the edge as you hear his voice.
     "Whose little whore are you?"
     You try to speak but the words won't rattle out of your chest.
     "Whose?" he booms.
     "Yours!" you press out in a sob.
     "Who do you kneel for?"
     "You!" 
     "Who owns this pussy?"
     "Y-you!"
     "And who the fuck am I?"
     "HOSEOK!"
     "Cum, slut." he growls.
...And you free-fall through time and space.
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     The summer evening air is warm against your skin as you step out under the rose gold twilight. Behind you the chic dining venue is still abustle, and you wave coworkers a fond farewell as they head off to continue the evening with karaoke. It's been a big day for you, and there's someone you've been waiting to talk to.
     You press the green call button and wait as the line rings.
     "Yeoboseyo?" 
     The warm voice on the other end has a smile blooming on your lips.
     "Hey, Hobi-ssi!" you hum.
     "Hey hey!" he chrips, "What's up?"
     "Oh, nothing," you respond casually, "Just got done with a company dinner. Someone got a promotion, so we all went out."
     There's a pause on the other end.
     "Oh," answers slowly, "That one you put in for?"
     "Mhm."
     You hear him scoff in amusement
     "Well, at least you seem to be taking it well."
     "I'd say I'm taking it extremely well, which is only natural, considering I got the job."
     "Yes, well...wait, YOU WHAT?!"
     You pull the phone momentarily away from your ear as his joyful, raucous laughter blasts through the speaker.
     "You're gonna make me go deaf!" You chide. Your smile is brighter than the setting sun.
     "I'm so proud of you."
     "Thanks, Hobi."
     "You should celebrate!"
     "I did go out with my work friends...but..."
    "You should come over," he interjects.
  The register of his voice has changed. You recognize the new one.
     "Yeah?" you swallow, as your heart rate quickens. "Well...what if I do want to go to karaoke?"
     You wait for his response, watching your ride share pull up to the curb.
     "Yah - you gonna be a good girl…”
     You hold your breath.
     “...Or do I have to make you?"
-FIN-
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570 notes · View notes
lunahearts · 3 months
Text
Okay I'm doing it. I'm chapter 96 posting.
This is not meant to be a big analysis post this is mostly just me sharing all the little moments that Marcille & Laios show their care for each other because they are SO beloved to me. Join me on the journey if you wish.
(but also the above statement may be a lie. I do have a point here, it turns out, and the point gets at some of my Big Feelings of what Dungeon Meshi has to say about the nature of friendship & living in the world)
So, first of all, the conversation about Laios being king at the start of the chapter. Just in general Laios insisting on presenting himself in his own way here is so good. Character development!!
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Before the events of the story he hadn't shared his inner world with anyone but Falin. Now he's like Actually I'm gonna dress up in the discarded remains of my monstersona and that's just how it is.
And even though there are a LOT of parts of the story and bits of character growth that go into this, I think it specifically highlights some interactions from a few chapters ago.
After all, his initial reaction to having been in that monster form & coming out of it was trying to hide from everyone.
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And I think everyone helping him put things in perspective here contributes to how he is able to present himself as king. They assure him that he is accepted, despite having just been seen by EVERYONE at his Peak "Weird Monster Guy" mode.
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Highlighting what Marcille says here especially:
Going out to "face them with a smile" is EXACTLY what he does. Not right away. He's still pretty stressed in the following scene in this chapter. But he is able to face the crowds with a smile, eventually...
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As king. Dressed in the memory of his most vulnerable moments, the most honest expression of his desire.
BUT I'M GETTING A LITTLE AHEAD OF MYSELF. Before the King Laios speech, there's a little moment with Marcille I want to highlight, because...
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Did y'all know that by the end of the manga, Marcille isn't like... grossed out by eating monsters any more? Or at least, she's definitely changed her reaction to it. It's Namari who makes the "yeah it smells good despite what it is" comment, not Marcille.
We even get shots later of Tansu, Shuro, and Kabru being kinda grossed out by - but still going ahead and eating - the different Falin foods. Chilchuck also throws out a line about it being surprised that it's good.
But there's no disparaging comment from Marcille, despite the Everything of the situation. I just think that's also a nice little detail. She may not be as far in the monster eating game as Laios, but she's more willing to roll with the weirdness.
So after this little moment, this is when Laios comes out in his new regal outfit. And first of all...
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This is such a good contrast to the moment when the group goes to save Marcille in chapter 84. The monsters had stopped attacking, and everyone's reactions to Laios and the others framed him as unsettling. Creepy. Maybe even traitors.
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They even use some of the same labels (lord of the monsters/lord of the dungeon, dark lord/demon king)., but the context is that they are disgusted. The parallels in this manga....
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Have a tendency to destroy me. What a difference in reception.
Anyway, after this moment, Laios stops to talk to the group... and I'd like to point out again: MARCILLE ISN'T FLIPPANT HERE EITHER!!
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Chilchuck is still Chilchuck, of course, and I want to be clear I love that, too. Chilchuck is who he is to his core. His little jabs are very affectionate in this chapter.
But Marcille... Marcille only points to the Winged Lion symbol as being weird, not the monster bits. And like, considering what she's just been through with the lion, being skeptical of that part is... fair.
(don't get me wrong, her "that's fine and all" isn't exactly excitement. BUT the point I'm trying to make is less about her completely changing her feelings & preferences. It's more about how she expresses them, and how she treats Laios and HIS feelings & preferences)
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And she continues to be so encouraging!! Wah!! Like, despite, all four of these people definitely caring about Laios, it's Marcille specifically who tells him to relax and just be honest. And you know what? I think that's what Falin would have said, too.
Please also note how cute everyone's little faces are in the crowd:
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(see, Chilchuck loves him too!! Look at that fond face, and the cheer. and Senshi! and Namari! They really are such a family)
Laios' short speech actually has a little bit I'd like to highlight as well, since I think it is a nice little reflection of his choice to keep the lion insignia on his new outfit:
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"Eat to your heart's content," he says. Not just "enjoy," or "let's eat."
Dunmeshi does such a wonderful job of framing so much about the Winged Lion with nuance, and this is a good example of that. Desire is not bad! Craving and consuming is beautiful. As Laios says when explaining the lion insignia...
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It's not just something to get rid of.
So then... on to the feast!
And not only does Marcille not express any grossed out feelings, as I mentioned before... she even helps to gross out Chilchuck!!
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Her weird girl powers are only just in their infancy. She will only grow more powerful in time...
As the feast goes on of course we get the group's realization about her hair, and I'd like to point out:
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I really feel like they have such similar reactions to finding out about how the other has been affected by the Winged Lion
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Just... the quiet concern. Not making a huge fuss, but... worried. Understanding. A little heartbroken for each other.
SPEAKING OF HEARTBROKEN REACTIONS THOUGH. WHAT COMES NEXT REALLY GETS ME.
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After Chilchuck braids Marcille's hair for her, the topic of her needing to leave everyone comes up and...
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God, these expressions. Every Time I see these panels I think about about what Laios saw in her nightmare. Her fears. The weight of inevitable loneliness, and the way it has marked her. As much as Marcille tries to keep things light when talking about it, he knows what this means to her. And it HURTS.
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So he doesn't accept it. But do you notice how he frames this. Do you see. Not "do you want me to fix this." Not "hey I have an idea."
"Would you be willing to stay."
He doesn't know whether she will accept. Whether she will hate the idea, actually, of staying here with him. He's putting himself out there fully prepared for rejection & dismissal, as he has faced many times before.
But his pitch, his proposal to her, it's not JUST an excuse to ask her to stay, either. He's put thought into this. Into what Marcille could mean and do here. Not just to and for him, but for the people of this area. The place he has taken responsibility for.
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He's also thinking about Falin. And about all the other little girls, the people of all sorts, just like her. He's thinking about the people who have been killed (burned at the stake???), hurt, shunned. About the people who have been abandoned. The people who are still alone.
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He's not just offering Marcille an out from her isolation, he's offering her a new purpose. A new way to continue her work, to do the things she cares about. He SEES her! he understands her.
BUT ALSO HE'S SO NERVOUS OUGH. FIDDLING WITH THE PLATE. UNSURE IF SHE WILL CARE. UNSURE IF HE HAS IT RIGHT.
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HE'S NOT GOOD WITH PEOPLE HE'S NOT GOOD AT THIS.
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BUT THEY UNDERSTAND EACH OTHER. AND SHE WANTS THIS LIFE HE'S OFFERING HER.
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Still... it's not that simple for her, even if for a moment she is swept up in how much she wants this.
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Again here, Marcille is working so hard to be chill about the whole 'going west with the elves' thing. She looks absolutely devastated in the first panel, but puts on a smile in the second.
Maybe she doesn't want to bring down the mood. Maybe she doesn't want to burden everyone with what seems like the only option she has. Maybe she had already accepted the cost that might come with bringing Falin back. Maybe after everything with the Winged Lion, she doesn't want to risk letting herself fight for her desires too hard.
But hey. Desires aren't always bad. They aren't something to just get rid of.
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A small bit of visual storytelling here... I love that Marcille is confined by the panel, but Laios is stepping outside of it. He's literally pulling her outside of the box she feels trapped in.
Also, I love that his first acts as king are:
1) welcome everyone to a big feast
2) stand by his friend and help her find happiness
It's great stuff and it's so Laios.
In addition to that, I love how this whole act actually plays out. I love that, while getting the elves to let Marcille go, he gets to be extremely cool and protective...
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but also like. Not THAT cool and protective.
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No really, I mean it! I think it's important! It's important that cool 'suave king guy Laios' is a front he puts up when he needs to deal with these strangers, and one that he completely drops once it's just him and Marcille.
He's not trying to impress her, or convince her he's cool and suave. Why would he? He trusts that she's okay with the messy, often unimpressive, sometimes kinda gross reality of who he is.
And isn't that what Dungeon Meshi is all about? Messy, unimpressive, gross reality. And how beautiful, how wonderful, how very precious it is
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Especially when you get to share it with your friends.
614 notes · View notes
felikatze · 5 months
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ISAT and Ludonarrative Harmony: Combat is a Storytelling Tool
Or: How Siffrin is stuck in the endgame grind, forever
Please Note: This is primarily aimed at an audience that already played In Stars and Time, because I am bad at explaining things, and it's good to already know what the fuck I'm talking about. I tend to only bring up game elements as I want to talk about them.
Spoilers for.... all of ISAT! Especially Act 5!
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(image to show how i feel posting this and as an attention grabber over my wall of text)
To pull a definition of ludonarrative harmony out of a hat, game writer Lauryn Ash defines it as follows:
Ludonarrative harmony is when gameplay and story work together to create a meaningful and immersive experience. From a design implementation perspective, it is the synchronized interactions between in-game actions (mechanics) and in-world context (story).
It is, generally speaking, how well game mechanics work hand in hand with the story. I, personally, think ISAT is an absolute masterclass of it, so I want to take a look at how ISAT specifically uses its battle system to emphasize Siffrin's character arc and create organic story moments. I want you to keep this in mind when I talk here.
So, skills, right? If you've played any turn-based RPG, you know your Fire spells, your "BACKSLASH! AIRSLASH! BACKSLASH!" and the many ways to style those.
Well, what does casting "Fire" say about your character? Not all that much, does it? Perhaps you'll have typical divisions. The smart one is the mage, the big brawny one is your tank, the petite one's the healer. And that's the barebones of ISAT's main party, but it's much more than that.
Every character's style of combat tells you something about them. Odile, the Researcher, is the most well-travelled and knowledgable of the bunch. She's the one with the expertise to keep a cool head and analyze the enemy, yet also able to use all three of the Rock-Paper-Scissors craft types.
To reflect her analytical view of things, all her skill names are just descriptive, the closest to your most bog-standard RPG. "Slow IV" or "Paper III" serve well to describe their purpose. The high number of the skills gives the impression there were three other Slow skills beforehand - fitting, considering the party starts at level 45, about to head into the final dungeon. She's also the oldest, so she's the slowest of the bunch.
Isabea, the Fighter, has all his skills in exclamation points. "YOUR TURN!!!" "SO WEAK!!!" "SMASH!!!" they're straightforward, but excited. He's a purposefully cheerfull guy, so his skills revolve around cheering on his allies. He's absolutely pumped to be here, and you see that from his skill names alone.
Mirabelle, the Housemaiden, is an interesting case. She's by all means the true protagonist of this tale - She's the one "Chosen by the Change God," the only one who survived the King's first attack, the only one immune to his ability to freeze time, the only dual-craft type of the game - just a lot of things. And her skill names reflect that facade she puts on herself - she can do this, she can win! She has to believe it, or else she starts doubting. This is how you get "Jolly Round Rondo" and "Mega Sparkle Heal" or "Adorable Moving Cure." She's styled every bit a sailor scout shojo heroine, and her moveset replicates the naming conventions of "In the name of the moon, I'll punish you!"
Even Bonnie, the Kid, who can't be controlled in combat, has named craft skills. And they very much reflect that Bonnie is, well, a kid. "Wolf Speed Technique" or "Thousand Blows Technique" are very much the phrasings of a child who learned one complicated word and now wants to use it in everything to seem cooler than they are, which is none, because they're twelve.
Siffrin's skills are all puns.
