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#this was so important when we first started talking
ibtisams · 18 hours
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The student protests for Palestine have been an amazing show of solidarity and support and seeing the way that so many young people are willing to stand up for their values is admirable when so many others stay silent. But this is all to say that we are entering a pattern of glorifying these white “martyrs” from the global west to put all of this effort and resources and media coverage into instead of the actual cause they are fighting for.
I saw the same thing happen with Aaron Bushnell, when his self immolation was being talked about more than the actual genocide in Gaza (which went against everything he said he was self immolating for in the first place).
And again this happened with the prisoner from the US who worked 136 hours just to be able to donate his $17 check to Palestine aid efforts. In response to this, people wanted to help him and ended up raising over $100,000 in a gofundme for him. This feels almost satirical, as every gofundme to help Gazans evacuate Palestine and get to safety has a goal of less than $100,000 and most of them are not even close to reaching it.
And now, there are more and more posts on how to get aid to the college student encampments, and the “urgency” of getting enough bail funds for the students who have been arrested during them. Talking about Palestine itself and getting resources to Palestine has almost been put on the back burner in favour of making all Palestine related news about college students in the United States.
It think it is valuable to recognise the selflessness and importance of these protests, and getting these students resources but what is MORE important, and what these people are truly fighting for, and protesting, and make a statement about is PALESTINE. We have unsurprisingly reached the point where there are people who care much more about the white people fighting for the cause from the comfort of living in the global west than they care about the Palestinians undergoing a genocide in Gaza. It’s become almost blatant racism, the way people begin to drop everything the second a white/usamerican person does something in regards to helping Palestine, but will not put the same effort into a Palestinian IN Gaza who is telling their story or asking for help. I respect anyone who has done absolutely anything to help Palestine, but I hope people are starting to see the pattern of how the media gravitates towards the “white saviour/perfect martyr” instead of the first hand accounts coming from those in Gaza.
Anyway FIND A GOFUNDME AND DONATE TO HELP FAMILIES IN GAZA ESCAPE GENOCIDE
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melbatron5000 · 15 hours
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The Big Damn Kiss
Buckle up, my fellow Good Omens Ineffable Mystery Puzzlers, Crackpotters, and Assorted Brainrotters, because I learned something HUGE yesterday.
This will be a bit of a long post, because I want to show you exactly how I got where I am. I want you to understand. I want to put all the naysayers to bed (ha! But I'm still gonna try), and settle this once and for all.
I know (almost) exactly what Crowley gave to Aziraphale during the kiss.
DO NOT TAKE ANY OF MY THEORIES TO NEIL! PLEASE!
Okay? Okay. Thanks. Shall we begin?
Ahem.
Firstly, whether you believe me or not, I am 100% certain that Crowley did, indeed, give something to Aziraphale in his mouth during The Kiss. I've covered that in the link previous. Okay? Okay.
I did not know what it was. I've now heard theories that it was a bullet (nope), a ball bearing (nope), hellfire (nope), and no one, NO ONE has suggested what I see. (If you have, hello! Talk to me!)
Here's our first foreshadowing Clue:
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And here's our next foreshadowing Clue:
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And the next:
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And our last Clue:
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With me so far? Well, that first GIF is a bit off, I couldn't find one of Crowley actually spitting out the flies. But he does. When Beelzebub first drags him to Hell, he actually goes "Pleaugh!" and spits out four or five flies.
Moving right along, we come to Crowley in Heaven with Muriel, looking at the trial. We learn two important things here:
One, Gabriel doesn't have a desk.
Two, Muriel does. Where they keep the records. And it's a bit lonely. Every few hundred years, someone comes and asks for something. Muriel can't access the sensitive ones, you have to be pretty high up. A throne, dominion, or higher. Like, maybe Supreme Archangel?
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So if Gabriel doesn't have a desk, whose desk is he at when he's getting ready to leave Heaven? Of course I can't find a damn picture of Gabriel at the desk, but it's Muriel's. Where they keep the RECORDS.
Gabriel puts his memory into the fly, then gets on the elevator to go to Earth.
Now, when Gabriel opens the fly with his memories inside, we find out that it's a container. Bigger on the inside. You can put thing(S) in it. The bit we see of him remembering is shot in two parts, one where he's flying down a red tunnel, one where he's flying down a blue. If you slow this scene down and watch, you can see that he is NOT looking at just his own memories. There is more going on here, more that he was not present for. @embracing-the-ineffable put up a great meta about that here. Go look!
Now I figured Gabriel must have taken something else. Something important. Something useful. Something he meant to give to Aziraphale, except he forgot.
I also figured he must have left whatever it was in the fly when he took his memories out. Crowley must have realized while watching the trial footage that Gabriel also grabbed something else. I don't know when Crowley grabs the fly, but he does. And that is what he gives to Aziraphale in the kiss. Why? Well.
I had no idea what Gabriel took until I started working on the chiastic structure of season 2. I'm not done with that analysis yet, but let me show you one thing that I have found so far:
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(The numbers are just to try and help me navigate the story and its events without time stamps)
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My note #357 of what happens isn't quite right, but when I saw the only two times Aziraphale says "I forgive you" are towards the beginning of Season 2 and towards the end, I realized I had something.
Rephrase line 357: Crowley's kiss is forgiven IN EXCHANGE FOR RECORDS.
(Not that I think Crowley's kiss needs to be forgiven. It's just what Aziraphale says, and had to say at that moment, because the Metatron was listening in.)
What does Heaven in Good Omens remind us of most of all?
A big corporate entity. And what do powerful people do when they get fired from a big corporate entity? They download all their emails while they're cleaning out their desks. Damning emails. Emails that can be used to black mail or even destroy big corporate entities. Or, ya know, maybe they swipe some sensitive RECORDS?
Oh yes.
Here's Aziraphale reading the records:
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Here's Aziraphale being horrified and outraged by what he's reading:
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And here's Aziraphale realizing he has got some GOOD DIRT on Heaven. Maybe enough to bring them down:
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That's it folks. I have no idea what the records actually say, and maybe we're not meant to know until season 3, but whatever it is, it's GOOD.
That's my story, and by God Herself, I'm sticking to it.
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youandiwerealive · 2 days
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Praying that the blood doesn’t stain [rd]
Author’s note: I cried so much while writing this one, I don’t even know what to say to you, girls, this broke my heart. Thank you to the anon who requested insecure dad!Rúben, sorry this took such a huge turn 😭 Hope you somehow enjoy this!
Warnings: there’s mentions of death and blood in this one ‼️
wc: 2107 - English is not my first language! Feedback is always appreciated
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There’s no biggest joy in Rúben’s life than his family. You and your daughter, Matilde, really are the light of his eyes. The little girl has him wrapped around her tiny finger, he could never say no her.
“Daddy, can I paint your nails pink?” - the 4 year old would ask him in her cute voice.
“You want to paint my nails, Mati? Of course, but choose a pretty shade of pink that matches daddy’s game shirt, okay?” - he would say to her in a soft voice, always smiling at his baby.
Matilde would do everything with his dad. Anywhere Rúben went, Matilde was there too, always tightly held at his hip, or taking her slow baby steps towards her daddy’s direction.
And Rúben couldn’t stop thanking God, the stars, destiny, whatever put you in his way: the love of his life that made him a dad, the most important role of his life. Nothing could top the importance that you and Matilde had in Rúben’s life, he would always put his girls first. He never felt so happy, with his daughter on his lap and his wife by his side, living in your indestructible bubble of love.
But it all changed two years ago. Rúben will never forget that fateful afternoon, he was having a tea party with your baby, when he got the call from the hospital. A drunk driver hit your car while you were on your way home, making Rúben losing his other half, forever. The news hitting him like a shot in the chest, straight to the heart.
He will never recover from your absence, leaving him to raise the light of your lives all by himself. Matilde is now six years old, she has already started school, now learning how to draw her first letters. Rúben still cries himself to sleep every single night, thinking about you, about how unfair fate was to both of you. You just had your baby, Matilde was only four years old when she lost his mother.
He misses you so fucking much, and your daughter does too. Rúben finds it incredible how Matilde remembers so much of you, always remembering things that you used to say to her, plays and jokes that you had with her. Rúben secretly believes that you talk to her in her dreams, because it’s like she has you always by her side.
Rúben tries his best to not break down in front of your child, especially when she asks about you. It’s been tough for Rúben to be a single dad, missing your support, the way you always seemed to make every thing right. He never looked at another woman again, his eyes and heart belonging to his daughter only - as well as to you, forever. He still wears his wedding ring, never taking it off. He hates the fact that life didn’t allowed him to say goodbye to you, to give you one last kiss. The last time he told you he loved you was over the phone, while you informed him that you were on your way home. Him and Mati cheekily saying “we love youuuu”, over the phone, while Rúben would pretend to drink a cup of tea, wearing a tiara on his head and sitting besides Berny - the bunny, and Johnny - the bear, named after Bernardo and John Stones, Rúben’s friends and Mati’s uncles.
His friends and family never left his side, they notice that Rúben has never been the same again after what happened, everybody knows it.
Matilde is the only thing that can make him smile, making him feel alive as he teaches her how to write her name, paints ballerinas and flowers with her, cooks for her and teaches her how vegetables and fruits are important for her health. Rúben’s life mission is educating his girl in the best possible way he can, be by her side at all times and protect her from every one and every thing.
Every time Rúben looks at his daughter, his heart stings a little, she looks so much like you now. She has your eyes, your smile. At the same time, there’s nothing that he loves more than looking at his baby, resembling the love of his life so much, like you’re still with them.
He can’t do his daughter’s hair as pretty as you could, but Matilde is a gentle and caring girl, she always has a smile on her face and a compliment to give to her dad. “I love my ponytails daddy, you did great” - she would always notice every morning after Rúben would neatly comb her hair, using her favourite pink hair clips with butterflies on them.
She would thank him with a gentle kiss on his cheek, his favourite feeling in the world being the love of your daughter, the way she would tightly wrap her tiny arms around his neck when he would pick her up, how she would hold his hand while walking in the street, her loving kisses on her father’s face, and the way she laughs when his beard tickles her.
When Matilde is at school and Rúben founds himself alone, he lets his thoughts take advantage of him. You are always on his mind, there’s not a second when he isn’t thinking about you. But when nobody is watching, he cries his heart out, still questioning life about the reason why they took you away from him. He often goes to the cemetery, to talk to you, to tell you everything about Matilde - even though he knows you’re always watching over her, protecting your baby. He drops kisses on your grave, whispering how much he loves you, how much he misses you. And how badly he needs you more and more as time goes by. Matilde is getting bigger and she needed her mother too.
After he picks her up from school, Rúben is cooking dinner for the both of them, while his daughter is playing in the garden. He gets lost in his thoughts, unable to stop himself to think how the house is silent without you in it, how life was never the same.
