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#this is how tv shows should be consumed
illgiveyouahint · 7 months
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thank god for weekly released tv shows that make the passage of time bearable
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pokimoko · 1 year
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@pizzee Thank you for the tagging me to join in on the TV show tag game! I have the exact opposite problem to you in that I watch way too many shows. There's so many I've watched in the last few months alone that I've absolutely loved (Andor, Severance, Poker Face, The Sandman, The Last of Us, Vox Machina, etc etc) but for this I think I'll stick with the ones that I've connected to and cherished the most of the years. It wasn't required or even asked for but all of you are getting Backstory™ for these whether you like it or not. Anyway, in no particular order, here they are:
Moon Knight: Wow, I like the show that is now my defining personality trait? Shocker. But, no, seriously, I don't think I've latched onto a show or group of characters so quickly in my life, or so intensely before. This show has (as of posting this) made me write almost 200k worth of fic about it. I got bloody Discord because of this show because the brainrot was so intense. I am part of a fandom community for really the first time in my life because of this show. It's no exaggeration to say that this show has had a huge impact on me; the dinosaurs got off easy in comparison.
Lucifer: I started watching this show when Season 2 premiered way back in 2016 and I was there watching it up until the end. It was silly and emotional and heartwarming and campy, and the characters were amazing (do I own shirts that Ella Lopez wore in the show? Yes, yes I do.) and the music was excellent. This show loved the heck out of metaphors, and I am not immune to that. Or Tom Ellis.
The Owl House: I used to be obsessed with owls when I was younger (the 'Owls of Ga'Hoole' movie was my jam, and—I'm sorry Zack Snyder directed that??? What the f—ahem, sorry, as I was saying:), and while that particular interest faded over the years, I do remember I was drawn to this show because of the name, and then the premise, and then the characters (Hunter gets a gold star for making me go "argh this guy is annoying" to "I would die for him" within a span of two appearances), and then so, so many things. I've loved a lot of cartoons, many of which deserve a spot on this list, but this one just hits so many of the right notes for me. I will die mad that Disney robbed us of a full season 3, but I will always cherish what we got.
Adventure Time: The first show I ever binged in full, and essentially what kickstarted my career as a Tumblrite (my logo was Marceline for many a year—if you find my *gag* Wattpad account it'll still be there). I still have doodles for this show from when I was 14 (many of which were Bubbline, which was also my first ship). I am the silly little Tumblr fool I am today because of this show.
Avengers: Earths Mightiest Heroes: I used to watch this show on TV as a kid, random episodes here and there, never enough to truly understand what was going on but enough to know the characters. It was how I first came to know Marvel, long before I even liked superheroes, and it was the reason I watched 'The Avengers', which in turn was the reason I went and saw 'Age of Ultron' (the first MCU movie I ever saw at the cinema) and then, well, the rest is history. But it all started here, with this show. (Also, let's be real, the theme song slaps.)
Doctor Who: specifically the Eleventh and Twelfth Doctor's seasons, though I love Ten's as well (even if 'Midnight' and the following Library episodes—episodes I now adore—scared me off from the show for almost 7 years). I might have also been a little in love with Clara. This show has made me sob with true and utter grief (musical motifs that will make you cry without warning and other secrets your Doctor won't tell you!) and also made me feel like I'm taking acid. It's got the range darling.
Fullmetal Alchemist: Brotherhood: I've watched this whole thing three times. It's just…It's good. It's really good. The world, the characters, the animation/visuals, the god damn narrative. I'm still in awe of how masterful this anime was. I aspire to this level of multilayered, intelligent storytelling… and also the level of comedy. It too has the range. And god I love when shows can do that well.
Bee and Puppycat: I used to watch the YouTube series for this (along with 'Bravest Warriors' and a bunch of other Cartoon Hangover shorts) as a tween and it's just a very fond, cosy memory for me. And now there's the Netflix version and it's been wonderful to not only get more of what was already there, but more to the story in general. My childhood self is being tucked into bed and wrapped in a blanket, content in the knowledge that things left unfinished are not always over.
That really is the tip of the iceberg of all the shows I've loved over the years but we'd be here for a month of Sundays if I went on about all them, so I'll take my leave now and pass on the baton. I'm going to tag @yellowocaballero, @mockspector, @theophagism and @aster-o1d. Have fun! :3
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theculturedmarxist · 2 years
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>First, we’ve discovered that about a quarter of all the internet connection in or out of the house were ad related. In a few hours, that’s about 10,000 out of 40,000 processed.
>We also discovered that every link on Twitter was blocked. This was solved by whitelisting the https://t.co domain.
>Once out browsing the Web, everything is loading pretty much instantly. It turns out most of that Page Loading malarkey we’ve been accustomed to is related to sites running auctions to sell Ad space to show you before the page loads. All gone now.
>We then found that the Samsung TV (which I really like) is very fond of yapping all about itself to Samsung HQ. All stopped now. No sign of any breakages in its function, so I’m happy enough with that.
>The primary source of distress came from the habitual Lemmings player in the house, who found they could no longer watch ads to build up their in-app gold. A workaround is being considered for this.
>The next ambition is to advance the Ad blocking so that it seamlessly removed YouTube Ads. This is the subject of ongoing research, and tinkering continues. All in all, a very successful experiment.
>Certainly this exceeds my equivalent childhood project of disassembling and assembling our rotary dial telephone. A project whose only utility was finding out how to make the phone ring when nobody was calling.
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>Update: All4 on the telly appears not to have any ads any more. Goodbye Arnold Clarke!
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>Lemmings problem now solved.
