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#they're a trinity to me now
themagical1sa · 1 year
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Psycho by Red Velvet 🤝 Cry For Me by TWICE 🤝 BEcause by Dreamcatcher
songs about toxic relationships where the singer is sad because of their beloved
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demigod-of-the-agni · 6 months
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My faith is weak, and I feel a dark shadow over me.
Possession Johns are below the cut !! (blood/gore warning)
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i will pay for your therapy
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hauntingjasper · 23 days
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Sometimes I imagine little Fionna meeting Prince Gumball and mistaking him for a human.
I mean, he looks a lot like a human (if he wasn't completely pink).
For you, what makes him different from a human, apart from the fact that he is a pink guy?
Well, first of all, the fact that he's made of candy and is alive and thriving despite not having bones or human internal organs. He can heal(?) his own wounds just by molding some gum around, and he has a really long lifespan, which makes him technically immortal, unless you throw him in acid or something. The way he was born and how he ages is different too. I think he would go through some changes like growing taller and losing baby teeth during childhood, but then his body stops changing at some point and his appearance remains the same from then on, so he has to make changes himself if he wants to.
He's always smelling like sugar too. Always. No amount of perfume can do that.
That's all I can think of for now :P Thank you for the ask! It inspired me to make fanart of them as kiddies so there you go 🫶
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noahzeon · 12 days
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saw the early concept of Mio with the Pneuma core and realized Na'el's outfit already has the green accent color and it would've made the transition to Alpha's Ontos core way smoother... don't text </3
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mettywiththenotes · 1 year
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Sometimes I remember that Volume 25 had Tomura on the front cover and Izuku on the back cover and scream
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Trinity's parents in the Hello Neighbor cartoon treat her exactly like Joyce Summers treated Buffy at the beginning of Buffy the Vampire Slayer. Like exactly. And seeing as how that really didn't bode well for our poor Buffy, for her physical or mental health (though Joyce did get better), I'm already so worried for Trinity.
It may be too early to say... but Trinity's parents may even be worse than beginning!Joyce.
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thinkingaboutjaedyn · 28 days
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all this lauren james discourse is making me not only angry, but also very much sad. imagine being a young black girl who looks up to lauren james, going on social media to obsess over her because young fans do that, and seeing all this racism in comment sections about her. not only a young black girl but imagine being a black girl in soccer seeing a black player who's making such a impact receive so much hate online that's just pure racism. how do you think she's going to feel? women's soccer is becoming bigger, more and more young girls are able to see women soccer players be respected and held in high regard. do all these great things... but only if they're white little girls. for black little girls they see their favorite black players being harassed and racially abused online over something that happens in a game.
y'all love to use black bodies as entertainment and for profit. y'all love black athletes when they win games for you, but when they make a mistake or slightly out act suddenly all the racism in this fandom pops out. i don't even think some of y'all see black players as human with the way a lot of woso fans talk about them. yes, lauren james sometimes act out of frustration and step on someone's foot, obviously that isn't right but she doesn't deserve racism 😐 in the most recent situation with lauren where it LOOKS like she had millie in a headlock was so bothersome to see and then for millie to turn around & like a comment & reply to that comment about the headlock is insane. THEN for some other engwnt players to comment or like that post? if i was lauren, i would be angry. they probably liked that post not even thinking about it but that's what so frustrating. these white players can go through this space not worrying racism. it's a privilege to just casually do something like that and not realize what could happen after. the fact jess carter who is black liked that post too / commented on it is ridiculous.
there are so many players who are more aggressive than lauren by far or act out way more than lauren. not just katie mccabe but there's players like lindsey horan who i have literally watch videos of her acting out on the pitch after an opponent does something to her.
some of you woso fans just want black players for entertainment but forget the person behind it. you want them to win you games and take your teams to great heights but treat them like shit. black women are dominating women's soccer right now. be thankful to lauren james because half of those chelsea/engwnt goals wouldn't exist without her. be thankful to trinity rodman for being a force on the field. be thankful to jaedyn shaw who's been scoring in nearly every game she starts for the uswnt. be thankful to khiara keating who is a brick wall at just nineteen. be thankful to bunny shaw who is a top scorer for man city. there are so many other black players i can list which just shows much impact they have on this sport. stop treating black players like shit because these teams y'all love so much wouldn't be anything without them.
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sugasiren · 1 year
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☆ Astro Observations Pt 2 ☆
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**NOTE: This blog contains Mature Content.
💜 Scorpio Suns can "fake" smile A LOT - especially the women. They'll have big ass Cheshire Cat grins on their faces when trying to convince others that they care when they DO NOT. Shit looks mad weird! 🤣 Scorpionic Energy is meant to be dark, enticing & magnetic. So just embrace it!
💜 Scorpio Venus Women can be reserved Nuns or wild Wh0res! Lol. They can go hard in either direction. Either way though, they *hate* to be objectified and crave connection. Scorpio Venus Men are simply seductive AF. 🔥 Like dayummm! They're usually a highly sexual yet very choosy bunch. They can go years (by choice) without sex like a Monk. Many will "hold back" and repress their craving for an all-consuming love. Then suddenly FLOOD with emotions (and semen lol) for that special somebody - ready to devour your pu$$y & envelop your soul! 😎 These men are possessive & not for the faint of heart.
💜 Individuals with Mars in the 3rd House are MAJOR Sapiosexuals. Deep conversations turn them on!! Intellect gives these women many tingles and usually arouses *both* heads on the men. 🔥 3rd House rules short-distance travel... so these people may enjoy car sex, sex outdoors or sex while on a weekend getaway. Also, the women can correlate how a man drives/parks with how he fucks. 🤣 And you know what? It actually makes sense! A man who sucks at parking is probably a shitty lay. Lol. A man who handles large trucks with ease will probably dominate you.
*fans self*
💜 Libra Risings often look like walking works of ART from the Romantic Era. 💕 Paint these pretty bitches in ALL of their Venusian glory! Just sit them next to an elegant fireplace wearing *nothing* but a silk robe and a smile for Titanic vibesss. Often, the Men look like Sculpted Gods (like The Rock & Idris Elba) or Pretty Boys - like Leo DiCaprio & Harry Styles. And the Women are typically very lovely & voluptuous - like Beyonce, Doja Cat & Kate Winslet. Even when Libra Risings are average in appearance, they come across as pleasant & attractive to others.
