#when art is a specific kind of Very Shaped

[scribefindegil]

I mean this in the ace-est possible way but Dimple-in-Reigen's-body is really hot. sorry.

#'but scribe you don't experience attraction what does this even--' #I Do Not Know. #it's just. it's just the Vibes. #other things with similar Vibes include: #really good topstitching #when art is a specific kind of Very Shaped #extremely sharp knives #(ONLY craft knives tho cooking knives and weapons don't count) #olivier armstrong fullmetalalchemist #um. the concept of herb spirals in permaculture #enjambment #a lot of literary devices actually #anaphora is very sexy #sestinas if they're good #ANYWAY the point is that i went from the sort of ace person who would never in a million years use words like 'hot' or 'sexy' #to the sort of ace person who uses them and the things they describe are sure a Category #but not a category that maps in any way at all onto the commonly accepted actual definitions of the words #and then very occasionally a character will enter The Category #and i'll be like what the fuck i don't feel like that about *people*!? #and then i have to remind myself that it's the same feeling as looking at topstitching #okay that's one point #the other point is still that possessed Reigen is hot #ace stuff #mp100

[runningwithscizzorz]

(1)Learn the rules before you break them + Gather proper references

(2) Understand what you want to break and how

(3) Can't do it? Find someone who can

(4) It's going to look really bad for a while

(5) Have fun with it!

(1) -Yes, I am that kind of artist. Yet, not in the conventional way. I encourage people to go in guns blazing when it comes to drawing something new, then coming out analyzing what they know, and what they need to learn more of right away.

-Here, I broke down the anatomical pieces of Nour and Narinder's face with the same labels so you guys can understand this weird invisible pattern that I follow in my work. Doing this with any animal you're attempting to draw greatly improves your line confidence when drawing different face shapes. Also understanding the biological function for why animals look a certain way helps you keep consistency.

(3) Time to throw any artistic guilt you have for heavily referencing people's art OUT THE WINDOW and start ANALYZING PEOPLE'S WORK YOU WANT TO BE LIKE✨ I've always done this, having a reference of someone else's amazing work right next to my own drawing so I can try and understand how they make their magic work! No shame, no embarrassment, nada. Pure, unadulterated will and spite that I would be just as good as the artist who made me so motivated and happy with their work! I couldn't figure out how to make Nour's face both sheep-like, and humanly expressive, so I looked at a LOT of Zootopia and old Disney art for help!

(2) With how I draw narilamb, I'm still working on it (as you can see) but I wanted to break Narinder's face to be fluffier and slimmer, while Nour's face would be shorter and flatter. If you look at it for too long, it's absolutely going to look weird, in the way that if you look at Anna from Frozen for too long she starts looking really weird. The anatomy isn't meant to be correct or consistent, it's meant to convey the emotion and energy I want out of the characters in that moment. If you're able to properly get that across, then you don't need to think about how broken something looks, as long as your eye is happy enough to trick your brain into thinking what you're seeing is canny.

(4) Yeah, I hate this part too. It's going to look like shit at first. I can't even look at my art from a few months ago when I was figuring out their designs... God, so fucking ugly. If it weren't for the shittiness of those drawings, I would have never gotten here! Wading through the "trust the process" stage always really sucks, but it's absolutely worth the relief of when you finally get something to look right.

(5) Art is work, yes. It's stressful, it's long, it's straining, its draining, it's exclaiming, blah blah blah. But, I try to keep my art FUN. If I find my artwork becoming slow as I depressingly drag my pen over my tablet, I'm failing. You MUST keep spirit and life in your work. The spirit of emptiness or the life of sadness can have a very meaningful place in art, but those can only exist with keeping work light, easy, and fun! If you're stressing how a specific thing looks or how you can't get something to look right no matter what, FUCK IT. Draw something to bring the flavor back in your work! I'm kind of rambling, but just, HAVE FUN!✨️ Be messy, scream, laugh, slash canvases, throw paint, smash sculptures, tear apart books, GO CRAZY

#liseysart #illustration #cotl fanart #cotl lamb #cotl narilamb #cotl narinder #cotl #cotl art #i really REALLY need to work on how i draw narinder haha! #when i feel stumped #i watch videos that make me laugh to bring my spirit back

[nehts]

Thinking .

#Why couldn't we have been born as guars. this is so fucked up and evil #I'm so tired. #Literally not like. mentally. I'm very tired but I'm thinking about the fact that I could hit my fat fucking guar head upon my wife. #Who. obviously. would also be a guar #Or we could be a betty + bull netch . and I could also hit my fat fucking netch head (body?) against her . #This is so fucked up and evil of the universe to do this to us. I can't believe this #Fat fucking guar head booping with the wife. who would in turn boop her fat fucking guar head upon mine. the universe is cruel. #Cruel and uncaring to the plight and suffering of men <-me specifically because I . I just want to forget sentience and be a guar man #No thoughts just kicking my little guar feet in the air as I sleep. annoying my guar wife . WHAT is the point of being alive. #What's the POINT when I'm a sentient person. and not either a guar or netch. I would destroy myself if I were a kagouti however #I could survive being a cliff racer just because I like to be annoying as hell and swooping down to be a little shit would be fun enough. #To. cope with the fact that I would indeed actually be a cliff racer . #This started because I saw someone has art commissions to guar-ify you+another person by the way. it got really out of control #I started with messaging my still sleeping wife 'OMG... WHAT IF WE WERE BOTH GUAR... AND WE BOOPED OUR FAT HEADS TOGETHER'. #And kind of. in my very tired state. just kind of kept imagining it because it made me happy. I don't know if it's obvious but. well #I adore guar so much . netch as well but guar are my favourite creatures of all time they're so . as the hip kids say. Shaped #Anyway. I'll stop now. I miss my fucking wife #I miss her a lot . this wouldn't be a problem if we were both guar. again. fucked up and evil that we're not and are sentient creatures

[exa-reblogs]

Some identifiers for AI generated fashion images that I've noticed

So, recently and not unexpectedly, I've seen a major uptick in AI generated images showing up in my searches for fashion photos, specifically. I've seen people make posts like this for specific art styles, and for 2D art in general, but I wanted to share some observations I made regarding clothing, fashion, and runways. I've seen a lot of people getting fooled by these, but it seems like for every one person thinking it's real there's about three people informing them that it's AI, fortunately. I'll admit, a lot of them look somewhat believable at first, but once you look closer it becomes apparent that they're off somehow.

To clarify: this is about common inconsistencies I've personally noticed in AI fashion images, so that you can learn where to look for these and similar inconsistencies and avoid sharing AI content by accident.

There's this one "collection" specifically that seems to come up a lot (also, click on all these images in this post to see the details more clearly):

There's more images like this and yes, despite the "houseofai" watermark I still see people asking who the designer is, or saying that they genuinely thought it was real at first. First and foremost: these are all clearly meant to be from the same runway show, right? Then why does each image look like it was taken on a different runway? The lighting and coloring are different in each one, and the middle one has vague red stairs in the background while the other two look like just a plain light-colored runway. This is something you'll obviously only be able to notice in groups of images and not singular ones, but it's a pretty dead giveaway if you see it.

Secondly: AI generated images, as a whole, tend to have this specific kind of super dramatic lighting with very bright, white lights and soft grey shadows. I'm not very knowledgeable about photography, so I can't explain it exactly, but I know it when I see it (and if someone reading this can properly explain it , please do.)

Thirdly: AI generated fashion tends to attempt perfect symmetry, but always fails somehow.

As for the actual outfits: the best that I can describe it is that a lot of the shapes and patterns just don't look like intentional human choices.

What in the hell is that monogram on the upper right supposed to be? It's clearly mimicking a logo of some kind, but it's messy and indecipherable, not actual branding.

The heart motif is clearly the running theme here, but the hearts don't really make sense. Like the main one in two halves across the chest here: why does it have those two notches missing at the bottom that prevent it from coming to a point at the bottom like a heart is supposed to?

The bottom hem is way longer on the left than on the right.

The little shoulder hearts are like, bleeding into the shoulder seams; those lines in the hair look like they're supposed to be headbands, but they disappear at the part with the rest of the hair; the embroidery on the pants isn't in a clear or intentional pattern.

Again, compare the lighting on this one's neck with the lighting on the last one's neck, totally different.

Those pink things on the chest look like they're trying to be hearts, but they're so clearly not actually hearts. If your collection is heart themed, why aren't you using actual hearts?

The quilting effect is uneven and the individual lines don't follow through and finish in the places they should. Look at the upper right sleeve, where the diamonds are misshapen and the diagonal lines are clearly disconnected. On the lower right chest, the lines just disappear. This can't actually with quilted garments IRL because the top layer is literally stitched to the bottom one along those lines with material in between. It can't fuck up like that, especially not a designer garment that costs your monthly rent.

Smooth zipper. Zippers seem to be a common fuck up.

You can't read the text on the hearts. It's nonsense. Nonsense, unreadable text and fucked up hands are the absolutely surefire ways to identify AI art like this. Conveniently, there are no hands in these photos.

What are those embossed shapes on the sleeves? They're not identifiable as anything in particular.

That is not how zippers work.

I suppose that weird folding beneath the hearts is something technically physically possible. But it's much, much more likely that they would create smoother, less ugly seams with less excess fabric.

These generative AI programs don't actually comprehend what they're trying to depict. Thus, they make mistakes like these. Physical inconsistencies that are often totally impossible, but even the possible things are just... stupid choices that an actual designer isn't going to do. Yeah, sure, designs can be weird, asymmetrical, and imperfect on purpose. But it's way, way more likely that this is just an AI.

Experiment: look at these two images of retro-futuristic headpieces/eyewear and determine whether they're real or AI.

Right one is easy, mostly because of the wonky bitch in the back. But some other inconsistencies I specifically wanna note: if the blue goggles color the "model"'s skin, hair, helmet, and the background behind the lenses blue, why doesn't it do the same for the eyes? And also, I've noticed that a lot of these images have trouble properly rendering the corners of the mouth, which is a weird detail but one you won't be able to unsee once you know to look out for it. Yes, there's a dark line where actual human lips meet, often with some subtle divots at the corners, but in the image on the right, it's rendered as a harsh, gaping hole more like something sculpted out of plastic than actual flesh. On the note of imperfect symmetry again: the left lens isn't perfectly round. And finally, this is a really good example of that giveaway lighting I mentioned. I don't know how you would actually achieve that lighting IRL, but it's so, so common in AI images.

