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#when i chose
isbergillustration · 6 months
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DOWN
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ambrosiagourmet · 3 months
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I want to talk about why I think this is the one of the most important Falin panels:
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So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.
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In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.
At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.
And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.
Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.
If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.
We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:
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So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.
Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."
So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.
However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.
Isn't that the same thing?
No, no it very much is not.
Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:
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Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.
But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.
If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.
Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.
Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.
Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.
We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.
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And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.
So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.
It doesn't seem like Falin has ever confronted any of it directly.
And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:
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Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.
And this is something Falin embraces, too. She comes back to life, after all.
We see her choose to come back to life.
And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:
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Do you want to eat more?
There is a double meaning in the Winged Lion's final words on the next page.
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When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.
But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.
And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.
It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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egophiliac · 3 months
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Please elaborate on your twst Pokémon headcannons I’m very interested
I had planned on drawing everyone for this (I made a LIST!) but it. hasn't been going well. 💀 soooo here's what I have so far!
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Riddle - Roserade (I was going with 'no legendaries', otherwise I would've given him a Shaymin) (and I don't think Togedemaru is actually a hedgehog or I would've given him one of those too) (...they kind of do fit though. hmm.)
Trey - Alcremie (clover/mint cream + strawberry/ruby cream)
Cater - DITTO SQUAD! DITTO SQUAD! DITTO SQUAD!
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Ace - Impidimp (I feel like there's probably a better one for him, but I can't think of it)
Deuce - Scraggy (meanwhile I KNOW deep in my heart that this is true)
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Leona - Pyroar (but like. a nasty Pyroar. just a grizzly old Pyroar with the shittiest attitude imaginable. they pretend to hate each other but secretly they are a bonded pair, do not separate)
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Danny wasn't sure what to do. Was this legal? He knew the bats were part of the Justice League and whatnot but surely they can't just pick him up off the street after he got into a brawl with some creeps trying to mug him!
Sure, Nightwing had jumped down to help and Danny, still in his living form with its crappy human vision, thought he was another mugger because of the dark and attacked him too.
Now he's sitting in the back seat of the batmobile with his hands in wierd bat handcuffs.
Was everything these guys owned bat themed? Yeah his parents put there last name in all the titles of their inventions but they had a brand to sell so it was excusable. Batman however, is clearly living out his bat shaped dreams. Usually Danny was all for the furrys doing thier thing, one of his best friends was a proud furry and Danny 100% supported him, but there was a line you don't cross and tall dark and fuzzy crossed it when he kidnaped one 14 year old Danny Fenton.
He couldn't Go Ghost right in front of Batman and Nightwing but he could use the one thing his mom made him take with him everywhere since he was a little boy.
His panic button.
It was powered by ectoplasm and could get through signal jammer with no problem. If he pressed the button his parents would drop everything to come save him. They made sure to put little sirens and flashing lights in thier own hazmat suits to make sure they didn't accidentally miss it. Sure they looked hilarious the few times he had seen it go off in his life but it was highly effective.
So he pushed the button and his parents were charging torward them in record time, the GAV playing chicken with the freaking batmobile. Suddenly his mothers voice came from the panic button, "Are you in the front of back, sweetie?"
"I, uh." He stuttered, looking up at the shocked face of Nightwing before answering, "The back."
"Perfect." He mother said darkly.
A trio of high mechanical whines filled the air and Danny didn't need to look through the windshield to know the buzz saws were out.
----
Bruce just wanted to know why Danny Fenton, youngest of the Fenton Family and son of Jack Fenton and Madeline Walker, two people whose marriage brokered peace between thier prospective mafia syndicate families, was doing in Gotham beating up low level thugs.
He was not expecting overprotective mad scientist parents.
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iwasbored777 · 8 months
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The height difference in ITSV vs in ATSV is killing me 😭 Miles and Gwen were so shorter than Peter, now they're almost as tall as him
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auuwmk · 2 months
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orv.....
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liquidstar · 7 months
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look this site really is awful for ppl with OCD so i just wanna reassure anyone that you are not Tainted Forever for consuming a piece of media with questionable content. the fact that youre able to recognize it speaks to your critical thinking skills, which is good, certain depictions should be critiqued. but you dont need to ruminate on it to the point where you begin to feel guilty for simply witnessing gross or creepy writing choices. you dont have to vindicate yourself to the fictional tumblr discourser inside your head, saying that youre now a bad person bc you watched the wrong anime. your actual response to it still matters of course, but thats that and this is this. just seeing it is neutral, you didnt commit a thought crime. its literally fine.
