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goldenkamuyhunting · 2 years

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Ramblings and crazy theory time about GK chap 311 “Asirpa’s choice”

The story continue and, I guess, I’ll keep the WARNING up.

No, I’m still not enthusiast of where the story is heading. If you only want to hear praises for the chapter, the ban button for either the tag or myself might be an option you’ll want to consider.

With a fair warning given, let’s move on.

We’ve left with Asirpa about to shoot Tsurumi. She doesn’t through because the story has already made clear they don’t like the idea of Asirpa killing people. It’s Tsurumi, who is standing on the tender, the one who manages to shoot in the main characters’ trio’s direction, but obviously misses.

Asirpa suggests for them to climb down and get in the first car which is conveniently completely empty of 7th division soldiers… as they had all either died or moved into the second car. By the way, the soldiers in the second car didn’t bother to remove the bear’s body and has no interest in pursuing Sugimoto, but are just busying themselves tending the wounded, which is a convenient thing because the bear conveniently covers up the visual showing Sugimoto, Asirpa and Shiraishi getting in the first car just in case some soldier might remember Sugimoto is the enemy and feel inclined to try to shoot him.

Really, why not to have the bear kill all the soldiers in the second car as well?

Oh yeah, maybe they need someone to pick up Koito and Tsukishima and bring them to the doctor so they can be cured since their role in this arc has probably ended. Whatever.

No one gives Sugimoto first aid and he assures anyway ‘it’s just a flesh wound’ because he’s the main character and plot protected, and Ogata likely missed his intestines when he stabbed him so no slow yet painful death for him… even if he seems to have troubles standing. But maybe he only has to recover for holding up and even raising around 400 kg of bear while dangling on a train car.

Talk about light training, Ushiyama would be proud.

At this point Asirpa, eyes still black, tells them… to leave a train on which 7th soldiers still are on board (and might remember Sugimoto is an enemy who killed many of them and come to get his skin) and hide in a safe place? Nope, they’ve to remain on the train but just wait her there because the Ainu land deed is her problem and she’ll just go get the quiver and be back because, really, where’s the problem?

Tsurumi is probably going to see Olga in her or slip and fall off the train so that, without too much troubles, Asirpa will keep her track record of being the only character who wasn’t so much as scratched by a human (the only time I can remember she got hurt was when the forest fell on her and Sugimoto).

At this point Shiraishi notices the train cars have been uncoupled by the extremely trustworthy Tsurumi who, instead than play bait for Ogata as he said he would in chap 308, has VERY OBVIOUSLY taken with himself the land deed and tried to save his skin, the hell faking his death and playing the role Ogata wanted him to play, leaving this new unsuspecting and childishly naïve character who looks like Ogata to play as bait for Sugimoto so, if he were to kill him, good, if he weren’t… well, he could just play dead since it’s not like he would have the land deed to hand to Central or Tsurumi stashed away in a secret place to back him up so I doubt Central would do so much as to raise him to corporal. Well, it’s not a problem that regards him anymore as he conveniently killed himself while our trio of main characters just watched.

Whatever.

On a positive note, escaping with the locomotive is not a bad plan, so kudos to Tsurumi. Maybe he won’t be hit by the idiot ball. One can only hope he’ll keep his brain till the end and give us a decent conclusion at least.

Back to Asirpa, she claims she has a LAST request to Sugimoto and Shiraishi, which feels like a HUGE death flag but will probably end up in nothing because Asirpa has the hugest plot armor ever to the point that if she were to die it would simply feel not surprising but just unbelievable as we had to suspend our disbelief in her never getting hurt for more than 31 volumes and it would be hard to turn it on.

Anyway Asirpa tells them she wants the well with the gold to stay buried.

That’s because she has finally figured out that what Ogata told her in vol 19 (chap 185 to be exact) was true, if one were to get his hands on the gold things won’t end happily but the killing would go on. Took her 12 volumes to realize he didn’t lie on this… only the whole thing isn’t presented as her realizing he didn’t lie but as her coming up with this conclusion all on her own because, after the story has finally managed to get rid of Ogata, they aren’t going to bring him up again, not to show him among the group of the deceased nor because he actually realized way sooner this whole thing and warned Asirpa about it.

Really Noda, you should have killed him in vol 19 and save yourself the trouble to drag him on till here.

Whatever, Asirpa claims they’ve to break the Golden Kamuy’s curse.

Her eyes are still black, and surely, SURELY the fact that her eyes are still black, irises included, means something relevant, surely, to bring back the light in her eyes we’ll need something big…

No, nevermind, in the next page Noda is already starting to draw her irises a little lighter as she mentions on how, to pay for Umeko’s medical treatment, she’ll give Sugimoto the gold coin Wilk made, which is worth, according to her 10 yen so Sugimoto would only need 190 yen more to reach his goal, and volunteers to get bear bladders for him (assuming she manages to come back from her confrontation with Tsurumi) until they reach the 200 yen quota.

As for Shiraishi he can have the piece of hanpen that Asirpa stubbornly considered a piece of Ushiyama and kept on dragging around because, after so much drama, evidently we need to lighten the mood with some comedy and Asirpa’s completely black eyes don’t sit well with comedy, so let’s gradually lighten them.

Asirpa insists they shouldn’t go back as she doesn’t want to lose even the most important person to her.

Well, girl, congratulation for managing to make your love confession before the end of the story. I’m not sure Sugimoto got the message but, at least, this causes him to think back at… the photo of Toraji with his wife and child? Was Toraji your most important person Sugimoto? Or is the message that, when Toraji died, you felt you lost Umeko? Is she still your most important person, Sugimoto? It wasn’t retconned? I’ll appreciate it if it wasn’t retconned and you’ll go back to her and won’t end up paired up with Asirpa. Please, go back to Umeko, Sugimoto, I was displeased enough when the anime cut Umeko out of the story, I don’t want to believe the manga will do the same.

So we’ve next a comedic moment with Shiraishi who seems to think this is pretty dumb and then tells Sugimoto to tell Asirpa ‘okay, I understand’, which Sugimoto does because of course he’s going to give up on the gold because Asirpa asked him to do so, same as Shiraishi.

Actually, if only Asirpa has done so from the beginning, Sugimoto (and Shiraishi) would have kept out of this mess because they really couldn’t realize this was going to be bloody and live a safe, happy life in the last two years.

No, really, I was in the camp that predicted they would never get the gold, this was my expectation by quite a long time, but, to be honest, I expected it would be for some well constructed reason, or that characters would spend at least 5 minutes being torn at the idea of dropping their hope to get the gold, I mean, they knew they could die RIGHT FROM THE START, they saw people die RIGHT FROM THE START, Asirpa told Sugimoto it was a bad idea to hunt the gold RIGHT FROM THE START, Makanakkuru told them the gold was cursed RIGHT FROM THE START and still got into the gold hunt anyway and went through a lot so I expected they wouldn’t change their mind at the drop of a hat, that something relevant would need to happen, or that they all would come to realize the gold wasn’t worth it through some pondering, not that all that was needed was Asirpa finally coming to the same conclusion about what happens to who possess the gold Ogata spoke of in vol 19 and so shared her fear with Shiraishi and Sugi and they told her ‘yeah, sure’.

I mean, I would have NEVER expected that changing their mind would really be SO EASY… -_-

By the way, as Sugimoto says he’ll understand light seems slightly back in Asirpa’s eyes and okay, maybe for her this is important, or maybe for her black eyes meant loss of hope, I don’t really know, what I know is that Sugimoto grabs her like luggage, says goodbye to Shiraishi and jumps with her on the tender, telling her he won’t let her go alone because they’re partners and so mission accomplished, light on Asirpa’s eyes is restored and I don’t even know why I worried for Asirpa.

*sighs*

All right, I get for her it’s a big deal, but the black eyes too seemed a BIG deal and they get resolved so fast and in a scene that seems comedic that ultimately Asirpa’s black eyes merely seemed caused by childish and easily solvable worry. Something readers didn’t need to feel troubled about because OF COURSE Sugimoto won’t let her go alone, silly Asirpa, how could you think so?

Meanwhile the locomotive and the tender get farther and farther from the cars on which Shiraishi, Nagakura, Kantarou, a bunch of soldiers from the 7th as well as Koito and Tsukishima are.

This probably means they’re all going to survive and who knows, Koito might even replace Tsurumi with Tsukishima now loyally at his side because they did nothing wrong and, by fainting, they escaped the final fight… unless Nagakura will surprise us by decapitating them while they were unconscious or Kantarou will just shoot them in retaliation for causing Hijikata’s death.

But no, I expect them to live.

So this is probably the end of the arc of all those characters and, if we’ll see something more of them, it’ll be likely at the very end and/or in a flash forward and Koito’s big confrontation with Tsurumi was, ultimately, just asking him not to drag Tsukishima with himself because Tsukishima was at his limit and would die.

But hey, probably the noble Koito will restore the Wajin honor and the 7th honor becoming a good commander because he openly said he would murder Tsurumi if his rebellion to Central and the stealing of the Ainu gold and land deed weren’t to bring benefits to the soldiers under them so he had to live.

Who knows, maybe he’ll even hire Ariko back without punishing him for risking his life in an attempt on saving a little Ainu girl who was being psychologically traumatized and threatened by Tsurumi under Koito and Tsukishima’s eyes, so as to prove he’s Ainu friendly now. Awesome.

Now, don’t take me wrong, I love Koito and Tsukishima, and I love even more Koito’s growth and how Tsukishima is so far gone he’s basically unable to grow and needs to be helped and how Koito is there for him… and I’ll be happy if they survive till the end… but I fear their ending will be a too convenient one, with everything they did being water under the bridge so as to raise them up as the good guys of the 7th.

And, at this point, I don’t even care anymore about the tiger curse because, unless they hallucinate a tiger or Kiro, if something bad were to happen to them it would feel so disconnected, it would be hard to tie them to it because I doubt they would regret killing poor Kiro like an animal due to them following Tsurumi’s orders. But whatever, people has started having abrupt pang of overwhelming guilt so who knows.

Meanwhile Tsurumi has finished all the bullets for his guns but fear not, he hasn’t been hit by the idiot ball yet so he was clever enough to steal the soldiers’ rifle and bring them with him in the locomotive.

Please Tsurumi, please, avoid being hit by the idiot ball with all your strength, please, I need you to stay IC till the end, to give me a sense that defeating you will be a little challenging at least!

Anyway, the fact that he had to collect rifles is likely why he took so long into reaching the locomotive (I mean he disappeared before Sugimoto were to find Ogata and his movements remained unknown through the Ogata/Sugimoto battle and Ogata’s whole breakdown).

Okay, to be honest, kudos to Tsurumi for trying but if he had been paid more attention to Ogata he would have known rifles aren’t really a problem for Sugimoto, as not even the best sniper of the story could bring him down with his rifle so really, they weren’t going to help Tsurumi in fact Sugimoto manages to reach him before he could do so much as shoot a second time.

But okay, Tsurumi is also a strong fighter, so when Sugimoto jumps on him, he can kick Sugimoto away, which was something Ogata would have had troubles doing. But Asirpa is there, about to shoot him, with plenty of light in her eyes because everyone can kill and if you do so for a reason you won’t be troubled by guilt… or so Ogata would say.

Whatever.

Of course Asirpa’s determination to murder Tsurumi so fast, matters nothing as Tsurumi hides before Asirpa could shoot (and as we have at least 9 more chapters to fill before Noda could end vol 32) and then… Tsurumi moves outside the locomotive.

Sugimoto claims he believes this is because Tsurumi is at disadvantage in a battle 2 against one, so he’s trying to lure them to a place where the footing is bad because it’s not like Tsurumi too can slip due to the footing being bad, no, he wears ninja shoes with maximum grip everywhere Tsurumi goes.

Anyway, as I said, there are 9 chapters to fill before the end of this volume, so Sugimoto and Asirpa decide they can give Tsurumi a break for a moment as they try to stop the train so they won’t crash in the last station.

Only… comedic mode is still on because the two of them know nothing of how trains work and basically do nothing to stop the train beyond looking around so, since Asirpa is surely the one who knows the most between the two (yeah, sure) Sugimoto puts Asirpa on the task of stopping the train (so she won’t have to risk dirtying her hands by shooting Tsurumi) while he goes chase Tsurumi because who knows which plan Tsurumi might have come up with to save HIS day.

The last page ends with a creepy Sugimoto standing above Tsurumi, ready to stop him as Kikuta has predicted he would.

And with this we end.

I’ve… not much else to say.

Things continue to go on without requiring too much effort from the characters involved so that it feels like there’s no point in worrying. Is it to lower our defenses and prepare the set for Tsurumi murdering Sugimoto and Asirpa so they can die together and go to hell together but then he’s too late to stop the locomotive or get off of it and dies on the crash? Who knows.

But I really, really need this final battle to be… well, not easy, not won because a sword break or because, by bad luck one of the characters get in the harm way and the other must do a heroic sacrifice or by an improvise attack of paralysing guilt or of hallucinations or by someone conveniently fainting in exaustion and blood loss, I need it something that was the result of a hard fight, be it physical or intellectual, a battle with both the parties involved, not one having a break up and the other munching popcorn as they watch, a battle with stakes and consequences. A battle whose victory will be EARNED by the victor, not just a lucky/unlucky happening.

Something that matters, in short, something I could worry and care about.

We’ll see what it’ll be though.

#Asirpa #Sugimoto Saichi #Tsurumi Tokushirou #Shiraishi Yoshitake #Kiroranke #Wilk #Ariko Rikimatsu #Toni Anji #Tanigaki Genjirou #Oosawa Fusatarou #Sofia #Hijikata Toshizou #Golden Kamuy Ramblings and Theories #Ushiyama Tatsuuma

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chicoriii · 3 years

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Season 4, Episode 17 - Larme Ultime (Rocketear)

So this is a DjiWifi episode from which comes a screenshot I've seen over a month ago (I think). It's good they got it, before season 4 started I really wanted it to happen and to see a kiss between Nino and Alya in it (but that didn't happen and I don't get why, only the main pairing is allowed to kiss in this show or what?), but now I could not be excited about it anymore, because I'm sick of Alya and I'm not able to hide it. Yes, I'm biased, but I'm just a normal viewer and I have right to dislike her favouritism.

My the biggest thought after watching this is that it looks like since Optigami, Alya is not only a deuteragonist, like I said in my post about Sentibubbler, she's actually more like a co-protagonist now. That was an extremely Alya-centric episode (even more than Lie was was about Adrien, as it was mostly Ladybug who saved the world like almost always, also because Chat sacrificed himself again), while in Optigami and this one she has screentime comparable to Marinette. I'm still trying to avoid spoilers (so please, don't tell what's going to happen in the next episodes, I don't want to know), but I'm sure that either 15 or 16 is also highly about her, because we've seen the new Rena's suit in this episode and it looked like it wasn't the first episode with it. But really, I won't be surprised if Alya has lots of screentime in both episodes and all others to the end of the show as well. I don't think Adrien is ever going to get as much special treatment like Alya. :/ The creators have never been as nice to him.

Didn't the writes have enough ideas for another story arcs? And thanks to it they were able to save money, because then creators could just reuse old models of villains more than before. Have anyone noticed that S4 has even fewer number of completely new characters than previous seasons? The scientist seen at the start of the episode has detailed model, so she had to be akumatised in any of the previous unreleased episodes (or one of the next ones). And why she looks a lot like Alya, is she her relative? If yes, you know what that means? Another excuse to make an episode full of the fox wielder, because, you know, it’s not like she already got enough occasions to shine in S4.

Speaking of Rena Rouge's new suit. What a waste, it would be great for a potential chameleon Miraculous, so it seems it won't be ever created for canon. So bad, I think it's one of the coolest animal, so a Miraculous based on it would be awesome. It could one from an African Miracle Box which should appear, since they are planning making an African special. The suit is good and all, but I still feel disappointed that it's not the superpower of a chameleon Miraculous. :(

Why is Nino acting over the top out of nowhere? I like film noir atmosphere, fedoras and especially jazz music full of saxophones (my favourite music genre and instrument), but it looks totally ridiculous when he's like that. I thought it's Marinette's speciality, and he beat her in that category. I'm not trying to say it's a a bad thing, it just feels weird seeing Nino like that. And since I love jazz, I would like to listen to that film noir-esque music more once I got 5.1 audio, since it was hardly heard in the episode. It didn't sound much interesting, but it's too early to judge it seriously.

Too bad they had written the main conflict in the episode using one of the biggest romantic cliche - misunderstanding in which one character see and\or hear something, but not the whole thing, so said character interprets it wrong. Motifs like that are rather annoying, so it's good something similar haven't happened in the Love Square's arc (yet at least). Though I have a big issue with how they write it this season and I'm going to make a post about it (is anyone interested?).

The akuma is one the ugliest and has one of the most laziest power ever. Really? He shoots using tear bullets and does nothing more? I know many people hate Bubbler's design, but no matter how silly it looks, it was much more creative than this.

And of course the whole thing with Alya remembering the whole conversation with Chat Noir was extremely far-fetched. The could think about something more believable, but I'm not surprised it happened, since I think this season is generally more lazy written than previous ones.

On the other hand, I'm surprised that Marinette is actually aware that Shadow Moth should not know that Alya is still Rena Rouge. It seems that the whole episode 15 (or 16) is about they trying to figure out what to do with that problem. I won't be surprised if Alya would do it all by herself like it happened with protecting charms in Mr Pigeon 72, because it's completely normal that a random person who has never met Fu is better at decrypting the grimoire than someone who has been trained to be a guardian to some extend :/ Still I think they should not be sure that camouflage mode would solve the problem completely. From what I understand the new suit doesn’t make her completely invisible to others. Rena could be seen by anyone who takes a photo of her and then post in on the internet (it won't be believable that she's the only one crazy about superheroes in Paris). But at least they tried to do something and Marinette sees the danger to some extend. It’s something new.

It's not like Alya is careful, she's completely reckless (and they think she's a good reporter material? Don't make me laugh) and she still thinks more about her own fun in being the superheroine than safety of herself or the world. But of course, it's not gonna happen, because plot armor is very strong in this show. I really had a feeling that she acted like a little child in the first minutes of the episode. She's unable to see that her situation is not a joke. She should be all happy that Marinette still lets her to keep the fox Miraculous. She really lacks humility and I see it clearly since Optigami at least. Besides, Marinette ignores another red flags, that Alya is taking pictures of herself in the new suit no one is supposed to see and thinking about posting them on Ladyblog (was Bunnix right that Alya is able to reveal Miraculous secrets on her blog because of her overenthusiasm and lack of ability of seeing consequences of her actions?).

By the way, now I think, if Alya can't keep in secret that she's still Rena Rouge from Nino (which happens because it's needed for the plot), so how could she be all fine with keeping in secret other facts like that Ladybug gave her the fox permanently and she knows her identity (which isn't happening because the plot doesn't require it)? She still has to lie on Nino because of these secrets.

They are making Marinette a big hypocrite this season. Since she revealed herself to Alya, it's been shown that secret identities rule was bullshit from the start, but Marinette is still saying that heroes can't reveal their identities to anyone. What? What has she done before like not revealing herself to someone, so how she dares keep saying about how crucial is keeping secrets from everyone? Sorry writers, I can't take that rule seriously anymore since Alya knows and no one should. Because Marinette told Alya, she could tell it to other persons she trust as well. What's the difference between her best friend and the rest of the people in the world? Is Alya the only person she trusts? In fact, revealing herself to Sabine, for example, would be much better choice. She's actually wise and mature unlike Alya and her secrets would be much more safe with her mother.

I've seen Chat Blanc again on TV recently and I remembered one thing Ladybug told to Bunnix there: "The best-kept secrets are the ones you never share." (Google Translate says that the line is exactly the same in the French original). Some episodes later, she isn't thinking twice if she should tell all the guardian secrets to Alya. Okay, she revealed her identity because of being too emotional in that exact moment, but then when she calmed down, she should be able to think if telling all the Miraculous secrets is a good idea. The other hypocritical thing is telling Chloé "you can't be Queen Bee anymore, because Hawk Moth knows your identity" but still calling the other heroes whose identities have been exposed.

So I can't even blame Alya for telling Nino the truth if the guardian herself is not following her own rules. Not to mention, Marinette doesn't address wrong things Alya is doing at all, so no wonder she feels she could do anything, she won't get punished, no matter what. After all, it's not the first moment in which she does something her best friend forbid her.

And we can say the show has been confirmed that Nino is even worse at keeping secrets, especially in crisis situations, so why people wanted to see Adrien revealing himself to Nino? It's obvious that he would tell Adrien's secret to Alya and maybe some other people as well.

I thought that since S3 finale Adrien is supposed to know identities of every backup hero from seasons 2 and 3 and I was ready to be salty about that as well. But yes, actually after purification of Miracle Queen's akuma, brainwashed heroes didn't detransform. They were forgotten completely and we don't even know what happened with them exactly. I suppose Ladybug took their Miraculous when Chat Noir wasn't there anymore.

Adrien has every right to be angry at Ladybug, she treats him so badly, since Alya knows her own secrets and she doesn't even have the guts to admit that. But I'm going to say about my the biggest issue in the Chat Noir and Ladybug's situation in another post, I hope I would write before the next episode airs.

#miraculous ladybug #ml rocketear #ml season 4 #ml spoilers #ml spoiler #ml season 4 spoilers #chicoriii about S4 episodes #chicoriii #original post

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ritsushinbro · 3 years

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My Critique of Rebuild of Evangelion's Characterization: I originally wrote this post on the Evageeks forum and decided to post it here. It discusses the relationship between Misato, WILLE and the pilots and whether it is realistic and in-character. Warning this post contains spoilers and is very long. Also has references to self-harm and suicide.

With each revelation that comes out regarding the measures WILLE take against Shinji and their own pilots, it becomes more and more unrealistic for me to the point where it's almost comical. Let's go through some of them here:

They wear the explosive DSS chokers 24/7 which will kill the pilots should they risk awakening an Eva.

They are kept in a single room rigged with explosives.

In Shinji's case, he is (intended to be) put in 24/7 solitary confinement with explosives fitted as well.

Shinji is escorted around the wunder whilst restrained on a stretcher. (NOTE: The only time he isn't, is when Sakura takes him to Ritsuko).

It is confirmed in another thread that Misato gave clear permission to the crew for them to shoot Shinji on sight if they suspect he is attempting to get into an Eva.