The left photo is an actual model in 1967 wearing pieces designed by Pierre Cardin, a designer that the right image is definitely trying to emulate. The model has a look on her face that isn't super duper expressive, but it's still far beyond any of the AI images I've seen. Every AI fashion image I've seen thus far has totally blank-faced, expressionless "models". They might pout slightly, but I haven't seen any with visible teeth. Something tells me the AI would render teeth the same way it renders fingers. The emblem on the hat is actually perfectly symmetrical, and the glasses are clearly asymmetrical as an intentional design choice, not like the shapes are supposed to be the same but got messed up somehow. And she has ten fingers total, five on each hand.

Two more:

These are both AI generated. I'm not gonna lie, i fell for the one on the left at first. The right is easy:

distorted faces

woman in back is being absorbed by the train(?) seat

those middle buttons on the jacket are totally useless

AI Lighting (TM)

But the "models" on the left look very, very convincing, and the lighting doesn't immediately register to me as AI lighting. The only really wonky thing on the faces is the mouth on the left "model". However, there's one dead giveaway: the headphone wires. Why are they different thicknesses? Why does the rightmost wire disappear into the jacket sleeve? Where the fuck does the leftmost wire even go? AI, I've noticed, struggles with thin lines, strings, and strands of things. Like with the quilted jacket above, you can often try and trace a single line, only to find that it drops off, distorts, or disappears. And sure enough, as soon as I noticed something was weird with those wires, I went to the Pinterest profile that posted it and found that they exclusively posted AI content. Speaking of the actual headphones, the leftmost ear cushion is sitting on an angle that doesn't make sense, and the one to the direct right of it is significantly thinner than the other three. Again, subtle failed symmetry.

This is by no means a comprehensive guide, and I encourage anyone seeing this to point out ways they've found to identify AI images like this. These are things I've just been on the lookout for lately. And when in doubt: conduct reverse image searches and try your best to identify solid sources for your images. AI images won't list designers, model names, photographers, stylists, makeup artists, etc., while actual runway and photoshoot images will, because there are human creatives behind them.

#posting this to my least active blog rather than my fashion one so that less notes will overwhelm that blog's notifications #ai #psa #long post

[cereovo]

A set of very conceptual notes I drafted a while back for someone asking for advice on learning to draw humans. I'm entirely self-taught so this is less of a tutorial and more of a very rambling set of general principles I follow and ideas that helped while I was learning. I figured I'd post it in case anyone else could get use out of it!

I also recommend checking out:

Drawing East Asian Faces by Chuwenjie

How to Think When you Draw (lots of good tutorials in this series)

Pose reference sites such as Adorkastock

Transcript and some elaboration under the cut:

Img 1 - Drawing a face

The two most important elements (at least for me) when drawing a face are the outline of the cheek/jaw and the nose*. I often start with a circle to indicate the round part of the skull, then add a straight like and a 'V' to one side [to create the side of the face and the jaw]. The nose creates an easy template for the rest of the face's features to follow (eyebrows at the top of the nose bridge, eyes towards the center of the bridge, ear lines up to eye) and the placement/direction and overlap with other features is a very simple way to indicate dimension. [A sketch of a face that has been adjusted by moving its parts to create 3 different angles. The following text is underneath:] -Different 3/4th views can be created just by adjusting the position of and amount of overlap between the facial features. - The top of the ear usually lines up with the corner of the eye. Think of how glasses are designed [specifically, how the arms run from the eyeline to the ear] [I go on a tangent in these next few paragraphs] *One thing I see many artists do - not just beginners - is learn how to draw A Person. As in, one singular person with one set of bodily proportions and one set of facial features. It's an issue that runs a bit deeper than 'same face syndrome' because sometimes these artists can draw more than one face, they're just not very representative of [the diversity present across] real people. Part of the reason I'm talking more about how to think about approaches to drawing - rather than showing specific how-to's - is because there is no one correct or right way to draw a person. The sooner you allow yourself to explore variety - fat people, old people, people of color, people with [conventionally] 'unattractive' features - the easier it'll be! Artists often draw their own features honestly and without [harmful] caricature, so it's always a good idea to look at art made by the kinds of people you're trying to draw if you're ever unsure about how to handle something. In general, it's far more important to learn how to interpret a variety of forms than to learn how to replicate the Platonic Ideal of the Human Body.

Img 2 - Stuff that helped me

Jumping into drawing humans (faces or otherwise) straight from photo reference can be overwhelming. The trick is to simplify forms into shapes - but even this concept is sort of abstract and it may be hard to know where to begin. Good news - Thousands of other artists have already figured it out. [When starting out] I needed to learn from photo reference AND artists I admired in order to improve. [When looking at stylization you are inspired by] ask yourself: WHY does this simplification work? How can I translate it into a different pose? Instead of copying what you see in a photo reference exactly, try to focus on the general forms first. My two biggest style inspirations for humans while learning to draw them were Steven Universe and Sabrina Cotugno's art. SU gets a lot of hate [in this instance I was specifically referring to a time on tumblr when the art was knocked for 'losing quality'] but its style does a great job of simplifying anatomy in a way that still portrays a diversity of bodies + features. [Extremely simplified drawings of Lapis, Steven, and Amethyst] SU characters are still identifiable- and still read as 'human' - even when reduced to just a few lines!

Img 3 - Things I keep in mind while drawing side profiles

- Eyebrows + eyes close to the 'edge' of the face - Forehead needs enough room for a brain - Eye is > shaped from the sides - Mouth kinda halfway [between the nose and the chin] but closer to the nose - Skin/fat exists under the jaw [and connects to the neck] - neck is about one half the width of the whole head - the back of the skull always sticks out a bit further than you might expect - Sometimes less is more - contours exist on every face, but drawing them in may make your character seem much older than they're supposed to be. However, it's a good idea to use them when you *want* your character to look old! These are very general notes- every face is different and has different proportions [and playing around with them creates unique and interesting character designs]

#2023 #may 2023 #i realized this is pretty nonsensical while transcribing it LOL #feel free to send asks if anything is unclear #but again im not any sort of professional

[hiael]

Obey Me! Headcanons that the voices in my head created

The pact marks don't affect the MC in general, but when they are used, the color of the user's eyes tends to change to the color of sin (when Solomon sees the color of his eyes changing to the colors of his brothers, geez, jealousy boy), it happens more often than you think and in addition to the marks on the body, it's a reminder to everyone that you're connected with the lords of hell.

Human beings can speak very quickly and neither demons nor angels can keep up when this happens. Scientifically, we talk fast because of anxiety, nervousness, excitement or the communication conditions that the environment provides. Solomon and MC talking about something they thought was cool during the tea? For the others it becomes a RAP battle and all they can hear is "hum, nah, ha, hehe", the rest is indecipherable. More than once, during a presentation or debate in class, MC was told to shut the fuck up or slow down so that everyone could understand.

All material related to the history of the human world is more or less 100 to 200 years out of date in the library. Satan is slowly trying to update this, but they think that 200 years is almost nothing for humans to change, so unlike technology (which they think they created with magic) they just don't care. A new iPhone ok, now the human being landed on the moon during a bloodless war? Their lie, do you still believe what mortals say?

Humans sleep more than angels and demons, but even less than demons from the circle of laziness. MC, Solomon and Belphie (and sometimes Luke) usually sleep in some places at RAD during and between classes.

All exchange students have their own fan club. Luke's must be the quietest, everyone friendly and kind so as not to disappoint the little angel. Did you see him walking past you today, sad that he hadn't managed to buy a keyring at the RAD art fair? Bitch surprise, his fan club are still demons, the keyring will mysteriously appear on his desk in the classroom written "To Luke, a little big ray of sunshine in our lives" and the person who bought it has left the RAD, anyone know why?

Still on the subject of fan clubs, we're not talking about Solomon's. If the number of demons he has a pact with isn't enough of a warning, there are others walking around in capes and blouses as if they were cosplayers and sending letters to his house with phrases like 'roses are red, violets are blue, can we make a pact? Signed: Demon X' should be a better warning

And to end the fan clubs, MC's are trained in the art of being meticulous, a silent army that lives in the shadows - meaning they are in the devildom version of twitter. Lots of photos taken on the sly, fanart of all kinds, fanfics, merchandise and videos edits of (and when were they sheep? There are millions and millions of images circulating out there). Ever wondered why Miss Em sold so much? The MC fandom. They won't compete with anyone for their attention, the sweet human is simply appreciated the way they are (and they don't want to be on the brothers' list to "get away from the MC"). The Human Appreciation Club was not approved by the student council and they removed their devilpedia page, but that didn't erase these demons desire to idolize MCs. Live, love and laugh for MC, the way simps are.

At some point, the Real or Cake trend went crazy until Luke, who started making desserts that looked like everyday things, only stopped after surprising Simeon by cutting a cell phone-shaped cake (Simeon tried to break his with his hand after that, thinking it was cake. He spent 3 weeks without a phone)

Every time MC returns from a trip to the human world, they have to bring a suitcase just with souvenirs from there. Luckily, it can be anything they find fun, like a frog-shaped coaster, a jar of M&Ms with a pinwheel on top, a whole corn cake, a tie with a motivational quote, a children's book, or a coin of a specific year. Everyone just loves the fact that MC was thinking of them and they love using the gift they received. Barbatos's favorite tea set is now a completely transparent one with gold floral details.

Children's cartoons from 1940 still show on Devildom TV and Beel watches while eating or working out.

Lucifer has a family photo inside his wallet, Mammon once tried to steal his credit card, he was so shocked that he ended up screaming, he was caught and punish. Neither of them mention the photo.

#obey me #obey me swd #obey me shall we date #obey me lucifer #obey me mammon #obey me satan #obey me beelzebub #obey me belphegor #obey me solomon #obey me simeon #obey me luke #obey me barbatos #obey me hcs #obey me headcanons

[ravens-two]

PAC: What's Beginning In Your Life?

This reading includes:

what's beginning in your life

what areas are being affected

synchronicities

The extended reading includes:

advice for this new phase of your life

what you should look out for

how to manifest these changes

Disclaimer: this is just for entertainment purposes, and as a pick-a-card reading it may not resonate for everyone.

TIPS | BOOK A READING WITH ME | PATREON | LINKTREE | SUGGEST A PAC TOPIC

Pile 1

Queen of Wands, Chariot, Ace of Wands

"I know exactly what I want and who I wanna be" Oh no! - MARINA

what's beginning in your life

Pile 1, your life is getting full of fire! You're gaining confidence and passion for your life and work. You're working to overcome limitations and explore your limits, how far can you go, how much can you push? For some of you I see that this is actually related to exercise. Perhaps you're going to the gym to get in shape and test your own boundaries and inner strength. For others this is about work or school. You have a goal in mind and you're working towards it. You know that things won't just happen to you, they require work and sacrifice and you're willing to make it. I see that for a smaller number you this is specifically about turning a hobby into a career. This could be something that you're very passionate about, let's say that it's drawing for example, and you've always dreamed about doing it as career, but never had the opportunity. You're now seeing that you have more experience, more stability and perhaps an opportunity to make it work now.