His daughter’s cry takes him out of his trance. He immediately goes to search her outside, Matilde already running to meet her dad. Rúben’s heart breaks at the sight: his baby’s face is wet from all the tears, and her noise and chin are running blood.
Rúben immediately picks her up and rushes to the bathroom, sitting his daughter on the counter, while he tries to clean up her wounds. The little girl hisses and whimpers in pain, poor child fell while playing on the rocks - bruising her knees too. Rúben stops the bleeding and decorates his girl’s wounds with pink band-aids that have hearts in them. Those make Matilde smile a little bit, as she stretches her arms to hug his dad. Rúben holds her tightly, the girl hiding her sad face on his dad’s neck. He kisses her head non-stop, now lying in bed with his daughter still in his chest.
Matilde sleeps in Rúben’s bed now. It’s been like this since you passed away, he feels like he can’t sleep alone anymore - his nightmares about your accident chasing him every night.
The two of them stay silent as Rúben is still leaving kisses on his precious baby and stroking her back carefully. All of the sudden, there’s a little sound.
“Daddy?” - Matilde asks quietly, her voice sounding muffled from her face still being hidden on her dad’s neck.
“Yes, amor?” - Matilde knows a lot of portuguese now, understanding all the pet names and the lectures her father gives her sometimes.
“I miss mommy” - she admits with a little cry escaping her eyes.
Rúben closes his eyes and sighs. “I know, baby. I miss her too” - he admits to his daughter, his voice threatening to fail as well.
“Do you still love her, even though she’s not here with us?” - the little girl questions, her big brown eyes now looking up at his father, who kissed her forehead before speaking.
“Of course I do, filha. Have you stopped loving mommy?” - he asks her back and smiles when the girl firmly shakes her head ‘no���.
“You see, mommy is not physically here with us, but she’s always around. She’s always inside of us, here” - he points at the where his heart is located.
“In our hearts?” - Matilde confirms the place.
“In our hearts, baby. You know the necklace you wear every single day, since you were little?” - Rúben references the silver necklace that has a butterfly, a flower and the letter ‘M’ engraved on a plate in a round shape. You bought it and personalised it to gift it to your daughter.
The initial letter of her name, the butterfly - to let her know that she can always rebirth and become the best version of herself, and a flower - a tulip, to be more specific. The tulip is the flower that represent the perfect love, and you put it on her necklace so she can always remember that she is fruit of a gigantic and true love, yours and Rúben’s, and his mission is to teach her how to never set for anything less than the love his parents shared, that got her into his world.
“My necklace, yes” - the girl answers while her hand instinctively reaches to touch it.
“Mommy gave it to you, and while you have it on, she’s always looking down at you and protecting you. That’s why you can never take it off, Mati” - her father explained.
The girl just smiled at his father, and hugged him tightly, knowing that he is all that she has, but feeling in her heart that her mother is always by her side.
That night, while Matilde was peacefully sleeping in his chest, Rúben couldn’t fall asleep, no matter how hard he tried.
His mind was rushing from the previous events - remembering her face full of tears and blood, the conversation about you. Rúben can’t help but doubt himself as a father - it happens more often that he would like to.
It’s been two years, but he’s still discovering how to be a solo father, an adventure that he had to take on with his daughter - not really having a choice. And sometimes he can’t help but doubt his ‘daddy abilities’ - fighting himself for not being attentive enough to protect Matilde from hurting herself on those damn rocks. That’s his job, for fucks sake. He needs to pay full attention to his baby, to prevent this type of things from happening. He would never forgive himself if something happened to the light of his life.
He misses you, your advices. He misses your mom side, you were the perfect mother to Matilde, and he can’t help but imagine how would life be if you were still here with them. Matilde has a lot of your personality, she is extroverted, funny, smiley and bubbly - just like you were. There’s times where she gives Rúben some sassy answers, leaving him speechless, having an attitude just like yours. He looks at pictures of you two, when you started dating, and some pictures already after Matilde was born. He knows that the blood on Matilde’s wounds won’t stain her clothes, but the blood surrounding your loss will forever stain his heart, his mind, his life.
Life without you doesn’t seem worthy of living most of the times to him, but his baby is the only thing pushing him from the ground. She’s his partner in life now, filling his heart with love and laugh when all he wants to do is cry.
The moments when they sing in the car on their way to school, when Matilde makes Rúben dance like a proper ballerina - making him wear a pink tutu and all, make his life worth living. His baby’s laugh means the world to him, gives him strength and hope in a brighter future.
He wishes you were here with him, reassuring him that everything was going to be okay. But, the way your daughter starts stirring in her sleep, and holds herself tightly to him for comfort and protection, already looks like a sign to him. He’s a good dad, and he and Mati will never be alone, since they have the most beautiful and bright star looking down at them, protecting and guiding them - forever.
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patentedsun · 2 days
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You guys I'm actually crying over chapter 204.5 (which is technically an ad for a certain company we're all boycotting btw) but ignoring the actual ad THE STORYLINE WAS SO??? GOOD???? the Natsu characterization in this was INCREDIBLE (be prepared for intense 100yq hatred) and it portrayed exactly why I fell in love with nalu in the first place....
Summary and analysis below (doesn't incl all the pages btw!!)
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We start off with Lucy finding Natsu and Happy at her place, as always.
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this is followed by him being like "do you think we'll peek or something" which... 100yq natsu would have... that IMPOSTER...
Anyways while she's taking a bath, Natsu and Happy are browsing around Lucy's room and find a book that stands out. (Btw right next to this book is her diary, 100yq natsu would've gone straight for that). However they end up accidentally destroying it and start panicking. They ask Lucy if they can "borrow it" and Lucy panics at first, saying it's precious and not to touch it, but relents when they say they found it "interesting".
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fast forward, we see them worn out after trying and failing to find a replacement copy. ONCE AGAIN, they're doing this because it's something precious to LUCY. Not because they care about reading, or because the book has any value to them, but because they understand it's important to HER. Natsu (and Happy) going the extra mile for things that are important to Lucy is SUCH AN IMPORTANT PART of their entire dynamic.
continuing, Lucy walks into the guild and asks how they're finding the book, they say it's interesting. Lucy gets SUPER EXCITED ABOUT THIS and starts talking non stop ab the book. Happy asks her why this book is so important to her and...
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Y I K E S.
So yeah, they ultimately decide that lying isn't it and they should apologize upfront.
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this is so beautiful to me, idk like the imagery of them bowing so sincerely is so.... and like wow MASHIMA seems like natsu IS capable of acknowledging his own wrongdoings and offering genuine apologies. I'm not even talking ab the whole post tartaros situation no, I'm talking about fucking 100yq, where natsu actually physically hurts Lucy and doesn't apologize for it (AND IN FACT ITS PLAYED FOR A GAG)(IMPOSTER!!! NOT MY NATSU!!!)
Soooo Lucy doesn't take it well and runs away.
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the fact that they didn't stop their search here. the fact that they EXPANDED it to other towns to try and find her the book THIS IS JUST <3333
Anyways, Lucy returns and reveals dozens of copies of the book...
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My heart actually broke for her here because as someone who ig creates stuff as well, it really can be painful to have no audience interaction. And to have a book you wrote bomb like that...ouch... and of course she would've been excited, her best friends told her they found it interesting!!! my HEART. OUCH. and the sheer guilt on Natsu and Happy's faces here 😭 Once again, 100yq would've played this off for a gag...
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And they all start bawling (and the ad comes in so I will stop there) but YEAH. THIS WAS SO BEAUTIFUL??? The way she's regretful too, the way they're still trying to apologize and make her feel better I'm :(. This is what makes nalu work and it feels like mashima is forgetting that ab his own work... they're both genuinely good and kind to each other... like not to get sidetracked but there has always been goofy fanservice moments but there were also so many wonderful, emotional, complex scenes with them with depth and maturity and I just feel like that's lacking now. So reading this was like getting punched in the face srsly because wow... THIS is the natsu I know and love ugh .....
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miratastic · 2 days
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Feyd spanking-
yes. oh my god yes. went a little bit overboard with this one, hope u enjoy !
feyd has rules. rules that he expects you to follow. he needs you to listen, to be obedient and good. he likes it when you’re soft, and floaty and treat him like he’s the only thing you need (which let’s be honest, he is). he likes having control over you. likes to tell you what you can wear, who you can talk to, what you can and can’t do around geidi prime. if you obey him, he treats you. spoils you with gifts exported from other planets, takes you to his favourite childhood hideouts, lets you cum as many times as you want. if you’re really good he uses his mouth on you and makes you cum so hard you black out.
feyd doesn’t give second chances. the second you start acting up, say your outfit is more low cut than usual, or you’re being bratty and saying no to him, he will waste no time. discipline is very important to feyd. he would drag you by the wrist, ignoring your shocked outburst at his sudden aggression, to his private chambers. you think you’re so smart by telling him that he’s overreacting, and that you’re not doing anything wrong. feyd would snarl in response, veins in his forehead ticking. he would be fuming, you’d be able to hear his teeth gritting together as he throws you over his lap. this entire time he hasn’t said an entire word and you’re starting to get worried. you realise that maybe trying to rile him up was a bad idea. “feyd,” you’d say uncertainly, wriggling in his strong hold. “let me go.”
the sharp sound of fabric tearing is his response. he’s ripped a gaping hole in your clothes, giving him full access to your ass and upper thighs.
“here i thought you were good. here i thought i had taught you manners.” his voice is gravelly, fury barely contained as he strokes your skin.
“feyd-feyd m’sorry okay? i won’t do it again, i promise!” he’d reduced you down to a whimpering, pathetic, mess and he hadn’t even started yet. “please let me go.”
feyd laughs at you. it’s menacing and scary and you tremble where you lay. “it’s too late for you. if you were my pretty pet we wouldn’t be here right now. if you were the good pet i know, you’d be cumming on my cock tonight. but you aren’t good are you? no, good pets fucking listen to their owners. you deserve this.”
the first spank against your ass hurts. he wasn’t starting off soft or giving you a chance to get used to it. feyd puts all his power into it, years of warrior training being obvious with how the pain radiates through you. you cry out, tears immediately running down your face. “f-feyd!”
“count.”
you whimper out a quiet ‘one,’ and he hums, “maybe there’s hope for you yet.”
he spanks you again, this time it hits the thin skin just under your left cheek, and you jerk up his lap from the impact. feyd doesn’t offer comfort through his punishment; doesn’t soothe the reddened skin with his large hands. he doesn’t even wait long enough for you to catch up before he’s doing it again.
feyd makes you count all of them. he keeps going until he’s satisfied he’s erased the badness from you. if you lose count or take to long to answer, he starts again from the top. he keeps going until you’re just a sniffling, drooly wreck with a bruised and battered ass.
when he’s done he would pick you up and seat you over his hardened cock, not caring if it hurts you. your head would find itself burrowing into his chest, wet faced and snotty nosed. “m’sorry, m’really really sorry. m’gonna be good for you, m’gonna be a good pet for you, won’t make you mad ‘nymore. won’t be a brat, i’ll listen and be good.”
feyd’s palm would come up and rub your head, and you’d start crying again from how good it felt to finally have comforting touch from him. he’d bring his other arm across your waist, hugging you tight into him, continuing to stroke your hair.