Now let me attempt to deconstruct these measures one-by-one:

It is understandable that Asuka and Mari wear DSS chokers because after all they are pilots and there is a risk of awakening. However in Shinji's case, he is forbidden from piloting and so there is no risk of awakening (remember Ritsuko did not think NERV would come after him, so they had no reason to think he would escape). So why place the DSS choker on him? Well we have already established it is simply because they have a resentment against him; there is no special, pragmatic reason. Is this realistic? Well I would say no for reasons I will explain later but I can certainly understand why others may say it is.

I don't think I will understand why they would keep their two main "soldiers" if you will, in an explosively rigged room. I believe others have stated that from a tactical point, it's an extremely dumb move on WILLE's part. After all, if Asuka and Mari didn't have plot armor, what's to stop Gendo from tricking WILLE into killing their own pilots with these explosives? How would WILLE stop Gendo then? Will they use Shinji? No, for reasons I will state later. And another thing, we know that their rooms were already fitted with explosives so why on Earth would they add extra after the events of Q (when they stopped 4th impact). What do they hope to achieve with more bombs? Make the pilots more "deader" than they already are? In my opinion, this doesn't even come across as paranoid but just plain childish. Is this measure realistic from a story standpoint? No not in my eyes.

We know they intended to put Shinji in a solitary cell as this is what they do in Shin. If it was solitary confinement on it's own, then I believe it would be a realistic measure that would happen in real life. However I believe the writers did not factor in the effects of solitary confinement (especially one that is rigged to explode) on fully grown men; never mind a 14 year old who's just come out of a 14 year coma. Many people think solitary confinement is a walk in the park so I made another post a while ago highlighting why that's not the case:

"I remember when before Shin came out people here theorized that if Shinji stayed on the Wunder, they would eventually softened to him and let him help in ways that wouldn't have involved piloting. However with these revelations it looks like they intended to keep him in an isolated room far from everyone else that is (presumably) rigged with explosives as well as keeping the choker on his neck. Not even allowed to freely leave his cell without WILLE's permission (it is unlikely they would let him out judging from these measures).

Even though Asuka and Mari were treated like this as well, at least they had each other and were able to leave as they had responsibilities in piloting. But Shinji was forbidden from piloting and was to be kept by himself except maybe being checked up on by Sakura now and again. So judging from these leaks (we will have to wait to properly see the full context) WILLE intended to lock Shinji in solitary confinement.

I have copied and pasted some of the effects of Solitary Confinement from Wikipedia below:

“Psychiatric: Research indicates that the psychological effects of solitary confinement may encompass "anxiety, depression, anger, cognitive disturbances, perceptual distortions, obsessive thoughts, paranoia, and psychosis." The lack of human contact, and the sensory deprivation that often go with solitary confinement, can have a severe negative impact on a prisoner's mental state that may lead to certain mental illnesses such as depression, permanent or semi-permanent changes to brain physiology, an existential crisis, and death.

Self-harm: According to a March 2014 article in American Journal of Public Health, "Inmates in jails and prisons attempt to harm themselves in many ways, resulting in outcomes ranging from trivial to fatal." Self harm was seven times higher among the inmates where seven percent of the jail population was confined in isolation. Fifty-three percent of all acts of self harm took place in jail. "Self-harm" included, but was not limited to, cutting, banging heads, self-amputations of fingers or testicles. These inmates were in bare cells, and were prone to jumping off their beds head first into the floor or even biting through their veins in their wrists. A main issue within the prison system and solitary confinement is the high number of inmates who turn to self-harm. Many of the inmates look to self-harm as a way to "avoid the rigors of solitary confinement."

Physical: Solitary confinement has been reported to cause hypertension, headaches and migraines, profuse sweating, dizziness, and heart palpitations. Many inmates also experience extreme weight loss due to digestion complications and abdominal pain. Many of these symptoms are due to the intense anxiety and sensory deprivation. Inmates can also experience neck and back pain and muscle stiffness due to long periods of little to no physical activity. These symptoms often worsen with repeated visits to solitary confinement.

Social: The effects of isolation unfortunately do not stop once the inmate has been released. After release from segregated housing, psychological effects have the ability to sabotage a prisoner's potential to successfully return to the community and adjust back to ‘normal’ life. The inmates are often startled easily, and avoid crowds and public places. They seek out confined small spaces because the public areas overwhelm their sensory stimulation.”

And this is just for solitary confinement. There are so many other things going on with and happening (or could happen) to Shinji such as the things below:

Shinji being only 14 years old.

Shinji being abandoned and neglected by his father.

Shinji being coerced/emotionally blackmailed to pilot Unit 1.

Shinji seeing girls he cared for "die".

Shinji being in a coma for 14 years.

Shinji being told he has a bomb on his neck.

Being told it is because he is being punished.

Being told he cannot pilot the eva anymore (he is effectively "useless" now).

Have his former co-pilot and friend try and punch him after he thought she was dead.

[Potentially] being told he started NTI and devastated the world.

[Potentially] being told that the girl he tried to save is "gone" and that she was a clone of his mother.

Being imprisoned in a cell (presumably) surrounded by explosives and not being able to freely leave.

Be completely isolated from everyone except when being checked up by a girl who's father he got killed. (NOTE: Mari might want to see him so Shinji at least has her, maybe).

Have his mother figure (the woman who made him pilot the eva the most) threaten to detonate the choker around his neck and blow his head off when he tries to leave.

With the above list, is it any wonder his head is so messed up? I understand the purpose of these films is all about growing up and taking responsibility but expecting Shinji to willingly allow himself to be subjected to the treatment WILLE had in store for him is pure, unadulterated masochism. Much of what was is written here can safely be considered cruel, inhumane and arguably, torture.

There is a massive difference between taking responsibility for one's mistakes and just letting the whole world torture you because you did something bad. My main fear and problem with Q and Thrice is that their main theme, which is accepting responsibility, is equated with accepting unreasonably cruel treatment. And I just think that is an EXTREMELY unhealthy message to send to people especially if they are depressed or live in abusive relationships."

When you take all these into account, does it place into perspective how messed up Shinji would have been had he stayed on the wunder? This is assuming that they thought they would never have a need for him, but as we find out in Shin, they needed Shinji in the end to defeat Gendo. If Shinji never left with Mark 09 and Misato successfully kept him "protective" custody, then one of three things would have happened when WILLE actually needed him to save everyone:

A: He would not have been in the mental state to pilot Unit 1 and Gendo would have completely wrecked him due to shit synch ratios.

B: He would have told Misato and co. to fuck off and die. We've seen this nihilism before from Shinji (after the 5th angel). His incarceration alongside the humiliation and guilt from wearing the choker will have ratcheted up by a million.

C: He wouldn't have piloted because he would have killed himself. There's only so much a 14 year old can take and when subjected to a fate that causes even hardened criminals to resort to self-harm, genital mutilation and suicide, then what chance does Shinji have?

Now back to my original point, do I think this measure is realistic? I would like to say yes if it was the solitary on it's own, however when combined with the other things, then I think the chances of Shinji commiting suicide is extremely high to the point where it's not believable for him to continue as an anime protagonist. You have to make sure the protagonist goes through difficulty in order to experience growth and change, however if you make it too harsh (to the point of committing suicide) then it seems less believable that they live to continue the story. On a separate note, many people think that Shinji was immature for leaving with Mark 09 the first chance he got and that this is proof that he is, in Asuka's words, a "brat". But let's be realistic, if this story is about Shinji's growth and maturation, then how exactly would WILLE's treatment of him be conducive to that? The truth is WILLE's sheer hostility towards him would have completely stunted any emotional growth and maturation in Shinji and it would have destroyed the point of the film. Also no-one can argue that WILLE would have eventually "come round" or "softened-up" towards Shinji because even after 14 years they still don't trust their own pilots. So yeah, Shinji most likely would have been stuck in solitary with a bomb around his neck until he either killed himself or the war ended (but even this doesn't guarantee his freedom).

Regarding the stretcher business. I don't understand why you have to restrain Shinji on a stretcher when the kid has already surrendered himself and has come voluntarily. Maybe WILLE are just full of bondage fetishists; it would certainly explain the chokers as well.

If the DSS chokers and the explosive rooms weren't enough, Misato actually gave orders to the crew to shoot Shinji if they thought he was trying to pilot again. At this point, I just think this is just overkill. I mean the kid has a bomb on his neck that prevents him from awakening an Eva, you intended to keep him locked up even though he can't really leave the wunder except with outside help and now you intend to shoot him if you think he'll get into an Eva. The problem with this, is that piloting an Eva requires all the bridge-bunnies to sortie the damn thing. Shinji cannot enter Unit 1 by himself, especially since the thing is being used as an engine so why do they assume that Shinji is capable of being Sam Fisher and sneaking into Unit 1? We see that Sakura and Midori are actually willing to shoot Shinji in 3.0+1.0 and do so when he merely suggests that he pilot Unit 1. But seriously what harm would Shinji have done in Unit 1 considering the fact that Gendo was already going to start another impact anyway? Why actively try and kill (or injure in Sakura's case) the only guy that can save your ass? One cannot argue that they were just being "desperate or panicking" because in Midori's case, she actually takes the time to confirm her orders from Misato. This shows that at least, she was still of lucid mind. This particular altercation just beggars belief in my mind and the fact that Misato actually gave those orders on top of all the other measures is absolutely extraordinary. So as you can imagine, I do not think this was realistically executed.

However, I can already hear some detractors say: "So what? Misato hesitated to detonate the DSS choker and also took a bullet for Shinji. She redeemed herself from putting the DSS choker on him and the kill-order for if they thought he would try and get into an Eva."

And to those people I say….not really. There is an idiom attributed to Benjamin Franklin and it goes like this: "An ounce of prevention is worth a pound of cure." How does this apply to Misato and Shinji's relationship? Well Misato wouldn't have had to hesitate to pull the trigger if she didn't put it on him in the first place. Misato wouldn't have had to take a bullet for Shinji, if she didn't give permission for the crew to shoot him in the first place. Let's take this following dialogue for example:

916-929:

Kitakami: "It's a good thing we got Major Shikinami back. But why'd we have to take that disease along with her?"

Aoba: "Just leave it alone. Better than Nerv still being able to use him."

Tama: "If he tries to get into an Evangelion, all hands have permission to shoot on sight. There's nothing to worry about this time."

Kitakami: "Come on, that's all for show. The last time he broke out of here, the Captain couldn't put him down. I've got zero trust about this time either."

Nagara: "He was a kid. I can understand why she'd hesitate."

Kitakami: "That 'kid' caused Near Third Impact and murdered my entire family!"

Hyuga: "Near Third was a consequence of what he did, not his goal. The Captain's doing her best to atone for that too."

Takao: "That's right. She's who Kaji entrusted with Wille, and it's our job to trust the captain."

We learn a few things from this dialogue. Firstly, the older WILLE members are much more understanding to Shinji and Misato's situation: Aoba and Hyuga understand that it's better to keep an eye on Shinji and that he never meant to start NTI, Takao is one who always trusts Misato's judgement and Sumire understands that Misato would have found it difficult to kill a child, especially one that Misato was close with.

Secondly, it appears that the younger WILLE members (Midori, Sakura and Tama) are the ones that are fearful/hateful towards Shinji (NOTE: Tama is a strange case, he strikes me as the sort of kid that just follows what everyone else is feeling. He might not feel anything towards Shinji beyond what you'd expect).

Finally it appears that most of WILLE crew members are actually reasonable people and are not the extremely desperate and paranoid individuals some people on the forum believe. Remember this is AFTER Shinji started the 4th impact in Q. The fact that some of the WILLE crew members speak of Shinji in this way, show they are capable of understanding. Most actually trust Misato and respect her judgement except for Midori, who questions Misato's capabilities in following through on her threats.

Which brings me to my next point. Misato has had no hesitation in pulling rank in the past. In 2.0, she even has an altercation with Ritsuko, her best friend, right before they fight the 8th angel. Misato is a woman that will tell even her best friend to STFU, when it comes to doing what she wants. Having said that, (timeskip shenanigans aside) there's no reason why she couldn't have done the same with the younger WILLE crew members. She could have nipped all of it in the bud by telling Sakura, Midori and the rest of them that Shinji was groomed to cause NTI and it was not his fault.

Instead, despite being the captain that everyone loves and fears, she kowtowed to the crew's paranoia and had the pilots fitted with explosive chokers, put in explosively rigged solitary confinement and gave the order to kill Shinji if they feared the worst. This is the sort of thing that drives fully grown men to suicide, never mind 14 year olds that have just come out of a coma. Imagine if Shinji did commit suicide in his cell. Who would Misato and WILLE have turned to in order to defeat Gendo in the end? What if Gendo tricked WILLE into killing their own pilots with the explosives? They would be properly screwed then. If Misato actually cared, as we are led to believe from her hesitation to kill Shinji, then she would have told the rest of the WILLE crew to fuck off, instead of alienating and putting Shinji and the pilots in that much risk. Are we really expected to believe that Misato placed such extreme countermeasures on Shinji just to appease Midori and Sakura? Not likely. This is why I believe that Misato would not have put the DSS choker on Shinji in the first place, and her doing so in Q was extremely unrealistic and out of character, even with anything that happened during the timeskip.

Some of you will say: "Who cares about realism? It's a show about aliens and growing up." While this is true, Anno has proven that he is able to pull the themes off much better when you look at the NGE series. Disregarding the self-contained narrative, it is obvious that the purpose of Q was to bring Shinji to the same point he was at after episode 24 of the series. If we look at how NGE/EOE handled Shinji's depression, we see that it is quite realistic:

The neglect and coercion by the adults in his life, almost dying to angels multiple times, the sexual tension with Asuka, almost killing Touji, finding out Rei is a clone of his mother, Misato putting the moves on him and having to kill Kaworu all culminate towards Shinji's mental state during EOE. Shinji is passively suicidal but it's due to the *situation* and his own introverted tendencies instead of people actively trying to hurt and isolate him. He finds the will to live again due to his mothers words despite knowing just how difficult living might be. If you remove all the Evas and the Angels from the story, the themes that are touched upon (isolation, neglect, misunderstanding) still apply and the audience can still resonate with them.

The rebuilds however go about it completely differently. They bring Shinji to that same suicidal state by having all the characters/plot actively harm Shinji's mental health by:

Putting him in a coma for 14 years so he is completely clueless. Imagine how groggy you are when you wake up in the morning and then multiply that by a million.

Have Misato psychologically castrate Shinji by telling him he won't do anything with a look of disdain on her face.

Have Ritsuko make Shinji feel dread by telling him he has a bomb on his neck and it's because he is being "punished".

Not tell him why he is being punished when he asks Misato.

Have Asuka try to punch Shinji after he thought she was dead.

Tell Shinji the girl he saved is "gone”.

Have his "mother figure" threaten to blow his head off for wanting to leave with the girl you just told him is gone.

Have Asuka and Mari attack Shinji in Lilith's chamber even though Shinji was seemingly willing to listen to them had Asuka not kept attacking. (Watch that scene again and you'll see when Asuka learns what Shinji is trying to do, she stops attacking but instead of explaining that he's being manipulated, she just calls him a brat instead).

Even Mari was willing to potentially kill or cripple Shinji with the Anti-AT rounds. (We don't know what the AA rounds are truly capable of because the only time they are used on screen, they don't work. The round cartridges state that they are armor and AT field piercing and have explicit restrictions on their use. The fact that Mari requires Asuka's explicit authorization to use them imply that they are most likely lethal and would have killed/crippled Shinji had he been in a normal Eva).

Have Shinji's friend's head explode with the device Shinji's "mother figure" actually meant for him. Imagine seeing someone's head explode and then remember that your "mother figure" actually meant that to be for you. That would certainly mess anyone up.

Have Asuka then kick and manhandle him when he is catatonic.

Have Asuka force feed him to the point where he pukes whilst he is still grieving the death of his friend.

Have Shinji only be escorted whilst tied to a stretcher despite him coming voluntarily.

Have Misato place Shinji in 24/7 solitary confinement in a cell rigged with explosives.

Have Misato tell the WILLE crew to shoot Shinji on sight if they think he's getting into an EVA.

Have people tell Shinji that he's being a brat the entire time for reacting badly to all this.

By having Misato, Asuka, WILLE reject and "punish" Shinji so harshly so it kicks off his isolation and desperation, it makes Shinji's "recovery" seem less believable. Anno himself didn't even know how to make Shinji recover psychologically in 3.0+1.0 and he actually had to ask the voice actors on how to make that happen. The story made the WILLE crew go full scorched-earth and in doing so made Shinji's "growth" and his reconciliation with Misato seem impossible.

I have already stated that I believe Q represents "Condemnation" and Shin represents "Compassion" and I think both films pull that off brilliantly. But that doesn't mean I think the characters acted in a realistic manner. I do not believe that Misato would have placed such harsh sanctions on Shinji in the first place for the reasons I have stated above. And if she did, I do not believe that Shinji would have easily forgiven Misato (even IF she took a bullet for him) as we see he does in the film. I do not believe that WILLE were merely "scared and desperate" because as the dialogue above shows, they are surprisingly understanding (but still disapproving) of Shinji's situation despite him literally starting another impact. I do not believe that Misato would have bent over to Sakura and Midori's resentment and taken measures against Shinji, just to ease their minds.

In summary, my main problem with the post-timeskip rebuilds is that I feel they gaslight the audience in thinking that Shinji was just being a "brat" the entire time by having Asuka and Mari say: "You have grown a little/You smell like an adult now." However, the truth is Shinji's been through so much mental suffering perpetrated by the people he cares about, that it's a miracle he's not killed himself. It would certainly break most of us on this forum. The movies seek to show Shinji "finally" taking responsibility when the truth is, the plot went so above and beyond putting him down in such an extreme manner in the first place.

#evangelion #nge #nte #rebuild of evangelion #evangelion 3.0 you can (not) redo #evangelion 3.33 #evangelion 3.0+1.0 #misato katsuragi #shinji ikari #asuka langley shikinami #mari makinami illustrious #ritsuko akagi #3+1 spoilers #spoilers

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yitan · 3 years

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Thoughts of Arcadia

Some base ground before I start:

- I have experience the emotional rollercoaster that is the Tales of Arcadia series from start to finish (three shows/six season + movie) in the literal timespan that is last week. - I have a lot of thoughts and emotions on this subject now, MANY more than I thought I would when I began S1E1. I will just find myself thinking on them. A lot. - This is not me sharing all my thoughts as many have not had enough time to brew in my head. This one however has sat in my mind the longest. - I don’t really know anywhere else I could express my thoughts on this. So congrats Tumblr.

ATTENTION! If you plan to watch this show or have not completed it do NOT read past this point. I am unpacking an emotional thought train and will be including spoilers to the series!

Okay I need to voice a piece about Troll Jim. I’ve had just about this full week to see this fandom and already am aware that is a divisive subject. I’m still going to keep speaking though.

Firstly, I do understand why Jim was returned to human at the end of Wizards - The writers for the movie had already decided most of the scene’s were going to be in the day, and can’t have the main character getting killed by the set. - They also wanted Jim’s narrative to be how powerless he is without the amulet, and that argument doesn’t hold as strong when characters as big as Aaarrrgghh can smack him around without him feeling anything and he is able to outpace a horse.

That said it felt wasted. Yes Jim personally shows more relief at being human, However. - All of Jim’s friends continued to love him after he turned into Troll Jim. Blinky, Aaarrrgghh, Toby, his mother Barbara. - Claire continues to love him and is even still willing to be affectionate in public with him in this new form. - The only person who doesn’t love the new Jim is Jim. And while yes he had a very forceful voice in Merlin pushing for his transformation, all Merlin did was put the potion in Jim’s hand. Jim made the bath and set up the potion and got into the bath all by himself.

It was stated by Aaron Waltke that Troll Jim can’t take his armor off because the armor knows he doesn’t feel safe and is trying to protect him. - Troll Jim fights Angor Rot & Gunmar in a two on one and walks away with a single scratch. His two biggest enemies prior to Morgana’s awakening - He does this while also internally fighting his own discomforts about himself - In the six to seven months in cannon that we see Troll Jim we never see him without the armor on. - In six to seven months this man never felt safe in his own skin

Imagine how powerful a Troll Jim who had learned to love himself would be.

Side bar: They could have been creative and respun a running gag in the series. -Barbara’s cooking is canonically terrible. -Troll Jim can’t enjoy the superb meals he is skilled at making. - But now his mom’s cooking tastes amazing! - We could have had home scene’s where their both in the kitchen, him cooking for her and her cooking for him. IT WOULD HAVE BEEN CUTE!

Now, don’t complain about a story beat if you can’t suggest an alternative. Here’s my thought on how the character could have been salvaged.

Merlin stated there was no way to undo the transformation. - However Wizards takes effort to explain the Merlin doesn’t trust shadow magic and thus does not know a great deal about it. - Claire saves Jim at the end of Wizards from being turned to stone and is a user of shadow magic. -We also have it confirmed in lore that Morgana used shadow magic to make the first changelings. As well that her changelings did not require an infant familiar. -That is something Gunmar had to do after she was sealed away. Since he did not have her level of power.

Both sides of the which Jim discussion could have won with the simple introduction of Changeling Jim. Literally just regular Jim and Half-Troll Jim but he can now switch between them at will. - Changelings can eat normal food, like Jim misses. - They can blend into society, so Jim can live his life again. -They do not share the troll weakness to sunlight. Even though Nomura(the writers) somehow forgot that in the movie. -Also it is shown that they don’t live forever, the oldest confirmed changeling we have is estimated at 125 years old. -I’m willing to bet that while they can outlive an average human, it’s not by much. I’m basing this on the fact that everyone is cool with Barbara’s and Walt’s relationship and doesn’t ask questions.

Now this still allows Jim to get back the things he missed the most and keeps the character development of his transformation. Win-win, really.

Moving forward this also allows the plot continue without any major changes. While still improving on it. - Jim can still go through an arc of self doubt. - Not because he’s powerless with out the amulet, but because he’s not longer sure if the amulet would chose him anymore. - According to Aaron Waltke, in lore the amulet would never chose a changeling because they are stereotyped as being two-faced. - Jim gets the new amulet and it doesn’t work, so now he thinks he’s unworthy. - Once the Excalibur stone is placed in the amulet it works again proving that Jim is The Troll Hunter regardless of the changes he’s gone through. - It gives a spin on Jim’s continued arc without having to literally set him back in character development.

Jim is an amazing character, and I loved watching him grow through this series. Troll Jim is a wonderful element to that, both narratively and visually. I want to see this series continue past the movie and maybe possibly reexamine the plots like this which felt like they were cut off more for time than resolution.