You'll also be feeling more inspired. It can be literally when it comes to art or to your work. Solutions for work problems just seem to come to you more naturally for example. Or this can be more about the way you see life. Do you know how Ghibli movies romanticize life? That's the kind of vibe I get from this. Instead of seeing cooking dinner as a dull chore, you'll start seeing it as an opportunity to try new recipes and be creative - or an opportunity to show your friends/family how much you love them by cooking them a meal.

The other main thing that's changing is your confidence. You're no longer hiding behind masks. You have come to the realization that the best thing you can do - for yourself and others - is being yourself, so there's no use in pretending to be someone else. You are then cultivating the confidence you need to be a more genuine and vulnerable version of yourself. This is the key to confidence really. It's all about not being afraid of being vulnerable. You might actually want to read about anti-fragility it's a really interesting theory.

On the other side of this confidence there's also a bigger connection to your sexual side. You're becoming more comfortable in your sexuality and sexual expression. You're no longer as bothered about people's perception about you and so you don't mind wearing the clothes that really make you feel good, for example. I also see you becoming more flirty and confident in your social interactions.

most affected areas of your life:

work, career, school, motivation, drive, hobbies, self-confidence

synchronicities: peacock feathers, champagne, bubbles, satin, cats, blue and green, 444, clouds, clover, Leo

Check out the extended reading on patreon

Pile 2

Moon, Fool, Three of Wands

"You don't have to be like everybody else/ You don't have to fit into the norm/ You are not here to conform" Ancient Dreams in a Modern Land - MARINA

what's beginning in your life

Hey pile 2! These lyrics from your song seem to really apply to your pile and your reading. You're someone that always has been a little different, always wanted different things and saw the world differently. Unfortunately, this isn't always that well received by the people around us, and so you've been trying to mold yourself into the person you think you're supposed to be. An oh pile 2 I'm feeling that a lot of you have this problem specifically when it comes to your parents. Did you choose your degree or job because it's what your parens wanted? You're very much a people pleaser, pile 2, but more in a sense that you do it to pacify the people around you. Well, the biggest change I see coming for you is that you're coming to the realization that you don't have to conform to what other people expect of you. Based on your circumstances this can be difficult in a multitude of ways, but believe me that you'll feel so much happier living a life that actually feels true to you.

Another thing that is beginning in your life is a period of exploration and better mental health. For those of you who struggle with their mental health or stress and anxieties, you're entering a better and more peaceful phase in your life. This time is going to be less stressful and you'll see a lot of improvement in your mental health. When it comes to exploration it ties in a bit with the last paragraph. I see you trying to get to know yourself better. This could be journaling, shadow work, trying new things, listening to new music, trying a new hobby, new relationships, etc. Basically you're starting a journey to find yourself. And to that I'll say that you'll only find yourself by diving deep within. You have to explore both the light and the dark and confront and accept both of these sides of you or this exploration will be superficial at best.

This could all be tied in for some of you, or for others only some parts may apply. Either way, I also see an exploration of spirituality. You might be religious or not, believe in the divine or not (there isn't a correct answer truthfully), but the reality is that spirituality is an important component of the human psyche. I think that you're asking yourself these hard questions. Does a god exist? Do I believe in the religion I grew up in? What happens after we die? What's our purpose here? What do I believe in? You might explore different religions or practices, like meditation or prayer for example. For some of you this will be an exploration of the esoteric as well. You might learn and try witchcraft, paganism or folk practices. In the end, this pile is all about self-exploration which is great honestly.

most affected areas of your life:

personal development, mental health, psychologically, self-esteem, spirituality

synchronicities: the sea, seam foam, Aphrodite, seashells, fantasy movies, blankets and rainy days, old cd's, bumblebees, wildflowers, Aquarius

Check out the extended reading on patreon

Pile 3

World, Two of Cups, Five of Swords

"Gimme love, gimme dreams, gimme a good self-esteem/ Gimme good and pure, what you waiting for?" Blue - MARINA

what's beginning in your life

Pile 3 this is all about relationships and emotions. The first thing I'm getting is that you're reevaluating your relationships with others. Do the people around you love and respect you? Are these relationships fulfilling? Do people accept and respect your boundaries? And the other way around too. How are you in your relationships? Do you dedicate as much time and effort to these people/person as they do with you? Remember that it's always a two-way street. I feel like this might be motivated by a conflict in a close relationship that it will force you to reflect on these things. It might also be that you haven't been feeling that fulfilled in your relationships and it makes you want to investigate why this might be.

Another thing that you may be analyzing is if you should keep being friends with a certain person for example, even if your values/interests/lives are so different. What do you two get out of this relationship? It could be specifically about a relationship with a person that you've known for a long time, but now you two have changed so much that perhaps the relationship is slowly drifting apart.

With the Two of Cups here I do have to say that some of you might be getting into a new romantic relationship (or a partnership of some kind, including work). This could be someone that you met either recently or abroad and the people around you are a bit unsure about this person. They might think that this person is trying to steal you away, for some reason? Either way it feels that this new person is very different from the people currently in your life. For others of you, this could be more about reflecting what you want from a romantic relationship. Do you need it to be fulfilled? Are you happy in your current relationship? What do you think it's missing? What could you do to make it better?

Another thing that came up is that some of you might be traveling. For some reason I feel like this is a bigger stay, like spending weeks or months in another place and having to deal with the cultural differences that come with it. On the other hand, though, you also have to deal with the way that it will change you as well. When you get back you won't be exactly the same person that you were before. This time is really about finding people who get you, pile 3. I think that this will be the biggest conclusion for you.

most affected areas of your life: 

relationships, love life, partnerships, inner conflicts, goals

synchronicities: cherries, feathers, white roses, lions, 22:22, golden hour, tulips, weather vanes, cotton candy, linen, heart shaped sunglasses, Libra

Check out the extended reading on patreon

Pile 4

Eight of Swords, Four of Swords, Seven of Cups

"Life is a game that the universe plays/ We are the pieces in a puzzle called fate/ Life takes its  time in its own fashion/ Emotions unfold like a superbloom in action" Highly Emotional People - MARINA

what's beginning in your life

Hey pile 4! The first thing I'm seeing for you is realizing that a lot of the limitations that you see in yourself/your life were placed by you. What I mean is that you'll realize that some of the things that have been holding you back weren't anywhere else but in your head. I think that some of you specifically struggle with what other people think about you, you might even struggle with social anxiety. But that's the thing that's changing right, you're realizing that these things are in your head. It's your brain that puts these fears and limitations in place and they have no actual base in the "real world". I see that others of you are dealing with excessive daydreaming, procrastination, anxiety, fears, and imposter syndrome. No matter what you achieve you always believe that deep down you don't really deserve it. Again, these thought patterns are changing for the better. These things will stop holding you back as much as before. I stress the not as much as before, because these things don't disappear from one day to the other. You need to do a lot of continuous work to make these changes.

Your pile is quite similar to pile 2, especially because it's much more focused on your internal world. The things that are beginning in your life is a time of self-development and inner change. You're getting a better understanding of who you are. I see that some of you are working with your inner child specifically. You might be honoring the things that you wanted to do and be when you were child, this could even include watching and reading the movies and books you loved as a child. This effort to connect with your inner child will be both very healing and help to get you know yourself better.

One very specific message that I get for this pile is that I think that you guys are the daydreamers. You're always making up stories in your head, little scenarios as a form of escapism from the problems in the real world. This could even come from your childhood - hence the inner child work. The problem is that sometimes you become disenchanted with the real world and you would rather live in an imaginary world. What I believe is changing here is your relationship with your whimsy. You'll find a better balance between daydreaming and actually living. Not only that but you'll stop trying to escape what you're living and you'll actually become more integrated and living more in the moment and actually feeling things. You might also turn to art (or something else) to channel your imagination.

most affected areas of your life:

inner world, psychologically, self-development, personal changes, spirituality, inner change

synchronicities: Tolstoy, Tolkien, Chronicles of Narnia, ents, lions, yellow, gold, old books, moths, Ghibli Movies, moss, Pisces

Check out the extended reading on patreon

#tarot #pac reading #pick a card #tarot reading #pac #pick a pile #pick a picture #pick a card reading

[sariahsue]

Wherefore Art Thou My(stery) Lady

When a failed attempt to let Chat Noir down easy ends with Ladybug learning his name, she does what any lovesick teenager would do: teases him mercilessly. (Season 2/3 era.)

Chapter One

It figures, Adrien thought, as Ladybug carried him to safety. It figured it would be a dog-themed akuma. And that it would find the only cat-themed superhero in the city, even though he wasn’t currently transformed. It figured he would have to be rescued, cradled bridal style, and that Ladybug would hug him so tightly that--

Nope. Akuma. Focus on the akuma that was currently tearing through the streets, barking at people until they literally froze in terror, digging holes a hundred feet deep, and probably chasing his own tail. Focus on the lurch in his stomach as they jumped from building to building, the honking of the cars stuck in traffic, the flash of the sun reflecting off skyscraper windows. Focus on anything except for how warm she was, how firmly she held him, how her lips--

Nope, nope, nope. The wind in his hair. Birds chirping in the distance. Anything.

Ladybug bounded gracefully over the Agreste mansion's protective outer wall and landed on the grass, held him for a few seconds longer than was necessary (he noticed with elation), and then carefully set him down. 

“Well,” she said, her smile wide and bright. “Stay safe! I wouldn't want anything to happen to you!” 

Adrien watched her until she was nothing more than a red speck, then raced out through the gate, so he could find somewhere to transform. Ladybug needed her partner.

---

The akuma was easy to defeat, after Ladybug called her Lucky Charm. It was a box of caramel chocolates. No, they didn't feed any to the dog. Caramels made a wonderful, sticky trap when they were all melted together. Who knew? His genius partner, naturally.

Chat Noir picked up the (sadly not heart-shaped, just plain old rectangular) empty box and brought it over to her. “Look at what I fetched for you.”

“Thanks, Dog Noir,” she said, reaching out a hand for it. 

He stuck out his tongue, preparing to toss the red and black box back to her, before realizing he could get one more pun out of it. He held it with both hands and gently placed it into her outstretched palm. He didn't let go until he'd caught her eye and said, in very serious tones, “For you, My Lady. And may I say, you look very fetching.” The box slid out of his hands, and Ladybug's expression morphed into a frown.

Within moments, the victim was back to normal, the holes had been removed from the street, and Ladybug was staring him down. 

“I've told you,” she said.

“You've told me lots of things, Bug. You're going to have to be more specific.” Though he was fairly certain he knew what she wanted to say. Another rejection. 

