He cares very much about his elemental just look at this man
He raised this bubble monster since it was a baby and worries about her getting mixed with other water things... Dad behaviour...
It's like he asks her to come out to fight.
He can't ask her that, he alredy sent her to battle. Is it either them or the quimera and he knows it damn well, that's why he looks at Marcille with something close to pity. He can't ask the undine to stop. He needs, they all need, the monster to be dead.
And then his baby droplet gets obliterated by this monster. He's not recovering up emotionally from this anytime soon. He freezes a few seconds in absolute shock.
"I even find it cute now". His baby is dead. It's gotta be something akin to adopt a stray cat since baby and then he gets run over. He starts tearing up. Look at this man's poor face, he's destroyed.
Here he's mourning the loss of his undine possibly, all sad faced. He is, at the end, the only one that lost someone there (many died but revived, and Falin doesnt count because she's alive). Either that or he managed to, somehow, save a bit of her and put it on the bottle and it's feeling sorry for his elemental or saying sorry.
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i love monty's teenage angst. he makes sarcastic snipes at esther and wears band t shirts. his eye roll game is impeccable. i bet he paints his nails black and reads sad poetry.
he also says wheee! out loud when he swings. these two facts can and do coexist.
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there's something about the way people talk about john gaius (incl the way the author writes him) that is like. so absent of any connection to te ao māori that it's really discomforting. like even in posts that acknowledge him as not being white, they still talk about him like a white, american leftist guy in a way that makes it clear people just AREN'T perceiving him as a māori man from aotearoa.
and it's just really serves to hammer home how powerful and pervasive whiteness and american hegemony is. because TLT is probably the single most Kiwi series in years to explode on the global stage, and all the things i find fraught about it as a pākehā woman reading a series by a pākehā author are illegible to a greater fandom of americans discoursing about whether or not memes are a valid way of portraying queer love.
idk the part of my brain that lights up every time i see a capital Z printed somewhere because of the New Zealand Mentioned??? instinct will always be proud of these books and muir. but i find myself caught in this midpoint of excitement and validation over my culture finding a place on the global stage, frustration at how kiwi humour and means of conveying emotion is misinterpreted or declared facile by an international audience, frustrated also by how that international audience runs the characters in this book through a filter of american whiteness before it bothers to interpret them, and ESPECIALLY frustrated by how muir has done a pretty middling job of portraying te ao māori and the māoriness of her characters, but tht conversation doesn't circulate in the same way* because a big part of the audience doesn't even realise the conversation is there to be had.
which is not to say that muir has done a huge glaring racism that non-kiwis haven't noticed or anything, but rather that there are very definitely things that she has done well, things that she has done poorly, things that she didn't think about in the first book that she has tacked on or expanded upon in the later books, that are all worthy of discussion and critique that can't happen when the popular posts that float past my dash are about how this indigenous man is 'guy who won't shut up about having gone to oxford'
*to be clear here, i'm not saying these conversations have never happened, just that in terms of like, ambient posts that float round my very dykey dash, the discussions and meta that circulate on this the lesbian social media, are overwhelmingly stripped of any connection to aotearoa in general, let alone te ao māori in specific. and because of the nature of american internet hegemony this just,,,isn't noticed, because how does a fish know it's in the ocean u know? i have seen discussions along these lines come up, and it's there if i specifically go looking for it, but it's not present in the bulk of tlt content that has its own circulatory life and i jut find that grim and a part of why the fandom is difficult to engage with.
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I think it genuinely cannot be overstated how important that kiss in season 2 of Good Omens was.
From a plot standpoint, that kiss showed Crowley's desperate attempts to keep Aziraphale, to reel him in and back to the Us that they had built upon.
But from just a show standpoint, they. fucking. kissed.
Obviously their love transcends physicality, and Neil has said that Good Omens is a love story even before season 2, but the outright confirmation of a widely popular queer ship ON SCREEN is just so... Unheard of.
Every fandom or show has their trademark gay couple that aren't-really-gay-but-also-kind-of-are-gay: Merlin and Arthur, Sherlock and John (very heavy offender), Dean and Castiel (okay this one was canon, but we all know what happened IMMEDIATELY afterwards), and I suppose at some point Ineffable Husbands had just been included in the same category as the rest of them.
And to have it be moved from mostly fandom and fan work fuelled to outright canon - like 'they fucking kissed on screen' canon - is just so fucking fantastic.
It's not vague, it's not lines that are blurred for the sake of being on the fence of appealing to two audiences at once, and it's not only canon because the creator just said it's canon without rhyme or reason purely for the sake of appealing to a queer audience (looking at you, Ms J. K. Rowling) - it's undeniable, blatant evidence that Crowley and Aziraphale are in love.
And yes, at the moment it's devastating, but it's also devastatingly real. And that's so important.
Especially with the release of Our Flag Means Death, I really do hope we are entering a new era in mainstream media where queer ships finally aren't treated as some sort of mysterious prize that the writers dangle in front of you like a carrot on a stick, and are just simply treated like any other ship out there.
Because if so, then queer kids will be growing up to these shows, see this new era of unabashedly queer media, and won't have to hide away their ships like some dirty little secret. They won't have to wonder if their representation is even representation. They won't have to get excited over being able to see the small chance of themselves represented in a character only to be let down so incredibly badly, because queerness is good only when it's marketable.
So sure, ending season 2 like that is fucking crazy, but you know what's crazier? Whatever the fuck Neil just did with that kiss.
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Y'know what, I do love Spiderbit to pieces but I am actually very happy that Roier sorta backed away and told Cellbit that Bobby is his and Jaiden's son. Cellbit can very much be his step-dad! But it's him and Jaiden that went through all the love and grief together first.
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Where can you play ride kamens? It looks fun looking at your blog but idk where to play
it'll doesn't start until the 30th, but there's some pre-release episodes/character bits that are scattered around the website and twitter! (the links to pre-reg/download are also on the website :D)
honestly I'm really enjoying it just based off of the pre-release stuff, these characters look like they're going to be exactly that blend of ridiculous and emotionally constipated that hits me so right.
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Sometimes I think I’ve got a good idea of sans character then I remember deep down I consider him kinder then papyrus and I have to come to terms with the fact that I have also fandom-fied him and it hurts, anyway congratulations on staying true to his character your the strongest soldier out there
lol don't beat yourself up. i wouldn't use "kind" as a qualifier, but i do think papyrus can come across as much blunter than sans. he's loud and banging and over the top in a way that exaggerates his other attributes, and one of those is his social awkwardness. he's shameless! both when he's being positive and uplifting AND when he's being a bitch. sans is more... contained. less vocal. but that's something that applies to his character in general.
more than anything i think—as jaded and more pessimistic as sans has become with time and his reset knowledge—both him and papyrus start from the same core personality. papyrus' kindness is obviously important to his character, but people tend to play it up too much in my opinion. he's just as capable of disregarding people's suffering and unhappiness for his own interests (empress undyne ending, king mtt ending, remaining our friend in spite of our actions) as his brother. he's just... very loud about his positivity and caring for other people and DOES want what's best for everyone... when it's not particularly inconvenient to him. lol.
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