I clicked that first episode because I was feeling depressed among other things, and was not prepared for how invested I was going to get in this series. I’m here now and I want to see more. If your here, thank you for hearing my thoughts. It feels good to verbalize the things this series has made me feel.

#tales of arcadia #trollhunters #wizards #ToA #RotT #rise of the titans #jim lake jr #Troll Jim #Changeling #toa wizards #toa trollhunters #Troll #aaron waltke

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shiny-procrastinates · 3 years

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(re)Watching Magia Record S1 - part 13

part 12 here

Hello and welcome everyone to the last post in this series. Most people probably would watch this ep right after the other one and there's much to be written, so let's skip the recap and get right to it.

Puella Magi Madoka Magica Side Story: Magia Record S1 episode 13

This show in a nutshell.

Really though, poor Iroha. She only came to this town to look for her sister and now she's learnt a cruel secret and is being urged to join a cult. Talk about someone who must have no idea what's going on anymore.

Back in reality, Yachiyo has finally caught up. She tries to stop Mifuyu from showing them the truth, but I'd say it's too late now. Also, Mifuyu's sure being a jerk today. You don't get to blame Yachiyo for letting them come when you're the one who made sure this would happen!

Yachiyo gets upset, and Mifuyu disappears. Iroha wakes up with Yachiyo cleaning her Soul Gem and Yachiyo says this but, nah Yachiyo, they'd have to learn this sooner or later and you don't seem like you'd ever tell them.

Iroha and Yachiyo start making their way out of Memory Museum. Tsuruno and the others were with Iroha when they went down but now they're nowhere to be found. Wait, does that mean we don't get to see their reactions to learning the truth? What a let down.

On this topic, Iroha's also pretty calm despite everything, which is probably part because realization hasn't settled in yet, part because she's occupied worrying about her team... but maybe also in part because Iroha has a wish she can’t regret, so she just doesn't care about the price as much as others. Doesn't she look like this kind of character? "I don't care what price I have to pay if that means I'll save them"-like.

Oh.

Hey Yachiyo 1: that was really outta nowhere; 2: that's not very nice of you, jumping ship just as things have hit rock-bottom. What the hell

Iroha, of course, is as shocked as we are (we are?). Sure Yachiyo had been acting strange since yesterday but this is a bit much. You can't just decide this on your own when 3/5 of the team is MiA

Iroha follows after Yachiyo, pressing her for an explanation, but Yachiyo refuses to give one.

Iroha's understandably upset at Yachiyo's attitude and asserts she refuses to leave Yachiyo's side if she won't give her a convincing reason to. And really, she has all the reasons to lose her cool here: one of her best friends is leading a cult, she's destined to a fate worse than death, half her team is missing and now the last one wants out for absolutely no discernible reason besides because she wants to. Even a saint has their limits.

Also, like, Mikazuki Team is like family to her, Yachiyo can't just decide to destroy her home with no explanation like this

Hearing what Iroha said, maybe Yachiyo realized she wouldn't get Iroha off her tail without saying anything, so she reveals her reason for wanting to disband the team. Yachiyo says that her wish was to survive. However, the way it worked was that she sacrificed others for her own survival. So she thinks Iroha and co. will die if they stay with her.

Even hearing this, Iroha's not convinced. Could such a wish really exist?

So yeah, Yachiyo was having a little crisis there and ended up being eaten by the Rumor(?). Thankfully, Iroha could still see her signal on the Soul Gem GPS, so the girl firms her determination to save her.

While Iroha's doing that, Yachiyo's having a lecture by herself to herself inside the Rumor. Quite the novel way to do introspection, if I do say so myself.

Here, we learn that Yachiyo originally wished to survive in the modelling world (we're never directly told that she's a model but there's lots of visual cues to it throughout the series). She did it because she thought she had to be a strong leader to protect her companions. She didn't want to survive at their expanse; so, uhhh...

She isn't then. Wishes in this series come true in the exact way the Magical Girl wants it to, so Yachiyo's wish can't be killing anyone if that's not what she wanted. She's misunderstanding.

...I wish they'd have put Kanae and Mel's last words in the actual scene they belong to rather than just a still, since they're literally one of the main reasons Yachiyo even reached the conclusion that their deaths were caused by her.

Iroha has learned "hold B to charge".

So, yeah, Iroha must've had a training arc off-screen because even though she's only been shown sucking at battles the whole series, she's now suddenly strong enough to defeat a Rumor on her own. Or maybe she just wanted to save her wife Yachiyo that much.

Iroha defeats the Rumor of Memory Museum (the place's an actual building, if a weird one, so that stays), hugs Yachiyo and is about to literally drag her by the hand to go search for the others, but Yachiyo's still reluctant. Iroha then tells her that Yachiyo and the others are the one who made her this strong, so she'll prove to her that her wish isn't what she thinks it is.

Don't jinx yourself, idiot! Thank god you've got protagonist plot armor.

Now, if only years of survivor's guilt could be cured this easily in real life too.

Yachiyo finally calls Iroha by her first name, accepting Iroha's promise.

The museum starts falling apart, probably thanks to the damage it received when Iroha was fighting the Rumor, so Iroha and Yachiyo have no choice but to leave the place now, even though they haven't found the others yet.

Iroha barely dodges some debris, stumbling, so Yachiyo carries her instead. Iroha's Soul Gem has been drained from fighting the Rumor, so she's having a hard time moving already. Doppels may be a thing, but there's no guarantee that they're safe, so Yachiyo's call of going to the Coordinator's to get a Grief Seed is probably correct.

As Iroha's situation worsens, Yachiyo follows Chibi Kyuubei until almost the entrance. Then, she meets with someone we know very well.

Mami says something about a gospel, and Yachiyo asserts that she and Iroha have no intention of joining the cult.

Which makes Mami snap. This girl is clearly not on her right mind. In fact, one could say she lost her head (ba-dum-tss).

Mami and Yachiyo start fighting, and I guess as expected of a veteran of 7 years, we have to commend Yachiyo here on meeting Mami's blows while carrying Iroha on her back. Yachiyo pleads with Mami to hear them out but Touka, the brat who was just watching the battle, tells Mami she doesn't have to, and Mami just keeps on her offensive.

Of course, there's only so much Yachiyo could do handicapped. But today is not the day Yachiyo's getting a bullet to her head, because

A certain someone who really likes impromptu hydrant smoke bombs is here.

Sayaka! Nice save, shining cape hero of justice! You have no idea who exactly you're calling weak tho

Seeing Sayaka, it looked like Mami had went back to normal for a moment, but nope, she's still borked. Like in all timelines where she learns it, seems like Mami didn't take the truth well here either. The difference is that she can't witch out in Kamihama so something happened instead.

Mami keeps monologuing, with Sayaka of course not understanding a single thing she's saying. Then, Mami starts to doppel out. The girl has seriously lost her mind and is now obsessed with salvation. (and man 10/10 on the VA’s voice acting here)

And here comes the bullet hell! This is so overkill Mami

Sayaka and Yachiyo do their best to deflect the rain of bullets, with Yachiyo turning back and trying to compete in number of spears. Jesus, just how big exactly is the amount of magic a veteran magical girl has? This is insane!

Yachiyo tries to send a stream of spears, who are deflected with one Tiro Finale, with another one headed their way right after

Sayaka blocks the Tiro Finale with her sword. The shot is so powerful one of her arms is torn off AND SHE ATTACHES IT BACK MID-AIR

holy-moly!

Hope this museum has insurance.

Sayaka just barely manages to reflect that bomb, which saves them from being blown to smithereens. Touka was having a nice tea time watching the spectacle, but then realizes she had something else to attend to so she exits, leaving the stage to Mami, who resumes her bullet hell.

Sayaka uses Yachiyo's spears as a platform to get closer and attempts to grab Mami, to no avail. She falls down and tries to take cover, but Mami's bullets are now homing bullets apparently, because they just change direction and start raining in her direction again.

Down below where Yachiyo's hiding, Iroha manages to wake back up, but she looks, like, on the verge of dying or something. Iroha tells Yachiyo they have to help Sayaka and Yachiyo rebukes there's no way they could win, to which Iroha subtly implies she wants to use her doppel, assuring Yachiyo it'll be okay and raising yet another flag.

Mami finally corners Sayaka, but before Sayaka can become blue Swiss cheese, Iroha comes in with her doppel to cover her. Very convenient that she suddenly knows how to control it.

Aaand Yachiyo can do that too, because of course she does, why wouldn't she. (/sarcasm)

But, uhhh, hers is considerably more creepy, what with the extra arms and stuff. Yikes.

Yachiyo says that doppels are dangerous, but one has to wonder when and how did she even learn about them. After all, she did seem surprised when Iroha did not turn into a witch in Seance Shrine.

While that's going on Touka's just out here deciding by herself that Mami would want to die for the sake of salvation. Just, uh, I don't think you can judge that when she's gone nuts, and you're a jerk if you put her in that scenario expecting her to die. Not that anyone had any doubts you're a jerk, mind you.

Also, what does she mean with Mami helping with developing Rumors?

"hey Kyuubei, I don't want to be meguka anymore, can I retire?"

Even using their doppels, Iroha and Yachiyo are not managing to make even a dent in Holy Mami. Iroha ends up getting bashed into a wall, the doppel taking over for real and her becoming a sitting duck for Mami, but Yachiyo yeets Mami before she can shoot. I'm sure this wasn't supposed to be funny but there's just something hilarious to me about Yachiyo just yeeting Holy Mami and her bouncing away.

Yachiyo transforms and shakes Iroha back to reality.

Again, why the heck do you know this, Yachiyo.

Iroha raises yet another flag for herself. What next? Are you going to say you want to marry her when you two go back?

Somewhere else, Touka arrives on her appointment: a speech for the cult. And oh my hell just look at how many magical girls there is! The amount of Black Feathers always blows me away, since the impression I got from og and even the spin offs is that, sure, there are some groups of magical girls around like the Holy Quintet and the Pleiades, but I still though it was more of a rare thing. It's shocking to see THIS many in the same place. (...I suppose the game needed the cannon fodder :x)

HEY what are these two doing here?!

Touka continues her speech over Iroha and Yachiyo's battle.

This cult leader here continues her discourse, preaching about how the power to wish for something is what advanced civilization, so magical girls, who have the power to make a wish reality, are better than normal humans, and so are deserving of being released from their fate.

OH NO, TSURUNO HAS GONE WEIRD TOO

*bonk*

There goes Holy Mami down the collapsing museum.

It's not like Touka's completely wrong (except for saying that magical girls are superior), but if it wasn't clear enough already, their actual actions makes her speech be full of hypocrisy.

Back at the crumbling Memory Museum, Iroha has managed to jinx herself so hard throughout this episode she pierced her own protagonist plot armor. Great job!

Try as she might, Yachiyo just cannot pull her back up, which also makes no sense when you consider how strong magical girls are, but alas.

And to make things worse, Mami is also pulling a literal "you're going down with me", so Iroha, making a split second decision, pulls her hand away from Yachiyo's grasp, lest both of them fall and get buried... breaking the one promise she made probably not even a hour ago.

I think that last thing she said was "sorry", but don't quote me on that.

What a loyal Mokyu. Never mind that if they can turn into water they probably can't die from this.

Yachiyo's about to follow her fate too, but thankfully Sayaka comes in for the save, only giving a brief glance to where Mami disappeared before getting the heck out of there.

Well, people promise lots of things, Yachiyo.

OH I KNOW YOU, what was your name again? It's been so long I forgot.

Back at the The Wings of the Magius' HQ, Touka's done with her speech. The way the anime cuts from Yachiyo falling to the depths of despair to the cult clapping is just *chef's kiss*

Oh no Felicia and Sana also joined the cult :(

EXCUSE ME, WHAT

oh frick we'll have to deal with that too!? Aren't things already effed up enough as is!?

...being meguka is suffering.

Also the song playing over this last sequence, Nigredo, is a real banger. Momentarily filling in that hole Kalafina left in our hearts.

After the end credits there's the teaser for season 2, with lots of overlapping lines and blink-and-you-miss-it frames hinting at the things that'll happen. I'd have to screenshot basically the whole sequence to get everything and season 2 is coming out like, today, so I'm not even gonna bother.

- x -

Aaand that's it folks! Puella Magia Madoka Magica Side Story: Magia Record Season 1! (still a mouthful)

I cannot express just how hyped I was by the end of this episode back when it aired. Did you get fired up watching it too? I was so into it back then I just couldn't stop theorizing for like, over a month, so eventually the curiosity was just too much and I caved in and watched the game.

On that matter, ironically, despite me loving the game story to bits, this is the ONE episode that makes me wish I didn't go and watch the game. Why? Because I liked this episode well enough before, but now I just can't get over how stupidly better the resolution to Yachiyo's arc was done in the game. I get runtime constraints and all, but it's almost an offense to her character having her believe in Iroha right away just because Iroha said she wouldn't die. Aaaaghh what the heck, I don't know how they could have done this better with the time on the episode but this wasn't it. I'll be eternally salty we got robbed of the full extent of alpha Iroha, too.

So yeah, I do apologize if this post sounded more salty and sarcastic than usual.

One thing I realized re-watching this though is that the reason this episode is so awkward with that character part is exactly because they halfheartedly tried to stick to the game. Yachiyo bringing back her "it's none of your account" and Iroha defeating the Rumor on her own were part of the game, but because they hadn't kept those character traits throughout the anime it falls flat here, because anime Yachiyo didn't use that almost as a catchphrase, and anime Iroha is never shown to be competent enough to take on a Rumor on her own (the opposite, in fact), so those come out of nowhere. Even last episode, Yachiyo 180ing because of what Mifuyu said comes out of the blue in the anime, because we're missing the context that she actually went back to behaving like she used to when she first disbanded her team, and anime Yachiyo didn't have the hold-up with the word "friends", at least not as clearly. On the other hand, Yachiyo being willing to accept Iroha's words right away does fit in with anime Yachiyo, who was always more soft than game version, but here it becomes awkward because they had had her acting like her game counterpart since last episode and then suddenly she snaps back to the anime self again.

What I'm trying to say here is that they should've changed this scene even more to fit the actual characters anime Iroha and Yachiyo are, rather than halfheartedly trying to force it to go the same way as in the game. That's what I think.

Besides that, Tsuruno and co.'s reaction to the truth was cut out, but I'm sure we'll get around to seeing that next season. Holy Mami's fight is cool but... I dunno. Except Sayaka reflecting that Tiro Finale, it felt really uninspired. It could've been shorter if that meant giving more time to the story, imo

Now for things I REALLY like in this episode, there's the whole sequence with Touka's speech. You might've even guessed this considering I said the dream sequence way back in episode 1 is my favorite ever. IT'S JUST SO GOOD. The constrast between Touka delivering this super charismatic discourse about magical girls, the saint of her cause being lunatic and their actions being just the opposite of the noble cause she says they're preaching is marvelous. They even manage to use this time to reveal that KaMoRe and Tsuruno and co. are on the cult. Really, really well done.

This ending tho. Iroha disappearing is the biggest anime original thing to happen besides Kuroe, so that's got me curious to see what they'll do with this. I love the game, so I have complicated feelings about the anime diverging from it, but I can't deny it's exciting to think about what they'll change up. Ultimately, it's more likely that they're just rearranging some stuff to make the progress more straightforward, but it'd be really cool if it went full anime original too. Just I'm not sure on the odds for that.

I'm sure they'll keep us on the suspense until the very last moment possible but I'm sure Iroha's not actually dead. Looking at a meta sense, there's no way they'd kill a main character off-screen. Storywise, it'd be hard to move Ui's mystery forward without the one person who remembers her and they're not just going to drop this plot, and also for Iroha to be dead Holy Mami would also need to be dead and we can't have that because they haven't even went into what's wrong with her yet. So yeah. I'll believe it when I see it. Would it be absolutely crazy if they did? Yeah, but it ain't gonna happen. (please don't make me have to bite my tongue show)

Whew, this post is long af. I didn't plan for this. I don't feel like writing a season impression because all of s1 was mostly set up for what's to come, so I can't say if it was good or bad until the series is over. Originally, I'd planned to put up another post with my theories for s2, but considering that comes out today I'm not sure there's even a point to doing it anymore lol

In any case, I hope I could provide you some fun with these posts! Being honest, the reason I decided to write this was because I've always liked to hear people's opinions on the shows I like, but I don't really have people to watch things with me, so I just read reddit and stuff. Doing that, when I was watching Symphogear s1 some years back, I stumbled across these posts of someone watching it for the first time and had a blast reading those as I watched. So I wanted to provide someone with that experience too. I'll never reach the comedic genius that person had, but I can at least keep you company while you watch :)

...these are also super useful to check back on the order of events too :v

So yeah, writing these was fun, though there were lots of parts where I really went out of ideas of what to say; it forced me to actually sit down and rewatch (or else I'd procrastinate) and made me pick up on a lot of things. That's a plus in my book.

Now that we are done with this, I hope you are as excited for season 2 as I am! I'm not sure if I'll keep writing about it here, so yeah. Whether we ever meet again or not, remember:

Don't ever make a contract with a white weasel.

#Magia Record #magireco #pmmm magia record #puella magi madoka magica side story #this post is super late #it's 7 in the morning #and I haven't slept help

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popculturebuffet · 4 years

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Ducktales Reviews: Escape from the Impossibin! or A Dark Night of the Soul

It’s a long dark night of the soul for everyone’s favorite family of ducks as our beloved family grapples with the revelations of last episodes. While Scrooge clearly smarts from the betrayal he pits his latest security system against Della and Louie, given the title it naturally goes wrong and forces all three to try to escape. Meanwhile Beakly sics Webby on Huey and Dewey, and Dewey gets a cool new sword he can’t use while Huey has a slow burn mental breakdown.. again. Someone get my poor boy some therapy. Suprises, Also an exaustingly deep dive into the life of Bentina Beakly. Disguises but sadly not pies of all sizes insue under the cut.

Well.. this one was fantastic. Obviously i’ll explain why as we go but holy shit I was not expecting a master class of an episode just one week after the already great Let’s Get Dangerous. And yes I had my complaints there but none of them, especially on the second watch, really detracted from what was honesty an amazing episode. And after slogging through “Catch as Cash Can” over the past few days, this was a welcome return to the version of the duck family I love best and a crisp reminder of why this series is so frigging amazing. I may criticize, i’m a critic comes with the territory, but I genuinely and wholly love this show, and this episode is encapsulates why. So enough lollygagging, let’s dew it to it!

We open with one of those scenes where two characters give a similar speech and it flashes back between both as they finish each other’s sentences. It’s a storytelling choice I never realized I always loved as it’s always a good way to amp up tension or comedy. It’s a good way to start. At the Mansion, Beakly is lecturing Donald, Huey and Dewey, because both families likely talked Launchpad into just sharing different days with each of them after the first inevitable sleep driving car crash so he’s with his boyfriend and child right now. It’s also really nice to both have almost the entire main cast given something to do for an episode AND have the one missing member have a thoroughly valid reason for not being there that was set up last week. It’s also really nice to see Donald and Della again. While it’s only been two weeks, both have only featured in one episode this block so far, and Della’s been kind of pushed to the side this season.. not unfairly mind as she was the focus for two solo episodes and a ton of episodes last season for obvious reasons but it dosen’t mean I can’t miss my disaster twins when they aren’t around. So anyways back on the episode, Beakly is naturally assuming theirs more traitors in their midst, and she and webby have narrowed it down.. this dosen’t really come up aside for a gag in a second for the rest of the episode, but is both funny and two of them are clearly setup for later. Have a look

My thoughts in order:

Little Bulb: He probably IS plotting to betray them, but for entirely unrelated reasons. Donald: .........................................................................................................

Look I get it on some level, as he was away from the family a long time, hated Scrooge, and had every reason to betray him. BUT, and it’s a bit but, besides the obvious of Bradford and his goons being the reason they gave up looking for his sister, if for good reason, Donald would’ve TOLD them all about that by now if he’d been spying, or if he’d had any dealings with the man. The man loves his family, uncle included, more than anyone and even at their lowest point I doubt he’d sell the man out for the boys sake unless FOWL threatened them. Donald is principaled, hardworking, loving, and has both dove directly into a nest of shadows and sent himself hurtling to earth in a possibly lethal rocket to protect this family, so even if this is a funny gag, it does bother me Beakly and ESPECIALLY Webby, his surrogate niece, would even consider this. That being said while I felt the need to rant because he’s my boy and I feel protective of him, it was damn funy as Donald naturally tries to wipe it off because.. yeah everything above, only to get caught in the flipping board and ending up as above with Beakly forced to admit it’s probably not him. Plus yeah.. he’s also way too clumsy and anger prone for wetwork so there’s also that.

Fenton: I’m TEMPTED to use the trunks picture twice in a row but besides that being obnoxious.. I get it MORE here. Donald has no motive anymore, would’ve told them by now if he had when he did, and has broken his back for all of them at one time or another. Probably literally in some cases. Fenton is sweet, loyal and another one of my boys.. but his obviousness has left him open to deception in three different episodes, not counting the tolkyolk one since that wasn’t BOYD”S choice: But he put blueprints out online for a mcduck industries project, got his armor taken by beaks luring him in to work for him, and had Gandra working for Beaks snuck into his lab.. and probably in the process also got any info on it Bradford couldn’t get through company files. He’s a good man, a kind man but he could easily be a leak without realizing it and also has a mother at home and could be threatened into doing stuff for them for her saftey.. and yes I know she can take care of herself but we’re talking a regular cop against secret agents who aren’t above murdering one. He might panic even if rationally he knows she’s fine.. or they could do the inverse and use her to get secrets from him since she’s a mother and Gandra could probably easily hack fenton’s armor, since Bradford probably has the full blueprints at this point. The point is while I don’t see him betraying them WILLINGLY, I get him being a possible leak. Donald could be, but again is too obvious and likely reguarly checked for bugs anyway long before fowl, as is Launchpad I assume.

Bluescreen Beagle: I don’t know this dude, but I’m betting he’ll be important soon enough since they brought him up at all and he is a beagle working for Scrooge so that alone is interesting.

Louie: Yeah unlike my boys I have no excuses for him here. While Louie is family, and has proven his own loyalty plenty... he’s also selfish, greedy and shortsighted so like Fenton he could be an easy accidental pawn at best or turn on them for money or an adventure free life at worst. I don’t think he would mind, i’m just more understanding of this given just last episode his response to a clearly suspicious thing making machine was to ignore any suspicion entirely and whine about it while Huey looking into it ended up saving the universe. He also nearly killed them all last season, so fair enough.

