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not-wholly-unheroic · 3 months

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A Comparative Analysis of Hook’s Ship and Cabin in Popular Media Portrayals

Part 3: Steven Spielberg’s Hook

Not gonna lie—visually, Hook is one of my favorite versions of the character because both the captain himself and his living space are just so incredibly over-the-top with lots of attention to detail. The costuming and set designers really went all-out on this one.

Dustin Hoffman’s Hook has a ship like no other! His Jolly Roger leaves absolutely no doubt from the second you lay eyes on it that it is a pirate ship and throws all sense of practicality out the window in favor of lavish decadence fit for a king. From the outside, the cabin itself is reminiscent of a large skull wearing a bicorn hat with two large windows serving as the eyes. Perhaps most interestingly, the very center of the hat bears what appears to be a slightly altered version of the Eton crest with a skull and crossbones over it. This “knock-off” Eton crest (which was probably altered in the film for legal reasons) or one similar to it, shows up in multiple places inside the cabin as well.

If you look closely and zoom in on the two images above, you’ll notice one (not colored) crest over the piano, one on the desk, and one over the fireplace (which, by the way, does not seem practical on a wooden ship). Some other neat details I noticed in these shots include what looks like gramophones on the desk, images of fencing stances on the wall, and that the bottom of the bed which lowers down from the ceiling appears to be painted. I don’t know for certain but believe that the painting is meant to be this image used for promotional material but not ever actually visible in the film. (Thanks to the HookPosting community on Facebook for the image.)

Interestingly, it still features the hook on the right hand. Perhaps that’s why it was never shown in the film. If this godlike portrayal is how Hoffman’s Hook sees himself, it borders on pathological narcissism.

Back to the cabin itself… When the camera pans over to the other side of the room, we see another mock Eton crest in the background. In another, closer shot, we can clearly see the words “Good Form” over this one. This guy is Eton OBSESSED! (Which, to be fair, is pretty canon.)

We get a few more interesting views of the cabin in the scenes where Hook is attempting to teach Jack and Maggie. There is another self-portrait—though this one is a bit humbler and more realistic. Again, narcissist much? But what’s especially intriguing to me is the fact that if you zoom in close, you will notice that below the painting, there are black and white photographs. Now, so far, everything else about this Hook screams 17th century with the one odd exception of the gramophone(s) on his desk. But one might explain that away as something he picked up while visiting the outer world. But to have photographs would seem to imply that he (or someone he cares about) is from a much later time period. The one seems to be a photo of a young man (Perhaps Hook himself?) while the other is, I think, a couple (His parents? A younger Hook and his former love?). There is another black and white photo, too, that you can see in a shot behind Jack and Maggie that looks like it might be of a sports team… Might this be a team photo from his time at Eton? Unfortunately, without better quality close-ups on these images and input from the set director, there is no way to know for certain, but it certainly is intriguing…and it might explain Hook connecting with Jack over his love of sports.

Hoffman’s Hook is an enigma. His ship is unlike anything that sailed during the Golden Age of Piracy—far too gaudy and over-the-top, both inside and out, to be practical. And yet, there are details that no child would think to make up like the ever-present Eton crest and the black and white photographs. The clashing of time periods apparent in his wardrobe and personal effects lines up well with Barrie’s own conflicting information regarding Hook’s murky past, but it leaves us as the audience a little unsure what to make of this man. Perhaps, Hook and his ship are still the product of Peter’s imagination…but since Pan has grown up in this retelling, the details of Hook’s cabin have shifted to reveal the same larger than life character as imagined by an adult.

#captain hook #hoffman hook #captain hook dustin hoffman #Dustin Hoffman #steven spielberg #hook 1991 #the jolly roger

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thewriteadviceforwriters · 6 months

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Hey there! I wanted to ask you, I’ve written Fanfictions since I was 12 Years Old, but I’ve never wrote a Prologue for them until recently I decided to write an actual book and I thought that a Prologue would help introduce slightly my story and what my book is about. Still, I unfortunately don’t know how to write a Prologue nor I know what makes a Prologue and a good one.

Your advices and posts always help me sort out things, because the way you explain is extremely helpful, which is why I wanted to ask for your thought and how to create a good Prologue.

Thank you lots in advance, your blog is the best thing I’ve stumbled upon 😭🙏🏻💕

Dear writerly friend,

First and foremost, I want to express my heartfelt gratitude for your incredibly kind words. Your support and enthusiasm mean the world to me, and I'm truly honored to have you as part of this vibrant writing community. Thank you for entrusting me with your question about crafting a compelling prologue—it's a pleasure to help guide you through this creative process.

Understanding the Essence of a Prologue

The prologue is a crucial introductory element that sets the stage for your story. Think of it as the curtain raiser, designed to captivate your readers and provide a glimpse into the world they are about to explore.

What Makes a Good Prologue?

A good prologue effectively achieves several key elements:

1. Engaging Hook:

Begin with a captivating hook that draws readers in. Consider starting with an intriguing event, a mysterious character, or a thought-provoking scene that prompts curiosity.

2. Context and Setting the Stage:

Introduce the backstory or necessary context without overwhelming the reader. Set the scene and tone for the main story while offering hints of what's to come.

3. Foreshadowing and Intrigue:

Foreshadowing elements that tease the plot or hint at the conflict can add depth. Leave breadcrumbs that prompt questions and curiosity in the reader's mind.

Crafting Your Prologue: Step-by-Step Guide

1. Define the Purpose:

Clarify the specific role your prologue will play in introducing your story. Determine what essential information or atmosphere you want to establish.

2. Hook Your Readers:

Begin with an attention-grabbing scene, a compelling quote, or an intriguing statement that creates an instant connection with your audience.

3. Set the Scene:

Establish the setting, time frame, and introduce the characters or elements that will play a pivotal role in the main storyline.

4. Balance Revelation with Mystery:

Reveal enough information to pique interest but maintain a sense of mystery to encourage readers to venture further into the narrative.

5. Leave a Promise:

End your prologue with a promise—a hint of what's to come. Create a sense of anticipation and curiosity that compels readers to continue.

A World of Possibilities

In crafting a prologue, the canvas is yours to paint. Embrace the opportunity to enchant your audience, leaving them eager for more. Remember, there's no one-size-fits-all formula. It's about finding the balance that best suits your story.

Thank you once again for your unwavering support and trust in my guidance. I'm elated to be part of your writing journey. Feel free to reach out if you need more specific advice or have further questions.

Warmest regards and happy writing!

TheWriteAdviceForWriters Rin T.

Here's a detailed 20 step-list on how to write a prologue you can copy and follow through with. I guarantee a successful prologue with this numbered-list

20-step list on How to Write a Prologue

Understand the Purpose: Clarify the prologue's role in setting the stage for the main story. Determine whether it's essential to introduce backstory, create suspense, or set the tone.

Identify Key Elements: Determine the critical elements, characters, or events that the prologue should introduce without revealing too much.

Engage with an Attention-Grabbing Hook: Open with a captivating scene, an intriguing quote, or an action that immediately draws the reader in, compelling them to continue.

Set the Scene: Introduce the setting, time frame, and any significant elements crucial for understanding the main storyline.

Balance Information and Mystery: Reveal enough to create interest without revealing all the details. Maintain an air of mystery to encourage readers to delve deeper into the narrative.

Character Introduction: Introduce pivotal characters or elements that will play a significant role in the unfolding story, giving readers a glimpse of their importance.

Establish a Clear Connection: Connect the prologue to the main story by hinting at its relevance without directly revealing the entire plot.

Create a Promise: End the prologue with a teaser or a promise—a subtle hint that something compelling or intriguing is about to unfold in the subsequent chapters.

Foreshadow Subtly: Include subtle hints or foreshadowing elements that will resonate with the reader throughout the story, creating an air of anticipation.

Maintain Conciseness: Keep the prologue concise. Avoid overwhelming the reader with unnecessary details, ensuring every word serves a purpose.

Emotional Engagement: Infuse the prologue with emotion, making the reader feel connected or intrigued by the characters or events introduced.

Reflect the Narrative Style: Ensure the writing style in the prologue reflects the overall tone and style of the complete work, offering a preview of what's to come.

Evocative Descriptions: Employ vivid and evocative descriptions to paint a picture that engages the reader's imagination and emotions.

Pace and Flow: Craft the prologue with a rhythm that balances momentum and intrigue, propelling the reader forward into the story.

Revisit and Revise: After writing the prologue, revise it critically. Ensure it aligns with the overarching story and effectively accomplishes its purpose.

Seek Feedback: Share your prologue with trusted peers or beta readers for constructive feedback. Gather insights on its impact and effectiveness.

Read Other Prologues: Study and analyze prologues from published works in your genre, understanding how they introduce and set the tone for the story.

Create Intrigue, Not Confusion: Maintain clarity in the prologue while leaving room for intrigue. Aim to engage readers without overwhelming them with confusion.

Satisfying Closure: End the prologue in a way that feels like a satisfying pause or transition, enticing readers to proceed to the next chapters.

Editing and Refinement: After feedback and reflection, refine the prologue, edit for clarity, coherence, and overall impact, ensuring it aligns seamlessly with the rest of the narrative.

#on writing #writing tips #writers block #writing #writers and poets #how to write #creative writing #writeblr #thewriteadviceforwriters #editing #typing #writer #publishing #prologue

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disenchantedif · 11 months

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may i ask for more information about the magical society and human society?? im confused by it, sorry. mainly in how the magical community is so tight-knit and huddles its people into magical spaces (like you said theres only one magical college in this area?). like id like to hear more about that, especially since i assume through chekov's gun that humans/hiding from them is going to be important later? i apologize if i am nearing spoilers. i ask because it's part of why i decided to play a banshee, because they look so human, that i assume having more human-passing characters would be advantagous to the team haha

(i guess i could just be confused in the sense that i am misreading, in which case i apologize. i hope i am not missing the mark totally in what ive processed about this world's lore and relationship with humans)

id also like to hear about why the characters are designed like they are in the sense of "why not more monstrous, why are they so human-looking naturally?" at first I assumed it was because of glamors but then i realized then that Vik would have no horns and Theo no wings and so on with glamors activated. and im asking out of genuine curiosity, not judgement or entitlement; i love character design so im curious why you decided on this relatively high percentage of humanness over a lower (really monster them up basically) or even higher (like Harry Potter and the like where everyone's human, even nonhumans really) percentage. because it seems like theyd still need glamors to interact with humans outside of their secret-society to cover up several traits, but also they wouldn't need much. in most stories i read or urban fantasy, it's either Harry Potter No Glamors Needed We All Pass As Humans™️ or its something where characters have a really monstrous true design that looks very little like their human-glamor-disguise form. what you decided is neither of those things, so im really curious what made you decide that because i dont see it often! (/tone indicactor: i swear to god i dont mean for this to sound critical, im just curious and i think i worded this well enough to convey that im only feeling curiosity but i SUPER apologize if my tone implies judgement)

admittingly, i am more of a monster-fucker than most so i am more used to Katee Robert's The Dragon Bride, if not a full-on dragon love-interest, than i am a dragon like Viktor haha but, again, i do like your designs! im just curious on why that percentage of humanness, basically, in addition to my aforementioned question about this magical society's relationship with humans. your desired percentage reminds me a lot of X-Men's typical idea of mutants (like more Wolverines and Cyclopses over Beasts and Nightcrawlers, if that makes sense) which is oddly nostalgic for me, it makes me miss the X-Men cartoons i used to watch hahaha

So, when it comes to the different supernaturals, you have to understand that there are far more humans in the world. That means a lot of intermixing and typically a lot more human genes as a result.