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💜 Men with strong Capricorn and/or Leo in their charts (especially Mars, Moon or ASC) give hella Big Dick Energy. 💪💪 Take me from the back, Zaddy! And they often make for being the best Providers for their families. *King Aura*
💜 Women with strong Taurus and/or Scorpio in their charts give Big Clit Energy. 🔥 Women with heavy Leo or Capricorn definitely possess Queen Energy. 🥂 Ladies with strong Aries give BOTH! The Queens w/ the Juicy Clit. ♈
💜 Aries Suns are indeed the PIONEERS of the Zodiac in every sense of the word. They blaze trails everywhere they go. 🔥🔥 Aretha Franklin was The Queen Of Soul; Marlon Brando & Bette Davis were the King & Queen of Old Hollywood; Celine Dion & Mariah Carey created the female Vocal Trinity that dominated the 90's music scene; Steven Tyler taught us how to boldly "Dream On" and Marvin Gaye asked us "What's Going On?" and inspired us to think! Selena was the FIRST woman to became a megastar in Tejano Music; Loretta Lynn broke major ground for women in Country Music; Martin Lawrence made us laugh until we peed our pants; Lady GaGa is in a glorious class all by HERSELF. 💯 Van Gogh created timeless Art; Phoebe & Simone have inspired the masses to bring back real romance as the lead actresses on the smash show 'Bridgerton'; Halle Bailey is amazingly talented & is going to be the best damn ARIEL this world has ever seen. 🧜🏾‍♀️
You need a ground-breaker? You need courage & inspiration? You need to see the IDGAF spirit in action? Go find an Aries and they'll get the damn job DONE. ♈
That's all for now Darlings! 💕 Catch you again soon.
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fuckyeahdindjarin · 1 year
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Javier's Peña's bulge
Bulge-by-pants analysis: the greatest hits
There's just too much of this bulge to be contained to one post, so there will be one more to come. With so much content to play with, I thought long and hard on how to approach this and landed here. Cos we all appreciate a tight trouser, don't we?
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Dark grey jeans: This is one of his best pairs and he wears it several times in season 2. But this scene with the holy trinity, his bulge really pops - even compared to the stiff competition from his partners.
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Grey dress pants: Even lurking, half-blurred in the background, the bulge makes its presence felt. These pants are cut so well, it's giving me Dave York bulge vibes.
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Khaki dress pants: This is a looser suit that doesn't quite cradle his bulge the way the grey pants do. But with his ridiculous manspreading (is it really necessary, Javier?), you can clearly see the weight of his bulge pressing against the seams.
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Mid-blue straight-leg jeans: Look, I know I'm not supposed to but this is the outfit Javi wears for the insanely hot scene where he kicks down Maritza's door and throws a chair. Violence is bad guys, but these jeans are downright sinful - the way they gently cup that gorgeous bulge, and look at that side bulge action - I am unwell. Thank you Maddie @imaswellkid for ID'ing this scene for me ❤️
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True blue looser cut jeans: I love this look. I'm distraught that we don't see that jacket again (I don't think we do anyway), and those jeans? They're looser than what he usually wears by some distance but even so the bulge still takes glorious centre stage.
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Dark wash jeans: I believe we see these jeans quite a lot. It's more subtle than the lighter washes, but you can't miss that hulking bulge between those legs.
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Dark brown pants: These pants don't look like denim to me, maybe a corduroy-ish material? I bookmarked this from one of @the-ginger-hedge-witch posts, so full credit to Ren for bringing this ridiculous bulge to my attention. I mean, it's not even an indescript bulge. You can see the actual business. That's why they had to shoot from a safe distance, any closer to the camera and we'd all simultaneously combust.
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True blue boot cut jeans: Oh these fucking pants. Sent to me by @iamskyereads. This one is personal because I have a pair in the exact shade of blue. But look at this - look at the camera work, how it zeroes in on that ridiculous bulge, framed so perfectly by those strong thighs and how it's straining against the zipper.
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The ultimate grey jeans: Submitted by @imaswellkid. The sheer amount of bulge in this episode is obscene. But none as obscene as this scene. A still screenshot is needed to fully appreciate the heft of the bulge sitting at the apex of those thighs. How did the camera person not pass out while filming this will forever be a mystery.
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Seriously, look at it™.
I don't know about you, but I'm thirsty now and need a cold drink to calm down. More bulge to come.
Related: Frankie’s Bulge
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ephemerasnape · 8 months
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☙ Asks, Requests, and DMs always open! ❧ (Please, I'm bored)
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➔ A Bone To Pick - Victor Rookwood discovers who's behind all the smutty audios about him - and he's pissed. (Also can be considered a sort of disclaimer for my audios in general.)
➔ Bait & Switch - Ominis and Sebastian discuss a serious problem they're having in this Public Service Announcement to the fandom.
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I've created quite a bit of Hogwarts Legacy material (most of which is adult-oriented). The following stories and audios are predominantly 18+, explicit, and x female!reader or listener where you are MC (with a few exceptions). Although much of my stuff is x reader I do not use Y/N or MC by default as I personally find both distracting.
Listing of all audios with links to ao3
All my Daddy Rookwood AUDIOS!
Chatbots!
My ao3
Socials / RookwoodGroup.org
Discord: Unrestricted Section
My Commissions
Rules & Disclaimers! There are no fucking rules, are you kidding me? This is fanfiction, it's a no man's land of degeneracy. Exercise a modicum of independent thought and live a little.
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Victor Rookwood Headcanons!
List of all Victor Rookwood Audios!
Fanfiction (there are a few more on ao3 that are not my favorite)
🌟 = recommended!
🌟 A Quick Word - (Rookwood x You - 5,000 words.) Explicit - What could transpire if you would only allow Rookwood to have a word with you at the Three Broomsticks as he requested.
A Wicked, Wicked Man - (Rookwood x You - 3,300 words.) Explicit, Rape, Violence - “Perhaps you long to be treated like the disobedient little whore you are.”
🌟 Rough Night - (Ashwinders x You, Rookwood & You - 6,600 words.) Explicit, Gang Rape, Violence - You lose the battle with Rookwood and his cronies that takes place during Wand Mastery. Includes a version with a female reader, and one with a male reader.
🌟Under the Hog's Head - (Rookwood x You - 2,800 words.) Explicit, Rape - "I don't think you're in any position to bargain, little one."
How Dunstan Trinity Lost His Eye (Dunstan Trinity & Victor Rookwood - 1,100 words.) Gen, Violence, Gore
🌟 Devoutly to be Wished (Anne Sallow x Victor Rookwood) - Explicit - Anne Sallow is dying. When she receives word from Sebastian regarding the likely progenitor of the curse that's killing her, she feels she must uncover the truth.
Micro Smut: Upstairs at the Three Broomsticks (Rookwood x You) Explicit
Micro Fic with Fanart: Ephemera Snape's Revenge (Rookwood x Me)
Audios:
↱ Daddy Rookwood audios now live here! There were just too many!
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Fanfiction (more on ao3)
🌟 A Change of Heart - (Poacher x You - 2,500 words.) Explicit - You encounter a Poacher camped in a remote area all by his lonesome. Easy kill, right? Wrong.