“c’mere sweet thing. you took your punishment well, pretty. did good for me didn’t you? yes, that’s right, did so good for me baby. you’ve learnt your lesson haven’t you? perfect pet, i’ll take care of you now.”
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maryrouille · 16 hours
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Toxic romanticization of studying
In a word of introduction, my profile partly shows that studying and exploring is wonderful. But as a person involved in science*, I would like to show healthy and true patterns of this beautiful adventure in acquiring knowledge.
The inspiration for writing this post this time was not the phenomenon from Tumblr (although you can also observe it here), but from Pinterest. There you can come across cycles composed of quotes and photos whose aim is to motivate young girls to learn, succeed and get good grades. These images often also show examples of characters from movies, TV series or real life that you can aspire to be like. Overall, I have to agree that it really works! But I would like to draw attention to certain elements that need to be verified.
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1. You shouldn't get up at 5am
First of all, the correct amount of sleep is one of the most important factors affecting the proper and effective functioning of our brain. During sleep, nerve cells regenerate, organize information acquired during the day and consolidate memory traces, which is directly related to learning. Lack of sleep increases impulsivity, deepens negative thinking and slows down the body's reaction time!
2. You can be a genius without good grades
Of course, good grades are a pleasant confirmation of our knowledge and praise for hard work. However, sometimes it is worth considering whether the structure of exams themselves, especially those with closed questions, affects the results. We often study for one specific exam, the knowledge of which may be very… limited and sometimes not useful, so it is worth prioritizing the topics that we study hard.
3. It's not cool to think you're better than others
We are different and have different priorities in life. It is also worth considering how many people escape from the rat race and start a slow, stress-free life. So we have to agree that judging people based on grades or responses under stress (sic!) is not cool.
The good thing about romanticizing studying
As I have already said, these types of collages are really motivating. So let's talk about what's great about them and what's worth highlighting and saving for later.
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1. Knowledge is beautiful, but your outfit and surroundings can also be
We know that we should never judge a book by its cover, but… the issue of social perception painfully confirms that we do and will continue to do so because this is how our brains work. And isn't it nice when someone looks at us and thinks this girl is so classy?
Moreover, a nice outfit that makes us feel good gives us a lot of self-confidence. There are also many studies confirming the positive impact on motivation and concentration of a neat and aesthetic workplace.
2. Not just cramming, but also discovering
Broadening your horizons is easier with passion and real commitment. And to achieve this, the topics must really interest us. Not everyone has yet found something that they are extremely passionate about in science, so that is why you have to dig deeper and discover different areas.
3. Don't be afraid to use your knowledge in practice
Schools and universities, unfortunately, have their own rules and they do not always allow you to show your 100% potential. Thus, share your knowledge with others externally, write essays, blog and social media. This form of activity also makes you learn things faster and easier. In addition, contacts with others will expand your knowledge.
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Therefore, I must say that it is worth choosing your inspirations carefully. Nothing helps you enjoy studying better than a clear head and lack of prejudices.
*This post was inspired by my own experience with studying. If anyone is interested, I think I can share my mistakes that did not help me in an academic adventure :)
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Can you write for black swan as a yandre?
Lovers Forever, Until The World Falls Down.
Yan Black Swan x F Reader.
Synopsis: Her tarot cards are just as well used to predict the past as they are to predict the future.
Warnings: Yandere themes, unhealthy relationships, manipulation, major spoilers for Honkai: Star Rail 2.0 and 2.1 Updates, implied stalking, and mentions of violence/character deaths.
Word Count: 1.3k.
*~*~*~*
When Black Swan’s eyes first lay upon you, she has multiple impressions of you.
The Remembrance has caused her to have manifolds of judgments, some lapses and others more thorough. But never once did the Remembrance ever cause her to be so deeply enveloped in someone that she would proudly showcase what Fuli has blessed her with.
She knows what you are, all of you. Your past, present, and future… all of it is seen within the eyes of the Garden of Recollection.
It is only natural for her to want you to know her as much as she knows you. With social creatures comes the need to connect. When it comes to Black Swan, her wants and her needs are equally important, and thus she has no need to separate them.
“What brings you to me, fair maiden? What ails you?”
The only sounds that arise from you are slight grumbles, and the only fresh sights she has of you are fading tear stains on your cheeks. As a response, she repeats her words softer this time, crosses one of her legs over the other, and rests her head on one of her gloved hands.
“I want…” You start, clenching your nails into your palms so deep they almost bleed. “To know the… thing that killed my friend, Memokeeper.”
In her other hand are a few of her beloved tarot cards, tucked so lovingly between her pointer and middle fingers. 
“Ah,” Black Swan lets out a sigh so gentle you do not hear it. “I presume you are speaking of Miss Robin?”
You nod, looking down at your lap as she lays out the cards in a simple, singular motion on the table.
“Who else would I be talking about?” Your tone is that of an angry hiss, but she knows it is not directed at her. For you, you two had only just met. But to her, with the powers that come with the followers of the Remembrance, it feels like she has known you your entire life.
Black Swan’s gaze is all-seeing, and nothing that is not in the dark can be unseen once she has seen it–even when she wishes it were otherwise, like that dance she had with that Galaxy Ranger.
She wishes now that perhaps she was dancing with you instead.
“Pick a card,” The Memokeeper requests, her now free hand gesturing towards the sight she had just made. “We’ll continue from there.”
“Why?”
She shakes her head slightly as she closes her eyes for a moment. From that expression on your face, she can tell that you have to stop yourself from scoffing at her. “Just trust me; I don’t mean any ill will towards you… and nor will I harbor any.”
“I’ve heard odd things like this about you, Miss Black Swan, but I didn’t think they would have been true.” She knows the comment is not an insult, but it is not a compliment either. “Do people blessed by the Remembrance always act like this? I’m… just curious is all.”
When you point to the card on the center’s right. “Are you planning to replace me already? I thought we were getting along quite well…” 
She turns over the card as her palm faces you, and that causes you to loudly gasp. 
“The Eternal Freeze… Jarillo-VI.”
She turns over the card on the center’s left without asking you to pick another. She stifled a chuckle.
 “Cocolia Rand. A Silvermane Guard trapped in what looks to be a block of ice…”
One after the other, things are revealed. It is faster than either of you could catch your breath. It is faster than what you wanted it to go. It is not faster than the realization that hits when Black Swan connects all your memories into a perfectly completed puzzle.
“Stop it-”
“You have lost someone before, haven’t you?” She can imagine… no, presume, the suffocating atmosphere surrounding you, as you appear on the verge of gasping for air. “You couldn’t save them either… Am I right, Miss [First]?”
You don’t answer, but you don’t look angry anymore. Despite the venomous nature of her words, her tone manages to grow even gentler as she utters them.
“Despite everything you tried to do, you couldn’t save them… Who were they, if you don’t mind me asking such a thing, oh dear citizen of Belobog?”
You avert your gaze from her, once again opting not to respond. Black Swan patiently waits, arranging the cards in her hand to create a semi-circle. As a Memokeeper, she has acquired numerous lessons from the Remembrance, but the most valuable one is knowing the significance of patience.
The fingers that wrap around your own are both warm and freezing cold.
“My… partner.”
She tilts her head to the side, her lips pursing up into a kind smile. “Ah… I see… I didn’t know.” She lies. “I’m sorry for your loss. But… my apologies for saying this… if you couldn’t even save your partner from the blizzard, I believe you cannot avenge Miss Robin’s death.”
Your eyebrows simply furrow like she expected them to.
“For Peniconians, death is a grand illusion, a state of falsehood, something that is not supposed to exist within the Dreamscape… thus, something much more powerful than you or I or even the Family had to break the rules of the Harmony and become… well… Death.”
When Black Swan’s eyes look at new tears as they start to fall, she has only two impressions of you, the others fading away like an amnesiac’s memories.
“I don’t mean any harm when I tell you this. It is the truth, plain and simple.”
Her hand squeezes slightly against yours. Once again, you do not respond.
“You do not have to fight something you cannot defeat.” She scoots her chair slightly closer to your side of the table.
She is met by a few more moments of quietness before you ultimately choose to break the silence. “Her death will be in vain then. Just like theirs. I do not want to be a coward anymore.”
Another sigh escapes her lips, and once again it is not out of exhaustion but rather curiosity.
Her grin remains unwavering, just as she had taught herself to. “You were never a coward in the first place, dear.”
Black Swan continues to move her chair quietly, but not at all subtly, until your thighs touch hers.
“I really won’t be able to… at least help the Family?” You ask. “I am really not… useful?”
“You’re useful in other ways to the people you love and trust, and those who reciprocate.” Her initial judgment is that you require safeguarding from the dangers of the world. It is in your best interest, her best interest, to remain inside a safe and small space, as there is a risk of you inadvertently harming yourself while attempting to assist others.
“Am I?” You mutter, clasping your hands together. “Am I… really? People… really like me?”
She affirms with a slight movement of her head.
Black Swan's second opinion of you is that you pose too great of a risk to be released, as it would result in her being left alone without any chance of ever seeing you again.
It is selfishness that prevents her from showing the two remaining cards, both hidden elsewhere. One of which has the depiction of you dead, and the other has you smiling proudly as she watches from afar in hiding.
The Remembrance has taught Black Swan how to be many things, but it is Black Swan who has taught herself how to be selfish.
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aihoshiino · 2 days
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chapter 147 thoughts
you guys ever hear the tale of the monkey's paw. grants your wish but you suffer dire consequences as a result? just felt relevant to this chapter for some reason. anyway.
Chapters Since The 143 Kiss Happened And Went Completely Unacknowledged And Unaddressed Count: 4
I'm gonna be up front and say that while I really wanted to like this chapter and it has the bones of interesting ideas, so many of the existing issues with the Movie Arc just bring it crashing back down. I probably dislike it more than I necessarily should because knowing that this definitely is the end and seeing concretely in hindsight just how much time was wasted and how much excellent material has been squandered or flat out skipped over entirely just makes me want to put my head through a brick wall. And it just sucks because, like… man, I don't want to dislike Oshi no Ko! I really don't enjoy feeling like I'm just putting negativity out each chapter because when the story hits, it hits so fucking good!! The Movie Arc has been clunky but it's had some truly breathtaking individual moments and character beats that make me remember why I fell in love with the series so deeply but then chapters like this come along and I wonder why I'm even bothering to keep reading.
anyway. Anyway.