“You aren't going to win me over.” 

Being prepared didn’t soothe the disappointment. “Would you mind if I kept trying anyway?”

Ladybug's face softened, and her hand went to her earrings as they beeped a warning. Two more minutes. “Thank you for the compliment, but it's not going to work.” She didn't sound exasperated, just sad. “I have to go.”

“See you at patrol later?” he asked as she threw her yoyo. 

“Of course,” she said. “Keep in mind what I said, though.”

How could he not? Chat Noir sighed loudly once she was out of sight. 

He still had three and a half minutes before he transformed back. Enough time to get poor dog-man home before anyone noticed Adrien was missing. 

---

Patrol that night started out more formally than it usually did, and he knew it was due to his earlier declarations. Ladybug kept her distance from him physically and emotionally, only speaking when it was necessary and staying two or three rooftops ahead of him. He wasn’t getting the feeling that she was mad. Her tone was kind. And she always checked to make sure he was keeping up, even stopping to wait when she needed to. 

Maybe she just didn’t want to give him any false hope.

Over the course of the hour, he steadily creeped closer to her. By the time they had reached the Louvre, they were side by side like they normally were. So naturally, Chat Noir let his curiosity get the better of him and asked a question that had plagued him for months. “So what's my rival like?” he asked. “Is he as funny and as handsome as me?”

“How should I know?” she said. “I can hardly see your face.”

Surprised by her sudden teasing, he quickly offered, “I could change that.” Which of course, he realized as soon as the words were out of his mouth, was about the most unhelpful thing he could have said.

Ladybug scoffed and took off, leaving Chat Noir to figure out how to fix his latest mess-up. She didn't seem too averse to answering questions, so maybe all he had to do was try again? 

He stayed level with her, but gave her some space, choosing to run across the rooftops on the other side of the street. Headlights created a glow beneath them, a river of light that cast her in a warm haze. 

After a few minutes of silence, he tried again. “I'm very handsome,” he said, trying to play it off. “Would you believe me if I said I was a superhero by day and a supermodel by night?”

“Pfft. No.” She stopped on a wide balcony and smiled at him. 

He leaned over the edge of the roof to look down at her. “Maybe I just play one on TV then.” 

“Unlikely.” She threw her yoyo and zipped away.

“No, really, what's he look like?” he called after her. “You can tell me that much.” They usually ended their patrol near Collège Françoise Dupont, which was convenient for him. And ever since Alya had discovered the little tidbit about Ladybug's history textbook, he’d started to suspect that the ending location was more than just a convenience for her, too. She probably lived nearby. They landed on the school's roof at the same time, and he thought she would just take off after that question, but for the second time, she surprised him. She sat down and leaned back on the flat top of the building. To the civilians below, only her feet would be visible, dangling over the edge. Chat Noir stayed as close to her as he dared, sitting by her knees, close enough to touch her if he reached, and stared down at the school’s stairs beneath them.

Ladybug chewed her lip like she was thinking. Did that mean she was figuring out her answer? Or was she figuring out how to say no nicely? 

“He looks... a little bit like you,” she said, letting her feet kick against the side of the building. 

“What if he is me?” Chat Noir asked. He hesitated before scooting closer, not wanting to push her. If she ran off again, she'd probably just go home.

“But the chances of you being the same person are really slim.”

“So what does he look like then? White kid? Blonde?”

“Green eyes, too,” she said.

“So he’s probably me.”

“Will you stop?” She held both arms straight up above her and then let them fall wide to either side of her. “There’s thousands of people in Paris that fit that description. He’s not you.”

“You said it yourself. The chances are slim. But that implies there’s still a chance.”

Chat Noir was trying really hard to convince himself that he was just teasing her. There was no way he was lucky enough to really be the guy she liked, but his mind drifted back to earlier that afternoon. The way she had held him when he wasn’t transformed, smiled at him, made sure that he stayed safe. What if the boy she liked was Adrien Agreste? 

What would it be like to walk hand-in-hand with her at school? Or have plans together on the weekend?

It would hurt more to hope if he turned out to be wrong, but he couldn't help himself. She made him hope like nothing and no one else in his life could.

“Would it be bad if we were the same person?” he asked after it was clear she wasn’t going to answer his last comment.

“Not bad,” she said. “Just weird. You’re really different.” 

“I thought you said we were both devilishly handsome, amazing, with perfect comedic timing–” 

Ladybug laughed and shoved him. “Perfect comedic timing? You?”

“As evidenced by your laughter right now.” He gestured to her. She looked over at him from where she was lying down. 

Her smile was glowing, brighter than the cars passing them on the street. Brighter than the moon. “You’re both wonderful people, I’ll give you that. Sometimes dorky, but I’m happy to know both of you.” 

Chat Noir felt his face going hot at the unexpected praise.

“And sure, you look kind of similar. There. Are you satisfied?” 

“We go to the same school,” he blurted out. “What are my chances now?”

“Chat!” She bolted upright to face him, eyes wide. “You can't just give away information like that!”

“I didn't-”

“We go to the same school?” she shrieked.

“I don't know!”

“So what made you say that?”

“Well, I thought maybe–” There was no way out of the mess he’d just created. Ladybug was on her knees, both hands on the roof of his - probably their - school. “I... the textbook?” he finished timidly. Even if that had been a false lead, he’d effectively just told her which school he attended, and he wasn’t sure how she would take it.

“Alya!” Ladybug growled, rubbing the heel of her hand into her forehead. When she faced him again, there was a big red spot. 

“So... you really do go to my school?” he asked, patting a patch of roof next to him. 

“You... you've known this... Alya released that video ages ago. You knew we went to school together, and you haven't come looking for me?”

The fragility in her tone caught him off guard. “Of course not,'' he reassured. “What kind of privacy invader do you take me for? I ought to be offended!” (The irony of the statement wasn’t lost on him.)

Ladybug didn't laugh, just quietly said, “Thank you. We go to the same school. Huh.”

The crisis he’d unintentionally created seemed to have passed. Hope bubbled up again. Most kids their age had crushes on people from school. “My chances?” 

“Are slightly increased, but I'm fairly certain you're two different people. In fact, I'm not even sure we've met at school. I would have remembered meeting someone as loud and obnoxious as you.”

“Unlikely,” he muttered, but it was quiet enough that she hadn't heard him. “So this guy, that may or not be me...”

“He's not you.”

“What do you like about him?” He acted so differently at school. He didn’t think she would recognize him. Would he recognize her description of him? Maybe she would let it slip that the boy she was crushing on was a celebrity or famous or something. 

It was hard to ignore the niggling doubt that said raising his hopes would only hurt more later.

“You really want to do this to yourself?” she asked, echoing his thoughts.

At the very least, he’d learn more about his Lady. What had won her over so soundly? (Maybe he would have a better shot with her if he knew that.)  “Sure.” 

“He's kind,” she said immediately. “He's the type of person who would help someone out even if they hated him. When we first met he went out of his way to apologize to me for something that was my fault. And he has the most amazing amount of patience I've ever seen.” She smiled while Chat Noir frowned. That didn’t sound like him. 

“I mean,” she continued, “he has enough patience to deal with C-- this student that no one likes. And he's just so gentle and sweet and... yeah.” She sighed. “That's why I like him.”

She stared out over the lights of the city, but he was certain that she wasn't seeing a single building. Her face was peaceful and shining. It was a good look for her.

“Even if it turns out he's not me, he sounds like a nice guy.” He wasn't as great as Ladybug described, not nearly as kind or the well of unending patience, though that's what he tried to be like. 

Then again, how many blond, green-eyed, white boys were there in the school? His chances had to be pretty good, didn't they? 

“What makes you think he's not me? The personality difference?”

“I've seen you two in the same place at the same time.”

Chat Noir's heart sank. He shouldn't have gotten his hopes up. He knew he shouldn't have. And yet he had anyway. His ears drooped, and he grabbed his tail and started weaving it through his fingers, just to have something to do. 

“Oh, Kitty.” Ladybug looked over at him. “I'm so sorry.”

“Maybe... maybe you just thought that you--”

“Please don't,” she said. “Please stop doing this.”

“But maybe you just thought--”

“Chat Noir!” 

He turned to face her, slowly, deliberately. “I'm not giving up. If he's not me, I'm going to keep trying to win you away from him until you ask me to stop.”

Ladybug shut her eyes in defeat. “I should.” 

But she didn’t, the hopeful piece of his heart whispered. He really wished it would shut up right now.

“Would it be easier for you if I did?”

“I–” What did he want? He felt at war with himself. Determination to keep going. But giving up might eventually make the pain of rejection stop. 

She was looking at him with so much compassion and caring. The constant declarations annoyed her sometimes. He knew that. But she didn’t hold it against him and still asked if he was okay. Despite everything, he loved her. That was that. “I’d rather be able to express myself. But only if it doesn’t bother you.” 

She shook her head, eyes down. “It’s fine.”

“Who is he?” he asked.

“I already told you, I can't tell you,” Ladybug said. “We can't know anything about each other. It's--”

“Then we can’t know for certain that he’s not me.” It was false hope at this point, but it was the only hope he had, so he clung to it. She'd seen them together. Maybe he had saved this guy’s life.

She stood. “I'm sorry, Chaton.” She zipped away without another word, up and over Marinette’s bakery and out of sight.

Chat Noir didn't feel much like being a superhero right now, but he didn't feel like going home so early either. He slowly climbed down the walls, detransformed, and trudged his way back to the mansion on foot, his hands in his pockets.

---

The next time he saw her was two nights later, their next patrol. She had arrived first, which was unusual, and was pacing at the top of Le Grand Paris, waiting for him. The sting of her rejection had been his companion for the past 48 hours, and it flared up a little when she turned her bright, blue eyes on him.

“Evening, My Lady,” he said, bowing elegantly. “I hope you've--”

“I have an idea.”

Chat Noir was still bent at the waist, and the grandeur of his gesture was broken by his sudden jerk upright. That sounded urgent. “What kind of idea?”

“Uh...” Ladybug didn't usually hesitate like that, and he realized that it probably hadn't been urgency in her voice, just anxiety. Ladybug kept going. “How I can prove you two aren't the same person without revealing anybody's name.”

“Oh.” Stellar way to start a patrol. 

“Here's my plan. So after I went home the other day, I felt bad that you felt bad and then I had to figure something out, so that you could be happy again, and I promise I won't go looking for you.” Her words tumbled and tripped over themselves. “And I thought that it would probably be best if you could just stop thinking the way you were thinking, but no one’s identity will be compromised, and this is kind of dangerous if I’m wrong, but I’m not wrong, so if you don't want to do this it's fine, and of course you couldn't be the same two people, and--”

“Ladybug.” He hadn’t heard her babble like that for at least three months. Whatever her plan was, she was obviously presenting it to him against her better judgment. Her arms curled around herself, like she was terrified. Her hands were tight balls.