🌟 Last Man Standing - (Poacher Executioner x You - 2,000 words.) Explicit, Rape, Violence - “You're lucky you're not a wizard... I would have snapped your neck already if you were."
🌟 Rough Night - (Ashwinders x You, Rookwood & You - 6,600 words.) Explicit, Gang Rape, Violence - You lose the battle with Rookwood and his cronies that takes place during Wand Mastery. Includes a version with a female reader, and one with a male reader.
How Dunstan Trinity Lost His Eye (Dunstan Trinity & Victor Rookwood - 1,100 words.) Gen, Violence, Gore
Encounter on Phoenix Mountain - (Poacher Stalker x You - 1,300 words.) Explicit - A solitary Poacher Stalker corners you in Phoenix Mountain Cave. What's a girl to do?
Under the Hog's Head - (Ashwinders & Rookwood x You - 2,800 words.) Explicit, Gang Rape - "I don't think you're in any position to bargain, little one."
🌟 Paying the Piper (Ashwinder Scout x OFC - WIP) Explicit - The newest shopkeeper in Hogsmeade is met with an unpleasant surprise when a handsome young Ashwinder shows up at her door demanding payment. COMIC!
Masked Man (Ashwinder Scout x OFC - 1,100) Explicit, Quickie, CNC - "This is what happens to pretty little shopkeepers who don't pay their due."
The Poacher's Prize (Poppy Sweeting x Poachers - 1,800 words) Explicit, Rape, Violence - Poppy pays the price for her betrayals!
Audios:
The Pledge (Rookwood & Selwyn x You - 4:50min) - Explicit, Gang Rape - Silvanus Selwyn catches you, but Rookwood gets first dibs...
Comeuppance (Ashwinders x You, Rookwood & You - 5:55min) - Explicit, Gang Rape, Lesbian, Violence - You are subjugated by Ashwinders and Poachers..
Rookwood's Revenge 2 - The Ashwinders (Ashwinders x You, Rookwood & You - 4:55min) - Explicit, Gang Rape, Violence - The Ashwinders take their revenge on you under Rookwood's watchful eye.
Executioner Monologue (2:43min) - Biographical monologue by Poacher Executioner - SFW
🌟At the Mercy of Macnair (Poacher Stalker x You, 4:12min) - Explicit, Rape - You've been caught in a bandit camp. You're bound, gagged, and helpless, but where's the fun in just leaving you be?
Battle Royal at Horntail Hall (Poppy Sweeting x Poacher Stalker, 2.23min) - SFW - You and Poppy get caught sneaking into Horntail Hall and are immediately recognized.
All in a Day's Work (Rookwood x Ashwinder!You - 2min) - Explicit, Dubcon - "The boss wants to see you."
Paying the Piper Excerpt (Ashwinder Scout x OFC - 1:19min) SFW
Lip Service (Ashwinder Scout x OFC - 1:46min) Explicit - Oswald's first blowjob from my fic "Paying the Piper."
Harlot of the Highlands (Poacher Executioner x You - 4:37) Explicit - You sneak into his tent at night looking for a special kind of trouble.
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Fanfiction:
The Dark Sacrifice - (Ominis & Sebastian x You - 1,800 words.) Explicit, Noncon - Sebastian asks you to meet him and Ominis at the catacomb to make a dark sacrifice. Little do you know it's going to be you.
Another Secret for the Undercroft - (Ominis & Sebastian x You - 5,200 words.) Explicit - "I know I’m not as good as Sebastian,” Ominis hisses, “I’m better.”
Talk to Me - (Ominis x Reader - 1,685 words) Explicit - After visiting the Scriptorium, you can't stop thinking about Ominis speaking parseltongue. Smut ensues.
Audios:
Today's the Day (Ominis & Sebastian x You/MC - 2:18min) - Explicit, Gang Rape, Violence - Sebastian and Ominis make you pay the price after learning of your alliance with Victor Rookwood..
Bait and Switch (Ominis & Sebastian & ? - 2:15min) SFW - The boys discuss a serious problem they're having. Fortunately, Victor Rookwood has a solution.
Talk to Me (Ominis x You/MC - 2:44min) - Explicit - After leaving the Scriptorium, you pull Ominis aside, having been entranced by his use of parseltongue. (God, I hate this audio so much!)
A Moment Alone (Sebastian x ? - 1:10min) - Explicit - Sebastian thinks he's alone in the Undercroft..
Sebastian's Pleasure (Sebastian x You - 0:40min) - Explicit - Just Sebastian finishing inside of you...
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Pigtails' Revenge (Piers Pemberton x You - 2:09min) - Explicit, GN!Listener, Violence, Dubcon - Piers Pemberton punishes you for stealing his Demiguise statues.
Goblin Supremacy (Ranrok & Rookwood x You - 4:59min) - Explicit, Rape - "Prepare to be conquered for goblinkind, little witch."
A Moment Alone (Sebastian Sallow x Peeves - 1:10min) - Explicit - Sebastian thinks he's alone in the Undercroft..
Ephemera Snape's Revenge (Rookwood x Me - 2:33min) - SFW, Gore
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Listing of all audios with links to ao3
All my Daddy Rookwood AUDIOS!
Chatbots!
My ao3
Socials / RookwoodGroup.org
Discord: Unrestricted Section
My Commissions
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theemptyartdeco · 8 months
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Twin Tides (Nate Jacobs)
Summary:
Kaitlyn Arundel, a former prep school princess from New York City, was a pawn in her parents' war of a divorce, had a fire in her that was concealed by a facade of naivety and perfection.
Nate Jacobs is the king of the monsters that once haunted him, a master of control born from his own nightmares.
When their worlds collide, lines blur and reflections emerge, hinting that perhaps, they're not as different as they seem.
Materlist
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Chapter 2 Calmness amidst the Storm | Kaitlyn
Warning: This chapter contains prejudice, strong pejorative language and internalized misogyny. (Both of them are deeply flawed characters, read at your own discretion.)
Kaitlyn Arundel belonged to everywhere but nowhere.
To the glamorous New York, to the exotic Beijing, to melancholic Vancouver, Kaitlyn came, breathed and lived. She didn’t mind the habitual change of scenery. Why would she ever? She adored the privilege of flying above the world, rainy wooden scent of the northwestern coast, the foreign and mysterious capital of an ancient civilization and the vibrancy and grandeur of the city where dreams were made of.
But finding herself in a Californian suburban town was something that had almost sent her over the edge of anger and despair.
“Sweet daughter, it doesn’t matter whether you are in New York or anywhere else. Diamond shines everywhere it travels to.”
“Don’t you blame it on me. It’s your father’s fault that I can’t afford your private tuitions and ballet training anymore.”