>Can confirm, after small tests, that RTÉ Player ads are now gone and the player on the phone is now just delivering swift, ad free streams at first click.
>Some queries along the lines of “Are you not stealing the internet?” Firstly, this is my network, so I may set it up as I please (or, you know, my son can do it and I can give him a stupid thumbs up in response). But there is a wider question, based on the ads=internet model.
>I’m afraid I passed the You Wouldn’t Download A Car point back when I first installed ad-blocking plug-ins on a browser. But consider my chatty TV. Individual consumer choice is not the method of addressing pervasive commercial surveillance.
>Should I feel morally obliged not to mute the TV when the ads come on? No, this is a standing tension- a clash of interests. But I think my interest in my family not being under intrusive or covert surveillance at home is superior to the ad company’s wish to profile them.
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>Aside: 24 hours of Pi Hole stats suggests that Samsung TVs are very chatty. 14,170 chats a day.
>YouTube blocking seems difficult, as the ads usually come from the same domain as the videos. Haven’t tried it, but all of the content can also be delivered from a no-cookies version of the YouTube domain, which doesn’t have the ads. I have asked my son to poke at that idea.
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Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?
Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that's lain fallow in my drafts folder for some time now...) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).
So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I've seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you've written, and most of all you do not answer any job application.
Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they're paying for in addition to your labor is you breaking the picket line and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term "mini rooms" whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some "broken stories," and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we're going to see a lot of scab contracts being offered for these mini rooms.
But for most of us, unless we're actively working as writers in Hollywood, most of that isn't going to be particularly relevant to our day-to-day working lives. If you're not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn't mean the same thing as a boycott. WGA West hasn't called on anyone to stop going to the movies or watching tv/streaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what's going on.
That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the cause and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show's performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.
The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers' voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.
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emilyaxford · 1 year
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so in fall 2021 i binged succession so i could watch season 3 live and then it slapped so i told my parents they had to watch the show so we could talk about it. i was really hyping up the show. then they tried it and my dad hated it because he has no sympathy for spoiled rich kids and my mom didn’t really like it either. this deeply crushed my dreams because normally my mom and i have very similar taste (e.g. i got her into iwtv, ofmd, d20, etc.). i asked my mom to give it one more try and she did but still couldn’t get into it so i was like okay that’s fine i’ll deal with my disappointment. one upside was that she still let me talk about why i liked certain episodes and scenes so much (like logan’s death).
cut to today. it’s been a rough day because there is a serious wildfire happening very close to me but i’m like it’s okay because at least i get to tell my mom about the succession finale! so i call my parents. then my dad says don’t spoil the finale because his best friend was raving about succession so they’re going to try to watch the show again. i’m like sir you cannot get my hopes up again i was so sad the first time when you didn’t like it. he’s like no no we’ll watch the first three seasons before you come and visit in a couple weeks and then we’ll watch season four together. i’m like dad you’re literally pulling a logan roy here by dangling this possibility in front of me when all previous evidence indicates that it’s not going to be real this time.
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mainlysarcastic · 1 year
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It’s crazy that in one week I can watch a show that took 10 years on air
Like when the show was actively filming people spent 10 years waiting for the whole story line
But now I can spend one week binge watching it with no wait
Shits crazy
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anonpingu · 2 years
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idk i’m just sad
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cy-cyborg · 3 months
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The Jaws Effect and what it means for media representation
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The Jaws Effect is the name of a phenomenon that described the panic and fear that sprang up around sharks, fuelled by Steven Spielberg's movie, Jaws. While the fear of sharks and other marine predators had always been a thing, Jaws launched the fear of sharks, and Great White Sharks in particular, to new (and mostly unfounded) heights. Most people will never encounter a real-life shark and so their only knowledge about the creatures come from movies and other forms of entertainment. Entertainment that largely portrayed them as mindless, unfeeling killing machines. After Jaws, sharks became a staple in the creature-feature genre of movies, which only perpetuated the idea of sharks as dangerous monsters even further, reigniting and reconfirming the beliefs the public held about them in the process. These ideas about sharks are, of course, not true, but the misconception and fear has had a real, observable impacts on shark populations, shark conservation efforts and even laws and legislations surrounding sharks and shark conservation around the world.
Ok but Cy, this is a blog about disability and disabled representation, what do sharks have to do with anything you talk about? Well, Because The Jaws Effect is just one of many examples that shows how massive of an impact representation in the media can have, for better or for worse, especially when talking about subjects the public generally knows very little about.
This conversation is not unique to disability representation, nearly every person I've seen who's talked about how to write and design characters from any minority brings it up eventually, but the media we consume, the movies we watch, the books we read can all have big impacts on people's perceptions on those topics. When talking about disability specifically, it's an unfortunate reality that not many people know all that much about us, and so, much like sharks, for many, their only real exposure to disabled people is through the media they consume.
If you don't know anyone in a wheelchair, and your only knowledge of life as a wheelchair user comes from books and movies like Me Before You, of course you're going to (spoiler) come away thinking that life in a wheelchair is horrible and death is better than living like that. If you don't know any DID Systems and your only exposure to a condition like that is through movies like Split (and honestly, a number of other horror movies and crime shows) of course you'll think people with DID are unstable monsters who could become violent any moment. If your only exposure to autistic people is Music, then it's not shocking that you might think Autistic people are "trapped in their own minds," completely unaware of the world around them and lacking any kind of agency. As much as I'd like to be able to say these are "just movies" or "just books," and that if we don't like them, we can just not watch them, they all had an impact on the real world and real people's perceptions of the disabilities they depicted, as do the many, many smaller examples of bad representation.