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IF YOU ARE USING THIS POST TO ONLY FURTHER YOUR STUPID PEDANTIC BLACK-AND-WHITE DISCOURSE TO GET A "GOCHA" OVER THE OTHER SIDE YOU ARE THE PROBLEM. DON'T USE OUR DISORDER TO VINDICATE YOUR BEHAVIOR. THOUGHT CRIMES ARENT REAL BUT ACTIONS STILL MATTER. PEOPLE WITH OCD ARE CAPABLE OF THINKING CRITICALLY ABOUT OUR ACTIONS AND RESPONSES, EVEN WITH INTRUSIVE THOUGHTS AND RUMINATIONS. TREATING US AS IF WE CANNOT, ONLY TO FORCE US TO USE YOUR STRINGENT UNNUANCED DISCOURSE OPINIONS ABOUT "PURITY CULTURE" (TRIGGERING TO THOSE WITH OCD) AS THE ONLY REASONABLE GUIDE DOES MORE TO EXACERBATE OUR OBSESSIONS THAN HELP US. YOU ARE THE ISSUE AS WELL. YOU ARE ALSO THE TUMBLR DISCOURSER INSIDE OUR HEADS. DO NOT USE US FOR YOUR DISCOURSE. WE ARE PEOPLE, NOT HYPOTHETICALS TO USE TO EXPLAIN IF YOUR FROZEN INCEST FANFICTION IS OKAY OR NOT. TREATING US AS IF WE CANNOT AUTONOMOUSLY HAVE OUR OWN OPINIONS ON WHEN MEDIA IS TANGIBLY HARMFUL IS ABLEIST. FORCING US TO ABIDE BY YOUR IN-GROUP'S SET OF UNEQUIVOCAL MORALS IS ABLEIST. ACTING AS THOUGH THE ONLY SOLUTION FOR US IS MINDLESS MEDIA CONSUMPTION IN WHICH "EVERY DEPICTION OF XYZ, NO MATTER HOW POORLY DONE OR EXPLOITATIVE, IS ALWAYS OKAY AND IF YOU DISAGREE YOURE ACTUALLY AN EVIL 'ANTI'" IS ABLEIST. THOSE ARE THE SAME BLACK-AND-WHITE MORALS THAT SEND US INTO OBSESSIVE SPIKES, BUT FLIPPED. A SET OF MORALS IN WHICH QUESTIONING THE IMPACT OF A PIECE OF WORK MAKES YOU AN "EVIL CONSERVATIVE PURITAN "ANTI"" DOES NOT HELP MORAL OCD.
YOU ARE THE DAMN TUMBLR DISCOUERSERS MAKING THIS SHIT WORSE FOR US! YOURE THE EXACT SAME BUT WITH FLIPPED BUZZWORDS! YOU'RE MISSING THE WHOLE DAMN POINT!
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twinstxrs · 2 months
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just now realized that kristen started off fantasy high choosing the path of doubt & uncertainty by choosing to go with the bad kids. for unrelated reasons i need to lie down forever.
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starcurtain · 9 months
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One of my favorite things about the game's writing of Alhaitham and Kaveh:
The basic game text goes out of its way to convince us that the house is Alhaitham's--it is literally called "Alhaitham's Home" even during Kaveh's hangout.
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But in-universe, we never see Alhaitham in his house unless Kaveh is there.
Throughout Sumeru's archon quests, we run into Alhaitham practically everywhere: in Port Ormos, in Aaru Village, in the Akademiya, at the Grand Bazaar. But never, despite the fact that the story wants to sell him as a homebody, in his own home. In fact, the only references we have to Alhaitham's house at all throughout the entire lead up of the archon quests are mentions of Kaveh.
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Alhaitham doesn't suggest going there, doesn't ever go home himself (at least that we're explicitly told about) until the end of the archon quests, and has no cutscenes in his own house until Kaveh returns from the desert.
Then, all the sudden, Alhaitham literally can't wait to go home and walks off in the middle of a conversation.
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From that point on, every time we're permitted to enter Alhaitham's house, in story quests, the hangout, and the event, it's either when he and Kaveh are together or with Kaveh alone.
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Even during Alhaitham's birthday skit of all things, they went out of their way to tell us that Alhaitham's home, so of course Kaveh is there:
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The map tag tells us the building is Alhaitham's Home, but the story reinforces a different idea:
It's Alhaitham's home when Kaveh is in it.