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You have an IMMEDIATE feel for personality here. Between "Knife to Meet You!" and "Too Cleaver by Half," you know Siffrin's the type to always crack a joke no matter the situation, slinging witticisms around to put Sonic the Hedgehog to shame. It's just such a clever way to establish character using a game mechanic as old as the entire history of RPGs.
This is only the baseline of the way the combat system feeds into the story, though.
The timeloop, of course, feeds into it. Siffrin is the only character who retains experience upon looping, whereas all other characters are reset to their base level and skills. And it sucks (affectionate).
You're extremely likely to battle more often the earlier in the game you are - after all, you need the experience (for now.) Every party member contributes, and Siffrin isn't all that strong on their own, since they focus on raw scissor type damage with the addition of one speed buff. (Of course it's a speed buff. They're a speedy fucker. Just look at him).
At first, the difference in level between Siffrin and the rest of the group is rather negligible. Just a level or two. Just a bit more speed and attack. And then Siffrin grows further and further apart. Siffrin keeps learning new skills. He gets a healing skill that doubles as an attack boost, taking away from both Mirabelle's and Isabeau's usefullness. He gets Craft skills of every type that even give you two jackpot points instead of one - thus obliterating Odile's niche. Siffrin turns into a one-person army capable of clearing most encounters all on their own.
Siffrin's combat progression is an exact mirror of story progression - as their experience inside the loops grows, they also grow further and further away from their party. The party seems... weaker, slower, clumsier. Always back at their starting point, just as all of their character arcs are reset each loop. Never advancing, always stagnant. And you have Siffrin as the comparison post right next to them.
I also want to point out here a change from Act 2 to Act 3 - Siffrin's battle portrait. He stops smiling.
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Battles keep getting easier. This is true both for the reason that Siffrin keeps growing stronger even when all enemies stay the same, but also for the reason that you, the player, learn more about the battle system and the various encounters, until you've learned perfect boss clear strategies just from repetition. Have you ever watched a speedrunner play Pokemon? They've played this game so many times, they could do it blindfolded and sleeping. Your own knowledge and Siffrin's new strength work in tandem to trivialize the game's entire combat system as the game progresses.
(Is it still fun? Playing it over, and over, and over again? Is it?)
You and Siffrin are in sync, your experience making everything trivial.
As time goes on, Siffrin grows to care less and less about performing right for their party and more and more about going fast. A huge moment in his character is marked by the end of Act 3; because of story events I won't delve too deeply into, Siffrin has grown afraid of trying something new. And his options of escape are closing in. They need an answer, and they need it fast. He doesn't have the time or patience to dumb himself down, so you unlock one new skill.
It doesn't occur with level up, or with a quest, or anything at all. At the start of Act 4, it simply appears in Siffrin's Craft skills.
(Just attack.)
No pun. No joke. Just attack. Once you notice, the effect is immediate - here you have it, a clear sign of how jaded Siffrin has become, right at every encounter. And it's a damn good attack, too! The only available attack in the game that deals "massive" damage against all enemies. Because it doesn't add any jackpot points (at least, it's not supposed to), you set up a combo with everybody else, but Siffrin simply tears away at the enemy with wild abandon. Seperated from the rest of the party by the virtue of no longer needing to contribute to team attacks (most of the time. It's still useful if they do, though).
Once again, an aspect of the battle system enhances the degree of separation between Siffrin and the static characters of his play. You're incentivized to separate him, even.
Additionally, there are two more skills to learn. They're the only skills that replace previous skills. You only get them at extremely high levels, the latter of which I didn't even reach on both of my playthroughs.
The first, somewhere in the level 70 range, Rose Printed Glasses, a paper type craft skill, is replaced by Tear You Apart. It's still a pun about paper, but remarkedly more vicious.
The second is even more on the nose. At level 80, In A While, Rockodile!, a rock type craft skill, is replaced by the more powerful Rock Bottom.
I didn't get to level 80. If you do, you pretty much have to do it on purpose. You have to keep going much longer than necessary, as Siffrin is just done. And the last skill he learns is literally called Rock Bottom.
What do I even need to say, really.
Your party doesn't stay static forever, though.
By doing their hangout quests, side quests throughout the loops that result in Siffrin and the character having a heart to heart, all of them unlock what I'd call an "ultimate" skill. You know the type - the character achieved self-fulfillment, hit rank 10 on their confidant, maxed out their skill tree, and received a reward for their trouble.
These skills are massively useful. My favorite is Odile's - it makes one enemy weak to all Craft types for several turns, which basically allows you to invalidate the first and third boss, as well as just clown on the King, especially once Siffrin starts racking up damage.
But the thing is. In Act 3, when you first get them, yeah, they're useful. But... do you need them? After all, they're such a hassle to get. You need to do the whole character quest again, you can't loop forward in the House or you'll lose them. If you want to take these skills to the King, you need to commit. Go the full nine-yards and be nice to your friends and not die and not skip forward or skip back. Which is annoying, right?
Well, I sure did think so during Act 4. After all, a base level party can still defeat the King, just with a few more tricky pieces involved. Siffrin can oneshot almost all basic enemies by the time of Act 4. It's this exact evalutation that you, the player, go through everytime you return to Dormont. Do I want this skill, still? Would it not be faster to go on without it? I'm repeating myself, but that's the thing! That's what Siffrin is thinking, too!
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I also want to take a quick moment to note, here - all skills gained from hangouts have art associated with them, which no other skills do. This feature, the nifty art, hammers home these as "special" skills, besides just how they're unlocked.
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Siffrin also has one skill with associated art.
Yeah, you guessed it, it's (Just attack.)
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At first, helping the characters is tied to a hefty in-game reward, but that reward loses its value, and in return devalues helping Siffrin's friends every loop. It's too tedious for a skill that'll make a boss go by one turn faster. You, the player, grow jaded with the battle system. Grinding experience isn't worth it, everybody's highest levels are already recorded. Fighting bosses isn't worth it, it's much faster to loop forward.
Isn't this what all endgame in video games looks like? You already beat the final boss, and now... what challenge is left? Is there a point to keep playing? Most games will have some post-game content. A superboss to test your skills against, but ISAT doesn't have any of that. You're forever left chasing to the post-game. That's the whole point - to escape the game.
As most games get more difficult as time passes, ISAT only gets easier. The game becomes disinterested in expanding its own mechanics just as I ran out of new things to fight after 100%-ing Kingdom Hearts 3. Every encounter becomes a simple game of "press button to win."
The final boss just takes that one up a notch.
Spoilers for Act 5 ahead boys!
In Act 5, Siffrin utterly loses it. His last possible hope for escape failed him, told him there's nothing she can do, and Siffrin is trapped for eternity. So of course, they go insane and run up the entire House without their party.
This just proves what you already knew - you dont need the party to proceed. Siffrin alone is strong enough. And here, Siffrin has entirely shed the facade of the jokester they used to be. Every single skill now follows the (Just attack.) naming conventions. Your skills are: (Paper.) (Rock.) (Scissors.) (Breathe.)
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To the point. Not a moment wasted, because Siffrin can't take a moment longer of any of this. Additionally, his level is set to 99 and his equipment becomes fixed. You can't even pick up items anymore! Not that you needed them at this point anyway, right? Honestly, I never used any items besides the Salty Broth since Act 2, so I stopped picking items up a long time ago. Now you just literally can't.
Something I've not talked about until now - one of the main equipment types in this game are Memories, gained for completing subquests or specific interactions and events. They all by and large have little effects - make Odile's tonics heal more, or have Mirabelle cast a shield at the start of combat. For the hangout events, you also gain an associated memory that boosts the characters' stats by 30. It lets them keep up with Siffrin again! A fresh wind! Finally, your party members feel on par with you again!
...For a time. And just like that, they're irrelevant again, just as helping them gave Siffrin a brief moment of hope that the power of friendship could fix everything.
In Act 5, your memory is set to "Memory of Emptiness." It allows you to loop back in the middle of combat. You literally can't die anymore. Not that Siffrin could've died by this point in the first place, unless you forgot about the King's instant-kill attack. This one memory takes away the false pretense that combat ever had any stakes. Siffrin's level being set to 99 means even the scant exp you get is completely wasted on them. All stakes and benefits from combat have been removed. It has become utterly pointless.
Frustrating, right? It's an artistic frustration, though. It traps you right here in Siffrin's shoes, because he hates that all these blinding Sadnesses are still walking around just as much. It all inspires just a tiny fraction of that deep rolling anger Siffrin experiences here in the player.
And listen, it was cathartic, that one time Siffrin snapped and stabbed the tutorial Sadness, wasn't it? Because who enjoys sitting through the tutorial that often? Siffrin doesn't. I don't, either.
So, since combat is an useless obstacle now meant to inspire frustration, what do you do for a boss? You can't well make it a gameplay challenge now, no. The bosses of Act 5 are an emotional challenge: a painful wait.
First, Siffrin fights the King, alone. This is already nervewracking because of one factor - in every other run, you need Mirabelle's shield skill, or else you're scripted to die. You're actually forced to fight the King multiple times in Act 3, and have to do it at least once in Act 4, though you'll likely do it more. Point is: you know how this fight works.
You know Siffrin's fight is doomed from the outset, but all you can do is keep slinging attacks. Siffrin is enough of a powerhouse to take the King's HP down, what with the healing and buff skills they have now, not to even mention you can just go all in on damage and then loop back.
(And no matter which way you play it, whether you just loop or use strategically, it reflects on Siffrin, too. Has he grown callous enough not even death will stop their mission? Or does he still avoid pain, as much as he can?)
This fight still allows you the artifice of even that much choice, not that it matters. The other shoe drops eventually - Siffrin becomes slower, and slower. Unsettling, considering this game works on an Action Gauge system. You barely get turns anymore. The screen gets darker, and darker. Until Siffrin is frozen in time, just as you knew he had to be, because you know how this encounter works, know it can't be cleared without Mirabelle.
And, then, a void.
Siffrin awakens to nothingness. The only way to tell you've hit a wall is if Siffrin has no walking animation to match your button inputs. You walk, and walk, until you're approached by.... you. The next enemy encounter of the game, and Siffrin's absolute lowest point: Mal Du Pays.
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Or, "Homesickness," in english. If you know the game, you know why it's named this, but that's not the point at the moment.
Thing is, where you could damage the King and are damaged in turn, giving you at least a proper combat experience, even if its doomed to fail, Mal Du Pays has no such thing.
You can attack. You can defend. But it is immune to all attacks. And in return, it does nothing. It's common, at least, for undefeatable enemies to be a "survive" challenge, but nope. The entire fight is "press button and wait." Except, remember the previous fight against the King? The entire time, you were waiting for the big instant death attack to drop. That feeling, at least for me, carried forward. I was incredibly on edge just waiting for the other shoe to drop. And, as is a pattern, Siffrin is, too. As Siffrin's attacks fail to connect, they start talking to Mal Du Pays.
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But he gets no response, as you get no attacks to strategize around. The wait for anything to happen is utterly agonizing. You and Siffrin are both waiting for something to happen. This isn't a fight. It just pretends to be. It's an utter rugpull, because Siffrin was so undefeatable for most of Act 4 and all of Act 5 so far. It's kind of terrifying!
and it does. It finally does something. Ma Du Pays speaks, in the voice of Siffrin's friends, listing out their deepest fears. I think it's honestly fantastic. You're forced to just sit here and listen to Siffrin's deepest doubts, things you know the characters could not say because it references the timeloops they're all utterly unaware of. This is all Siffrin, talking to himself. And all you, all Siffrin, can do, is keep wailing away on the enemy to no effect whatsoever.
So of course this ends with Siffrin giving up. What else can you do?
And then Siffrin's friends show up and unfreeze them and it's all very cool yay. The pure narrative scenes aren't really the main focus but I want to point out here:
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A) Mirabelle is in the first party slot here, referencing how she's the de facto protagonist, and Bonnie fills in the fourth slot left empty, which shows all characters uniting to save Siffrin
B) this is the only instance of the other party members having act specific battle icons: they're all smiling brightly, further pushed by the upbeat music
C) the reflecting shield Mirabelle uses to freeze the King uses a variation of her hangout skill cut in, marking it as her true "final" skill and giving the whole fight a more climatic feeling.
It's also a short gameplay sequence with Siffrin utterly uninvolved in the battle. You can't even see them onscreen. But... it feels warm, doesn't it? Everybody coming together. Siffrin doesn't have to fight anymore.
At last, the King is defeated. Siffrin and co. make for the Head Housemaiden, to have her look at Siffrin's sudden illness. Siffrin is utterly exhausted, famished, running a fever. And this isn't unexpected - after all, their skills in Act 5 had no cooldown. For context, instead of featuring any sort of MP system, all skills work on a cooldown basis, where a character can't use it for a certain number of turns. The lowest cooldown is actually Siffrin's Knife to Meet You, which has a cooldown of 1. In universe, this is reasoned as the characters needing a break from spamming craft in order to not exhaust themselves.
Siffrin's skills in Act 5 having no cooldown/being infinitely spammable isn't a sign of their strength - it's a sign that he refuses to let himself rest in order to rush through as fast as possible.
Moving on, Siffrin panics when seeing the Head Housemaiden, because seeing her means one thing: the end. Prior to this in the game, every single time you beat the King, the loop ends when you talk to the Head Housemaiden.