To my genuine shock and surprise, the RBHK conversation happens entirely onscreen and isn't needlessly dragged out which I will take as a W at this point. What is less of a W is how just… underwhelming this ended up being? This is Hikaru's first meeting (that we know of) with the child he fathered and then essentially orphaned… at least as far as Ruby is concerned. So her total lack of reaction to him is baffling. The question currently seems to be whether Ruby is only pretending not to recognize him in order to try and pry the answer she's looking for out of him or whether Akasaka really, genuinely wants me to believe that Ruby does not recognize her father, when Akane recognized him on sight, he looks identical to her twin brother she spent 18 years growing up with and she is in the middle of MAKING A MOVIE THAT STARS HIM. If the latter is the intent then all I can say is that I feel genuinely fucking insulted on Ruby's behalf at her being dumbed down this badly and for myself as a reader that Akasaka thinks I'm stupid enough to buy this. So I am very much hoping it's the former.
The talk they go onto have is also………………………….. man. I want to like it. I really want to pull it apart and analyze it because it is fascinating. It's a really important look into Ruby's feelings and I even myself said this was something I really wanted to see Ruby dealing with - being faced with the realization that the person who killed her mother isn't some ephemeral faceless force of uncomplicated evil, but a fucked up human being who was hurt and suffering and who faced horrific and monstrous abuse just like Ai did. The idea of Ruby wrestling with her conflicting feelings of empathy and resentment, similar to Kana trying to reconcile her lingering hurt with her love for Ruby as her friend, is super compelling.
But like… she didn't! Akasaka having Ruby look into the camera and having her say "uhhh i was totally having all these deep and complicated feelings this whole time trust me bro" is the first we have heard Ruby struggle with literally any of this. It's yet another example of what I've been saying this whole time of Akasaka both lacking enough respect for Ruby to seriously interrogate her as a character and rushing her to the endpoint of what should have been long term characterization in lieu of showing us the work it takes to get there. Rather than organically weaving any of this into the prior story and letting us actually see Ruby work through this, she just starts awkwardly monologing about it to a conveniently placed guy who is, depending on your interpretation of the chapter, either some rando with an umbrella or the guy she's pretty sure killed her mom.
There is no reason her struggling to reconcile these contrasting feelings of resentment and empathy couldn't have been explored as the movie was being filmed. There were countless opportunities for this to have come up while the movie was filming the scenes dealing with Hikaru's abuse - we even get this set up in 139 during the filming of their first meeting but it gets derailed by a dumb brocon joke because I guess that was more important to spend pagetime on than the arc Akasaka is trying to suddenly pretend Ruby was having.
And it's not like it even matters! Unless the next arc is also going to be about 15 Year Lie where we interrogate the content of the movie not shown to us, Ruby's struggle here comes to nothing. That overhanging question of "Will Ai('s actress) forgive her killer or not?" is cut short and goes unanswered. So what was the point of this?
I also just really can't get my head around this continued thread of Ruby wanting to be an idol who 'surpasses' Ai. I had a whole rant about it here I ended up deleting lol but the long and the short of it is it feels entirely incongruous with the series' broader portrayal and Ruby's own attitude about chasing Ai's light and what being an idol did to Ai but at this point I've given up.
The exchange with Kamiki that follows is like, the one part of this chapter I think is just uncomplicatedly interesting and worth interrogation. He actually gives Ruby a lot of genuinely good advice here - that she can only find an answer to that question by interrogating it herself and an answer from someone else won't solve the issue. Does she actually want suffering and revenge? Are those really at the core of who she is as a person?
The framing here is obviously and overtly sinister and suspicious and we're pretty clearly supposed to think he was about to shove Ruby down the stairs, but a few things jumped out to me. The first is that if you pay attention to the backgrounds, they seem to have actually already been close to if not at ground level by the time Akane caught up to them, so… what exactly was a push from that height going to do if he did, in fact, push her?
Not only that but uh… holy shit! His white hoshigan!!!!
Like, am I misremembering, or is this not the one and only time we have ever seen adult Hikaru - maybe even the real Hikaru full stop - without black hoshigans??? Given what we've seen of him so far and how the black hoshigans have been used as a symbol, if he really was about to kill Ruby… where did THAT come from?
Added together with the deeply sympathetic portrayal of his younger self in the movie, it continues to raise a lot of questions for me as to exactly what we're supposed to be thinking of Hikaru and how we're supposed to feel about him that I am finding very compelling. ambiguity enjoyers when the
NINO IS HERE!!!! MISS NINO I'M FREE THURSDAY NIGHT IF YOU WOULD LIKE TO HANG OUT
Joking aside, I'm really glad Nino is here because it implies her whatever the fuck is going on situationship with Kamiki is going to continue into the final arc(s?) of the series and that we'll get to see more of her as a result. Nino's been one of my favourite OnK characters since I first read 45510 so any more content of her in the main story is a treat.
Kamiki's words about the movie killing him via public opinion also lines up with what I was expecting to happen more or less… I'm curious to see how this is all going to play out and what this means for Aqua given that, if last chapter is anything to go by, he's still very much struggling with suicidal ideation. can someone PLEASE give my son a bone crushing hug.
akane stalking kamiki is up there as one of the funniest things ever in this manga btw. what is wrong w her <3
This is unfortunately where me having nice things to say about this chapter ends because the chapter - and therefore the Movie Arc as a whole - ends with this transparently rushed sequence absolutely mach speech blasting through the remaining material of the movie in one and a half's pages worth of silent single panels. Honestly, I really can't properly articulate how mad and frustrated I am about this lmao. It really just feels like Akasaka admitting to the reader that he's stopped giving a shit about what the movie was supposed to be about. The HKAI breakup that was given a huge amount of setup and weight at the start of filming? Ai's pregnancy? AI'S DEATH???? It's all skipped over and brushed aside as if it never mattered in the first place. Never mind any of the interesting characterization we could've gotten out of it. Never mind that the Movie Arc was promised to be about Ai and untangling her past. Never fucking mind Ruby having literally any interiority about having to act out the death of her beloved mother and reliving the event that destroyed her and her brother's lives. If Akasaka doesn't care, why should I?
It feels like a slap in the face for getting invested in the story's promises and trying to engage with it. But of course, I'm going to be back like a clown doing just that when the next chapter drops anyway.
at least we're finally moving on to a new arc but by god. at what fucking cost.
break next week……………………………………………..
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max1461 · 11 hours
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This has mostly disappeared from my corner of the internet over the last few years, but it used to be the case that every once in a while some story would go around about a corporation or a government doing some fucked up shit in pursuit of their self-interest, and people in the comments and reblogs would act utterly aghast that said government or corporation would do such a thing.
This was always baffling to me, and I have only ever been able to interpret it as a sign of profound naivety. Of course, I too think it is awful, sad, and unjust when people are exploited, killed, abused or so on by the institutions of our society. But "aghastness" is not synonymous with these things, to be aghast is to be (or present yourself as) in some sense surprised. And surprise is wholly unwarranted here.
I suppose this is part of my worldview that feels very fundamental, it feels deeply obvious, and I struggle to figure out how to talk productively with people who did not get the memo: exploitation and abuse of others in pursuit of self-interest is in some sense the natural behavior of agents in any kind of competitive context. It requires a lot of effort and coordination to mitigate this behavior. We do not feel "aghast" when someone is bitten by a dog. Dogs bite people, idiot! And corporations exploit their workers, lie, cheat, and steal, unless you work very hard to prevent them from doing so. And governments exploit and neglect their citizens, and go to war and kill and maim, unless you work very hard to prevent them from doing so. Individual humans, as members of a social species for which cooperation is paramount to survival, have quite a lot of specific programming whose purpose seems to be to discourage us from doing these things (empathy, loyalty, etc. etc.), and yet very often we still do them!
I have relatives who have a hard time believing in US atrocities abroad, on the grounds that "Americans are the good guys, and the US just wouldn't do that". This is very stupid! Do you think the US got where it is today without cracking some eggs? Bullshit. There's never been a government or a military in the history of humanity that "just wouldn't do that". I sometimes see posts on here from tankies, defending Chinese or Soviet atrocities on the grounds that these things must be Western propaganda, a socialist government just wouldn't do that. Again, I find this so obviously false as to be essentially beneath engaging with. We don't live in a just world! Often, a very effective strategy for achieving whatever it is you're trying to achieve will involve treating people like shit. It is what it is.
I'm not trying to play defense for injustice here. Obviously I think we should do as much as we can to prevent these abuses. But I think that doing so must start with basic recognition of the following: it is the nature of institutions—being as competition between them is essentially unavoidable, and being as their decision processes are unavoidably removed from the face-to-face social context which is so load-bearing in motivating respectful treatment between individual humans—to abuse people in pursuit of their (perceived) self-interest. This behavior is mundane and expected. It can be mitigated in various ways, ideological and structural, but it will probably always be with us to some degree. To look at it and express shock in any capacity suggests a completely misguided understanding of how the world works.
This is the first and most important thing I ever learned about politics or society.
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TOP 20 reasons why YOU should VOTE BOATBOYS/SMALLETHO!
1. Obviously number 1, they're obsessed w/ each other.
2. Etho always longs for Joel and misses him dearly, I doubt he's surviving Joel being gone for his trip to Japan.
3. They're always flirting, like constantly, in many Tango and Scar streams that include them they're together and joking.
4. They gravitate towards each other, it's like a second sense.
5. THEY WERE SOULMATES AND STILL ACT LIKE THEY ARE. LIKE A YEAR LATER??
6. Etho's statues.
some may say " oh he made others too?! " well to contradict that, he made statues for Joel multiple times and Joel's were the highest quality + first. Etho also only really talks about Joel's statue in his video.
7. Joel has talked about Etho in all of his videos, he has mentioned him at least once in all 13.5 episodes
8. Joel's playlists. He said in his QNA video that they weren't directed towards Etho, but the evidence says otherwise. Also, have we ever trusted Joel when it comes to anything about Etho?
9. ETHOS MAIL TO HIM?
10. The bit of Neck Kisses stuck to Etho and Joel, even if it started with someone else and other people were involved.
11. I HAVE BEEN A BOATBOYS LIKER SINCE LAST LIFE I NEED THIS.
12. Joel is active on the Boat Boys/Smalletho tag on Tumblr.
13. Scar asks if Joel grew up in the closet while he was with Etho. This isn't a reason I just found it funny.
14. Etho saying "Oh snap" to Jimmy after he tried to make him jealous?
This by itself isn't really anything but pairing it with number 15 it makes more sense.
15. During the charity Livestream HC X tour once Joel was brought up Etho was constantly talking about him.
16. It is confirmed that Etho watches Joel's hardcore series.
17. Joel likes comments in his comment section when they bring up Etho, quite obsessed if I do say so myself.
18. THIS BIT HAS BEEN GOING ON FOR LIKE A YEAR.
19. Joel called Etho's statues of him cute and was fangirling over them
LASTLY. NUMBER 20. They are the best duo ever and I love them to death, and they should forever win!2!!