So yeah Beakly is going to train them to

WHich the boys are all for while Donald gets all spinny eyed ont he floor. Cue credits... though obviously we have to cover the scrooge side of things too...

Meanwhile at the bin, Scrooge has brought Louie and Della there because there the sharpest mind he knows, and their seeing all the angles means their the perfect test subjects for his new post-deeply cutting betrayal security system. He also obviously goes off on an alteration filled rant at Bradford that has to be cut before he can get to calling him shiteating. And given he’s a buzzard that’s probably not inaccurate. Point is they are genuinely the best ones for the job and both agree.. Louie’s not really enthuastic about any of this but hey it’s their money this is guarding so why not. So with that done since we have two full plots to deal with and they don’t intersect until the last few minutes, like with Forbidden Fountain of the Foreverglades, i’m going to be splitting this one and covering each bit separately since it’s also easier for me to recall and recap that way.

Beakly, Brah, Making Kids (and herself) Cry, Brah!:

A can of coke to whoever figures out that reference first. Or a free review comisson shipping Coke is expensive you know? But yeah as you can tell this bit is not going to go well for any of the kids, or the beakly or my heart. So this plot continues at breakfast, where Huey is meticulously going over both his guidebook and Finch’s Journal to see if there’s ANY signs of F.O.W.L. their connection anything.. it’s also very clear he’s panicking. Given his enitre life is built on logic and he’s now facing a threat he probably feels he SHOULD have seen coming.. I mean they clearly have access to the Missing Mysteries, there must be SOME tie to them SOMEHOW. He, in my opinon at least, feels blindsighted and scared, going up against a group using his own love of logic that blindsighted all of them INCLUDING Scrooge, the most clever and daring adventuerer of all time and Beakly, who was likely responsible for seemingly wiping out F.O.W.L. in the first place. If THEY can be blindsighted, what hope does he have? So he’s searching for it in his comfort texts, kind of like I did at his age: when theirs a crisis trying desperatley to solve it even if you really can’t, which he cannot, at leats not alone. Dewey of course being Dewey, has decided the solution is to get a massive sword he can’t lift and hit people with it and mock Huey for his reading. Huey gets what’s clearly the start of his episode long emotional breakdown, the worst he’s had of SEVERAL this series and over the biggest stakes thus far, seriously get this boy some therapy, while Dewey just thinks the key to beating their worst menace yet is a giant sword to hit things with. He does break a pot with it in an accidental spin attack in a later scene though so I do apricate that reference.

But when opening the serving tray they find an attacking Webby instead with Beakly explaining why she’s doing this to her surrogate brothers: Beakly is testing them by having Webby sneak attack them at some point and the’ll never know when, while Beakly herself works with Donald to secure the house.. sadly we don’t get to see any of that latter part, as it’s probably full of hilarious slapstick, but it’d also clash heavily with the rest of this plot which, while not lacking in jokes, is meant to be uncomfortable and have us on edge like the boys, so fair enough. Webby “Bringer of Death” hugs htem saying this is going to be fun.

Naturally it really REALLY isn’t as Huey is still very shaken by this. And it cleverly ties into what’s been shown from day one and especially this season to be his greatest weakness, and very likely the crux of his character arc: Huey can’t improvise. It’s a nice contrast to Louie last season: Louie’s very talent is thinking on his feet, seeing every angle and making them bend the way he wants. I’ts how he schemes as well as he does, how he fits into the family and what makes him himself. What he needed was to think of others and think through the consequences of his actions. That’s what he gained from his arc last season: perspective, the ablility to improvise while also not shooting himself in the foot for later and to have empathy for people. Huey is the oppoisite: Instead his ablility to think IS his skill. He’s a genuis, able to understand super science on the level of fully grown adult genuises, able to puzzle through confounding mysteries, to solve any problem. He and huey both are gifted with anyalsis, but Louie sees the small picture, the people, the moving parts at the moment, while Huey sees the big picture and how everything connects to lead to one thing and loves learning more and more. I REALLY relate to him that way. But this season has brillinatly drilled in where he needs to improve: He’s not ready for suprises or deviations from his plans or all the things that could go wrong. He can’t improvise, he just panics. It’s something again I relate to and something that each of his episodes has set up leading to this moment hammering it home and me realizing what his arc was:

Challenge of the Senior-Junior Woodchucks had Huey utterly lost without his Guide Book for a while and unprepared for a sudden challenge in Violet. Quack Pack had him unravel when he couldn’t figure out what was wrong with the world, yet he was perfectly fine once he knew what was going on, Astro B.O.Y.D. was entirely about his intellgence and need for structure leaves him bullied and alone a lot of the time even among in his element with the woodchucks and how he finds friendship in someone like himself who gets him. Rumble for Ragnarok showed that while he can comment find for sports like golf where there’s rigid structure, rules and history, he fails as bad as Launchpad at calling wrestling because wrestling is just as much about sponteaniety as planning, with run ins, reff discrations and other chaos being part and parcel and even in real life matches often have to be changed on the fly due to injuries or someone simply coming up with a better finish at the last minute. At the same time the season’s shown how it is vital to him, as the next two, The trickening and forbidden fountain showed WHY his structure works and that it can in the right format, and that he usually has reason for it. And the final one showed that too, with him being the one to find out what Bulba’s up to simply by research, and while he didn’t stop it, his pulling at the threads of why Bradford was there and his hate of them forced FOWL out into the open which, while now putting him on edge, forced their enmies into the open where while their more dangerous, they can now at least strike back. Huey’s arc is , hopefully if i’m right about this, about him having to learn to use his strengths with his weakneses, much like Louie last season: To adpat, to grow while not forgetting who he is and that not everything can be put in a box, as the creators put their interpretation of him. Not everything can be quanitfied or planned for and sometimes you just have to try and hope for hte best. It’s a damn compelling arc, my relating to it helps of course but it paints Huey as a fascinating character and tying it heavily into the main plot fixes how Louie was largely removed from the moonlander plot aside from one episode, as was glomgold’s quest. While the season has three main plots: A focus on Huey, the missing mysteries and FOWL, all three intertwine perfectly and are interconnected. The creators learned well from where they slipped up last time and the result is phenomenal, and they’ve clearly proven this is Huey’s season afterall: Even when he’s not been the a-plot who huey is, how he functions and being forced to grapple with the downsides of it are front and center and I am here for it.

But yeah he’s breaking down, not helped by trying to go to beakly only to find out about the hidden bin and Dewey tries to help him calm down.. only for Dewey to walk in and unsuprsingly the one who can actually offer deep encouraging support was Webby who threatens this isn’t the attack. Nor is her dummy she leaves for them. The boys are left terrified hoping they won’t be attacked and holding Dewey’s sword, but Huey ends up convinced it’s just a test and that it’s the classic paranoia gambit: by telling them something will attack, the real lesson is to be prepared. But Nerp, Webby attacks them with arrows and easily snares Dewey while Huey has a panic attack that’s genuinely hard to watch as he ends up running into the wall and breaking his ankle. This very real pain along with his clear trauma when he flinches at her genuinely trying to help him snap Webby out of it: She realizes she’s gone way too far and utterly terrified her own brothers, sending one into a full on mental breakdown, just to prepare them. Up till now it was probably normal for Webby: Beakly trained her rigorously, if understandably, kept her from the world, probably did this to her, and Webby just thought it was normal and it made her what she is. But it also came at the cost of any normalcy. To me Webby’s always been like a lighter, since she can at least speak, has toys and Beakly you know treats her like a human being rather than a weapon, of the second Batgirl, Cassandra Cain. Cassandra was raised from birth as an experiment to make the ultimate weapon, someone who rather than speak spoke in phsyical motion and could kill effortlessly.. but actually doing so shocked her and she escaped and Bruce took her in. Cass is as badass as Batman at a fraction of the age but dosen’t understand simple life things and can’t speak. Hence the parallel: While Beakly isn’t a monster like David Cain, she still took a small child and turned them into a weapon strugging to adapt to society, and only isn’t a monster because as said she clearly cares about webby and dosen’t want to loose her like she lost her child and in-law to whatever presumibly fowl related nightmare took them from her and left Webby an Orphan. What i’m getting at with this is this feels like Webby realizing while this is her normal.. the boys can’t take it with Dewey terrified and again, Huey nearly broken by all of this and whimpering in a corner. This isn’t bonding between master and student, grandmother and granddaughter, partners in fighting.. this is just .. wrong. So when Beakly, not noticing how badly she’s damaged either boy, demands Webby continue attacking them, Webby refuses, stands firm.. and prepares to take on the person she loves most in the world, yes more than Lena she’s only 12 for christ’s sake, and Beakly gladly accepts. Webby’s training is in session. When we next see them the fight is in full force, and it is awesome to see. After 3 seasons we not only see Beakly’s darkest aspects come out we see her granddaughter in the path. Though at first it seems like what their training sessions normally are, a friendly if lively and full force spar between two trusting combatants. But it becomes clear over the fight from Webby’s reaction that Beakly is going harder than usual, and doesn’t stop when asked. Thankfully her kind gesture paid off as Huey and Dewey whisk her up to the attic. Webby is genuinely SCARED, never having seen her like this but also worried for her: Acting like a monster or not.. Beakly is still her granny and it’s clear FOWL coming back has rattled her. The fist through the attick doors, barred with the sword proves that. The kids head up to the roof with Beakly in persuit like some sort of slasher villian, again fist through a door, determined to still fight while Webby clearly just wants this to stop and so does the audience. This hurts.. intentionally so but I haven’t been cut this deep by two family members literally coming to blows since Amethyst fought Pearl in the first season of steven universe. It’s tough to watch but in a very good way. The boys break up the tension for half a second by rushing her and she just tosses them aside... where their caught by Donald, who didn’t realize ANY of this was going on and is rigthfully pissed.. though dosen’t do the angry dance thing because then he’d kill his children but he’s sure thinking it loud enough.

As Webby reluctantly readies for round 2, Donald calls at her to fucking stop already. While she counters with they have to be ready, which is true... Donald shuts her down. “Not like this”. She’s broken Huey and Webby and Dewey.. is traumatized but fine but this episode really isn’t about him. What it is about is Bentina Beakly and her Dark Night of the soul. I brought up the term for dumb reasons admitely: Because it sounded neat and because Douglas Adams had spoofed it with the dirk gently novel “Dark Tea-Time of the Soul” a title that’s stuck with me and a book I own and still need to read. But I looked it up to make sure I wasn’t badly misusing it and it turned out to fit this episode: A Dark Night of the Soul, as defined by spirtual guru and thankfuly not scumbag Eckheart Tolle whose article explained the old expression better than wikipedia could. While he naturally pitches his book there, it was still helpful so thanks man for your spirtual advice helping me analyize ducks. I owe you one.

The Dark Night of the Soul is essentially a person coming to their lowest point after having lost themselves or feeling lost, rattled by one event and awakening with a new sense of spirtual purpose and a new direction and a sense of self again after it. Having everything you know upended and coming out the other side with a new self, usually in a religious sense. And it works here because really that’s what Huey, Beakly, Scrooge and to a Degree webby face here. Louie, Della, Dewey and Donald are all fine in the face of FOWl and it makes sense: Louie and Donald are often outside the adventure bubble in terms of enjoying it, seeing it’s dangers to them and in Donald’s case his kids, Webby included, and how much chaos it is. Both have accepted it as part of their lives so while this escalates things, both just see it as just more of the peril and chaos that’s a daily part of their lives. Dewey and Della being thrillseekers and loving a good challenge simply see this as taking on an epic challenge: fighting the worst villians of the world off and having a daring story to tell. Webby similarly isn’t that effected at first because she sees it the same way likely and only starts to get bothered by it when it starts tearing her family, the thing most precious to her, apart over it.

But for the other three it makes sense. Obviously we’ll come back to Scrooge during his part of the episode. But for Huey as we’ve seen this upends his world. There was a massive deadly secret just beneath him, an unknown beyond all unknowns, and it rattled him.. and having his own sister constantly terrorize him just made it worse. For Huey without consitencey his life falls apart as those prevoius episodes highlhted.l He can prepare for anything.. but he has to know it’s coming and having a villian group who strikes from the shadows is his worst fears manifest and preparing for that naturally breaks the poor boy. He gets through it though, as once it’s on someone else, his fear falls away and as we saw his focus is entirely on helping webby: Not on himself, not on the risk but on protecting his sister. It shows that Huey has the potenital for instinct, as seen with the woodchuck and wrestling episodes too, he just needs to get out of his own head and let it work with his gut instead of trying desperately to use only his head.

For Beakly though it’s far worse... and really gets to the core of who she is in this series. She was, and probably still is, a Secret Agent, who fought long and hard to utterly destroy FOWL, at the cost of everything else, constnatly having to keep her guard up with spies all around her and with Scrooge apparently being the only friend from those days who lasted the whole time. SHe probably lost countless partners in both sense of the word, time and youth she’ll never get back and everything she had to stop them. She gave S.H.U.S.H. everything as far as I can tell. And then she got her reward. FOWL was gone, she had a child, and possibly had a loving partner, provided they didn’t either leave her pregannt and alone or just grow apart from her eventually we don’t know at this point and i’m just spitballing. Point is she had a child, she had a happy ending.. except clearly.. she did not. According to the website, and it’s probably still accurate, Beakly was living in seclusion following her retirement, likely to keep anyone from harming her child.. but also because with her partner possibly gone, she had almost NOTHING left. A child that either kept her at arms length or she kept at arms length to keep their family safe, an old friend who was busy as is, and a safe world.. that’s all she had. Just her and alone. And that’s been clearly shown as Beakly’s biggest issue as we see: She has trouble letting others, even webby at times given how she lied at her, in and given all she’s lost it’s hard not to see why. After a life time of probably watching cold blooded killers kill people she loved and having people betray her and loosing the father of her child possibly, again it’s vauge, no wonder she is the way she is. And then it somehow gets worse and better: She looses her child, one of the three people she has left in the world.. yet she finds herself in charge of Webby. And with that.. she has a purpose again, to protect this child. This baby girl who needed her more than anything. So she did.. a little too well as discussed. To quote the excellent song “Dark, Sad, Lonely, Knight” from the musical “Holy Musical B@tman!” which yes really exists:

“I remember that horrible night that night you were split in two, and I swore I’d protect you. So I built a wall all around you, but the wall was too tall, it blocked out all the birds and the sun. I tried to raise you right! I tried to raise you proper! I tried to be a mentor and a friend and a mother and a brother too! I’d insulate you from any outside source of fright... i’d make bloody certain, you’d never see another, dark, sad, lonely night. “

And yes as you can imagine that was sung by Alfred.. but it fits perfectly. That’s how Beakly raised Webby, guarding her from the world, trying to protect her from the world the way she’d always guarded herself from it. She did hurt webby’s development.. but you can see WHY. She lost everything, she had two people left in her life at that point: One had given her home and the other had given her her soul back. She couldn’t loose Webby so she made sure she couldn’t and held her as tight as she could. It’s why she pushed Scrooge to let his young nephews into his life. She saw over her time with him he was doing what she did, pushing everyone out. She wanted him to avoid being alone like she was before Webby. And it worked.. and showed her Webby clearly wanted to see the world and that Bentina didn’t have to be afraid to show it to her anymore, and could let Scrooge share in doing so. She let her be free and opened up for the first time in likely a decade since she got a two year old dropped on her lap. And soon wither she’d admit it or not she found herself part of the family. She found herself the voice of reason, sometimes sharing it with Donald, and the one to put both Scrooge and the rest of the family in their place when they nearly tore apart again, helping Donald realize that for all scrooge hurt him.. Scrooge hurt from loosing della too, and helping the boys realize Scrooge, much like herself, tends to lash out at people. She prevented them from getting distance from their family, knowing from experince you may never get them back or mend that wound. She was part of the family and for the first time in her life even if again, given her emotoinal distance she wasn’t really close to any of the duck family but Scrooge and her newly inducted Grandaughter, she still clearly cares and looks after them and even her harsh treatment of Della was well meaning and understandable. And that’s why the F.O.W.L. revelation tears her apart to her very core, her very SOUL: Because not only is the enemy she thought dead, or may of known wasn’t dead we don’t know but this episode leans towards the former alive, not only is her worst enemy, one who nearly killed her grandaughter part of them once again, but their head was one of Scrooge’s most trusted advisors and associates, the man he trusted more than himself at times to do what the company needed and the only one who knew his deepest secrets besides Beakly herself. They now faced not only her worst nightmare reborn, but with vital info about them and everyone around them. And for all we Know F.O.W.L. took her family from her in the first place and now they easily could again and she NEVER saw it coming. It’s why she drives everyone including Webby so hard, because she can’t take loosing everyone she cares about again so they will be ready, they will be prepared even if it destroys them on the inside because she cannot take it again.. she can’t fail them AGAIN. I feel she puts a lot of the blame on herself because in this family it’s her job to be the suspicious one, to see things coming, to be ready, to be the one who knows EVERYTHING even more than scrooge.. and this apparently rattled her as much as he did and suprised her just as much. She failed and she can’t again even if Webby hates her for it. But in trying to continue the fight.. she slips, Webby dodges and she falls off the roof.. and everyone helps her up. Even if they all have EVERY REASON to be mad at her they help. And Webby points out this can’t go on. They won’t get stronger tearing themselves apart.. their a family. They don’t need to do it like fowl, they need to be themselves and work TOGETHER. The one thing they have, the one thing they can trust is each other. Beakly is touched like this and realizes their right.. their not the enemy.. and there the one people,, for once in her life she can fully and completely trust. She tries apologizing to webby, they hug..and then gets an alert. What’s all that about? Well to get that that we kinda have to finish the other story.. which I would’ve put first had I realized this was going to be as long as it was but hey.

Escape from the Impossibin

Thankfully this won’t be as long or as emotionally complex.. entirely. So back at this plot about 20 minutes ago, Scrooge breaks down the challenge and the risk as it was made by the most devious and deranged minds he knows: Gyro and Quackfaster with Louie getting a good laugh out of me by pointing out “Why are the most devious minds in Duckberg friends of ours” to which I say because only Scrooge let’s them go all out, and on the friend part, at least for you, Louie...

I mean maybe Quackfaster, but you stole from Gyro multiple times now. And he hated Fenton for far dumber and more petty reasons why wouldn’t you assume he hates you too.. I mean he did help with Louie’s Eleven but there was also a good chance your head would explode there so I don’t really count it.

Anyways Scrooge offers lunch if they make it, which Louie notes means he must REALLY not think they will. And the first test proves his overconfdience correct as we enter the most dangerous, devious and deadly trap Gyro could manage.. which given who we’re dealing with, i’d be very afraid. The ultra violent ultra violet trap seems at first to just be a bunch of purple, if really cool buzzsaws and sawblades, your standard super villian death course.. but Gyro being beyond your average super villian, I mean the only reason he’s not is he has a steady job that lets him build a clone army with company resources so why would he give that up, jazzed it up with an ultraviolet bit of bulbtech.. and due to the violet light it hides the traps ,meaning their invisible. And while Louie and Della try navigating them, they cannot get through as Louie runs out of PEP to spray them with and Della using her metal leg as a guide, which itself is awesome for her as she clearly and wisely made the thing nigh indestructible and we haven’t seen it tear or get destroyed once all series so good going, really should market that to other people in need of prostetics della and Scrooge. Scrooge is of course delighted as that’s the entire point even if his child and grandchild are understandably not as happy about it. But naturally, as I hinted at in the teaser, it goes wrong as Scrooge’s password dosen’t work and he tries it too many times, been there, sucks. Granted Louie asks hilariously “Your the oldest man in the world why isn’t your password just 1234″.. and though the why is obvious, it’s still a good line. Point is their locked out and now have to escape it for real! Weirdly Scrooge dosen’t catch onto the fact of whose behind it, but we’ll get to that. He does have more pressing matters. Luckily Louie figures it out after an insult at the Bulbtech causes it to flash read, like most Bulbs do.. but since this Bulb’s entire purpose is to flash Purple, that means pissing it off makes the blades visable and while Scrooge is understandably sore that his 3 million dollar security system has such a big flaw in it, they escape. Though I get Scrooge’s frustration: Their going up against someone who knows how Gyro’s tech’s works, if Louie can figure it out so can Bradford and he wouldnt send FOWL in without a full briefing on Scrooge.

We don’t see the next one as it’s a time loop room, it’s a time loop room, it’s a time loop room okay i’ll stop and so does Dell after Louie well meaningly smacks his mom. Next puzzle’s quackfaster and I like scrooge pulling a Dumbledore and having some of his most trusted advisors devise the traps for him. I may hate JK Rowling for good reason but I did always love that bit of the Sorcerer’s (Or phillosphers in the uk because the publisher’s weren’t as stupid) Stone. Death of the author and all that. Point is I like it here too even if i’ts truncated for time. But Emily’s trap is a bunch of tiles that fuck with gravity because apparently she’s magical now... who knew. I’m not questioning it though: She runs a giant library full of dangerous, and probably magical in some cases, literature.. if she didn’t know spells she probably woudn’t be able to sort some of them. It’s a new fact out of nowhere but it makes perfect sense.

Point is they have to figure it out though Louie once again succeeds with some books and, in a really cool bit, using scrooge as a platform with the two walking in time and della grabbing on as they hit the master rune to shut them all off. It’s a damn cool sequence even if Scrooge is agrviated. We then come, after they apparently fought a Squid Monster off screen, because Quackfaster can also apparently summon demons.. or gyro made a tentacle monster which dosen’t suprise me at all. Either way it’s the final challenge in the main room leading ot the bin and in the way of deactivating security: A Scrooge Robot! Because as we all know by video game logic, the Robot Version is always stronger. Of course Louie’s annoyed both at the spending of his inhertince and at Scrooge’s egotisim but he has a good point there and the thing looks hilarious clunky with 8-bit eyes.. till it morphs, to scrooge’s delight, into a giant purple robot with a cane and scrooge’s face on the front j jonah jameson style. I never see that spider-slayer refrenced but i’mg lad this one did. Granted it could be to arim zola or something but I feel the Spider-Slayer refrence fits here.. take a look if your curious.