“I will be sending allowance on your card. Don’t you ever worry. It’s your mother I am punishing, not you.”
“Kaitlyn, I’ve looked into your profile, 4.2 GPA, outstanding volunteering experience. Keep your academic records as it is, you will get into college in no time.”
Getting to a college? Is the man fucking serious? I do not belong to some low life community college. I belong to an Ivy.
“Kaitlyn.”
“Kaitlyn.”
“Ms. Arundel.”
“I’m sorry,” She adjusted her skirt, forcing the anger and tears down her throat by smiling gracefully, “Please go on.”
“As I was saying, I know transferring across half the country in the middle of your senior year may unsettling,” the principal continued, the appreciation in his voice now laced with a hint of impatience, “But I assure you, there is no need to be.”
“Thank you, Principal Hayes,” Kaitlyn nodded, putting a strand of hair behind her ear, revealing the discreetly ostensible round pearl earring, “To hear this from you offers me great relief.”
Relief my ass.
Every step Kaitlyn took toward the AP Calculus classroom, she felt as if she were Cersei Lannister in Games of Thrones, walking down atonement among stinking peasants of King’s Landing.
Some guys with their poorly arranged shirts smirked at her way, their lustful eyes gazing under her black skirt, while a group of girls whose laughter sounded like those horrendous traffic honking in downtown New York bumped the side of her shoulder, misplacing her expensive shirt.
She peeked back at the the group of girls. Fluorescent pants, their full breasts bouncing blatantly in their tops that served to enhance their youthful sexuality.
They would’ve been sent home, she scoffed, with a slight tilt of her brows, if only this was at the Trinity.
She sat herself in the corner of the first row instead of the centre where she wished to be. She liked attention. Especially the type of attention she receives effortlessly simply by dressing, walking and smiling they way she did. But something about placing in front of twenty ish hormonal teenagers unsettled her. Most importantly, the spot offered her opportunity to observe.
The teacher went on and on about the limit of a function, a notion she had leant in junior year, Kaitlyn’s gaze wandered subtly unnoticeably. One girl was the first of her subject of observation. The makeup on her face was smoky and bold, her winged eyeliner almost reached her brows. She, like almost other girl in East Highland High, wore a short tank top revealing her belly button and petite waist. Then, at least, her eyes finally landed on her breasts, again. They were plump, her round skin rubbed against each other and the rough texture of her top. They captured her attention uncontrollably.
She felt the sensation of her tight, black, push-up bra constraining her flesh like a 19th century corset.
But she loved Victorian corsets.
But it burnt, it hurt.
She returned her mind on the paper, but the image of their horrendous laughter and rude demeanour, the way their breasts bouncing freely and shamelessly played again and again.
Just as she breathed soothingly, preparing to drown herself in the world of mathematics once more, her eyes landed on Nate Jacobs.
Wearing a large blue hoodie, it was obvious in his eyes that his mind was filled with calculations beyond the math.
That night at the carnival, he touched her.
He dared to touch her.
“A lot of men would try to het their hands on a beautiful girl like you. You don’t want to find yourself in that kind of situation.”
Was that a threat?
Nate Jacobs was the image of an archetype she disdained: the arrogant jock, stupid and practically illiterate, actions dictated by sex hormones instead of the brain. Yet the way he spoke to her with the calm and charming mask he had worn , even later that night, the threatening way his gaze locked to that his girlfriend and the way he grabbed her for messing his pride…
For the first time in this dreadful school, Kaitlyn was excited. Among the hormonal driven teenagers, there was a wrestler.
An embodiment of physical strength and strategy.
To be frank, Nate Jacobs had occupied a portion of her mind. A disgust boiled in her stomach as Kaitlyn is recalled the unabashedly greedy look the faces of those pathletic and arrogant high school boys, but Nate Jacobs was everything she liked about men.
Kaitlyn Arundel had made a long mental checklist of the things she liked and disliked about men.
She liked white shirts, crisp and clean, but not the ones that hadn’t seen an iron in weeks.
She liked tall boys, but didn't mind the shorter ones as long as their bodies were in shape.
She hated unkempt appearances, but there was nothing on planet Earth she hated more than fat arms and a round belly.
She liked jeans, snug but not too tight.
She liked sweaters.
She liked confidence, but despised misplaced arrogance, the bluster without the backbone.
She never understood boys who wore makeup, felt it hid more than it showed.
It was one of the things she first noticed about Nate. His confidence didn't just show, it roared.
“Mr. Jacobs, please come with us.”
Her thoughts were suddenly interrupted by Principal Hayes’ voice.
“Maddy fainted, and they found bruises on her neck,” a girl whispered to the person next to her.
“And they think that Nate did it!”
Kaitlyn immediately recalled the image of him dragging Maddy furiously away from the booth after she had called his mom the c word.
To Kaitlyn, the idea of Nate leaving those marks on Maddy wasn’t unsettling. If someone had humiliated her that publicly, she might not have drawn blood, but she'd certainly have sought revenge — maybe by obliterating her future.
An hour later.
“Ms. Arundel, do you consider Nate Jacobs to you a violent individual?”
“No, officer. Nate Jacobs is one of the few who had shown me kindness since my transition to a completely new environment. He is an honest, generous and kind person . I truly believe he wouldn’t do such a thing. He's just not that kind of person.”
Author’s note: after writing this chapter, I realized that her pov, perhaps, is more and disturbing and Nate pov chapters. Even I, the author, got a little disturbed while writing. I know there aren’t as much dramas in the these first two chapters, but I believe it’s essential to take the time to establish their worldviews and give a glimpse of their internal battles. Like Nate, there is a reason why Kaitlyn is the way she is. Her backstory will be explored. Thank you for reading!
Comment pls pls pls! Your comments mean everything to me!
Tag list: @dani-is-a-princess @wabi-sabi1090 @tember1
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g1rlr0b1n · 5 months
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it is SO funny to me that the best jondami content in a while is coming out of a wonder woman run. they're trying to establish diana's daughter but all they're making 100% clear is that her babysitters are in love with one another. it's incredible
Yes, it's amazing! We stay winning!
Poor Trinity ended up a side character in her own story lol
The is now a romantic comedy sitcom called, "My Two Dads"
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aziraphales-library · 5 months
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After season 2 I'm Dying for a fix it fic! Does anyone have a one shot or finished fix it fic yet?
We now have #good omens s2 and #fix-it tags which I am sure are going to get full up in no time. Here are more fix-it fics for you...
symptoms of demonpox (otherwise known as heartbreak) by jilliancares (G)
Maybe that was Aziraphale’s first action as the new archangel in charge: I hereby declare that demons can now contract demonpox. Symptoms include wet and burning eyes, shortness of breath, an uncomfortable tightness in the chest, and an all-encompassing sense of impending doom. That would certainly explain it. Or: Crowley wonders if he'll ever be happy again. (He will.) (They're both idiots.) Immediately following the events of Season 2, Episode 6.