Of course, I could name so many more, but I don't wanna take up any more of your valuable time that you could be using to vote boat boys!
Farewell and please consider joining the dark side.
lots and LOTS if boatboys propaganda by my mutual, @tinyetho!!!
(sorry for namedropping you, i just feel like your user is important for this propaganda)
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astreia-oniria · 2 days
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MCL NEW GEN THEORY(S)
But Astreia, surely it's too soon to start making theories! NO IT'S NOT, IT'S NEVER TOO SOON FOR ME.
I've been dying to share this theory(s) since the game came out last week, but my Tumblr wasn't working properly. Now that it's apparently fixed I can't wait to share and see what you all think. Will you agree? Will you think I've gone mental? We'll find out 😂
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WARNING: the following text contains spoilers of the first two episodes of MCL New Gen. Do not keep reading if you haven't played Episode 2 (or well you can continue reading under your responsability if you don't care about spoilers).
Let me precede this by saying that this isn't a full-fledged theory. Since we're only two episodes into the game, I don't have enough evidence to back this up completely, so I'm calling it an inkling rather than a proper theory.
My inkling/theory is about Jason, Roy, Devon and how their enmity goes beyond just a professional rivalry. It's kind of divided into two parts or two inklings/theories:
THE FACTS (PART 1: ROY'S ROLE IN DEVENEMENTIEL)
Let's start with what we learn from Roy.
He says he and Devon grew up together, went to college together and decided to embark on a bussiness together (though it wasn't his true calling).
But why would he get involved into something that wasn't his true calling? Was it only because of Devon's influence? Roy says Devon's mother babysitted and he spent quite some time with him back then, so maybe Roy's parents are wealthy and he's the investor or equity partner behind Devenementiel.
When Amanda is telling Ysaline "it's the boss who decides", Roy appears and says "are you talking about me?".
This is curious because he clearly heard what she was saying, but made that jab anyway. Was it possible that he wasn't joking? That he was joking by telling the truth?
After that, he says he's Devon's second in charge.
Yes, maybe Devon put him in that position because Roy is his friend, but that isn't professional if Roy only knows about sport events.
Amanda continues by saying he's wrong and that he's like the rest of the team, but Roy answers by saying "well, not exactly like the rest... well, whatever".
It looks like he was going to say more, like he's refering to not being actually at the same level as the rest of the team.
This isn't a huge detail but he calls Devon "the big boss" and you normaly use that term when there are more bosses around.
He kind of deflects Ysaline's question about wheter he's only in charge of sport events.
He is in the New Palace meeting, something that doesn't involve sports. Apart from Ysaline, the meeting seems to involve bosses/owners (Jason, Devon, the New Palace's owner...) and not team members.
CONCLUSION 1:
I really think Roy is co-founder and co-owner of Devenementiel and that he might be the one who financed the company. I think he's also our boss but he is playing coy about it. Knowing what we do about him, I don't think he likes the normal boss-like relationships with his employees and prefers to be "in the field" with them, being part of their team, and leaving other matters to Devon. That would make sense for a guy with his attitude.
THE FACTS (PART 2: THE HOSTILITY BETWEEN DEVON, ROY & JASON)
Now let's see what we learn from the whole Devenementiel vs. Goldreamz situation:
Roy is extremely upset and angry at anything Jason or Goldreamz.
This might be normal between rivals, but I can't help but think Roy's reactions are too extreme and there seems to be some kind of resentment.
Roy calls Jason "cheater and thief" and specifies that it's not only in relation to Danica.
This is what got me thinking hard about everything, because Roy went too far and if it's not about Danica, then about what could it be? Of course, it could be about Goldreamz getting their deals, but again it reads like too much for a professional rivalry.
Jason refers to Roy as Devon's guardian dog.
Not super important, but I get the feeling that Jason, Devon and Roy knows each other too well, and that Jason says this like it irks him. Could it be some bitterness?
Devon says to the New Palace's owner that "we've crossed paths already" refering to Jason.
This could just be something normal to say, but he doesn't add anything about their paths crossing because of bussiness. So maybe he's referencing knowing each other for a long time because of other motives.
Jason showing up and trying way too hard to get in Devenementiel's way.
It could be for the sake of the story, but isn't it too much? Could there be other reasons behind his behaviour?
CONCLUSION 2:
This is the "inkling" part of the theory, I guess. I have a hunch that Devon, Roy and Jason not only have known each other for a long time, but that they were actually friends. I think that maybe Jason was one of the other kids Devon's mother babysitted or that maybe they met in college, that they started their journeys and careers together. I think Jason and Devon (who are clearly more into events production & management than Roy) had this dream of starting a company and that Roy got on board with their friends so they could all work and be together. And I think something went horribly worng in the process.
I think that whatever happened between them might have been a misunderstanding relating to projects and/or money (hence the cheater and thief comment), something that framed Jason and turned Devon and Roy against him and in turn made Jason bitter about their friends not believing him.
Having this into account, there are a few possibilities that I can think off:
They founded Goldreamz, Devon and Roy left and Jason got the company (another posssible reson for Roy callin him thief), so Devon and Roy founded Devenementiel.
They founded Devenementiel and Jason was forced to leave, so he founded Goldreamz for revenge (and paying the bills obviously).
Everything happened at the early stages of creating a company, so maybe an external investor or something gave the project to one of them (possibly Jason) because they weren't sure about the others, and this was seen as a betrayal.
If anything about my theory proves to be right, then Ysaline will be able to get to the core of this a resolve the misunderstanding, getting Devon, Roy and Jason to make up (not before having us siding with someone and making drama 😂). This could lead to the future fusion of both Devenementiel and Goldreamz and a happy ending for all the characters.
And that's it, that's all. If I see more evidence in future episodes I will update this. So what do you say, have I read too much into everything? Do you agree with my theory or have anything to add to it? Let me know what you guys think.
I think that you should go out more and stop overanalyzing games, Astreia.
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muwapsturniolo · 2 days
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✯𝐓𝐫𝐢𝐩𝐥𝐞𝐭𝐬 𝐀𝐬 𝐌𝐲 𝐅𝐚𝐯𝐨𝐫𝐢𝐭𝐞 𝐒𝐨𝐧𝐠𝐬✯
IN WHICH... i explain my fav songs of the month and how they match with the triplets.
WARNINGS: sex is briefly talked about but its nothing really.
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𝐀𝐋𝐓𝐄𝐑 𝐄𝐆𝐎 ☆ 𝐃𝐎𝐄𝐂𝐇𝐈𝐈 𝐅𝐓 𝐉𝐓
I want to start by saying why this is one of my fav songs at the moment. I love Doechii THE BITCH ALWAYS SERVES CUNTTTTTTTT!!!!! this song just does sum to me, it makes me want to go to the ballroom and vouge and do five death drops in a row! the beat, the lyrics, THE MUSIC VIDEO! it reminds me sm of Azelia Banks (that hoe so problematic it's not even funny anymore) and i love it!
now on to why i think this song is perfect for nick
an alter ego is basically a persons second face/persona that we don't see until it's time for it to come out. and one thing i think a lot of people in this fandom forgets is that WE DON'T KNOW THEM! we as viewers have this image of them in our head based off of what they let us see through a screen, and nick doesn't let us forget that. he has stated many times that most of our opinions are wrong (them not being friends with people, la vs Boston debate etc.) and i think that's important.
I'm not saying nick has an alter ego or is two faced,but he is a leo man and them mfs headstrong! and that's what this song breathes!!! it gives a headstrong bad bitch that nobody can say shit to!!! THAT IS NICK!!! NICK ALWAYS PUTTING US AND OTHERS IN PLACE AND ITS NEEDED!!!
"NAH NAH NAH NAH NAH THESE HOES AINT PHASIN ME. NAH NAH NAH NAH NAH BOO BOO BITCH YOU DEAD TO ME" nick does not let this fandom phase him fr. he does wtf he wanna do when he wanna do it. of course he loves us and appreciates us, but he not with our bull shit!!
"UNFAZED UNBOTHERED UNFUCKWITHABLE BITCH, WHY BOTHER?" a lot of people like to sit up here and run they mouth saying nick is so bothered, and he cares too much about what people think. LIE!!!!! YALL JUST DONT UNDERSTAND HIM!!! HES UNFAZED WITH THE BULL SHIT, IT DON'T BOTHER HIM FR!!! HE FINDS THE SHIT FUNNY! HE LIKE MAKING YALL TALK ABOUT HIM BUT HE DONT UNDERSTAND WHY YALL START WITH HIM AND HIS FAMILY IN THE FIRST PLACE.
"IM THE PROBLEM, IM THE VILLIAN. I DONT SEE THESE HOES IN THESE RICK SHEILDS, THROWIN DIRT ON MY NAME AND HE GON HIT STILL!" people love to make nick the villain when he isn't!!! some people fr never had somebody tell them how it is and they just run with the narrative that someone is being mean when they not!!! he not being mean, he keeping it a buck fifty with yall!!! and tbh he don't care if yall see as the villain cuz why? he still got more money than us and we never gon be on his level fr.
@thenickgirl had to let ppl know to stop messing with him!!!!
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𝐋𝐄𝐕𝐈𝐈'𝐒 𝐉𝐄𝐀𝐍𝐒 ☆ 𝐁𝐄𝐘𝐎𝐍𝐂𝐄 𝐅𝐓 𝐏𝐎𝐒𝐓 𝐌𝐀𝐋𝐎𝐍𝐄
i want to say this before i start. BEYONCE PUT HER WHOLE MF COOCHIE INTO COWBOY CARTER OMFGGGG!!!! IM SECRECTLY A WHORE FOR COUNTRY MUSIC SO I REALLY FEEL LIKE SHE MADE THIS ALBUM FOR ME!!!
OK LET'S GET INTO IT NO DOJA!
this description is going to be a bit different from Nick's and Chris's because I'm focusing more on the vibe of the song. the whole premise of this song (in my opinion) is two lovers just loving on each other! idk why i get big Matt vibes from this song😭 maybe because i love the idea of Cowboy Matt (before anyone say anything I'm making a Cowboy Matt series! it's already being written!) and yeah i don't have to say much more on that topic.
like yall know when Matt be smiling and giggling at his phone in car videos? i could already imagine his girlfriend sending him a pic of her ass in the new jeans and he just-
lemme stop before i write a whole separate fic for this song.
"YOU CALL ME PRETTY LITTLE THING, AND I LOVE TO TURN HIM ON." matt would deff call his girl a pretty little thing. she would be blushing and kicking her feet an ion blame her!!! and i too would love to turn him on!!