See? Anyways a fight insues with Scrooge, in a great bit, riling up Della when she fishes for him to admit she would’ve’ been a better base by bringing up Donald first instead. The trio get their asses kicked, and a pep can drops out, as naturally Louie was lying but it’s a rare flavor so I get it. I do. Thankfully his lies do save them however as the Cherry PEP he fires at the machine stuns it while Scrooge USES THE POGO CANE MOVE ON IT. Hell.. fucking yes. It’s about time we saw that again and in fully glory here too. I really want that game on the switch by the way.. where’s my disney afternoon collection.. WHERE CAPCOM WHERE. But yeah they won.. and Scrooge is upset. Because this was SUPPOSED to keep FOWL out but if his family can beat it so can they. And now we get to Scrooge’s far less horrifying dark night of the soul as we get a sense of just how much this whole ordeal has rattled him: As he mentioned at the top of hte episode he TRUSTED Bradford. It was clear he never liked him as a person, but Scrooge is a paranoid guy, he hardly trusts anyone and for someone to earn that it had to take a lot.. and it naturally stings. We see that while he may of been a necessary evil, SCrooge still liked the guy on some level and to have someone he trusts and respects betray him naturally shook Scrooge. He trusted someone.. and they knifed him in the back going against all he stands for. Instead of earning money, Bradford stole what Scrooge and others worked for while working to destroy him as soon as he feasably could and take his legacy for himself. To Scrooge, Bradford was revealed to be the worst kind of parasite and one that leeched off him for probably decades. But what’s worse is the risk that creates: Bradford was one of his top guys and the only other one running the company: He knows EVERYTHING about Scrooge, every secret, every investment, where every treasure is stored, and everywhere he’s been. He knows about his friends, family, some of his darkest and most guarded for a reason secrets, secrets he’d never give away freely.. and can now use ALL of it to destroy his family and everyone they care about. That sheer level of betryal would rock anyone but someone like Scrooge, who BARELY trusts anyone and can even be paranoid of his own family from time to time? LIke beakly it’s easy to see why he spiraled and why he put so much into this: Because like Beakly, he was blindsided, and his buisness, his crown jewel, the thing he put his heart and soul into and worked hard to build up and CONTINUES to work hard on to this day.. was being slowly corrupted and he has no idea what parts or where or just what all Bradford did with his money and resources and what nasty suprises he has hidden in them. The one thing he could trust as almost entirely his is tainted, his sense of security tainted.. and his sense of self tainted. If Scrooge freaking mcduck can get blindsighted like this, just how powerful is his former friend?

And we soon see Scrooge’s own fears manifest as Bradford hyjacks the robot, revealing this was, naturally him.. as of COURSE it was the guy who was revealed to be an evil mastermind who hates your guts. And because Scrooge didn’t change his password, which cleverly is the sum total of his money hence why it was a mass of numbers, which.. really dude? I don’t like doing it either and don’t change mine up if I can help it but even I did when someone tried hyjacking my spotify account. Yes that happened, I thought it was just a wifi thing, it was not. So yeah turns out Bradford was STILL one step ahead, and thus knew about the defenses and thus trapped Scrooge in them for reasons that will dramatically be revealed at the end of the episode. He also naturally attacks because just like JJ, he’s a crotchety old man whose yelling at our loveable rascals to in a sense, get off his lawn. Granted unlike JJ he’s clearly never came around, but the parallels are there. Point is it’s time for another fight this time using the gravity runes, with Scrooge hitting his despiar event horizon as if FOWL can outhink him on this what hope does he have. But like the rest of his family sans launchpad did for Beakly, Louie helps him through the other side and points out there are things they have they don’t.. and demonstrates as naturally the bulb tech used for the robot is just as irate so Louie tricks it into going after him then does a bin dive, with the massive amount of money destroying the thing and Bradford unable to get Gandra to stop it, so our heroes win... oh and Bradford left the company.. for some reason, because as his investors Scrooge can’t really remove him and I was curious how they’d get him out.. then again Scrooge probably, even as cheap as he is, had security cameras showing Bradford’s little talk with Bulba or any of his various rants as evidence. I mean Scrooge is stingy but he’s not STUPIDLY stingy. it’s the best I got, point is he’s to the wind now and our heroes have one! Except yeah.. the ending of the last segment.

Lost the Battle, Time to Win the War

In an utterly amazing swerve we find out just what kind of alert Beakly got as the rest of this episodes cast have arrived at the bin and Beakly asks why Scrooge hasn’t answered his phone.. and when Scrooge does Bradford’s plan comes into view: Turns out he locked scrooge in as a DISTRACTION, keeping him in the one place no one could reach him. It also explains why he attacked Scrooge: Besides having the perfect weapon for it and getting to gloat, someone needed to keep him busy while the rest of his operatives finished his master stroke. Turns out EVERYONE involved with one of the missing mysteries called: Goldie called to gripe about the fountain being gone and Scrooge taking it before she could, the Mervanans called to tell him the harp was swindelded by some eggheads and their good vibes did nothing to save her, we also get to see the pink one in full view which is nice but unimportant, and we get Drake back for a cameo!

But sadly it’s because he just met Steelbeak for the first time.. again, and Beaky clearly beat the every loving shit out of him as he’s heavily bruised, and took the papers on Solgelo’s Circuit with him

And Gene called to tell them he was being kidnapped as the Blot, now with a fully functioning gauntlet got to him. So to sum it up F.O.W.L. in one night, took all the missing mysteries they’d gathered or found, beat one of their most trusted allies and made their new security system worthless.

It was an utterly masterful story move: Firmly tying both plots together and confirming FOWL has SOMETHING bigger they want out of them. Some bigger plan, and as the last two weeks proved already knew where they were. Now it’s open war F.O.W.L.’s taken the first shot and hit hard.

But Scrooge, now with his confidence restored thanks to Louie, instead of backing down, is galvanized: They’ve lost the mysteries they have but if F.O.W.L. wants the rest, their going to have to beat the greatest family of adventurers the world, and probably the multiverse if we’re being honest and yes that includes other versions of this family, has ever known to them first. Sneaking in the shadows, attacking them from behind, striking them while they were at their most vunerable? FOWL was in their element and won this round because of it. But now adventuring, traveling the world, finding rare artifacts lost to time? Now their in the ducks wheelhouse. As Beakly, finally accepting her place in the family and that she’s not alone, proudly states their not ready for them. And so we close on one badass group shot as Dewey tries to lift the sword again only for his siblings to help, minus Louie naturally who still looks on determined. Our heroes have been through their dark night of the soul, they’ve lost a lot and the villians are miles ahead.. but they’ve also come out of it together, determined, their doubts behind them for now, and FOWL firmly in their sights. They won the battle.. but the war’s far from over. Game on.

Final Thoughts.

God this was a good one, as you could probably tell from the way I went on and on about it but this was one of the series best.. and while I say that a lot, mostly because Season 3 has consistently been about them topping themselves again and again, this time it’s etched in stone. I thought this would be a good one but forgetable.. instead it’s easily one of the best dives into the cast, and one of the best bottle episodes i’ve seen, limiting the cast to just our heroes, a handful of cameos and our big bad and letting our heroes be their own worst enemies for most of it. IT’s a great character piece, with plenty of great fluid action set pieces, absolutely heartbreaking character stuff, and a hell of an ending that sets the tone for the final half of the season and possibly the series. It also shut my mouth about the pacing, because as I hoped, much like season 2 it was slow on purpose: The first half, while also providing vital setup here and there, was also about telling stories they really COULDN’T once the FOWL plot kicked into gear for act 2. Getting trapped in a sitcom, a casual breakin of a gala where Donald meets the love of his life, a trip to tokyolk.. none of this would’ve really worked with Fowl at their heels. By taking their time they simply had more time to set the stage so when things kicked up with this act, things could stay intense.. minus the christmas episode but that takes place before these episodes so I don’t really count it. Point is the tone is firmly set, the stakes are high and things are at a level they’ve never been. This is one of the show’s finest and I expect i’ts only going to go higher and higher from here. Also one last note Bradford, bud.. why did you out Gandra as an agent? You had to have known about the whole Fenton thing, you seem to know everything and a break in to Gyro’s lab would’ve been something Scrooge had to tell you about or you could learn about yourself. They didn’t know she was still evil or working for you or that she was even on their radar. Also related while Steelbeak and Blot’s missions were obvious it was easy to figure out who went where besides them: Heron went under the sea both because she was the odd one out and because Bradford was presumably still mad about the helicopter thing, while Rockerduck obviously took the fountain since he’d been there and knew where it was now it was properly restored. Next Week: Kidcentric episode and the sabrewing sisters are back! Also while I don’t hate it, Lena’s blueform is simply a super mode.. phew. I mean I don’t dislike it but i’ts not a walk around in public thing. Point is kids teaming up for shenanigans, a mystic sword in the middle of x of swords AND the return of my two faviorite fowl agents. I’m pumped.

Until then if you like this review there’s more reviews on the pages on my blog including a just finished this weekend review of the original Ducktales 4-parter, Catch as Cash Can. It was a trip. You can find that collected into a handy series of links HEREEEEEEEEEE. Or if you prefer this series, as I do, you can find last week’s review of Let’s Get Dangerous HERE. If you like this review and want to here my thoughts on say an episode from the first two seasons (which I mostly haven’t covered yet), or another disney show, you can pm me on this very blog to comission an episode, just like one of my fans commissioned me to review catch as cash can. Or you can follow me on my patreon HERE. Until next week stay safe, vote if your old enough and check your house for Gary Busey!

#ducktales #escape from the impossibin #scrooge mcduck #bentina beakly #webby vanderquack #huey duck #louie duck #della duck #dewey duck #donald duck #bradford buzzard #gandra dee #darkwing duck #drake mallard #ducktales spoilers #reviews #revew

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Star vsThe Forces of Evil Season 4... One Year Later

One year ago, Star vs The Forces of Evil ended its fourth season and it was a disaster. It wasn’t always all that bad, in fact the show was pretty good on it’s first two seasons and bit of season 3 however it's just the final season that ruins it. It didn’t live to people expections and it felt rushed. Now let’s discuss how the show messed up shall we?

Behind the Failure

Before I talk about the dreadful writing of season 4, I want to talk about behind the scenes of the show's downfall. According to Daron Nefcy Twitter, she tweeted that “Just finished the last episode of Star vs The Forces of Evil” a month before the finale.

It’s fine if it was an episodic show like Phineas and Ferb, Batman Brave and the Bold and episodic shows but writing an ending for an ongoing story is something you should NEVER do. Writing the ending without a plan is a terrible decision to make, especially past plot points that were established and most of them were left answered.

You’ll probably be thinking that they were rushed and while I understand that all plot points can’t be answered like Gravity Falls but they wanted to make the romance their top priority over the story, which I’ll talk about later. Daron actually knew she had four seasons to work with and it makes it so frustrating to hear!

So now let’s talk about how it all went wrong.

Character 180

Previously, I used to like most of the cast, they used to be enjoyable characters but in season 4, oh dear they all turned into pricks.

The onlys characters that didn’t get ruined in the fourth season were

Eclipsa and Globgor

River Butterfly

Tom Lucitor

But everyone else, they all became such unbearable picks like The Magic High Commision. They used to act like decent people, trying to defend Mewni from Ludo/Toffee

And they actually have character, especially Rhombulus growth when he befriends Star.

But they get character assassinated and become monster haters with no actual reason just like the Mewnimen and they never atone for what they’ve done to the Butterfly family.

Moon betrayal came out of nowhere and it only lasted like seven minutes then she joins Star and Eclipsa because she didn’t realize Mina and her soldiers are going to commit genocide. Why didn’t she see that coming? They were racist to monsters, did she think they’ll actually spare them?

Her reason behind is so stupid and that is because she doesn’t trust Eclipsa ruling Mewni but why all the sudden? While it’s true she let her get shot by Meteora but that’s an mother instinct to protect her child. Also she tried to kill her own daughter to protect Star and Mewni. So Moon shouldn’t see her irresponsbile. While she isn’t fit to be ruler, she is trustworthy. What’s worse is she admittedly teams up with them to defeat Mina.

Then there’s Star and Marco, the two main characters of the show and they became terrible people. All of the development from the previous seasons get thrown out of the window.

Marco never talked to his parents after he left and barely visits because “he’s too busy” and he didn’t even know he’s gonna get a baby sister. Clearly doesn’t care when Star’s mom goes missing, his ego in the Neverzone and neglecting Nacho’s for a very long time at least 1000 years. Marco breaks up with Kelly for no reason and he knows what’s she going through.

For Star, she acts more of a princess and has responsibilities, having a reason why she can’t go back to Earth but it doesn’t excuse her being a terrible person. She’s irresponsible that she leaves Rhombus and Eclipsa alone despite it’s very clear they want to kill each other, she’s a brat in “Junkin’ Janna”, she’s so rude to Tom when he comes a better person for her, she’s been eyecandy on Marco even though she has a boyfriend and she’s a complete dick in “Cleaved”. I hate the excuse for her acting like a prick because “she’s a teenager, and teenagers are dumb”. What a load of bull

Losing Focus

Season 4 has to be the most unforced in the entire show. They present plot points and they barely explore it. They’ll make a comment about it and the show just moves on from it. Mostly showing shipping episodes and filler

The show introduced that mewmens were originated from Earth but never further explored that.

Mewni hates monsters but never shows why and how. It just makes them complete dicks throughout season

They never had a set goal or what’s trying to be. The only thing that made the plot moving was Moon disappearance but it gets resolved in two episodes.

So the only thing left is Star trying to end racism for season 4. The problem with this is there’s no stakes, if she fails, monsters and mewmens won’t get along and that’s fine because their children on both sides won’t make the same mistake as they did, making it no need to push it.

It would’ve worked better if they showed the Mewni perspective when Eclipsa became ruler. Unfortunately, they display them as unguided children, expecting Moon to do everything for them and complain. Also they hate monsters because they do not like them. Most of them go live with Moon, making them not accept change nor monsters. They don’t deserve any sympathy, they are just a bunch of idiots who are racist.

And the thing that made the season so unfocused is the freaking shipping.

Starco is Terrible

Remember when it was good back the first two seasons but season 3 and mostly season 4 made it so hard to watch and instead of shipping being a subplot like most shows, they turn it into a main plot. I don’t understand why they have to prioritize shipping over the story. It’s inevitable that Starco will become cannon because that’s what people wanted but it cost to establish ships to be torn down in the most frustrating way.

Kelly and Marco break up with no reason why and it’s off screen.

Star is a bad girlfriend to Tom, leaving Star crying

Then in a few hours, Star and Marco become a couple. Only a few hours and the resolution was so dang quick. It makes me wonder why they have to stay so long if she loves Marco more than him?

Star and Marco would rather die together instead of being with their family despite their relationship just starting. It would’ve worked better if Tomstar broke up earlier and Starco become cannon so we can see their relationship more than just a few episodes. There’s really no need to drag it for so long!

Mina Loveberry isn’t Threatening

Mina Loveberry, the main villain for season 4 and yet didn’t do anything. Unlike Toffee scheming behind the scenes for three seasons, Ludo raising an army of rats and gaining better control of the wand and Meteora powers growing, she didn’t play her role for the whole season. All she did is she rebuilt her battle armor and send poison fruits to Eclipsa, that’s it. The show never showed how dangerous she is

While sure she can beat Star and Tom but she got oneshoted by Meteora who got defeated by Eclipsa. So she really isn’t that big of a problem to handle.

In the finale, again she never did anything and she got knocked down by a Corrupted Unicorn, making her not so dangerous like other characters said she was

Seth should’ve been the main villain instead of that crazy lady but unfortunately, they never introduce him even though he’s still alive according to The Book of Spells.

Cleaved

So the series finale and I have to say, my god how the show has fallen. This finale is a disaster, it’s way worse than any other cartoon finale such as Adventure Time and Steven Universe Future.

With no build up, Star has come to a conclusion that she needs to eradicate magic because it’s bad. There weren't any clear signs that magic is truly bad. Star never actually thought about everyone else that is made out of magic or used it for their daily life. The only thing she realized is she won’t be with Marco. Not able to her friends or the many lives she’ll ruin but she won’t see Marco and everyone agrees to destroy the magic.

So Star and Marco go to the World of Magic to destroy it. As they enter and almost forget who they are, the pudding apparently helps them jog their memory and he’s carrying a lot of them.

They realized Tom was still at the realm and he’s riding on the Corrupted Horse so Marco will handle it while Star uses the whispering spell to destroy it.

Star gets help destroying magic by Eclipsa, Moon and for some odd reason Meteora can do it too with her butterfly form even though she never went through mewberrity. Then the past queens help them out too

As they were destroying magic, Marco feeds Tom the pudding but gets impaled by the unicorn with dramatic music playing but that got completely scrapped when he goes back to Earth.

After they successfully destroyed magic, Star and Marco have to go back their worlds but then she decided she wants to abandon everything and everyone so she can be with Marco and he does the same by staying in the realm. They both hug and something happens through the power of love that links between two worlds and again they were a couple for two episodes.

She goes back to Mewni and sees that she doesn’t have cheek marks anymore. Moon, mewmens and Mina are reformed and no punishments were given.

With magic gone, her and her family just caused the multiverse that relies on magic, face chaos and they will collapse entirely. Although they prevented genocide of the monsters but ultimately cause genocide at a larger scale than Mina’s in the process like all of Star spells, people who are made out of magic and The Magic High Commsions are dead.

Then two portals for each world exploded and both worlds collide. The writers made it out as if it’s a happy ending but it just causes panic between both worlds and racism towards monsters is now worse than ever but Starco can at least be together.

Conclusion

I used to like Star vs The Forces of Evil and I thought it would’ve been great but like most shows that disappointed me such as Steven Universe, and Voltron, this show really frustrated me. If the show actually didn’t focus too much on the shipping or made it as a romantic show, it would've been great but they didn’t and the show suffers for that. It’s a dang shame that it has to that route.

#Star vs The Forces of Evil #svtfoe #Star Butterfly #Marco Diaz #River Butterfly #Eclipsa Butterfly #Moon Butterfly #Rhombulus #Hekapoo #Mina Loveberry #Globgor #Tom Lucitor #Kelly #Starco #Tomstar #Kellco

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gizkasparadise · 4 years

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wow trying to edit that post was a nightmare. sorry yall.

anonymous asked how bad “goodbye my princess” was.

vague badness: enemy lovers that actually have consequences, betrayal/lying, jealousy, murder, suicide, dead family members dead family members everywhere, depression, the male love interest going a lil Unhinged, main character deaths (plural)

detailed spoilers (and legit, SPOILERS) under the cut

so you have to embrace that the male lead/chengyin is an absolute piece of shit. like he’s terrible. and he’s compelling. but he makes so many bad choices in pursuit of power / the throne of the li empire. so so many. now, he loves xiaofeng and it’s legit, but that ultimately brings more pain to her than if he didn’t.

Fucked Up Shit Chengyin Does: A Love (?) Story

-within the first 10 episodes, he + his soldiers have almost completely wiped out xiaofeng’s family + the danchi as a whole. her cousins die. her friends die. tangentially, her mother dies and her father goes insane. chengyin even beheads her beloved grandfather in front of her (he didn’t know she was there. but lmao. still.)

-did i mention that was on their wedding day? it was on their wedding day. said grandfather even gave her away. he went ahead with marrying xiaofeng even though he had no intention of abandoning his mission and thought idk love would fix it? chengyin what what what are you doing

-it’s unclear whether or not chengyin was going to tell her he was the double agent/the reason the li empire was able to wipe out the danchi, but there’s this like Significant pause between when xiaofeng wakes up from traumatically fainting after the danchi are defeated to her recognizing the li empire armor in his quarters where he doesn’t say anything and it is Sketch. definitely the implication that if he could he would hide his role in the defeat of the danchi from her and just Carry On as a Happily Married Couple

-she’s rightfully horrified by him when she makes the connection between him and the armor in his tent and tries to stab him, so he stabs himself harder which isnt awful but just fucked up like this is not a good relationship

-when gu jian (xiaofeng’s teacher/first love) comes to take her out of the li military camp, chengyin stops him and demands that he lets xiaofeng go because, quote, “They’re not over yet.” bro you just massacred damn near her entire family i think that’s a dealbreaker (to his credit he does let her leave but lmao it’s v clear he didn’t want to)

-there’s a semi-time skip and Plot Related Amnesia, so he and xiaofeng don’t remember their traumatic history, and both end up in the li empire b/c of xiaofeng’s marriage contract to one of their princes. one would think without the danchi backstory maybe they could have a better time. they don’t.

-chengyin falls for xiaofeng again, but he knows the politics of court are Fucked Up and if he shows he cares about her they’ll target her. so he makes a girl who’s been in love with him since childhood (se se) his concubine and fake!dotes on her to have all the political schemes fall on her instead of xiaofeng. basically, he exploits the poor girl’s feelings to make her a meat shield. i think he calls her expendable at one point. on the flip side of things, he treats xiaofeng like absolute shit sometimes in order to protect her. which works, but gd what an asshole

-although their memories are gone, chengyin knows basic things about the events in western liang that others in the palace have told him: that he defeated the danchi and killed xiaofeng’s grandfather are among them. he doesn’t tell xiaofeng this, even when they’re officially engaged. she finds out on her own right before the wedding and confronts him. he’s essentially like Look I Didn’t Want You To Know and when that doesn’t do well he’s like Think of The Country and also I Love You and gets general pei to later take her to the memorial he built for her grandfather, complete with his armor set. which is kind of sweet but also kind of imperialist museum? and also he was the one that killed him??