As I’ve said before, there are totally cambion that are literally half demon (typically they have horns and their eyes are fully black, etc.) and draca with more dragon blood (Vik’s mom is fully human so he and his siblings don’t have wings and the more prominent draca traits aside from horns and slitted pupils).

Sirens are probably the most “supernatural” looking, because of the eyes that glow in the dark, the gills, the claws, the sharp teeth. That’s also because siren pods are more secluded groups that really only interacts with other pods.

As for the magical society’s relationship with humans, the obviously supernatural looking individuals do require glamour as humans at large are not aware of the supernatural.

For example; if an assault or murder were to happen on college grounds, supernatural police officers would be contacted over human police officers due to pre-existing placements on police forces across the world.

The Council, which is the supernatural governing body in each country, has their own officers within the police force that use magic to ensure the continued safety of other supernaturals (though keep in mind the police can still be just as corrupt as the institutions they serve, magical or not).

They use things like mind manipulation and the like to ensure they can detain supernaturals safely to reduce human casualties while maintaining the secrecy of their world.

However, human standards and morals have long since infiltrated the supernatural community. It’s why nephilim are so trusted despite the majority of the old families being corrupt politicians. It’s an interesting relationship to be certain.

#answered asks #lore #species info

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the-official-account · 1 year

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Is it just me, or does lesbian fandom have a problem?

My name is Edil. I've been a medium-sized name in several small fandoms, especially podcast fandoms. I am also a women appreciator, and enjoy media that centers on women. I'm going to mostly be talking about my experiences in two fandoms: The Strange Case Of Starship Iris and Pasithea Powder, both podcasts with central wlw ships, though I've also seen these same issues in Goncharov (1973) of all places.

When I go into fandom I go hard. My brain, which is very autistic, breaks down information of small details for fun. It's the reason why I wrote a dwarnian (TSCOSI's fictional alien language) dictionary for the podcast. The reason why I have a massive notes document on all of Pasithea's season one and the reason the wiki...looks and reads like that. It isn't owned by me, but most of the formatting, fonts, content: yours truly.

And I'm proud of these projects, which took time and effort and skill building to do! But I haven't finished or caught up with either of these podcasts, and that's because the online spaces that center around them have been overwhelmingly hostile.

I have a strong emotional connection to this issue — of whether or not sapphic fandoms tend to be more hostile to diversity, especially race and nuerodivergance — so I can't make a distinct analysis, not without more distance and more information. That's part of why I am making this post.

Mods and members of the TSCOSI discord circa 2020 will know me, and know why I left. That being a series of unwarranted criticisms and bad faith readings that left me with anxiety even interacting with the fandom I loved.

I am probably a lot less known in the Pasithea fandom, because I wrote fewer fics for it and left more quickly. After TSCOSI, I recognized resentment faster. But the Pasithea notes document that I've posted here before and the wiki, three fics, fan art and that one comic that's still to this day the only comic I've drawn: me.

This is not a callout post, not for individuals or for groups, and I don't have screenshots. I am only trying to open a discussion.

See, the pattern that I am seeing is that fandom spaces centering on wlw ships attract fans who are wlw. And while nothing is inherently wrong with that, issues in the lesbian community start to become very obvious.

Firstly, the lack of diversity in sexuality among most of the fan base (As I suspect bi and gay people have largely more popular media that attracts them, and lesbians have to dig deeper for smaller spaces like these podcast) starts to feed this sense of possession among fans. As if there is a correct, normal, or standard way to be sapphic. A set of rules stating that anyone who doesn't obey it hates lesbians.

From Pasithea, I got this in comments about how I was drawing the characters "ugly" (Jane is canonically fat and has a scar, which I made very visible...because I wanted to. I gave her strong Hispanic features because it appealed to me. Sophie is butch, and canonically has or had a buzz cut. Which is what I drew. — The "appearance" section of the wiki? Yup. I wrote that.)

These comments, which were themselves problematic, came from a place of implying I was lesbiphobic for drawing these wlw as "ugly". When in fact, I was drawing the type of characters that would appeal the most to me, and hopefully to others like me.

These expectations of skinny, eurocentric appearing, usually feminine characters... Well it reflects a lot of issues with TERF-y feminism and lesbianism at large. Lesbianism on the internet has an issue with gender essentialism that isn't universal but is incredibly worrying. And when WOC are often masculinized because of their non-white features, that transphobia becomes anti-butchness (or strict standards of butchness) and racism.

While TSCOSI fans were more receptive to my designs, I was drawing in a less realistic style where "ugly" was less of an issue — and, to be frank, The main ship being Southeast and South Asian made it hard to draw them "ugly" from a eurocentric perspective. Realism there would just be...exotic, I guess.

However, with TSCOSI fans there was still a sense of possession around how these characters were interpreted, especially in headcannons, that lead to me deleting more than I posted as time went on. Some of those were genuine issues on my part ("what if the Jewish guy was a vampire in a au haha!" I said. Then went to bed, woke up, googled it, and went "NOPE! NOPE!!! SORRY.") Others were just unnecessary, such as comments on how silly head cannons were "unrealistic", and how I should write more cannon compliant work, rather than what I was doing for fun.

Ultimately these are the ONLY things that made me stop listening to these podcasts. The ONLY reason I put down the projects I poured consecutive hyperfixate weeks into. Part of me thinks it was this enthusiasm in the first place that was the biggest threat others reacted to in how I spoke and acted.

For instance, in trying to write for both the TSCOSI and Pasithea wikis, I had folks try to change my methods of research and writing to a style that worked best for them. When I said they were welcome to work that way, there was no offers to assist. And communication with those who had established work was either non-existent or hostile. I've had people question if my passion projects were necessary, berate me for meaningless mistakes, and treat what could be fun collaborative work like a pissing contest. For TSCOSI, none of this occurred on the wiki, and mostly around documents I owned for my own note taking. Even then, the hostility of Wikipedia culture is an unnecessary and hurtful thing to bring into fandom wiki culture.

The TSCOSI people went on to make a wonderful wiki that I deeply admire, but I still wish I could have been part of that project in its infancy, instead of being pushed away. (I may have made the navigation system if I remember correctly, but I'm not certain. So this is not to say I was not allowed any input whatsoever.)

I love sapphic media, it's my bread, butter, pride, joy, and favorite past time. But time and time again I have found far safer social spaces for media that centers around gay men, even if it isn't my personal first choice.

As a non-white, non-allistic, non-lesbian, not-skinny fan...I have concerns.

I know you all want sapphic media to get more attention. I want that too. But unless you start actively searching for and calling out bigotry in those spaces, it absolutely cannot and will not happen. So much of fandom is powered by autistic people with time on their hands, and I want there to be space for people like me. Who get TOO excited, TOO far from cannon, TOO analytical about race and class and fatphobia and whatever else.

Sapphic media obviously has issues reaching fans that aren't the fault it's its current audience. But the good thing about being part of or close to a problem, is having the power to make incredible, effective change.

I refuse to leave these podcasts behind, I love them more than anything, and the projects I got out of them are still my beloved brain children (The alien calligraphy from the random writing system I made for dwarnian is still up on my wall. "It is what. It IS what, keeps us from the abyss.") I refuse to be shoved aside my racist fans and random people who assume they can act rudely to strangers because they treated characters or lore differently. I refuse to be sidelined from conversations just cause I can act weird.

But I also refuse to spend so much of my beloved labor on people who turn up their noses and belittle it.

This all has had a lasting effect on how I interact with fandom, a legitimate fear-responce to the idea of trying to engage deeply with women-centered podcasts. Something I'm trying to unlearn and overcome.

So. There's my explanation of why I don't do tscosi anymore, which I mentioned on the minibang I'd eventually follow up on. And a criticism of sapphic fandom which, I'll be real, I have a few more essays worth of commentary about, and it's also another expression of how I stare longingly at Pasithea every time it comes up on my dash.

But, most importantly, this is my question of whether anyone else has found themselves in a similar place. If it's a trend or an anecdote.

If you have thoughts, please reblog with them. I'd love to know what you have to say.

#this is going on several sideblogs because its relevant to all of them #edil chats #once monthly discourse post #i guess #everytime i use that tag i hesitate to do it but thats also the point #sapphic #fiction podcast #t3p #the pasithea powder #pasithea powder #the strange case of starship iris #tscosi #yup #this is the kinda post i might have to deactivate over but :P i wanna say what i have to say #goncharov (1973)#elevator pitch podcast #where i expirienced but the same but it lasted me about 4 days cause i learned to see the signs faster

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se-vyg · 2 years

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So… this is a brief review about the mobile game: “The Ssum”.

Pros:.

1. I’m not from Korea or US but one of the things I noticed as soon as I opened the game and started making my profile was that I had avatars that weren't just white, and girrrl that matters to me, you know?!

2. Teo's appearance, I hadn't seen much about the game before launch, but I was quite satisfied with the design (maybe just the first photos, on days 1-2 that were a bit… different for me?)

3. Teo himself is the type of guy I would totally date. He's funny (meaning I don’t mind so much answering him something more sassy), he’s extremely cute too (golden retriever vibes) AND his self-esteem doesn't go overboard (got that Zen?) - as people are saying in the community of both #mysticmessenger and #theSsum: a mix of Zen/Yoosung/Seven.

4. I really liked the game's interface. Yes, there's a lot of information (I'll talk more about it below) but I still liked it, very cute, light tones during the day and dark but yellow tones at night. I like the music too.

5. The community part (which involves the daily studies), seriously, the best part. I have a lot of fun reading what people post, and as you discover other planets things become much better (I just discovered the planet of humor? Where everyone makes jokes and you vote if you liked it or not… like brilliant, right?)

6. The fact that I can customize my routine, seriously, one of the biggest “yeeeah” in this game for me.

7. I also liked the “Piu-Piu”, especially the easter eggs you left in the game

Cons:.

1. The prices girl!!!! urghhhh, in my currency for you evolve to Aurora for 1 month it's 125R$ or if it's 3 months: 300R$ which for me, at least, it's unaffordable. Even if I take the rainbow package it's 100R$ which is still unaffordable for me. Detail this is monthlyyyyy if I had to pay once and that's it I would consider it, but monthly? simply impossible for me and a lot of people.

2. SO MUCH INFORMATION. It was a hit and a miss situation. Because at the same time you have the planets/communities, which are very good, you also have the “orbs” (which in my opinion work like the hearts of the MM) and the “aurora batteries” (which in this case you need them to unlock certain answers and images), in addition to the fact that if you don't have the subscription you will not have access to Teo's private account.

3. What bothers me the most are these “aurora batteries” that you just don't have a daily reward?!? The "orbs" you get so easily, why didn't you put the hardest to earn in the game as a daily reward? Seriously, in a lot of ways you're kind of forcing us to buy things (I almost ran out of batteries because you kept crashing ON PURPOSE the photos Teo sent and for each one you pay 5 batteries)

4. The game duration and recommended age. Game duration: like many players I came to play #theSsum after playing MM and I wonder how are you going to make a 200 day’s game? How can I feel over all this time that my choices are decisive? and the endings? I understand that the purpose of this game is for you to have all this time to get to know the character and “fall in love” little by little. The problem I see is that the story could be too shallow, because unfortunately there's no way not to compare with MM that in 11 days the story was so intense that you buy the idea of falling in love with someone in that period (obviously the characters are super captivating, but the story behind them that motivate us to play over and over again without getting tired, because it always feels like you are discovering something new). And I said shallow because so far it really seems like "very normal" Teo's story, what's the complexity? The plot twist? The depth? Which brings me to the second question, age. MM was +17 and is this game totally family friendly, like +4? So it doesn't even make sense for me to ask about complexity in Teo's story and this is disappointing.

Opinion: overall I liked the game, and I'll keep playing, but I think you have to review some things like: the way you are charging things in the game and Teo's story.