The Nature of Sorry by Verayne (T)
"Oh, Crowley." The angel takes a step further into the bookshop, words tumbling out in an unpractised rush. "I didn't even make it halfway up the lift before I realised what a terrible mistake I was making." Crowley can feel Aziraphale's eyes on him. If he looks they'll be big and shiny and pleading, exquisitely beseeching in his regret. So he doesn't look. He's heard the words before, near enough. Seen the expression before, too. Fool him once, and all that.
The Trinity by spacemutineer (T)
After leaving Earth (and Crowley) behind, Aziraphale finds Heaven cold but Jesus Christ remarkably warm and kind. Jesus needs a miracle to help humanity, but he needs Crowley and Aziraphale together again to do it.
Where The Furniture Used To Be by Magpie_BKK (T)
The Bentley has mysteriously brought Crowley back to central London, just as an old friend turns up at the bookshop. But not everything is as it appears, and Crowley finds himself on the run with an amnesiac angel, trying to unlock his memories along the way.
From Eden by blondecoffeecup (T)
“Besides,” Aziraphale added, his voice softening considerably, “I’ll take care of you.” Crowley grimaced, averting his gaze as if in shame. “It’s rotten work.” “Not to me,” Aziraphale breathed out, his heart twisting in his chest until he could barely find the room to breathe. He moved Crowley towards him to press their foreheads together, holding him close, pressing the gentlest of kisses to the bridge of the demon’s nose. “Not if it’s you.” Aziraphale returns to London after realizing the corruption in Heaven cannot be fixed, and seeks out Crowley in an attempt at reconciliation. Crowley doesn't believe him, thinking he's only there to trick him and then leave again, and Aziraphale finds himself expressing his apology in a less-than-conventional way - and really, how does a demon say no to his angel when said angel is on his knees, pleading for forgiveness in the way that a sinner would do to their God? (ft. Nina yelling at Aziraphale, a shit ton of Biblical symbolism, and, of course, the obligatory Hozier lyric title)
Something smells …….. evil by Angelica_Tree (G)
Left behind on Earth, Crowley dives straight for the nearest bottle, but a week later he finds himself sobering up. Something was very wrong the last time he saw Aziraphale. The angel hadn’t acted like he usually would, and the flashes of love he usually sent Crowley’s way were gone as well. Crowley needs allies to get to the bottom of it, and one of the allies is found in the unlikeliest place.
- Mod D
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buckleysevan · 4 months
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hey everyone! i'm starting 2024 off strong. i recently hit 1k followers and i wanted to thank all of you for following me! i'm really glad to be surrounded by so many amazing people, and i'm glad that so many people like my content that they even decide to follow me ♡♡♡ also thank you all for putting up with me and my txf obsession lately where i spam with gifs of it all the time hhahah ♡♡♡
now onto the celebration! check out this page for all things i am willing/can gif! also no complicated rules, just that you follow me (since it is a follower celebration) and you can send as many as you want (only one per ask tho). i'm not sure when i'll close the requests but i will edit it into this post when i do. anywayssssssss, send me an emoji + one of the prompts below:
🎥 send me a show + an episode or a film for a timestamp roullette 🌗 send me two shows/films/characters/ships/seasons or episodes of a show to choose between 👽 send me character/ship/show etc. + song/lyrics/quote 🪐 send me character/ship/show/film + color(s).
tagging some beloved mutuals below! you should check them out as they're all amazingly talented people! ♡♡♡
extra special shoutout to loml @krystaljungs who puts up with my annoying ass every day, who's my go-to person for advice on my gifs, who listens to me talk about my numerous obsessions all the time, basically my ride or die! ilysm ♡♡♡
@antoniosvivaldi @ayo-edebiri @bellamysgriffin @bo-kryzze @chrrispine @clairesbeauchamp @craintheodora @crowley-anthony @crowleybrekkers @crushcrushcrushs @eddiediaaz @fawad-khan @jakeperalta @jakeyp @jamescarstairs @khaotunqs @laurabenanti @llokilaufeyson @margarethcarter @matlillard @mike-mills @mulderscully @neil-patrick @neo-trinity @robin-buckely @rosamndpike @samanthamulder @sansakenobi @scullyblr @sharpesjoy @singularities @thedoctorsdonnas @yennefer
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spider-jaysart · 3 months
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I feel like a Dceased video game would honestly be terrifyingly awesome to play and if done well, can also deliver very good emotional angst at certain moments, ESPECIALLY the ending, because Damian sacrificing himself and then also having his last moments with Jon to say bye literally made me cry frrrr😭😭 and that's the first time a comic book has ever made me do that (I imagine it would probably be turned into a little series though maybe just to get to that point, like...possibly three games?? Because that apocalypse lasted a long time in the books and everyone who survived grew and got older with all of the time passing by, but idrk though, unless there's a clever way that's figured out on how to fit the whole story into one game without any of it feeling weirdly rushed)
And I can imagine it having gameplay style like The last of us (except some of the main characters have abilities and others have very useful hero gadgets now) and also so many great jumpscare moments too, and like literally because it's mostly superpowered zombies now everywhere besides the regular ones, which is even more terrifying
It'd just be a pretty fun experience all of it, along with a lot of good main characters (idrk all of them though loll) to switch to during different parts of the story (but whenever it's their turn, I would really LOVE playing the Supersons the most though during it hehehe, especially in this kind of setting)
The only thing I would hate though is if the Damian x Cassie romance gets kept, because it just feels weird tbh due to her always being an originally older character that's also always actually been apart of Young Justice (she should be with Tim, Kon and Bart instead who are her main group, not the Supersons!!). And besides the romance, she was only put with the boys just to be the girl in it and also recreate a trinity thing, like Bruce, Clark, Diana, but I don't feel like that fits Damian and Jon's type of thing at all imo
I would honestly just replace her with Maya and Kathy, because they're so much more fitting for a team up with Damian and Jon, especially because of the fact that they're the perfect girls right there too who already have such close relationships with the boys that isn't forced like hers is!! Maya is Damian's sister and Kathy is Jon's first close friend, which is good enough, and I would make sure the romance is still erased, cause they shouldn't have to date just because they're boys and girls hanging out (and obviously mostly because Maya is Damian's sister too, so that would be gross)
But okay, that is just getting a little too off topic from what I'm really trying to talk about I think😳, but my whole point is that it would be really great to have an actual game like this based on the series and I would totally buy it and play it if it was real!!!