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Reality breaks down, the whole shebang. It's here that Siffrin realizes - they don't want the loops to end, because the end of their journey means their family will leave, and he'll be alone again. The happiest time of his life will be over.
Siffrin goes totally ballistic, to say the least.
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As it turns out (and was heavily foreshadowed narratively), Siffrin has been using Wish Craft to subconciously cause the timeloop because of their abandonment issues. It's rather predictable if you paid attention to literally anything, but it's extremely notable how heavily Siffrin is paralleled to the King, the antagonist they swore to kill by themself at the start of Act 5. The King wants to freeze Vaugarde in time because it is, in his mind, "perfect," for accepting him after he lost his home - a backstory he shares with Siffrin.
Siffrin has become the exact antagonist he swore to kill, and it's shown by how the next fight utterly flips everything on its head.
Siffrin is the final boss.
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In a towering form made of stars, Siffrin looks down at their friends. His face is terrified, because of his internal conflict; he can't hurt his friends, but he can't let them go, either. The combat prompt is simply changed to "END IT!"
This fight is similar to the previous, in that you just need to wait a certain number of turns until its over. However, this time, it's not dreadful suspense. It's... confusion, and hesitance.
You have two options for combat: Attack your friends, or attack yourself.
And... you don't really want to do either, I think. I certainly don't. But what else can you do? It's Siffrin's desires clashing in full force. Attack your friends, and force them to stay? Or attack yourself, and let them go safely without you?
Worth noting, here - when you attack Siffrin's friends, you can't harm them. Isabeau will shield all attacks. And when you attack yourself, Mirabelle will heal you back to full. And the friends don't... do anything, either. How could they? Occasionally, Mirabelle heals you and Isabeau shouts words of motivation, but the main thing is...
(Your friends don't know what to do.)
None of them want to harm Siffrin. Both sides simply stare at each other, resolute in their conviction but unwilling to end it with violence. It's of note that this loop, the last one, is the only loop where the King isn't killed. Just frozen. And now here is Siffrin, clamoring for the same eternity the King was. Of course everything ends in a tearfilled conversation as Siffrin sees their friends won't leave him, even after the journey ends, but I still have to appreciate this moment.
Siffrin is directly put in the position with their friends as his enemies, forced to physically reckon that keeping them in this loop is an act of violence, against both their friends, and against himself.
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It's a happy ending. But... what does it mean?
Of course, ISAT is obviously about the fear of change. Siffrin is afraid of the journey ending, and of being alone. However, ISAT is also a game about games. Siffrin is playing the same game, over and over, because it's comforting. It's familiar. It's nice, to know exactly what happens next. These characters might just be predictable lines of dialogue, but... they feel like friends. Have you ever played a game, loved it, put countless hours into it, but you never finished it? Because you just couldn't bear to see it end? For the characters to leave your life, for there to be a void in your heart where the game used to be?
After all, maybe it became part of your routine! You play the game every day, slowly chipping away at it for weeks at a time. For me, I beat ISAT in four days. It utterly consumed me during this time. I had 36 hours of playtime by the end. Yeah, in that week, I did not do much more than play ISAT.
And once i beat it, i beat it, again. I restarted the game to see the few scenes I missed, most specifically the secret boss I won't talk about here. I... couldn't let go of the game yet. I wanted to see every scrap I could. I still do. I'm writing this, in part because I still do. It's scary to let go.
Ever heard the joke term of "Postgame Depression?" It's when you just beat a game, and you're suddenly sad. Maybe because the ending affected you emotionally and you need to process the feelings it invoked, or you search for something that can now fill your time with it gone.
The game ends, for real this time, the last time you talk to the Head Housemaiden. But Siffrin gets... scared. What if everything loops back again? And so, his family offers to hold his hand. They face the end, together.
For all loops, including the ending, you never see what happens after. After they leave the loop for good. Because the loop is the game itself. It's asking you to trust that life goes on for these characters, and it holds your hand as it asks you to let go. There's a reason for Siffrin's theater metaphors. He is the actor, and the director, asking everyone to do it over one more time. He's a character within the game, and its player.
There's a reason I talked about endgame content. This, the way it all repeats, there's nothing new, difficulty and stakes bleed away as you snap the game over your knee - it's my copy of White 2 with two hundred hours in it. It's me playing Fire Emblem Awakening in under 3 hours while skipping every cutscene. Are you playing for the sake of play, for the sake of indulging in your memories, because you're afraid of the hole it'll leave when you stop?
Of note: the narrative never condemns Siffrin for unwittingly causing their own suffering. He's a victim of circumstance. It's seen as endearing, even, that Siffrin loves their friends to the point of rather seeing the world destroyed than them gone. But Siffrin is also told: we'll stay with you for now, but we'll part ways eventually. And one day, you'll have to be okay with it.
Stop draining the things you love of every ounce of enjoyment just because you're afraid of what happens next. I'm not saying to never play your favorite games again. Playing ISAT a second time, I still had a lot of fun! I saw so many new things I didn't before, and I enjoyed myself immensely, reading the same dialogue over and over. But... it makes me look at other games I love and still play, and makes me ask... is this still fun? Do I still need to play this game to enjoy it? Even writing this is an afterimage of my enjoyment, but it's a new way to interact with the game, to analyze it through this lens. Fuck, man, I write fanfiction. Look at me.
All of this, fanart, fanfic, analysis, is a way to prolong that enjoyment without making yourself suffer for it. Without just going through the motions of enjoyment without actually experiencing any. But one day, the thing you love won't be fun to talk and write and draw about. And it's okay. You'll have new things to love. I promise.
In the end.... I'm certain I'll replay ISAT one day. Between great writing, art, puzzles and unresolved mysteries, it's my shoe-in for game of the year.
But I won't replay it for quite some time. I've had enough, for now, so I let my love take other forms.
Siffrin is never condemned, because love is no evil. Be it love for another person, or for a game. And please, if you're overempathetic - it's still a game, at the end of the day. The great thing about games is that you can always boot them up again, no matter how long its been.
A circle within a circle indeed.
To summarize:
The repetitiveness of ISAT's combat, lack of new enemies, and Siffrin's ever increasing strength eventually allows you to snap the combat over your knee, rendering it irrelevant and boring. Though this may seem counterproductive at first, it perfectly mirrors how Siffrin has also grown bored with these repeated encounters and views them only as an obstacle to get past. The reflection of Siffrin's own tiredness with the player's annoyance increases the compassion the player has for Siffrin as a character.
Additionally, the endgame state of the combat system serves as commentary on the state of a favorite game played too often, much like how Siffrin has unwittingly trapped themself in the loop. Despite the game having no more challenge or content left to over, a player might return to their favorite game anyway, solely to try and recreate the early experience of actually having fun with it. This ties into ISAT's metanarrative about the fear of change and refusal to let go of comfort even when the object (here, your favorite video game) offering that comfort has become utterly bereft of any substance to actually engage with. Playing for the sake of playing, with no actual investment to keep going besides your own memories.
Later on, stripping away even the pretense of strategy for a "press button and wait" format of final bosses highlights the lack of options at Siffrin's disposal and truly forces the player into their shoes. Truly, the only way to win is to stop playing.
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fastcardotmp3 · 1 year
Text
Steve is the first person Robin ever comes out to.
And it's good, it goes better than she ever could have hoped, it goes miraculously well considering just how reckless she had been about it in hindsight, how nearly accidental and vaguely self-destructive a choice it had been to wield Tammy Thompson's name like that in front of a boy she'd learned to trust within the past six hours.
The thing is, it's good, but she realizes later on that she never actually says the word. The big one, the identifying one, the one that gets thrown around as a slur as often as queer or dyke do towards any girl who dares not present in a specifically feminine way.
It's a bad word, a scary word, a word that drips off tongues like acid and drips drips drips a corrosive hole in Robin's chest every single time because if it's being said in her vicinity that means-- just at any moment-- anyone could figure out--
Robin doesn't care for the act of coming out either in theory or in practice. She believes that anyone she trusts enough to know gets to learn from context clues and anyone she doesn't trust will just never get to know her fully and that's good enough for her.
She doesn't sit her parents down and say, "Mom. Dad. I'm a--"
She doesn't sit her little apocalypse posse down and say, "Just thought you guys should know I'm a--"
She didn't tell Steve.
She doesn't say the word.
Because as much as she's able to accept who she is, it's so hard to claim a word that has been used like a weapon her whole life. Because as much as even her parents and her friends love her for who she is, there is something about saying it like that that makes her wonder if it could sully the support.
As if they'd realize oh, you meant like that...? and change their minds.
It's not until IUPUI, a little house in Indy with Steve, and a little record shop next door to the deli where Eddie got a job slicing meat that she starts seeing that word, feeling it anew.
There are zines at this shop, the ones behind the counter that she's offered after a few visits and a few conversations that she later recognizes as coded and questioning in nature.
There are stories and art and poetry and that word is all over them.
And the thing is? The thing that has Steve finding her crying in their living room one afternoon as she reads through the stack like it holds the answers to the universe?
Is that it is written and spoken and displayed like the most beautiful word in the world.
It's a compliment and a blessing and a brag. It's a little bit of magic and a great deal of history.
It's her, in the end. It's her and it belongs in her mouth, deserves to be spoken, because too many people are out there misusing it like a disgusting thing when it is divine, fucking love incarnate.
Robin tucks into Steve's embrace, his instinct to hold her even as he tries to understand what has her sobbing in the middle of the day, whether or not he needs to fight anyone about it.
He holds her and she holds him back and it only feels right that it happen like this when she takes his face in her hands, shaky but oh, so certain.
Steve was the first person she ever came out to.
If she's going to let the scary word become her favorite the way it is for the people writing it out so proudly, this is probably the place to start.
"Steve Harrington," she beams at the furrow in his brow, those big concerned eyes that she knows will be confused about this, but she knows will only hold her tighter once she explains. "Steve. Stevie. Guess what?"
"What's up?" he laughs, gathering the joy in her tears like she knew he would, and Robin feels something click in the moment before she says it to him.
Out loud and real.
Very nearly holy.
"I'm a fucking lesbian."
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dojunie · 2 months
Text
MISDIAL; LJN [CH5] VOICEMAIL REDUX
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[★]; [MISDIAL MASTERLIST] [PREVIOUS PART] [NEXT PART]
info;
lee jeno x fem!reader
college au
chaptered
very slow burn
genre; not-quite-friends to lovers, older brother mark lee, brothers best friend lee jeno, light angst, yn is a menace to society, story/character driven
warnings for this chapter; kys mention in joking manner
chapter wc: ...13K
a/n: i couldn't decide between posting this monster whole or cutting it into two parts, but two parts kind of makes the pacing weird, so here she is in all her glory! been editing this so long that i've gotten sick of looking at it so im just going to release it into the world now LOL, pls pls pls give me feedback on this chapter, im not 100% satisfied w it but i cant tell if its because it sucks or i've just been rereading it too much 🥸
current tl: @hibernatinghamster / @jenoxygen / @eaglesnotravens / @donutswithjaminthemiddle / @jvjsssnaa / @huangrenhyucks / @luvenshiti / @shiningdery / @jaeminsbebu / @aliceinwhateverland / @bebsky / @gem-gem / @jkjkseo / @jenosbliss / @pewpewpwe00 / @ti–red / @philanarose / @softbbyg0rl / @aaasteroidsky / @carelessshootanonymous / @en-boyz / @jlsavyy / @roseymerrie / @bangchanisemo / @skuezk / @jaehyuns-adorable-dimples / @ourbeautifulaffair / @jeonnyread / @jvjsssnaa / @episkeyjeno / @bockhyun / @jenojammin / @zarastrawberry / @peachie-bear / @itadaramaterasu / @alymii / @cuteejeno / @episkeyjeno / @nohunlee / @ooojisoo / @luv4jeno / @jydivrs / @pinkysinnerbaby / @jenojenoyes / @maeyoung / @axmdocs / @nctzennikki09
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FORGET WHAT YOU SAID ABOUT NEVER BEING ABLE TO GET MAD AT SOMI, BECAUSE THIS TIME, YOU’RE REALLY GOING TO KILL HER.
At this exact moment in time, the Aegon Showcase is set to begin in about fifteen minutes. You’ve got half of a chocolate muffin stuffed into your mouth (courtesy of Somi sneaking a few snacks from the audience lounge, since the dancers technically weren’t supposed to be eating any of the guest refreshments), and you were about halfway through swallowing this chunk of bread when Somi said something that made you nearly choke.
For context: six and a half days have passed since you’ve last spoken to Jeno.
And you haven’t been counting, either. It just so happens that it is surprisingly easy to recall every passing minute when each one feels like it’s been put there specifically to test you.
The afternoon after the Balcony Incident, for example— a few fresh hours after you left Lee Jeno behind on that overlook with the full intention of never looking him in the eyes ever again. After a late breakfast with Somi you’d told her you weren’t feeling too well, that you’d be leaving a little earlier than planned (which, even though you’d said your pain was of the intestinal variety, wasn’t untrue; you didn’t feel well, if the widening pit in your stomach caused by that morning was anything to go by) and departed her penthouse a little after one. 
You’d foolishly hoped that Jeno and his entourage would have plans literally anywhere other than Mark’s place for once, wanting to do nothing but silently mope around the apartment for a few hours once you'd gotten home, but you’d been naive.