Final note: I don't know how it will work to meet the other characters, but I'm looking forward to seeing the differences between them.

#TheSsum #Mystic Messenger #teo ssum #piu-piu the Ssum

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gate4043 · 8 months

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Ran a one-shot for Thirsty Sword Lesbians called Monster Fuckers today.

Second time running the system, and PbtA overall, went pretty well. Needs some tweaks, might run it again. Maybe I'll do it up nice, put it online at some point.

In the source book, there is a premise given, but not really very much expanded on, called "Dragons and Dungeons", which puts your characters in a community of monsters, as monsters.

TSL and D&D run on very different systems. I would say, from what I've gleamed of TSL and what I know about PbtA, the only reason to go for a PbtA system, at least one like TSL, is if you want to tell a specific kind of story. In a system like D&D, the elements that make up the story can differ drastically and you can basically use the foundations of the world and some homebrew to go from your average "saunter around, go fight monsters in a dungeon, get money, slay dragons, etc" to a city-building sim. Or you can run a circus and instead of just describing what happens, you can actually have your players play the circus games. Can't really accomplish that quite the same in TSL without it feeling like something made specific to the game. It's not as intuitive for the GM because it's not normal for the system.

There are ways to get around that. Obviously the chief way is using stat rolls in addition to moves. If you let players roll their stats on their own, it opens up a whole world of possibilities as far as opportunities go, but it doesn't keep players on theme. The move system is very fun, but it's very limiting. As a GM, what I found most difficult is how to make NPC moves, the best situations to expend strings and what I should be using them on. I didn't make any of my players roll an individual stat, but I did have an NPC make a move in retaliation a couple of times. I get the sense that wasn't the intention, but it can be hard to know the right course of action in the moment.

Overall I had a good session. I think I would run it again, but I don't know how often. I see the advantage of a system like this, which involves fewer world-based mechanics, for settings like A Sea of Pink, White and Blue, which I think I'll run in the future. My reasoning is of course, pirates fun, ship maintenance hard. In D&D, players tend to want to use their pirate ship as a vessel. That's hard as a GM if you don't have resources for that at the ready and know what to do with them, easy if you just go "everything you do in this game is a metaphor for communication, if you fire cannons, it means something, but you don't need to do anything".

Final thoughts, as a GM, this is a huge challenge. My session today was so on the rails it's not funny, there was so much prep involved, and there were still points at which I just found myself stumped. And the fact is, this system promotes so much collaboration. The entire X card mechanic is by its very nature requiring the GM to make an on the fly decision to up-end an aspect of the game, no questions asked. That's a lot of pressure to put on a GM. It does make me think that this system is not necessarily always designed for complex stories. That you're meant to keep it simple and make everything up as you go along based on what your players asked for. I think I might write some stuff challenging that ideal in a way that treats the system with dignity and respect. I'd like to look at how other GMs run this system, because I expect the reason it promotes so much flexibility is because you're meant to be running the game in an informal way when compared to a system like D&D, where everything you need is written down at all times. I'm interested in seeing how other PbtA games run though, I would like to check Masks out at some point.

#thirsty sword lesbians #ttrpg #d&d #pbta #monster fucker

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viteducation · 2 years

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More New opportunities with Multimedia Courses in Australia for Career Growth

In this age of recent Information Technology, the Multimedia Technology has caused some numerous exciting career option for aspirants. one of such vocations is children game design which has become considerably popular within this world. This text highlights variety of these various related career options that are available in video game designing.

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#Short Courses in Australia #Multimedia Training Course #Multimedia courses #Adobe Course

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streaming-yn · 3 years

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(☁️)

HIIII it's 3 am and i'm trying to sleep but brain went brr with ideas n shit and oh well- thing is ; i was wondering if i could make my first request? (smth simple if u want to, no need to be very long or anything + pls don't rush nd take ur time AND don't feel pressured to actually do my request :] ! ) maybe smth ab faceless art streamer! y/n [they/them]?? (if u could add that the reader is like an indie game dev or works for smth like that u'd be sosososososo cool omg) with maybe quackity, tommy, dream, ranboo, niki and/or jack?? idk brain did the storming and its all messy hsdnshhfjsjz (btw! i know it's a lot of CCs so feel free to remove some or do the ones ur only comfy with !!! take care nd stay safe !!! luv ya <3 (/p))

AS SOMEONE WHO LIKES TO GAME DESIGN, CHARACTER, AND PLOT DESIGN YOU BET I CAN MAKE THE READER AND INDIE GAME DEV (and aaaa ty for adding jack!!! I think he's really neat and not enough people acknowledge him :))!!)

Multiple x indie game dev!artist!y/n

pairings: quackity, tommy, dream, ranboo, niki, jack manifold (separate) x indie game dev!artist!y/n

pronouns: they/them

other information on the reader:

. faceless

. knows how to code

. artist

. streams them drawing video game characters

. minor

. makes indie / horror games

form: headcanons

genre: platonic, fluff(??)

warnings: horror games / horror mods, ranboo enderwalk lore in his section

abbreviations: y/n -> your name

quackity

okay let's get the obvious out of the way; definitely going to be the type of person that's like "I'm going to play this game first after you're finished" yk? playfully ofc, n playfully fight with anyone who says the same thing (*cough* Wilbur, tommy, dream *cough*)

he probably wouldn't be on your art streams often – he doesn't really enjoy watching people draw, but he would want to see the finished pics

he would happily be on voice chat with you while you're drawing though!! :D

would be proud to answer any questions you have about character / scene / etc designs!!

"quackity!! so for this character – check your dms for a current picture – would red or purple antenna be better? also, two or four antenna?"

"*gasp* you're asking me?? 🥺" /j

"y'know what, nevermind, chat wh-"

"NO WAIT WAIT"

"so what do you think?"

also, if you do end up sending him the finished pics of the art he will hype you tf up !!!!

would try to get you make joke games – not like actually, it's just an ongoing bit between you two!

if you make a game for him – or give him a sneak peek of a game before anyone else he's going to freak out!! and he won't really know what to say bc putting feelings into words is hard

if y'all ever meet up and you're fine w hugs he's gonna give you a huge hug, hoping that makes up for the lack of words to describe how just,, proud of you he is bc he really really is!!

you're not even in your 20s yet and you can make video games, or help with them?? not to mention how creative you are with the characters and story line??? he's amazed by you

might actually cry /pos if you base a character off of him

like let's say a part of a puzzle is to get a rubber duck and place it into a pond to get the next hint or thing you need – only when he plays it on stream, he doesn't know anything about the game, so you're watching and waiting for him to get there

when he does get there – he finds out the duck has a beanie and has a white ring appear around it that flashes to life before fading out after picking it up, signifying it was the right thing to get

at first he doesn't really notice the ring, "oh! that animation is different than normal" he notes, but mainly focuses on the beanie, comparing it to himself before he glances at chat to see them freaking out over the planet duck reference

then he's just talking about it, shocked of course but flattered, and then you type in chat "you helped me a ton with things I couldn't decide during this game, I couldn't not add you! :)" everyone's just :(((( !!! /pos

overall supportive n proud, maybe a bit loud about games in progress, but just a really nice guy in general :)

tommy

he is ABSOLUTELY loud about your games in progress!! if you don't want something said you have to tell that to him before telling him or else he's going to brag about how cool it is the next time he streams

"chat!! chat, y/n is making this new game and they told me that one of the outfits you can collect for the player is going to be based off me!- right!! that sounds pog!!"

if he ever accidentally let's anything slip on stream that he was supposed to say, everyone who's a fan of you is just like "wow! suddenly! I cannot hear anymore!", sometimes they're like that even if it was okay to say

the just like being surprised :)

as for art streams, he'll try his best to tune in but obviously won't be there all the time! he's usually very active in chat too! likes being on call with you while you do art streams if you let him!

he once convinced you to make a texture pack and a shader (meant for both to be active at the same time), the fans loved it and a lot of them use it more often than the original!!

tommy however, not to much, proud of you bc that must've been a ton of work!! but at some time it slipped his mind that you make indie and horror games; I think we all know he doesn't do well with horror games

so you liking horror and such made the textures look more ominous and just make it look like and area you don't want to be in, and the spook goes up even more with the shader!! it's darker than usual, there's unusual fog, the portals look too dangerous now, so on and so forth yk

so,, tommy didn't use the texture pack for long;;

if you ever raid him after you're done streaming and he has a question, he's literally just gonna ask you on stream

"y/n raid? oh! are they still here?" when you confirm you're in chat, he continues "great! okay I had a question about your new game that's going to be available soon and how to download it-"

fans love how casual you guys are about game information, like you had to teach him how to export a game character he made on the website you usually make yours on (it was for a fun stream) and it was just a simple back and forth but everyone's like omg :((( omg them :((

also if you're the type of person to go insane over tiny details in other games, he will absolutely tease you for it

like you can just be going on and on about how this game had a sentence at the start that had a backhanded meaning by the end and he's just gonna call you a nerd (genuinely thinks is cool how much of the small things you notice in games though)

dream

COMPLAINING ABOUT CODING AND HOW HARD IT IS 🤝🤝

and if you took other coding classes hoping that I'd help with video game coding he'd just listen to you talk about it

"I actually took robotics for a while before because the school didn't have any video game coding classes and I was hoping it'd help either way" "oh?" "it,, it didn't help, it's so hard to code robots and considering how fast I caught onto video game code you think it'd be easier to understand the robot code" "yeah, that sounds reasonable" "NOPE,, WHY R THEY SO DIFFERENT I ALMOST FAILED" "D:"

fanartists like those moments, if one of those talks happen expect a bit of fanart of just dream and you chilling while you talk and he listens, the art always gives off comfy vibes n it's just cute :)

offering him to play a semi-rough draft of the demo so that he could see if it's good or what you needed to do to make it more enticing for the player

power duo fr fr o/

people like comparing y'all to hackers sometimes bc y'all know how to code???

you play into the bit with the fans though and honestly it's so fun !!!

fans: omg,, hackers (affectionate),,,

you next time you stream: hacker voice; I'm in

AND THEY GOT SHOCKED??? LIKE THEY FORGOT YOU CAN SEE THE STUFF THEY POST????

wouldn't be able to watch your art streams for long because he would get side tracked, the streams are just too under stimulating for his brain to focus on, but he'd hang around as long as he could though :)

would be glad to be on call with you while you're doing an art stream – though if he has is game sounds on you may occasionally have to repeat a question that was aimed at him

you're also in his streams when you can :)

also, you like sending donations to communicate rather than chat

one stream dream turned off his donos because you wouldn't stop giving him money 💀

being friends with such a popular creator and being a game creator yourself has it's downs as well

nothing thats too hard to deal with – the most common one is actually kinda funny – some people will slide in your dms acting like they're dream and just got locked out of his account, trying to get you to make them a game

like ??? do they think that dream would mssg you over Twitter or insta?? he has your phone number bro ,😭

also!!! when dream plays through new games you made he complements the small things and complements how hard something must've been to code :)

and I'm ngl, he kinda sucks with every game he plays at first but he's a quick learner so dw :)

would be glad to help if you're having a difficult time choosing between things too! except he'll answer right away without any teasing

"dreammm" "y/nnnn" "for this area should I do like shattered stone walls or mossy stone walls like with vines n stuff?" "depends on the vibe you want, shattered stone would give it a dangerous and uneasy undertone and mossy stone would be more of ominous, if that makes sense?" "oh! okay, thank youuu!!"