"BOY ILL LET YOU BE MY LEVI JEANS SO YOU CAN HUG THAT ASS ALL DAY LONG" matt would not resist looking at his gf ass and he would deff walk with his hand in her back pocket!!
"SO HOP OUT THE PHONE AND BRING THAT SHIT ON 'CAUSE IM GOING NOSEDIVE" matt the munch. pussy drunk. hurry tf up and bring your ass to him cause he bout to eat you out for hours!!!
thank you for coming to my ted talk on why Cowboy Matt is my fav and i need Matt eating me out ASAP!!!
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𝐋𝐔𝐒𝐓 ☆ 𝐋𝐈𝐋 𝐒𝐊𝐈𝐄𝐒
I PROMISE IM NOT ONE OF THE FANS WHO LOVES SKIES CUZ OF CHRIS!!! I WAS LISTENING TO SKIES WHEN LIFE OF A DARK ROSE DROPPED!! i truly loves skies cuz his music just takes me back to the era of SoundCloud and i was actually happy lmao.
onto the topic.
now, i didn't pick this song cuz chris loves skies, i picked it cuz i feel like to a certain degree, it matches chris perfectly!!! lust doesn't have to mean sex, it could be towards money, adrenaline, etc.
Although Skies does talk about sex in this song, i think he's saying that he's lusting after money and the adrenaline that comes with fame and success, but he's lacking the love that was once there and he's lusting for love as well.
i think that relates to chris's whole being. he's constantly spitting out ideas and created his own brand to chase the bag, chase his dreams. i lowkey like to believe chris is an adrenaline junky. not in a sense of jumping off cliffs or anything, more in a sense of just doing stupid shit like fighting with his brothers and suggesting crazy plans.
idk if my description of this makes any sense i just can't put it into words so imma do the lyrics and try to explain further.
"GET IN MY WAY AND TRY TO BLOCK ME IMMA SHOW AGRESSION" this could be towards a person or himself. I'm not saying chris is money hungry, he's just about his bag. he wouldn't like for anyone, including himself to get in the way of making his dreams come true and if they do, i think he gets a bit hostile. it could be him cutting them off, or simply just distancing himself for a bit. if it's himself i think that's when he gets sad and beats himself up. he said it in a few videos that he becomes hard on himself, or he gets sad before bed and i think that's why.
"GOT NO REGRETS, I MADE MISTAKES, BUT I LEARNED FROM MY LESSONS" this lyrics speaks volumes for chris!!!! i feel like it was said by him that he doesn't regret things he's done in the past or experienced, but he's glad he's learned from them. i think all of them are big on "life's a lesson, learn from it." he doesn't dwell too much on the past, it's done and all he can do is move past it and learn to not make the same mistake with people or opportunities.
"DON'T BE ACTING STARSTRUCKED EVERYTIME THEY SHOW YOU LOVE." this could be towards friendships or relationships. it's no secret LA is full of fake people but it's honestly everyone at this point in time. i think chris realized that at some point. just because people smile in your face and act nice don't mean the friendship/relationship is real. people always want something, and its not always love, it could be sex, money, and or fame. it doesn't surprise him anymore. i think that's why he stick to who and what he knows, especially in the relationship sense.
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i think imma do this every month, this was fun lmao. tell me what yall fav songs are atm!!!
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study-diaries · 2 days
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How to do group projects? (If you're selected as the leader of the group)
I hate group projects, it's not necessarily the project rather, the people are not cooperative enough so here's some tips I use when I was chosen to do a PPT and a damn play with 13 members.
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(Pictures aren't mine!)
Take phone numbers
Even though my teacher discouraged the idea of it, I still took the numbers of all the members and saved it on the same day the project was given even though the deadline was a month later. You should make sure that you have the necessary means of communication to every member.
Plan and outline within 3 days!
Make an outline of what needs to be done, plan out who's going to do what, how they'll do it, when will they complete it etc etc. The reason i do it within 3 days is because you'll get the base of how you'll do it because generally in group projects, by the time everyone completes the work and gives it to you, it would take atleast a week or two, if you start early, you'll complete earlier than everyone else
No group chats!
I personally don't prefer this because one i realised everyone just didn't reply expecting others to reply, especially when your group is big! So... Dms!! Just send the instructions personally, yes, it takes alot of time but it makes up for the energy wasted in group chats that involve unnecessary talks and questions.
Both face to face and text reminders!
When you've assigned work to every member, make sure they actually do it because you'll be the one responsible. Not gonna lie but reminders help especially when the deadlines are closer. Just a message like "Hey, friendly reminder about the XYZ project."
Save your own name!
This is something I'm really careful about. The accusation that you're being biased and assigning easier work to friends and people I'm close with. So, i figured that the best way to avoid it is to write all the work and the names of members in alphabetical order and assign accordingly. If the member can't do it, then I'll discuss and swap. It saves a hell lot of drama and actually results to better outcomes.
Back up
Make sure that there's always a second in command. This was a mistake I did, on the day of the 2nd project (the play), I was in one of the competitions and our teacher had started with our group first... I didn't exactly tell anyone that everything about the characters assigned to members and the narrations were in my bag so they had to scramble alittle but in the end, our group did the best play despite the situation so that's what you're aiming at. Your group needs to manage without you.
Flexibility
Do not, under any circumstances, expect everything to go well! You need to expect hindrances, like gurl, come on. A mistake I made in the PPT project, i made the PPT and told 4-5 people to explain it because that's how it was supposed to be done but in the end, ALL THE 4-5 PEOPLE HAD TO BE IN SPORTS PRACTICE so we ended up changing plans last minute. But nevertheless, we got an A-. Tell everyone to prepare accordingly.
Be a little lenient
Personally, when the teacher asked me to give the list of work everyone had done, i did'nt just write nothing for the members who didn't, i have even the smallest contribution because in the end, even one person's scores matters. It affects the whole damn group so be careful when you take out anger and frustration on the members when giving the list of contributions or even while doing the project. The last thing you need is drama.
Contact!
Make sure your members are comfortable enough to clear any questions or misunderstandings with you. If you don't know what's going in the group, you can't maintain the group. Be very clear that they can reach you any time.
Demo!!!
This is really important! Decide on a day and keep a demonstration of how your project is going to be presented. Do exactly as how you're going to do it infront of the teacher. Exchange some points on how to do better during the demo and discuss! It helps you to correct your mistakes.
Hope this helps! :)
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family-tree-of-ships · 10 hours
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So, I’ve been thinking.
Buck has some seriously bad taste in girlfriends over the course of these glorious 6 seasons, before he decides to see if the other side can bring some light in. I mean, all of the women he has seriously dated had some strong likable qualities to them and they all wanted what’s best for Buck (I’m trying at my own share of optimism here). I think, from all of them, Abby was his most successful one (before it obviously crashed and burned and shattered his big wonderful heart). It had something none of the other ones had. Acceptance and honesty. Abby accepted his job, listened when Buck was caught up into his head about the stresses of the job. Buck accepted her problems with her mother and helped her through while she was alive and for a good time after she passed. Buck was honest with her, as she was with him. They had been through their fair share of trials and tribulations. Up until she left for Europe, I honestly liked them together.
Once they’re officially over, all the other relationships he has either miss one or the other.
Ali couldn’t get over the dangers Buck was open to while on the job.
Taylor fully accepted his job, even was honest and genuine with him at some point. Buck didn’t reciprocate either. He couldn’t get over her intense ambition for every new story she could use to her benefit (to which she obtained by breaching his trust, both when they first met and when they were well into their relationship). He wasn’t open with her, again, in many circumstances. Even cheated on her with Lucy, for whom he didn’t have any sort of feelings other than attraction. When you get drunk, the truth comes out. There’s no devil, just a complete lack of self-restraint. If Buck truly loved her, which we know he didn’t, since her answer to her confession was literally “Good.”, getting drunk should’ve confirmed his affections, not completely contradict them. Buck, seems like an affectionate and happy drunk, since that’s who he is. If he loved Taylor, we should’ve gotten a sequence in which he calls her and starts spitting dramatic declarations or even comes home to her because when you love someone, they’re your home. Your instinct is to go them, not kiss the next person you see. Then, he lies, once he gets to his apartment, after this ‘mistake’. And asks her to move in. Because he got nervous. He couldn’t be honest with her. When they found out, they brushed it off quickly, never to be mentioned again. As if they wore both scared. They break it off, eventually, after a story that should’ve remained private made the headlines. It was an important breach in trust, but it shouldn’t have been enough for Buck, considering how loyal he is (just look at how much he waited for Abby). But it didn’t need to be too much, since there wasn’t anything too significant or tethering between them to begin with.
Natalia was fascinated by his death, which was an instant message that this wasn’t going to last in any way, shape or form. Buck is also dishonest with her, about Lucy and his history with her, again. We can understand this, it shines a bad light on him if he confesses he has cheated before, but didn’t he say she sees him? Shouldn’t that bring out at least some kind of easiness into ending up saying the truth? Apparently not.
We can see why the majority dislike Buck’s choices in the women he dates long-term. Ali and Natalia never get fleshed out. Abby and Taylor do and you, as a watcher, can even sympathize with them, but they both end up really hurting Buck. So, what can you do? Settle for what the show gives you? Fandoms don’t do that, especially when they aren’t satisfied.
Okay, so who reaches those two requirements and is constantly present in Buck’s life, who is properly fleshed out? You guessed it.
Drumrolls, please.
Eddie.
Do we even have to talk about acceptance? Come on.
Eddie has been here since season 2. Through a near death experience, then another one, then a lawsuit and then another one (there’s a lot, enough to fill a whole card-based game). Buck has also had to suffer through two of those near-death meetings with Death that Eddie has had. They’ve fully had each other’s backs within the first 48 hours of meeting one another. Honesty between them is natural and that is expressed in a lot of scenes. To list a few, we have Eddie having panic attacks when he thinks of committing to Ana. He goes and talks about it with Buck and Bobby and then breaks it off with her. Secondly, when Eddie finds about the fates of his army friends and destroys his bedroom through a fit of rage brought on by helplessness and fear. A very vulnerable state to be in (let’s be honest, how many damn people have seen Eddie cry his eyes out?). Buck goes in, listens to him, gives him advice and we later see them both patching up his wrecked bedroom walls. Thirdly, we have Buck going to his house to get some reprieve from the constant worry his friends have for him, knowing that he won’t be pushed here, but comfortably accompanied. He falls asleep immediately (let’s ignore couch theory before I go bonkers). That’s both of them expressing vulnerability and raw honesty. More than they’ve done with any lover, no matter how fleshed out.
There’s clearly an answer here. We’re going to wait until they find it.