“I went through all of last year's yearbook. Are you in there?”

He nodded slowly, uncomprehending. “Yes?”

“I checked everyone, well, all the boys who look like the two of you. There's a bunch of people who match your general description, and none of them have the same initials. And no one has the same first initial as him, so I thought-- you could tell me what your first name starts with, and...”

And she could crush his heart once and for all when it didn’t match. 

Or, his traitorous heart whispered. Or maybe…

“Don't worry about me,” he said, resigned. It was a silly hope. He would just go back to his original plan of winning her over.

Ladybug hugged herself tighter, fists clenched, staring at his shoulder. “Are you sure? Because we don't have to do this.”

He squared his shoulders to brace himself. “A.”

“A?”

He nodded. 

“Your last name?”

“What do you need it for? You said no one else has the same first letter.” She didn't answer, and he couldn't tell if this was a good sign or a bad sign.

“Another A,” he said.

Aside from her fists loosening slightly, she gave no visible reaction, though he thought he heard her breathing pick up a little.

“Ladybug?”

“Ladybug has to go home now,” she whispered.

He blinked. “What about patrol?”

Without so much as a backward glance, she slipped over the side of the hotel. He watched as she skittered away over the rooftops and toward the direction of the school. What was that reaction? It looked bad. Those were bad feelings she was having. Did she leave so she wouldn’t have to hurt him again? Or some other reason?

Chat Noir finished the patrol route on his own, not sure if he should feel hopeful or despairing.

Ch 2

---

Author's note: Hello! Welcome to my Big Bang contribution! This story has seven chapters and will update every Saturday! Thank you to @toadashi who did some great artwork for it! To @cardiac-agreste for beta reading. To @jennagrinsoverml, for being so interested in this half-formed story that I eventually finished it. And to @mlbigbang for hosting this event!

Here is the artwork for this fic! :https://www.instagram.com/p/C1l539rowbO/?igsh=cmloaWRyaWVkdThv

#ml #miraculous #miraculous ladybug #ladynoir #fanfiction

[vivipokedex]

Your animal anatomy foundation 100% feels very solid, do you have any books or online sources to recommend to budding artists?

thank youuuu :)))

im gonna be honest... i never really specifically sat down to study drawing animals, or followed any art-oriented books or guides about that or anything. tutorials tend to not be very helpful to me because they rarely deal with gesture and focus more on getting the proportions right, which by itself is only a small part of it. and live drawing classes rarely involve animals...

i think it helps to have an existing, like, sense and confidence when it comes to observation and capturing volume and gesture in general. at the end of the day pretty much everything can be broken down into basic shapes, planes, blobs. actually A Blob is a good starting point to draw pretty much any animal... draw a blob and then put a head and limbs and appendages on it. yknow?

another thing is to just be curious and have an interest in the diversity and minutiae of the animal kingdom. i know it sounds very basic but I Love Animals. there are some real crazy creatures out there. obviously i recommend looking up as many reference pics as you can, not necessarily to copy stuff, but to have a handy guide of where stuff goes. but just looking at pictures honestly isnt quite enough in my opinion... read up on the animal. get a sense of what makes this particular species unique among ones similar to it, how it lives and functions in its habitat... watch a nature docco. watch some footage of weird little shrimp. learn how to tell different species of aeshnidae apart.

also, yeah, youre gonna have to look at and draw some animal skeletons at some point. i dont think you have to like, study the skeleton of every vertebrate you wanna draw, but yknow, its good to have a general knowledge. it really does teach you a lot to draw a horse skeleton and the individual parts in it. ideally of course you would be sitting in front of either the real thing or a 3d model, but sometimes photos and illustrations have to suffice... it's just important that you pay attention to what you're doing.

as for books... well, a relevant point here is that photos arent everything. obviously theyll give you a faithful picture of the living breathing animal, but thats the thing, they wont always let you see the exact shape, all the distinctive details, and so on. so this is where i recommend getting into some old timey illustrated books. yeah youre gonna have to do some treasure hunting... but listen. ive got this awesome book from 1979 for example, which lists pretty much every species of bird that lives in my little corner of the world, along with amazing detailed illustrations. it's so inspiring and informative. it is the kind of stuff i really wanna urge everyone to get into.

#book is Welcher Vogel Ist Das? by dr walter cerny and karel drchal

[youremyheaven]

The Absorbent Nature of Venus: An Astrological Exploration

I was inspired to make this post when I saw pictures of Bella Hadid with her new boyfriend, Adan Banuelos.

For context, Adan is a professional cowboy and Bella Hadid used to be an equestrian (she trained for the Olympics back in the day). Bella's new pictures (after a long absence from social media) feature her in all her horse girl glory. But I couldn't help but notice how Bella has a tendency to morph into her boyfriend(s).

This is not to say that she adopts a persona that is entirely alien to her, but more so that she channels one aspect of her personality and lets it take centre stage. With Adan, she is the laid-back horse girl, channelling the side of her that grew up on a farm in Santa Barbara riding horses.

Prior to this, she was dating Marc Kalman who is an art director. Idk how many of you are familiar with those "pov : you're talking to an art director at a party" reels/shorts/tiktoks but Marc fits that bill to a tee. He's the edgy, weird alternative androgynous guy and in the 2 years that Bella was with him, she morphed into a caricature of him almost.

her y2k style had a huge impact on fashion trends/pop culture but it soon kind of became a parody, as it seems a bit over the top to be wearing 25 things that do not belong together.

There was also a drastic shift in Bella's public image; she was more earnest & open; this period also saw her at her fashion nerdiest as she openly spoke about her love of finding and collecting "vintage" designer pieces from the 90s and 2000s. He was the weird edgy art director, she was the weird edgy art kid.

The only other man she dated publicly before Marc was The Weeknd and if you look at her style/persona from this period, you can see a tendency to opt for darker, grungier aesthetics. She herself has called this her "sexbot" era.

Its crazy but almost every picture of the two of them together feature both of them wearing black😂😂

This brings me to what I hope to discuss today, which is the absorbent nature of Venus.

Bella Hadid is Purvaphalguni Moon & Rising and is a Venusian. Venus is the planet of beauty, harmony, love, creativity etc. Venus exalts in Pisces ("exaltation"= it functions at its best). Pisces being a watery sign and the final sign of the zodiac is very telling in this context. Pisces is the culmination of the zodiac and contains the qualities of every preceding sign (this is why they're so chaotic lol, they have too much going on) and in water, which is where life originated, everything is at home. Pisces thus has the unique ability to find beauty in everything; water signs are known for their empathy, intuition and psychic abilities, this is because water holds the qualities of everything within it. Scientists have purported about "water memory" and water's ability to remember is linked to its natives high sensitivity, more than literal memory, its a kind of cosmic memory or inner knowing that I refer to in this context. Pisces natives tend to report psychic abilities more than any other sign in my observation and to be psychic/clairvoyant/clairsentient/claircognizant/ clairaudient is essentially to have a higher degree of empathy/sensitivity than most people. Although in some cases it may apply to tropical Pisces natives, what I'm speaking of here primarily applies to Sidereal Pisces natives.

Its easy to see how water absorbs information and retains memory but we must ponder upon why Venus, the planet of love, beauty etc exalts in a water sign and why so, in Pisces specifically. Pisces' all consuming all absorbent nature is the essential or true nature of love, beauty & harmony, to absorb, hold and possess all that there is and all that there will be, without trying to restrict it or limit it (water has no shape or form, it takes the form of whatever its poured into, pointing to the adaptability of these natives to get along with anyone or belong anywhere). Understanding love as devotion means allowing yourself to be consumed by it, it borders on religious fervour because you're losing all sense of yourself and giving your all. Its to give until you yourself are lost in it, with no sense of boundary between you & God or you and your lover (Sufi poetry extols this).

Only someone who has the ability to have this kind of all encompassing, profound divine kind of love for others, for creation, for source has the ability to connect to the ether and make art. there is a reason why the most spiritual art often tends to be abstract, there is much that cannot be expressed logically or in a straightforward way. much can be said without using language or words, some things are understood in a far more abstract way, its understood by the senses, by the subconscious, not the rational, thinking mind.

Beauty then, is the ability to perceive beyond the surface, there is nothing shallow or superficial about it, it is to understand the sum or whole of something, its essence, its core and understand its value and why its separate from the rest. True beauty then is rare but there is immense beauty all around us. Both these things are true. This is the true nature of Venus which is also the planet of refinement, it sees value in things that are unpolished, raw and original wholly but also in what is practiced, deliberate and refined. Venus is a planet of immense contradictions as the themes associated with the planet itself are contradictory in nature. To know or experience love, beauty, creativity etc one must also be well acquainted with its opposite. There's no middle ground and there's nothing lukewarm, you have to go all in. To understand and appreciate beauty truly, one must face brutal ugliness, to know the nature of creativity or to access it, you must first experience the lack of it. Its out of nothingness that things manifest but this means nothingness must first be experienced.

Sorry to have gone off on a tangent (me with everything I post lol) but its important to understand the nature of Venus in this specific context because its not the other attributes that makes Venus so absorbent of others influence. Its such a creative energy for the same reason, it absorbs and is influenced by absolutely everything. However, it can be hard for Venusian natives to feel as though they have a strong sense of self.

Granted that the "self" is an illusory concept and we are all an amalgam of numerous influences (people, places, culture, literature etc), Venusian natives are more susceptible to lacking true individuality since they absorb projections far too easily. This is also why Venusians are so highly desirable. You can always tell when someone's Venusian or has an exalted Venus, they are projected onto HEAVILY by others, but by having desire projected onto them, they become more desirable. We fall in love with the reflections we see in others and dislike those who project our shadows (this is literally a Jungian concept, v fascinating pls look it up). Venus inspires others to project unattainability, mystery, romance, beauty and desire and the more they see it, the more it manifests.

However this has its pitfalls. Without solid grounding, Venusians turn into chameleons who are constantly morphing into their environment; they are known for their hospitality and pleasing demeanour because of their innate ability to pick up on these cues and behave accordingly. Bella Hadid herself is self admittedly a "people pleaser" (Venusian natives struggle with this a lot).

What does it mean to not have a solid sense of self and constantly be serving as a mirror to others?

We see Bella's shifting style/demeanour/persona with every boyfriend. There is rather embarrassing clip of her speaking with a French accent (juxtaposed against an old clip of her using AAVE). Venusians are more prone to picking up accents/emulating the behaviour of those around them.