This is why I personally spend so much time focused on the portrayal of disability in the media, why so much of my content is focused on creating resources for creators to represent us better, and why I think writers, artists and other types of creators should care about the representation they include.
Unfortunately, people believing misinformation and stereotypes, while annoying, isn't the worst of the impacts bad rep can have. If a stereotype is prevalent enough, and enough people believe it, it can both put us in harms way and cause us to loose access to things we desperately need and things designed to help us. One really common example of this is when movies and TV shows show a character getting up out of their wheelchair, and use this as proof that the person is faking being disabled. However, in reality, there are many disabilities that might mean someone has to use a wheelchair, even if they can still walk a little bit or stand up. The stereotype of someone standing up from their chair being a fake, especially when it's reinforced over and over again in the media, leads non-disabled people to believe that anyone who stands up from their wheelchair is faking, and results in a lot of real disabled people being harassed and denied things like access to disabled parking, toilets and other accessible spaces. There were even a few cases of people reporting those they see get out of their wheelchairs to Centrelink (The Australian "welfare" department, for those not familiar) as frauds, and while these investigations don't usually go far before someone realises what's happened, it has, on occasion, resulted in people loosing the income they depend on to survive, even temporarily.
But the impact of representation, of course, can go both ways.
I was in high school when the first How To Train Your Dragon movie came out, and at the time, I didn't really like people being able to see that I was a leg amputee because I was sick of kids in particular staring, pointing at me, asking their parents "what's wrong with them?" or asking me directly, "what's wrong with your legs?". I wore long skirts and big, bulky tracksuit pants to keep my legs covered, something that became dangerous in the hot Australian summer, but I didn't care.
But the impact of How to Train Your Dragon came in two ways. The first, was that it was one of the first times I'd seen an amputee (or rather, multiple amputees) who didn't keep their prosthetics covered or hidden, and it gave me the little boost in confidence I needed to do that myself and wear clothing that was more comfortable and functional. And second, the comments from children changed, albeit slightly, but enough that it was noticeable. The questions and comments went from "what's wrong with you?" to "oh cool, your legs are like Hiccup's!" I even had one little girl ask me once if I had a pet night fury. They went from being scared of me and my legs, or at the very least concerned for me, to genuinely curious and impressed. While reactions like that did become less and less common over time, they didn't fully go away either. Even today, I occasionally get young kids asking me why I have legs like hiccup. A friend of mine who was born with one arm shorter than the other and without fingers on that side had a similar experience with the movie Finding Nemo. Her disability was a bit more complex than what I described here, and she always found it hard to explain "what happened" to small children, however, after Finding Nemo came out, she was able to simply tell kids "this is my lucky fin, like what nemo has!" and that was enough to take her from someone "scary" to these kids to someone like their favourite characters.
Of course, it's much easier to see the impact positive representation can have on people's perceptions when we're talking about kids media, but it's not exclusive to it either.
When it comes to a minority like the disabled community who are so thoroughly misunderstood by the wider public, misinformation can and does spread easily. What people see and read in the media they consume plays a big roll in how people perceive the real people attached to the stereotypes. We often hear people say "Fiction imitates life" but the reverse can and often is also true, life can imitate and be influenced by fiction, and those of us creating should be mindful of this, especially when we're talking about a group of vulnerable people.
[Thumbnail ID: An illustration of a Great White Shark swimming near the rocky bottom of the ocean, surrounded by silver fish. In the bottom left corner of the image is "The Jaws Effect and what it means for media representation" in big, white bubble text. /End ID]
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psuedosugu · 4 months
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Ohhhh my golly I saw your Vox x daughter reader an it got me thinking now HEAR ME OUT….what if reader got bored on day an just went for a walk and somehow came across Alastor, now let’s say Alastor’s a lil confused like he never knew Vox had a daughter and readers like *sad sigh* “I’d be surprised if anyone knew” an Alastors all fatherly to her at first it was to get dirt on Vox without reader realizing but in the end he just liked hanging out with her. Eventually Vox noticed how his daughter is gone half the time but reader just convinces her dad that she’s always home and how HES the one always away. Change the ending how you see fit or do whatever you like but UGH I love your writing stay hydrated and eat wellll🩵
assjjjkkj thank youuu the amount of feedback ive gotten on this acc that ive only been posting on for like 3 days is insane, anyways this is such an interesting idea omgee
cw: reader having some emotionally absent daddy issues
fem reader
pt 1 here
ִֶָ 𓂃˖˳·˖ ִֶָ ⋆★⋆ ִֶָ˖·˳˖𓂃 ִֶָ
͙͘͡★ || so you had just gone out on an innocent walk, right?
͙͘͡★ || well, technically snuck out since your dad doesn’t like you going out by yourself.
͙͘͡★ || theres bad people out there! what if you got kidnapped or something?
͙͘͡★ || no one recognizes you, of course, since he doesn’t really talk about you let alone shows you to the public.
͙͘͡★ || you appreciate him for that, you guess, it must be annoying to not be able to go anywhere without a bunch of microphones in your face.
͙͘͡★ || you just wish he was around more! he barely makes any time for you and yeah, his work is super important and time consuming but you’re his daughter!
͙͘͡★ || lost in thought, you bump into a dude in the sidewalk.
͙͘͡★ || “whoops! excuse me, ma’am!”, he says in a weird, static-ish voice.
͙͘͡★ || your skeleton almost jumps out of your skin when you look up.
͙͘͡★ || the radio demon, the guy that your dad has had beef with since you were little
͙͘͡★ || you just stare at him with a “ :o “ look on your face, not knowing if you should run or not.