-super jealous. when there’s rumors that general pei and xiaofeng are having an affair (they’re not), he maneuvers to publicly strong-arm pei into a marriage with his sister (aka an imperial princess aka a marriage he can’t turn down). it turned out alright, but the Motives were definitely not alright--emphasized by the stone cold stare down he gives xiaofeng after the announcement (she’s oblivious to it, because she’s not in love with pei, but chengyin doesn’t know that). part of it is a political maneuver, but it’s also p clear that it’s personal

-a doozy. so gu jian, chengyin’s cousin and accomplice in the Take Down the Danchi Fuckery, is in love with xiaofeng. he was also xiaofeng’s first love, but she doesn’t remember him because #amnesia. throughout the second half of the show, gu jian’s been working as sort of a guardian for xiaofeng as she lives in the palace and trying to make amends for his part in the danchi massacre/trying to assuage his guilty conscience. at one point, he decides enough’s enough and he kidnaps xiaofeng in order to get her free from the palace. during this time, chengyin’s absolutely losing his shit because his beloved wife is gone and he knows gu jian’s the one that took her / has his suspicions about gu jian’s feelings for her.

while gu jian and xiaofeng are on the run, xiaofeng starts to get bits and pieces of her memory back--all of them surround a man named “xiaowu” aka chengyin’s alter-ego when they were together in west liang. because he’s a shit, gu jian says he’s xiaowu, and as a result xiaofeng believes he’s the one she used to be in love with. Complicated. even more complicated when, fleeing chengyin and palace soldiers, xiaofeng hits her head and COMPLETELY remembers everything.

needless to say, she doesn’t want to be around chengyin anymore. it’s super sad and fucked up, because while xiaofeng remembers everything, chengyin doesn’t. so here’s what chengyin knows:

-his wife was open and warm and they were in love even if he couldn’t always show it because #Intrigue

-wife gets kidnapped by his cousin, who he suspects is in love with her

-wife comes back from kidnapping, hating him and saying the only person she ever cared for was xiaowu -- which is NOT HIM

-his cousin claimed to be xiaowu

when gu jian tries to rescue xiaofeng again, he’s surrounded by palace guards and chengyin goes totally unhinged. he forces xiaofeng to watch as he orders his men to shoot the shit out of gu jian. she tries to look away but he won’t let her. he doesnt even care that a’du, xiaofeng’s best friend and the only one she really has left, is at risk of being shot as well. gu jian dies, and while xiaofeng knows he’s not xiaowu she remembers that they grew up together/at one point he was her beloved teacher and she’s devastated. she tries to starve herself but chengyin threatens to take a’du away forever if she does. it’s fucked up.

-xiaofeng tries to escape multiple times, and he won’t let her/re-captures her. it’s just. sad. really sad, esp since she can’t forgive him for what he did to her family

-after all this shit, west liang decides to rebel and chengyin decides to crush them. because killing one side of xiaofeng’s family tree wasn’t enough, apparently

-xiaofeng rides out to the middle of the battlefield--on one side is west liang, under control of her brother. on the other is li empire, under control of her husband. she threatens to kill herself unless chengyin meets two of her conditions: 1) that he’ll leave west liang the fuck alone for as long as he lives--chengyin agrees, and it’s clear he would say yes to anything she asks because he is freaking out. he even says that if she dies he’ll kill himself, too. which leads to wish 2) he has to live well

which feels like a mixture of selfless love and a little bit of a fuck you? she knows that making him survive after she dies is probably going to be what hurts him the most, but he swore to it. then she slits her own throat while he watches, and he runs by her side and is trying to keep her alive (which is fruitless). and then he’s shoved away from her by her brother, who takes her corpse back to west liang. chengyin grows old, and it’s clear the only thing he’s got is his empire and it’s a lonely fucking life. at some point, he abdicates to his nephew (implying he never had his own family) and goes back into the desert to “find xiaofeng” because he’s in denial that she’s dead and the vibe is that he’s definitely going to die alone out there

#fin

characters who die

-danchi: tömür/xiaofeng’s grandfather, he shi (a’du’s brother/xiaofeng’s friend), yi moyan (xiaofeng’s cousin), batu’er, a good freaking chunk

-west liang: consort/princess mingyuang, ashina yun/xiaofeng’s mother, qu wenchang/xiaofeng’s father goes insane

-li empire: zhao sese goes insane, crown prince #1/chengji, crown prince #2/chengye, the empress, the emperor, gao yuming, li yan, gao zhen, gu ruhui, chang’er, chai mu, ming yue

-main: xiaofeng, gu jian, a’du

#goodbye my princess #the eastern palace #asks!#please god let that cut tag work #gizka does kdrama

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thanksjro · 4 years

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More Than Meets the Eye #1- Meeting All Our New Friends

Okay, let’s see what happens when you give one man way too much power over a franchise, and he doesn’t use it for evil.

Before we get into the story, let’s take a look at the cover art! MTMTE, as well as its sister series, Robots in Disguise, started off IDW Phase Two, a brand new run of main comics to replace the by-then completed The Transformers (2009). To celebrate this momentous occasion, each comic’s first issue got FOUR separate covers, which could be combined to create a large, overarching image. MTMTE’s looked like this when all the covers were put together.

The cover art here is by Alex Milne, who is on as the main artist for the series, but he’s not on issue #1- no, for our foray into this comic run, we see the return of Nick Roche.

The last time Roche and Roberts worked together was on Last Stand of the Wreckers, and other than MTMTE #6 and the Revolution one-shot, they won’t be teaming up again within the IDW run.

On a potentially-related-but-more-of-just-a-humorous note, it seems that Roberts is a huge stickler with his scripts, going into what sounds like an honestly horrific amount of detail for each individual panel. The average comic script is either between 20-23 or 28-30 pages long, not counting title and credit pages. Roberts has been cited as sending in comic scripts that approached 50 pages.

Which, if you know anything about the scriptwriting process, is a little… yeah. It’s a very good thing Roberts seems to be able to take criticism.

ANYWAY.

IT’S TIME.

The Transformers: More Than Meets the Eye- Liars, A to D Part 1: How to Say Goodbye and Mean It- holy fucking shit that’s a long title- starts off with the Story So Far, a comic book classic to catch readers up on what’s happened prior to the issue. The very nature of a Story So Far will become plot-relevant much later down the line, but as is, it’s just reminding us what happened during Phase One, in as basic a point as it can.

And then the credits are right underneath.

I can’t even imagine how friggin’ good seeing this printed must have felt.

So, what’s going on in the premiere of the sad, gay, space comic?

Not my phrasing, by the way, but the Wiki’s.

So, the war’s over. What does that mean? Well, a lot of things, honestly, but the first thing we’re given in terms of what changes to expect with everyone’s favorite space robots is in relation to their wardrobes. Yeah, without a war to fight, what’s the point in having relatively identical blocky armor that protects all your insides? It’s time to get skimpy.

Rodimus has switched out his toned calves and discernible ankles for the Uggs that are now positively iconic to his character. Drift’s mass has almost completely gravitated to his thighs, making him the curviest thing this side of the Milky Way. Ultra Magnus didn’t get the memo about not needing to be in uniform anymore, I guess, but somehow I doubt he owns anything casual.

Rodimus, Drift, and Magnus are holding a rally to invite Autobots to come on their party-barge to find the Knights of Cybertron, in an effort to heal the planet, because Rodimus took one look at post-war Cybertron and said “no thanks.” Honestly, I think most would, if these properly colored characters are any indication.

Just the Autobots, by the way. We aren’t ready to be friends with the ‘Cons just yet. Swindle did some major damage on that front.

Prowl and Wheeljack are off to the side discussing this turn of events, and while Wheeljack seems to think that a lot of folks will be boarding the ship and getting the hell out of dodge, Prowl’s expecting nothing to come of it.

So, that was yesterday. What’s going on today?

Inside Kimia, there’s a dead guy. He wasn’t dead when he was brought in, but he is now. Who is he, anyway?

Oh, he’s one of the NAIL protesters, and he died because he was protesting by way of transforming on the steps of Autobot HQ, until his transformation cog burn out. Yep, that can kill you. Ratchet’s the one who performed the autopsy, as per Metalhawk’s request- he only wanted the best of the best on this.

Too bad the best of the best is starting to slump. After a brief scare with Rigor Morphis- the stiffening of the corpse into the body’s preferred mode- Ratchet explains to Bumblebee that his hands have started seizing up, and that’s why he’ll be leaving on the Lost Light with Rodimus. He just can’t do the work anymore.

This news is not well received by Bumblebee, who’s just about had it with everyone up and leaving him all by himself with the mess that is Cybertron.

Phase Two will not be kind to Bumblebee.

Bumblebee accuses Ratchet of having been insnared in Rodimus’ siren song of reclaiming the Golden Age, but c’mon, this is Ratchet! He’s too cynical to fall for that. He’s more interested in finding the Autobots who’ve been lost over the millennia to the war. Ratchet’s already well aware of the true purposes of this little galactic road trip, almost like he’s read the plot outline.

It’s about helping people, and adventure, and being unapologetically gay and sad in equal measures.

Up in the sky, Cyclonus is displeased. He spent six million years in the Dead Universe, under the control of a madman, waiting for the moment he could return to his beloved homeworld, and what does he get? A ball of half-baked primordial cookie-dough, and it’s not even chocolate-chip like he was expecting; it’s fucking oatmeal raisin.

Mmm, that is some tasty panel-breaking right there.

Of course, the I/D chip might not have worked anyway, seeing as Cyclonus got a little bit of a boost when Vector Sigma ejected everyone during the Matrix incident. It’s doing some weird stuff to his body, on top of whatever nonsense existing inside the Dead Universe does to a person.

Cyclonus is about to head over to the Lost Light- apparently he and Rodimus made a little deal off-panel- when he detects a familiar life sign and decides to see what that’s all about.

Over in Prowl’s office, things are tense. He and Chromedome can’t even look at each other, as Chromedome reveals that both he and Rewind are jumping on the Lost Light. Prowl doesn’t like this, not one bit. He needs Chromedome, needs his skills, his expertise. He tries to appeal to Rewind, knowing who wears the pants in this relationship.

Or, well, he tries.

Prowl, they’ve been married for over 250,000 years.

In all seriousness, this is slightly before the first tentative steps Roberts took towards making the franchise as gay as he possibly could, at least when going by the story’s chronology. The thing about professional comic script writing is that plotting/planning goes for a ways beyond the current script one’s working on, so that everyone knows where everyone else is. Considering the somewhat congruent nature between MTMTE and RiD, planning ahead was especially important.

Chromedome and Rewind were originally (like, first draft originally) meant to be best friends. This was to fill a void in the department of close relationships Roberts felt within the Transformers franchise. Then Roberts saw how handsy he’d been writing them during plotting and realized he’d made something a little different happen. Which still sort of went with what he was going for, just in a slightly different fashion. Chromedome and Rewind are a rare case of a writer NOT leaning into the “they’re just bros, bro” mentality and just letting the characters be together as romantic partners.

Also keep in mind that it would be another three fucking years before the United States would legalize same-sex marriage, which is where the IDW offices are located. You gotta ease that sort of change in, that way nobody realizes what you’re doing until it’s already been done, then you can go hog-wild. We won’t be hitting critical mass on the homonormative civilization that is IDW1 Cybertron for a solid year or so.

So this bit of dialogue is just the start of the setup, and the “best friend” line is either a leftover from earlier versions of the script, or Prowl really just is that big of an asshole.

Rewind is, of course, recording everything taking place on his handy-dandy little head-mounted camera, because history is his business, and he’s not going to stop recording for the likes of Prowl.

Rewind doesn’t like Prowl very much.

It would seem that the feeling is mutual.

Chromedome suddenly remembers that trying to reason with Prowl is like talking to a brick wall, and the two of them leave. Prowl responds to this slight by yelling in the hallway and then flipping a table.

I sure hope y’all like running gags.

Of course, Prowl wouldn’t be Prowl without having a few contingency plans in place for when things don’t go his way, and he makes a call to his inside guys to “load the cargo.”

That’s not ominous in the slightest.

Six million years prior to all this nonsense, a tiny little dude fell in a hole and broke his legs trying to get to work.

This is Tailgate, and he’s seen better days. Not many, mind you, but at least a couple. He was making his way to the launch of the original Ark, when he decided to take a shortcut that would change the course of his life forever. Hence the whole “stuck in a hole” thing. Still, he’s got to get out of here, because without him, the entire expedition is doomed!

For being an idiot, Tailgate’s pretty smart- he figures that if he sets off his energon rations, it’ll blast up through the roof of the cavern he’s in and someone will be able to find him. Good thing energon’s so incredibly volatile.

Speaking of volatile, let’s jump back to the present and check on our buddy Whirl.

It looks like Whirl also got a makeover between series, because he’s now sporting a much sleeker, angular frame, complete with long, tapered head.

Whirl’s currently busy thanking his new friends for spending so much time with him. It really meant a lot to him, their patience. Not many folks have been patient with him before.

Of course, it probably helps that all these guys are dead as hell.

It’s time for another Roberts’ staple- the suicide attempt. We won’t be using the robot-equivalent to Multiple Sclerosis though. This go around, we’ll be using a classic: self immolation!

Title drop! Bet you weren’t expecting it to have such a dark connotation, huh?

Cyclonus interrupts Whirl’s monologue and suicide attempt. He thought he’d seen his best buddy, Scourge, on his tracker, and his immediate response is to lurk in the shadows looking like a night demon wearing a party hat.

Fun fact: a group of Sweeps is called a Spring Cleaning.

Scourge isn’t here, and he won’t ever be. Scourge most likely died off-panel, never to be seen again, assumedly because nobody wanted to write for him. I think it’s the nails, puts people off.

Whirl doesn’t take kindly to the intrusion, and responds the only way he knows how.

It’s always embarrassing when your self-immolation gets interrupted, but maybe try taking a first deep breaths before committing to more war crimes, Whirlybird.

While these two morons fill the post-Bay movie explosion quota, Red Alert’s hard at work screening the passengers on the Lost Light. Currently, he’s checking Brainstorm, who’s making it as difficult as possible, both legally and emotionally. Red Alert waves him on with a grumble, without even getting a peek at what’s inside his mysterious briefcase.

Up next is Swerve.

His legs are so jacked, it makes me a little uncomfortable. Glad to see Swerve’s body reformat went swimmingly- seems he went for the classic “tires in the shoulders and ankles” model.

Oh hey, it’s Rung! Hi Rung!

This series will not be kind to Rung.

While Cyclonus and Whirl terrorize the folks just trying to get on board the dang ship, Rodimus is feeling rather pleased with himself with the turnout. Drift strokes his ego a bit, because they support each other, but things are still weird because Drift doesn’t know who he is as a person anymore, and Rodimus has a guilty conscience mixed with being the Matrix’s golden child, which really fucks with a guy’s head.

Ultra Magnus goes through the list of the folks joining their quest, and starts running through all their demerits and crimes like it’s his job, because it is. We get a little peek into Magnus’ world view and then it’s back to the Whirl and Cyclonus show.

Also, Drift doens’t have a nose right now. He’ll get it back in time for the next issue, don’t worry.

Over with the flyboys, Cyclonus has decided to land and attempt to reason with Whirl. Not that he couldn’t totally kill Whirl if he wanted to.

He just doesn’t want to.

No, Cyclonus is far more concerned with his meeting with Rodimus, the one that he’s already friggin’ late for thanks to the detour he took checking that life signature. Whirl doesn’t care, far more worried about the fact that Cyclonus saw him talking to desecrated corpses and, far more importantly, vulnerable.

Look at this jackass’ ensemble- demon helmet, a crop top, a skirt and bellbottom pants. What an icon. He and Eugenesis Wheeljack should trade fashion tips.

Whirl still isn’t done with him, even after scraping him across the side of a mountain. Feeling especially artsy, he scoops Cyclonus up and jumps into the air, since he apparently has a hundred-foot vertical leap.

Back in the past, things aren’t going so well for Tailgate.

More cool panel stuff going on here- every time the panels have had rounded corners, it’s been when the scene takes place in the past. Now that the last panel has proper right angles to it, Tailgate’s in the present with everyone else. That middle panel probably covers a couple million years, at least. Poor guy.

Up on the surface, Ratchet’s met up with Chromedome and Rewind, and they’re all walking over to the launch site, Chromedome bitching all the while about how they’ve got to use their legs since Rewind’s alt-mode isn’t a vehicle, but a USB.

Chromedome seems to have forgotten that his tiny husband is small enough to probably just ride on top of his alt-mode, if not directly inside, most likely due to his larger-than-life personality.

Whirl and Cyclonus fall out of the sky before Chromedome can say something that’ll get his ass divorced. Cyclonus gets knocked out cold, having taken the brunt of the impact. Unfortunate, seeing as Whirl’s taking the time to make up lies about him.

You thought I was kidding when I said the armor was skimpy, but here we are, with a shot of Whirl’s battle thong.

Ratchet, who knows Whirl, because he knows everybody, tries to talk him out of straight up murdering Cyclonus. Whirl doesn’t like it when people try to talk him down, and is about to turn on the good doctor, when Tailgate enters the scene, by way of explosion.

Whirl doesn’t handle explosions terribly well. Probably why he was going to use one to kill himself.

With Whirl knocked out, Ratchet and the power couple pull Tailgate out of his hole, where he manages to ask about the launch before freaking the fuck out and fainting at the sight of a rather dead-looking Whirl. To be fair, I can’t think of a whole lot of folks who’d survive getting their tits blown off with enough force to clear a tunnel in solid rock.

You said it, Rewind.

Ratchet grabs Tailgate and Whirl and brings them onboard the ship, seeing as Tailgate seems to want to be there, and Whirl’s too dangerous to be out of sight. They just kinda leave Cyclonus on the ground. I doubt the two guys who were on Kimia last month really want to deal with him.

Rewind breaks off from the group to see his dealer. This dealer isn’t selling the good kush though. He’s got something far more incriminating to offer.

But we don’t get to find out what the fuck Rewind just bought from Swindle for a few more issues. Rest assured, it’s nothing good.

On the bridge, Rodimus is in his captain’s chair, ready to captain it up. The Lost Light raises into the air, as Bumblebee and Prowl watch on, about to exit the atmosphere and begin a adventure filled with hijinks and mild peril.

And that’s a series wrap on everyone! I hope you enjoyed this wonderful one-shot written by James Roberts.

What do you mean there’s 56 more issues?

Alright, let’s see where this goes.

Back on the bridge, there’s alarms and sirens out the wazoo, as things have pretty much immediately gone to shit. The quantum engine the Lost Light’s outfitted with apparently went off prematurely, rocketing them into a completely random quadrant of space.

Also, there’s a hole in the ship, and vacuum physics are doing their thing.

This series will not be kind to Rodimus.

The Lost Light touches down on the planet they popped back into existence over to start looking for all the guys who got sucked out of the ship. They don’t have to look long, seeing as they’re all burning up in the atmosphere.

Welcome to the Lost Light. It’s a friggin’ mess.

Back on Cybertron, the aftermath of the explosion is seen, as Bumblebee and Prowl listen to a message that seems to imply a lot more heartache in the future.

Prowl, you could at least pretend to give a shit.

That’s the end of the story, but not the end of the issue. In the back of the book, we get a welcome letter from James Roberts himself, thanking the reader for taking the time to read the beginning of MTMTE, and holy shit does he really try to sell it to you. This is a guy who wants you to be excited about the story that’s coming your way, because he’s excited about it. He’s a big dork who loves Transformers, and he gets to write about them for the next six years! That’s awesome.

#transformers #jro #mtmte #liars A-to-D #issue 1 #incoming analysis #maccadam #Hannzreads #text post #long post #comic script writing

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mst3kproject · 4 years

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Exo-Man

Failed series pilots were very much part of MST3K’s stock in trade. We’ve sat through San Francisco International, Stranded in Space, Code Name: Diamond Head and I’m sure there were others. I generally recall all of those movies being kind of dull and lacking in personality, and I can’t imagine this 70’s superhero mess being much better. I don’t think anybody in Exo-Man was ever on MST3K but Jose Ferrer (the first Latino actor to win an academy award, for 1950’s Cyrano de Bergerac) was once in a movie called Zoltan, Hound of Dracula, which I am deeply remiss in not having seen yet. You may also recognize Harry Morgan, who was Colonel Potter on M*A*S*H.

Dr. Nick Conrad is a wacky physics professor of the type nobody has ever encountered in real life. He’s somehow both smart enough to invent anti-gravity and memory plastic, and stupid enough to chase after a fleeing would-be bank robber. The latter stunt, set to wakka-chicka Mitchell music, makes Nick the target of a mafia assassin, who kills his lab assistant and leaves Nick himself paralyzed from the waist down. He wallows in self-pity for a while, but then rediscovers his passion for invention and builds himself a suit of armor that will allow him to walk again… and to take on the mob single-handedly.

I don’t know why they called the movie Exo-Man. That name is never used in the dialogue. I guess the more accurate Fiberglass Avenger just wouldn’t have sounded as cool.

The first thing you’re likely to notice from the plot summary is that Nick’s story starts off as Dr. Strange and then takes a hard left into Iron Man. I’m pretty sure the latter at least was an intentional ripoff, with bits of the first thrown in, knowingly or not, to distance Exo-Man from Marvel’s lawyers. What’s funny is that posterity has actually made it a hat trick: the movie opens with a weirdly homoerotic jogging scene, so now he gets to be Captain America, too!

Exo-Man is a really stupid, often boring, and consistently ugly movie. The actors are mediocre, the music bland, the effects terrible, and stuff is made to look ‘high tech’ by sticking lots of blinky lights on it. Way too much time passes before we get to the action and when we do, we find a deep pit of disappointment. Yet at the same time… I kind of enjoyed it.

A major part of why has got to be the incredibly dopey super-suit the main character wears, which looks less like ‘Iron Man’ and more like ‘Fiberglass Commando Cody’. It moves really slowly and I doubt the guy in the costume can see very much. Nick controls the bottom half of it using switches on one sleeve, which appear to have simple functions like ‘sit’, ‘walk’, and ‘jump’ (there is, of course, no ‘run,’ because nothing happens fast in this movie). He puts the thing on by lying down in what looks like a tanning bed (or maybe one of those contraptions from Avatar). My personal favourite is the warning light labeled malfuntion.

All this is in a movie that sometimes manages to be surprisingly subtle. We are introduced to Nick while jogging, we watch him play tennis with his girlfriend, and see him maintain this exercise regime even while he’s supposed to be under police protection. These shots are in brilliant sunshine, and the camerawork is as active as the subjects. Post-injury, Nick never outwardly complains about his inability to participate in sports, but we now see him sitting in his wheelchair in dark surroundings, with the camera held perfectly still. We feel that he has lost something he loved dearly, and we never need to be told it outright.

We are also introduced to Nick as somebody who is devored to furthering minorities. His two lab assistants are an east Asian student and a Jewish one (the latter identified as such by a surname, rather than appearance), and the reason he was at the bank was to help a Latino student get a loan. Again, the script trusts the audience to get this without having to draw attention to it through dialogue. These minority characters are, of course, still just accessories to Nick’s story. The Jewish guy in particular is there to be fridged – its his death that leads to Nick flaunting his police protection and getting hurt. But the effort was made to say that minority rights are important to Nick, without hitting us over the head with it.

Theme-wise, Exo-Man is about a man coming to terms with a disability. I should preface this by saying that I am not disabled, so my perspective is necessarily biased. If anything I say below is offensive, that is out of ignorance, and please let me know so that I may edit or delete the review and do better next time. I was actually pretty impressed by how the script and director handled the life-changing nature of Nick’s injury… mostly. I’ll start with the bad stuff.