ofc if you didn't have a specific vibe or couldn't choose which was better he would just give a straight up answer so you didn't stress out trying to choose one \o/

would absolutely like being a guest in a drawing stream, he isn't the best at art or character design but it's fun to see him try

maybe you both plus some friends do a "drawing Minecraft mobs from memory" stream? ,, with that the thing is; his would mostly be relatively accurate if you could understand wtf he was drawing 😭

dream may or may or have some of your art as his phone homescreen, he loves your style so much :(( /pos

ranboo

first off; he's incredibly impressed!! like!!! you made this game?? this playable game, completely from scratch??? how??

also you may or may not have made a small Minecraft mod for him to tryout on stream,, little gift from you to both chat n ranboo 🤲

its literally all based off his lore,, if you get close to obsidian and crying obsidian fallen down from Undertale starts playing, if you splash water on yourself 1) you get hurt 2) your screen blacks out and when it comes back, your in a different place than before, some things art taken, maybe a few extra things are added

and there's a 50% chance that when you go into your "enderwalk" state (the blackout) you blow something up, so there may or may not be an explosion somewhere nearby, you also have a 20% chance of building something small in you enderwalk state :)

he found it so incredibly cool!!! chat was crying while complementing you while ranboo thanked you and complemented you over n over again

he won't shut up about how cool the mod is for several weeks, maybe even a few months, it's just so cool!!

will absolutely use it as a comeback if you let him; "oh? you got first place? well y/n made me a really really cool mod, so who's the actual winner here?"

will absolutely play every single game you come out with – it doesn't matter if it's his style or not – and he thoroughly enjoys all of the games as well

as for art streams, he will absolutely try to tune in every time he can!! active in chat and donos!!

doesn't really like being in art streams – like in call is fine but actually drawing? not really, he just doesn't love drawing in front of a ton of people

but will join an art stream if you ask

will listen to you rant about whatever, even if he doesn't understand it! like will listen to you go on and on about how well a game set up the atmosphere or maybe talking about how difficult coding is, and he'll converse back with you but won't really understand yk?

"ranboo I just played a really cool game do you wanna hear about it?" "yeah yeah- of course!!" "ok so like, the atmosphere was so well put together- like it was a horror game and I didn't even see the monster but the vibe was so well put together that it was still unnerving!!" "that's awesome! how did the atmosphere get set up the best and when you saw the monster, was it scarier?"

yk what I mean? like engages in convo so you don't feel bad about talking so much, plus shows his interest without the constant "hm?" "cool" etc a lot of people do and even though he does talk more than the acknowledgment sounds many people make he also manages to almost never sidetrack you and when he does it's on accident :)

if your way of learning is teaching then he'll gladly be the person you teach it to if you want! most likely won't use the information therefore his brain won't retain it but that's not on you, and the whole reason is so you can learn, not him, so! ^^

will make sure to take care of yourself, and he has a through way of telling if you have or not bc he's known you for long enough to know that even if you try to hide it a little bit of your tired voice shows so he knows if you've been sleeping like you should

also friends with you on discord, where you have your Spotify attached,, you like listening to music while you work on things that aren't sound related and if it's active later than it should be he's going to confront you

overall wholesome mixed in with a little pain bc both of you are like "ah yes, lore <3" and like to see fans cry /lh

niki

I feel like this is expected but if you need to get extra motivation she would probably be your go-to

she hypes you up but like, in a sweet and quiet kinda way, where as everyone else here would probably be relatively loud ;;

honored to be on an art stream if you invite her :')

and would absolutely watch your art streams when she can :D hypes you up in chat

also compliments, tons of compliments!

might call you a prodigy? bc you're so young but can already make games?? and make income off of them?? and do really good art??? and so much more??? like tell me that's not prodigy energy,

if you make a video game character based off her she might cry,, like in a positive way obviously but like at the same time :(( no don't cry!!

I say might bc it's dependant on how she feels that day yk? like she might just have the almost-cry wobble to her voice or she might actually, if that makes sense?

she genuinely loves your art style!! even if it's pointy and kinda creepy she really likes it!!

yk the "awww (name) :(" /pos she does sometimes? 100% does that with you

there are a few compilations of just "aww y/nnn" on YouTube and all the comments on those videos are just crying over y'all /pos

would be happy to help if you're stuck between some options in a game, but would feel kinda bad bc it's your game, you're supposed to be the one choosing the stuff

assure her that it's okay n stuff n she'll be ok tho !

I can't decide if she would play your games or not

bc on one hand she's a huge supporter of you and your work and would like to experience it first hand

but on the other hand she isn't the best with scry games,,

so maybe she'd do both? maybe she'd react on stream to a playthrough, maybe your playthrough? or maybe she would only play some of your games? I haven't decided so up to you I suppose!

jack manifold

genuinely amazed by your talent and will make it quite clear!!

can and will go on tangents about you on stream if someone brings it up

everyone is so :(( <333 /pos bc of it

will play the games you've made as soon as he can

if there are different games that line up in a story he'll make sure to play them in order :)

people also sometimes compare you two to hackers bc you code a ton and he kinda looks like a hacker

difference here is that both of you play into the bit, it's tons of fun!!

listen, I know he doesn't draw much but I am a firm believer that he will doodle his favorite character(s) from your games after he's done playing them

like after he plays a game of yours then expect a small doodle in your texts :)

you compiled a bunch of these doodles into one picture and made it you phone background and he only found out after y'all met irl and it caught the corner of his eye and he registered "oh hey wait that looks familiar"

he found out while recording the vlog n when editing, the editor was like "hey let's leave this in, it'd be funny if the fans knew right?" ,, the fans were crying for two weeks,, /pos

and speaking of drawings; he would like to be on a drawing stream with you, thinks it's be tons of fun!! :D

and he's usually free to call while your streaming and doesn't mind so if you wanna talk to him while drawing just call :)

and he will watch the streams he can make it to!! he may leave a bit early but he stays for the majority of it

if you make a character based off of him he's going to constantly thank you and brag about how cool you are anywhere he can

"hello manifolders, if you haven't done it already go download (game name)! I'm there!" with a ss of his character from the game and he'll reply to the tweet on his alt to talk more about the game and how much he really liked it :)

another that'll help you were you need it! he'll make it into a joke before anything else, but he'll get to the point

taglist (sorry i forgot to do it on the past two): @cvsmixplant // @l0ver0fj0y // @youngstarfishdinosaur

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lokiondisneyplus · 3 years

Text

Warning: This post contains spoilers for Loki episode 5.

The penultimate episode of Loki introduced several new variations on its titular mischief-maker — including Jack Veal's Kid Loki, Deobia Oparei's Boastful Loki, and Tom Hiddleston's ill-fated President Loki. But of all these new faces, perhaps the most memorable was Richard E. Grant's aptly-named Classic Loki — an older, world-weary version of the Asgardian god we know and love.

Decked out in the familiar green-and-yellow suit from the comics, Grant's Loki is older and perhaps a bit wiser than his younger counterparts. Years of isolation have left him disillusioned and lonely, missing his brother Thor, but that spark of mischief is still buried deep underneath — and he ultimately sacrifices himself to help Loki (Hiddleston) and Sylvie (Sophia Di Martino) escape the Void.

It's a delightful showcase for the 64-year-old Grant, who says he's thrilled to be able to carve out his own chaotic corner of the Marvel Cinematic Universe. Ahead of the series finale this week, EW caught up with Grant to break down his big sacrifice — as well as his newfound friendship with Owen Wilson and his pitch for a Loki spin-off series.

ENTERTAINMENT WEEKLY: To start, I have to ask about your costar: How was working with Alligator Loki?

RICHARD E. GRANT: Alligator Loki was fantastic because in reality, he was three stuffed sofa cushions that had been sewn roughly together to react to. [Laughs] The fact that I was the only person that could understand what he was saying was just fantastic. I think it's the perfect segue into having Classic Old Loki and Alligator Loki as a sub-series to go to next.

So it's safe to say that you would be willing to reprise this character down the line?

If I had a muscle suit, most certainly. I was denied that. I saw the costume design, and I was very familiar with Jack Kirby's original illustrations from the '60s, so I thought, "Ah, this guy's got muscles!" As I had been born without any, I was finally going to get in a muscle suit. I got to Atlanta [to begin filming], and they said, "There's no muscle suit! You're just wearing this!" I said, "But I look like Kermit the Frog!" They said, "Nope, you're not having a muscle suit." So I was very, very upset about that. [Laughs] Short-changed!

I was going to ask about your first impression when you first put on the costume!

That's what I asked: Where are the muscles? Where are the Stallone/Schwarzeneggers here? Because they're missing! This is what people will expect! This was in the costume drawing, and they're not here, and I don't have them! I was very upset.

When they first asked you to join the show, what was that initial pitch like?

I had known Tom Hiddleston socially for some years, and we'd always joked that we could feasibly play father and son because of our vague physical similarities and hairlines, certainly. So when I got this offer at the beginning of last year, before COVID, I thought, "Alright, this is that moment that I had hoped would come at some point." I thought I would play his father, but I'm playing a variant of him. So that's how that came about. I was thrilled.

Tom has been playing his version of Loki for a decade now. Did you get any guidance from him, or have any conversations with him that you found particularly helpful?

He is a walking Loki-pedia, so he was very, very informative about the whole etymology and the history of the Norse gods and Loki. He's also brilliant at imitating people. He goes on chat shows and imitates famous actors absolutely to the letter. I don't have that talent. So when I read the script of episode 5 that I was offered, I saw that [this older version of Loki] described himself in his backstory of being the god of outcasts — rather than the god of mischief, which is so absolutely embedded in Tom's interpretation of the role. So I thought, well, [if he's] the god of outcasts and is somebody who's been isolated for years and living on these planets and is willing to betray himself by going back and being arrested by the TVA and making the ultimate sacrifice, offering himself up to Asgard, I thought, well, this is somebody who is more in the twilight zone of his life, as am I. As opposed to a young man, who's full of mischief still.

So, I thought that was a way into interpreting this character, rather than trying to do — and something I couldn't possibly succeed at doing — a pale imitation of Tom Hiddleston.

I'd imagine that would be tricky, but it would also be a fun challenge: You're basically sharing scenes with all these different versions of the same character.

Exactly right. And I love the fact that he was the one person who could communicate with the alligator. I love that.

So would you now consider yourself fluent in alligator?

Indeed. I am the Doctor Dolittle of the Marvel universe when it comes to speaking to alligators. I speak alligator fluently. Put that in the contract of when I'm doing a series as Classic Old Loki, with muscles and the alligator. It'll have subtitles, so the audience can hear what the alligator is saying, and everyone else is saying, "What is he saying? What is he talking about?" That'll be the way.

I also wanted to ask about your big finale, where we see your Loki conjure Asgard. What do you remember most about filming that final moment?

Huge wind machines, blue screen in every direction, and following a camera on a crane that was maneuvering around the ceiling of the studio, and then swooping down. I was having to shout at it, and then finally laugh in the face of my own immolation. So it was a great thing to do, with these huge air turbine wind machines that were blowing four tons of air at me from every direction. It was exhilarating.

Did you have any practical elements around you at all, or did you have to imagine and conjure it all yourself?

Most of it you had to imagine. The actual landscape that you walked on was real grass and this sort of rocky landscape, but all the other elements — all the ships and all that stuff — was put in afterwards. We didn't see any of that.

The Loki palace that looked like a sort of bowling alley, that was all for real. Everything that you see in that scene was actually built and practical.

Was it chaotic to film in the bowling alley with all those different versions of Loki, bickering and bantering?

Because there was so much action involved, it was paint-dryingly slow, because action takes much longer to do than five pages of dialogue. I prefer talking, as I'm not exactly an action man, as you can see. [Laughs]

Was there anything about joining the Marvel universe that you weren't expecting or that really surprised you?

I didn't expect to find true love with Owen Wilson. We're having a surrogate baby together in October.