The Venusian tendency to absorb can extend to picking up accents, mannerisms, style, self-presentation, persona etc it can sometimes be very superficial but in some cases natives immerse themselves in it so deeply than they live their lives under the guise of a pseudo persona borrowed from someone else.

This video of Bella is a good example. If you've watched her in other videos you'll know that she does not usually speak/present herself this way. If you watch this video of Carla Bruni also discussing her iconic looks (it came out in the same year 2021, several months before Bella did hers) you can see how Bella is emulating Carla in her video.

Now its quite well known that Bella Hadid "copied" Carla Bruni's face through plastic surgery. This is what I mean by some Venusian natives taking the absorption thing too far. We imitate the things we want to embody/what we're inspired by, Venus is a planet of constant refinement/self improvement, while its good to be inspired by people we look up to, it does not bode well for one to embody them completely, stripping yourself of your own identity. This is also why Venus in 12h (Pisces) is said to be illusory. Its hard for these natives to discern what love really is, since their natural inclination is to simply embrace things at face value. This is why they are susceptible to abusive and toxic relationships, simply because they are blinded by their own loving nature and cannot see the faults in their lovers even when its plainly obvious to others (think Bella & The Weeknd).

Let us look at Miss Ariana Grande. She has Mars in Bharani atmakaraka.

Ariana has gone from baby voiced teen star to blackfishing r&b singer to vaguely asian looking in the span of her career.

She's also changed her voice, speaking style & mannerisms MANY times.

I don't think enough people talk about how Miss Grande essentially stole Victoria Monet's mannerisms, voice tone, speaking style etc

Ariana essentially emulated this woman and that was her at the peak of her career. She's to Ariana what Carla Bruni is to Bella.

Its really unfortunate that Ariana changes races every few years like they're a passing fad and this is a really unfortunate manifestation of her Venusian influence.

Her Venusian influence is also really obvious in her music, especially her Bharani Mars because her music is very sensual but also straight up crass and horny, there's also a tendency for her to use revenge-y themes (break up with your gf im bored?? yes, and??)

Claire Nakti had spoken about how this purple blue-y iridescent esque lighting is very Venusian and consistently used in films by Venus natives. I found this true of Ariana's stage sets/design when she's on tour.

god is a woman is a very Venusian coded song/music video, from the colour palette to the Yonic imagery at display.

Brad Pitt is a male Bella Hadid in the sense that he has a tendency to morph into his girlfriends. He went from Cali stoner surfer guy when married to Jennifer to humanitarian serious filmmaker when he was with Angelina. He likes to switch up his persona based on his partner at the moment. He has a Purvashada Stellium (Mercury, Mars & Ketu)

Johnny Depp is known for his broadly European/British accent despite the fact that he's from Kentucky/Florida. He's a Purvashada Moon

Madonna is another celebrity who is notorious for her fake accent. She lived in England briefly after marrying the British director Guy Ritchie and spoke with a British accent.

Many have accused Madonna of being a wannabe Angelina Jolie when she started to focus on humanitarian work & adopted several children in the mid 2000s. She is a Purvaphalguni Moon and Rising.

Camille Rowe (Purvashada stellium; sun, mercury and saturn) is often accused of having a fake French accent as she mostly grew up in America.

Hilaria Baldwin (Purvashada sun) is infamous for pretending to be Spanish, speaking with a fake Spanish accent and giving her numerous children Spanish names despite the fact that she's a plain old white woman.

Austin Butler is by now infamous for speaking like Elvis (he's now working with a coach to lose his Elvis accent lmao), he has Mars in Purvaphalguni as his amatyakaraka.

Lindsay Lohan (Bharani Moon, Mars in Purvashada amatyakaraka) has also switched accents and often spoke with an Arabic accent and has had an on & off relationship with Islam. Its unclear whether she's still practicing the faith but at one point she did convert. I do not mean to ridicule someone's faith or use it as an example of Venusian persona switching but a lot of Hollywood celebrities have a tendency to experiment with Eastern religions/traditions/culture like its some trend or fad and drop it when they lose interest. I do not have enough information to make a clear judgement but LiLo has had an unstable public image to say the least. I sincerely hope she is peaceful and safe.

John Malkovich is another celebrity who passes off as a European even though he's from mid-western America. He has a hard to place accent. He is Purvaphalguni Rising

Aishwarya Rai is known in India for being fake or "plastic" (I'm Indian) she has an unnatural non-Indian accent despite the fact that she's lived in India her whole life. She is a Purvashada Moon.

Numerous celebrities whose public image/persona is incongruent or at odds with their real personality also tend to have major Venus influence in their chart.

Charlie Chaplin is the father of slapstick comedy and is very well known by the persona he created for himself but irl he has been described as "sadistic" (by Marlon Brando and others) and he's known to have been a terrible person all over (multiple teen wives, abusive to his children among other things). He has Bharani Venus conjunct Mars and Jupiter in Purvashada conjunct Ketu

Elisabeth Moss is known for having played several iconic feminist characters but irl she's a scientologist. She has Ketu in Purvashada

This absorptive quality of Venus can also manifest positively. Meryl Streep, Bharani Moon is known for her uncanny ability to do just about any accent and completely blend into her character.

I will add more examples as I find them but for now this is it!! If you think of any others do let me know!!<33

#vedic astrology #vedic astro notes #sidereal astrology #astrology notes #astrology observations #astroblr #nakshatras #astro observations #astro notes #astrology #Youtube

[souperluminal]

Hello!

I was recently inspired to draw an astronaut (specifically in the Apollo 11 Spacewalk suit) but since can’t draw astronauts or human anatomy in general I had to give up. My point being, do you have any tips on how the draw astronauts? Btw I really love your art! You’re one of the first few people I followed on tumblr!

Aw thanks! First off:

Drawing is just making marks. If you can make the marks you want and you know where you want to make them, there's nothing that you can't draw.

Sorry that's not very astronaut-specific, but the way I think about it there's not much difference between drawing an astronaut and drawing, say, a steam train. It's all the same process of studying the real thing to understand first its basic forms and proportions and then its more complex details and then applying that knowledge. The more you understand something, the easier it becomes to play with it.

If you want to draw humans and humanoid things, start by studying the scaffolding, how the bones connect to each other, how they move, and what their relative sizes are. Don't worry about replicating the literal appearance of every bone, just think of it like a stick figure with a box for the ribcage and a box for the pelvis. Then you can layer muscle groups on top of that, skin overtop of muscles, and clothes and astronaut suits on top of it all. Will Weston's figure drawings are my favorite to study for this kind of thing.

There's basically nothing that's off limits when it comes to studying. You can draw from life, draw from a photo, trace the basic shapes on top of photos to get a feel for the proportions, draw from another artist's drawing, etc. It's generally best not to post stuff you trace or otherwise copy (and definitely don't claim it as your own) but it's all fair game for learning. The only thing that won't help you learn is drawing without any reference, since you won't have anything to evaluate your drawings by to see what you're doing right or wrong.

If it helps, here's some stuff I think about when I'm drawing my astronauts:

[am-i-the-asshole-official]

WIBTA for asking my SO to do something that they have trauma around?

I don't know when this will be posted but as of writing we are about 2 weeks post valentines day. Ages and genders irrelevant, we're in our 20s and queer.

So I have not been with Jordan long, but we knew each out for a few months as friends before we got together, and have been close pretty much all of the time we've known each other. This is to say, I know them pretty well despite us not actually having been dating that long.

Because we were already friends I knew going into the relationship, without Jordan specifically saying anything, that they had plans on Valentines day. They got tickets to a concert I wasn't interested in a decent amount of time before we got together.

Obviously, not an issue in the slightest, and neither of us brought up anything regarding Valentines day. It was a week day, so I was working all day, and then the time of the concert meant there was no possibility of meeting up after, just not meant to be this year. I thought we were in the same boat just silently agreeing that the timing wasn't right but that it wasn't a big enough deal to even be worth bringing up, especially in such a new relationship.

Some backstory on me: I'm a hopeless romantic and have a kind of cute aesthetic? I like dressing in bright colours, and some of my favourite outfits have prints of hearts, flowers, and cherries. Needless to say I really enjoy the aesthetic of Valentines day, and I've always kind of fantasised about being able to spend it with someone I have romantic feelings for. I've only had two romantic relationships before this and the first one only lasted 6 months and didn't make it to Valentines day, and in the second we both contracted the same bug and were horribly sick throughout February.

Obviously I don't think you should only do things for your SO on Valentines day, but I think it would be fun to have the chance to really get into it! In the past I've organised Valentines day events with my other single friends where we dress in pink and have heart shaped foods etc and those have been great, but haven't quite satisfied my desire to have a Romantic Valentines.

So, despite the fact that my SO was busy, I wanted to do a little something. I do digital art, so when I got home from work I drew a pun Valentines card featuring Jordan's favourite character. It took a few hours and I was pretty proud of how it came out. I knew they were at the concert still, but I texted it to them, so they could see it after.

They responded that night and their first message was just "oh." I've known Jordan long enough that i read the tone to be "oh, now I to have a conversation I didn't want to have." They went on to explain that they associate Valentines day with some past trauma. I won't give any details here, but the tone of the conversation was that they don't celebrate Valentines day because of their trauma, and this seemed like a very final stance.

Now. I don't think I'm TA for drawing the art and sending it, this had never been brought up before, so I didn't know I was crossing a boundary.

I do think Jordan is slightly TA for not saying anything about my art that I worked hard on, but only slightly bc I assume the trauma response just kind of took over.

But my question is, WIBTA if I asked my SO to celebrate Valentines day with me in future even though it's something they have trauma around?

I'm not planning to force them or anything and it doesn't even have to be in the next few years, but thinking long term it feels really gloomy to me to have to miss out on Valentines forever when my SO could be making new memories with me so that mentions of the holiday are less painful.

I don't expect them to just "get over" it magically or anything but I want to ask if it's something they'd possibly want to work up to? I swear I'm not trying to be dismissive their response is fully valid and I don't want to imply my silly fantasies are more important than their traumatic reality I just want to know if this would be an asshole move or not.

What are these acronyms?

#aita #am i the asshole

[queerponcho]

Transfixed | part 1

collage made by me with pictures from pinterest

moonknight!system x female!reader

a/n: been writing this fic for about a year now so it's nerve-wrecking to finally post the first chapter. I hope you'll like it!! (pls be gentle...)

thanks to the lovely @nexusnyx for motivating me a few weeks ago, would've never considered posting without having our convo the other day!! Thank you so much<33

Warnings: no use of Y/N, fluff, NOT beta read, gushing about the moonboys, flustered awkward dorks, plot-twists, (eventual smut, the chapters will be marked individually), inaccurate depictions of DID, egyptian mythology and religion (although I did extensive research I took liberty in changing some things to adhere to my plot...), if I missed anything or made any spelling mistakes pls don't hesitate to tell me!