The attack on Nick comes with a heaping helping of victim blaming. As an important witness in the bank robbery, he was offered police protection. The assassin tries to get around this by putting a bomb in his car, but one of the lab assistants borrows the car for a late-night pizza run, and gets killed in Nick’s stead. This leads Nick to deliberately place himself in a vulnerable position, hoping to draw the killer out for capture and punishment. In the hospital with a broken back, Nick blames the police for failing to protect him, but I’m pretty sure the movie wants us to think that this is really Nick’s own fault. Like the tragic accident victims in Days of our Years, he has nobody to blame for his own misery, or that of his loved ones, except himself.

After that, however, the movie’s treatment of Nick’s disability improves quickly. His girlfriend Emily leaves him, but that’s not because he’s in a wheelchair, it’s because he’s too busy wallowing in self-pity to even let her into his apartment. Later when he apologizes to her, she takes him back and they resume their happy relationship, and the fact that they can’t play tennis together anymore is not an issue. She does not treat him as something to be pitied, she speaks to him on his eye level, and they avoid that weird trope of having the abled partner sit in the wheelchair-user’s lap. Emily loves who Nick is, not what he can do. His colleagues and students, likewise, treat him with respect and help him with his chair, and never make the latter feel like a burden.

By the end of the film Nick has come to terms with his disability. The suit he’s built is not a cure for his condition: in fact the first time he wears it out, it breaks down and he needs help getting back to his high-tech armored van. It’s a tool he has built for a purpose, and he doesn’t feel the need to wear it in non-superhero situations. Based on what we see, he could have built a legs-only version to wear under his trousers and let him go jogging and play tennis again, but that is no longer who Nick is. And when and whether to wear the suit is always Nick’s own choice, not something imposed on him from the outside.

Of course, it would also be really helpful in later maintaining Exo-Man’s secret identity, and I suspect the writers were thinking of that a lot more than they were of things like parents forcing questionable ‘cures’ on disabled children. The secret identity probably would have been a big deal if the pilot had sold, but in this stand-alone story, I thought the suit worked well as a metaphor about a disabled man at peace with himself.

Exo-Man also takes a quick little peek at the morality of vigilante justice, although this comes in pretty late and clearly isn’t something they wanted to get into in any detail. The first person Nick confronts in the suit is the assassin who actually beat him up. He says he didn’t go into this encounter with any real plan… perhaps he just wanted to scare the guy. What ultimately happens is that the assassin climbs a drainpipe to get away from the terrifying robot man, the pipe comes off the wall, and the man falls to his death. Nick feels this is his fault, and so the next time he takes the suit out he does so with a particular goal in mind: he wants to capture the mob boss and provide evidence of his wrongdoing to the police, not to kill anyone.

The mob boss’ name, by the way, is Kermit Haas, which is probably the least intimidating name a movie has ever given to its big bad.

Would that work? Is evidence a guy in a robot suit left in your dumpster for you admissible in court? Isn’t where stuff was found kind of important? I honestly have no idea and I’m not sure how to go about finding out. People might wonder why I want to know and I don’t think saying it’s for my blog would allay their suspicions.

At the end of Exo-Man, I was more entertained than not, but mostly on the level of laughing at the dumb-looking suit and appreciating the fine art of ripping off comic book characters. If that’s your kind of thing then this movie ought to put the fun in malfuntion for you. If that’s not your thing, well… this is an MST3K blog. What are you doing here?

#mst3k #reviews #episodes that never were #exo-man #tw: abelism #70s

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shima-draws · 4 years

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Shima Shima Shima please tell us all about your Wonderland AU for Tododeku!!!

Oohhh! Ooohh I would love to okay let’s see

Honestly it would probably just be easier for me to explain the original movie’s plot rather than just. Trying to make sense of what you don’t know with Izuku and everybody else’s involvement so.

Note that all of this is purely from memory having seen the movie once like, a couple weeks ago in theaters LMAO so there’s definitely gonna be some things I’m hazy on. But! The movie’s online now so after I watch it again I’ll update this post with a better summary!

Under the cut for MAJOR spoilers and also bc it got really long!

So! The Wonderland! It’s about a girl named Akane who isn’t terribly self-assured. She has friends and has a good life but she’s sort of…timid, so she doesn’t put herself out there when she should. This causes issues within her group of friends and even with her own mother, who Akane is sort of distanced from.

The day before her birthday, Akane’s mother sends her to meet up with her older friend Chii to receive a birthday gift. Akane does NOT want to go because Chii’s very…overbearing, and excited, and very very outgoing, completely opposite to her. Chii travels all around the world gathering antiques for her shop (mostly light fixtures tho) and is a pro at haggling trades and prices. Akane calls her a witch bc she rips people off sometimes lmao

Akane arrives at the shop and finds a strange slab with an indented handprint. Akane fits her hand into the indent and finds that it fits perfectly!! This causes a reaction which calls upon a resident from Wonderland, an alchemist named Hippocrates, to arrive from Chii’s basement (which is basically just a little storage hole). Chii immediately gets a broom and starts hitting him with it, calling him a creep and an intruder LMAO

Hippocrates explains that Akane is the Goddess of the Green Wind, and that Wonderland needs her help. Next to Akane, on the table, a little doll springs to life, who’s revealed to be a tiny little chibi character named Pipo who works as Hippocrates’ apprentice. (He’d been hiding there all morning, I guess to scope out the person whose hand would fit into the indentation.) Akane’s hand is still stuck in the little slab by the way and she keeps freaking out. She says she absolutely does not want to go to Wonderland to help them, so Hippocrates gifts her with an item called the momentum anchor. Essentially it’s an item that forces a person to keep moving forward and looking ahead when they try to go back. (Basically it’s an item that forces character development which is pretty wild lol) After Akane gets her hand free, the momentum anchor forces her to accompany Hippocrates and Pipo to Wonderland. Chii decides fuck it she’s going on a magical adventure too, and tags along with them!

When they arrive in Wonderland, they end up at the top of a large sort of watchtower/nest for a huge ass bird. Chii befriends the bird, who is protecting her eggs. As they make their way to the nearest town, they run into a man and his mother, whose ride/carriage cart thing was destroyed by an enormous machine that Hippocrates calls the “armored mouse” (because it kinda looks like a mouse). The armored mouse attacks the cart and essentially swallows it, including the sweater that the old lady had made. Inside the armored mouse, the Main Antagonist ™ of Wonderland greets the newcomers. His name is Zan Gu, and he’s intimidating as all hell. He’s not openly cruel, just quiet, and isn’t afraid to assert his villainly dominance. Most of his face is hidden, but he seems to have a skeletal, sort of robotic body. His cohort, a little cat person named Doropo, teases them. Doropo’s basically a mischievous troublemaker who enjoys making fun of others and getting in people’s way.

Zan Gu and Doropo continue on in the machine, and they head straight for the watchtower. The armored mouse starts to tear up the iron staircase, disrupting the tower. Chii rushes over and manages to save one of the bird’s eggs. Hippocrates calls upon the sheep from the nearby town to come help (and they’re HUGE and FLUFFY and adorable). The sheep crowd in on the armored mouse, and Zan Gu is forced to retreat.

The man who they had saved introduces himself as the mayor of the nearest town. The group walks over to the town, surrounded by hundreds of sheep. Hippocrates explains on the way that the land is dying because there’s a lack of water, which is one of the reasons why he brought Akane there. Akane’s like “How the hell am I supposed to help you get your water back”. They pass a gorgeous flower field which slowly gets worse and more dried out.

The villagers are relieved to see Hippocrates there, who is pretty famous in this world bc of his status as an alchemist. They also jump on Akane, super excited that the Green Goddess of the Wind is here to help them! Night falls and Akane freaks out, because she’d obviously wanted to go home like hours ago, and her mother is probably worried. Chii, on the other hand, is super nonchalant about everything that just happened, and is like “Well we’re already here and it’s late so we should stay, it’ll be fine!”

The group has dinner with the mayor while his mother starts to knit a new sweater to replace the one she lost to Zan Gu. Here we get a bit more into Wonderland’s history–the mayor explains that the flowers and sheep are what they use to make these sweaters and other clothing, but they aren’t selling as well as they used to anymore bc of the water crisis. He’d originally been on his way to a place called Sakasatongara Market with his mother to enter her sweater into a contest. Hippocrates takes over and discusses the water crisis in more detail. The original Green Goddess of the Wind had come over 600 years ago, and had saved Wonderland when they were in a similar crisis. Apparently, there’s a ceremony that is performed every year called the drop mist ceremony, which properly distributes water to the whole land. This ceremony is supposed to be performed by the prince, who supposedly has a lot of magical power, coming from a generation of royalty who can control water. According to Hippocrates the prince has been gravely ill over the past year, and this is because his parents had died, leaving him to grieve and become very sick as a result. Hippocrates believes that Akane, being the new Goddess, has the power to heal the prince and allow him to perform the ceremony. Akane again denies that she has any sort of power like that. During all this Chii keeps pointing out contradicitons in Hippocrates’ story and it’s hilarious because it makes him very angry and flustered LMAO and Akane’s like “Chii-chan, you’re being super rude right now”. I can’t remember if it’s here or not, but Akane sees a picture on the wall of the previous Green Goddess, and she looks really familiar…kind of like her mother…?

The next day, the group of four (Hippocrates, Pipo, Akane and Chii) decide they’re going to travel to Sakasatongara Market in order to deliver the mayor’s mother’s sweater to be entered into the contest. The market is on the way to Timeless Rain Castle, where the prince resides. The sweater is placed into Akane’s care, who promises she will deliver it. They’re given a car, which will help greatly with the journey, and then they set off!

Akane and Chii admire the scenery of Wonderland as they travel, but are saddened when they begin to see areas that have a clear lack of water and have died out from neglect. Meanwhile, in a grungy, dark city, Zan Gu approaches a man and brings him more metal. Apparently the armored mouse had been going around collecting metal, which we find out later that it’s so the armored mouse can be upgraded and reinforced even more to wreak more havoc (along with one other essential upgrade, which I’ll get to later). The man says he needs more metal if he wants to make something out of what they have. Zan Gu does his whole “threaten the victim” schtick, and guarantees he’ll bring more, as long as the job gets done. (I might be remembering these sections out of order but it all happens within the same timeframe, more or less.)

Back to Akane and co., they’re driving in the desert and they head right into the biggest fucking dust storm in the world. They take shelter under a large rock, hiding out there until the storm blows over. They were given huge fluffy suits (bascially fursuits) that were made from the sheep. They’re pink and comfy but horribly embarrassing for Hippocrates in particular to wear LMAO but they’re a great shelter for the storm. After the storm subsides, Hippocrates attempts to fix the car, but finds it’s getting late and that they’ll have to wait until the morning to do so. In the middle of the night, Akane wakes up to see Chii standing outside, looking at the stars. It’s absolutely gorgeous and beautiful.

The next morning, Hippocrates fixes the car! Hooray! With that they drive further north and arrive in a very snowy little village. Akane hears more stories about how things were when water was plentiful, and they’re exposed firsthand to how the shortage has caused people to become greedy. Zan Gu shows up while Hippocrates is out refueling and Doropo threatens the inn owner into giving up food and water. Zan Gu has an intense staredown with Akane but doesn’t do anything more before leaving.

Hippocrates sees the armored mouse on the move and follows them. At this point the mouse has been upgraded and looks more terrifying than ever, and can bulldoze and tear things apart much easier. Zan Gu goes to receive new materials, which are revealed to be missiles for a cannon. Hippocrates intervenes, but Doropo uses his magic to turn the alchemist into a fly.

Akane and Chii worry about Hippocrates’ whereabouts, but with some prodding, decide to head to Sakasatongara Market without him since they’re on a bit of a time crunch, seeing as the drop mist ceremony has to be performed the next day. They pass by Hippocrates’ house (but Pipo informs them nobody is there) and Pipo’s childhood home in the trees, where tons of other little chibi sprites hang about. The girls travel through a steep mountain range as Hippocrates tries to guide them–but being a fly, he keeps getting ignored and brushed off, even by Pipo, who can’t tell it’s him. Eventually they have to drive over a rickety wooden bridge, and Chii teases Akane about her nonexistent love life at school in an attempt to keep things lighthearted and distract them from the terrifying ride over the bridge. Akane pokes back and makes fun of Chii for her failed conquests of men. One of the planks breaks and Chii steps on it, and they’re both screaming as they cross the rest of the bridge LOL

At some point during all this we cut to Timeless Rain Castle, where everyone is preparing for the drop mist ceremony. The prince’s closest advisers decide to go up and visit, and it’s revealed that the prince isn’t ill at all–he’s trapped within a little metal doll’s body, a curse placed upon him by Hippocrates’ “rival”. (He’s a good guy tho too, apparently.) This rival has been asleep for a long time, and is nearly impossible to wake because of how hectic his magic is. (We later see a scene in which several guards attempt to rouse him. His house is literally sitting on the edge of a cliff on one corner, the rest of it floating in the air, and he’s sleeping. No wonder they’re cautious about waking him up LMAO) Because this other magical user has been asleep, the prince has been trapped in this form for nearly a year. They scramble to find out a way to revert him to normal before the ceremony the next day.

After that it seems to be easy going for the girls. Pipo warns them nanoseconds before they drive off another bridge–and land in a giant lily pad! They’re on a huge pond now, with koi fish the size of whales. Pipo douses himself with magic dew that lets him breathe underwater and makes sure his clothes don’t get wet. Chii happily jumps in after, and Akane, after hesitating, also joins them. They ride the giant fish, who push the lily pad with their car across the pond. Akane picks up some sea shells at the bottom of the pond and puts them in her pocket to save for later.

Akane, Chii, and Pipo (and Hippocrates, still a fly) finally arrive at Sakasatongara Market!! First they have to go through customs, in which they’re judged by a group of talking cats (which Chii finds HILARIOUS). Akane is declared as a guilty party bc a few days before, she’d pulled her cat’s tail for sitting on her face. Her cat is revealed to be the leader of the group. She’s briefly given a cat tail herself, which is pulled on, so she understands how much it hurts LOL while Chii teases the rest with catnip and treats. They’re allowed entrance into the city. From the distance, they can see the prince arriving as well, presumably in the royal carriage. They have no idea he’s still in doll form.

In the prince’s tent, Hippocrates’ rival finally arrives. (Guess they managed to wake him up lol) The others beg for him to turn the prince back to normal. The wizard points out that the doll they’ve been guarding so carefully all this time is, in fact, not the prince at all. He uses his magic to transform it–revealing that it had just been a stuffed toy, acting as a decoy. Everyone panics, wondering where the actual prince has gone.

Akane and Chii gaze on as Pipo points out the well where the drop mist ceremony takes place. Sitting in the center of the city (which is p much set up like a giant stadium, with steps leading down to the middle), the well is a huge symbol of peace for the land! And it’s a central part of the ceremony, as well. Chii rushes off to bargain and barter while Akane and Pipo go to enter the old lady’s sweater into the contest.

As they’re walking around, they catch sight of Doropo, who just stole goods from a nearby shop. Pipo orders Akane to chase after him, which she does. As they follow him to the outskirts of the city, Pipo realizes that Doropo might be one of his friends from school, another chibi sprite named Ron. Ron had gone on to apprentice with the wizard, and Pipo with Hippocrates, so Ron had always viewed them as rivals.

On the outskirts of the city, Akane and Pipo see that the armored mouse is there. Moved by her own determination, Akane sneaks into the machine to see what Doropo and Zan Gu’s plans are. Hippocrates follows them in.

They catch a conversation between Doropo and Zan Gu. Zan Gu seems to be getting increasingly frustrated and hasty, and Doropo keeps blowing him off. Zan Gu eventually snaps at him, and the truth comes out. Apparently they plan to destroy the well before the ceremony can take place. If this happens, no water will come to Wonderland ever again, essentially dooming everybody. Zan Gu had gathered the missiles and upgraded the machine with a cannon to achieve this. Zan Gu blames Doropo for everything that happened to him, saying that while Doropo is obviously hesitating, he had been the one to transform him into a monster in the first place. Doropo sadly admits that he just didn’t want the prince to hate him…and this is the part that hit me HARD because we realize that Zan Gu has been the prince this whole time!! We get a flashback to when the prince was actually trapped inside the doll. He angrily says to Ron that if he could allow him to speak, he could turn him back, right? Ron makes an attempt, but he’s not that experienced with magic, so it ends up in a total disaster, transforming the prince into a basic corpse.

It’s at this point where things are set into motion. Akane eventually reveals herself. Pipo calls out Doropo on his disguise, and he transforms back into Ron. Zan Gu prepares to bust through the city walls and destroy the well. The wizard releases all of the magic Doropo had caused, making Hippocrates transform back into his regular self. Zan Gu busts into the city, and Hippocrates tries to stop him. Right as he’s lining up to take the shot at the well, Akane grabs onto him and starts her Grand Heroine Speech. She points out that Zan Gu–the prince–was scared, and that’s why he was doing this, because he was trying to run away from his responsibility. The prince explains his story in detail.

The drop mist ceremony, being a very important one among their family for generations, had been successfully performed by his father and grandfather. However, pressure from his parents, peers and all of Wonderland was too much for the prince to handle, so he started to reject any practices of the ceremony. After his parents passed, that pressure became even worse, because he was the only one left able to perform the ceremony properly. He got angry and scared and started to push everyone away and lash out at those who tried to help. Eventually it got so bad that the wizard had to come in and use his magic to transform the prince into the metal doll, essentially trapping him there as punishment and as a way to reflect on his mistakes. This obviously angered the prince, being trapped in a body that couldn’t move or speak, which eventually led to Ron’s involvement and his transformation. The prince wants to destroy it all, either out of revenge or maybe because he just has little to no empathy in this form and is only full of negative emotions, who can say…

Akane goes on to encourage him again despite all this, and tells him he’s not alone, that she promises she’ll be there to help him. She tells him how inspired she’s become traveling through Wonderland, getting to meet all of the wonderful people, and seeing how beautiful it is. She says she wants to save it, and that she wants to help the prince. Her words, and her change, break the curse on the prince, transforming him back into his adorable princely self. The prince agrees to perform the ceremony. Chii meets up with the group and apologizes to Akane for leaving her alone to deal with everything. Akane asks Hippocrates if they can make another momentum anchor for the prince, because the one she has helped her a lot along her journey and pushed her in the right direction, and she feels like that’s what the prince needs, too. Akane promises to return the next morning before the ceremony to be there for the prince.

Hippocrates, Akane, Chii and Pipo travel back to the alchemist’s house. Together they spend the night making a new momentum anchor, which requires a lot of magic. Akane gives it her all to help! They successfully make a new one, and hurry back to Sakasatongara Market. It’s morning now. Akane rushes to greet the prince, and gifts him with the anchor. She says that they match now, both having anchors. (The prince gets all soft and blushy and it’s very cute.) The prince talks with his adviser, who warns him what will happen if the ceremony fails. The prince knows it’s a huge price to pay, but says he’s ready to do it.

Akane is dressed up in Green Goddess robes, similar to the ones her mother wore. She and the prince cross the bridge which hangs over the well, which is so deep that you can’t even see the bottom. With Akane’s encouragement, the prince performs the ceremony. Nothing happens. The prince knows what has to be done–he strides up to the edge and prepares to throw himself in. Akane understandably freaks out and tries to stop him. The prince explains that if the ceremony fails the performer has to offer their body as a sacrifice to make water flow again. Akane’s like I’m NOT letting you do that, and the two of them start to struggle. The prince manages to make it to the edge–and Akane topples over with him. Both of them fall into the well.

Before they hit the bottom and inevitably die, they’re saved by the wizard. He explains that it was basically a sort of test–the prince had to show he was willing enough to make a sacrifice that big. He says that Akane is special, and that the prince should thank her properly for all her help. They’re sent back up to the bridge! The ceremony begins, and the prince rushes to get into position. The well erupts with water, straight up into the sky, an enormous geyser for all the world to see. The prince takes out his sword and starts to slice the water with it, which turns them into water birds. The water birds fly all over Wonderland and rain down on the land, restoring its vitality. He turns to face Akane to see that she is crying in joy, as is Chii.

After the ceremony ends, Akane and Chii go with Hippocrates and Pipo to return to their world. Akane frets over how much time has passed since they left. Hippocrates explains that, while three days have passed in Wonderland, only three hours have passed in their world. Akane and Chii realize that if they were ever to return, everyone they met probably wouldn’t be there anymore. Apparently the original slab with the hand print Akane’s mother had made was repaired–and Akane stumbles right into the wet plaster, printing her hand there for the next generation. She attempts to give the momentum anchor back to Hippocrates, but he tells her that it had vanished a long time ago, and that Akane had been moving forward by her own momentum and decisions. Akane and Chii kiss Pipo goodbye, and they say their farewells. Hippocrates gifts Akane with a little textile with a sword on it. They head back…and emerge from the basement of Chii’s shop. When they look back at it again, it’s just the storage compartment, and nothing else. Their adventure is over.

Chii goes to take a long nap. Akane rushes home to see her mother. By now she’s made the connection that her mother was the original Green Goddess of the Wind, who saved Wonderland over 25 years ago. Her mother notices the textile and compares it to the same one Akane has in her room. Akane thinks that she feels a lot closer to her mother now. And that’s where the movie ends!

Ofc there’s tons of extra stuff that I missed LMAO but that is the basic plot of the whole thing. Now, as for the AU…Izuku is Akane, obviously, but instead of having her reluctance to go on an adventure, he’s willing, but doesn’t think he’s worthy of being a hero to anyone, and is constantly stopped because of his own fear.

Ochako is Chii–she fits perfectly with her personality lol. Iida is Hippocrates, both being super punctual and easy to fluster. Kirishima is Pipo, and Bakugou is Ron/Doropo–good fits with their characters, and also. Kiribaku moments? *eyes emoji* Todoroki is obviously the prince/Zan Gu! In the AU I’m probably going to extend things a bit further, so Izuku and Ochako stay in Wonderland a bit longer, and Todoroki falls in love with Izuku >:’D As for the smaller roles, I haven’t really decided those yet. Toshi is probably going to be the mayor, and Nana as the old lady. I’ve gotta rewatch the movie again to help me decide on the rest :’D

Buuut yeah! I’m gonna take a lot of liberties with the AU and expand on the movie waaay more, and try to fill in all the plot holes. A lot of the narration felt really abrupt so I’m gonna have fun weaving it all together so it flows! And tons of Tododeku moments because uh YEAH

That’s all for now!! If you’ve got more questions hmu, I’m super down to chat about this more!