“little girl, are you, um, alright?” he stares down at you, slightly confused.
“im…uhhh…im okay!”
“you’ve heard of me, i suppose.”
“i guess…. my dad doesn’t really like you.”
“and who might your father be, hm?”
“yk the tv dude? the one thats, like, everywhere? yeah, that him.”
“hmm…interesting…i wasn’t aware he had a daughter…”
“well, he doesn’t really talk about…..”
͙͘͡★ || at this point you stop blabbing mid sentence, realizing you probably shouldn’t have said all of that to his sworn enemy.
͙͘͡★ || what if he does kidnap you and holds you for ransom?
͙͘͡★ || but he doesn’t do that, surprisingly.
͙͘͡★ || he asks you why you’re out alone so late and you shrug, saying that your dad wasn’t really there to stop you.
͙͘͡★ || you were naive and alastor was planning to use that to his advantage, not to hurt you, but to hurt vox.
͙͘͡★ || what would he think when he found out that his own daughter was buddy-buddy with his sworn enemy?
͙͘͡★ || he’d feel like a failure of a father, and thats what alastor wanted, to get under his skin.
͙͘͡★ || you guys walked while you told him everything, about him being away all the time, about you feeling lonely, while he nodded along
͙͘͡★ || you guys even stopped at one of those old timey bar places and bought you a milkshake!
͙͘͡★ || eventually you headed home, your dad hadn’t noticed you had been gone which figures.
͙͘͡★ || this became routine, you hung out with alastor and he gave you advice and stuff. you thought that if he had an ulterior motive it would’ve shown itself by now but no, it hadn’t.
͙͘͡★ || alastor himself had started to forget why he had even started all of this. he found himself enjoying your company and actually caring about you.
͙͘͡★ || after a while vox started to notice that he’s been seeing you less than he usually does.
͙͘͡★ || i mean, the tower is big but cmon! there were days where he would barely see you at all! where were you going?
͙͘͡★ || he confronted you about it at dinner one day.
“[name], dearest, i cant help but notice that i haven’t been seeing you around much lately. what’ve you been up to?”
͙͘͡★ || you pause, looking up from your food.
“i, um, dont know what you’re talking about.”
͙͘͡★ || he furrows his (virtual) eyebrows.
“is that so?”
“mhm!”
͙͘͡★ || vox is reasonably skeptical and resorts to spying on you through your smartwatch because of course you have a voxtech branded smartwatch!
͙͘͡★ || hes absolutely livid when he finds out who you’ve been sneaking out to be with and he’s waiting for you when you get home.
͙͘͡★ || you’re indefinitely grounded until he says so and he starts tracking where you go in the tower.
͙͘͡★ || he knows that its a violation of privacy and stuff but dont you see that he’s trying to protect you? alastor is dangerous! he doesn’t get how you didn’t see it earlier.
͙͘͡★ || alastor does succeed on what he set out to do, though. vox is distraught, feeling like a horrible father. he even vents to valentino about it out of all the people!
“-i mean, what kind of father doesn’t even notice their own child sneaking out in broad daylight every day? i should’ve paid more attention to her, im a failure!”
“mhm….yeah….”
͙͘͡★ || val obviously doesn’t give a shit.
͙͘͡★ || after not bumping into you for a while and seeing the up in vox slandering him online, alastor figures what happened.
͙͘͡★ || he’s glad that he succeeded in his mission to bother vox further but does miss talking to you.
͙͘͡★ || vox does vow to make more time for you and be a more attentive dad, so i guess some good comes out of this.
ִֶָ 𓂃˖˳·˖ ִֶָ ⋆★⋆ ִֶָ˖·˳˖𓂃 ִֶָ
i do requests!
check out my masterlist!
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seat-safety-switch · 16 days
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Have you seen the crap they're putting on children's television nowadays? When I was a kid, TV shows made for us were meant to do one thing: sell toys. Now they're all about doing fun activities with your friends, and learning about your responsibilities to greater social harmony. No wonder capitalism is flaming out like a Boeing stock option.
Thing is, even with this renewed focus on teaching children not to be useless, cranky ultra-consumers, the shows don't exactly teach valuable skills. Yeah, yeah, I know, interpersonal discussion, knowing about recycling, outer space, Freudian psychoanalysis, how to make change. All that stuff is covered, and it's fine, but it seems like shows are expecting parents to fill in the gap with these skills. Skills the parents often don't have. The cycle needs to be fixed, and it's television's role, as always, to tell people what to do.
Kids should be learning about the different kinds of screwdrivers, basic wiring, how to replace floor moulding, and what sorts of chemicals might inadvertently create bombs. If there's time, they can cover less practical information, like how to drive an unsynchronized manual transmission in a Detroit Diesel. I'm not asking for too much: I think children do not necessarily need to know how to operate a Lenco unless they're planning on going drag racing, which is a sign of excellent parenting already.
That's why I've bought the rights to the entire back catalogue of The New Yankee Workshop, and recruited a pop starlet to sing a new earworm of a theme song. We're gonna chop up the existing episodes with lots of fast transitions, exploding effects, and a dance party at the end. Wouldn't you rather your toddler ask you for a scroll saw for Christmas?
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prettieinpink · 5 months
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how do i learn to develop JOMO? (joy of missing out)
HOW TO DEVELOP JOMO
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Jomo is the joy in missing out. JOMO encourages intentional living and finding fulfilment in the present rather than seeking validation or fearing missing out on what others are doing. It celebrates the freedom and peace that comes from consciously choosing to miss out on certain social activities and trends. 
