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#Édouard Detaille
illustratus · 3 months
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Bonaparte in Egypt, 1798 by Édouard Detaille
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lux-vitae · 2 years
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Panorama of the Battle of Champigny (detail) by Édouard Detaille (1882)
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joachimnapoleon · 2 years
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A friend sent me this wonderful drawing by Édouard Detaille of Napoleon and Murat in Russia in 1812. It’s from an old issue of Cavalier et Roi, a journal that the Amis de Musée Murat used to publish. I’ve never seen it published anywhere else before.
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roehenstart · 2 years
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General Bonaparte during the first Italian campaign. By Édouard Detaille.
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The Art of the War - the most famous battles from Gettysburg to Kyiv in Ukranine
The text below is the excerpt from the book Art of War (ISBN: 9781783107797), written by Sun Tzu and Victoria Charles, published by Parkstone International. https://www.amazon.com/Art-Temporis-Collection-Victoria-Charles-ebook/dp/B016VYMQSW/ref=sr_1_1?crid=Q1G2T3Y2ZB7I&keywords=B016VYMQSW&qid=1654157414&sprefix=b016vymqsw%2Caps%2C486&sr=8-1 While most battles that will be shown in this art book…
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leatherandmossprints · 10 months
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‘Allegory of Smell’ (detail) by Édouard-Louis Dubufe (French, 1819-1883)
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artfoli · 2 years
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Édouard Bisson
Occasionally one, even the most pretentious of art appreciators, wants to just revel in something pretty. That's how I feel with Édouard Bisson's (1856–1939) work. It's pure romanticism celebrating captivating female beauty in a fin de siècle aesthetic. Women emerge from these soft magical surroundings, as their billowing gowns defy gravity. Nymphs are greeted by reoccurring putti. Even the portraits grounded in a more "realistic" (and I use this term loosely) setting. Tropical or softly-blended backgrounds are transplanted behind these sitters, their dresses caught as if in a breeze. These scenes are transportantional in their touch of magic.
Bisson studied under Jean-Léon Gérôme (1824-1904). One can recognise the traits he developed under his tutelage, such as the aspect of the less-than-accurate representation of reality dominant in the Orientalism movement.
Specializing in figurative genre painting, and some mythological scenes, Bisson held a successful career. He become a member of the Salon and received numerous awards and critical acclaim over the years.
The Dance of the Nymphs, oil on canvas, Édouard Bisson (1856-1939)
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lionofchaeronea · 5 months
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Detail from In the Conservatory, Édouard Manet, 1879
Happy birthday to Édouard Manet (23 Jan. 1832-30 Apr. 1883).
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dixt · 11 months
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“flowers” · by édouard vuillard, c. 1906
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ahaura · 1 year
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Édouard Manet (French, 1832–1883) detail of Lilac and roses 1883 oil on canvas, 54 × 45 cm
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illustratus · 2 months
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Charge of the 9th Regiment of Cuirassiers at Morsbronn by Édouard Detaille
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thewaspandthefig · 2 years
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A Bar at the Folies-Bergère (French: Un bar aux Folies Bergère), 1882
Édouard Manet
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hckat · 2 years
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Countess of Hallez Claparede by Édouard Dubufe, 1857 (details)
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mariocki · 20 days
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Un témoin dans la ville (Witness in the City, 1959)
"I'll yell. I'll yell for help. The neighbours will come."
"The rich don't have neighbours, Mr. Verdier. Just trees surrounding their homes."
#Un témoin dans la ville#witness in the city#french cinema#film noir#1959#édouard molinaro#pierre boileau#thomas narcejac#gérard oury#lino ventura#sandra milo#franco fabrizi#jacques berthier#ginette pigeon#françoise brion#robert dalban#micheline luccione#janine darcey#gérard darrieu#jacques monod#barney wilen#beautifully stripped down‚ jazzy noir; simple and brutal‚ as Lino Ventura's righteous murderer stalks the sole witness to his crime and#very gradually loses his humanity and the sympathy of the audience. it's all hard shadows and collateral damage‚ a nihilistic study of the#inescapable escalation of violence in the search for revenge. Ventura is fantastic: he had such a great face for cinema‚ a big blank canvas#just waiting to be painted with all the worries the world has to offer‚ here running the gamut from hard and pitiless to soft and frightene#he's the noir archetype‚ a thoroughly ordinary man caught up in an extraordinary situation and rapidly spiralling out of control#waltzing ever steadily towards a destruction of his own making. everyone's great here tho‚ and there's not an ounce of flab on this film#nor a single wasted shot. Molinaro works in some light among the dark‚ moments of life that stand in contrast to the moments of death#warmth against cold; unsentimental‚ from the brutal opening murder to the perfunctory bleakness of the finale#an indispensable noir full of detail and realism and life and character. highly recommended for p much anyone
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simena · 2 months
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Charles-Édouard de BEAUMONT (detail)
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