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#vintage photoshop effect
pinkverge · 1 year
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How to Make a Vintage Effect in Photoshop
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I am pretty sure that you have heard the mighty phrase “old is gold” which is definitely true with 90s fashion trends! Of course, artists like me were striving to recreate their 90s memories back in their projects!
In this tutorial, we take a look at how to create a vintage effect in Photoshop. In general, old photos look different from modern ones. Vintage photo effects can be used to produce a wide range of looks. Yes, we can recreate vintage black and white photography or recreate a ’90s era back in time.
How to Add a Vintage Effect in Photoshop?
Usually, applying these effects is a time consuming process. But don’t worry, I’ll show you the quick version today! It is important to keep in mind that every image is unique, so the settings I demonstrate here should be used as a basis for all images, but it may require some slight variations depending on the image.
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colour-source · 6 months
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— CHILL KILL, psd coloring
ENG.RULES: This psd is free for personal use, for commercial use you have the option to purchase from KO-FI or deviantart. It is forbidden to repost, use this psd as a base for any other you make to post or include this material in resource packs. Like or reblog if you like/download. (dl.link)
PT.REGRAS: Este psd é gratuito para uso pessoal, para uso comercial você tem a opção de comprar no KO-FI ou no deviantart. É proibido repostar, usar este psd como base para qualquer outro que você faça para postar ou incluir este material em packs de resources. Dê like ou reblog se gostar/baixar. (dl.link)
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weandthecolor · 9 months
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Photoshop Vintage Mockup: The Light Burn Film Poster Photo Effect by Pixelbuddha
Download here.
Follow WE AND THE COLOR on: Facebook I Twitter I Pinterest I YouTube I Instagram I Reddit
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gmfio-art · 9 months
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FLOWERS psd coloring by © gmfioART
FREE for personal use. // Gratuito para uso pessoal.
Don’t redistribute or claim as your own. // Não reposte, copie ou divulgue como seu.
Download - DA.
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niamhclub · 2 years
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| NIAMH CLUB | psd. Agoraphobia
Psd made by gmfioart. Description: a dark grren and neon orange for bright* pictures. Download: (xx)
The pictures we use to make the previews do not belong to us and have no intention to infringe copyright rules. If any of these belongs to you and have been shared without your consent, please contact us so we can change it. All the effects (actions and psds) are made by us and we do not allow people to recreate or reupload it. Reblog and like it to help our blog to grown.
Patch 1.0 - NIAMHWEEN | Design by Demis. Group: TOMORROW X TOGETHER
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creativemazza · 3 months
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Still Life
This vintage oil effect still life has been an ongoing project and manage to create a crackle effect texture in Rebelle 7 that helps to give that aging feeling to the image. I think it works well. :)
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eudonyx · 1 year
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Have been taking a graphics design course for 2 months. And, decided to try an effect on a photo I was given for editing!
Program used: Adobe Photoshop 2022
Edit made on photo: Vintage effect
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thatonechaosentity · 1 year
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nebular-te · 2 years
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✴ icons made by nebular-te.
✴ effect serenity by bbyhyuck​
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crazyhollyart · 2 years
Link
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colour-source · 10 months
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ANALOG, texture pack
RULES: If you download/use, add to favorites and comment; Don't claim, repost, use to create other resources or share on other platforms and packages; Credits are required if you use this textures; For commercial use and to support our work, you have the option to purchase; Please contact us if you have problems downloading/using the material or prefer another purchasing platform (download)
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Old Paper Textures - Download
10 Old paper textures that you can use for anything, they are fully editable, you can change brightness, contrast, levels, hue/saturation, color balance, even combine with different textures, patterns and other  resources to have new effects, there are no limits.
The ways in which textures are used and the results depend on the unique style of each artist, designer or photographer. They can be used for any project you can imagine, use them as filters for photos, create mockups, new textures, beautiful tapestries, old maps, etc. Apply an antique touch to your designs and creations.
Tutorial: https://www.youtube.com/watch?v=jdfPFZ-RrLw
These are just a few examples of what can be achieved, I'm sure you can think of hundreds of new ways to use these textures.
Included: 10 Digital Papers / JPG Format / High Quality / 300 DPI / 3500 x 4700 px
Download on:
Creative Market
Gumroad
Website
Payhip
Etsy
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tevvy · 1 year
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Learning to make some more animations from scratch. 
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gmfio-art · 11 months
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⌕  messie psd coloring by @gmfioart
›› download here.
𝖣𝖮𝖭'𝖳 𝖢𝖮𝖯𝖸, 𝗋𝖾𝖽𝗂𝗌𝗍𝗋𝗂𝖻𝗎𝗍𝖾, 𝗂𝗇𝖼𝗅𝗎𝖽𝖾 𝗂𝗇 𝗉𝖺𝖼𝗄𝖺𝗀𝖾𝗌 𝗈𝗋 𝖼𝗅𝖺𝗂𝗆 𝖺𝗌 𝗒𝗈𝗎𝗋 𝗈𝗐𝗇. 𝖭𝖺̃𝗈 𝖼𝗈𝗉𝗂𝖾, 𝗋𝖾𝗉𝖺𝗌𝗌𝖾, 𝖽𝗂𝗏𝗎𝗅𝗀𝗎𝖾 𝖼𝗈𝗆𝗈 𝗌𝖾𝗎 𝗈𝗎 𝗂𝗇𝖼𝗅𝗎𝖺 𝖾𝗆 𝗉𝖺𝖼𝗈𝗍𝖾𝗌 .