#Shima answers questions #The Wonderland #Birthday Wonderland #The Wonderland spoilers #Tododeku #BNHA #Boku no Hero Academia #My Hero Academia #MHA #The Wonderland AU #Shima's AUs #Izuku Midoriya #Shouto Todoroki #Katsuki Bakugou #Eijirou Kirishima #Tenya Iida #Ochako Uraraka #Long post #I'M SORRY IT'S LIKE SUUUPER LONG AMDKASMDALDS

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dndaddyissues · 4 years

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im new to DMing, and while i seem to have gotten the hang of most things well, im super confused when it comes to running battles (especially when theyre my own monsters) how do i balance a battle? how do i tell how many enemies/how much health per enemy = fair for certain amounts of players? is there a chart or resource somewhere you know of, or is it all intuition? (bonus question: how long should normal and boss encounters last irl time wise?) thanks so much!

thanks for sending me this question! this answer is particularly huge… you have been warned.

as usual, here’s the tl;dr:

- for an easy to moderate challenge, have the same (or fewer) number of enemies as there are players;

- for an advanced challenge, outnumber the players;

- lower your enemies’ AC to something that your players can hit 60-70% of the time;

- in exchange, buff your enemies’ HP;

- feel free to fudge hit points whenever you want;

- utilize the “minions” mechanic from 4th edition;

- for boss battles, introduce special bonus actions, reactions, and villain actions;

- combat usually lasts 3-4 rounds: plan accordingly;

- ask yourself: why is this combat happening? what narrative/dramatic and character stakes can i introduce?;

- and have fun!

i want to preface my answer by saying that i don’t enjoy easy combat – unless played for laughs/comedy, or used to foreshadow something plotwise (like a goblin scout’s death alerting the goblin horde at large), i hardly ever throw an easy combat encounter at my party.

so, the following advice is given with challenging the players in mind – either moderately, immensely, or impossibly. i guess i’m just a big sucker for jim murphy/matt colville-style DO OR DIE challenges. otherwise, what’s the point?

another preface: this answer is given in the spirit of avoiding the “slog” – the combat encounter where it feels like baddies and PCs are just stepping up to the plate, whacking at each other, and stepping back down. that’s boring. and boring combat is the worst. sometimes it’s unavoidable – we all have our off days, nothing wrong about that – but the less that it happens, the more fun that everyone has! right?

now, on to the answer itself!

first of all, i’ve already written an answer to an ask a little while back about combat that might be useful to you. click here to read about how to make more action-oriented monsters, especially for boss battles and random encounters that you want to feel significant and deadly.

second of all, here’s the 5e CR encounter calculator i used to use all the time. it’s extremely intuitive and has toggles for number of players, level of players, monster CR/EXP, and how difficult encounters would be rated (easy, medium, hard, deadly).

third of all, i never use that calculator anymore.

over the course of the 2.5 years i’ve spent DMing 5th edition, there are three main things i’ve learned that can drastically increase, or decrease, the difficulty of a combat encounter. they are: # of baddies, armor class, and # of hit points.

regarding # of baddies. due to how the action economy in 5e plays out, the more creatures there are on either side of a combat, the bigger the advantage that side has. it’s just kind of how it works. so, an easy way to bump up the difficulty: throw more monsters at the players than there are players.

the one soft exception is boss battles. personally, i fucking LOVE having just ONE, super badass, super hard to kill, hardcore boss that the party gets to face down during crucial turning points in the campaign. it makes me feel like i’m running fucking Dracula in Netflix’s Castlevania against some lovable and deadly dumbasses. it’s great. it’s fun. it’s thrilling. to make bosses as challenging (and therefore rewarding) as possible, i highly recommend reading the ask i linked earlier in this reply. (click here for the link again.)

now, i say it’s a soft exception because i like giving my bosses minions. i basically utilize the 4th edition (i think?) “minion” mechanic where the AC, bonus to hit, and damage of all minion creatures are the same as regular versions of the creature. the only difference is, they have 1 HP.

this can give the PCs the awesome feeling of wading through waves and waves of minions – say, dozens of zombies, as an evil lich cackles upon their raised stone dais 80 feet away. i don’t utilize this too often because then it can feel tiring to the party. but done sparingly, and with narrative stakes, it can be quite thrilling! (that maxim is also true for basically any kind of combat encounter in D&D.)

regarding armor class. obviously, the higher the armor class, the harder the challenge. if you can’t hit the damn thing obviously you can’t kill it. i personally like to pitch the AC of my enemies a liiittle bit lower, to increase my PCs’ probability of hitting. the exact number of the armor class will depend on your players’ level.

as a super general guide for players at level 3, 10-13 is easy, 14-15 is moderate, 16-17 is challenging (heavily favoring 17), and 18+ is very challenging/almost impossible.

just so you know, i generally set my enemies’ ACs for a level 3 party to be 13 for less important creatures, and 14 for more important creatures. i’d probably set the AC to be 15 or 16 for a mini-boss, and 16 or 17 (if i’m feeling cruel lol) for a boss.

obviously, this scales as your party levels up, finds magical items, and gains special features and boons. i would scale the difficulty by 1 when they hit level 4 and get an ability score improvement, and then by 1 every 2 levels or so.

in other words, at level 4, i’d consider an AC of 11-14 to be easy, 15-16 as moderate, 17-18 as challenging (heavily favoring 18), and 19+ as very challenging/almost impossible. and by the time your party is levels 12-16, AC can often feel like it doesn’t freaking matter anymore because they’ll be able to hit, like, fucking everything. anyway.

there’s some nitty gritty mathematics about this if you like to get granular. this is a good video about dice math, armor class, and calculating advantage mathematically if that sort of thing interests you.

regarding # of hit points. honestly, i fudge this most times. because i like to scale my AC on the lower end, in exchange, i make my creatures fucking FAT. like, i’ll look at their stat block in the monster manual, and add 30-50% to what they already have. sometimes i’ll straight up double or even triple it.

for example, the spectator normally has 39 hit points, but i gave my spectator ~100, because it was a miniboss. i did, however, keep its armor class at 14 because that meant my players, at 3rd level, would be able to hit it 60-70% of the time. this strategy of mine tends to work out, because my players are usually able to dish out a LOT of damage per round. (we have a barb, a fighter, and a warlock in the party lol.)

something i did in the spectator fight, that i wish i didn’t do, was stay faithful to the number of hit points it had. the barbarian ended up killing it with a rather anticlimactic attack. i know for certain that my warlock, which was next in the initiative order, had this SUPER cool and character-relevant attack planned. what i would do differently, is keep the spectator alive just long enough for my warlock to do their cool fucking move, and have that move kill the monster.

and now for the big takeaway. combat, for me, is all about giving my players a chance to shine, be badass, utilize their class abilities, and be creative. just like any other aspect of d&d, such as roleplaying and exploration, combat is an exercise in collaborative storytelling (for me, at least).

i rarely introduce combat that doesn’t tie into an A plot, a B plot, or a side quest that the PCs are chasing. i don’t have anything against random encounters – in fact, i ran some RE’s in the second-most recent session – but what makes combat fun for me as a DM is the fact that it advances story, and potentially deepens the players’ understanding of their character.

so, before you throw your players into a combat situation, ask yourself: why? how can i make this narratively dramatic – and not just a slogfest?

bonus answer: most combat encounters will struggle to last beyond three, maybe four, rounds. especially if there are an equal or fewer baddies to the player characters. however, this isn’t necessarily a bad thing. in fact, if combat went on for five, six, seven rounds, it can begin to feel like… well.. a slog.

so make the most out of your three, four rounds, and make each combat encounter unique! how about an environmental challenge? slippery ground, swinging axes, pools of lava, a sudden earthquake, a portcullis dividing the party, water filling the room.

or roleplay/plot-related challenges? maybe there’s a circle of mages attempting to summon a demon that are protected by enchanted suits of armor that the PCs need to hack through. maybe there are hostages. maybe there’s a powerful magical artifact that the baddies and PCs both want, and the challenge in the combat lies in who can most deftly and efficiently maneuver through the clockwork maze protecting the raised dais the item resides upon.

#ask #reply #dnd ideas #dm tips #combat ideas

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crossdressingdeath · 4 years

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(1/2) I remembered a new JC pet peeve and the thing that made me realize there was a fanon JC which (surprisingly and unnervingly) has nothing to do with the character in the story, the insistance in the fandom that JC torturing people rumors are false, when they are not! In the book, they are widespread to the point that LWJ and the juniors feels that they must bring WWX to Gusu to protect him but it's also confirmed by JL, a rando innkeeper from Yunmeng and JC himself in his inner monologue!

(2/2) Even in CQL, JL confirms it and why would he perpetuate a rumor about an uncle that he loves! Why people can love XY or JGY as the horrible murder gremlins they are but JC gets the whitewashing treatment? And when it comes to JFM's supposed infidelity brought up by YZY, it's of course not rumors anymore, it's JFM favoring his bastard love child and hurting poor JC ego (I guess the idea that some charas will be stronger or morally better than JC just doesn't sit right with some people smh)

(3/2 lol) Like not trying to be a WWX evangelist, but he's the main chara, of course, he has plot armor and justice on his side and a bittersweet but happy ending. Rotfl at the dis-core-se though, that's typically coming from the same place of needing to preemptively justify JC callous actions post-rebirth as right because "he doesn't own WWX shit"...Like yes, he does? A thank you for your concern and love? A sorry for the abuse from my family and making you feel like you needed to go that far?

Yes, everyone who brings up the torture thing in-universe believes it whole-heartedly, including JC’s own nephew, the one person outside of JC himself who has a reason to lie to defend him! Despite appearing to genuinely hate WWX and all demonic cultivators, JL rescues him from JC. That’s how bad he is; his own nephew feels the need to rescue someone he doesn’t like because he doesn’t deserve what JC will do to him otherwise. Like... JL loves his uncle. Why would he believe a rumour saying that JC tortures people to death if it was completely unfounded? Hell, if JC isn’t torturing people to death it’s almost more worrying, because if JL hasn’t seen anything suggesting JC tortures people to death, what did JC do to make JL believe the rumours? The only thing even vaguely suggesting that the rumours are just rumours is that... the sects make things up sometimes. That’s all there is suggesting that he’s innocent of torturing people to death. Not exactly a strong case.

To be fair, I don’t see a lot of people suggesting WWX really was JFM’s bastard, just that JFM was in love with one or both of WWX’s parents and wishes WWX was his, so he treats him better than he does his own children. Given he tells WWX to his face that he should die to protect JC and doesn’t even apologize for it or tell him the fall of Lotus Pier wasn’t his fault or offer anything even approaching comfort, that seems... unlikely? More likely, JFM took him in out of a sense of duty to his parents and focused on him over JC through a combination of feeling he doesn’t have to be as hard on the child who won’t inherit anything (as WWX himself speculates) and perhaps some guilt over the way YZY treated him. But nooooooo, he’s totally just favouring WWX over JC for shits and giggles, not like there might be factors at play beyond WWX being the favourite and damaging JC’s precious, fragile ego.

WWX did some pretty horrible things. Like, no one’s arguing that the various massacres he caused were good; they were caused by him losing control of the incredibly volatile power he was using due to stress caused by being horribly mistreated by... pretty much everyone, so the degree to which they were precisely his fault is debatable, but he did do horrible things, and he himself takes full responsibility for that. Certain JC stans, meanwhile, insist he doesn’t owe WWX anything because clearly everything that went wrong in his life is WWX’s fault so everything WWX sacrificed and gave up for him is meaningless. Oh, but that one (1) time JC took a risk for WWX is super important so even though JC refused to tell WWX about it and so he has no reason to know about it WWX should be beholden to JC for the rest of his life to make up for it, never mind the fact that as a direct result of that WWX ended up losing his own golden core. And also the fact that JC slaughtered his new family and caused his death. That’s not important.

#grapehate #asks #anon

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cosmiciaria · 5 years

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Radiata Stories review! (spoiler free - long post!)

I am SPEECHLESS. I can't believe I spent so many years without knowing about this game. My friend thoroughly recommended it to me but with my ps4 and many other pc games, I just wasn't in the mood for a ps2 oldie. But here I am, and I want to spread the word: play Radiata Stories.

In the world of Radiata, the land is divided into regions that belong to different races: elves, dwarves, orcs, humans (and ronsos – no, sorry, wrong game – but you can't fool me there's a lion guy who looks like Kimahri from FFX). These species have been at odds since time immemorial, and thus the dragons – Earth, Water, Fire, Wind, Silver and Gold – have guarded their beings from above.

We follow Jack Russell, a 16-year-old who dreams of becoming a knight. We accompany him to the entrance exams, only to see him fail miserably against a girl, Ridley Silverlake. Despite his clumsiness and obvious embarrassment for having been defeated, he's allowed to join the Radiata Knights, alongside Ridley, only because he's the son of an important late knight. They form a new brigade called Rose Cochon, under Captain Ganz Rothschild's leadership.

This trio will be sent into action in no time. Their dynamics are fun and there's a bit of rivalry between the two new knights, but they get things done. Ganz is proud to finally be able to be captain of his own brigade, and regards his two pupils with care and wisdom. This seems to be the flow the story is going to follow.

An important quest arrives: Rose Cochon brigade must reach the Elf Region and ask the Light Elves leader for a favor. However, things get tough in their journey there: a blood orc attacks the Dark Elves village, and the brigade plunges in to fight and defend.

In the battle, Ridley gets mortally wounded. Jack gets all frantic and desperate, and the brigade asks for the Elves' help. Lord Nogueira, the Dark Elf leader, decides to do the unthinkable for non-humans: the only way to save Ridley is to perform the transpiritation ritual, a spell only available for elves that allows them to take the soul of a dying fellow and use it to heal another one who might still live.

The ritual is successful, and Ridley's soul is fused with that of a small elf who'd died in the battle. Everything seems to settle down for a bit, with Jack and Ganz returning to Radiata City filled with good hopes for Ridley.

The next day, you're fired from the Knights.

This is where the game opens up for you!

From now on, it's just you, Jack, in the middle of a big city, paving his way to the top of the Vancoor Theater guild, the guild of warriors. Since the only thing you can do is fight, better to put it to good use and earn some money in the process!

The game offers a variety of things to do. You can start recruiting people as party members. You know, like, in Dragon Age, you can recruit characters into your team? Or, in any other rpg, that you have a team of five or six characters, maybe some more? Yes? Ok, here in RS you can recruit (listen to me) over 170 characters. Yep, you read right. Mind you, you can't recruit them (catch 'em all) in your first playthrough, but just so you know, yes, this game is that big.

Some people will ask you for a favor before they're added to the 'friend list', but others will join your right off the bat. Once you have a respectable team of four party members that you choose, you can begin doing solo missions, which are the guild's assignments to you and will redound in money and goodies. You get to know the other guild's members, you get to fight alongside them, you get to know and care for the civilians in the city. With a night-day system, if this game is anything, is alive.

NPC's have their own schedule: following the clock in the top left corner, they do and say different stuff depending of the moment of the day you approach them. They're walking around the city, performing random things, making them seem alive. Some events are only available at night, some others only during day. Some people will be nice, others not so much. Some parts of the city will shine, others will look depressing and dirty. Birds chirp, trees are swept by the wind's fine breeze, mosquitoes swarm around – this game breathes life into its pixels in every corner.

Now that we're on the aesthetic aspect, I must admit, this game looks gorgeous. With a very prominent anime artstyle, still it aged pretty well for today's standards: sometimes the lighting was too real, the sunlight pouring from the mountain's side, the character's long shadow stretching onto the road. The animations are good as well, as are the physics: I am beyond amazed by how well clothes and hairs move as flawlessly as if they were real. Each of the recruitable characters have a different victory pose and they have different lines for everything. Some particle effects are really nice, since I didn't think there existed the technology for it back then. The main city is huge, and when I say huge, I mean, every door you see, you can enter, and inside you'll find at least a two-floor building with objects to interact with and people to talk to. And don't even get me started on how BIG the Vareth Institute is in itself – and all that stuff is optional! The world is also vast and filled with brimming elements, although don't be fooled by the illusion of 3D: this game is, mostly, a 2D experience when you want to go from point A to point B.

You'll spend a good chunk of your game doing tasks for the guild. In the meantime, Ganz is somewhere playing the bandit and Ridley is hearing voices in her head. In this 'middle' part of the game, the story seemed to drag on forever for a bit: I wanted to go on with the main plot, and, while you can actually do that (just hit the sleep option over and over until a cutscene appears), the game tends to make you go through long and tedious solo missions to get that Grind™ you need. Dungeons are not long or too big in reality, but the number of encounters (which are forced on you since you can't avoid enemies by circling around most of the times for the 2D aspect) turns what should've been a walk in the park into a dragging hell. This portion of the game, I'm not going to lie, seemed a bit too long for me. And since the gameplay mostly consists in pressing the circle button and hearing Jack yell "Ha! Haiiyaah! Ha! Haiiyaah!" for ten hours straight, yeah, it can get boring.

But I guess the game was trying to make you feel at ease, comfortable around these walls. You're training your fave party members, you go with them everywhere to play the warrior and earn some money, you get occasional messages from Ridley telling you everything's fine – until the plot makes a halt and suddenly you must choose.

I'll keep this spoiler free, but this game is almost fifteen years old, so these are no news: there will come a point where the plot branches into two possible paths, the Human side, and the Non-Human side. I can't tell you which one is right, for there seems to be pros and cons in both, so I'll let your heart decide. For what we care now, I chose the Non-Human side, completely convinced with my decision, only to see myself doubt in many instances.

At this point, your plot shakes. Your comfort zone breaks. Suddenly, things are changing: your team is not there anymore, Ridley acts weird, where the hell is Ganz, what's going on with the dragons? Who am I supposed to trust in this world full of people who just want to exterminate each other?

I won't spoil it. I'll just say, that whatever you choose, please stand firm by your decision. You'll need that conviction, because the game is going to make your ground tremble a few times. And with those endings that await you – man, I don't know if I want to finish either path.

So, to avoid spoilers, I'll talk about the characters a bit!

Jack is your main protagonist, as you could've guessed. He's your average shonen main guy, at least in the beginning hours. He's clumsy, he wants to be a hero, and he even mocks shonen protagonists by saying that he'll awaken to a dormant power and save the world with his friends. But life hits him hard, accuses him of things he hasn't done, and so Jack evolves across the story. His character development is subtle, but it's there: he starts off as a brat who wants to fight, ends on a mature note, with some quite insightful thoughts and reactions I haven't expected from him. Normally, the shonen guy remains a shonen guy; this doesn't happen here. Jack ends up being an adorkable character, worthy of respect, sympathy, and a force to be reckoned with.

Ridley remains a calm force during the game. She's collected, she's well-educated, and she knows her way around. At the beginning, she can't stand Jack much, but as days go by, she starts to consider him as an equal and true friend. In the Non-Human path, her romantic feelings towards him are crystal clear: there's a small spark between them, that flickers every now and then when the plot allows them a moment's respite. Only them and a handful of other characters know the truth behind the transpiritation event, and as such there's a profoundly deep connection that keeps them together, although they're separated most of the story.

Ganz is ma fave boi and he must be protected at all costs. A young and promising man, Ganz was created to be likeable. You can't help but sympathize with his funny appearance: chubby, huge armor, huge sword, and funny moustache. But he's also a man of wisdom, with a golden heart. He's righteous and wants to do good. And he deserves all the love in the world.

Other notable characters are Genius, a scientist who's obsessed with the transpiritation thing that went down, and may know more about the plot than it seems at first glance; Natalie, a guarding woman who works as Ridley's not-so-secret bodyguard; Larks¸ the leader of the Knights and whose motivations remain a mystery to me even to this day – I can't read into this character at all!; Lord Zane, the leader of the Light Elves, who laughs maniacally when no one is watching and I can't bring myself to like him; Gawain, Ganz's father, who disappeared 16 years ago since his best friend died; and Cross, Ridley's fiancé, who just wants to be the best hunter and paves his way to the top of the knight ranks by any means necessary. I hate this guy so much, his only trait is 'I am a bad person' and that's it, he's so cartoonishly evil it makes me want to punch the screen. Probably you see more of him in the Human path, but unless he has a very tragic backstory to redeem him, he's not likeable at all. I mean, you can say that he has ambition and he gets s*it done, but still, damn him, and his voice actor, UGH.

Despite some minor thingies, the relationship between the characters is gold. Jack and Ridley are cute and make me wanna draw the meme of NOW KISS every two seconds. Jack and Ganz are companion goals. Ganz and his father – I loved that they kept their interactions personal and off screen. Idk why, but this story is about Jack, and yes, I care for Ganz as well, but his trouble with his father was his own, not Jack's, so I guess this is a director's decision which I'm 100% behind.

The plot can get predictable at times, but there's also a healthy amount of plot twists that made my jaw drop in a few occasions. I mean, I guessed who the bad guy was since the beginning, but let's face it, it's pretty obvious and the game doesn't hide it. There are other things that made the plot unfold worth my time, like trying to recruit that awesome character, or like what is the deal with Jack's late father, or what the hell is going on with Ganz, and what will happen to the city now that I'm on the Non-Human side? And the game answers them all (I read that the manga answers even more questions, so treat yourself).

All in all, RS is a vast jrpg experience, with high replay value and tons of things to explore. The world seems small, but it isn't. There's always a reward for those who wander off. For a ps2 title, this game is giant. And in the good sense. I thought I had seen the pinnacle of the ps2 era with Final Fantasy XII, but I'm highly considering changing my view on that one.

The endings are bittersweet in both paths. There's not a complete happy ending, I warn you. Things get darker towards the end, and the story knows how to subvert expectations in the good way. Remember Jack saying he wanted to be the hero like in a shonen anime? Well, not happening in this game guys. At the end of the day, this isn't a shonen story: this is a Radiata Story (roll credits), and like in every country's history, sometimes blood must be shed for events to take place and situations to unfold.

I am beyond pleased with this game. I'm considering playing through the Human side now – but first I need to recover myself from this Non-Human ending. I'm not ready to face more tragedy yet.

Go play it. Just do it. You won't regret it.

And pray that Tri-Ace develops ONE DAY a decent sequel.

#radiata stories #tri ace #jack russell #ganz rothschild #ridley silverlake #square enix #videogame #videogame review #review #ps2 #valkyrie profile

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