Oh, congratulations!

He was just so hilarious to work with. He's just one of the greatest characters I've ever met. He is so open and curious and amenable, with this sort of dry sense of humor. There seemed to be no divide between Owen Wilson acting his part and then just being Owen Wilson. I don't know if he was scamming me, but he was an absolute delight. I loved him.

Was there a particularly memorable day on set with him?

Yes, when we conceived our twins. [Laughs] No, my daughter encouraged me to post this thing on Twitter and Instagram, where he said, "Richard, I'm going to give you some acting advice. Put your camera on." I said, "Yes, okay!" I owe him for that because it got like 640,000 views already in a few days, which on my Instagram feed is off the chart. It's nothing for Beyoncé, but for mine, I'm pretty gobsmacked.

#Richard E. Grant #Classic Loki #Alligator Loki #agent mobius #mobius m mobius #tom hiddleston #interview

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theoriginalcarnivorousmuffin · 3 years

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You wrote your opinions on the Order of the Phoenix, what about the Death Eaters? That's another way of saying Lucius, Bellatrix, and anybody else. I honestly feel that we're running out of HP characters for you to write your opinion and reasoning about, so yeah~

We honestly are. When people start asking me questions about Harry’s nameless and faceless classmates I feel like we’re scraping the bottom of my barrel of Harry Potter opinions.

Though, that said, this is still a very large ask if you want me to analyze very Death Eater ever or even the Death Eaters as a whole (which is worthy of its own post).

So, we’ll compromise, and I’ll just look at the two you name dropped.

Lucius Malfoy

To me, Lucius is by far one of the more intelligent Death Eaters. He’s the guy who makes them almost look classy. I say almost, because Lucius is still a racist domestic terrorist and as the series goes on Tom gleefully drags him into being less classy by the minute (his house becomes a POW camp and housing for the dregs of society, Lucius just sobs, trying to be thankful he’s somehow still alive).

Lucius is rich, sophisticated, and is probably the most politically powerful man in the country. He has a beautiful wife he has... a son (sorry Draco, but you do not live up to your father) the guy has it all.

Which makes it very surprising that he got dragged into this mess. But you see, Lucius is paying for that tragedy we call youth.

Also, as a caveat, I’m about to headcanon hard and will not bother to get into the details of why I think x, y, or z in this post.

Ten years prior to the start of canon, Lucius is a very young man, probably very charismatic, certainly believes he’s intelligent and probably gets decent grades, but nonetheless the kind of stupid you see in men ages 15-25.

He’s likely chafing under his aging father’s strict guidance, knows he’s not going to be Lord Malfoy for years yet, wants to get out there, prove himself, and make a difference for his country. More importantly for Lucius, there’s this hip, exciting, new thing that all his cousins and friends are getting into called “The Death Eaters” (yes, I don’t believe the Knights of Walpurgis/Death Eaters 1.0 ever happened, I think it’s ridiculous that fandom and JKR does, I could go into why but not in this post).

The Death Eaters are led by the single handedly most beautiful, charismatic, man in Britain. (Yes, I headcanon Tom’s still blindingly attractive at this stage, because it makes much more sense to me but we’re not getting into that here.) A mysterious man by the name of Voldemort, Salazar Slytherin’s long lost heir, who has come to resurrect the wizarding world’s true heritage and purge the land of the muggle stain. (Yes, I do believe that no one, not even Lucius who is later given the diary, knew who Tom really was. I believe Regulus’ had only the vaguest idea, informed mostly by Tom’s use of Kreacher to place the locket.) This is the most exciting thing to have ever happened, the rallies probably consist of rich kids drunk out of their minds and maybe even high on a little wizard cocaine, and Lucius is down for it precisely because his father says “Lucius, this is stupid, please don’t embarrass the family.” WELL LUCIUS IS GOING TO EMBARRASS THE FAMILY, DAD! WHAT ARE YOU GOING TO DO ABOUT IT?!

And for a while, it looks like Lucius made the right choice. Things are happening, they’re actually going out and killing the mudbloods! Unlike Regulus, Lucius never has that “wait a minute” moment as he realizes that Voldemort’s actually far more efficiently eliminating pureblood families and sowing dissention in what was once a unanimous force among the Wizengamot (the other pureblood lords aren’t necessarily pro muggleborn, per se, but they get a bit queasy at the thought of blowing them up or Merlin forbid actually blowing up their own public venues wizards use).

And then October 31st, 1981 happens, and it all comes crashing down. Lucius has to desperately lie his ass off, having only the flimsiest lie to rely on, has to hand out a shit ton of bribes, and manages to squeeze his way out of being imprisoned in Azkaban.

I’m sure Abraxas looked at his son, with his tattoo on his arm that makes him another man’s slave, at the utter destruction of the Black family, and just shook his head going, “Clean up your mess, Dumbass Son”

And Lucius does to the best of his ability. While some will always suspect him of being a Death Eater, while some know it, he’s able to climb very high in influence in their ridiculously tiny community. Granted, I do think he messed up, and could never for example run for minister given everything (if Crouch can’t rerun then Lucius certainly can’t). He also shows us that in some ways he is not above the law, he’s very afraid his house will be searched without warrant in The Chamber of Secrets, and this is in part why he dumps Tom Riddle’s diary off onto Ginny.

However, he wields total control of the Prophet, has a seat on the Wizengamot, has the ear of the current Minister, is on the Hogwarts’ Board of Governors, and has his hands in pretty much every pie he can.

I imagine during this period Lucius grows up. He brushes the indiscretions of his youth under the carpet, gleefully leaving it all behind him, and the only real friend he maintains contact with from that period is Severus, the least zealot like of all of them. (Crabbe and Goyle Sr aren’t friends, they’re minions).

Don’t get me wrong, he’s still a racist slime bag, and I don’t think he really regrets the domestic terrorism. He just regrets nearly getting caught and putting his entire family’s security on the line. He witnessed first hand what happened to the Blacks.

And then the worst thing happens: Tom Riddle rises from the dead. He rises, impossibly, from the dead when Lucius has his own hand caught in the cookie jar.

Lucius has been living a life of luxury and influence while his great master, the man he had pledged everything to, was dead. Worse, Lucius took what was described as a treasured item to be protected at all costs, and not only threw it away but sent it to Hogwarts where it caused massive havoc and was ultimately destroyed.

And Lucius, I imagine, no longer wants to serve a master.

But he has no choice. And so begins Lucius’ descent into misery and hell as he’s given an increasing set of impossible, horrific, tasks in punishment that involve him watching as his wife and son are put through hell.

I believe Tom holds a special place in his cold, black, passive aggressive heart for Lucius Malfoy.

First, Tom makes Lucius’ house his headquarters. Oh, Lucius, you have a very nice, very large, estate? Why don’t you host your beloved, mad, cousin, her equally mad husband and brother-in-law? Oh, Bellatrix threatened to cut off your ear? Well, she’s just so passionate!

Second, Lucius is told to go get the prophecy. Well, this is easier said than done. He nearly succeeds but then it all turns into the world’s largest clusterfuck that ends in two notable things. First, the prophecy is lost forever, shattered. Second, the government admits that Voldemort is truly resurrected. Both of these things are very bad in Tom’s book. And the blame can easily be put on Lucius’ head.

In response to this, Draco is now given an impossible task that Draco is too stupid to realize is designed to cause him (and his family) as much misery as possible. Draco is to assassinate Dumbledore.

Likely, Tom was already informed by Snape that Dumbledore was dying. The blackened hand was too obvious a tell coming from too obvious a source for the pair to have hid it. I think trying to hide such information would have immediately blown Snape’s cover. So, Tom knows the man is dying, and doesn’t see fit to tell Draco this.

Instead, he tells Draco, “Kill Dumbledore as soon as possible or I deliver you to Fenrir Grayback.” Draco, however, is young and stupid, so he honestly thinks he is doing this to restore the family honor, earn glory for himself and for the cause, and is expected to do this entirely by himself. As a result, when Narcissa begs Snape to aid Draco, Draco blows them both off and only accepts help from Bellatrix because HE CAN DO THIS ON HIS OWN! DRACO IS A MAN.

This, of course, doesn’t work out either. Draco doesn’t deliver the killing blow, Snape does, but Tom decides to give him a pass.

Instead he moves on to his next plan which is making the Malfoy manor his torture chamber and POW camp. Even Draco, at this point, realizes this all kind of sucks.

And then Voldemort finally dies a second time, and I’m sure Lucius just stares numbly at his malformed corpse, wondering if it will really take this time.

So that’s Lucius for you, paying always for his mistakes, and pretending he’s just as much of a nutcase as Bellatrix to fit in.

Bellatrix LeStrange

God, compared to the novel that is Lucius’ ridiculous life, I really don’t have much to say about her because I feel like there’s not much too her.

Bellatrix reminds me a lot of the Manson family, she gives off those same vibes. Point being, I think even before Azkaban (while Azkaban certainly didn’t help), she was insane and a little too worshipful of Voldemort.

I guess I can start there, I don’t think Bellamort is a thing, at all.

Tom may have, probably did, have sex with her before he died but afterwards? In that body? Forget about it.

That said, I’m sure Bellatrix both wanted to have sex and is convinced she did have sex to produce whatever the hell Delphi even is. It just wasn’t with Tom, and probably was Rodolphous with a Halloween mask on his face as they got a little too into role play.

And there we go, I suppose, I can’t take Bellatrix seriously. You often see her portrayed as sexy femme fatale Death Eater, the most competent of all of them, if a bit of a sadist.

Oh she might be a very good duelist but she’s... Bellatrix.

She prances around in corsets, shrieking madly, and just what part of that is supposed to be femme fatale? I literally cannot take her seriously on any level. When I even try to write her seriously, in very serious stories, I end up with lines like the following:

"My lord, if there's anything you need… Anything from me, specifically, as a woman…"

- Bright Eyes

That was my best attempt. That was the best I could come up with. It’s still something that belongs in a comedy.

So, I don’t think Tom really corrupted her. I think without Voldemort she still probably would have been blowing up Diagon Alley, just in a much less organized manner.

Even in canon she does ridiculous things. For example, Bellatrix, frankly, could have easily avoided prison.

For weeks after the dark lord fell neither she, her husband, Barty, nor her brother-in-law were arrested. Bellatrix in grief and utter disbelief that the dark lord could ever do something so mortal as die, said “remember that other house our lord mentioned, THEY MIGHT HAVE INFORMATION, LET’S GO MURDER THE LONGBOTTOMS!” They torture and kidnap Frank, demanding he tell them where their master is, THEY KNOW HE KNOWS. He doesn’t know. They go too far and torture the man into being a vegetable. “Shit, GET THE WIFE!” They go get the wife, do the same thing, with the same results.

They now have no information on the dark lord, two well regarded aurors tortured into brain damage, and are quickly caught and brought before the court with absolutely no “I was imperiused” excuse they can give out.

How am I supposed to take her in any way seriously?

I mean, to end your life killed in a duel with Molly Weasley. That just says it all.

#ask #anon

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interact-if · 3 years

Photo

Taking the spotlight for Day 6... Lucirene!

Lucirene, author of An Angel’s Song

Latino Heritage Month Featured Author

In the forest of Bres an otherworldly sickness corrodes the soil and changes the creatures within. “A parting gift from the fallen angels” say the citizens of the Hyaku Region and the mark on your hand confirms it.

Though the scent travelling in the air is sweet and enticing everyone knows better than to get closer. But the mark, it pulses, it burns, the pain spreading as fast as the corruption of the forest does.

Your masters are calling, and it seems like this time you cannot escape them.