↷ 𝖿𝗋𝖾𝖾 𝖼𝗈𝗇𝗍𝖾𝗇𝗍 𝖿𝗈𝗋 𝗉𝖾𝗋𝗌𝗈𝗇𝖺𝗅 𝗎𝗌𝖾.     𝖼𝗈𝗇𝗍𝖾𝗎́𝖽𝗈 𝗀𝗋𝖺𝗍𝗎𝗂𝗍𝗈 𝗉𝖺𝗋𝖺 𝗎𝗌𝗈 𝗉𝖾𝗌𝗌𝗈𝖺𝗅.
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sirfrogsworth · 3 days
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Let's talk about vintage lenses.
Here is your cool samurai show with modern lenses.
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Here is your cool samurai show with vintage lenses.
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Hollywood is no stranger to fads.
We are currently in the middle of a "make everything too dark" fad. But that fad is starting to overlap with "let's use really old lenses on ridiculously high resolution cameras."
This is Zack Snyder with a Red Monstro 8K camera.
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He is using a "rehoused" vintage 50mm f/0.95 Canon "Dream Lens" which was first manufactured in 1961.
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This old lens is put inside a fancy new body that can fit onto modern cameras.
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Which means Zack is getting nowhere near 8K worth of detail. These lenses are not even close to being sharp. Which is fine. I think the obsession with detail can get a bit silly and sometimes things can be "too sharp."
But it is a funny juxtaposition.
The dream lens is a cool lens. It has character. It has certain aberrations and defects that can actually be beneficial to making a cool photograph. It's a bit like vinyl records for photography.
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[ Peter Thoeny ]
It has vignetting and distortion and a very strange swirly background blur.
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[ Gabriel Binder ]
Optical engineers have been spending the last 60 years trying to eliminate these defects. And I sometimes wonder if they are confused by this fad.
"I WORKED 70 HOURS PER WEEK TO GET PERFECT CORNER SHARPNESS!"
And whether you prefer to work with a perfect optic or a vintage one... it is a valid aesthetic decision either way. I think vintage glass can really suit candid natural light photography. You can almost get abstract with these lenses.
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[ Peter Theony ]
Personally I like to start with as close to perfect as possible and then add the character in later. That way I can dial in the effect and tweak how much of it I want. But even with modern image editing tools, some of these aberrations are difficult to recreate authentically.
That said, it can be very easy for the "character" of these lenses to become distracting. And just like when someone first finds the lens flares in Photoshop, it can be easy for people to overdo things.
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Zack Snyder decided to be his own cameraman and used only vintage glass in his recent movies and it has led to some complaints about the imagery.
I mean, Zack Snyder overdoing something? I can't even imagine it.
Non camera people felt Army of the Dead was blurry and a bit weird but they couldn't quite explain why it felt that way.
The dream lens has a very wide aperture and it lets in a lot of light. But it also has a very very shallow depth of field. Which means it is very difficult to nail focus.
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[ Peter Thoeny ]
Her near eye is in focus and her far eye is soft. You literally can't get an entire face in focus.
There is no reason you have to use the dream lens at f/0.95 at all times. But just like those irresistible lens flares, Zack couldn't help himself.
Here is a blueprint that you can't really see.
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Extreme close ups of faces without autofocus at f/0.95 is nearly impossible to pull critical focus on.
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Looks like Zack nailed the area just above the eyebrow here.
Let's try to find the point of focus in this one.
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Ummmm... she is just... blurry. Missed focus completely.
But Zack isn't the only one going vintage. I've been seeing this a lot recently.
Shogun is a beautiful show. And for the most part, I really enjoyed the cinematography. But they went the vintage lens route and it kept going from gorgeous to "I can't not see it" distracting. And perhaps because I am familiar with these lens defects I am more prone to noticing. But I do think it hurt the imagery in a few spots.
Vingetting is a darkening of the corners of the frame.
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Light rays in the corners are much harder to control. A lot of modern lenses still have this problem, but they create software corrections to eliminate the issue. Some cameras do it automatically as you are recording the image.
Vintage lenses were built before lens corrections where a thing—before software was a thing. So you either have to live with them, try to remove them with VFX, or crop into your image and lose some resolution.
It's possible this is the aesthetic they wanted. They felt the vignetting added something to the image. But I just found my eyes darting to the corners and not focusing on the composition.
And then you have distortion.
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In this case, barrel distortion.
This is mostly prominent in wide angle lenses. In order to get that wider field of view the lens has to accept light from some very steep angles. And that can be quite difficult to correct. So you kind have to sacrifice any straight lines.
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And sometimes this was a positive contribution to the image.
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I thought the curved lines matched the way they were sitting here.
But most of the time I just felt like I was looking at feudal Japan through a fish's eye.
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It's a bit more tolerable as a still, but when all of these verticals are bowing in motion, I start to feel like I am developing tunnel vision.
I love that this is a tool that is available. Rehousing lenses is a really neat process and I'm glad this old glass is getting new life.
This documentary shows how lens rehousing is done and is quite fascinating if you are in to that sort of thing.
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But I think we are in a "too much of a good thing" phase when it comes to these lenses. I think a balance between old and new can be found.
And I also think maybe Zack should see what f/2.8 looks like. He might like having more than an eyebrow in focus.
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