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raphaerolo · 19 days
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The codywan surfer au has taken over my brain and it was decided that cody has tattoos so I sketched it out and got a BIT carried away with what could have been a design sketch.
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lunian · 3 months
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...wait
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what a man he is, this Gale Dekarios
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doberbutts · 3 months
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Recently Youtube's algorithm really wants me to watch Schindler's List and I never had so the other night I sat down and actually watched it.
Having a lot of thoughts about it but a major one I keep coming back to is how even an immensely and deeply flawed human being can go against "just following orders" and instead put in the work to actually help.
It may never be fully enough. It may never save as many as you'd hoped. But when you have a choice to either follow orders or save your fellow humans in front of you, I hope you choose the latter.
Schindler died in poverty. He was not a renown war hero nor was he at all famous or widely beloved. But he saw that he could help, even in some small way, and so he helped.
He was a Nazi who saw what the Nazis were doing to Jews and said no more. Enough. If I can even spare those under my charge, maybe a few extras, then at least I will have tried to do something about this.
I think a lot of people do not fancy this type of activism. It is messy, dangerous, and often completely thankless. Schindler survived as long as he did after the war due to those he saved helping him with donations. He was not popular in his hometown due to his association with Nazis, he was not popular in Germany, he was not popular in Argentina. His businesses all failed. His wife left him. A movie about his deeds was released several years after his death, where he would receive none of the benefits. He went to prison multiple times for simply refusing to hate Jews.
I think a lot of people like to think they're activists, but are sorely unprepared for doing this type of work, and then in truth become activists in name only. This is hard work. But without him, another thousand or so people would be on that death toll.
He took his position of extreme power- a Nazi owning a factory almost entirely operated by Jews, making oodles of money off that cheap slave labor- and said you know what? No. I'm not doing that. I can't save everyone, but as long as they are within my factory, you will not kill my workers. As long as I'm here you aren't harming one hair on the head of any Jew under my care. You're not sending or keeping them in Auschwitz. You're not randomly executing them for entertainment. They're people. You're not murdering them.
"Just following orders" they say. But they didn't have to. They could have helped. They could have did what he did, look around and say "what the fuck am I doing here", and stop. He did. They could have. They didn't.
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nellasbookplanet · 14 days
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I've been thinking about Mollymauk, as I'm periodically wont to do, and the fandom discussion about him as a moral compass. Because the interesting thing here is, Molly wasn’t a very moral character. He was an unrepentant scammer. He had no respect for interpersonal boundaries and would deliberately push and break them. Generally, he was an asshole. As far as actually having a strong moral stance I would say Fjord was the standout of early m9, and to some extent Beau.
But here’s the thing: almost all of early m9 thought of themselves as horrible people. Fjord had been bullied so bad growing up that he still dealt with self-hate from it, and now suffered from survivor's guilt to boot. Caleb had killed his own parents. Beau, while she hated her dad, also had internalized self-hate and on some level thought she’d been such a shitty daughter she deserved his treatment. Nott was stuck in a body she considered monstrous. Yasha had survivor's guilt and knew she’d done bad things in her blank spots. Even when they did good, they didn’t think of themselves as good. Most of them were suspicious and asocial and faced the world with the same kind of distrust they expected to be (and were experienced in being) met with. (Jester was an exception, an agent of neither good nor bad but of amoral chaos)
But Molly was different. He was outspoken about loving life and people. He wanted to spread joy, even to people he didnt know or had even met: he slipped coin into people's pockets, hid a silver in a tree just so some stranger would one day be happy to find it. He openly cared for the party early on; was one of the first to step in and help Caleb when he went catatonic in battle. Above all, Molly had rules: where everyone else would agonize over what was the right or wrong or smart thing to do, Molly loudly proclaimed we don't leave people behind, and we leave every place better than we found it.
But the thing about Molly’s rules was, they were largely a cover. While the rest of the m9 thought they were bad even as they did good, Molly thought of himself as good even as he did bad. He scammed people, but made it a good and memorable experience, therefore thinking he gave more than he took. He charmed Nott and Fjord without consent, and when confronted would claim it was to help them. Out of the group, Beau saw through this, not because she was a better person but because she was a cynic. She saw that he caused harm, just as she did, and was personally affronted that he still thought of himself as good and tried to leave people happy, whereas she deliberately left every place worse than she found it.