You’d been so, so naive.
“Oh!” you’d heard. Renjun. Brown hair, big dark eyes peeking at you around the doorframe as you cradled your now-aching nose bridge. You opened the front door and crashed face first into something solid. “Hey, you. Perfect timing. Do you wanna come grocery shopping with us? Jaemin’s cooking tonight!”
“We’ll even let you ride in the cart,” Chenle chimed in from further into the hallway, grinning wickedly, but you couldn’t focus on either of them because they were both half-hidden behind what you’d smashed into with your haste to get inside. No gray flannel this time, but the same unreadable expression on his face as he, much like he did at the party last night, instinctively grabbed you to keep you from falling on your ass.
(Or his expression was unreadable. Until his eyes trained on something about your face that he didn’t like and his dark eyebrows furrowed with something akin to concern. Then you remembered you’d been crying all morning and surely looked like some sort of dried-out blowfish, eyelids puffy and swollen, so you averted your eyes and jumped out of his grip like he’d stung you.)
“Busy,” you told them quickly, “Sorry. Not today.”
Renjun pouted. Chenle squinted at you, obviously doubtful. And when Jeno finally moved out of the way, you didn’t even thank him for keeping you upright. You just kept your attention on the ground and beelined into the apartment.
Little did you know, that one word would become your mantra. Busy, busy, busy. But it wasn’t like you were completely lying, because you were busy. The Aegon showcase was in a week which meant you had practice every free hour with Somi and the others, and the last thing you needed was to get distracted by circling Jeno like some kind of sad, miserable shark. The good thing about being out of the house so often was that most of the week passed with no more Jeno-related incidents.
Thursday night ended up being the first time you’d seen him with your own eyes since you face-planted into him the previous Saturday.
You’d returned home at 10PM, sweaty and exhausted from a last minute choreo change that had, apparently, also wiped clean the memory of what Thursday nights meant in the Mark Lee household. Movie night. The tiredness you felt was so all-encompassing that upon the discovery of all seven of them sitting around the couch staring at you as you entered, there wasn’t even enough energy to feel awkward. Even then, you must not have looked as ghastly as you felt because Jaemin smiled at you like nothing was amiss, gesturing towards the dining table and the mountain of brown bags atop it.
“You’re late, Rockstar. Take-out’s gone cold.”
Jeno was sitting right next to him. Your muscles were like jelly. All of your bones hurt. Your brain felt like it was operating on nothing but fumes. (And this is what you blamed for your cowardice— the fact that you couldn’t even hold your head up to look in his direction in fear of catching his eye.)
After everyone had gone home and you had free reign of the kitchen once again, Mark hit you with a few more questions about the Aegon Comp; seemingly insignificant inquiries like how the parking situation was (which you didn’t understand the importance of, since he said he’d probably ride his bike there), and if he could sit wherever he wanted (which again, confused you, because the ticke you’d gotten him was one of the best in house). But in your state of fatigue you didn’t think to question it. All you wanted to do was eat something and go to bed, and that’s exactly what you did.
(If you’d had your wits about you maybe you’d have put two and two together. Maybe Somi’s words wouldn’t have caught you with the surprise they did. But as it stands…)
As it stands it’s Friday afternoon, the day of the Aegon Showcase, and half a chocolate muffin is stuffed into your face (technically now stuffed into your airway) as you come to the realization that your friend might secretly be trying to ruin your life.
“You really need to stop eating your food so fast,” Jiara murmurs, clapping you on the back with a little more force than necessary. “No one is going to take it from you. Smaller bites will go a long way.”
You gasp a breath when the chunk finally unsticks. Then, “You saw who in the audience lounge?”
Somi is nonplussed by your horror.
“I saw your brother out there trying to throw a skittle over a lighting fixture and still catch it in his mouth. When I was leaving with our food I think I heard a bunch of people cheer so I’d bet he managed to do it, which, when you think about how high these ceilings are, is actually pretty impressive—”
You fight the urge to grab her by her shoulders and shake her. “I’m not asking about the goddamn skittles!” you hiss. “Somi, you said you saw ‘them’ when you went out there. Them as in plural. Who is them?”
She makes a face like you should already know who. “Who else? Mark and the rest of his crew. And Donghyuck asked to bring a few more, so I guess those are who the other guys out there are. Why are you acting like you didn’t already know this? You were sitting right next to me when Donghyuck was practically begging to come!”
Your life flashes before your eyes.
Jeno’s car. The rain, pounding against the windows. Catching him looking at you in the mirror after Somi told them about the showcase, how it felt like the world outside faded away a little as some little message passed between you— when you felt like he was telling you something without saying a single word.
Then you remember it. In your distant, distant periphery, even though she’d been sitting not even a millimeter to your left when these alleged plans were discussed.
‘Yeah! I mean, I reserved like, a bajillion seats in advance because I knew I’d want to invite everyone who would even consider coming— I’ll definitely get the best row for you guys!’
“However,” she says after a beat, voice finally starting to show the tiniest bit of caution. You realize that your face has begun to contort on its own. “I am starting… to get vibes. That I maybe should have run that by you first? Would now be a bad time to let you know that I told them about the afterparty, too?”
Utter disbelief. The only reason you don’t leap on her once you fully comprehend what she’s said is because Gawon, who’d been watching this entire exchange with quiet brown eyes, puts a hand on your shoulder. She must be able to tell that you’re about to start freaking out, because her therapist-voice is fully activated when she clears her throat.
“Can I ask what's so surprising about this?” she asks carefully. “When we were telling Aegon about how many tickets we each wanted, you said you only needed one. For your brother, right?”
You thought of the ticket, the little envelope you’d held under your pillow for weeks as you fought with the idea of actually giving it to Mark. In the end, a few days ago, when you handed it to him and told him he could come watch you perform if he wanted to, he smiled so big that you felt bad for waiting so long in the first place. But you’d then quickly explained the caveat: that he was not to tell any of the others about it, because there was only one ticket and you didn’t want them hassling you about getting more. And Mark agreed.
Which is why you’d dared to assume that tonight would be safe.
“Yes,” you mutter. “The ticket was for him.”
“Which means you’re not surprised he’s here. So are his friends the problem?”
“The problem?”
You pause. That word makes it seem like their appearance here is actually detrimental to you in some way, like they’re just here to hassle or bully you or something, but that’s not really it at all. Your annoyance at them being here is rooted in the exact opposite. They’re not going to joke around and take it easy, or pat you on the back and tell you that you did well, like how they would if they’d come to watch one of their friends dance. They’re going to swarm you and coo and treat you like a five year old that just stumbled through their first ballet recital.
And as if that isn't bad enough, you realize with a start that you've actually got more to worry about than just being embarrassed by their innate need to baby you.
They, you remember yet again. Plural.
You quickly fix your doomsday-esque expression. "Uh. No, no problem, just... I'm over-exaggerating, forget it, Somi, when you said they, how many are we talking exactly?"
"Seven," she says, like it's the most obvious thing in the world, and you fight to keep your shoulders from sagging. "The three from the car, your brother, and three others I don't really know as well, but who're all just as cute."
Seven. Which means Lee Jeno will be in the audience as well. You should've already known that, fully aware that wherever Mark goes Jeno will follow, but you'd been so startled by the change in attendance that you'd momentarily forgotten that you were pointedly avoiding one of that seven.
Great.
A click echoes over the announcement system. You recognize the voice that follows as the organizer of the showcase, the cheerful woman from the promotional video, happily informing all the performers to head to their greenrooms for final warm-ups before the show.
Well. Even if you wanted to mope for longer about your predicament, your mind switches lanes to the task at hand. Somi and Gawon both titter excitedly at the update, but make sure to quickly give their final reassurances about not worrying too much about the people in the audience and using that energy to give your all on stage. They’re right of course, and you probably would have come to this conclusion on your own once you swallowed your knee-jerk reaction to gripe about everything involving your brother and his friends, but you can’t say that their enthusiasm doesn't do the heavy lifting of bringing you back to earth.
You've got a competition to rock, after all. You could worry about everything else after.
Adrenaline made the hour-long showcase go by in what seemed like fifteen seconds. 
Just like that, a short chapter of your life closed with a bang; seven minutes on the stage, deafening cheers, Jiara and Guyeon pulling everyone into one big sweaty hug as soon as you were all out of the spotlight— then you blink and you’re in Gawon’s car with the windows down blasting down Gangnam on the way to Somi’s house, the girls in the seats around you singing along to the radio at the top of their lungs. The sun is setting, you’re heading to your celebratory afterparty, and what should be a picture-perfect moment is completely ruined by the fact that your mind has been in shambles for the last hour and a half. Why?
Because as you inch closer and closer to Somi’s penthouse, all you can think about is the fact that Lee Jeno is sitting up there biding his time before he can stomp your heart into a million more microscopic pieces.
What you didn’t mention about the moments after the performance was that, after rushing through changing out of your performance outfit to find your friends and get the hell out of there, you stumbled out of the greenroom to find a person. A person who was frowning out in the corridor like some sort of mopey ghost, Jeno in all his annoyingly perfect glory, caught mid-pace.
Upon seeing him your body rebooted, a hundred different emotions flashing through your system from the shock of him appearing in front of you at that moment. The only thing you had time to notice before his words ruined the rest of your afternoon was how… fidgety he was; Running his hand through his hair, rocking from foot to foot, crossing and uncrossing his arms over his chest. You’d always taken note of how still Jeno could be sometimes, not moving an inch for seemingly hours at a time, which was the main reason his current inability to stay still even caught your eye— but it was quickly overtaken by the utter despair you felt not soon after he caught sight of you and opened his mouth.
“Can we talk?” he’d asked. And he’d sounded so unsure of himself that you almost instantly crumbled to the puppy-dog eyes, before reality grabbed you by the neck and you remembered that talking to him was actually the last thing you wanted to be doing right now. 
“Busy,” you’d forced out. “My friends are waiting for me outside.”
But he must’ve seen this coming because he looked nonplussed as you took a step back, his own feet matching yours stride for stride, hands coming out almost as if to calm you like one might a spooked horse.
“It won’t take longer than a few minutes,” he tried, “Five minutes, just five. I just— I really, really want to clarify a few things from Saturday. What I said on the balcony.”
He said it like there was a chance you might’ve forgotten what happened, which almost made you laugh in disbelief. Like it was possible to forget that shitshow, your first love telling you that he was kind of interested in you once upon a time, but did nothing about it because your brother came first. Though, once you fully realized that he meant he wanted to talk about that right now, the moment lost its humor.
Now? Here? You glanced up and down the hallway. Your friends weren’t around, nor were his, but you were hardly alone.
“I wasn’t being entirely—”
“You're going to the party, aren’t you?” You cut Jeno off. Very unlike you when it came to him, and with the way he blinked you had a feeling he knew that too.
“The party?” 
“Somi said she invited you guys.”
“I— I wasn't sure you wanted me to come.”
“Somi invited you, Lee. Is that any way to treat your hostess? We can—” You swallowed. “Come by, and we can find a minute to talk then, but for now I really—”
“Have to go,” he finished with a small wince. “Got it.”
And once he’d metaphorically let you go, taking a step back to slip his hands in his pockets, you’d all but run away; finding Guyeon and Gawon waiting for you like they said they’d be, ready to leave and head to Alice’s house to pretty-up for the party in her gigantic flat. You were trying your best to keep up the energy when you got into the car with them, laughing along to their jokes and dancing along to the music, but you couldn’t stop thinking of what type of curbstomp Jeno was about to release on the suffering remains of your sixteen year-old feelings. 
Even up until the final touches of your make-up, you were commiserating. What the hell could he possibly want to clarify? 
Was he going to tell you to stop being weird around him and the others, because your mood was fucking up their vibe? To stop avoiding him so obviously, that it was as noticeable for everyone as it felt for you, that it was making it awkward for him?
Or could he mean that he was going to tell you he’d… misspoken? That he’d never really liked you the way you liked him, and didn’t want you to misunderstand— by interested in you he meant in the way all guys were interested in all girls, some lowly, surface level thing that he quickly got over when he realized his friendship with your brother could be jeopardized by it?
The last thought had stung a little more than the others, and you’d accidentally frowned so hard about it that it creased your still-setting concealer and had to wipe it all off.
After angrily redoing your base you’d forced it from your mind and got dressed, stealing a simple henley dress from Gawon’s closet upon realizing that you were not in the mood for sexy-cute like Somi had said the dress code was. Instead you opted for ‘hey, you can see my legs and that's good enough,’ and huffed your old leather jacket on top of it; the latter was sure to piss her off but she still owed you from the Mosquito Boy Incident, so she could kick rocks about it for all you cared. 
You had a feeling that no matter what you wore, tonight wasn’t going to be very sexy-cute at all.
The party is just getting into the swing of things when you make it upstairs. It’s like the explosion of a birthday surprise when you and the girls walk through the door. This party is technically a celebration, and you guess a lot of these people must’ve been in the Aegon audience without you knowing it, because you’re getting congratulations and kudos and pats on the back like you’ve just won an olympic medal.
But your pride is short lived, tainted by a bolt of nerves when you think you spot someone that looks like Donghyuck in your periphery. Where Hyuck is, Jeno will be.