An Angel’s Song Demo | Author’s Ko-fi | Author’s Patreon | Read more [here]

Tags: dark fantasy, romance

(INTERVIEW TRANSCRIPT UNDER THE CUT!)

Q1: So, tell us a little bit about the projects you’re working on!

I have so many, but the only one public is An Angel’s Song. It’s, more than anything, a story about grief, loneliness and overcoming it all while navigating a hostile environment and discovering long lost secrets about the Divine and about the MC’s country. That one is very cathartic for me to make because of the themes, I feel like I’m working through a lot of feelings I didn’t even realize I had by writing it.

The next one is also an IF and it focuses on comedy, adventure and character interaction. It’s supposed to be more lighthearted, more fun, but knowing me… I don’t know if it’ll stay that way. Basically, it goes: A Captain’s boat falls prey to the storms and the strange creatures living under the sea, and they and their crew end up washing ashore an icy, snowy country. I already have the main cast written down and they have so much synergy, it’s amazing.

And the last one I’ll talk about (a traditional novel) actually happens in the same setting as my second IF, but many, many years before, when their local deity/guardian was born. It’s more of a romance-fantasy than anything, a love story between a Goddess and a half-dragon, however it also showcases many of the situations the people had to navigate and face before their country could become the place you’ll see in my second IF.

Q2: What excites you most about using interactive fiction? What are some of the biggest challenges?

What I like most definitely is how much freedom we have as authors. Of course, one is constrained by one’s ability to code but I think, for the most part, we can do so many things, reach an entirely new level of immersion that would not be possible with a regular novel. It’s amazing how sometimes I’m reading something and get so into it, feel so connected to the MC I feel dread when they do, panic when they have to make a choice that will clearly impact a lot of people in their world. With IF you can really feel like you’re part of the story.

Another thing I like is being able to explore other paths with my writing. Like for example, what if the MC had done this instead of that? How would that have affected their relationships, their world state? Writing branches is a lot of work, especially because they could change so many things, but it feels oddly satisfying when you do decide to include them.

Challenges… Coding, mainly. I feel like a lot of new aspiring IF authors are a bit afraid of coding and I can understand that, especially since, had it not been for the help of the community, I would have taken way longer to actually start using Twine. Hopefully with time for resources come up and it becomes less daunting.

I don’t know if any other author feels the same way but, though I think branching is a blessing, it is also a curse. I can only write the same conversation so many times, I mean I know I’m writing it in different tones and sometimes with different results but it gets frustrating after a while because it feels like you’re stuck, like you’re not progressing at all.

Another one would definitely be finding a balance between reader interaction and just following your vision. Since it’s IF at times I feel like I have to meet a quota of branches or ways in which you can react, sometimes I also find it difficult to make the MC feel like a real person instead of a reader-insert. I’m working on that.

Q3: What has been something in your project you’ve had to do a weird amount of research for?

That’s a difficult one… I don’t know if I would consider it weird but I do tend to investigate a lot about fashion, especially when designing the main outfits of the characters. I spend hours trying to find out what colors were used back then, what they meant, who was allowed to use them. I have this little image with some palettes for kimonos depending on the season.

I also spend too much time coming up with names, especially for places. Like I look up names of places that already exist, what they mean, I try to investigate if the words that I want to use make sense, then I panic because I can’t find anything, but I think that’s usual for writers. I also spent more time than necessary researching for the name of a tree that you will see way later in the book, which no one will probably notice what the name of the tree means or what it symbolizes but it makes me happy.

Honestly, I feel like the amount of research I have had to do has not been particularly weird? If anything at times I think I should research more, even if some aspects of Japanese culture will not apply to Kyou.

Q4: Which of your characters is most like you? How?

The initial version of the MC from An Angel’s Song, which I miss dearly since they had more personality. They were autistic coded too, and I hope some traces of that still remain. Apart from that I feel like all of the characters from the main cast share something with me, even if their experiences are, of course, more dramatic than my own.

A lot of them have issues with a paternal figure or an absent mother, which also resonates with me. Some of Saori’s traits draw inspiration from ways in which I talked or acted before I became a little better at masking, before I became more self-aware. Hazuki being emotional and caring, K being a bit clingy but devoted, Masa having a temper yet loyal, Miwa being friendly but reluctant to open up beyond surface level information. I think those things describe me.

There’s also Rei but I don’t think I’m writing her book anytime soon. She’s someone that’s very family oriented, she’s a bit temperamental but she means well and she’s not afraid to speak her mind. Now that I think about it, maybe Rei is more the person I want to become.

Q5: Does your heritage influence your characters as you create them? (How? Why or why not?)

I’ve been living in Venezuela my whole life so I think so, even if most of the time I don’t even notice it. I believe that this happens especially in regards to relationships because people in Venezuela are very family oriented and also, from what I’ve experienced, they form strong bonds with their neighbors, which creates this strong sense of community —sometimes it goes well, sometimes it doesn’t, but my mom and her friends always make at least some friends in their neighborhoods and they gossip with some coffee about the happenings of the rest—. So when it comes to writing a character it is very important to me to make an emphasis on family relationships because those are a strong part of my culture, of my identity.

In An Angel’s Song you have the main cast having issues or conflicting emotions about one or multiple members of their family, which influence their behavior and their outlook on life, but for the most part they are (or will be) able to form similar relationships with people that are not related to them, or to work towards restoring that relationship, transforming it into something healthier.

In my other books family dynamics are also immensely important. For example, I’m going to mention Rei again because I love her. So, Rei has a sister named Rin, and they are both very close, even if they haven’t spent much time together. Their bond and trust in each other helps them overcome a lot of obstacles and they rely on each other when they need support or encouragement. Rei also has other people that she thinks of as siblings, and restoring that relationship with them is one of her main goals. There’s also this recurring guilt she feels at leaving her birth family and her home to explore, because to her, families are supposed to stay together.

Another aspect that I think influences my writing is religion, even if I wasn’t raised in a particularly religious household nor do I belong to any religion. Religion is a big deal in this country, we have so many events and holidays relating to religious figures. I remember when I was very young I loved going to one of the churches here because the Virgin of that town had a building filled with pretty clothes to dress her with.

So, in that vein, I try to think about the character’s relationship with religion, do they believe in the Gods? Do they trust them? Do they follow local deities or prefer the main pantheon? How does this religion shape the way people interact with each other and the world? In regards to characters that are Venezuelan or Venezuelan-coded… I do have a few that are Venezuelan, but I don’t think I’m going to be releasing their stories soon, so I’ll keep it quiet for now.

Q6: What is something you love to see in interactive fiction?

People being passionate about their work! This isn’t something exclusive to IF, but it is something that I love seeing. I also like seeing the different ways people innovate within the genre. I feel like sometimes, especially with newer writers, there is this idea that an IF has to subscribe to a specific format and that’s simply not true. If you don’t want to use a stat system you don’t have to, if you want to add combat then go ahead, if you would prefer to write an MC that’s already pretty pre-established (which is something that I personally want to try) then there’s nothing stopping you and I encourage you to give it a go. IF is very versatile and it’s wrong to try and fit authors into a box, especially if they want to bring something new into our little corner of the internet.

Q7: Any advice to give?

In general, I advise people to have fun writing, to not worry so much about how good it is, about if people will like it. Writing, at the end of the day, ends up being a pretty solitary activity and having those thoughts in your head too long will make you spiral. Be kind to yourself, be open to feedback when it comes (and learn to distinguish constructive feedback from destructive feedback) and enjoy the exploration of your world and characters.

You are not alone in all of this. If you can, join a group of writers you can talk with, exchange ideas, get feedback from or just exchange memes (the ultimate bonding experience). Don’t be afraid, you’re not alone.

#if: events #latino heritage month #latino authors #interactive fiction #cyoa #choose your own adventure #choose your story

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just-antithings · 3 years

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The thing about child-coded or whatever... as a writer and artist I sort of get the point? Both visual and written fiction relies a lot on shorthand to communicate a general idea because there's only so much detail because none of it is necessarily literal. If I want to communicate that a character is old, I might make their face a little lined, adjust their hairstyle and clothing, choose specific body language, the way they speak, how they interact with other characters, ect. Of course this intersects with other aspects of their character and what the creator seeks to communicate, but in general that's the sort of basics. If works for a lot of things like age, race, ethnicity, gender, sexuality, history, personality, health, relationships, neurodivergency. And with how antis tend to use the term, one could argue this is essentially coding as they understand it.

So for example, loli characters even if they are technically adults, utilize a lot of the same shorthand that child characters do to sort of invoke the idea of a child. One could argue they are coded as a child. However. It's just shorthand. That's not a literal realistic depiction of a child, like all fiction where much of the detail is cut for space or effort or style, it just communicates certain ideas and information to the reader through implication and association. It can easily be interpreted in a different way and there is a lot of overlap (eg. there's a lot of shorthand for things like youth, cute, vulnerable, silly, childish, immature, ect, that overlap) and shorthand for child can also be used to get different character traits and information across in different contexts.

So it seems like a lot of these antis are taking a single aspect of a character that, in conjunction with other design and writing choices, can (but not always are) be used to communicate "hey, this character is a kid" without outright saying it, or reinforcing their youth... and just like, saying it automatically makes them a kid regardless of context or other aspects of design. Not to mention shorthand is often used in ways to purposefully contradict other aspects to make a more complex character or even to produce a sense of unease. Think about kid characters that appear to be kids, but act like adults, or are dangerous and scary like in horror movies, all of which is contradictory coding if the only idea the creator wanted to communicate was "child." Which is just to say, even if the idea of a child is being purposefully invoked, it's still more complicated than that.

And so antis take the complex and fun ways in which we communicate certain ideas and information to readers through implication and good storytelling, and butcher it to the point and character being short (which can, in conjunction with other design choices, be used to communicate a child character but not always) automatically means "kid" because they would fail a 4th grade English course if they took it now. And even then, they'll throw aside entire art styles even if coding as they use the term would be interpreted within the context of the text itself because if everything is a fucking chibi then the reader would adjust their interpretation because everyone looks small and cute and so that can't be relied upon to differentiate ages. It's just such a lack of understanding of how writing and visual design even work (not to mention the blatant ableism, racism, and sexism in so much of how they decide to "code" things) and there certainly is conversations to be had about how coding sometimes can be bad in some contexts (eg. enemies and chaotic evil fantasy races being based on marginalized races and culture, certain ways gender is communicated and understood, stereotypes) but it's nothing like how antis talk about it

(and of course, it's all fictional. I don't give a flying fuck if someone is into loli or shota no matter what their official ages are or how they are designed/written I do not care about the age thing)

very well put!

#mod erin #just anti things #ask #loli mention #shota mention #shotacon mention

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maxwell-grant · 3 years

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AIUI, Burbank is even more a question mark than The Shadow is; we don't know if that's a personal name, surname, or nickname, we no nothing of his past, his personal life, or even (again, AIUI) his personality. Is that something that should be kept in adaptations, or ought he be developed more?

Both.

The thing about developing a mystery is that you still need to have something in place to purposefully obscure or slowly reveal. You still need to give your audience tidbits and information here and there that makes them want to learn more and find out what the answer is, even if they know it's never really happening, even if the answer couldn't possibly live up to the hype.

Twin Peaks was able to delay the mystery of Laura Palmer's murder for an entire season and more partially because Laura Palmer had such an rich, troubled inner life and turmoil, that we could gradually receive snippets of information regarding it every episode and still not know the whole story, so much so that, even after we learned who did it, there were still many, many stories to be told within Laura Palmer's life and the city. This holds true for The Shadow, and it holds true for Burbank.