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dwreader · 15 hours
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Post-Season 1 IWTV Podcast Transcript
Special Guests: Assad Zaman, Rolin Jones and Mark Johnson
"Armand is someone who comes into Louis's life in the second half of IWTV, they meet in Paris and Armand is immediately like most people completely entrhalled by everything about Louis and what he stands for. He's changed from the person he was before he met Louis, which is a person who's a bit lost in the monotony of his life is the way I would describe it. -Assad Zaman
[intro chit chat with Assad]
Assad: Armand is someone who comes into Louis's life in the second half of IWTV, they meet in Paris and Armand is immediately like most people completely entrhalled by everything about Louis and what he stands for. He's changed from the person he was before he met Louis, which is a person who's a bit lost in the monotony of his life is the way I would describe it.
N: Its been 500 years its definitely been monotonous. [514] Ok yes 514. Ok we get it. You need some love in your life. Now did you know from the beginning like when you got the sides, were you told you were going to be playing Armand.
A: I think if I knew I was auditioning for Armand, I wouldn't be here. I think just the prospect the notion would send me over the edge and I would crumble. I got the audition, a couple scenes with Daniel Molloy, a character named Rashid, I know who this guy is he's highly efficient and he's got skills, very clear part to play in. I kind of went in and did those tapes fairly confidently. Then I got a recall and another scene added, with a bit more subtext. Rashid has a bit of a sting to him with his status. Then I got a third recall and Rolin asked to have a meeting with me on Zoom, give some notes... I was thinking why is he wasting his time talking to me about Rashid when he's got Louis and Lestat to worry about so I'm terrified I get onto Zoom with him and okay okay so basically Rashid is in disguise, he's not Rashid he's actually the vampire Armand and he proceeds to tell me all about Armand. I'm think just don't lose your cool. This has to be a secret and we don't want to leak it but we want to see a bit more from you. And I got off the call and I almost started crying.
N: So how much time did you get then? between that first audition to the recall? You have to go from a no nonsense assistant to I am a vampire king?
A: They gave me maybe 8 or 9 hrs between the call with Rolin and the next tape I sent over. And then I did another 4 rounds after that... it was a grueling process.
N: Once you get to set, everyone knows or its still a secret you're witholding?
A: Apart from the main cast, a lot of the crew didn't know.
N: Sit quiet in a corner and don't attention?
A: That' was my initial approach to Rashid before I knew he was Armand. All  he wants is to keep his job and not get killed.
N: Now while you're filming the first season, what convos did you have with Rolin about the plan for Armadn in the show?
A: We did discuss wth events in IWTV and where we're gonna see him in season 2, a lot of that is very important. Where Rolin has curiosity is when we look into Armand's past and where he came from, there's some obvious differences to me in what to explore and to see what we want to pick from it. His story.. its complex. He's messed up. He was messed up even before he became a vampire. The events that makes Armand have to be complex enough to see how he turned into  what he is. .... I was also very aware as an actor a duty to the story being told in this moment, it's Louis's story and him recounting it to Daniel, their story is very important as well. As much as Armand is sizzling in the background, I have to honor their story as well. We don't want the audience to draw too much attention to it right now cause it deviates from the story and the themes that are important to explore in the season.
N: When Rashid revealed himself, I screamed. It only works cause Rashid has so cleverly.. you almost forgot about him.. "love of his life"? Louis?? Not another old vampire and this one who can stand in the sun.
A: We hope that he hasnt made the same mistakes all over again.
N: Why is he pretending to be Rashid this whole time?
A: I think it's incredibly painful for the love of his life describing another love of his life. There is also curiosity with Daniel about why he's allowing this interview to happen.
N: And Rashid was there in that first interview so that whole thing makes sense.
A: We actually don't know what transpired in SF, cause he was not there in the book. How far did Louis get and what Armand had to do to stop him? That could also be why this interview is happening.
N: A little taste of what's to come in s2?
A: Theatrics, vespas and romance is in the air. We're in Paris. It's a gorgeous part of the Paris and the journey they take to get to Paris and the showdown that has to happen in Paris.
Highlights of Rolin Jones/Mark Johnson
N: How are you feeling about Season 2? Is there pressure? Is there a feeling that OK we did one and now we can really dig in?
R: Actually I'm just sort of being excited about Season 2 and not being scared out of my mind with it. The second half of iwtv, there's some lovely passages but there's a lot of people sitting around talking.
M: It's a whole new continent, but it's characters Rolin has already created. Im feeling quite confident and excited and abuzz about what we're going to do next season.
N: I'm very curious what attracted you to vampires and the world of AR.
M: I was not familiar with AR to begin with, my excitement has to do with what Rolin did with it for the pilot and thought this is extraordinary and I read AR and realized all of the treasures, of what Rolin took advantage of and what needed redressing.
N: Rolin, can you explain to me the process, you know, how did you pitch yourself as the showrunner of this?
R: I had an overall meeting with them about a list of things I wanted to do and as I was leaving they said we forgot to mention our boss bought the Anne Rice books, I stopped and I put everything and I said we're gonna take another 45 min for the meeting. By the time I left, I knew that's what I was going to do. They put me thru the gauntlet to prove if I was a guy. It wasn't just about whats a good poilot or first season it's what does this look like 8 seasons from now.... I was really excited cause I wanted to do something grand and big. I had some of my theater pals create a visual world.
N: Let's talk about Louis being black. I feel as though we are in this age of adaptation or reboots if there will be a gender or race swap and that's the extent of it. It felt as though you making this change meant you got more story, you were able to mine that fact for more story points and a new dynamic. These two men are famously white... and I'm wondering about the choice to do that and what it was to execute that.
R: I came around to his ethnicity a sort of interesting way which is through Lestat. There's a famous rewrite of Lestat in book 2, he's sort of an aggressively different character than what he was in book 1 and that's the Lestat she carried on for the rest of time. So that's our Lestat. So we tried to take the given circumstances and put him back in this time period, so he had a super emo relationship wtih this guy with Nicki, then he had uhhh  a very excitable relationship with his mother as his second companion choice (we'll get into that in season 3 y'all), and then I was like lets give him a legitimate a third attempt at figuring how to be with somebody for the rest of his life and how to not repeat your mistakes. And I started from there so it had to be someone with some money cause he had to be with his own folks and I thought he wanted someone who could fight back and who could be a challenge and would force him to restrain himself. And nobody at AMC was interested in 7 seasons of the regretful plantation owner, so we made Louis come from a lineage that did have a plantation and did own slaves. And the second thing was aesthetic if you take away the ruffle shirts and all the swampy goodness and you wanted to make this new, whats the new hot time and birth of jazz seemed right on. And there was a spot when a black man could get in on some business and have some morally gray thing that owning a plantation would. It all clicked into place pretty quickly. ... and the other thing is you're trying to build as much inherent conflict, enough not to burn thru in a season you want 7-8 years of conflict and distress and vulnerability in both of them. I wanted to load Louis with as many contradictions and things unsettled as possible.
N: How did you decide when to deviate from Anne's books? Were there rules in what you could invent ?
R: There were a couple caveats make it here and now, make it grand and big but we said she wrote a very transgerssive book in 1973 and tried to put her in the room in 2021 making a TV show... there's no point in making it if you're going to make a roughshot of it. You're constantly revisiting the book. That's when you're in draft, in after produciton draft, dropping in as much Anne as we could. We were going to write the heightened language thats in the novel. 
N: Can you tell me about how you found Jacob and Sam?
R: Obviously 9 billion people auditioned. It was very clear something very dynamic was happening when they got in the Zoom. For Jacob, there's this genuine warmth, kindness, for a character who's going to make a number of questionable choices, how do you make you want to love him? .
...
N: Did you always know the season was going to end with the reveal of Armand and the "murder" of Lestat?
R: Very early on, we were talking about making this thing in the writers room and pre-production. A lot had to do with lumber and covid. We were wrting scripts for the entire book and we got a lovely call from AMC "is there enough in this story to stay in new orleans this whole season?" So what we ended up doing, we made the first 4 into the first 7. We did that 50 days before we shot our first day.. it was a lot. And it was to the benefit of the show, we made a better product. We were not going to be able to do Europe in the same beautiful detailed way we were doing New Orleans. What was originally 8 episodes is now a 15 episode book. Was that the ending of my season 1? Not originally but it became the ending.
M: Now it's hard to imagine how we were going to pack all that into one season.
N: There's such a movement to that finale.
R: For me, that kind of episode. It's one for the people, the one for everyone else. you're doing twists and turns like a thriller. My favorite scene is the one that stops the action, the balcony scene...
N: Thinking this is all from Louis's memory.
R: Memory is a huge part of the show. We are only 7 episodes into a 15 episode story.
Audience Q: How sympathetic do you think Lestat is? Obviously this man has some major flaws like the whole next book is a whole lot of backpeddaling like he's not so bad he's not so bad. How sympathetic do you think he really is?
R: The more you spend time with it. I find Lestat wildly sympathetic. and the way it's built... You're not gonna see Lestat speaking for himself until season 3. Its a big deal right? You go ahead and have someone else tell the world about you from their POV. Who had the most traumatic entrance into the world of vampires? It's Lestat. You have no idea the baggage going into North America. We are playing with POV. Stick with Lestat, he's got a lot of pain.
Q: Why is Louis truly doing the interview? He says I wanna redo, but yet he's doing the same thing, he's dodging, cagey. Why did you bring this man to Dubai to do this?
R: It is absolutely THE question. IF you wanna know what we're still digging out, it's the why of it. There's a reason why this is the second interview. The first interview is very important. Something signifcant life altering happened in 1973 but they weren't the right people to do back then. There's a lot if meat on Louis's side, Daniel's side and most important Armand's side.. who's become the most fascinating character of season 2. There's a lot in Dubai left to be revealed.
Q: Do we think we've seen the end of Lestat and Louis's sexcapades?
R: So it's AMC, we are trying to sliding as much under the door as we possibly can. We are interested in the whole thing - the sex sure, the love story, the psychological torment, we are trying to write a love story that doesn't disappear after book 1. There's Armand coming..
N: Can we talk about what's to come? You're hinting this show can go on for many seasons, how long?
R: The real reason I wanted to do this show.. season 3. The Vampire Lestat. I really know how I wanna do The Vampire Lestat and I couldn't be more excited about it... and as goofy as body switching is, I think there's something in the tale of the body thief. QOTD... you gotta think on that one, how to do such a massive object, if you do it in one or two seasons.
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where-theres-smoak-2 · 15 hours
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So in my next episode of I just can't stop talking about Dune part 2, lets talk about the ending scene, specifically about the positioning of the characters during the duel and kiss the ring scene, because I think there's some really interesting symbolism there.
At the start of the scene we see everyone enter the room and take their places and what is interesting is the characters are in groups with each representing part of Paul's journey. The best image I could find of where everyone is positioned is this wide shot where everyone is bowing to Paul towards the end of the scene:
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It's not the best image but you can just about make out that on the left, where the blue arrow is pointing, you have Chani and the Fedaykin, then in the middle along the back wall, where the orange arrow is, you have Jessica, Gurney, Stilgar and the fundamentalists and then finally on the right with the black arrow is the emperor, irulan and the bene gesserit. Three separate but important groups.