It turns out to only be a very tall girl with a pixie cut who winks at you when you whirl your head to her, but the stress of it doesn't ebb away. God. Is the whole night going to be like this? Walking on pins and needles until he finds you?
“You know, new girl,” A voice starts at your side, startling you further, “Your ice breaker back at that my party could’ve been that you’re a kick-ass dancer, instead of that bullshit with the mosquitos.”
Wooyoung. Your friends are suddenly nowhere to be seen when your turn to him, clearly having fucked off into the mass the second alcohol became available, so it’s just the both of you hovering over by this snack table. Though this is only the second or third time you’ve interacted with him past a greeting (you see him sometimes on campus, and he always waves at you like you’re best friends when you pass each other), you’re actually rather soothed by his presence. 
“You wanted to know juicy secrets, not secret hobbies. If you asked me for an ice breaker and I told you I could dance, you would’ve kicked me out of that house.”
He laughs, a snickering sound, before eyeing two jello-shots a girl walks by with in her hands.
“Do a shot with me?” he pouts. “My friends are running late and I’m still painfully sober.”
A shot?  
...Hm. A shot. Inebriation. You’re not one to like straight liquor because the burn in your throat is often more than you think the gag is worth. But if you’re looking to relax sooner rather than later… the pain might not be without its merit. 
Liquid courage. Something you could definitely use right now, as skittish as you’re being. Maybe he’s onto something.
“Just one?” you pique, turning to survey the options. “Thought you were more hardcore than that, VP.”
One jello-shot quickly turns into four with Wooyoung involved, and your mouth is sweet with the taste of artificial dye by the time you actually spot Donghyuck, over by Somi’s balcony doors chatting up some pretty girl you recognize from your physical education class. The volleyball player. Xiaoting or something close, and you almost snort at the sight because she seems way out of his league. But he has a way with words that you guess you could be attractive when he wields it with flirtation in mind, instead of the intent to piss off like he always does with you.
The Smirnoff burning in your stomach must already be settling in because you only mildly bristle when you see him. Like you thought earlier: Hyuck is here, which means Jeno is here. And… and the Smirnoff must’ve already hit your brain, actually, because all of a sudden you’re feeling agitated and confrontational.
You don’t want to spend all night worrying about when he’s going to find you and drop the bomb. So what if he doesn’t like you! So what if he probably wants to forget the moment that happened out on that balcony never occurred at all? You lived your life without yearning over Jeno for years before you moved back here, so it won’t even be that hard to go cold-turkey when he says what he needs to and inevitably squashes the remainder of your heart in his fist. It’s fine. You’ll live.
You just need to rip it off like a bandaid first. And to do that?
“Hey, Woo, I think I need to go and look for somebody. You’re still down for that dance battle later?”
“I don’t play around with my challenges,” he says, grinning much too wide, “I’ll find you later, and then it’s on. Knock em’ dead, new girl.”
As bold as you suddenly are, you actually don’t want to go and interrupt whatever Donghyuck has going on just to ask him where Jeno is. So you’re on your own for a little, scanning the walls for him and the stupid clavicles poking out of his button-up, hair all windswept and eyes so dark. It’s nearly a minute of searching before you see something familiar— but it’s not exactly what you’re looking for.
Close enough, though. 
It seems like Na Jaemin has actually spotted you first, since he’s already heading towards you when you spot his head of pink darting through the crowd. You don’t fuss when he musses your hair and gasps over the competition, applauding you in that sickeningly earnest way he always has, since you’re used to his preening and compliments. Not to say you’re not appreciative. It always makes your face hot when he coos over you like this. But you’ve got a mission in mind, and fretting at him over the pouting and cheek-squeezing will get you nowhere.
“Yes, thank you, I did hear you cheering over everyone else at the end, no I wasn’t hiding my swag from you on purpose, thank you, you can stop pretending to cry now. Where is Jeno?”
The idea of you looking for Lee Jeno on purpose must startle him, because there’s a second after his clear offense at you brushing him off where he registers what you’re asking for and actually looks a little concerned. “Jeno? No-Jam? Why? Did he say something to you?”
“What? No, I just need to talk to him about something. Thought he’d be hanging around you.”
Imperceptibly, Jaemin lightens. 
“Oh. He’s downstairs hefting handles out of Somi’s car, because blondie forgot half the drinks in her trunk. He got volunteered by Chenle as Mr. Muscles and left with her like five minutes ago, so he should be back any minute.”
Damn it. Forlornly, you glance at the door, but there's nothing. No movement. Nada. There goes all your building bravado.
“But before he returns, young lady, should we talk about how that red tinge to your lips better be from the non-alcoholic jello-shots?”
Ah. Whoops. Not only no movement, but now you’ve gotten yourself trapped in the sights of Na Jaemin, who likes to pretend to be staunch on things like laws and teenage innocence and waiting to do things until the government says you’re allowed to. You constantly forget that you’re not yet the drinking age, because no college student handing out drinks at a party ever gives a fuck about the fact that you’re legally not quite legal yet. No other college student besides the one standing in front of you.
“You’ll stunt your growth if you drink before you’re supposed to!”
To this you glance at the cup he’s holding, clearly half full of something, and nearly go to laugh and ask him what his excuse is since he’s barely 21 himself, but then you think of something funnier. Without really thinking about it you snatch the cup from his hand and hork it down. Your eyes are locked with his the entire time so you get to see his surprise grow into shock, then expand into disbelief as you chug, and chug, and chug.
There’s a lot of… some peach flavored crap in here, burning like murder all the way down, to the point that you’re more bewildered than smug when the cup is finally drained because, “Fuck, Na, what is that shit? Are you trying to black out?” 
“Language!” he hisses, genuinely startled for the first time you’ve seen in a long time, which makes you laugh, “And of course not because that wasn’t mine, you little brat! I was holding that for Somi!"
“Oh,” you reply, only mildly shifted by this news. Sorry, Som. Now you know it must be peach Schnapps. She loves Schnapps. “What, so you’re not drinking tonight at all? Are you DD?”
“No! I’m not drinking, and I’m offended that you don’t already know I hate the taste of alcohol. Mark, who may I remind you is in this room and would’ve just shit himself if he’d seen what you just did, is playing designated driver tonight! He’s…”
And as he glances towards the kitchen you follow his gaze. You’re expecting to see your brother, most likely laughing over something his friends are saying, maybe even trying to dance-battle someone if he's having a particularly good time. Instead you see your brother chatting up Jeon Soyeon. 
Jeon… Soyeon. Nabi Bar, Jeon Soyeon. Who you haven’t spoken to or even seen since that awful night in Gangnam.
And you nearly gasp in terror at the sight.
Jaemin doesn't finish his sentence, and you dart your eyes to him when you realize this. He doesn’t look very pleased by what he’s seeing either, though you’re guessing for an entirely different reason than the one that’s just made you go cold.
“What?” you ask a little too quickly. The front door opens, which should be your cue to look for who’s just come in, but you can’t tear your eyes from the sight of Soyeon and Mark. What the fuck? What the fuck? “Do they know each other?” 
“Know each other?” Jaemin scoffs. “Hard to quantify.”
It would be very, very bad for you if they knew each other. Very bad. If not already clear, Mark still had no clue you weren’t where you said you were on the night of Nabi Bar. If she happened to mention your involvement in that shity, shitty idea, you had no doubt that Mark would go all holier-than-thou on you in front of all these people, and that you’d probably have to dive off of the balcony to escape the reaming.
He doesn’t look particularly comfortable, near pressed up against kitchen island because Soyeon is so close to him, hand rubbing at the back of his neck in that way you’re well aware means he’s getting flustered; but you see him laugh at something she says in the next second, and it doesn’t seem like his fake laugh. Mark’s fake laugh is terrible, and even from a distance you can spot it like the flashing lights on an ambulance, a beacon of distress just the same. So he’s laughing for real, at something… Soyeon is saying?
But you hardly recall her being very funny. 
“What does that mean, hard to quantify? Do they have history?”
“Something like that,” he murmurs. “Nothing you need to worry your pretty little head about. Anyway, I think Jeno is—”
“You never look at anyone with any kind of attitude, and just now you rolled your eyes at her.”
“I didn’t roll my eyes. I blinked. For a long time. Something in my eye. Dusty in here.”
“Somi has this place deep cleaned twice a week.”
He stares at you like he’s begging you to drop it. You stare back, unwilling. “You know, Na, the longer you stall, the more time that all this illegal alcohol in my blood has to make me more bold and reckless and unruly. If I don’t get an answer from you I might just go over there and ask her myself. How do they know each other?”
You’re bluffing, of course— there’s no way you’re about to go over there just to see what they’re talking about when you could safely squeeze that information out of Jaemin instead. In reality, you were only pressing because you wanted to know if they were close enough for Soyeon to know you and Mark were related. If not? Then perfect! You’d forget it all and be on your merry way, reverting back to your original plan of finding Jeno, because there’d be no chance Soyeon could spill the beans. 
But if Soyeon does know? You might have to leave this party a little earlier than scheduled. 
“You want the whole, grown-up truth?” Jaemin finally relents.
“Might I remind you for the hundredth time that I’m only a year younger than you?”
“A year and a half,” he acquiesces with a sigh, “And Jeon Soyeon may or may not have slept with your brother to get him to do their midterm project last year.”
It comes out like he’s reading the headline from a newspaper and you made the mistake of swallowing right before he opens his mouth, choking violently on your own spit. He pats you on the back as you hack and cough before continuing.
“None of us are really sure about exactly what really happened because Mark kind of shut down after, wouldn’t tell us anything. But it was pretty clear he liked her before. She’s kinda his type, you know?” 
Edgy, pretty, and fucking evil, yeah, after having to chase a few of them away in high school you’re well aware of his type! This was not what you wanted to know about when you asked if they were close! What the hell?
“He told us they’d gone all the way right before she asked him to do their entire music production project because she was too busy caring for her sick little sister. He, being the bleeding heart he is, pretty much refused to listen to us about how convenient the timing was; he even got mad when Chenle did some sleuthing and found out that Soyeon’s parents facebook, which was filled to the brim of photos of their family, didn’t have any trace of another kid in their midst besides her. Wouldn’t believe us until after the project was turned in, when he tried to meet up with her for weeks and she ghosted him every time.”
He frowns. “At the end of it, he wasn’t… It wasn’t good. He was pretty crushed.”
Now you regret chugging his drink for fun. Even before it you’d been feeling further than chill, pleasant and buzzing from your shots, well prepared for whatever hell was to arise with Jeno. Now you felt loose; too loose, fingertips tingling at your sides because of this news, heart pounding in your chest, body so warm from the alcohol that you felt like Jaemin would hiss if he’d laid a finger on your skin.
To play games with you, that’s one thing. But Soyeon has laid her hands on your brother?
“And, knowing all of that,” you say slowly, clearly, “You’re still letting him sit there and talk to her?”
“I want to kick her away,” Jaemin says flatly. “I’d be lying if I said I trust that girl as far as I can throw her. But it’s not really up to us to get involved.”
“Who is us?”
“His friends? I mean he was pretty clear when it happened that he did not want to talk about it—”
You bark a laugh, but there’s no humor to it at all. “So he can pout and gripe about the sanctity of discussing your problems with people, the embarrassing, the horrifying, but when it comes to him he gets to keep secrets? Forget how hypocritical that is, you guys are listening?”
Jaemin, finally, seems to catch the heat in your words. “Uh. He told… I mean, before you get all up in arms, she may be over there apologizing for all we know. Maybe she’s repenting.”
You both stare at her as she tips her head back in laughter, the salacious flirty kind where you’re more focused on being attractive than actually enjoying the joke, before she puts her hand on his chest in a, ‘Wow, you’re so funny, take me now,’ kind of way, leaning in to say something to him that she clearly doesn’t want anyone else to hear. Every hair on your body stands up when Mark doesn’t push her away.
He’s not seriously buying her shit again, is he? 
“Jaemin, are you willing to bet your life on that?”
“What?”
“Everything you just said about Soyeon. You know that for fact?”
“Well, no, Mark didn’t actually tell us about it so I can never be sure, but… but with what we could gather, it was pretty cut and dry. Chenle actually also found out she had a boyfriend at the same time she did all that stuff with Mark. We just couldn’t bear to tell him that after the fact, so we never… Hey, where—”
You’re sober enough to make it through the throng of people without stumbling, but not sober enough to fully anticipate what you’re really about to do. The goal is just to separate them, somehow, to get that harlot away from your brother, and then you’ll go and deal with Jeno. If people greet you as you pass you don’t hear or see it; all you can grasp is her, touching him, laughing with him, cheating, lying, people-using—
“Mark,” you nearly hiss, “I need to talk to you. Now.”
Mark jumps a foot in the air when you grab him but Soyeon, for some reason, doesn’t look surprised to see you in the slightest. She does, however, raise a sharp blonde eyebrow at your tone.
“What,” Mark splutters, “Right now?”
“Yeah,” Soyeon sighs, continuing to trail her eyes up and down Mark’s face instead of looking at you, “The grown-ups are talking, sweetheart. Can’t you give us a second?”
Mark turns back to the sensual softness of her voice like a moth to a flame, and you want to smack him. “No. Not a second now, not a second later, not a second tomorrow or forever. Now, Mark.”