Gibson successfully created intrigue regarding Burbank because, not only was Burbank a crucially important figure in The Shadow's organization and therefore someone we'd want to know more about, but because everytime Burbank showed up to play a substantial role, you could gleam something new about him. Burbank is a great example of staging in The Shadow pulps because his scenes are often written as if we were watching a movie where the head of our main character keeps being blocked from view, until it's revealed, and it doesn't really help us understand him much better than before, even though we've come to learn more about what he acts and looks like.

In fact, The Shadow even seems to be aware of this, such as in the scene below when the narration goes to great lenghts to obscure Burbank's face, even in a scene when there is literally no one around but Burbank and The Shadow. Why go through this much trouble to obscure Burbank from no one but the reader? Why not just refrain from describing what he looks like instead of making sure we can't even imagine what he looks like in our heads in the scene? What's the mystery over what's ostensibly just an average quiet-faced man? And so Burbank doesn't become just a mystery, but a tantalizing one.

The fellow's back was toward the light; since the elevator was dark, it was impossible to distinguish his features. When he helped The Shadow carry the boxes to an open apartment, the bulky objects came in front of the man's face. Since the apartment was dark, too, the features of this silent companion remained as concealed as The Shadow's own.

The fact pleased The Shadow. The less people who saw Burbank, the better - Voice of Death

For example, we do know where Burbank's name comes from, and potentially his first name. In both “The Shadow Laughs” and “The Case Of Congressman Coyd,” Burbank is referred to as “Mr. Burbank,” which indicates it's a last name. In The Death Giver, Burbank hands Harry a business card

At three fifteen, the stenographer entered and tendered Harry a card. It bore the name:

L. BURBANK MOTION PICTURE OPERATOR

A later story specifically namedrops famous horticulturist Luther Burbank, and according to Will Murray, Walter Gibson did confirm to him personally that Burbank was named after Luther Burbank.

We know Burbank's main feature is that he's "quiet-faced" with a "soft, even-toned voice", and that characters can recognize Burbank by his voice even when his face is obscured, but his look isn't consistent. His sole appearence in a cover comes from The Lone Tiger, where he seems to be past his fifties and being semi-bald, but it's not how he looks in Edd Cartier's illustration where he's got a hairdo. Both seem to be somewhat based on Dr David Burbank, the New Hampshire dentist who founded the city. He's been said to be at least 40 once, and this in itself is at odds with some descriptions that place Burbank as younger than The Shadow and describe him as "a young man with a solemn look", which is more in line with how he tends to be depicted in comics, particularly the blonde man with the eyepiece designed by Michael Kaluta.

We know he was officially introduced after Harry Vincent and Claude Fellows, but that apparently he's known The Shadow for quite a while, as he (as Cranston) refers to Burbank as "an old friend" in his introduction (is he an old friend of Cranston as well?). Robert Sampson speculated that the two met in 1924 at a radio station, where as Rick Lai speculates that Burbank may have been recruited in an unrecorded adventure in Rio de Janeiro, mentioned in Gypsy Vengeance, that took place between the first and second novels.

We know that Burbank is at a rather unique position among the agents because he is maybe the most important figure in The Shadow's network, the main keeper of The Shadow's secrets, the one entrusted to run the organization on The Shadow's absence, the only one who can directly reach The Shadow in the Sanctum, and if anyone knows anything about whatever secrets there are in The Shadow's past, it's definitely him, but he's also the one we know the least about as a person, and contrary to the other agents, Burbank is often described in mechanized terms, which gives him a rather inhuman aura somewhat different than that of The Shadow's.

In a sense, Burbank was the mainspring of the machinery that The Shadow used in his warfare against crime.

As contact man, he kept in touch with all the active agents; there were times when he actually ran things, during The Shadow's absence. Tonight was one of those rare occasions when Burbank was needed on active duty.

Nevertheless, the human cogwheel had connected up a switchboard and had a short−wave radio set handy, so that he could continue his contact duties from this empty apartment - Voice of Death

When emergency demanded, Burbank served as he now was serving. Instead of making calls to the deserted sanctum, he was issuing orders in The Shadow's stead. - The Key

Everytime Burbank gets any sort of spotlight, we learn a little more about him, who he is, what he can't and can do. His methods, what he does to spend the time, some of the things he does for The Shadow outside of communications like planting recording devices in criminal hide-outs and devising or managing electrical devices and The Shadow's advanced technology (even if he doesn't fully understand it).

"Burbank began his own attempt to scale the wall. Ordinarily, his clutches would have been inadequate, and his toe holds were uncertain. But the wire was drawing upward under The Shadow's haul. It gave the needed support whenever Burbank floundered. The Shadow could actually sense his agent's progress by the varying strain upon the wire. At last, Burbank flopped over the roof edge like a landed fish" - Masters of Death

There were remarkable devices here. Burbank understood some of them, but the millionaire alone was familiar with all the equipment - Eyes of The Shadow

“To Burbank, long, lone vigils were nothing. He was not a man of action; he was one of endurance. Prompt, precise and always dependable, Burbank had served The Shadow well.“ - The Key

During his long hours of duty, he resorted to one methodical habit as he bided away the time. He always had a supply of chewing gum.” - The Killer

Burbank leaned back in his chair. His position was one of patient relaxation. While he awaited new telephone calls, his attitude was one of complete passivity. There was nothing excitable in the make-up of this man who sat with his back toward the light. Yet Burbank was a man of amazing endurance. In place of action, he exercised untiring vigilance. It was this quality that made him a most important factor in the affairs of that amazing personage known as The Shadow - The Killer

Burbank is, at once, the barrier between the agents (and by extension, us) and The Shadow, as well as the bridge that allows the agents (and us) to find and reach The Shadow.

And I do like it that Burbank's specifically said to not be cut for action, that he's not really a fighter or a marksman or even a super tech genius, on paper he's really just a guy who sits in a chair all day fiddling with radio equipment. But he is still cool and impressive by the standards of what matters most in The Shadow's world. He's patient and resourceful and vigilant and clever and trustworthy, and he's someone that The Shadow trusts more so than anyone else.

There was no sound of the door closing; no sound, indeed, to indicate that any person had moved in that direction. Yet Burbank knew, from experience, that his master, The Shadow, had departed, after giving him the sign that his vigil was ended.

Such word usually came from The Shadow’s sanctum. Tonight, being in the vicinity of Burbank’s present station, The Shadow had preferred to give his faithful agent fifteen or twenty minutes of extra respite by visiting him in person

Such was the way of The Shadow. Though none of his trusted operatives had ever seen his undisguised face; though his ways and actions were secret and mysterious to them; they received constant signs of The Shadow’s appreciation of their reliable cooperation - Death Triangle

In Suite 808, a figure was seated in front of the writing table. It was The Shadow, in his guise as Arnaud; Burbank was off duty, asleep in the other room.

The telephone buzzed; The Shadow answered it. He spoke in a quiet, methodical tone, a perfect imitation of Burbank's voice. Harry Vincent reported - The Case of Congressman Coyd

On one hand, I don't think the "mystery" of Burbank is ever going to be ruined, or should be ruined. But on the other hand, I definitely think there's a lot of room to explore more regarding what exactly is he as a person, as an agent, what kind of roles he plays, what is his connection to The Shadow or what relationship he has with other agents or other people he's meant to be in more direct contact with. I think it's a matter of balance.

There's a lot of room to work with particularly regarding how you could adapt Burbank into adaptations set in different time periods (not necessarily modern day), because with how communication technology had advanced beyond imagination, there's a lot of ways you could adapt or recontextualize Burbank, The Shadow's social network.

#replies tag #pulp heroes #pulp fiction #the shadow #shadow magazine #burbank #shadow comics

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immaturityofthomasastruc · 3 years

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IOTA Reviews: Lies

You guys ready for almost twenty straight minutes of Angstdrien Depreste? Neither am I.

Let's get into the third (chronologically the second) episode of Miraculous Ladybug's fourth season: Lies (Oh, I get what they did there).

We open with Marinette struggling to decipher the grimoire she inherited from Fu, before two of the Kwamis screw around and play a video about Adrien.

Jesus Christ... it hasn't even been an episode since she broke up with Luka, and the writers are already back to making her simp over Adrien again. And this part of the episode takes place during “Truth”, where she's still dating Luka. This is supposedly meant to show her conflicting feelings regarding both Adrien and Luka, but it just comes across as yet another joke about Marinette simping over Adrien because the writers have forgotten she has other interests outside of her hero life.

And here we go. The writers are going to go out of their way to make the audience feel bad for Adrien in this episode by showing how tough his life is. What do we see him do that is allegedly so exhausting? He models for another statue, goes to a photoshoot, and then goes to some drama class where he repeats some phrase (I think it's supposed to be a warmup, but it's never explained why he's there in the first place). That's it. This is his definition of an “endless day”? Oh yeah, his life must be soooooooo hard.

Adrien is a rich white boy who is the son of one of the biggest names in fashion across the world, has legions of fans, an honest education, and is also one of the most beloved superheroes in the city while not having to struggle with the same responsibility his partner has. But no, Adrien's life is much harder than anyone else who has suffered this past year. It's yet another trick the writers are pulling to make people feel bad for Adrien instead of criticizing his behavior. I'm sorry, but I find it a little hard to relate to someone whose biggest problems amount his diamond shoes being too tight.

Good lord, I'm not even a minute in...

So Adrien transforms into Cat Noir and heads off to patrol. Keep in mind that the first part of this episode takes place during the events of “Truth”, so we see how he reacts to Ladybug not showing up for patrol. He waits for a while before he starts, but not before leaving a message for his partner.

Now, this moment honestly could have worked. What doesn't make it work is the air quotes Cat Noir starts off with. If he had said something like that honestly and kept his feelings a secret, it could have shown he understands the burden Ladybug has to bear now that she's the Guardian, but doesn't want to worry her. The problem is that the way he phrased the first sentence coupled with the air quotes make it seem like he doesn't care about what Ladybug has to deal with now, and only wants her to spend time with him.

You think I'm being overdramatic or I'm just jumping to conclusions? In the very next scene, Cat Noir actually tries to see if Mr. Ramier is emotional enough to get akumatized into Mr. Pigeon again just so he can see Ladybug.

This is just... why? Why would any of the writers expect the audience to feel bad for Cat Noir here? It's one thing for him to miss Ladybug's company, which is natural considering how much time they spend together, but wanting to start a life-threatening situation just to see Ladybug just isn't cool. What makes this any different from Chloe causing a subway to go out of control so she can save it herself, or Lila intentionally akumatizing herself and working with Hawkmoth just because she hates Ladybug? If you can find a reason other than “because the plot says so”, I'll want to hear an explanation.

So Cat Noir goes to Le Grand Paris to drown his sorrows in alcohol with his favorite drink, a White Russian without the vodka and coffee liqueur. Also, instead of cream, it's skim milk. And speaking of Chloe, we see her get into a brief squabble with Sabrina over missing a bag she has underneath her shoulder, and Cat Noir gets excited again at the prospect of getting to fight an Akuma, but thankfully, the situation is resolved fairly quickly.

Ignoring how unheroic this makes this supposed “superhero” look, I have a quick question. SHOULDN'T CHLOE BE IN PRISON RIGHT NOW? She essentially committed treason against her country by willingly conspiring with a terrorist. I get that everyone in Paris was paralyzed at the time, but did Ladybug not tell anyone what happened? How is she not in trouble? Did her father pardon her or something? Is she not even going to do any community service? You would think given how much Astruc hates her, Chloe would be forced to face more consequences for her actions other than losing her Miraculous permanently. Hopefully, “Queen Banana” will shed some light on Chloe's situation, but I'm not exactly holding my breath on that.

But yeah, Cat Noir actually gets excited at the prospect at fighting an akumatized Sabrina, while ignoring how cruel Chloe's being to her, because I guess it's a day that ends with a “Y”. Remember when Adrien actually called out Lila and compromised with her in order to get Marinette back into school? Good times.