DISCONNECT. Social media is an illusion, it makes everything look better than it truly is. Not only should you put boundaries on how you manage and use your accounts, but you should also shift your mindset when using them. 
Begin to think of social media as a tool to help you become the best version of yourself. Consume content that resonates with your current life or the life you’re working towards. This will motivate you to work hard for what you want. 
EMBRACE SOLITUDE. Learn to find enjoyment in being alone. Using this time by ourselves to reflect, recharge and indulge in our pleasures allows us to connect better with ourselves. 
To get used to being alone, challenge yourself to do things that you would usually have to do with someone else, by yourself. Whether it’s eating out, studying, shopping etc. 
REFRAME YOUR MINDSET TO GRADITUDE. Someone else’s assets, skills or experiences do not take away from your own. Be thankful for what you have, and what you are going to get. 
Begin to focus on what to cherish currently, other than what you could be missing out on. A way to practice gratitude is at the end of the day, to list 5 things that you’re thankful for (and you wouldn’t trade for someone else’s life!). 
PRIORITISE YOURSELF. You should start to see that the ability to take care of yourself is a privilege that you shouldn’t ignore. Instead of saying ‘yes’ to every commitment, only go to the ones that align with you and bring genuine fulfilment. 
The times when you’re not at any commitments, use it to invest in yourself and practice some self-care rituals regularly. Your health is more important than any other event. 
BE INTENTIONAL WITH YOUR TIME. Stop chasing after every single opportunity, especially ones that do not resonate with your dream life. Only do the things that align with your values and goals. 
Stay focused on what truly matters to you. This doesn’t even have to be about going out, it applies to scrolling, laying in bed all day, or watching TV shows, do something intentional instead. 
PRACTICE DETACHMENT. Focus on you and you only. Other people’s lives, words or actions should not play a role in how your days go. It does not matter what they’re doing, you’re just wasting energy on someone who probably could not care less. 
CELEBRATE OTHER’S SUCCESS. Someone else’s success is proof that you can do it too. There is enough success for everyone, be happy that others are achieving what you want to achieve because that allows you to open up to the opportunities you want. 
GET MOTIVATED & INSPIRED INTERNALLY. While I’m all for using other people’s lives as motivation, there is a line when your life becomes misaligned with your goals and values, because that’s still someone else’s life. 
You know yourself better than anyone else. You know why you want this, and you know how you envision it. Tap into those feelings and embody them. 
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The broadcasts follow prison officials into detention centers to document the mistreatment of prisoners, which seems to be something that the officials — and apparently the viewers — find satisfying rather than revolting. The airing of these snuff films is a demonstration of societal sadism.  As Yumna Patel has recently reported, several rights groups have sounded the alarm over the widespread and systemic abuse that Palestinian prisoners face at the hands of the Israeli authorities. These groups’ calls have been unintentionally buttressed by Israeli soldiers’ unapologetic videos of themselves torturing or demeaning Palestinian detainees, which they boastfully post on social media. Now, it seems that the phenomenon has expanded to mainstream Israeli television. The two aforementioned reports on Channel 14 (threads with subtitles can be found here and here) contained footage of actual interrogation sessions during which torture was used. The Channel 13 report did not, but it exposed some of the worst prison conditions to be broadcast to the public. These conditions include forcing prisoners to live in inhumane conditions and subjecting them to torture and harassment.
[...]
“Here, we see the cells in which the Nukhba terrorists are held,” the narrator says. The “Nukhba” refers to elite Hamas-led fighters who carried out the October 7 attack. In the cell, viewers notice metal bunkbeds without mattresses, and instead of a toilet, there is just a hole in the floor. The room is almost completely dark throughout the day, and prisoners have their hands and legs chained together.  We hear attack dogs barking constantly as prisoners are made to kneel while bound and blindfolded, their heads touching the floor.  “This is how it should be,” a guard says. “This is how a Nukhba prisoner should be…what happened on October 7 will never return.”  In another scene, a guard shouts at prisoners as dogs continue to bark incessantly. “Heads down! Heads on the floor!” he yells.  “There are many prisoners here that I personally saw at the [October 7] events,” a prison official says, taking pride in humiliating them. “The difference is that this time, he is afraid, shaking, with his head on the floor…no Allahu Akbar, nothing. You won’t hear a squeak from him.” “They have no mattresses,” says a warden shift commander. “They have nothing…we control them 100% — their food, their shackling, their sleep…[we] show them we are the masters of the house.” Even without knowing the background to that phrase, to hear him say it is chilling.  “Masters of the house” was the election slogan of Itamar Ben-Gvir, the Jewish Power leader and current Minister of National Security. Ben-Gvir declared war on Palestinian prisoners long before October 7, and this has included shutting down bakeries that supply bread to prisoners — described by Ben-Gvir as an “indulgence” — and drastically limiting prisoners’ water use. So now it’s become much worse. 
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auras-moonstone · 2 months
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Hello!!! Hru?! I hope your doing great!
I don't know if the requests are open but i know you're a swiftie and 1989 tv just came out and "Slut!" really reminds me of Jack, so could you do a story inspired by it? Just reader being famous (actress/singer, whatever you think fits) and she is being all love-sick by meeting and dating jack? And she even buy that "i love my boyfriend/girlfriend" t-shirts?
I hope you get my request and i love your writing!! You are the best <3 (And what's you favorite vault track?)
⋅˚₊‧ ୨୧ ‧₊˚ ⋅ slut! — jack champion
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ᡣ𐭩 word count: 1.9K
ᡣ𐭩 pairing: jack champion x actress!fem!reader
ᡣ𐭩 summary: y/n has to deal with the reputation that has been set on her by the media as she falls in love with jack, her co-star and best friend.