And that was where you made the mistake that turned this whole night sour. Only when Soyeon realizes it’s her you have a problem with, catching on from the agitation in your tone that you’re not just here to bother Mark for fun, does she slide her unreadable gaze to you. 
“You know I haven’t seen you in a while, Little Lee.”
“For the better,” you mutter. “Seriously—”
“I was so surprised when Yuqi told me you two were related.” 
She’s talking to Mark but looking at you, eyes squinted a little, like someone analyzing a germ under a microscope. So she does know. Great. “I couldn’t believe that this girl was the same little star you used to tell me about when I met her. She’s grown up a lot, you know? Doesn’t take after you at all, Markie.”
“Soyeon,” you say again, “Let him go.”
“Why? So you can keep throwing your tantrum? Every time you open your mouth it gets harder and harder to see the resemblance. When you’re so…”
She doesn’t need to say it, and it’s honestly probably better that she didn’t, because you would’ve leapt at her if she’d gone as far as she’d been intending to dig with that comment. You’re aware you don’t resemble Mark, physically or otherwise— in accomplishment, in talent, in patience, in perfect unmarred reputation. You’re well fucking aware. 
“Soyeon,” Mark finally says, thankfully lurching a little in your direction like her evil witch's spell is finally wearing off, “I don’t think there’s any need for that, what the hell is going on? Do you two know each other?”
Soyeon opens her eyes comically wide. “You don’t know?”
And you feel Mark stop. What the hell are you doing, you want to scream. Why are you even pausing for this bullshit? Come on! But he doesn’t. He stands there and he stares at her, as if searching her face for any sign of truth, and Soyeon takes this as her cue.
“Little star is a big girl now! Her own fake ID, clinging along with her baby bottle to any club the adults want to go to, even catching her own ride home with any wasted guy that smiles in her direction! Don’t you live together? What a handful she must be if she can sneak out under your nose, Markie.”
The blood rushing in your ears makes it hard to tell if it’s only you that’s losing your hearing or if the rest of the people hanging around in the kitchen really have quieted to watch the rising altercation, but you don’t dare move your eyes from the girl to check. The baby bottle comment, outing your fake ID, all of that is rage inducing on its own— but it’s a cold, stomach twisting madness that grabs you when you latch on to the last part of what she’s just said. Catching your own ride home?
Was she referring to Yoobin?
Your fingers unfurl from Mark’s jacket.
“What do you mean, catch my own ride?”
Soyeon laughs. Under normal circumstances, it would be a pretty sound. “Did you think we didn’t see you leave? Blowing up our phones like there was some big emergency— We sent that guy out there to keep you the company you wanted so much, God, we got tired of babysitting you. You stopped calling and neither of you came back inside. What, cause your brother is here you’re going to try and soften it up now, huh? Tell us all you didn’t go home with that drunkard, when you love to tell people you’re no stranger to a bar?”
Yoobin, who grabbed you, touched you, tried to drive you home in his wasted state with clear intentions on what he wanted in return.
Yoobin, who Soyeon and Yuqi and their friends had sent, knowing you were panicked, knowing he made you uncomfortable, knowing you were looking for them.
Soyeon who stopped hearing from you and laughed it off. Soyeon who stopped hearing from you for days and didn’t bat an eye, knowing what she’d left you alone with.
Soyeon, who’s straight, pretty nose cracks under your fist in the same way Yoobin’s did, except this time you don’t run away when she screams and collapses and you realize what you’ve done. Except this time you hit her again— or you try to at least, lunging for her with your eyes ablaze, unsure what you’ll do when you get there but 100% sure it’ll hurt worse than a bloody fucking nose— but don’t quite get there, because someone has lifted you off the ground, two iron-bar arms wrapped like vices around your ribs, the worlds tightest back hug.
In your right mind you might’ve placed the sandalwood and the bergamot, or recognized the rolled up sleeves of his oversized button up, ivory and forest green, but as it stood—
As it stood, as you shouted and thrashed and fought, you only made out one thing.
Mark Lee, your own brother, helping Jeon Soyeon to her feet, two hands firm on her arms to hold her up; his surprised voice the last thing you hear before Lee Jeno hauls you out of that house.
“Wow, Soyeon. Is that true?”
(”Rockstar is going to wallop that girl,” Donghyuck mutters, staring at you like they all are from behind the pillar separating the kitchen from the living room, alerted to the worsening confrontation by a sheepish Jaemin.
“No she won’t," Jaemin tries, clearly feeling guilty, "She knows better than that.”
“She’s gone still. And I’ve never, ever seen her eyes that wide before.”
“That’s control. It’s restraint. She’s not going to hit her.”
Renjun, then, “If you really believe that then why do you look so nervous?”
“Her fist is balled up,” Jisung comments quietly.
“It’s restraint!”
“You weren’t there the day that she knocked the socks off of Park Gyubin, right? When he tried lifting her friend’s skirt up in the cafeteria?”
“She…” Jaemin glances at Donghyuck, “She’s tried to fight men before?”
“Tried to? I thought she was going to kill him. Y/N hit him so hard he had to get his retainer refitted. She’s got a right hook like her brothers. I bruise when she hits me, you know.”
Renjun again, “Why do you sound so proud of that?”
“She… Well, no, look, look! She let go of Mark. They have to be deescalating, she—”
“Does deescalating usually involve getting closer to the object of your anger?” Jisung asks.
“She—”
“Here it comes,” Chenle announces excitedly.
And then Jeno is across the room.)
Jeno realizes before you do that you’re not going back home tonight.
His apartment looks the same. Obviously. It’s only been three weeks since you were last here. Like before, Jeno doesn’t bother with the lights, kicking his shoes off in the entryway the same way, except this time you have two shoes of your own to place next to them instead of the sad and lonely single. Three weeks ago, but it feels like it’s only been a day or two since you did this whole song and dance; following him to the bathroom, sitting on the counter as he stoops under to rummage through his first-aid bin, gritting your teeth when he rubs your knuckles with the antiseptic, smiling weakly when he apologizes for the sting.
You’d cried in his car.
When Jeno carried you out of Somi’s apartment you thought the stinging in your eyes was just discombobulated rage. But when he set you down on your feet in the elevator and you began to come down from the adrenaline high, the burning just intensified as you understood what just happened. You’d only been able to keep the tears at bay until he told you to put your seatbelt on in his passenger seat and it all became too real. 
Though you’re not sober enough right now for it to feel like a problem yet, you know you’ll want to kill yourself tomorrow for allowing yourself to devolve in front of him like that no matter the circumstance. In the moment, you weren’t even entirely sure what you were crying about. Was it the craze of fury wearing off after punching Soyeon, and the jitters it left behind? Or the fact that even when Jeno was tugging you towards the elevator up there, you’d stood and waited for Mark to follow for nearly an entire minute, just for him to never come out? 
You’d like to chalk it up to adrenaline and inebriation, but deep down you knew exactly what it was that had your eyes brimming with those tears. 
He’d chosen Soyeon. The girl who’d lied to him, cheated with him, fucked him over for a grade and left you for dead on the streets of Gangnam, and he’d stayed in that house with her instead of coming out to check on you. And you weren’t really one to catastrophize, but how couldn’t that signal the definitive end of Mark putting up with your shit? The nail in the coffin of his patience with you?
You knew things had been rough lately with you moving in, the thread of butting heads over little things like curfews and the people you hung out with, but you hadn’t thought your relationship had deteriorated to the point that he’d ever… that he’d ever choose someone else. You’re his sister. No matter how mad he is, he’s supposed to choose you. 
But he didn't. And in Lee Jeno’s passenger seat, like a giant baby, you cried about it. 
In proper Y/N fashion the only thing that had chuffed you into sucking it all up and swallowing it into the depths of your soul never to be seen again, was Jeno’s building appearing on the horizon. The threat of him asking you if you’re alright and actually having to confront those feelings was terrifying enough to jar you out of your self pity.
But he hadn’t asked you about your red eyes. He hadn’t said anything, actually. He just tugged you out of the car and into the elevator. Herded you into his apartment. And tipped his head towards his bathroom just like before, except this time he was smiling. In the soft, polite kind of way that let you know he was well aware of what just transpired in his car, but was simply... letting it be.
(And you always knew Jeno was rather observant. But man, the thought behind that smile could’ve made you burst into tears all over again.)
On the counter, holding out your hand for the steps that would never come, you blinked back to the present when Jeno stopped at the healing salve. You’d been waiting for him to bust out the gauze again, already lamenting the next week of your life with the itchy fabric tight around your wrist, but all Jeno does is raise an eyebrow at you when you don’t hop off of the sink after he puts the kit away.
“What are you waiting for?” he asks.
You blink down at your hand, shiny with the balm, and then back up at him. “The rest of it.”
“The wrap? I didn’t think you needed it.”
“But that’s what you did last time I was here.”
“Because the last time you were here you didn’t know how to punch someone properly. It looked like you got her the right way this time. When I was tugging at that wrist in the elevator just now you hardly seemed to notice, when you could barely close your fist a few weeks ago.”
…Oh. Only as he mentions it do you roll your hand around in its socket, flexing your fingers under the bathroom light. Your knuckles look like shit, the newly forming bruises and angry skin, but it doesn’t actually ache like it did that night with Yoobin.
Well you’ll be damned. So straightening your wrist really does work.
“Oh,” you mumble. “I guess I don’t. Wasn’t really thinking about it.”
“Of course you weren’t. Probably thinking about what you wanted to eat, right?”
“What I— What?”
What you wanted to eat? When did you discuss that you were hungry?
“Heard your stomach grumbling in the car, so I’m assuming you haven’t eaten since before the competition. There’s a pizza place down the street that I think you’d like, a jajangmyeon shop too, but their delivery takes ages. It’s up to you.”
You stare at him, clearly not following. Jeno is relaying this to you like tonight was planned, as if it was always in the cards for you to be hanging out at his place tonight like a couple of pals, leaning against the door with his arms crossed, the perfect picture of normalcy. He thinks you’re going to be here long enough to eat? He’s not planning to have you shipped out of here in the next half hour?
But then you realize that there isn’t really another place for you to be shipped to. Mark’s apartment is… not really an option. The idea of going back there tonight almost makes your stomach roll, actually.
But if you don’t go back, that doesn’t leave much in the realm of locations to hide out at. Somi’s brother is coming home tonight, she’d squealed as much this morning, and considering how rare it is that he’s not busy in other countries you abhor the idea of intruding on their reunification. You don’t have many other friends here that you’re close enough with to just show up at their place at 10PM unannounced, not that you’d want to given that your little spat with Soyeon is probably all over everyones instagram stories right now, and is surely the only thing they’ll want to talk about.
You don’t have very many options right now. And Jeno probably knew that from the moment he decided to bring you here. 
“Thinking pretty hard over there,” Jeno hums, “for what is supposed to be a two choice question. Unless you don’t want either?”
“Pizza is… fine.”
“Just fine, or actually good? I can check to see if there’s any—”
“It’s good, Lee.”
He smiles like he’s got you in the bag, and then stands up straight. “I’ll order it then.”
You nod emptily and make moves to follow him out of the bathroom, right on his tail, which is why you nearly crash into him when he whirls back around to stop you. “Oh. Almost forgot.”
“What? Forgot what?"
But you only grow more confused when Jeno speeds off towards his room without replying. There’s a creak and a shuffle, doors opening and closing before Jeno returns with a bundle of fabric bunched up in his arms.
“Can’t imagine it’ll be very comfortable to hang out in that dress all night.” 
He holds out the mass; what appears to be a heather gray hoodie and black sweatpants that, even bunched up like this, still look miles too long for you. He sees you eyeing it and you fear he’s going to do something awful, like politely offer to go and get you something else as if he hasn’t already done a hundred other things for you tonight, so you quickly oblige. Once you relieve him of the pile he laughs, tells you he’s going to put the order in for the pizza, and closes the door on the way out.
You stand there unmoving for much too long, the heap of fabric clutched to your chest.
There’s so much to unpack. Being here again. The fact that he was supposed to break your heart today instead of doing all of... this. How casual he’s being about it all. The brother-slash-bestfriend shaped elephant in the room. The clothes.
But, for the sake of not collapsing under the weight of all of that turmoil, you decide to just focus on the latter; the most immediate and least heart wrenching of the bunch. His clothes. You’re going to wear his clothes. 
Yet another of your old dreams coming to fruition in this apartment. Lucky you.
Jeno is laying across the long part of the couch when you exit the bathroom, footsteps making no noise because you’re padding along on top of the ankle hems. He’s dressed differently too; gone is the jeans and the ivory button up, in its place a black long sleeve and navy blue sweatpants just like yours, except his actually fit. He’s texting furiously on his phone when you round the corner, eyebrows furrowed with something like irritation before he sees your looming figure in the corner of his eye and looks up.
"I put an X-Men movie into the DVD player," he announces, squinting back down to his screen, "Couldn't think of a better time than now to finally get into it, since you'll be here to explain all the things I don't understand..."
But he trails off as he stares at his phone, eyebrows furrowing at something before he frowns and stands up. The look is gone when you shuffle towards the couch and he looks up again, smiling at you like you like nothing is wrong, before he says, "I need to make a call though. Start the movie, yeah? I'll be back before things get interesting."