Cat Noir keeps calling and leaving messages for Ladybug, but changes his mind as soon as he sees Kagami, because he has the attention span of a puppy looking for someone to play with. Adrien stares at his phone's wallpaper of Ladybug, implying he still has feelings for her, and is then informed by Nathalie that his fencing class with Kagami was moved back by an hour. In reality, it was a trick by Kagami to get the two to spend some quality time together.

They choose to hang out in the art room because, get this, Kagami has always had a passion for drawing. Of course! That explains why it's never been mentioned in any earlier episodes, not even the one where she attended the premiere of an animated movie, which is a similar form of art. It's almost like the writers wanted to have Kagami do something that doesn't involve swinging a sword around. It's a good reason, mind you, but maybe if it was foreshadowed more, I would be more open to it.

Kagami says that she loves drawing because “art never lies”. Because it's not like someone can draw something completely inaccurate to what's actually being depicted, much like a certain character who likes to make up stories of people she knows to get others to like her, right? Kagami also says that her mother doesn't let her draw because she doesn't think her art isn't good, even though she's blind. Because when it comes to parents in Miraculous Ladybug, they're either amazing people who love their children, or they're emotionally abusive pieces of garbage who make you wonder why they even had kids in the first place. There is literally no middle ground. Maybe some of the writers have daddy issues?

So Kagami decides to draw a picture of Adrien, but wants him to give her a more “natural” pose instead of the standard model poses he usually gives.

Okay, this scene is raising so many red flags, the dialogue might as well be in semaphore. Where the hell did this side of Kagami come from? Why is she so controlling and forceful all of a sudden? In fact, why is she so obsessed with Adrien being “perfect”? The two made jokes before in the past (Desperada), and even spent half of the Season 3 finale playing around with Marinette? Why is she now Little Miss Serious?

Also, Kagami is really overstepping boundaries with Adrien here. Like, to a seriously uncomfortable degree. I get she isn't good with social cues, but how can she not see how anxious Adrien looks while she forces him into a pose, all while saying how wrong he is for doing what he sees as “natural”? This is not what a healthy relationship looks like, and spoiler alert, this isn't exactly why they even break up at the end of the episode.

Before the two can kiss while they're actually at fencing practice, Adrien is forced to leave Kagami to help Ladybug fight Mr. Pigeon (which means the narrative basically gave him what he wanted for no reason), leading to the same scene where Ladybug almost kills him, while he jokes about how he likes how angry she gets, and she apologizes for something that wasn't her fault. Just remember, he flirts with Ladybug right after he left his girlfriend to join her for an Akuma battle. The same montage from “Truth” happens, only it's Adrien missing opportunities to be close with Kagami, culminating with the little Kitty Section concert that happened right before Luka got akumatized.

While the two wait for their rides, Adrien accidentally drops the charm Marinette gave him all the way back in “Gamer”, which Kagami picks up. When he sees an Akuma flying, Adrien soon heads off to fight him, saving Ladybug from blowing her cover. After the events of “Truth”, Adrien apparently heads to Prince Ali's birthday party (yet Rose isn't there for some reason), meaning the second half of this episode takes place immediately after the previous one, even though it's been established that Hawkmoth/Shadowmoth needs time to recharge.

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After Cat Noir flirts a little with Ladybug again, he heads off to the party to meet up with Kagami. When he had to leave to fight Truth, Adrien claimed that he left something on the Liberty, which Adrien later claims was the charm Marinette gave him. Kagami soon realizes he's lying about something, and doesn't take it well.

There's a good performance from Kagami's voice actress here, and it's a nice parallel to Luka, who also feels a sense of betrayal when Marinette can't be honest with him. But this scene does tie into the problem with Adrien and Kagami in this episode, and I'll get into it towards the end.

Kagami storms off, and is immediately akumatized by Shadowmoth, turning her into Lies.

Like Truth, the design here is really forgettable. The design is all white and gives Kagami a haircut that looks like it belongs in The Jetsons, but that's it. The one thing I like about her is the way her powers work. Instead of going from victim to victim, Lies creates an energy dome that slowly grows and paralyzes anyone has lied before in the past, which is basically everyone who comes into contact with it. It's a pretty interesting idea, and it means that Ladybug and Cat Noir have to rely more on strategy while avoiding any contact with the dome.

Adrien transforms into Cat Noir and charges into action, with Jagged Stone offering to help out.

I don't think you can say the same for your family, can you, Jagged?

Cat Noir tells Jagged to get to a safe place, but much like his one night stand with Anarka, he refuses to pull out, so he gets paralyzed by the dome, along with everyone in the building.

Ladybug meets up with Cat Noir and immediately summons her Lucky Charm, a remote control drone. Since it hasn't lied, it can go into the dome and be used as surveillance while Cat Noir distracts Lies. While it seems like nobody inside the dome can touch Lies, Ladybug realizes that Fang, Jagged Stone's pet crocodile, hasn't lied either, so she uses the drone to lure him out of the building.

Cat Noir thinks of a way to distract Lies by doing what he always does to increase the tension.

You know, I thought of a little game we could play. Why don't we count how many times Cat Noir sacrifices himself this season? So far, the Cat Noir Self-Kill Counter is at 1, but I'm guessing it will be higher the longer this season goes on.

So while Lies is distracted by Cat Noir's unconscious body, Fang runs over and breaks her corrupted object, Marinette's charm. So after using Miraculous Ladybug, Ladybug runs over and, for good reason, I may add, scolds Cat Noir for recklessly sacrificing himself yet again.

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You know if this plan failed, not only would Shadowmoth get your Miraculous, but Ladybug would be all alone, you idiot! And we're supposed to find this reckless endangerment funny!? Seriously, Ladybug smiles at Cat Noir's stupid little quip as he still flirts with her right after he got into a fight with his girlfriend.

The next day, Adrien apologizes to Kagami, but she says she can't trust him, not as a boyfriend, and not as a friend either. And here is the problem with the Adrigami breakup. Like with the Lukanette breakup, it chooses to focus on one detail instead of the other, and glaringly obvious detail. The episode is trying to say that the whole reason Kagami and Adrien can't work as a couple is because of Adrien keeping his life as Cat Noir a secret. In reality, both of them have problems that they need to work on before they consider dating. Kagami has shown herself to be a massive control freak in this episode because of her own vision of what Adrien is like, showing she doesn't respect his boundaries or beliefs.

And Adrien? Where do I begin?

Adrien clearly shows several signs that he hasn't moved on from Ladybug with how much he flirts with her, even before he and Kagami got together, and there's the fact that unlike Marinette who realizes how she can't have a love life, it doesn't feel like Adrien actually learned that lesson.

We are supposed to see Adrien focusing on his secret life as Cat Noir as the responsible thing to do, and that like Ladybug, he needs to prioritize being Cat Noir over dating. The thing is that this episode has only showed how he doesn't take any of the hero stuff seriously. Throughout the episode, he treats being Cat Noir as a fun pasttime, when it comes to craving Ladybug's attention to the point where he's just short of causing an Akuma attack out of desperation until he sees someone else to spend time with, constantly flirts with Ladybug despite how annoyed she can come across, doesn't understand any of the stuff she has to deal with now that she's Guardian, and will sacrifice himself all so Ladybug can do all the work for him. He doesn't care about anything unless he gains something in return. It doesn't matter if lives are in danger, he thinks his personal feelings are more important because his civilian life is sO hAaArRd.

At one point when we were all kids, we all wanted to be superheroes because we all thought the idea of having superpowers and the freedom to do whatever we wanted sounded awesome. But that's not what being a hero is. We never thought about the responsibility that comes with being a superhero. One of the main themes of superhero media that we all watched growing up was that they would help us to learn right from wrong, and that sometimes, personal sacrifices have to be made for the greater good, and our feelings just aren't that important in the grand scheme of things. Whether we learned this lesson from Superman, Spider-Man, Sailor Moon, the Power Rangers, or even the Teenage Mutant Ninja Turtles, what matters is that by the time we reached the age of these heroes, we would have a similar moral compass so we would understand why these heroes would make some of the choices they did, and we would be able to make similar choices if we encountered situations like the ones they went through.

Part of growing up is realizing that being a superhero isn't all fun and games. Sometimes, you need to put your own personal desires aside to make sure nobody gets hurt because of something you did or didn't do. We are currently in the fourth season of this show, and after 82 episodes, Cat Noir has still failed to learn that lesson. He doesn't understand that even if his “true self” is clowning around, that's not how a hero acts. You don't see Batman or Captain America acting this way, and you don't see real life soldiers or emergency workers acting this way either.

And that's not even getting into the fact that this is the same problem the Lukanette breakup had. Even though Marinette had a valid reason to break things off with Luka because she realized being Guardian was more important, the narrative framed it like she was still into Adrien, no matter if she was making an effort to get over him. Likewise, even though both Adrien and Kagami have issues the narrative refuses to actually acknowledge, they frame it as Adrien's hero life was ruining their relationship, when in reality, the reasons for both the Adrigami breakup and the Lukanette breakup should have been flipped. “Truth” should have been about Marinette coming to terms with her new responsibilities as the Guardian, and “Lies” should have been about Adrien realizing he needs to work on his own personal issues before he considers his feelings for Kagami or Ladybug.

So the episode just ends with Ladybug and Cat Noir saying that even if they have to keep secrets about their identities, they can still trust each other. Also, before Kagami dumped him, Adrien reaffirmed his feelings for Ladybug (the only time they were actually referenced outside of flirting and his phone's wallpaper), which implies that Adrien is going to continue to pursue Ladybug, having learned nothing from this whole episode.

You know, after watching both this episode and “Truth”, and seeing how it undid two of the major changes from the Season 3 finale, does it almost feel like nothing's changed at all? Does it almost feel like you've been here before? How am I gonna be a optimist about this? Hell if I know, this episode's honestly worse than “Truth” was.

Put aside your feelings on the Adrigami breakup, the pacing here was awful. Because the writers thought it would be interesting to have some continuity for once by having it take place right after “Truth”, the timeline is incredibly confusing. Can Shadowmoth just create more Akumas at once without having to recharge? And shouldn't Ladybug and Cat Noir be exhausted from having to fight two Akumas and a Sentimonster in one day?

Even then, about half of the episode was spent following Adrien as he whined about how hard he supposedly has it, proving despite what Astruc continues to state, he is far from perfect, and like what he loves to say about Chloe, refuses to change. Wow, that's so interesting. And we're supposed to feel bad for Cat Noir and be mad at Ladybug for missing their patrol, forgetting everything she's been going through in the last week, considering how Gabriel just fixed the Peacock Miraculous, suggesting that the events of “Truth” and “Lies” happened not too long after “Miracle Queen”. Even the Akuma fight wasn't that interesting because it was crammed into about five minutes thanks to everything else going on in this episode.

In an attempt to make the audience sympathize with him, this episode only made me loathe the way Adrien is portrayed even more. Seriously, he reaches “Frozer” levels of unlikability in this episode. Maybe he'll get some much needed character development, but given how much Astruc will put him on a pedestal and ignore his flaws, I don't think it's going to happen anytime soon.

But I still don't see the point of spending so much time building up this relationship for two seasons just to end it as soon as they hook up. At the end of the day, all Lukanette and Adrigami amounted to was filler. It was a way to get in some romantic scenes for the fans while the writers continue to drag out the Love Square drama like a taffy puller. And now that Luka and Kagami have served their purpose, watch as Astruc and the other writers start to slowly remove them from the narrative until they appear about as often as Nino does now.

After all, why care about anything in this show that isn’t related to the Love Square? It’s clear none of the writers do.

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