Summary: You're a woman who as been visiting the same library for all your life. One day a handsome new face comes walking in. That's the moment when the ball starts rolling and your entire life changes. Will you accept the new challanges coming your way...?

2,200 words

You have been visiting the same library all your life. While you were in school you  would go there to have a quiet place to study. Since at home you always had a lot of family and busy energy around, you needed the library as sort of an...escape from all the noise. Later when you got into university, the library had become kind of a safe space for you. So you would rather sit in the bus for half an hour to and back to study there instead of the grimy and packed library on campus.

Even now that you work and have enough books at home to basically open your own library, you still can't part from your little paradise. Everyone knows you here and a few months ago the owners of the library even adopted a cat that seemed to really like you. So chances of moving on from here had definitely been ruined.

You loved reading all kinds of story based books, but spending so much time here made you curious, so you also picked up a few skill based ones. you had read a few gardening and science books but the ones you would actually start applying were the books that had to-do with art. Autobiographies of different artists and painters, different studies and research on colour and brushes. You became almost a bit obsessed at some point. So you started sketching and drawing things around you based on the knowledge you'd gathered from your extensive research. you would draw people around the library after work or before meeting friends in the nearby café. You'd never claim to be an artist but you were proud of your drawings nonetheless. for the past few weeks you had started to draw one very specific person. You saw them for the first time a bit over a month ago…

It was a rainy day and you'd just finished lunch with a friend. You said goodbye and you decided to head to the library to continue on with your sketches of the cute ginger kitten. After saying hello to the owners and giving the kitten a treat, you made your way to your usual corner in the back. Since the library wasn't very big you had a good view of the entrance and a few tables. you'd been sitting and drawing for about ten minutes when you noticed the kitten smelling your coat pocket in search of more treats. You smiled down at her 'hiiii kitty!' you picked her up and placed her on your little round table. 'you want another treat huh?' She looked back with big shiny eyes 'alright alright...there you go'. She happily chewed on the fish-shaped cookie while you continued drawing her. 

The familiar noise of the door opening caught your attention....a man came in, he was wearing a brown flat-cap which was obscuring your vision of his face. He reached to take it off with a gloved hand and pushed his black curls back to reveal the face, of what you could only describe, a Greek god. He had strong and angular features, a sharp jawline and a beautiful slightly crooked nose which you felt the need to trace over with your finger. He had crows feet decorating his eyes, you'd assume he had them from laughing but seeing his resting facial expression, smiling almost seemed to be a foreign task to him. He brushed the remaining rain off his shoulders and made his way to the history section. When he disappeared behind a shelf you were brought back from your trance and took the first breath in what seemed like minutes. 

You wondered what he would be looking for in the history section of this old library. You were in London, a place with alot of people, then again this library was old and in a secluded part of town so it was usually the same people walking in and out. You would definitely remember his face if you had seen it before. Whatever it was that he was looking for he had apparently found since he was making his way to the register with a thick leather bound book in his glove covered hand. You had a bit of a thing for hands and you knew you'd be sketching hands for the next few hours because of this stranger. He hastily left the library and was gone as fast and suddenly as he appeared. After that day you couldn't stop drawing that pretty stranger, you'd given him multiple names during this time. His name had been Jack, Edward, Steve, Malcom and many more. you'd started just drawing his gloved hands and his forearms but quickly you would switch to drawing his intense gaze and soft curls. The amount of times you fantasised about running your fingers through them and tugging slightly had you embarrassed. It had been weeks since you'd seen him and you wouldn't stop imagining him in your apartment just sitting next to you, sometimes you would also imagine him a bit closer and wearing a little less clothing…

A month had passed since you'd seen him and you finally managed to stop drawing him and went back to drawing people around the library. Though you still looked up when the door opened and a new customer came in hoping for your handsome stranger to come in and maybe stay a little this time so you could find out more about him and his movements, for drawing references of course...nothing else. It seemed the universe wanted to help you out, because the next time the bell chimed and a customer walked in, the familiar brown flat-cap wearing stranger entered. This time it was warm and sunny outside so he wasn't wearing any gloves and wore a white fitted polo. His muscles were visibly moving underneath the fabric of his sleeves when he reached up to take off his hat and ruffle through his hair with the same intention as last time. He was also holding the same thick leather bound book from his last visit to the library.

 According to the owners he couldn't buy that one since it was rare literature, so he got to borrow it for a month...you knew this because you may have asked about him and his purchase after he left. This was also when you found out that the book he borrowed was about an Egyptian god. During your time in this library you have read books on Egyptian history and it did peak your interest. All this time you’d never even noticed that book before? Recently, you’d been spending a lot more time studying in that part of the library, so overseeing such a unique looking book was very strange of you.

You see him talking to the owners, it was quiet enough to make out parts of the conversation. It was 10am on a Tuesday so you were pretty much the only customer here. He had a pretty strong Latin accent and you were pretty sure he was from mexico. part of your family is from south America so you grew up learning Spanish and you remember hearing them speak English with that exact same accent. 

He was thanking them for the book and asking if he could take a look around the library again. The owners kindly told him to go ahead and that he didn't even need to ask. He briefly nodded his head mumbling a quick 'gracias' and went over to the history section. You watched intently and spontaneously decided to head in the same direction. You felt a bit creepy lurking on this man but you were sure you wouldn't get caught since you were rarely a very visible person. it's not that you didn't have a strong presence but you know how to blend in really well and when to use that to your advantage. You hid behind the shelf of the history section facing his profile. He really was a pretty man, his eyes were squinting and his bold eyebrows furrowed. There was a stray curl hanging over them and you badly wanted to brush it back and feel his thick hair between your fingers...you couldn't of course, since you were too preoccupied drawing him at the moment. The window was creating beautiful shadows beneath his hooded eyes and high cheekbones. His jaw looked sharper than ever and his neck extremely kissable. His lips needed an honourable mention, they were like two squishy pillows that were begging to be bitten. You've been paying special interest to them and trying to get the details just right, so you didn't notice that he had moved from his previous spot. 

You couldn't see him anywhere and were actually kind of disappointed to think he probably left. you were about to turn around and go back to your discarded belongings when you accidentally bumped into someone while moving backwards. 'ohssshit! i- i am so so sorry um- i didn't mean to wal-'

you had managed to pick up your pencil, sketchbook, and hopefully all of the scattered pages- when you finally looked up just to be faced with the god-like looking man you had been fawning over for a month now. he was practically towering over you and… was that a smirk? If you weren't already kneeling on the floor right now you would've probably lost your balance. 'hola~ I don't mind this view but do you need help standing up, muñeca?' This is when you realised that you were on your knees in front of the most attractive man you have ever seen and you quickly scrambled to your feet 'nono um thank you-' 

'Jake, my name's Jake' he stuck out his hand and you introduced yourself after thanking him again. So his name was jake...huh pretty basic for a man like him. You were kind of joking when you temporarily gave him very basic names but you guess his parents weren't much more creative than you are. 

You realised you were staring when he raised his left eyebrow and started grinning.

 'So...why were you spying on me?' He asked cockily and it had you word-vomiting all over the place 'what? i wasn't-? I-I was just…drawing-?' pretty hard to sound convincing when finishing every statement with a question mark... 'yeah I know-' he looked you up and down and coming a bit closer 'I saw you get lost in your notebook and I just had to come see what you are drawing that garnered all of your precious attention, hermosa' 

The nicknames were really starting to get to you, making you feel all sweaty and nervous. you were clenching the book to your chest accidentally pushing up your breasts and making your cleavage much more noticeable. you saw him glancing down, taking his time in bringing his eyes back up your neck and finally to your face. This entire time you were basically pressed into his chest, you were leaning on the shelf and he didn't seem like he wanted to move anytime soon 'h-how long were you looking over my shoulder exactly?'

 'Long enough to see what had you so...como se dice...transfixed' Your breath hitched and he answered with a toothy grin. 

'I am flattered, preciosa. I really am, didn't think someone as pretty as you would follow me around the library just to draw my hands and ass' 

You push him back- 'I did NOT draw your ass! I-' You were interrupted by his chuckle and him moving closer again and grabbing your chin between his fingers and caging you in with his other arm. 'I know muñeca , I just like seeing you flustered...toda nerviosilla...it's cute.' At this point you’ve decided it's best if you just don't speak. '...maybe next time you can draw me shirtless? I would love to see you solely focused on my abs for half an hour.' He flashes you a toothy grin. Oh he’s getting too cocky…somehow you manage to move away from the bookshelf, momentarily getting even closer to him. After seeing his eyes flicker with surprise you move to the side, backing away from him. Turn around finally being able to take a breath of normal air that wasn't deliciously tinted with his aftershave. 

'Sure, next time you can waltz into the library without a shirt on and we will see how far you get before being kicked out' you say while looking over your shoulder. 

 'Seeing your reaction would be worth it, nena' he called after you, not even registering your feet carrying you back to your corner. you took a deep breath replaying what just happened. He should not have this effect on you, it's almost embarrassing how easily he got so close to you. You are a grown woman, damnit! How did you not shove him away and get mad at his advances? You should be creeped out but you notice how you’re wishing to bump into him again soon...you hear the doorbell ring and see him walk out. He takes one look back and holds up a piece of paper. ‘Oh fuck me’ you feel your feet glued to the floor when you see what it is…its a drawing you made of him. It was a closeup of his torso upwards. You had drawn him from above and he was laying in your bed with heavy lidded eyes and parted lips. you were absolutely mortified- he was grinning like an idiot and winked at you before storing the drawing in his back pocket, crossing the street and vanishing from your eye-line. leaving you in the library, plagued by his stupid masculine scent and his dumb pretty face.

a/n: I really hope you enjoyed the first chapter, I've got a few already locked and loaded sooo the next one should be posted soon. Pls like and reblog if you liked it<3 it would mean the world!

part two

#ponchosworks<3 #moon knight #steven grant #steven grant x reader #marc spector #jake lockley #jake lockley x reader #marc spector x reader #transfixedseries

[starrysharks]

OK heres zeno coloring tutorial 2.0 !!!! i'm gonna do it kind of in chapters i guess?

chapter 1: choosing base colors

when i'm choosing base colors i always pick everything based on a specific off-white! my 'default' off-white is this kind of very light cyan color but i change it regularly based on character designs/environment/lighting whatever,, examples here!

for callie in this piece, i based everything off of this pinkish color! her skin tone, tentacles, outfit etc are all chosen to harmonise/contrast with the pink color

and with this piece, i used a slightly darker blueish color as they're in space but there's still a lot of light... and the lighter colors in the background (the explosion) make a sense of depth i guess? i used that blue color and chose similar cool colors to harmonise with it!

so i more or less base the tone of the colors in the piece off the off-white! warm off-white = warmer colors (like the nova valentine's day art) and cold off white = cooler colors (like the explosion nova and paro art). but i switch up this formula often !!

chapter 2: coloring specific things

here i'll go over some specific textures and stuff like skin and hair ... skin first !!

for skin, i like to use a variety of tones! there are different ways to draw cooler and warmer skintones that other people have gone over way better than i have but basically for skin i use this part of the color wheel and pick the darker tones of oranges/reds/pinks etc. (for darker skintones, i go to the middle of the color square thingy, and for lighter tones, i usually slide down the upper-right side)

when it comes to shading skintones, it's pretty straightforward, just a darkish-purple and a pinkish color on 100% multiply, and i always add a little shadow on the nose and blush becuz i think it's cute

(also i like to add reflective spots on darker skin tones sometimes because 1. darker skin tones reflect in real life and 2. it's fun)

next up is hair... this is very specific to my artstyle but i like to add 3-6 long oval line thingies to the hair to mimic reflection ! it looks cool, it's a good way to show off different colors in the design and i like to switch it up sometimes based on a character's personality!! (like how the frye pic above has a lighting bolt shaped hair thing, or how my teto design has a wing shaped hair thing to mimic her wings in her chimera form!) (note: it doesn't always need to be lighter than the actually hair color and it usually isn't)

for other materials like metal, screens, etc etc... i just add random X marks lol... and reflections!!!