You stare at him. Probably shouldn't miss the opening scene if you really want to 'get into it', you nearly say. But you've been on this earth for long enough to recognize when someone wants a little privacy.
You want to ask if it's Mark. If he's the one Jeno had been messaging back so agitatedly just now. But the fear of it not being him, Jeno instead just trying to sort something out with like, a truant project partner or something, makes you stuff it down again. It'll just make you look even more pitiful.
"Sure. Most of the intro is fan service anyway."
He opens his mouth like he's about to say something else but then his phone starts to ring and he only smiles tightly at you instead. Then he's gone down the corridor, into his bedroom, and when the ringtone finally stops you can barely hear his voice much less make out what he's saying. Hm.
A different day and you might've snuck off after him to eavesdrop just to see for yourself. But after tonight?
You simply watch him go, and then tumble onto his couch with the exhaustion of someone who's just run up and down the building a dozen times.
You don't even have the strength to reach over for the TV remote; you just lay there and revel in the softness of the cushions, and at how tired you suddenly feel. Rehearsal all morning, giving it your all on stage, the energy-leeching atmosphere of a house party, the alcohol sagging through your veins. Not to mention the emotional confusion. Crying always takes it out of you.
So it's no wonder that you forgo turning the movie on to just take a moment to breathe in the pleasantly dark living room, closing your eyes for what you intended to be a brief second, just to gather the last bits of your patience and sanity for the night ahead... only to fall victim to what happens to most people when they say they're just resting their eyes.
You fall asleep. 
At least for a little while, you do. A brief, dreamless, blissful unconsciousness.
It’s so blissful in fact, that when you’re startled back to life by a knock at the front door a few minutes later— blinking the haze out of your eyes and seeing Jeno’s ceiling instead of your own, understanding with a sinking hopelessness that you’re not waking from a nightmare, that all of tonight has really happened— the dread is almost crushing when it all comes back.
But there isn't even any time to mourn. Because you realize that if someone's just knocked on the door, like the good homeowner he is, Jeno will be out here any second now to open it. He'll come out here and he'll see you and you'll be sucked right back into that nightmare, pretending like everything is fine when you both know that tonight was supposed to go so, so differently. Sitting next to each other and eating next to each other and attempting small talk for the sake of keeping things civil until you can escape this place in ten hours.
The idea almost gives you hives. You can't do it. You can't. There has to be another way. What if you make something up? A sore throat? A sudden headache?
But there's no time to think of anything fancy because in the next second Jeno's bedroom door clicks open down the hall, and panic flies up in your throat.
So you do the only think you can fathom. Before he can come around the corner and see you freaking out, you fling yourself back over and pretend to still be dead asleep.
As foolish as you immediately feel, it must work at least a little bit; you hear him come into the living room, hesitate, and then continue on past the couch on lighter steps as if worried about making too much noise. You even steady your breathing when he’s opening the door for the pizza guy— smooth inhale, smooth exhale, spaced just far enough to replicate what someone sounds like when they’ve been out for a while.
Shit. Will this actually work?
When he closes the door and the room falls to silence your heart picks up a little bit. What is he doing? Is he staring at you, trying to see if you’re faking?
Is he wondering if he should wake you up to eat? Oh, God! What if—
“Are you up?” he whispers. And you almost choke trying to swallow down the instinctual response that rises in your throat.
With surprisingly great effort, you do nothing. Say nothing. You don’t even stir. You just pray to whatever God is out there that Jeno will take the hint, eat his pizza at the kitchen island, leave you out here and go to bed. You get excited when you hear his steps again and think he’s going to pass the couch straight, but of course a second later you feel the couch dip somewhere off behind your back and you nearly curse.
“Guess not,” Jeno mumbles. "I forgot that you knock out so easily."
A few more seconds of what feels like an endless quiet, only his shuffling making sound; through your squeezed-shut eyes you see the light of the TV flicker like he’s just changed the channel, and with it you hear what must be the intro to a gameshow or something— excited chatter, ringing bells, audience cheers. But the volume is turned down so low that it feels like the show is playing in another room. Is he keeping the volume low because of you?
Is he… going to stay out here? 
“So you won’t mind if I think out loud,” he says suddenly, and your eyes nearly fly open in surprise. What? 
But he sounds serious. “Like a test run, almost. For what I wanted to talk about earlier at Aegon. Since I still don’t really know what the hell I’m going to say even after losing sleep over it all week, and I know you’ll try to stop me if you’re awake. I should just try it now, right?”
Try it... now?
Your fake deep-breathing almost hitches in panic when you realize what he’s getting at. Sweet God, please, no. What he wanted to talk about earlier? He wants to get into that now?
“Jaemin scolded me for springing it on you like that after your showcase, by the way. I didn’t realize that I might’ve cornered you until later and I’m sorry about that. I just really, really wanted to talk. Because I didn’t before, and everything got all…” he sighs, heavily. “I’m thankful that you told me to get lost earlier, because I think I can explain it better, like this. I can start from the beginning. I know how thorough you are about things like this.”
You hear the beep of a digital watch somewhere in his house as your face scrunches up in confusion. It's officially midnight, if the watch is making noise to denote the hour, but the realization of the time only comes second to the slow bewilderment slipping through your gloom.
From the beginning? The beginning of what? What the hell does any of that have to do with firmly rejecting you?
“Before we met, because of the way Mark talked about you, I had this idea in my head that you’d be some sort of perfect, flawless angel. That you’d be a little version of him; neat and proper and just a little bit naive, too nice for your own good. A rule follower.”
He laughs at this, a genuine laugh at the memory, and your frown deepens in embarrassment. “Then I actually laid my own eyes on you for the first time, and I realized I couldn’t have been more off.”
You remember it clearly, the first time you’d made a fool out of yourself in front of him and the rest of Mark’s friends. Fourteen years old, running inside the house after walking home from class with your own crew; you’d completely forgotten that you were supposed to bring your skateboard and a change of clothes to school because you all planned to ride around the park that day, the first warm afternoon after a mushy spring, and they said if you didn’t come back out in sixty seconds or less they’d leave you in the dust. So you stormed into the house, past the living room with all of them in it without even a glance or greeting since you hadn’t realized it wasn’t just your brother in there, hurled off your uniform in favor of your outfit staples at the time— an oversized tee that you stole from Mark, hand-me-down cargo shorts that also came from your brother’s closet, and your most cherished possessions: a Yankees baseball cap and your beat-up blue Nikes. 
But you couldn’t find your skateboard and the clock was running out, so you howled down the staircase, “If you moved my skateboard again from where I put it I’m going to kill you in your sleep!” only for Mark to shout back up, “It’s a tripping hazard! It’s in the hallway closet! And aren’t you grounded right now? Where are you even going? Does mom know?”
You hadn’t replied. Just snatched the board from where he said he’d stashed it, barreled back down the stairs, and was fully preparing to toss your brother some half-assed explanation, but then you’d seen him. Seen them. Mark’s new school friends, all lounging on your living room couch, staring at you as if you’d come into the room with a bomb. Lee Jeno (who’s name you’d only later find out) appeared the most stunned by your tornado-like appearance. 
You could only imagine what they were seeing. Some rowdy tomboy, technically on house arrest but running out to wreak havoc on the town regardless, threatening to kill people in their sleep for tidying up. Exaggerated, obviously, but you remember being mortified halfway to Sunday by how cute they all were and that this was their first introduction to you— and in that mortification, sprinting out of the house without telling your brother anything at all.
You’d gotten a good scolding for that later.
“And it’s going to sound kind of stupid,” Jeno continues, and if you didn’t know any better you’d think you heard the smile in his voice, “But because of that, I got this idea in my head that Mark must’ve only been seeing you through those rose-tinted glasses. The type every older brother has for every younger sister, the ones that make everything they do look cute and miraculous and perfect even if they’re clearly evil to everyone else. Not saying I thought you were secretly some sort of demon or anything either, ‘cause I know you’d roll your eyes at me right now if you could. Just that the girl I saw that day was nowhere near the delicate little thing he’d described. And I got... curious. I started wondering what you were actually like.”
Your face is getting hot again. You’ve never, ever heard him speak this much in one sitting, and the idea of him ever paying this much attention to you is mind boggling. But you don’t let yourself lean into whatever feeling of hope is whistling through your head. 
So what if he made a game out of trying to separate your real traits from the things Mark got wrong about you six years ago? Sometimes you liked to make up season-long dramas about strangers you saw on campus. It doesn’t mean anything now. 
You want to scrunch into a ball. You aren’t sure how much more of this monologue you can handle, even despite the consequences of rolling over and breaking the facade just to get him to stop. The heat in your face is spreading to your neck, your stomach, every inch of your skin, it’s making your stomach churn with discomfort. 
“But then the next year you came to our school,” Jeno says with finality, like this is supposed to be some important distinction. “And it stopped being as casual of an interest. The months went by and at some point I stopped looking for you just to see if you were doing something Mark didn’t know about, and started looking for you just because I wanted to know what you were doing. We’d come over for movie night and while Hyuck and Jae argued for hours about what they did and didn’t want to watch, I’d be wondering if I’d get to see you. You probably won’t remember this, but one of those nights I even ordered an extra curry bowl just so I’d have an excuse to knock on your door to tell you about it. And I thought that was a normal thing to do.” 
Jesus Christ. Do you remember? Of course you remember! You’d been reading at your desk with your headphones in, which meant Jeno had to come all the way into your room to get your attention— tapping the side of your earbud with two gentle fingers, laughing all crescent-eyed at you when you yelped in surprise. The sight of him in your room for the first time was like a grenade going off in your tweenaged mind; you’d had to calm down for nearly an entire minute before going downstairs to get your food.
“I thought it was just Mark rubbing off on me. He cared so much about you that I thought my sudden interest was simply overprotection by relation— that he was the reason why I couldn’t stop looking for you. ‘Cause in my mind it couldn't be anything else but brotherly. Mark was pretty clear about what he thought of the people that liked you so I knew it couldn’t be that; I wasn’t stupid enough to let myself be interested in you like that. Right?” 
He laughs again, but it doesn’t sound nearly as sweet this time. “I’m rambling, huh?”
Yes, you are. You are. 
“I’ll cut to the ending then,” he replies like he’s read your mind. “I realized I did in fact ‘like you like that’, at our graduation.”
And your eyes pop open. It’s completely involuntary, and if you’d been facing him you would have been screwed. But you’re still looking deep into the cushions of the black couch; wide eyes staring into a deep, dark, nothing.
“I hid behind that brotherly excuse for three years. My eyes followed you in the hallway because I wanted to make sure you were okay like Mark would’ve wanted me to. I offered to drive you home from school when he was busy because that’s what Mark would’ve asked me to do anyway. Everything I wanted to do I told myself I was doing because I was just a good friend. You know?” A beat passes before he hums to himself. “But I guess you don’t, actually. Because you liked me authentically, like you do with everything. The night of our graduation, the backyard barbecue your parents threw for us. You remember that, right?”
Duh. You’d bawled your eyes out on the front porch halfway through because only then did it fully sink in that they’d all be leaving you behind, these losers you swore you didn’t even like, before wiping your face and moodily rejoining the celebration.
“Jaemin and Donghyuck were having fun like it was their last day on earth. Even Mark didn’t seem too worried about the fact that we’d be leaving our whole lives behind in a few weeks when we drove off to SNU. I asked him if he was going to miss anything and he listed a dozen things, the friends of ours that were going to different colleges, his parents cooking, his backyard, his bedroom, his electric keyboard. And I remember feeling frozen when he didn’t mention you. In hindsight I know that it was probably because he’d still be coming back home every break, and you had a whole year of high school to finish so it wasn’t like you were going anywhere, but at the moment I felt like someone just yanked the blanket off of me. Three years of pretending and it only took one conversation for it to smash through all of that and hit me like a truck. If Mark isn’t worried about it, why the hell has the idea of leaving you here been haunting me for the last week and a half?”
Oh.
“It was then, I think. That I went, ‘Ah. So this hasn’t all been because of Mark, then,’ and everything I’d ever done under the guise of brotherly obligation popped into context all at once. And as if it wasn’t enough being in my own head, I was still in the middle of talking to Mark as I realized that not only did I like you more than I’d ever liked anyone— I was looking directly at the person who would surely strangle me to death if he ever found out that I liked you more than I’d ever liked anyone. So I pretended it never happened. I said ‘yeah, me too,’ the party ended, I went home, the summer went on, and before I knew it I was on campus and had a million other things to worry about. I saw how well you seemed to be doing when Mark would show me your Instagram posts, how much fun you were having, and I let that make me feel better about being such a coward. Over time, without you around, I convinced myself that things were better like this. That it never would have worked out anyway.”
There’s a moment of silence so utterly long that for a moment you genuinely think that this is going to be it. That he’s going to have said all of that and just… sighed, gotten up, and gone to sleep, leaving you alone to be in misery over what you’ve just heard until morning.
But that’s not it. He’s got a few more words for you. The worst of them all. A string of syllables at first, ones that instantly shatter every bit of emotional resistance you’ve built for yourself these last few days— and then a sentence that has your blood turning to ice in your veins when you realize what it means.
“But then you came back to Seoul,” Jeno started simply, “And a lot of things I thought I knew for sure don’t feel quite as concrete anymore.”
You inhaled. 