I see Molly as a moral compass of the group not because he was actually any more moral than them, but because they made him their template. He was joy and brightness and he died trying to save them because it was the right thing to do, and they all chose to honor him by emulating his rules more than Molly himself ever did, because to them it was more than just a cover, backed up by genuine moral thought and discussion rather than small gestures. He taught them that it was possible to be kind of a shit person and still be good, to still love yourself and others. The idealized Molly they created never existed, and finally died for good when they resurrected him in the end and were met with a stranger, who they welcomed with the same love and care they would've expected Molly to show them.
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airborneice · 4 months
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i think we all know who the REAL star of season 3 is
i'm making a vague attempt to pace out this season by doing a drawing after each episode, so anyway here's my new fave character
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dredgesnails · 11 days
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stardew valley au where joel and skizz are new residents to pelican town (hermit town?). joel just inherited a large farm from his late grandfather and skizz is moving in with his old friend after reconnecting with him and wanting a fresh start. and the townspeople are like, kinda weird.
bdubs is fine enough - he’s a sweet man with a fun personality and he’s the local builder, but it’s almost frightening how fast he constructs new buildings when joel needs them. pearl, their resident postmaster, is also pretty normal other than the fact that skizz never seems to be awake early enough to catch her delivering mail. scar is lovely but he’s never available when joel wants another chicken. the mayor, xisuma, is pleasant too, if a little eccentric at times, but he doesn’t really seem to do much in town.
for the most part, skizz is settling in well. he’s moved in with impulse, who runs the local blacksmith in town, and he gets along well with most of the local townspeople. he’s started spending his evenings at the local saloon listening to ren regale the patrons with fantastical tales while he and stress serve up food and drinks, and he finds himself growing close with cleo, the local sculptor. he even gets a new wardrobe from hypno free of charge, and sometimes helps cub out with his totally scientific studies and creations.
skizz also joins forces with beef (who helps to supply the local general store that xb and keralis run) in terrorising the local manager of the corporate chain grocery store that no one likes. doc is a terrible manager but would make a fun supervillain (according to joe hills, the bookseller who appears once in a blue moon but seems to know doc more than anyone in town).
joel, on the other hand, seems to only be interacting with the strangest residents in town. he discovers the adventurer’s guild after only a couple weeks, and is only somewhat irritated by iskall’s refusal to pronounce his name correctly. false promises to give him prizes if he can kill enough monsters, which is not something joel had expected to be doing when he pictured farm life, but here he is. he stumbles upon a travelling cart one day, and the man inside insists he’s a knight from a faraway land, that he risked his life to make it all the way here to sell his wares. it’s all stuff joel can get cheaper elsewhere.
he’s pretty sure the local doctor has no real medical training, but then he passes out while fighting monsters and he wakes up completely fine, so zedaph probably knows what he’s doing. maybe. when joel isn’t passing out he sometimes makes trips to the library-slash-museum, which is probably almost completely empty because mumbo, who begs joel for anything to display, looks like he’s never fought a duggie in his life. eventually mumbo gives joel a key to the sewers, which are way cooler than they have any right to be, and that’s where he finds jevin’s secret sewer shop. jevin lives in town. he just also has a shop hidden underground. joel has stopped asking questions by now.
and then there are the three who live by the beach. etho spends most of his time tinkering around the fishing hut or hovering around bdubs, but sometimes he drives the bus to the desert. only sometimes. there might be something under his mask. no one knows for sure. gem runs the fish shop most days and she claims she’s a sailor, but joel has never seen a single working boat around despite all the ocean. she can also hold her breath underwater for an uncannily long amount of time, like, scarily so, and will sometimes disappear for a few days and return with an abundance of treasures. joel has never seen her leave by boat. grian fishes a lot and runs the shop when gem can’t, and he sometimes talks as though the sea can speak to him. skizz has caught him staring into space for extended periods of time. one time he waded into the water and just stood there, head down, muttering to himself.
apparently there used to be a lighthouse but “it’s gone now”. gem says if they ask bdubs nicely enough maybe they can build another one, but she and grian are banned from build requests after the last incident with their pet snails (joel has never seen the snails, but scar complains about them enough to convince him they’re real).
there also might be some kind of wizard who lives in the creepy tower in the woods. skizz has heard he’s the one who helps maintain the power in the valley, and joel’s convinced he hallucinated seeing him once until he recieves a letter from the wizard himself, and visits him only to find that the strange fire-creature he saw that one time was, in fact, tango, who is human for the most part, he just sets himself on fire sometimes.
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