Just before the emperor enters, Paul approaches Chani and we get that exchange, 'this isn't over yet' and 'I'll love you as long as I breathe." To me its really interesting that this final showdown starts with Paul directly in front of Chani, looking at her, with his focus on her. Another interesting detail is that when the emperor enters Paul does not immediately turn to face him, in fact he stays looking at Chani, lingering on her, even when he first begins to speak his focus still remains on her. It is only when he says that the great houses may be curious to hear his side of the story that he begins to move. Again it's interesting that its when he is talking about 'his story' that he moves across the room and that story or journey is visually set out for us. He starts with Chani, expressing his love for her, the fedaykin are also there, the people who took him in and accepted him as one of their own, they very much represent the path that he had chosen for himself. The path that he then steps away from.
Paul begins to approach the emperor and as he does we see him walk past Jessica, the mother that he followed south, whose footsteps he followed in when he drank the water of life leading to him becoming the kwisatz haderach, Stilgar the man who was constant in his belief that Paul was the Mahdi and who became teacher to him, helping him learn the ways of the fremen, Gurney who is a connection back to his identity as the son of Leto and the house Atreides, and the fundamentalists who became the army that he was able to control in order to overthrow the emperor and who will also fight the holy war.
Finally he arrives in front of the emperor and his daughter, the final obstacle in his way, his way of getting vengeance for his father's murder and, through his marriage to Irulan, the title of emperor of the known universe. Of course the emperor isn't going to give up his throne easily which is when we have the duel between Paul and Feyd and once again their positioning throughout the duel is interesting.
At the start of the duel Feyd is positioned here:
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You can see he is standing in front of the emperor and irulan, who are outlined in the grey box. Also if you turn the exposure up:
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You can make out the bene gesserit there as well in the black circle. This is a visual representation of what it is Feyd is fighting for, he is fighting on behalf of the emperor but his end goal is that he wants the emperor's throne for himself. The way he gets there is the same way paul would, marrying the princess. The bene gesserit being there also shows how they are on Feyd's side, they know how to control him and so would rather have him as emperor and as a prospect for the kwisatz haderach than paul. So in the shot above we have Feyd, and then a visual representation of what he is fighting for but also everyone that is depending on Feyd winning this duel.
The same can be said of this shot here of Paul where you can clearly see Chani (in the blue circle) and the fedaykin behind him:
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Like Feyd, Paul's ultimate goal is to be emperor, however whilst Feyd wants the throne for his own selfish reasons, I think for Paul his motivations are that he wants to protect Chani and the Fremen. Paul has seen multiple futures thanks to drinking the wol and he wants to guide them down the one where all his friends and loved ones live. But once again we are being shown a shot that represents what Paul is fighting for and the people whose fates are depending on him winning this duel.
So at the very start of the duel, the two sides are clearly set out and we know what the stakes for each side are. I also like how they are both almost standing guard over the side they are fighting for, like a shield protecting those behind him.
As for Jessica, Stilgar, Gurney and the fundamentalists I do think its intriguing that they are kind of separate in this scene, they way they are position makes it seem like they are almost an audience in a theatre watching to see how it plays out. I did wonder what significance this might have as they do still have stakes in this fight. But I think, and I could be wrong this is just speculation, I think it might be because even though they have stakes in the who wins the fight their fates are already sealed. I think at this point irregardless of who wins they will still unleash a holy war on the universe, the only difference would be whether Paul is actually leading them or whether they are doing it in his name as an act of vengeance for his death. Whereas the emperor, irulan and the bene gesserit's fates still depend on whether paul or feyd wins, if paul wins they lose their power, if feyd does they can control him and stay in power. Chani too I think her fate is dependant on who wins once Feyd takes notice of her, if paul wins she has choices, stay or leave (and she choses to leave) but if feyd had won you can bet she would have been taken by Feyd as some kind of prisoner of war or pet for him to play with. But like I siad that is speculation on my part.
Throughout the duel itself there are also some interesting positions and symbolism going on. For example at first when they are fighting and are evenly match they maintain their positions of Paul being in front of Chani and the Fedaykin and Feyd in front of the emperor etc. However if you watch closely whenever it appears like Feyd is getting the upper hand on Paul and like Paul may lose its whenever Paul is on the side of the emperor. When Feyd knocks him down, Paul is in front of the emperor and lands pretty much at the emperor's feet.
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I interpreted this as showing Paul's downfall, showing how he lost his way, it was his pursuit of revenge against the Harkonnens and the Emperor, his desire to claim the throne, that pulled him onto the darker path he is taking. It's again that visually representation of what Paul is going through emotionally/internally. We are seeing him being pulled and pushed away from Chani and the Fremen and that life that had made him happy and being, quite literally, thrown onto this path of becoming emperor and starting the holy war.
It can also represent the emperor's and Feyd's on desires to see the House of Atreides quite literally brought down, laid at the emperor's feet and defeated. It's like we are getting a glimpse of what one potential outcome/future could have looked like, Paul defeated.
Another way you could look at this is that when Paul is kicked to the floor, Feyd is now in between Paul and what he is fighting for, his motivation for fighting. I mentioned earlier that to me their positions at the start of the fight were like they were guards, well now Feyd has broken through that shield and is a direct threat to those Paul loves.
Paul falling down at this position also means that he is now directly facing Chani and the path he's left behind. It is as Feyd approaches Chani, a looming threat getting closer and closer to her, that Paul finds the strength to get back up and continue the fight. Seeing the threat to Chani makes Paul move away from the emperor and towards her and Feyd. I think this shows the shift in Paul's motivations and what is keeping him fighting, what is giving him strength, at first he was fighting to get revenge and the throne or at least I think that was his priority, there were other reasons too but in the moment it was his wish for justice that was driving him, but here it shifts to wanting to protect Chani from a more immediate danger, I said in another post that at this moment dying is no longer an option as it will leave Chani vulnerable to Feyd if he does which is something Paul will not let happen.
Another interesting moment is that when Feyd stabs Paul he first drives him backwards, back towards the emperor, so similar to when he is kicked down the first time, we have this imagery of Paul losing and him standing with his back to the emperor and the bene gesserit, the people who have been the cause of his suffering, and who represent this path of becoming the kwisatz haderach, the madhi and the holy war etc. When they are closet to the emperor, Feyd pushes the knife in deeper.
But then Feyd flings Paul away from him and Paul stumbles back so that he is once again standing with Chani and the Fedaykin at his back. As Feyd menacingly approaches him to finish him off, instead of focusing on the incoming threat Paul looks to Chani, to get a reminder of why he is fighting, why he is doing this and to draw strength from her. When he finally defeats Feyd it is again when he is standing closer to Chani.
I just think its really interesting that during this duel whenever Paul is at his lowest we are shown him on the side of the room with the emperor, bene gesserit, the people who are seeking to destroy him, and then when he is at his strongest and at his moment of victory in the duel he is standing on the side of Chani and the Fedaykin, the ones who give him strength and who he loves.
Once he's pulled the knife out we see him once again look to Chani, all of these looks to me make it very clear that she is his motivation behind his actions, he's doing it for her, he's doing it all because of that vision he had of her death, to keep her alive, which is really heartbreaking because its his actions to keep her safe and alive that are breaking her heart and that ultimately cause her to leave him. But I digress.
After this look to Chani we then see him repeat the same journey we saw him take at the start of the scene. He starts close to Chani and the Fedaykin, crosses the room passing Jessica, Stilgar, Gurney and the Fundamentalists and arrives before the emperor. Only this time he completes the next step, making the emperor bow and kiss his ducal ring.
When everyone else in the room bows, three stay standing, Princess Irulan, the woman who is his key to the throne, Chani, the woman he loves, who taught him the ways of the fremen and the desert and Jessica, his mother who fuelled his legend amongst the fundamentalists and trained him in the ways of the bene gesserit allowing him to become the kwisatz haderach. Not only is it symbolic that its these three women alone that remain standing but their positioning is again really interesting.
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They are each a point of a triangle. Triangles have alot of symbolism and often represent three sides of a whole or a cycle. There's religious connotations to it too with the triangle often being used to represent the holy trinity in Christianity. Some meanings that I think could be relevant here though is the cycle of birth, life and death. Jessica representing birth, she is his mother but also she orchestrated the 'birth' of the kwisatz haderach in the south. Chani I think would represent life, she was the life he chose for himself. Then Irulan would represent death, she's the key to the throne and the Paul we knew had to die in order to become the man he is now. She represents the death of his old life.
Another meaning is beginning, middle and end, its similar to the life cycle triangle but this one is a reminder that everything has a process, there's the start, the journey and the end. I think this ties in well with what I was saying about how Paul merely crossing the room showed his journey throughout the film. So too does the positioning of each of these women in his life. Chani was the start of his journey, where he learnt from her, where he fell in love, then he drinks the water and becomes the mahdi, represented by Jessica and it ends with Irulan and him becoming the emperor.
Triangles can also represent protection, power and strength which I think each of these women provide Paul in their own unique ways. They can also mean creation which you can argue that each of these women contributed to who he is and has become, in a way they are the ones who have created him.
What is ironic is at this moment as the emperor is bowing, Jessica communicates with Mother Mohiam and tells her she chose the wrong side to which Mohiam replies there are no sides. I just found this kind of funny considering the room is set up into three very clear sides.
But anyway, moving on, after the emperor and everyone bow we then see Paul, yet again look back to Chani, even after everything he still can't completely let go of that link back to who he was, the life where he was happy and loved as a man and not a prophet. But then Chani walks away severing that last link. Paul keeps his eyes on her until she is completely out of sight, then he half turns, looking down and closing his eyes so that he is front on with the fundamentalists and Jessica. It is at this moment that Gurney tells him that the great houses are refusing to honour his ascension. Paul then turns his back to Stilgar and facing Irulan and the emperor, he looks to the floor and takes that final step when he says lead them to paradise, unleashing the holy war from his nightmares onto the universe. His only hope now being that the fundamentalists believe in him enough that he is able to control this war in his own favour. I think its significant that Paul turns his back to Stilgar, the friend who became a fanatical follower, and looks down to the floor at this moment of declaring the holy war. It's indicative of his shame, of his pain and shows how much its hurting him to make this choice, so much so that he can't look at the fremen as he gives the go ahead.
Honestly I could be looking into this way too much but on a rewatch of the scene I just found it all very interesting the way it was all laid out and how Paul navigating the room seemed to reflect his own personal journey from Paul Atreides to Usul Maud'dib the fedaykin to the Lisan al gaib to the emperor of the known universe and how that is reflected in the people around him.
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