You exhaled. 
And tried to understand what the fuck that last part was supposed to mean.
But then before you could he continued on, his voice soft, casual, innocent. Too innocent. “Like how I used to be sure that you snored when you were sleeping,” he murmured. “Has it been so long that I've forgotten? Or are you not actually asleep, Rockstar?”
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[♥︎]: and there it is, folks! please leave a like if you enjoyed! it REALLY gives me the motivation to work on this faster!
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AITA for not helping my family pay for hospital bills?
🎷🔥 so i can find it later
This is going to need a lot of context right off the bat. I (20'sM) am a gay man that comes from an extremely conservative family. My sister (20'sF) is also a lesbian and recently got married and adopted a child. I'm very proud of her, but that's not the issue.
My parents seem to have little to no issue with my sister marrying a woman. They do have a very big issue with me liking dudes, however. Like, it was the reason my parents got divorced "big issue." I'm not gonna go into everything, but my sister ended up with my dad and I stayed with my mom for reasons I'd rather not share.
Our last parting was on... less than decent terms. Upon finding out that I was of the homosexual variety, my dad flipped his lid. He called me several slurs and said some other very hurtful things, and even made moves to physically attack me. My mom, also a very homophobic woman, stepped in and thankfully talked him down. Then divorce, etc etc.
I saved up enough money to move out when I turned 18 and may have done some impulsive things including completely trashing my mom's bathroom, which I know I'm definitely the asshole for, but in my defense my mom kept "forgetting" to pick up my prescriptions and I was manic (I have bipolar). But, again, I know I'm the AH for that.
I now live with my two best friends R (20sNB) and P (20sM) in a house we all pay for. R comes from money so they help out a lot, and I love them both to death. We kind of have a sort of situationship but none of us are poly? Idk it's weird we're just going with it rn.
Anyway, I bring them up bc we all went to my sister's wedding together, and my parents separately chewed me out for bringing them (and for R daring to wear a dress. They're amab for context) and I obviously argued back bc hey they're my best friends and my sister specifically said it was okay for me to bring them (she and R are also friends and they wouldve been invited regardless of me bringing P) and also because R looks very good in a dress and i can handle them shit-talking me but i will not tolerate slander towards R or P.
At the wedding, I went full no contact with them and told them to lose my number. They, ofc, did Not lose my number and I got several calls from extended family saying about what you would expect them to say, so I switched numbers and gave only my sister and her wife my new number.
My sister. I love her to pieces but sometimes she gets on my nerves. She gives my number to my mom to have "just in case," but she reassures me that she won't give it to my dad or any other family. So far, she's made good on that promise, I just have to deal with periodic calls about getting a girlfriend and having kids.
Now, my dad isn't the healthiest guy out there. He has arthritis, osteoporosis, and several other things that i don't really wanna get into. As he's aged he's only gotten worse and there have been several times he's almost died, but recently he's been put on hospice and has an estimated Not Very Long to live.
Here's where I may be the AH. My dad calls me while I'm at a very important, personal event for R (he got my number from my mom) and goes on a long rant on how I'm an unlovable disgrace and how he fed me and clothed me and I could make up for all that by helping him pay off hospital debt. I say no immediately and tell him that he's never been my dad, only my dna donor, and that he's going to be dead anyway and that selling his house could cover all the bills. He calls me many more names and tells me he wishes I was never born (calling my mom some very derogatory names too (she's asian)) and that i should just go ahead and off myself to save the world someone like me. I tell him he should die faster while he's at it because God knows the world already has enough bigots in it and there could never be too many mentally ill queers.
I hung up, but now I'm thinking I went a bit too far. AITA for not helping out with his hospital bills and yelling at him?
What are these acronyms?
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elkian · 4 months
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In Stars And Time (and its predecessor Start Again to a degree) did something really impressive in a video game: making a non-combatant child character not only likeable, but critical to the fabric of the story. Notably, the Kid is not a primary story character. They represent the common folk of the endangered fantasy land; someone whose home and family was taken by the Big Bad, leaving them stranded.
In the core party, we have the Housemaiden, blessed, immune to the worst status effect, bearing a unique elemental type, etc. It's actually very amusing that she is blatantly The Main Character of this story, because she isn't the POV character.
With her we have the Fighter, a good-hearted tank who worked as a Defender in the homeland of the first three; the Researcher, a foreigner traveling the land, who's book-smart and has a wide array of spells, the wizard type.
And then we have the POV character, Siffrin, a classic Improbably Good-Natured Wandering Rogue archetype. You know, the classic shifty thief-type and troublemaker who nonetheless aids the party without thought of reward and isn't actually a criminal despite the vibes? That kind of rogue.
The Kid isn't a playable character. They can contribute to combat, but it's randomized. The most you can do is equip them with gear and skills that affect the frequency of their input, and ask them to feed the party heals (and possibly feed the final boss a bomb).
What the Kid is, what they represent, is in many ways the emotional core of the party (as the party knows it; Siffrin might develop different ideas, but, notably, still cares deeply for the Kid's wellbeing).
The Kid provides snacks, which is partly about their heals-carrying role, but it has a broader application. Between each level in the main dungeon, there's a snack break with three options. As you play the game, looping over and over, choosing different snacks can be the most you can break out at times. Snacktime also creates a narrative and gameplay break, a time to chat with the party one-on-one.
The Kid is the moral support and backbone of the party; it's possible to tell this story without them, but it would, frankly speaking, be a less emotional, less interesting story, with lower stakes. The Kid is at risk when you fight; the adults team up and agree to protect them no matter the cost, and this is not a throwaway line. This has consequences. This creates texture.
Late in the game, Siffrin develops the option to do Party Member Personal Quests, and despite being a noncombatant, the Kid is one of them. All of these Quests are meaningful and important in their way, but the things we learn in the Kid's Quest are extremely important to understanding Siffrin. The other Quests have personal elements that Siffrin relates to, but this one is about him in a very specific way, that could not be fully replicated by mirroring the events referenced onto one of the adults. This Quest pans out the way it does because the Kid is a kid.
It's hard for me to put into exact words, especially when I don't want to spoil things, but there's even more specific details that make them important to the narrative progression, again, without being an "important" person in the context of the game world. By being important to Siffrin and the rest of the party, by having their narrative wound in with the others, the Kid is as integral to the story as any other character.
Kid characters like this in video games aren't often well-respected, and that tends to be for good reason - they tend to represent ludonarrative dissonance, be annoying, or be the product of overcompensation and have their importance rubbed into the player's face. Many of them could be extracted from the narrative without having a significant effect on the outcome, or would destroy the narrative because they're the focus character, borderline Morality Pets for protagonists. The Kid in ISAT and SA fascinates me, because I came to care about them in a very natural manner, not just because their personality and interactions are endearing, but because the way they and the other party members relate to each other has a tangible impact on the story and emotional core of the game.
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tumblingxelian · 1 month
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Near Uniquely RWBY - Main Characters
I was chatting with my sibling the other day and we were joking about the fact in 90% of the media I consume I generally don't like the main characters.
Not in the sense I necessarily hate them, but I generally don't find them to be the most interesting, engaging or enjoyable person on screen or page. Instead I tend to gravitate towards secondary or minor characters and even minor antagonists before any of the big names.
Some of this is rooted in my often rooting for what tends to feel more like a real underdog or characters that feel like they got dealt a bad hand by the author unfairly. But its also that in a lot of media the main characters tend to immediately, slowly or quickly go into personality lockdown.
Becoming less a personality and more the embodiment of expected tropes and themes, or they lose their unique edge or circumstances because the plot demands one benefits or personality changes be heaped on them to keep the tone and story going.
Some examples of this would include say:
Ichigo from Bleach, with him and his supporting cast being very unique and super interesting during the initial arc. But as Soul Society came in, he became a much more standard Shounen determinator a the expense of his personality and his supporting casts were largely watered down & left behind.
Or how in Naruto or Dragon Ball the whole underdog/hard worker aspect of the characters felt undercut by legacy power ups and an endless wellspring of natural talent, alien biology, ETC.
I know these are just two examples, but they cover the general gist of what I mean.
So, what makes RWBY different?
Well, off the cuff, is simply that the four main characters are women.
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I've often felt simply putting anyone other than a cis-het guy into the main character slot of say, a battle Shounen, or Isekai stands a good chance of making it more interesting by default. Even if the author does nothing with it the audience reaction would be different because the MC would be an exception to the norms.
In that vein, while one can call RWBY some sort of Shounen or adventure fantasy or magical girl show the main four are unique in how they manifest on screen at the very start. From how they participate in action, to how said action is structured and framed and the kind of adventures and topics they tackle.
But being unique alone is not enough, that would simply make it more interesting than the bog standard but what elevates RWBY is the execution and exploration of such elements and its characters.
Going into every aspect would be difficult, but in light of what I said above would be how each of the main four are initially presented as familiar archetypes, only to subvert or deconstruct them.
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Ruby is a peppy goth who just wants to be normal but has inborn powers from her mysteriously vanished mother and serves as a beacon of optimism to others.
Except Ruby's version of normal still involved fighting death monsters with a sniper rifle scythe and she is actually one of the more ruthless characters. Her peppy persona obscures that she can have a pretty vicious temper when pushed and has displayed strong bloodknight tendencies.
Her unrelenting optimism and desire to fix the world is a complex mix of true beliefs, coping mechanism for trauma and her grappling with positions forced on her against her will. Her inborn power is potentially useful but also not that much of a game breaker outside specific contexts & said power sure as hell didn't save her mom.
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Weiss Schnee is the Tsundere heiress of a powerful family, with a haughty attitude that hides her loneliness.
Except the "Tsundere" is more of a defense mechanism born of coming from an abusive home where every member of her family manifested a different trauma response. Freeze (Mother), flight (Sister), Fight (Weiss) Fawn (Brother).
Despite her upbringing & some projected trauma, she's far from ignorant as to the worst excesses of her nation early on, and her journey was more about overcoming the impacts her abuser had on her and finding a family in her team that let her be safe enough to let down her walls. Also despite being "The ice queen" she's actually one of the characters least inclined towards more ruthless actions and is extremely empathic.
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Blake Belladonna is a mysterious and silent rougish woman, something of a shrinking violet even, but she carries with her a wounded heart thanks to her old flame, the edgy Adam Taurus.
Or more accurately, Blake is the daughter of activists and politicians who represent the worlds main discriminated against minority. She spent her youth on the road as a protestor and where even her father could be nearly killed by a lynch mob. She was targeted & groomed by a man who claimed to want to fight the same injustice she did but who was only interested in using the movement to grow his own power.
Her initial aloof-ness was a trauma response to having spent years under his thumb and overcoming him and the idea she had to 'save' him was one of the main corner stone so her character. Also, despite the "Revolutionary fighter" backstory she like Weiss is much less inclined towards ruthlessness than her team in large part because her past experience with it.
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Yang Xiao Long, introduced as the fun loving big sister of Ruby & boisterous bruiser of the team who loves to party & flirt.
Except no, Yang was parentified as a child and forced to raise her own sister as their family unit fell apart. Her "Party girl" persona was outright framed as judging a book by its cover in her own trailer and something she put on or took off as she needed.
She became disabled over the course of the series run as well as entered a Sapphic romance with her partner Blake. Unlike the stereotype of characters with her design, Yang is actually an excellent student, fighter and engineer/mechanic. Plus much like her sister she tends to be of the more ruthless and pragmatic persuasion despite being from the "Normal" background.
Character Conclusion
So, all the characters break out of their initial archetypes, which already makes them more interesting. What's more, these sorts of characters just being oput together and made the main characters rather than circling a dude is in of itself unique.
But there are other aspects of the writing which endear me to how it handles the main characters and what keeps them interesting.
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Anger & Violence
See, while in various media women do express anger at times it is still often far less so than men. What's more, often women's anger tends to be presented in... Less flattering lights.
With the anger obscuring fragility while in a man it conveys strength. Or implying a sort of hysteria rather than an appropriate or controlled response. Or worst of all being demonized in general unless its rooted in or coming from traditionally feminine places.
The same tends to be true when it comes to violence with a lot of media either trying to find some way to make women in battle less... Brutal than their male counterparts. (More more like fanservice) Along with rarely letting women fight men, unless they are a special exception to the norm.
RWBY does not do this.
The main characters, hell, all the women in the series express a multitude of different forms of anger and violence. They battle men, they battle each other, they battle monsters all with no distinction nor fanservice shot in sight.
What's more though is that said anger and violence are not presented as, for lack of better words, wrong. The writers don't draw overt attention to this fact, they don't hang a big sign up saying "Girls can fight & shout too" or the like.
They just present these women with a range of emotions, motives and actions that are treated according to what fits the theme of the show rather than hewing closer to gendered lines.
This isn't to say anger & violence are lionized, but more that the experience and usage of them is not demonized or undermined because of the characters gender.
I suppose what I am saying is that CRWBY by and large lack double standards when it comes to exploring these things that I see so often in other media. The women in the main cast, among the villains, both sides respective allies and beyond can be flawed, or angry or do both good and terrible things.
But the writers are always treating everyone's pain as equally valid regardless of gender or situation. Which means that the situations that cause anger exist within a tone of respect that forms the depiction and framing of anger itself.
Which is just something I really enjoy.
Thanks for reading!
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