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vidavalor · 5 months
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hi again! rewatched the 1st season now. so first off thanks again for the excuse i appreciate it lol. but secondly hoping you wouldn't mind explaining the satan's obssession with crowley thing? cos he's obvs creepy as all hell pun not intended in the 11 years ago scene but i haven't found the bit that confirms it's a fixation on crowley and not just satan being satan. tysm!
Hi! Thanks for the ask. I can try and we can see what you think after, yeah? :) Christmas cookie? *passes plate and pours some tea*
TWs: discussion of PTSD, sexual assault, including rape, intimate partner abuse, anxiety, depression. We're looking at Crowley as an assault survivor here so it's a bit dark. Lindsay's abuse of Nina is also mentioned here. This will wind up having a companion meta at some point soon as I was also asked in comments on another post to talk about Crowley and intimacy issues which is then really also talking about Aziraphale as a trauma-informed partner so a less intense Part 2 at some point soon...
If you're the anon who asked me this (or anybody else) and you can't read something with these warnings but you'd like to see what I'm saying, PM me or throw something in my Asks and I'll see if I can do a version of this that gets the points across while omitting the darker aspects.
Meta on Lucifer and Crowley under the cut.
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The Ask here was about why I see Lucifer as fixating on Crowley, in particular, and not just being generally evil as, ya know, he's Satan. It's a fair question since Satan's evil isn't exactly something that anyone would consider restrained as he's the devil. Some of this is inference here when it comes to Lucifer, since the show intentionally holds the character back a bit... but I also think that holding Lucifer back is by design to help illustrate some things that we'll look at here.
The first clue to me that Lucifer has a bit of a fixation on Crowley comes from Crowley's gigs in Hell. Before the end of S1, Crowley was high-ranked in Hell. He seems to go by quite a few names in his demonic world. By making himself Nanny Astoreth when he's looking after Warlock, it alludes the idea that Crowley is also the demon of that name, who is considered part of the "evil trinity" of Hell, along with Lucifer and Beezlebub, with whom Crowley used to spend time with pre-Fall and with whom he has history.
Astoreth is a genderbent serpent goddess in lore with an abundance of other Crowley traits so safe to say that Crowley is meant to be Astoreth as well. Aziraphale proposed in 33 AD that Crowley is also Mephistopheles and Asmodeus, which Crowley didn't exactly deny. Mephistopheles is one of the most famous demons to ever exist-- he of the Faustian bargain-- and Asmodeus is the demonic prince of lust. Crowley's already been shown to be a Bible figure in disguise-- Bildad the Shuite being a Biblical character-- so the idea that we are at the 2/3rds mark of the show and we've met all the high-ranking demons in Hell but several famous ones appear to not exist in Good Omens, despite more minor ones (Shax, Furfur) making appearances, implies that we probably actually have met demons like Mephistopheles and Asmodeus because they're all really Crowley.
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Crowley retained power in Hell because it allows him what little freedom he can have in damnation. It means he likely won't be removed from Earth if he proves he's "good" at being a demon and that means he won't get stuffed in some cluttered, dark, cubicle in Hell for millennia. (Or destroyed.) More importantly, it means he'll be able to be on Earth with Aziraphale. That's easily worth taking credit for a bunch of human wars to fool Hell into thinking he's evil.
While we see that Crowley, when forced to come up with a demonic plot of his own, picks more annoying things than evil things and sells them as evil-- the M-25 design, taking down mobile phone networks, he's sometimes forced into doing things he doesn't want to do in order to not be outed as a demon who isn't super jazzed about being a demon and is really, secretly, a free-flying crow. He doesn't live to serve their Master Satan like some of the other demons do. He's going along with Hell as best he can and sometimes, he finds himself in a situation where he has to get creative because he's been tasked with something he disagrees with-- like we saw in the Job minisode. Other times, he might be forced into something he can't find a way out of, which is implied a little to be at the root of his terrible mood when he and Aziraphale meet up in Ancient Rome. He's wearing military garb that implies the temptations he's saying he's in Rome to accomplish are tied to Caligula, who wasn't exactly a swell guy.
What's interesting, though, is that Crowley is in this position of power in the first place. Other demons are shown in both seasons so far to be jealous of Crowley. He gets all the good gigs. Satan makes a bet with God that has both Upstairs and Downstairs in a tizzy for weeks and who is sent to whack the kids? Crowley. Who was sent on the first ever really Earth mission-- to get up into the Garden of Eden and "make some trouble"? Crowley, long before he'd cemented his big reputation. Who gets to deliver the antichrist baby and so kick off Armageddon, the thing that angels and demons basically "live" for? Crowley...
Across both seasons so far, Hastur, Ligur and Furfur are all given scenes of showing that they're jealous of Crowley being a favorite of Satan's and given the best assignments while they slum it in middle-management at best. What Crowley never says or admits to with other demons is that they actually don't want to be the favorite of Lucifer over here because he's the actual fucking devil and it's an absolute horror show. Crowley isn't about to admit that to them because he's supposed to want nothing more than to be Satan's slave and to express anything else is not demonic.
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The other demons who are antagonistic towards Crowley are invasive and creepy but they stop short long before what we've seen Lucifer do. Hastur and Ligur pop up unannounced in Crowley's electronics-- the tv in his flat, on the screen at the movies-- and that's already disturbing. Imagine having your evil coworkers able to interrupt your r&r tv time in your own apartment... let alone the fact that Shax and even Beezlebub both pop up into The Bentley unannounced in S2. There's no evidence so far that Satan is out here "delivering instructions" like this to others in Hell the way he does to Crowley in 1.01 (and there's actually a scene in S2 that we'll talk about that suggests that he's not or, at least, that it's uncommon, which we'll get to in a second.)
He might well be but when you combine assaulting Crowley with giving him all the prime gigs in Hell and the other demons' jealousy of their Master's attention towards Crowley, you wind up with the impression that Satan is a bit fixated on Crowley.
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The Bentley scene with Lucifer in 1.01 is analogous to rape. Crowley's sense of personal autonomy is violated. He doesn't consent to Lucifer forcibly entering his body. Lucifer does so by first penetrating through Crowley's two foremost metaphorical defenses-- The Bentley (enters through the radio and uses it to invade Crowley) and his sunglasses, which cannot shield his eyes/himself from Lucifer. Crowley already has these signature defenses mechanisms on in the attack scene and the horror in the scene is actually watching neither of them protect him. The scene is so early in the show that it's only the second scene we've ever seen Crowley wearing his glasses (and it's pitch black dark out, to add to it) so the glasses are basically introduced to us by showing us a situation that motivates Crowley's desire to hide his eyes from people he doesn't trust, even if they aren't human and know what his eyes look like. This is Crowley's third scene in the series itself and it's really arguably the second half of his second scene (the Hastur & Ligur in the graveyard one.) It's part of our introduction to Crowley in the modern era, with only Eden preceding it. Armageddon is new but the rest of this hell-- faking being evil, suffering violating attacks-- is thousands of years old for him at this point.