(also, just a general thing, but adding little saturated lines to shading really adds depth and color imo!!)

i would put more tips with refs but tumbles only allows 10 images per post ;w; so i will simply close off by saying don't be afraid to add overlays and filters to your art!! overlays can really help harmonise colors and filters like brightness and contrast can help colors pop... try not to completely rely on them for color choice tho!!

and that's basically it !!! this is not a definitive 'how to draw/color' post... i am not a color theorist... i just wanted to show people how i choose colors cuz a lot of people say they like my color choices! honestly i don't know much myself but i hope that this and the philosophy of 'do what looks good' will help you all o_ob thank you and goodbye

#long post #ah its so freeing to have zero character limit on this site #i did want to add more pics tho 😭 #i would make a part two but i dont have much else to say #hope this helps people maybe #also idk how to add a cut/'continue reading' thingy on mobile so if someone could tell me how id appreciate it 😭😭😭

[roachemoji]

A “Guide” to working with Artists with Aphantasia

DISCLAIMER: 

I KNOW ARTISTS WITHOUT APHANTASIA ALSO USE REFERENCES

This is not going to be applicable to ALL artists (with OR WITHOUT aphantasia)

I don’t speak for everyone!!!

PLEASE Read the information artists provide you THUROUGHLY

ASK ARTISTS WHAT KIND OF INFORMATION THEY NEED

I’m sorry about the typos I am dyslexic and no one is beta reading this :3c

HERE IS THE OG TWITTER POST

I made this guide out of frustration. I was having a hard time communicating with commissioners how much visual information I needed, and that giving me creative freedom doesn’t, personally, work for me. It all comes down to the why; Aphantasia. 

... I realized a lot of people don’t understand what that is, and how it might affect an artist. 

Note: I am a character artist!!! I do personal commissions!!!! I don’t do commercial work!! This guide is about things that I have found extremely helpful!! This may not work for everyone!!!!!!!!!!! 

So, here is the official written guide to what I, personally, have found helpful when getting commissions:

A healthy dose of both written and visual information is needed, but the percentage of which heavily depends on the type of commission and how familiar I am with the characters. 

- Is it an illustration of a scene between two character? Descriptive information on the scene, the emotions, general vibe, dialogue are more important to the composition - but visual references on each character (and their characteristics), the space, the palette, and any objects would be needed. 

- Is it a reference sheet commission? Descriptive information is no longer as important, and the main focus is on the visuals. Descriptive information would be limited to a brief description of personality, placement of certain markings, and/or the written information on the reference. Visuals would be EVERYTHING - every single aspect of that character would need a reference. 

Google Docs, Google Drives, PDFs, Character pages (Toyhou.se or Refsheet.net) is an easy way to compile both written and visual information in one place! 

What is some good visual information to compile for your characters? 

Physical

Age/Race/height/body type

Skin colour/ scars/ freckles/ skin conditions etc

Eye colour/shape

Nose shape

Hair colour/texture/style/decorations

Any additional details (prosthetics limbs/no limbs!/tattoos/piercings/wings)

Face Claims are extremely helpful - and it’s okay to have more than one!  It’s good to specify which parts of what reference are important to your character

Items

Clothing/Jewelry/Accessories

Weapons

Personal Items

Companions

Here is an example of how I organize my Pinterest boards for my own Ocs:

Appearance: Every single visual reference I would need for their physical appearance. Faceclaims, hair styles/texture/colours, facial hair, body types, hand shapes, nose shapes, lip shapes, eye shapes

Aesthetic: Helpful for illustrations. Palettes and aesthetics that I attribute to these characters. Art styles, symbols, colours, settings, etc...

Outfits: Outfits and accessories. Full outfits or single items, textures, colours, patterns.

NOTE: It’s important to remember that some artists can only work with certain references (ie. drawn references vs photo references). If you’re unsure/your artists hasn’t stated which works best for them - ask!  

I cannot work with drawn references in simplistic styles (anime specifically), and I struggle with using nothing but Final Fantasy screenshots. They’re important when it comes to providing colour or even outfit references - but facial features are much harder for me to translate.

Some artists are okay with things like piccrews and can translate them very well! I can’t.

What is some good visual information to compile for your characters?

Written information can vary from commission to commission; unless the illustration is based off a story, I don’t need a novel to be written about the piece. 

Being dyslexic also makes it a struggle for me to parse through written information - I tend to have to break it down outside of the initial commission submission to fully understand what. I also tend to ask a ton more questions when I’m provided more written information than visual - revisions take time and energy.

It’s important to have visual to accompany your written info; 

( shout out to @moki-dokie​ for letting me use their info as an example!! )

Commission information examples 

DESIGN COMMISSIONS:

Info given:

Outcome: 

Easiest character design commission I have ever done. The information given was so concise that the only revisions were my own suggestions on the design itself. 

---

Info Given:

Outcome:

a TON of written information was given to explain the characters backstory, to further drive my understand of the aesthetic and setting of the world the character lives in. The pinterest board provided had a lot physical references, outfits, aesthetics, and colours.

---

ILLUSTRATION COMMISSIONS:

Info Given:

Outcome:

I had a lot of previous information on both of these characters (I designed the top one myself), but I was provided limited written information for this; Holiday Discord call where Toad (character one) is getting a present from Zalem (character two). Zalem is barely hiding how they feel about Toad who is excited.

 All other information provided was visual; Outfits and room aesthetics. 

We discussed poses in Dms and collaboratively found references.

---

Info Given:

Outcome: 

Absolute favorite example of the PERFECT amount of information given and the PERFECT amount of creative freedom given. 

I was handed character references with all angles as well as their armor + how to simply the armor. Pose + expression references. A general aesthetic + palette to work with. The setting. A doodle to lay out exactly what they were visualizing. 

I have all the information you could need! Now what?

I am very privileged to no longer need to take first come first serve commissions, and it’s given me the ability to really sit back and filter through the commissions that I want to do, and those that I immediately do not consider. 

I think it’s important that,  before commissioning anyone, you should ask yourself a couple important questions:

Does this artist’s style suit what I want?

Does my character suit what this artist usually draws?

Do the references I have provide the right amount of information for the specific artist I want to commission?

Sometimes the answer to these questions are; No.

... and that’s okay?

Unfortunately, not every artist is going to be able to bring your vision to life, or feel happy with the completed piece! 

If you’re someone who has Big Buff Demon Men characters that are drawn in a heavily realistic style - you might not ask an artist who draws smaller, softer characters with squishier shapes and a general aesthetic that doesn’t match your Ocs! 

If you’re someone who has characters and all of their references are in an anime style (including other commissioned work), and you have no realistic face claims... maybe commissioning that semi-realistic artist and not providing them with the references the need to translate your character into a semi-realistic style isn’t a good idea? 

I don’t understand when some people get upset when they commission an artist who clearly doesn’t draw characters that look like theirs and they clearly... don’t translate them as well.  I am making this extremely clear RIGHT NOW before anyone says anything:  Everyone can and SHOULD learn to draw the entire spectrum of humanity. From facial features, hair textures, body types, etc...

But some artists struggle to draw characters with certain aesthetics? Outfits? Accessories? You wouldn’t expect an artist who draws soft pastel art to suddenly translate your extremely rough, hard, and hot character properly?

Now, if all the answers are Yes? 

Read all information provided thoroughly 

Ask questions for clarity

Provide what you can, collaborate on what you can’t

Resources

@anonbeadraws​ post: Reference sheet for your commission references!

JAMIErightmeow’s video: I have APHANTASIA

Aphantasia Dot Com

#my art #artists on tumblr #guide #aphantasia #artist with aphantasia #UH #damn i wasnt gonna write this much lmao #I hope this helps people #its helped a ton of people on twitter already #UH ANYWAY #if youre about to comment some shit like oOoOigiOIgioOIoI #IT HELPS PPL WHO DONT HAVE APHANTASIA TOO #shut up #please #i know #i am AWARE #THIS is for MY HOMIES #but also use this as a resource if you need it??? #kiss kiss kiss kiss

[genericpuff]

Aside from the big ass receding hairline, 2017 Tumblr Persephone looks kinda cool. She actually looks kind of menacing. She reminds me of Daki from Demon Slayer.

So that pic I just showed was from 2013! 2017-era Tumblr Persephone in her earliest form looked like this:

You can absolutely still see a lot of the Doctor Pepper era stylization in it (especially in how she draws Hades) and the form of Persephone we know now taking shape in the smaller body type, but it's so insane when you see this style compared to now, I have no idea what happened but somewhere along the road she legit just like... forgot how to draw. And I know that's really mean to say, she CAN still put out good art when she tries, but it's often not the stuff that's specifically for LO.

I mean shit, when was the last time we saw her put out an actual illustration? Remember back in S1 of LO when there was tons of art used in the promos that wasn't even really in the comic, it was just art for the sake of it? The burnout seems to be very real for her and that's why it's kind of a bummer for someone like myself who used to be such a big fan of her work, as mean as I get on here about LO being shit, you can still clearly tell that Rachel was putting in a lot more effort and love into the project back then than she is now.

#lore olympus critical #lo critical #anti lore olympus #ask me anything #ama #anon ama #anon ask me anything