ᡣ𐭩 contents/warnings: mentions of slut-shaming. friends to lovers. instagram posts. fluff.
ᡣ𐭩 author’s note: hiii! <3 thanks for sending this request! when i heard the lyrics “in a world of boys he’s a gentleman” my brain just screamed JACK so i agree with you! and my fav vault tracks are slut and say don’t go <3
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ever since y/n started working as an actress, the media has been merciless with her. maybe it was because despite having been in the industry for just a few short months, she was already working with remarkable directors and successful and iconic franchises. media had always had the tendency to bash successful women, and y/n was fully living that experience.
the point was, she didn’t want to give the media more things to trash her for, so she stayed unproblematic and silent. and yet, regardless of all that, they had managed put a reputation on her that was far from the truth.
y/n was kind and had a unique vibe. every co-star spoke highly about her and the media always managed to twist this by painting the picture that she was a “serial co-star dater.” it happened to her with every single movie or show she worked in, and people bought it blindly. the name-calling became part of her every-day life, and she would be lying if she said it didn’t affect her.
she swore she would never make the media be right, and so she set a strict rule—never ever date a co-star or be extra affectionate with them. it was a sad way of living, setting boundaries that were useless because reporters and haters always found a way, but she just wanted to do what she loved. she wanted to be remembered for her good acting and not for who she dated.
but then jack champion walked into the set, with his cringy yet amusing dad jokes and contagious smiles, to turn her world upside down. everything was so natural with him y/n didn’t even notice the way she started ignoring the rules until the scream filming was nearing its end and the thought of not seeing jack as often anymore made y/n’s chest hurt as if her heart was being ripped out.
and then the questions ran through her mind—what should she do? should she act normal, as if realisation hadn’t drawn on her? should she confront jack and ask if there was something more than friendship between them? or should she start putting distance before the feelings got deeper?
what she didn’t count on was that she didn’t need to say anything, jack was not only observant, he also knew her like the words to his favorite songs. he noticed how her head was up in space, how she seemed to be always deep in thoughts, distracted. something was consuming her mind, and it was driving jack insane.
“you’re acting weird. what’s going on?” jack finally asked her, pulling her aside on set. right behind the trailers where no one could bother them.
y/n tensed up. “what? nothing.”
“please, don’t play dumb. if there is someone you can’t fool is me.” jack said firmly. he missed his y/n, the girl who brought him comfort like a cozy warm blanket. “i miss you.”
“i’m here.” she said breathlessly.
“but are you?” he accused her. “something is going on, and it has to do with me.”
“what makes you say that?” y/n asked nervously.
“because you’re especially tense when i’m around.” he said sadly, and it broke y/n’s heart. her mind has been a mess, and she was unconsciously hurting jack. “did i do something wrong? please tell me, we can talk about it.”
y/n shook her head and before she knew it she was breaking down. jack didn’t hesitaste to pull her in. “i’m the problem. i’m sorry.”
“shhh, it’s okay. i’m here. don’t worry about it now, just take a deep breath. we don’t have to talk about it now, i’m here whenever you’re ready.” he spoke softly, rubbing her back slowly, to try and bring some calm.
they both sat on the ground, backs resting against the trailer. jack held y/n’s soft hands tightly, hoping it would give her the comfort she needed. he had never seen her in such state, and he was concerned.
“it’s nothing bad… i guess. it depends.” she said, reading the expression on the boy’s face, which grew more confused by her words. “i realized some things a few days ago, and they have been occupying my mind. i don’t know what to do with this. no matter what i do, it’s going to change things so i might as well be completely honest.”
jack nodded, pressing his lips on the crown of her head. “not going anywhere, y/n/n. no matter what you say, i can promise that.”
“you know the reputation that precedes me, right? i’ve told you about it.” jack frowned but nodded. “because of that, i’ve set this rule, that i wouldn’t let myself be affectionate with my co-stars. and i have sticked to that rule, until you.”
a knot formed on jack’s stomach. “so it’s about that? you want to put some distance?” god, he hated this. he hated to think about not being able to hold her, but he would give it up if it meant he got to keep her around.
“that’s the thing, jack. the reason why i have been acting so unlike me is because i’ve been trying to convince myself that putting distance would be the wise decision. but… if these days have proven anything is that it would be ultimate hell.”
“why didn’t you talk to me?”
“well, to be honest i was thinking what i should do. you just beat me to it because you know me better than anyone else.” she smiled and jack mirrored it. “that’s… that’s not everything i realized though.”
“okay, go on.”
“when the countdown to our last day on set started, i got this horrible feeling on my chest. the first thing that ran through my mind was that we wouldn’t see each other that often anymore and i felt this hole in my chest… it’s more than just missing a friend, jack. i would feel empty because i like you and you’ve become my person.”
jack’s jaw fell open and he was close to pinch himself just to make sure he wasn’t dreaming. the times he has dreamt about this scenario… it felt too good to be real.
“but…” she continued. and reality hit the shore, putting an end to his short-lived hope. “i’m scared of what people might say. it’s still hard for me to not let what others think get into my head, and to even think about the hate that might come your way if we dated, makes me sick.” she shook her head and then her eyes widened. “my god, what am i even saying? i just assumed that you liked me back, i didn’t let you talk. god, this is embarrassing i’m so sorry.”
jack cupped her cheeks. “y/n, y/n, stop. breathe.” the girl nodded and closed her eyes until she was breathing normally again. “okay, now listen to me. if you’re not ready for a relationship, that’s fine. but if it’s because you’re scared of the hate comments towards me, let it go. i don’t care about them, i just care about you. okay?”