Crowley is driving when this happens.
Driving is the ultimate symbol of self-control because you're literally behind the wheel, navigating yourself through the world, in control of where you are going and the decisions you need to make to get you there, trusting yourself to make decisions that protect others on the road around you. Lucifer rips that from him by rendering him unable to drive while "delivering instructions" to his mind. Crowley-- a very powerful, magical being-- is unable to fight him off. When Lucifer leaves his body, Crowley had to grab the wheel and steer The Bentley away from hitting an oncoming truck with about three seconds to spare from a head-on collision. Crowley, The Bentley and the antichrist baby all would have likely survived that crash without issue because of their magic-- but the human driving the truck likely would not have. Obviously, Crowley would prefer not to kill anybody but Satan nearly made him against his will and rendered him unable to fight him, the powerlessness of which is then interesting when tied into things like Crowley essentially drugging himself to save Elspeth, trusting the present Aziraphale to help protect him while he did, etc..
As the attack happens, parts of "Bohemian Rhapsody" are underscoring it, picking up on a musical cue from when Crowley rolled up in The Bentley to see Hastur and Ligur in the graveyard. The graveyard scene sees Crowley arrive at the big crescendo of the song and what is it but the lyrics Beezlebub, has the devil put aside for me? and, prior to that, the eerie lyrics, especially on rewatch when you know what happens as a result of this scene: we will not let you go (let him go) x a million, not to mention the no no no no no no... bit.
By the time we're back in The Bentley and Lucifer has shown up, parts of the song play through it. I see a little silhouetto of a man plays as Crowley is literally seeing the driver of the oncoming truck in front of him, just as he loses the ability to control The Bentley. When Lucifer leaves him and Crowley grabs the wheel, we hear thunderbolts and lightning/very, very frightening/me and the Galileo segment of the song. Thunderbolts and lightning is interesting since God makes it a point to point out that this night is not dark and stormy but then that type of weather is what Crowley does in S2 that causes the power to go out and his parallel, Nina, to be trapped. It's also what demons in general can do so you could say sending a storm-- like in the Job minisode-- to be demonic and of Satan. (If it's not Crowley doing it to play Cupid, anyway.) The thunderbolts and lightning of Satan/Hell is very, very frightening to Crowley...
...Me/Galileo/Galileo/Galileo/Figaro... Galileo is arguably the most famous astronomer to ever live. He was a polymath, really, like Crowley was. Crowley, as an angel, made the stars and invented gravity. The scene with Hastur and Ligur that precedes this and ties into it has Hastur mistranslate the Italian Crowley spoke during it. Crowley said "ciao", meaning "goodbye", which Hastur correctly said was Italian but he claimed it meant "food" (mistaking it for "chow" because he's an idiot.) So a scene that ends with Crowley speaking Italian then connects directly into the scene of this attack, where Italian is spoken in the song scoring it, as Galileo was Italian and figaro in Italian is "fig tree".
While Eve does eat an apple in Good Omens, the Biblical 'fruits of knowledge' that tie to the Serpent tempting Eve in Eden are interpreted in different ways throughout different religions and at different periods in history. In Good Omens, Crowley got Eve to eat an apple and the pleasure of food opened a door to sexual pleasure. Eve shared the apple with Adam and they were *Aziraphale's hilariously judgemental voice* "expecting already" with Eve about 8 months pregnant later a day later because Eve's biology is atypical of other humans and all that. It's debated as an apple, with other different fruits and sometimes even wheat mentioned as possible things Eve ate-- if she ate food at all, as some people take the entire thing as a sexual metaphor. Figs are one fruit that some people believe it was instead of an apple, so this is a reference to Crowley as the Serpent of Eden.
Me/Galileo/Galileo/Galileo/Figaro... Crowley holding onto himself while under attack and just after it, which speaks to activation of a plan, which speaks to this not being the first time he's endured something like this. Galileo and Figaro = The Starmaker and the Serpent of Eden. The things he's done that he is proud of, that make him not evil, in his mind, and not deserving of this. Things he likes about himself. Things Aziraphale loves about him.
The song is narrating for us Crowley through the attack as he's basically frozen there enduring it, seeing the driver of the truck coming at him and Scaramouche/Scaramouche/Will you do The Fandango?
A scaramouche is a kind of mischievous scamp-- so, Crowley; The Fandango is a Spanish couple dance. Historically, one version of it is done between a pair of men who try to outdo one another with skill, in a kind of homoerotic competition. It's also slang for fucking during a concert and I have the feeling that Crowley would probably enjoying doing that Fandango a lot more as that would be consenting with a partner of his choice at a live concert rather than being mind-raped to Queen by the devil in his car. Regardless, it's another allusion to sex in the scene, adding to the rape overtones.
There's also something that is pretty horrifying about the fact that these scenes of Crowley and Aziraphale being separately reintroduced to us in 2008 after we first met them both together in Eden are intercut so that Lucifer's attack on Crowley scored by "Bohemian Rhapsody" ends with the Italian sung and cuts directly into Aziraphale speaking Japanese to the chef at the sushi restaurant.
He'll try to explain to Gabriel that eating sushi is "what humans do", which is the same phrase he'll use to try to explain to Michael and Uriel in S2 what falling in love is. During the bookshop attack, Shax will bully Aziraphale about his humanity-- about the same two things (food and love) in the two previous, connected scenes. (Gabriel, initially the one repulsed by tea in 1.01, leaves the scene after Aziraphale tells him to hide by asking if anyone wants a hot chocolate, in a pretty hilarious turnabout.) Shax calls back to the food-related and the love-related "it's what humans do" moments for Aziraphale by asking if she should "send up the sushi" and by mocking his relationship with Crowley ("What are you? Crowley's emotional support angel?"). Crowley and Aziraphale are the ones in love and it's tied together throughout multiple scenes in both seasons to sushi, in reference to the night Armageddon began in 2008.
The point then is that, making this all even worse, Crowley is actually supposed to be at a back corner table in a dark sushi restaurant sneaking a date with Aziraphale when he's attacked by Lucifer in The Bentley-- and then forced into helping start Armageddon, which could bring about the end of his and Aziraphale's relationship... and that's our grim introduction to his world in the modern part of the story.
As we go learn what Aziraphale is like in the modern era and contrast him with his head office's mentality via Gabriel's arrival, we also are given clues in the scene that suggest that Aziraphale was actually expecting Crowley, as he looks to the side Crowley comes up on when he hears the miracle sound that actually signals Gabriel's arrival instead. Aziraphale will then explain that he's there, doing "what humans do" and enjoying it, to Gabriel, and it will be only eating sushi in this moment, just as Crowley will not be present when Aziraphale explains that falling in love is "what humans do" while objectively talking about Maggie & Nina but, ultimately, talking about himself and Crowley beneath it-- his real motivation for keeping Heaven off their backs is Crowley. The writers then have Shax combine the two "it's what humans do" scenes around love and sushi and throw them back at Aziraphale while Crowley is once again not with him because of Heaven/Hell but is present in his absence in the moment.
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All of this happens in the first scenes of Crowley in the modern era, all the way back in the first episode, and it's done to give us an understanding that he is a survivor of attacks like this and how that impacts his behavior, his choices, his relationship with Aziraphale. It's to give us a finer appreciation for his strength and his humor and his capacity to love in the face of it. It's to show that while some of the demons are just kind of amusing idiots, if dangerous, and that there's a lot of humor to mine there, some aspects of being a demon are not at all amusing. Crowley is really just doing the best he can to survive the absolute horror show that is an eternity of damnation as Satan's favorite over here because there are very dark, very violent aspects of it that he cannot permanently avoid.
While the attack we are shown is a mercifully short, if horrifying, scene, the implications of it are even worse. The assault we are shown had a plot purpose in that moment-- Satan giving instructions on delivering the antichrist baby to the satanic nunnery-- and since everything was in motion, that was the extent of it. Armageddon took precedence. What we are left with, though, is the impression that this type of demonic assault with its massive rape overtones is something that Crowley's experienced before and that the implication is that Lucifer attacking him is not always just to deliver a message related to an assignment but to deliver one of forcible control over him and that this is something that Crowley has been dealing with periodically for the 6,000 years he's been on Earth. It's akin to a kind of rape in 1.01 and that is already way more than enough to see how that would affect Crowley in the story... but then S2 takes this scene and both alludes to it in a key moment and gives it a whole paralleling subplot, highlighting its importance and continuing to expand upon the meaning of it. Both things together then suggest that while we saw a rape-coded assault in 1.01, the feeling that the scene was alluding to other instances where it was rape itself was definitely the implication of it.
In S2, in the group scene at the end, Crowley is out of the bookshop taking Maggie and Nina away from the angels for their safety when the subject of Satan comes up for the only direct time that season. Shax demands that Gabriel and Beezlebub be taken to Hell to be given "as gifts for Satan, our Master" and Head of the Dark Council Dagon replies that "he wouldn't want them-- maybe as hors d'ouerves." On the show obsessed with food symbolism and that codes different types of food with relation to sex-- in particular, because of Serpent of Eden Crowley-- and with the brothel owner named "Mrs. Sandwich", to say someone would want a being as a "hors d'ouerves" implies sex and if we're talking about Lucifer, then we've already established that consent isn't exactly a priority. Rape isn't about sex-- it's about power-- but the show is coding Lucifer's behavior in line with its coding of sex to highlight that his violation of Crowley isn't just of the heavily rape-coded variety that we saw in 1.01 but has actually, at other times, been rape.
Dagon's most significant line in S2 is essentially to point out that Satan's a rapist-- but it's also to point out that not everyone in Hell has been through that horror. Satan's choosy. Satan's a bit fixated. Dagon's comment is actually surprising. Your first thought when Shax suggests giving Gabriel and Beez to Lucifer is that he's the devil so they'd be in danger and what you've seen of what he's done to Crowley was skin-crawling and you don't want that to happen to Gabriel and Beezlebub. You assume that it might because we're talking about Satan but then Dagon puts a check on that and says-- to not a single bit of even implied disagreement in the room-- that Satan wouldn't really care that much about getting Gabriel and Beez.
Think about how truly kind of crazy that is.
Satan would not be that interested in being handed over his old friend and the Grand Duke of Hell who betrayed him and the Supreme Archangel of Heaven? He'd maybe rape 'em, sure, possibly, casually posits Dagon, but they aren't what he's really after. They'd just be hors d'ouerves.
Not a single being in the room even so much as signals disagreement with that assessment that the not terribly subtle Dagon chose to voice aloud, which means they all agree with her. They all know who Lucifer's fixated on.
*Gabriel* and *Beezlebub* would only be fucking *appetizers* to Satan.
That implies the existence of *a main course*, does it not?
Who else but Crowley (and Aziraphale) could be on that menu? No one.
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We also have that Crowley is conveniently out of the bookshop for the moment that Shax and Dagon have this exchange about Lucifer. He comes back in on Dagon saying "hors d'ouerves" but was outside when Shax was referencing Satan so he didn't hear any of it. This seems very deliberate on the part of the writers, as if Crowley had been in the room, it would have prompted some kind of response and changed what happened in the scene afterwards. Instead, the only reference to Lucifer is specifically when Crowley isn't in the room, probably because this conflict is on-going and going to continue into S3.
Prior to Dagon's line, the show also paralleled Lucifer assaulting Crowley in The Bentley in 1.01 with Lindsay abusing Nina, which adds another layer into this. You could even make an argument that one of the reasons why we never see Lindsay and we just see their abuse of Nina via the text messages they send Nina is to draw an intentional parallel to how little we've seen to date of Lucifer/Satan in the series.
It directly ties to the 1.01 scene in The Bentley because, prior to Lucifer coming through the radio and assaulting Crowley, Crowley was trying to call Aziraphale (the Maggie to his Nina in this parallel, though obviously much further along in that relationship) to tell him about Armageddon but he'd taken out the mobile phone networks earlier in the night to have something demonic to share with Hastur and Ligur. This parallels Crowley knocking out the power in S2 accidentally and Nina getting locked in the coffee shop with Maggie. Lucifer and Lindsay both attack through electronic communication devices-- The Bentley's radio and Nina's phone-- and unleash a torrent of abuse. The difference is that Nina might be more easily able to escape Lindsay and live a more peaceful life after S2 while Crowley has yet to be truly able to evade Lucifer.
While Lindsay's abuse of Nina is at least psychological and emotional in what we are shown and Lucifer's abuse of Crowley is that with physical and sexual aspects that may or may not be present in Nina's relationship with Lindsay, the type of abuse doesn't matter to the parallel as it's all terrible and that's the point. Lucifer's abuse of Crowley is paralleled with the intimate partner abuse Nina is suffering in her relationship. This is objectively pretty interesting since it sort of suggests that Lucifer is Crowley's Lindsay, in the sense that they might have once been involved pre-Fall, which might add another element to why Lucifer is fixated on Crowley.
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So, while Crowley can encourage his parallel Nina all he wants to take a risk and trust more and to trust him when he promises that it will be worth it, Crowley himself can't really extract himself from his own Lindsay-ish situation yet. He does know how to survive it, though, and it's not all about the defenses he and Nina put up-- it's about learning to shed some of those defenses enough to have a sense of intimacy with a kind person you can trust to love you and help you feel safe.
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