“yes…”
“good. i want to be your boyfriend, and if you’re not ready because of what the media might think then i have an idea.” y/n’s curious eyes look up to meet his. “i really like you, too, y/n/n. we can date in secret, to see how things go, and whenever you’re ready, we can tell everyone.”
“jack, that’s a lot to ask to you…”
“you aren’t asking me anything. i want to do this. i want to call you mine so bad—in secret, in public, however you want.”
y/n smiled through the tears. “are you sure?”
“one hundred percent, y/n. never been so sure about something.” he reassured her.
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y/n couldn’t even recognize herself. two months ago she had been completely against the idea of being in a relationship and now she was utterly and unquestionably love-strucked.
she used to think she was doomed to being lovelorn because of the restrictions she had put in her relationships with other people. and now, there she was in bed, feeling lovesick just because she hadn’t seen her boyfriend in two days.
though those days helped her make the decision. the relationship between them was beautiful, it was a safe place, it was her main source of happiness. jack was everything to her and she was tired of loving him in the dark. he deserved to be loved out loud, in plain sight. she knew she was going to be the one to pay the price, but it was fine.
“you know there’s no rush, right?” jack assured her for the hundredth time. when y/n told him she wanted to make their relationship public, he remained calm (even though he was jumping on the inside) and sat her down to think it through.
y/n smiled widely. how could she not fall for him when in a world of boys he was a gentleman? “i love you, and if they call me a slut… you know, it might be worthy for once.”
“i love you, too.” he pulled her in for a kiss. “okay. let’s do this.”
“okay. i’m just warning you, i truly believe in the slang go big or go home.”
jack eyed her suspiciously. “spill.”
the girl smirked mischievously and went to grab a bag. “i made us special shirts.”
“lord save me.” jack sighed when he took the shirts out of the bag.
“you don’t have to wear it if you don’t want to.” y/n said
“you know i’m going to, anyways. like i’d ever be able to say no to your pretty face.”
enchantedliv um, just bumped into y/n y/l/n and jack champion 🥺 they were wearing matching shirts that pretty much confirmed their relationship ????
landrysghost what did the shirts say??
enchantesliv “i ❤️ my girlfriend.” and “i ❤️ my boyfriend.” THEY ARE SO CUTE AND WERE SO SWEET😫
user1 are we really surprised? that girl dates everyone she works with.
user2 he’s too good for her.
user3 she’s going to dump her once she meets her next co-star for sure lmaooo
user3 y’all are so jealous lmao. acting bitter just because you want him, that’s her only crime. there has never been any proof that she dated previous co-stars.
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liked by jackchampion, misstrinitybliss, baileybass and 878,913 more.
y/n.y/l/n hi everyone! this is more than me saying i’m taken by the most gorgeous and kindest man on the planet. this is also me getting something off my chest. been wanting to for a while, so here we go!
since the beginning of my career i’d told myself to stay unproblematic which i mistook for never fight back or defend myself.
the media always said i dated too many co-stars—even though that’s completely false. i’ve never dated anyone i worked with (until now)—, so i set this stupid rule for myself: try not to be too friendly with my workmates. i was so scared of proving the media’s rumours right that i built this shell around me, never allowing myself to fully connect with people. and then, a couple of months ago i met jack. he made me forget about those limitations i so foolishly put.
i’m done giving anyone the power to hurt me. i’m done letting people think it’s okay to shame a woman for who they date or not.
i’ve been in a dark place for a long time, and i never noticed until my person walked into my life and showed me daylight. i’m doing better than i ever was now. i’m never staying silent again, i’m going to defend myself, my relationship and my boyfriend. always.
that was all for now, thanks for reading.
ps. i love you, jack. all i need is you <3 thanks for being the best boyfriend, best friend and person in the world.
jackchampion so so so proud of you. this brought tears to my eyes not gonna lie. you’re the sweetest ever i love you 💌 thanks for the shirt, by the way, matches my personality!
y/n.y/l/n you’re so silly😭 i love you more and intend to be cheesy forever 🫶🏻💖
jackchampion certainly no complaints from me!
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thornhawthorne · 3 months
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The thing about writing trans characters is that it is 100% guaranteed that at least a few trans people are going to be unhappy with whatever you write — not necessarily through any fault of your own, though that is certainly a possibility, but because there is such a dearth of trans representation in general.
Trans people are hungry and we’ve mostly been getting by on crumbs. I’m not saying that there are NO media with trans characters, but you have to admit that there are not a lot of really good things to read/watch/consume that have trans characters (and this is without getting into the question of whether or not those characters or the media they’re presented in cater to your particular tastes!)
^ This is usually the real problem. Certain genres and mediums have it worse, too! Think about how expensive it is to make movies or TV shows and how many people you have to get approval from and how many people need to be hired and paid to make one that makes it to cable, streaming services, or theaters, as an example.
Books and comics give us more to choose from in part because the barrier to pushing one out into the world is lower, though still not as much as I would like.
Personally, I want to make a TV show, but I can’t. So, I’m making the story into a comic that could maybe get adapted someday. This brings us close to my point:
Two of the protagonists (and many more of the side characters) in my current project are canonically trans. To some people, these two will be refreshing / the representation that they have been waiting to see for AGES. Those people will feel like they are being presented with a feast. To others, it will feel like being handed an empty plate and told to eat up. Those people are not wrong and I will not take it personally. The way that my writing makes them feel will be extremely real and undeniably valid.
What I want fellow writers to understand is that these feelings are not always going to be the fault of the individual author of the individual project that inspired these feelings (with the caveat that it does kind of suck when a new fictional trans person turns out to be exactly like all the other crumbs we’ve been forced to call a feast.) The people you make angry by breaking away from the norm could simply be mad because they’re used to feeling seen rather than because you've done something terrible.
People will be angry if a trans character is conventionally attractive or if they aren’t. They’ll be angry if you make the character pre-everything, non-op, HRT only, 10 years into a “do everything” transition, fat, thin, tall, short, etc. They’ll be angry if you make the character gay, straight, bi, pan, aro, ace -- I could keep going, but I won’t.
My point is that while you should definitely take the reasoning behind the anger your work may inspire into consideration and you should ABSOLUTELY remain critical of your own work if you want it to be the best it could possibly be...
You also have to be aware that you CANNOT please everyone, especially not with a single trans character in isolation, and you should not work yourself half to death trying to meet some imaginary guidelines of what “good” representation is, because it doesn’t exist.
"Good representation" means something different to everyone.
Also, someone already made basically what I was trying to express in this post but better and also in a single image:
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final-script · 2 months
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Many First Times | Arthur Leclerc
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Pairing: Arthur Leclerc x Reader
Sumary: One of the many first times with your boy.
Warnings: English is not my first language !!!There are probably many mistakes (I will correct them later). Drinking
Gif: princemick
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Your relationship with Arthur was and will be full of many firsts.
Skipping the first time they saw each other and their first date, we got to that date where they had their first kiss.
After going out to eat a few times and being teased by photographers on a few occasions, they both decided they wanted to cook together.
That's how Arthur invited you to his apartment since some time ago he had his own space, so he wouldn't be bothered by any member of his family.
(…)
Having cooked dinner and subsequently consumed it, the two decided to go into the living room along with a glass of wine to continue talking and getting to know each other.
A while later the drinks had been forgotten, now they were both hugging each other "watching" a movie that was playing on TV, but to be honest neither of them was paying attention.
Both you and the Monegasque debated in their minds how good they felt in that position.
(…)
Y/N- I… I think I should go. Against my will, I separated from the boy.
A- It's not safe for you to drive home, we've been drinking and I wouldn't want anything to happen to you, why don't you stay?
His proposal took me by surprise.
Y/N- I don't want you to think I'm abusing you.
A- Not at all, even if Monaco is quiet, I don't want you to drive and even more so if we've been drinking, come on I'll show you where everything is.
He got up from the couch and held out his hand waiting for me to take it and I did.
Hand in hand, we walked down the small corridor that led to the guest room.
A- here it is, uh… I'll go get an extra blanket and something so you can sleep comfortably.
Arthur left and I put my things at the foot of the bed and sat down to wait for him, minutes later he came back with a blanket, along with one of his t-shirts and shorts.
A- This is all, I'll leave you so you can change and rest.
He handed me the things, turned to leave but I stopped him.
A- Wait… Thank you for this, you didn't have to.
A- I repeat, I couldn't let you go, I'd feel very guilty if something happened to you.
He came back to me and hugged me affectionately.
Y/N- then… Thank you for taking care of me.
Little by little we parted ways and our faces were somewhat close together.
A- I don't want to overdo it… we…
Y/N- I know we've been drinking, but believe me, I'm very aware of what I'm doing.
A- I hope so, because I won't be able to stop. Finally putting our lips together.
Frankly, this wasn't how I expected our first kiss to be, but I'm not complaining either.
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ANOTHERS
Private Relationship - Charles Lecler x Reader
FORMULA 1 MASTERLIST
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sneakyneth · 2 months
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Poly 141 x gn!reader
The guys come back early from a mission and find you stressed over work
They were exhausted as always it doesn't matter how many missions they went over it never gets easier but they managed to get back earlier and were excited to see you, to surprise you.
Once they got to the apartment they expected to see you in the sofa watching some TV shows o scrolling through your phone but they only found an empty living room, they got their boots off in the entry and went looking for you in the room, maybe you were already sleep after all it was kinda late, but you weren't there so they went to your office.
The apartment only had 2 rooms, the main room were all of you slept and your office since you worked mostly from home, but they had a sofa for when they wanted to be around you while you were working and there you were in front of your computer clearly stressed with multiple mugs (probably coffee) around you.
They were gonna come in but you let out an angry grunt "why it isn't working, why can't I make it work?! Aaaaagh" you pick up the phone probably looking at the time "ugh I should go to sleep but I have to finish this quickly!!! The guys will come back soon and I have to prepare everything!!!" They always found endearing when you talked to yourself mumbling thoughts or songs and when you thought you were alone it helps them to know what you're thinking and now it's obvious that you were under a lot of pressure probably because of the work you were doing since the apartment wasn't really messy nothing that you couldn't fix in less than a hour but they knew you wanted to receive them in a clean house and food ready like you always do.
They entered the room and once they were on your back you turned around scared obviously not expecting anyone but once you saw it was them, your boys, you jumped on their arms immediately they surrounded you in a much needed hug, "I thought you would come back in a couple days" "we managed to finish early" you tried to apologize for not having anything ready but they diminished that, said that they understood that you also had a job that was time consuming, they offered you to go to bed now not only because they really needed to feel you but also because it was obvious you haven't slept well in their absence.
It didn't take long for you to accept, you were stressed and your work wasn't finished but you were so tired and you missed them so much, once you got in the bedroom you took turns to take a shower and later put on some soft pj's all of you got on the bed and after kissing everyone good night you fell asleep in seconds now having your boys with you and feeling there heat, hearing their hearts when you rested you head in their chest you felt like in heaven.
Not used at writing sorry if it's garbage
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